Peter Green (musician) Post-Fleetwood Mac What happened Post-Fleetwood Mac? after leaving Fleetwood Mac, he accompanied former bandmate keyboardist Peter Bardens (Peter B's Looners) on Bardens' solo LP The Answer, Did Fleetwood Mac ever get back together? In 1971 he had a brief reunion with Fleetwood Mac, helping them to complete a US tour after guitarist Jeremy Spencer had left the group, What did each member in the group do? Green appeared at the Bath Festival of Blues and Progressive Music with John Mayall, Rod Mayall (organ), Ric Grech (bass) and Aynsley Dunbar (drums). What else happened in 1971? He recorded two tracks for the album Juju with Bobby Tench's band Gass; a solo single and another with Nigel Watson, Did Fleetwood Mac release any more music? and an uncredited appearance on Fleetwood Mac's Penguin LP in 1973, on the song "Night Watch".
Did the band members have solo albums?
Did the band members in Fleetwood Mac have solo albums?
On 27 June 1970, Green appeared at the Bath Festival of Blues and Progressive Music with John Mayall, Rod Mayall (organ), Ric Grech (bass) and Aynsley Dunbar (drums). Also soon after leaving Fleetwood Mac, he accompanied former bandmate keyboardist Peter Bardens (Peter B's Looners) on Bardens' solo LP The Answer, playing lead guitar on several tracks. In that same year, he recorded a jam session with drummer Godfrey Maclean, keyboardists Zoot Money and Nick Buck, and bassist Alex Dmochowski of Aynsley Dunbar's Retaliation; Reprise Records released the session as The End of the Game, Peter's first post-Fleetwood Mac solo album. In 1971 he had a brief reunion with Fleetwood Mac, helping them to complete a US tour after guitarist Jeremy Spencer had left the group, performing under the pseudonym Peter Blue. He recorded two tracks for the album Juju with Bobby Tench's band Gass; a solo single and another with Nigel Watson, sessions with B. B. King in London in 1972 and an uncredited appearance on Fleetwood Mac's Penguin LP in 1973, on the song "Night Watch". Green's mental illness and drug use had become entrenched at this time and he faded into professional obscurity.  In the early 2000s there were rumours of a reunion of the early line-up of Fleetwood Mac, involving Peter Green and Jeremy Spencer. The two guitarists and vocalists were apparently unconvinced of the merits of such a project, but in April 2006, during a question-and-answer session on the Penguin Fleetwood Mac fan website, bassist John McVie said of the reunion idea:  If we could get Peter and Jeremy to do it, I'd probably, maybe, do it. I know Mick would do it in a flash. Unfortunately, I don't think there's much chance of Danny doing it. Bless his heart. CANNOTANSWER
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Peter Allen Greenbaum (29 October 194625 July 2020), known professionally as Peter Green, was an English blues rock singer-songwriter and guitarist. As the founder of Fleetwood Mac, he was inducted into the Rock and Roll Hall of Fame in 1998. Green founded Fleetwood Mac in 1967 after a stint in John Mayall's Bluesbreakers and quickly established the new band as a popular live act in addition to a successful recording act, before departing in 1970. Green's songs, such as "Albatross", "Black Magic Woman", "Oh Well", "The Green Manalishi (With the Two Prong Crown)" and "Man of the World", appeared on singles charts, and several have been adapted by a variety of musicians.

Green was a major figure in the "second great epoch" of the British blues movement. Eric Clapton praised his guitar playing, and B.B. King commented, "He has the sweetest tone I ever heard; he was the only one who gave me the cold sweats." His trademark sound included string bending, vibrato, and economy of style.

In June 1996, Green was voted the third-best guitarist of all time in Mojo magazine. In 2015, Rolling Stone ranked him at number 58 in its list of the "100 Greatest Guitarists of All Time". Green's tone on the instrumental "The Super-Natural" was rated as one of the 50 greatest of all time by Guitar Player in 2004.

Biography

1946–1965: Early life and career
Peter Allen Greenbaum was born in Bethnal Green, London, on 29 October 1946, into a Jewish family, the youngest of Joe and Ann Greenbaum's four children. His brother, Michael, taught him his first guitar chords and by the age of 11 Green was teaching himself. He began playing professionally by the age of 15, while working for a number of East London shipping companies. He first played bass guitar in a band called Bobby Dennis and the Dominoes, which performed pop chart covers and rock 'n' roll standards, including Shadows covers. He later stated that Hank Marvin was his guitar hero and he played the Shadows' song "Midnight" on the 1996 tribute album Twang. He went on to join a rhythm and blues outfit, the Muskrats, then a band called the Tridents in which he played bass. By Christmas 1965 Green was playing lead guitar in Peter Bardens' band "Peter B's Looners", where he met drummer Mick Fleetwood. It was with Peter B's Looners that he made his recording début with the single "If You Wanna Be Happy" with "Jodrell Blues" as a B-side. His recording of "If You Wanna Be Happy" was an instrumental cover of a song by Jimmy Soul. In 1966, Green and some other members of Peter B's Looners formed another act, Shotgun Express, a Motown-style soul band which also included Rod Stewart, but Green left the group after a few months.

1966–1967: John Mayall and the Bluesbreakers
In October 1965, before joining Bardens' group, Green had the opportunity to fill in for Eric Clapton in John Mayall & the Bluesbreakers for four gigs. Soon afterwards, when Clapton left the Bluesbreakers, Green became a full-time member of Mayall's band from July 1966.

Mike Vernon, a producer at Decca Records recalls Green's début with the Bluesbreakers:

Green made his recording debut with the Bluesbreakers in 1966 on the album A Hard Road (1967), which featured two of his own compositions, "The Same Way" and "The Supernatural". The latter was one of Green's first instrumentals, which would soon become a trademark. So proficient was he that his musician friends bestowed upon him the nickname "The Green God".  In 1967, Green decided to form his own blues band and left the Bluesbreakers.

1967–1970: Fleetwood Mac

Green's new band, with former Bluesbreaker Mick Fleetwood on drums and Jeremy Spencer on guitar, was initially called "Peter Green's Fleetwood Mac featuring Jeremy Spencer". Bob Brunning was temporarily employed on bass guitar (Green's first choice, Bluesbreakers' bassist John McVie, was not yet ready to join the band). Within a month they played at the Windsor National Jazz and Blues Festival in August 1967, and were quickly signed to Mike Vernon's Blue Horizon label. Their repertoire consisted mainly of blues covers and originals, mostly written by Green, but some were written by slide guitarist Jeremy Spencer. The band's first single, Spencer's "I Believe My Time Ain't Long" with Green's "Rambling Pony" as a B-side, did not chart but their eponymous debut album made a significant impression, remaining in the British charts for 37 weeks. By September 1967, John McVie had replaced Brunning.

Although classic blues covers and blues-styled originals remained prominent in the band's repertoire through this period, Green rapidly blossomed as a songwriter and contributed many successful original compositions from 1968 onwards. The songs chosen for single release showed Green's style gradually moving away from the group's blues roots into new musical territory. Their second studio album Mr. Wonderful was released in 1968 and continued the formula of the first album. In the same year they scored a hit with Green's "Black Magic Woman" (later covered by Santana), followed by the guitar instrumental "Albatross" (1969), which reached number one in the British singles charts. More hits written by Green followed, including "Oh Well", "Man of the World" (both 1969) and the ominous "The Green Manalishi" (1970). The double album Blues Jam in Chicago (1969) was recorded at the Chess Records Ter-Mar Studio in Chicago. There, under the joint supervision of Vernon and Marshall Chess, they recorded with some of their American blues heroes including Otis Spann, Big Walter Horton, Willie Dixon, J. T. Brown and Buddy Guy.

In 1969, after signing to Immediate Records for one single ("Man of the World", prior to that label's collapse) the group signed with Warner Bros. Records' Reprise Records label and recorded their third studio album Then Play On, prominently featuring the group's new third guitarist, 18-year-old Danny Kirwan. Green had first seen Kirwan in 1967 playing with his blues trio Boilerhouse, with Trevor Stevens on bass and Dave Terrey on drums. Green was impressed with Kirwan's playing and used the band as a support act for Fleetwood Mac before recruiting Kirwan to his own band in 1968 at the suggestion of Mick Fleetwood.

Beginning with "Man of the World"'s melancholy lyric, Green's bandmates began to notice changes in his state of mind. He was taking large doses of LSD, grew a beard and began to wear robes and a crucifix. Mick Fleetwood recalls Green becoming concerned about accumulating wealth: "I had conversations with Peter Green around that time and he was obsessive about us not making money, wanting us to give it all away. And I'd say, 'Well you can do it, I don't wanna do that, and that doesn't make me a bad person.

While touring Europe in late March 1970, Green took LSD at a party at a commune in Munich, an incident cited by Fleetwood Mac manager Clifford Davis as the crucial point in his mental decline. Communard Rainer Langhans mentions in his autobiography that he and Uschi Obermaier met Green in Munich, where they invited him to their Highfisch-Kommune. Fleetwood Mac roadie Dinky Dawson remembers that Green went to the party with another roadie, Dennis Keane, and that when Keane returned to the band's hotel to explain that Green would not leave the commune, Keane, Dawson and Mick Fleetwood travelled there to fetch him. By contrast, Green stated that he had fond memories of jamming at the commune when speaking in 2009: "I had a good play there, it was great, someone recorded it, they gave me a tape. There were people playing along, a few of us just fooling around and it was... yeah it was great." He told Jeremy Spencer at the time "That's the most spiritual music I've ever recorded in my life." After a final performance on 20 May 1970, Green left Fleetwood Mac.

1970–1973: After Fleetwood Mac
On 27 June 1970 Green appeared at the Bath Festival of Blues and Progressive Music with John Mayall, Rod Mayall (organ), Ric Grech (bass) and Aynsley Dunbar (drums). In that same year he recorded a jam session with drummer Godfrey Maclean, keyboardists Zoot Money and Nick Buck, and bassist Alex Dmochowski of The Aynsley Dunbar Retaliation; Reprise Records released the session as The End of the Game, Green's first post-Fleetwood Mac solo album. Also soon after leaving Fleetwood Mac, Green accompanied former bandmate keyboardist Peter Bardens (of Peter B's Looners) on Bardens' solo LP The Answer, playing lead guitar on several tracks. In 1971, he had a brief reunion with Fleetwood Mac, helping them to complete a U.S. tour after guitarist Jeremy Spencer had left the group, performing under the pseudonym Peter Blue. He recorded two tracks for the album Juju with Bobby Tench's band Gass, followed by a solo single, one with Nigel Watson, sessions with B.B. King in London in 1971 and an uncredited appearance on Fleetwood Mac's Penguin LP in 1973, on the song "Night Watch". At this time, Green's mental illness and drug use had become entrenched and he faded into professional obscurity.

1974–2009: Illness and first re-emergence
Green was eventually diagnosed with schizophrenia and spent time in psychiatric hospitals undergoing electroconvulsive therapy during the mid-1970s. Many sources attest to his lethargic, trancelike state during this period. In 1977, Green was arrested for threatening his accountant David Simmons with a shotgun. The exact circumstances are the subject of much speculation, the most famous being that Green wanted Simmons to stop sending money to him. In the 2011 BBC documentary Peter Green: Man of the World, Green stated that at the time he had just returned from Canada needing money and that, during a telephone conversation with his accounts manager, he alluded to the fact that he had brought back a gun from his travels. His accounts manager promptly called the police, who surrounded Green's house.

In 1979, Green began to re-emerge professionally. With the help of his brother Michael, he was signed to Peter Vernon-Kell's PVK label, and produced a string of solo albums starting with 1979's In the Skies. He also made an uncredited appearance on Fleetwood Mac's double album Tusk, on the song "Brown Eyes", released the same year.

In 1981, Green contributed to "Rattlesnake Shake" and "Super Brains" on Mick Fleetwood's solo album The Visitor. He recorded various sessions with a number of other musicians notably the Katmandu album A Case for the Blues with Ray Dorset of Mungo Jerry, Vincent Crane from The Crazy World of Arthur Brown and Len Surtees of The Nashville Teens. Despite attempts by Gibson Guitar Corporation to start talks about producing a "Peter Green signature Les Paul" guitar, Green's instrument of choice at this time was a Gibson Howard Roberts Fusion guitar. In 1986, Peter and his brother Micky contributed to the album A Touch of Sunburn by Lawrie 'The Raven' Gaines (under the group name 'The Enemy Within'). This album has been reissued many times under such titles as Post Modern Blues and Peter Green and Mick Green – Two Greens Make a Blues, often crediting Pirates guitarist Mick Green.

In 1988 Green was quoted as saying: "I'm at present recuperating from treatment for taking drugs. It was drugs that influenced me a lot. I took more than I intended to. I took LSD eight or nine times. The effect of that stuff lasts so long ... I wanted to give away all my money ... I went kind of holy – no, not holy, religious. I thought I could do it, I thought I was all right on drugs. My failing!"

Along with the other members of Fleetwood Mac, Green was inducted into the Rock and Roll Hall of Fame in 1998. In the early 2000s there were rumours of a reunion of the early line-up of Fleetwood Mac, involving Green and Jeremy Spencer. The two guitarists and vocalists were apparently unconvinced of the merits of such a project, but in April 2006, during a question-and-answer session on the Penguin Fleetwood Mac fan website, bassist John McVie said of the reunion idea:

In May 2009, Green was the subject of the BBC Four documentary Peter Green: Man of the World produced by Henry Hadaway. On 25 February 2020 an all-star tribute concert was performed at the London Palladium, billed as "Mick Fleetwood and Friends Tribute to Peter Green". The Guitar World review said that Green was not in attendance and possibly unaware of the event.

1997–2009: Peter Green Splinter Group
Green formed the Peter Green Splinter Group in the late 1990s, with the assistance of Nigel Watson and Cozy Powell. The group released nine blues albums, mostly written by Watson, between 1997 and 2004. Early in 2004, a tour was cancelled and the recording of a new studio album stopped when Green left the band and moved to Sweden. Shortly thereafter he signed on to a tour with the British Blues All Stars scheduled for the following year. In February 2009, Green began playing and touring again, this time as Peter Green and Friends.

Musical style
Robin Denselow in The Guardian described Green as being "interested in expressing emotion in his songs, rather than showing off how fast he could play". He has been praised for his swinging shuffle grooves and soulful phrases and favoured the minor mode and its darker blues implications. His distinct tone can be heard on "The Supernatural", an instrumental written by Green for John Mayall and the Bluesbreakers' 1967 album A Hard Road. This song demonstrates Green's control of harmonic feedback. The sound is characterised by a shivering vibrato, clean cutting tones and a series of ten-second sustained notes. These tones were achieved by Green controlling feedback on a Les Paul guitar.

Equipment
Early in his career, Green played a Harmony Meteor, an inexpensive hollow-body guitar. He began playing a Gibson Les Paul with the Peter B's, a guitar which was often referred to as his "magic guitar". Though he played other guitars, he is best known for deriving a unique tone from his 1959 Les Paul. Green later sold it to Northern Irish guitarist Gary Moore for all the money Moore could get by selling his Gibson SG guitar. Green had bought the guitar after his first spell with Mayall but before joining the Peter B's, for £114 from Selmers in Charing Cross Road. In 2016, Kirk Hammett of Metallica bought the guitar for a reported $2 million. Hammett has stated that he actually paid quite a bit less than $1m for it, being in the right place when the guy who was selling it needed some cash.

In the 1990s, Green played a 1960s Fender Stratocaster and a Gibson Howard Roberts Fusion model, using Fender Blues DeVille and Vox AC30 amplifiers. Towards the very end of his playing days, the Gibson ES-165 saw more use.

Influence
Many rock guitarists have cited Green as an influence, including Gary Moore, Joe Perry of Aerosmith, Andy Powell of Wishbone Ash, and more recently, Mark Knopfler, Noel Gallagher, and Radiohead bassist Colin Greenwood.
Green was The Black Crowes' Rich Robinson's pick in Guitar World'''s "30 on 30: The Greatest Guitarists Picked by the Greatest Guitarists" (2010). In the same article Robinson cites Jimmy Page, with whom the Crowes toured: "he told us so many Peter Green stories. It was clear that Jimmy loves the man's talent".
Green's songs have been recorded by artists such as Santana, Aerosmith, Status Quo, Black Crowes, Midge Ure, Tom Petty, Judas Priest and Gary Moore, who recorded Blues for Greeny, an album of Green compositions.

Personal life
Enduring periods of mental illness and destitution throughout the 1970s and 1980s, Green moved in with his older brother Len and Len's wife Gloria, and his mother in their house in Great Yarmouth, where a process of recovery began. He lived for a period on Canvey Island, Essex.

Green married Jane Samuels in January 1978; the couple divorced in 1979. They had a daughter, Rosebud (born 1978).

Green died on 25 July 2020 at the age of 73.

Discography

Solo albumsThe End of the Game (1970) Reprise RS 6436 [US]; Reprise RSLP 9006 [UK]In the Skies (1979) PVK Records PVLS 101Little Dreamer (1980) PVK Records PVLS 102Whatcha Gonna Do? (1981) PVK Records PET 1White Sky (1982) Creole/Headline HED 1Kolors (1983) Creole/Headline HED 2A Case for the Blues (with Katmandu) (1984) Nightflite NTFL 2001

Notes and references

Further reading
 Bacon, Tony. Electric Guitars: The Illustrated Encyclopedia. Portable (2006). 
Celmins, Martin. Peter Green: Founder of Fleetwood Mac. Castle (1995). 
 Larkin, Colin. The Guinness Encyclopedia of Popular Music''. Guinness (1992). 
 The circumstances surrounding Peter Green’s experience at the Highfisch-Kommune are explored in Ada Wilson’s novel Red Army Faction Blues

External links

Peter Green and Friends on Facebook

Fleetwood Mac inducted into the Rock & Roll Hall of Fame – 1998
Guitar Player Magazine – Peter Green: 5 Essential Live Solos
Guitar Player Magazine – Peter Green: Guitar Playing 1966–1970
 Peter Green - The Munich Incident (Peter's son interviews Rainer Langhans).

1946 births
2020 deaths
20th-century English singers
20th-century British male singers
21st-century English singers
21st-century British male singers
Blues harmonica players
Blues rock musicians
Blues singer-songwriters
British blues (genre) musicians
British harmonica players
British rhythm and blues boom musicians
Contemporary blues musicians
Electric blues musicians
English blues guitarists
English blues musicians
English blues singers
English Jews
English rock guitarists
English rock musicians
English rock singers
English male guitarists
English male singer-songwriters
Epic Records artists
Fleetwood Mac members
Jewish English musicians
Jewish rock musicians
Jewish singers
John Mayall & the Bluesbreakers members
Lead guitarists
People from Bethnal Green
People from Canvey Island
People from Peckham
People with schizophrenia
Reprise Records artists
Resonator guitarists
Singers from London
Shotgun Express members
Peter Green Splinter Group members
Katmandu (band) members
Junoon is a Pakistani sufi rock band founded in 1990 by lead guitarist and only original member, Salman Ahmad. The band has released seven studio albums, as well as numerous live albums, compilations, singles, video albums, music videos, and soundtracks. Keyboardist Nusrat Hussain left the band after the first studio album release and was replaced by bassist Brian O'Connell. They released their self-titled debut album in 1991; which barely made a dent in the Pakistani music industry. Guitarist Mekaal Hasan  and band producer John Alec replaced O'Connell, and have been playing bass for live shows since O'Connell's departure.

Although Junoon has been prominent in their home country since the release of their first single, "Talaash" (1993) and debut self-titled album Junoon, they did not achieve worldwide fame until the release of the albums Inquilaab, Azadi and Parvaaz, which were released in 1996, 1997 and 1999 respectively. Their 1997 album, Azadi, which has sold more than half million copies, and hit platinum sales status in a record of four weeks. Their biggest hit single, "Sayonee" (1997), became an instant hit in South Asia and the Middle East, shooting to the top of all the Asian charts, and staying at #1 on both Channel V and MTV Asia for over two months. The band produced an overall two singles and two music videos from the album, the other single being "Yaar Bina".

Later two years after the release of the seventh studio album, Dewaar, vocalist Ali Azmat left the band to pursue his own career as a solo music artist. Guitarist Salman Ahmad also released a solo album in 2005.

Junoon is South Asia's most successful band with more than 30 million sold albums worldwide. Although Junoon's two other members, Ali Azmat  and Brain O'Connell, left the band in 2005, Salman Ahmad continues to perform as a solo artist under the "Junoon" label and has moved to New York City after his solo career failed to take off in Pakistan.

Studio albums

Soundtracks

Compilation albums

Live albums

Video albums

See also
List of Junoon songs

References

External links
Junoon.com - Official Website
Junoon discography at Official Website

Junoon discography at Billboard

Discography
Discographies of Pakistani artists
Rock music group discographies

simple:Junoon (band) Psy 4 de la Rime () are a French hip hop band formed 1992 in Marseille comprising several rappers with immigrant backgrounds from former French colonies. Their original name was KDB, Kid Dog Black. The band was signed to 361 Records, a Marseille-based independent label founded by fellow rapper Akhenaton. The group had three albums, the debut Block Party (2002), Enfants de la lune (2005) and Les cités d'or (2008). After split, members particularly Soprano and Alonzo went on to have very successful solo careers with their own albums and single hits. The formation got together in 2013 to release a fourth album called 4eme Dimension that made to number 3 on the French Albums Chart.

Solo careers of members
Even before the split-up, some of the individual rappers in the band have continued their solo careers. 
Most notable of them was Soprano who had already released a solo album while in the band titled Puisqu'il faut vivre that had made it to #2 in the SNEP French Albums Chart. His album La Colombe released in 2010 has even topped the French Albums Chart, with the follow-up 2011 album Le Corbeau making to number 3 on the same chart. In 2012 he had a joint album with R.E.D.K. titled E=2MC's making it to number 6 and a solo album Cosmopolitanie reaching number 2 in 2014. Soprano has had ten singles reach the Top 20 of the French Singles charts, including "Cosmo", "Fresh Prince", and "Le Diable ne s'habille plus en Prada" cracking the Top 10. 
In similar fashion, Segnor Alonzo has continued to enjoy a good career under the shortened name Alonzo releasing three albums of his own starting with his 2009 solo album Un dernier coup d'œil dans le rétroviseur immediately after the split-up followed by the successful and critically acclaimed Les temps modernes in 2010, Amour, gloire & cité in 2012 making it to number 9 and the hugely successful Règlement de comptes reaching number 2 in the French Albums Chart.
Sya Styles continued to collaborate in a number of productions including with IAM, Freeman and DJ Abdel. On 26 October 2015, DJ Sya Styles, the DJ of the formation died of illness. He was 37. Soprano said it would be impossible to release a "Psy4 with 3 members" album, meaning an album without Sya Styles.

Discography

Albums

Live albums

Singles

References

External links 
 Official Site (En)
 361 Records
 Listen to Psy4 De La Rime's discography

French hip hop groups
Musical groups from Marseille