My Happiness (Powderfinger song) Touring and promotion How successful were they in promoting the song? My Happiness" was put on heavy rotation by Los Angeles radio station KROQ-FM two months prior to its United States release, Did the song top the charts? My Happiness" peaked at number 23 on the Hot Modern Rock Tracks, making it the first Powderfinger song to appear on a Billboard Did the song win any awards? I don't know. How long were they on tour? band sold out for three nights in a row in London, Did the crowd enjoy My Happiness when they played it on tour? Cameron Adams argued in The Hobart Mercury that this was one of the reasons Powderfinger decided to focus on the offshore market.
When touring, were their international shows more successful?
When touring for My Happiness, were Powderfinger's international shows more successful?
"My Happiness" was put on heavy rotation by Los Angeles radio station KROQ-FM two months prior to its United States release, and Powderfinger signed a contract with United States label Republic as a result of the song's early success. Beat journalist Jayson Argall joked the song had received "a bit" of airplay. Although "My Happiness" was subsequently dropped from KROQ's roster, other radio stations continued to give the song high priority.  "My Happiness" peaked at number 23 on the Hot Modern Rock Tracks, making it the first Powderfinger song to appear on a Billboard chart. According to Susan Groves of WHRL, part of the song's success came about because very few people knew of Powderfinger, but were drawn towards "My Happiness" because it was "melodic, [and] pretty"--a change from what she described as "middle of the road rock" popular in the United States. Meanwhile, Australians were "starting to get sick of My Happiness"--Cameron Adams argued in The Hobart Mercury that this was one of the reasons Powderfinger decided to focus on the offshore market.  Powderfinger performed "My Happiness" live on the Late Show with David Letterman while touring North America with British rock group Coldplay. They were the fourth Australian act (after The Living End, Silverchair, and Nick Cave) to play on the show. The band also did free promotional shows leading up to the release of the single. In Europe, "My Happiness" received approximately four weeks of airplay on German music video program Viva II, and the band sold out for three nights in a row in London, partly due to the success of the single. CANNOTANSWER
The band also did free promotional shows leading up to the release of the single.
"My Happiness" is a song by Australian rock band Powderfinger. It was released via record label Universal Music Australia on 21 August 2000 as the first single from the band's fourth album, Odyssey Number Five. Powderfinger frontman Bernard Fanning wrote the lyrics for "My Happiness" as a reflection on the time the band spent touring to promote their work, and the loneliness that came as a result. It was inspired by his love of gospel and soul music. The rest of the band are co-credited with Fanning for composing the track. Despite its melancholy mood, "My Happiness" is considered by many to be a love song, a suggestion Fanning regards as mystifying.

The single is Powderfinger's most successful; it peaked at number four on the Australian ARIA Singles Chart, number seven on the New Zealand Singles Chart, and number 23 on the US Modern Rock Tracks chart—the first Powderfinger song to do so. In June 2020, the song was certified 5x Platinum in Australia. It won an ARIA Award and an APRA Award and topped the Triple J Hottest 100 in 2000 as well as coming 27th in the Triple J Hottest 100 of All Time in 2009. "My Happiness" was highly praised by critics, with even negative reviews of Odyssey Number Five noting it as a highlight, especially for its catchy chorus. One of the highlights of Powderfinger's United States tour with Coldplay was a performance of "My Happiness" on the Late Show with David Letterman; they were only the fourth Australian act to appear on the show.

In January 2018, as part of Triple M's "Ozzest 100", the 'most Australian' songs of all time, "My Happiness" was ranked number 31.

Production and content 

The lyrics for "My Happiness" were written by Bernard Fanning, Powderfinger's lead singer and songwriter. The rest of the band are co-credited with Fanning for composing the track. The song describes feelings of love and separation; Sains Pennie Dennison said it described "the pining feeling you experience when you spend time away from the one you love". Fanning called it "a sad story of touring and the absence loneliness that comes with it". The extensive time spent touring took its toll on the band, and it was on the back of this that Fanning wrote "My Happiness". Thus, he expressed confusion at its being considered a romantic song.

"My Happiness" was attacked by some fans as being "like Lauryn Hill, bland and boring Top 40 bullshit"; guitarist Ian Haug rebutted by pointing out that the song was an example of the new emotional level on which Powderfinger made music, while Fanning was more aggressive in his defence of the song. In response to being dubbed "Mr Miserable" by The Sun-Heralds Peter Holmes for the lyrics of "My Happiness" and "These Days", Fanning pointed out that the songs could be construed either as melancholy, or as part of "the most hopeful record ... in a long time".

Much of Fanning's writing is inspired by non-rock music, and "My Happiness" is no exception. Gospel and soul music that is "unashamedly about love and how good it makes you feel" was common during the Odyssey Number Five recording sessions. Powderfinger worked hard in those sessions to ensure a more polished work than Internationalist; guitarist Darren Middleton concluded that "My Happiness", "The Metre", and "Up & Down & Back Again" were more "complete" because of the band's efforts. The lighter elements of "My Happiness" in comparison to some of the band's earlier work saw Fanning reveal his passion for several other musicians, such as James Taylor—something that "five years ago ... would have been an embarrassing thing to say".

Touring and promotion 
"My Happiness" was put on heavy rotation by Los Angeles radio station KROQ-FM two months prior to its United States release, and Powderfinger signed a contract with United States label Republic as a result of the song's early success. Beat journalist Jayson Argall joked the song had received "a bit" of airplay. Although "My Happiness" was subsequently dropped from KROQ's roster, other radio stations continued to give the song high priority.

"My Happiness" peaked at number 23 on the Hot Modern Rock Tracks, making it the first Powderfinger song to appear on a Billboard chart. According to Susan Groves of WHRL, part of the song's success came about because very few people knew of Powderfinger, but were drawn towards "My Happiness" because it was "melodic, [and] pretty"—a change from what she described as "middle of the road rock" popular in the United States. Meanwhile, Australians were "starting to get sick of My Happiness"—Cameron Adams argued in The Hobart Mercury that this was one of the reasons Powderfinger decided to focus on the offshore market.

Powderfinger performed "My Happiness" live on the Late Show with David Letterman while touring North America with British rock group Coldplay. They were the fourth Australian act (after The Living End, Silverchair, and Nick Cave) to play on the show. The band also did free promotional shows leading up to the release of the single. In Europe, "My Happiness" received approximately four weeks of airplay on German music video program Viva II, and the band sold out for three nights in a row in London, partly due to the success of the single.

Release and commercial success 
"My Happiness" was released as a single in Australia on 21 August 2000. When asked how they chose the release date, Fanning jokingly said "the release date is timed to coincide with the Olympics, when all the visitors are here ... they can go into HMV and pick it up." At the time of the single's release, the band's previous album, Internationalist, was still in the top 50 on the ARIA Albums Chart, 95 weeks after entering. The single featured B-side "My Kind of Scene", which had already received strong airplay due to its appearance on the Mission: Impossible 2 soundtrack. "My Happiness" appeared on a Triple M compilation entitled Triple M's New Stuff, and on a Kerrang! compilation, Kerrang!2 The Album.

"My Happiness" entered the ARIA singles chart at number four—making it Powderfinger's highest-charting single in Australia—and spent 24 weeks on the chart. It reached number two on the Queensland singles chart, and peaked at number seven on the New Zealand singles chart, on which it spent 23 weeks. In the US, "My Happiness" was serviced to alternative radio on 13 February 2001; it was Powderfinger's first single to chart in the US, reaching number 23 on the Modern Rock Tracks chart.

The song won the "Single of the Year" award at the ARIA Awards of 2001, and the 2001 "Song of the Year" APRA Award. Furthermore, "My Happiness" topped the Triple J Hottest 100 chart in 2000, and appeared on that year's CD release. Rolling Stone Australia named "My Happiness" "Song of the Year" in a reader poll. "My Happiness" was the eighth most-played song on Australian radio in 2001.

Critical reception 

"My Happiness" was critically acclaimed. Cameron Adams of the Herald Sun wrote that "My Happiness" did not disappoint in the trend of excellent first singles from Powderfinger, citing "Pick You Up" and "The Day You Come" as examples. He praised the song's structure, stating that "the verses almost crash into the chorus". Adams also expressed surprise that "My Kind of Scene" was only released as a B-side. The Newcastle Heralds Chad Watson described a mixture of acoustic and electric guitar and "a restrained yet warmly infectious chorus". Despite praising it as a "Big Rock Anthem™", Richard Jinman of The Sydney Morning Herald complained that "My Happiness" was not as "hummable" as past singles "Passenger" or "These Days". Devon Powers of PopMatters described it, and "Waiting for the Sun", as sounding bored. The Evening Mail agreed; it argued the "rock-lite" song, while sounding lush, failed to "make you really sit up and take notice".

Despite being highly critical of Odyssey Number Five, Allmusic's Dean Carlson labelled it, alongside "Odyssey #5", as one of the album's best songs, for the riff Powderfinger executed "better than most bands of their stature". Adams also enjoyed the song's "wobbly guitar", and Sains Christie Eliszer approved of the "acoustic strumalong", but The Advertisers Michael Duffy said the song was "a familiar piece of yearning guitar indie that is polished but pedestrian"; he reserved his praise for "My Kind of Scene", which he described as akin to the best of Internationalist. Darren Bunting wrote in the Hull Daily Mail that "My Happiness" was the best song on Odyssey Number Five, praising "soaring vocals, heartfelt lyrics and chiming guitar". Entertainment Weeklys Marc Weingarten said that on "My Happiness", "Fanning's heavy heart is tattered by scratching and clawing guitars".

Music video 

The music video for "My Happiness" starts at a railway station (Roma Street in Brisbane) with a boy and girl stepping off a train. As the pair leave the train, the boy turns and tries to reach for something, but the girl pulls him back. It is shown that he was reaching for a sentient slinky. The slinky leaves the train, and passes Middleton busking in the train station. The slinky ventures to find the boy, facing a range of challenges along the way; these include avoiding fruit falling on it and riding a skateboard. In the middle of the music clip, the slinky is shown making its way through a music room in which Powderfinger are performing "My Happiness". It rests on the bar and the band finishes playing, while the background music continues. As Powderfinger leaves, the slinky is picked up by Haug. He gets into a car and places the slinky on the car's dashboard, but it falls out the window as the car turns a tight corner. It lands outside the gate of a house and is picked up and brought inside to the boy.

The video was created by Fifty Fifty Films, who created numerous other Powderfinger music videos. It was directed by Chris Applebaum and produced by Keeley Gould of A Band Apart, with editing by Jeff Selis. Cameron Adams of The Courier Mail reported that following the music video's release, slinky sales increased dramatically.

Awards and accolades

Track listings 
Australian CD single
 "My Happiness" – 4:36
 "My Kind of Scene" – 4:37
 "Nature Boy" – 3:12
 "Odyssey #1" (demo) – 4:09

European CD single
 "My Happiness" (edit) – 4:11
 "Nature Boy" – 3:38

Personnel 
Powderfinger
 Bernard Fanning – vocals and tambourine
 Darren Middleton – guitars and backing vocals
 Ian Haug – guitars
 John Collins – bass guitars
 Jon Coghill – drums and percussion

Production
 Nick DiDia – Producer, engineer and mixer
 Matt Voigt – Assistant engineer
 Anton Hagop – Assistant engineer
 Alex Pertout – Percussion
 Stewart Whitmore – Digital editing
 Stephen Marcussen – Mastering
 Anton Hagop – Assistant producer
 Kevin Wilkins – Art direction and photography

Charts

Weekly charts

Year-end charts

Certifications

References 

Powderfinger songs
2000 singles
2000 songs
APRA Award winners
ARIA Award-winning songs
Polydor Records singles
Songs written by Bernard Fanning
Songs written by Jon Coghill
Songs written by John Collins (Australian musician)
Songs written by Ian Haug
Songs written by Darren Middleton
Universal Music Australia singles
The BTC-T Peugeot 406 Coupé is a BTC-Touring class racing car that was built for the 2001 British Touring Car Championship season by Vic Lee Racing, who were selected to run Peugeot's official works program for that season.

2001 season
After a successful 2000 BTCC season, having won the driver's championship for Class B, Vic Lee Racing signed a deal with Peugeot to run in the BTC Touring-class for the 2001 BTCC season. VLR built 3 406 Coupes, and hired Dan Eaves, Steve Soper and Matt Neal as their drivers, but sponsorship issues led to releasing Neal after the first round, being replaced by ex-motorcycle racer Aaron Slight in several rounds. Neal would go on to be critical of the Peugeot effort. The campaign was unsuccessful, with the best results being a pair of 3rd places from Eaves, at Oulton Park and the last round of the season, held at the Brands Hatch Indy circuit. The car's large size limited its agility and made it less competitive than its rivals.

2002 season
After the poor performances in 2001, Peugeot withdraw their works support, choosing instead to focus on their more successful World Rally Championship campaign. The team, in 2002, now renamed Team Halfords after gaining sponsorship from Halfords, continued racing with the 406. Eaves stayed with the team, while 1992 champion Tim Harvey and Carl Breeze joined the team. A second unsuccessful season followed; with the only podium finish being a second place from Eaves in the second race of the season. Despite the lack of overall competitiveness, Dan Eaves and Tim Harvey finished the season 1st and 3rd respectively in the Independents Cup. For 2003, the team switched to the Sergio Rinland designed Peugeot 307, with the hope of gaining more competitiveness.

2004 season
The 406 Coupes remained unused in 2003, but halfway through the 2004 season, Mardi Gras Motorsport took the decision to replace their LPG-powered, Super 2000-specification Honda Civic with a 406 Coupe. The car proved barely more successful than its predecessor - finishing no higher than a 12th place at Knockhill in the 4 rounds it entered. The car did not reappear for the 2005 season.

References

British Touring Car Championship
Touring cars
406 Coupe BTC-T
Cars introduced in 2001
Front-wheel-drive vehicles The Los Angeles Civic Light Opera (LACLO) was an American theatre/opera company in Los Angeles, California. Founded under the motto "Light Opera in the Grand Opera manner" in 1938 by impresario Edwin Lester, the organization presented fifty seasons of theatre before closing due to financial reasons in 1987. Typically the LACLO presented four to six productions during an annual season. The company produced or co-produced several of their own shows in addition to bringing in shows from Broadway to California, often with their original casts. Productions that originated at the LACLO and then went on to wider success, included Song of Norway (1944), Magdalena (1948), Kismet (1953), Peter Pan (1954) and Gigi (1973). Initially the organization mainly presented American operettas, but by the 1960s the company was presenting mostly musical theatre; although the company never completely left its roots.

History

The Los Angeles Civic Light Opera opened its first season in 1938 with the operetta Blossom Time, based on works by Franz Schubert, presented in English with stars John Charles Thomas and Francia White. The production was both a critical and financial success, and the company went on to have three more sold out productions that season with Sigmund Romberg's The Student Prince, Romberg's The New Moon, and Jerome Kern's Roberta.

At the time the LACLO opened, Broadway touring productions out of New York City did not travel further west than the Rocky Mountains. However, the success of the LACLO's first season drew the attention of the theatre community in New York City; seeing for the first time the financial potential of theatre in Los Angeles. Lester further encouraged this interest by partnering with San Francisco theatre impresario Homer Curran who founded the San Francisco Light Opera Company (SFLOC) in 1939. The LACLO and SFLOC joined forces and were able to offer New York producers the ability to book their shows in both L.A. and San Francisco. The Broadway producers took advantage of this opportunity and began extending their touring productions into California.

While including touring productions from NYC in their annual season, the LACLO still continued to mount their own locally produced productions under the artistic leadership of Lester. One major triumph for the company was the 1944 operetta Song of Norway which Lester commissioned Milton Lazarus, Robert Wright, and George Forrest to create using the music of Edvard Grieg. The production later went on to have a successful Broadway run. Wright and Forrest created several more original works for the LACLO, most notably the 1953 musical Kismet, which had an even greater success in New York. Perhaps the most successful original work to be produced at the LACLO was the 1954 musical version of Peter Pan which Lester orchestrated as a star vehicle for Mary Martin. After opening in Los Angeles, the production moved to Broadway, winning Martin a Tony Award. The LACLO also exported a number of revivals to Broadway during its history, including a 1945 revival of Victor Herbert's The Red Mill which ran for more than a year in New York.

During the 1950s and 1960s the LACLO was the most financially successful musical theatre subscription organization of its kind. However, in the 1970s the organization's audience size began to decrease and by the 1980s the company was experiencing serious financial difficulties. The company's last production was of John Kander's Cabaret in 1987. The production starred Joel Grey, Alyson Reed, Regina Resnik, Werner Klemperer, Gregg Edelman, and David Staller. Composer, conductor, and pianist Harper MacKay was the LACLO's music director from 1962 theough 1980.

Performance history

References

Musical theatre companies
Opera companies in Los Angeles
Musical groups established in 1938
1938 establishments in California