Haruki Murakami Writing style What is Marukami's writing style? Most of Haruki Murakami's works use first-person narrative in the tradition of the Japanese I Novel. What else is notable about his writing style? He states that because family plays a significant role in traditional Japanese literature, any main character who is independent becomes a man who values freedom and solitude over intimacy. What themes are in his writing? Many of his novels have themes and titles that invoke classical music, What else do his novels invoke? Some of his novels take their titles from songs: What songs do his novels invoke? Norwegian Wood (after The Beatles' song) and South of the Border, West of the Sun (after the song "South of the Border"). What other books did he write? The Thieving Magpie (after Rossini's opera), Bird as Prophet (after a piano piece by Robert Schumann usually known in English as The Prophet Bird), and The Bird-Catcher Are there any other books with titles from music? Dance, Dance, Dance (after The Dells' 1957 B-side song, although it is often thought it was titled after the Beach Boys' 1964 tune), Did anything else influence his writing style? Some analyses see aspects of shamanism in his writing. What aspects of shamanism are in his writing? such as a descent into a dry well.
What other religious references are there?
Along with shamanism what other religious references are there in Haruki Murakam's writing?
Most of Haruki Murakami's works use first-person narrative in the tradition of the Japanese I Novel. He states that because family plays a significant role in traditional Japanese literature, any main character who is independent becomes a man who values freedom and solitude over intimacy. Also notable is Murakami's unique humor, as seen in his 2000 short story collection, After the Quake. In the story "Superfrog Saves Tokyo", the protagonist is confronted with a 6-foot tall frog that talks about the destruction of Tokyo over a cup of tea. In spite of the story's sober tone, Murakami feels the reader should be entertained once the seriousness of a subject has been broached. Another notable feature of Murakami's stories are the comments that come from the main characters as to how strange the story presents itself. Murakami explains that his characters experience what he experiences as he writes, which could be compared to a movie set where the walls and props are all fake.  Many of his novels have themes and titles that invoke classical music, such as the three books making up The Wind-Up Bird Chronicle: The Thieving Magpie (after Rossini's opera), Bird as Prophet (after a piano piece by Robert Schumann usually known in English as The Prophet Bird), and The Bird-Catcher (a character in Mozart's opera The Magic Flute). Some of his novels take their titles from songs: Dance, Dance, Dance (after The Dells' 1957 B-side song, although it is often thought it was titled after the Beach Boys' 1964 tune), Norwegian Wood (after The Beatles' song) and South of the Border, West of the Sun (after the song "South of the Border").  Some analyses see aspects of shamanism in his writing. In a 2000 article, Susan Fisher connected Japanese folk religion or Japanese shamanism with some elements of The Wind-Up Bird Chronicle, such as a descent into a dry well. At an October 2013 symposium held at the University of Hawaii, associate professor of Japanese Nobuko Ochner opined "there were many descriptions of traveling in a parallel world as well as characters who have some connection to shamanism" in Murakami's works. CANNOTANSWER
there were many descriptions of traveling in a parallel world as well as characters who have some connection to shamanism
is a Japanese writer. His novels, essays, and short stories have been bestsellers in Japan as well as internationally, with his work translated into 50 languages and selling millions of copies outside Japan. He has received numerous awards for his work, including the Gunzou Prize for New Writers, the World Fantasy Award, the Frank O'Connor International Short Story Award, the Franz Kafka Prize, and the Jerusalem Prize.

Growing up in Kobe before moving to Tokyo to attend Waseda University, he published his first novel Hear the Wind Sing (1979) after working as the owner of a small jazz bar for seven years. His notable works include the novels Norwegian Wood (1987), The Wind-Up Bird Chronicle (1994–95), Kafka on the Shore (2002), and 1Q84 (2009–10), with 1Q84 ranked as the best work of Japan's Heisei era (1989-2019) by the national newspaper Asahi Shimbun survey of literary experts. His work spans genres including science fiction, fantasy, and crime fiction, and has become known for its use of magical realist elements. His official website lists Raymond Chandler, Kurt Vonnegut, and Richard Brautigan as key inspirations to his work, while Murakami himself has cited Kazuo Ishiguro, Cormac McCarthy, and Dag Solstad as his favourite currently active writers. Murakami has also published five short story collections, including his most recently published work, First Person Singular (2020), and non-fiction works including Underground (1997), inspired by personal interviews Murakami conducted with victims of the Tokyo subway sarin attack, and What I Talk About When I Talk About Running (2007), a series of personal essays about his experience as a marathon runner.

His fiction has polarized literary critics and the reading public. He has sometimes been criticised by Japan's literary establishment as un-Japanese, leading to Murakami's recalling that he was a "black sheep in the Japanese literary world". Meanwhile, Murakami has been described by Gary Fisketjon, the editor of Murakami's collection The Elephant Vanishes (1993), as a "truly extraordinary writer", while Steven Poole of The Guardian praised Murakami as "among the world's greatest living novelists" for his oeuvre and achievements.

Biography
Murakami was born in Kyoto, Japan, during the post-World War II baby boom and raised in Nishinomiya, Ashiya and Kobe. He is an only child. His father was the son of a Buddhist priest, and his mother is the daughter of an Osaka merchant. Both taught Japanese literature. His father was involved in the Second Sino-Japanese War, and was deeply traumatized by it, which would, in turn, affect Murakami.

Since childhood, Murakami, like Kōbō Abe, has been heavily influenced by Western culture, particularly Western as well as Russian music and literature. He grew up reading a wide range of works by European and American writers, such as Franz Kafka, Gustave Flaubert, Charles Dickens, Kurt Vonnegut, Fyodor Dostoyevsky, Richard Brautigan and Jack Kerouac. These Western influences distinguish Murakami from the majority of other Japanese writers.

Murakami studied drama at Waseda University in Tokyo, where he met Yoko, now his wife. His first job was at a record store. Shortly before finishing his studies, Murakami opened a coffee house and jazz bar, Peter Cat, in Kokubunji, Tokyo, which he ran with his wife, from 1974 to 1981. The couple decided not to have children.

Murakami is an experienced marathon runner and triathlon enthusiast, though he did not start running until he was 33 years old, after he began as a way to stay healthy despite the hours spent at his desk writing. On June 23, 1996, he completed his first ultramarathon, a 100 km race around Lake Saroma in Hokkaido, Japan. He discusses his relationship with running in his 2008 memoir What I Talk About When I Talk About Running.

Writing career

Trilogy of the Rat
Murakami began to write fiction when he was 29. "Before that," he said, "I didn't write anything. I was just one of those ordinary people. I was running a jazz club, and I didn't create anything at all." He was inspired to write his first novel, Hear the Wind Sing (1979), while watching a baseball game. He described the moment he realized he could write as a "warm sensation" he could still feel in his heart. He went home and began writing that night. Murakami worked on Hear the Wind Sing for ten months in very brief stretches, during nights, after working days at the bar. He completed the novel and sent it to the only literary contest that would accept a work of that length, winning first prize.

Murakami's initial success with Hear the Wind Sing encouraged him to continue writing. A year later, he published a sequel, Pinball, 1973. In 1982, he published A Wild Sheep Chase, a critical success. Hear the Wind Sing, Pinball, 1973, and A Wild Sheep Chase form the Trilogy of the Rat (a sequel, Dance, Dance, Dance, was written later but is not considered part of the series), centered on the same unnamed narrator and his friend, "the Rat". The first two novels were not widely available in English translation outside Japan until 2015, although an English edition, translated by Alfred Birnbaum with extensive notes, had been published by Kodansha as part of a series intended for Japanese students of English. Murakami considers his first two novels to be "immature" and "flimsy", and has not been eager to have them translated into English. A Wild Sheep Chase, he says, was "the first book where I could feel a kind of sensation, the joy of telling a story. When you read a good story, you just keep reading. When I write a good story, I just keep writing."

Wider recognition
In 1985, Murakami wrote Hard-Boiled Wonderland and the End of the World, a dream-like fantasy that took the magical elements of his work to a new extreme. Murakami achieved a major breakthrough and national recognition in 1987 with the publication of Norwegian Wood, a nostalgic story of loss and sexuality. It sold millions of copies among young Japanese.

Norwegian Wood propelled the barely known Murakami into the spotlight. He was mobbed at airports and other public places, leading to his departure from Japan in 1986. Murakami traveled through Europe, lived in the United States and currently resides in Oiso, Kanagawa, with an office in Tokyo.

Murakami was a writing fellow at Princeton University in Princeton, New Jersey, Tufts University in Medford, Massachusetts, and Harvard University in Cambridge, Massachusetts. During this time he wrote South of the Border, West of the Sun and The Wind-Up Bird Chronicle.

From "detachment" to "commitment"
The Wind-Up Bird Chronicle (1995) fuses the realistic and fantastic and contains elements of physical violence. It is also more socially conscious than his previous work, dealing in part with the difficult topic of war crimes in Manchukuo (Northeast China). The novel won the Yomiuri Prize, awarded by one of Murakami's harshest former critics, Kenzaburō Ōe, who himself won the Nobel Prize for Literature in 1994.

The processing of collective trauma soon became an important theme in Murakami's writing, which had previously been more personal in nature. Murakami returned to Japan in the aftermath of the Kobe earthquake and the Aum Shinrikyo gas attack. He came to terms with these events with his first work of non-fiction, Underground, and the short story collection After the Quake. Underground consists largely of interviews of victims of the gas attacks in the Tokyo subway system.

Murakami himself mentions that he changed his position from one of "detachment" to one of "commitment" after staying in the United States in 1991. "His early books, he said, originated in an individual darkness, while his later works tap into the darkness found in society and history," wrote Wendy Edelstein in an article for UC Berkeley News.

English translations of many of his short stories written between 1983 and 1990 have been collected in The Elephant Vanishes. Murakami has also translated many works of F. Scott Fitzgerald, Raymond Carver, Truman Capote, John Irving, and Paul Theroux, among others, into Japanese.

Murakami took an active role in translation of his work into English, encouraging "adaptations" of his texts to American reality rather than direct translation. Some of his works that appeared in German turned out to be translations from English rather than Japanese (South of the Border, West of the Sun, 2000; The Wind-Up Bird Chronicle, 2000s), encouraged by Murakami himself. Both were later re-translated from Japanese.

Since 1999
Sputnik Sweetheart was first published in 1999, followed by Kafka on the Shore in 2002, with the English translation following in 2005. Kafka on the Shore won the World Fantasy Award for Novels in 2006. The English version of his novel After Dark was released in May 2007. It was chosen by The New York Times as a "notable book of the year". In late 2005, Murakami published a collection of short stories titled Tōkyō Kitanshū, or 東京奇譚集, which translates loosely as "Mysteries of Tokyo". A collection of the English versions of twenty-four short stories, titled Blind Willow, Sleeping Woman, was published in August 2006. This collection includes both older works from the 1980s as well as some of Murakami's more recent short stories, including all five that appear in Tōkyō Kitanshū.

In 2002, Murakami published the anthology Birthday Stories, which collects short stories on the theme of birthdays. The collection includes work by Russell Banks, Ethan Canin, Raymond Carver, David Foster Wallace, Denis Johnson, Claire Keegan, Andrea Lee, Daniel Lyons, Lynda Sexson, Paul Theroux, and William Trevor, as well as a story by Murakami himself. What I Talk About When I Talk About Running, containing tales about his experience as a marathon runner and a triathlete, was published in Japan in 2007, with English translations released in the U.K. and the U.S. in 2008. The title is a play on that of Raymond Carver's short story collection, What We Talk About When We Talk About Love.

Shinchosha Publishing published Murakami's novel 1Q84 in Japan on May 29, 2009. 1Q84 is pronounced "ichi kyū hachi yon", the same as 1984, as 9 is also pronounced "kyū" in Japanese. The book was longlisted for the Man Asian Literary Prize in 2011. However, after the 2012 anti-Japanese demonstrations in China, Murakami's books were removed from sale there, along with those of other Japanese authors. Murakami criticized the China–Japan political territorial dispute, characterizing the overwrought nationalistic response as "cheap liquor" which politicians were giving to the public. In April 2013, he published his novel Colorless Tsukuru Tazaki and His Years of Pilgrimage. It became an international bestseller but received mixed reviews.

Killing Commendatore (Kishidancho Goroshi) is Murakami's most recent work as of 2018. Published in Japan on February 24, 2017 and in the US in October 2018, the novel is a historical fiction that has caused controversy in Hong Kong. The novel was labeled under "Class II – indecent" in Hong Kong. This classification led to mass amounts of censorship. The publisher must not distribute the book to people under the age of 18, and must have a warning label printed on the cover.

Writing style
Most of Haruki Murakami's works use first-person narrative in the tradition of the Japanese I Novel. He states that because family plays a significant role in traditional Japanese literature, any main character who is independent becomes a man who values freedom and solitude over intimacy. Also notable is Murakami's unique humor, as seen in his 2000 short story collection, After the Quake. In the story "Superfrog Saves Tokyo", the protagonist is confronted with a 6-foot tall frog that talks about the destruction of Tokyo over a cup of tea. In spite of the story's sober tone, Murakami feels the reader should be entertained once the seriousness of a subject has been broached. Another notable feature of Murakami's stories are the comments that come from the main characters as to how strange the story presents itself. Murakami explains that his characters experience what he experiences as he writes, which could be compared to a movie set where the walls and props are all fake. He has further compared the process of writing to movies: "That is one of the joys of writing fiction—I'm making my own film made just for myself."

Many of his novels have themes and titles that evoke classical music, such as the three books making up The Wind-Up Bird Chronicle: The Thieving Magpie (after Rossini's opera), Bird as Prophet (after a piano piece by Robert Schumann usually known in English as The Prophet Bird), and The Bird-Catcher (a character in Mozart's opera The Magic Flute). Some of his novels take their titles from songs: Dance, Dance, Dance (after The Dells' 1957 B-side song, although it is often thought it was titled after the Beach Boys' 1964 tune), Norwegian Wood (after The Beatles' song) and South of the Border, West of the Sun (after the song "South of the Border").

Some analyses see aspects of shamanism in his writing. In a 2000 article, Susan Fisher connected Japanese folk religion or Japanese shamanism with some elements of The Wind-Up Bird Chronicle, such as a descent into a dry well. At an October 2013 symposium held at the University of Hawaii, associate professor of Japanese Nobuko Ochner opined "there were many descriptions of traveling in a parallel world as well as characters who have some connection to shamanism" in Murakami's works.

Recognition

Prizes for books
 1979: Gunzo Award (best first novel) for Hear the Wind Sing
 1982: Noma Literary Prize (best newcomer) for A Wild Sheep Chase
 1985: Tanizaki Prize for Hard-Boiled Wonderland and the End of the World
 1995: Yomiuri Prize (best novel) for The Wind-Up Bird Chronicle
 1999: Kuwabara Takeo Prize for Underground
 2006: World Fantasy Award (best novel) for Kafka on the Shore
 2006: Frank O'Connor International Short Story Award for Blind Willow, Sleeping Woman
 2016: Hans Christian Andersen Literature Award
 2018: America Award in Literature for a lifetime contribution to international writing

Murakami was also awarded the 2007 Kiriyama Prize for Fiction for his collection of short stories Blind Willow, Sleeping Woman, but according to the prize's official website, Murakami "declined to accept the award for reasons of personal principle".

Personal prizes
In 2006, Murakami became the sixth recipient of the Franz Kafka Prize.

In September 2007, he received an honorary doctorate of Letters from the University of Liège, one from Princeton University in June 2008, and one from Tufts University in May 2014.

In January 2009, Murakami received the Jerusalem Prize, a biennial literary award given to writers whose work deals with themes of human freedom, society, politics, and government. There were protests in Japan and elsewhere against his attending the February award ceremony in Israel, including threats to boycott his work as a response against Israel's recent bombing of the Gaza. Murakami chose to attend the ceremony, but gave a speech to the gathered Israeli dignitaries harshly criticizing Israeli policies. Murakami said, "Each of us possesses a tangible living soul. The system has no such thing. We must not allow the system to exploit us."

In 2011, Murakami donated his €80,000 winnings from the International Catalunya Prize (from the Generalitat de Catalunya) to the victims of the March 11 earthquake and tsunami, and to those affected by the Fukushima nuclear disaster. Accepting the award, he said in his speech that the situation at the Fukushima plant was "the second major nuclear disaster that the Japanese people have experienced ... however, this time it was not a bomb being dropped upon us, but a mistake committed by our very own hands". According to Murakami, the Japanese people should have rejected nuclear power after having "learned through the sacrifice of the hibakusha just how badly radiation leaves scars on the world and human wellbeing".

In recent years, Haruki Murakami has often been mentioned as a possible recipient of the Nobel Prize in Literature. Nonetheless, since all nomination records are sealed for 50 years from the awarding of the prize, it is pure speculation. When asked about the possibility of being awarded the Nobel Prize, Murakami responded with a laugh saying "No, I don't want prizes. That means you're finished."

In October 2014, he was awarded the Welt-Literaturpreis.

In April 2015, Murakami was named one of the TIME 100's most influential people. In November 2016, he was awarded the Danish Hans Christian Andersen Literature Award, an award previously won by British author JK Rowling.

In 2018 he was nominated for the New Academy Prize in Literature. He requested that his nomination be withdrawn, saying he wanted to "concentrate on writing, away from media attention."

Archives
In 2018 Waseda University in Tokyo agreed to house the archives of Haruki Murakami, including his manuscripts, source documents, and music collection. The collection is intended to be open to scholars, and is set to open in October 2021.

In September 2021, architect Kengo Kuma announced the opening of a library dedicated entirely to Murakami's works at Waseda University. It will include more than 3,000 works by Murakami, including translations into more than 50 other languages.

Films and other adaptations
Murakami's first novel, Hear the Wind Sing (Kaze no uta o kike), was adapted by Japanese director Kazuki Ōmori. The film was released in 1981 and distributed by Art Theatre Guild. Naoto Yamakawa directed two short films, Attack on the Bakery (released in 1982) and A Girl, She is 100 Percent (released in 1983), based on Murakami's short stories "Bakery Attack" and "On Seeing the 100% Perfect Girl One Beautiful April Morning", respectively. Japanese director Jun Ichikawa adapted Murakami's short story "Tony Takitani" into a 75-minute feature. The film played at various film festivals and was released in New York and Los Angeles on July 29, 2005. The original short story, translated into English by Jay Rubin, is available in the April 15, 2002 issue of The New Yorker, as a stand-alone book published by Cloverfield Press, and part of Blind Willow, Sleeping Woman by Knopf. In 1998, the German film The Polar Bear (), written and directed by Granz Henman, used elements of Murakami's short story "The Second Bakery Attack" in three intersecting story lines. "The Second Bakery Attack" was also adapted as a short film in 2010, directed by Carlos Cuarón, starring Kirsten Dunst.

Murakami's work was also adapted for the stage in a 2003 play entitled The Elephant Vanishes, co-produced by Britain's Complicite company and Japan's Setagaya Public Theatre. The production, directed by Simon McBurney, adapted three of Murakami's short stories and received acclaim for its unique blending of multimedia (video, music, and innovative sound design) with actor-driven physical theater (mime, dance, and even acrobatic wire work). On tour, the play was performed in Japanese, with supertitle translations for European and American audiences.

Two stories from Murakami's book After The Quake"Honey Pie" and "Superfrog Saves Tokyo"have been adapted for the stage and directed by Frank Galati. Entitled after the quake, the play was first performed at the Steppenwolf Theatre Company in association with La Jolla Playhouse, and opened on October 12, 2007, at Berkeley Repertory Theatre. In 2008, Galati also adapted and directed a theatrical version of Kafka on the Shore, which first ran at Chicago's Steppenwolf Theatre Company from September to November.

On Max Richter's 2006 album Songs from Before, Robert Wyatt reads passages from Murakami's novels. In 2007, Robert Logevall adapted "All God's Children Can Dance" into a film, with a soundtrack composed by American jam band Sound Tribe Sector 9. In 2008, Tom Flint adapted "On Seeing the 100% Perfect Girl One Beautiful April Morning" into a short film. The film was screened at the 2008 CON-CAN Movie Festival. The film was viewed, voted, and commented upon as part of the audience award for the movie festival.

It was announced in July 2008 that French-Vietnamese director Tran Anh Hung would direct an adaptation of Murakami's novel Norwegian Wood. The film was released in Japan on December 11, 2010.

In 2010, Stephen Earnhart adapted The Wind-Up Bird Chronicle into a two-hour multimedia stage presentation. The show opened January 12, 2010, as part of the Public Theater's "Under the Radar" festival at the Ohio Theater in New York City, presented in association with The Asia Society and the Baryshnikov Arts Center. The show had its world premiere at the Edinburgh International Festival on August 21, 2011. The presentation incorporates live actors, video projection, traditional Japanese puppetry, and immersive soundscapes to render the surreal landscape of the original work.

"Memoranda", a 2017 video game had been inspired by several Murakami short stories, mainly from Blind Willow, Sleeping Woman and The Elephant Vanishes, and features several Murakami characters, including Mizuki Ando.

In 2018, "Barn Burning" from Murakami's short story collection The Elephant Vanishes was adapted into a film titled Burning by director Lee Chang-dong. The film was awarded the FIPRESCI International Critics’ Prize for best film, receiving the highest score to date. It was also South Korea’s submission for the Academy Award for Best International Feature Film in 2019.

A film based on the short story "Drive My Car" premiered at the 2021 Cannes Film Festival, where it won Best Screenplay, the FIPRESCI Prize, and the Prize of the Ecumenical Jury. The film went on to be nominated for four Academy Awards: Best Picture, Best Director, Best Adapted Screenplay, and Best International Feature. Directed by Ryusuke Hamaguchi, it also takes inspiration from "Scheherazade" and "Kino," two other stories in the collection Men Without Women.

Personal life
After receiving the Gunzo Award for his 1979 literary work Hear the Wind Sing, Murakami did not aspire to meet other writers. Aside from Sarah Lawrence's Mary Morris, whom he briefly mentions in his memoir What I Talk About When I Talk About Running alongside Joyce Carol Oates and Toni Morrison, Murakami was never a part of a community of writers, his reason being that he was a loner and was never fond of groups, schools, and literary circles. When working on a book, Murakami states that he relies on his wife, who is always his first reader. While he never acquainted himself with many writers, among the contemporary writers, he enjoys the work of Kazuo Ishiguro, Cormac McCarthy, Lee Child and Dag Solstad. While he does not read much contemporary Japanese literature, Murakami enjoys the works of Ryū Murakami and Banana Yoshimoto.

Haruki Murakami is a fan of crime novels. During his high school days while living in Kōbe, he would buy paperbacks from second hand book stores and learned to read English. The first book that he read in English was The Name is Archer, written by Ross Macdonald in 1955. Other writers he was interested in included Leo Tolstoy and Fyodor Dostoyevsky.

Murakami also has a passion for listening to music, especially classical and jazz. When he was around 15, he began to develop an interest in jazz after attending an Art Blakey and the Jazz Messengers concert in Kobe. He later opened the Peter Cat, a coffeehouse and jazz bar. Murakami has said that music, like writing, is a mental journey. At one time he aspired to be a musician, but because he could not play instruments well he decided to become a writer instead.

In an interview with The Guardian, Murakami stated his belief that his surreal books appeal to people especially in times of turmoil and political chaos. He stated that "I was so popular in the 1990s in Russia, at the time they were changing from the Soviet Union – there was big confusion, and people in confusion like my books" and “In Germany, when the Berlin Wall fell down, there was confusion – and people liked my books.”

Political views
Murakami stated that it is natural for China and the Koreas to continue to feel resentment towards Japan for its wartime aggressions. "Fundamentally, Japanese people tend not to have an idea that they were also assailants, and the tendency is getting clearer," he said. In another interview, Murakami stated: "The issue of historical understanding carries great significance, and I believe it is important that Japan makes straightforward apologies. I think that is all Japan can do – apologise until the countries say: 'We don't necessarily get over it completely, but you have apologised enough. Alright, let's leave it now.'"

In August 2021, during one of his radio shows, Murakami criticized prime minister Yoshihide Suga over the handling of the COVID-19 pandemic in Japan. Murakami quoted Suga as saying "an exit is now in our sight after a long tunnel" and added, in criticism, that "If he really saw an exit, his eyes must be extremely good for his age. I’m of the same age as Mr. Suga, but I don’t see any exit at all."

Bibliography
This is an incomplete bibliography as not all works published by Murakami in Japanese have been translated into English. Kanji titles are given with Hepburn romanization. (Original titles entirely in transcribed English are given as "katakana / romaji = English".)

Novels

Short stories

Collections

List of stories

Essays and nonfiction
Murakami has published more than 40 books of non-fiction. Among them are:

Other books include:

See also
 Japanese literature
 Surrealism
 Weird fiction

References

Further reading
 Pintor, Ivan. "David Lynch y Haruki Murakami, la llama en el umbral", in: VV.AA., Universo Lynch. Internacional Sitges Film Festival-Calamar 2007 ()
 Rubin, Jay. Haruki Murakami and the Music of Words. Harvill Press, 2002 ()
 Strecher, Matthew Carl. The Wind-Up Bird Chronicle Readers Guide. Continuum Pubublishing Group, 2002 ()
 Strecher, Matthew Carl. Dances with Sheep: The Quest for Identity in the Fiction of Murakami Haruki. University of Michigan/Monographs in Japanese Studies, 2001 ()
 Suter, Rebecca. The Japanization of Modernity: Murakami Haruki Between Japan and the United States. Harvard University Asian Center, 2008. ()

External links

 Haruki Murakami at Random House
 Haruki Murakami at The New Yorker (online essays, stories, excerpts)
 Haruki Murakami at The New York Times (articles about, interviews with)
 Haruki Murakami at Complete Review (international meta-reviews)
 
 Haruki Murakami at The Encyclopedia of Science Fiction
 

Interviews
 "Haruki Murakami: The Outsider" (by Laura Miller and Don George), Salon, December 1997 (about Wind-Up Bird and Underground)
 "Haruki Murakami, The Art of Fiction No. 182" (by John Wray), The Paris Review, Summer 2004

Articles
 "The reception of Murakami Haruki in Taiwan" (PDF), Yale University
 "Haruki Murakami: How a Japanese writer conquered the world" (by Stephanie Hegarty), BBC News, October 17, 2011
 "The 10 Best Haruki Murakami Books" (by Murakami scholar Matthew C. Strecher), Publishers Weekly, August 8, 2014

Multimedia
 Video about Murakami's life and work at Psychology Today's blog The Literary Mind

 
1949 births
20th-century Japanese novelists
20th-century Japanese translators
21st-century Japanese translators
21st-century Japanese novelists
English–Japanese translators
Japanese essayists
Japanese male short story writers
Japanese psychological fiction writers
Japanese science fiction writers
Japanese ultramarathon runners
Jerusalem Prize recipients
Literary translators
Living people
Magic realism writers
Male ultramarathon runners
Order of Arts and Letters of Spain recipients
Postmodern writers
Princeton University faculty
Tufts University faculty
Waseda University alumni
Winners of the Yomiuri Prize
World Fantasy Award-winning writers
Writers from Kyoto
Weird fiction writers
Progressivism in Japan
Beyond Religion: Ethics for a Whole World is a 2011 book by 14th Dalai Lama. It is about Secular ethics use in our everyday life. Those are ethics that can be used by both religious and non-religious people. There are many suggestions about getting rid of destructive emotions and helping other people. In this book there is justified the importance of compassion.

References 

Books by the 14th Dalai Lama
Philosophical literature
2011 non-fiction books Give Us This Day is an Australian religious television short program aired from 1956 to 1958 on TCN-9. It is significant as one of the very earliest Australian-produced television programs. It was among the television shows aired during the first "official" week of television in Sydney. Give Us This Day was a live six-minute religious program in which a minister gave a short speech, with ministers from different Christian denominations appearing during the show's run. There was no recurring cast. It was based on a British format.

While largely forgotten today, it actually out-lived three 1956 TCN series debuts that are more commonly mentioned in television retrospectives – The Johnny O'Connor Show, Campfire Favourites and Accent on Strings. TCN-9's other 1956 series debuts included Fun Farm (1956–1957), The Home Show (1956–1957) and What's My Line (1956–1958).

References

External links
 

1956 Australian television series debuts
1958 Australian television series endings
Black-and-white Australian television shows
English-language television shows
Religious television series
Australian live television series