Glenda Jackson Early life and career where was she born? Jackson was born in Birkenhead on the Wirral, where did she attend school? Jackson was educated at the West Kirby County Grammar School for Girls, and performed at the Townswomen's Guild drama group during her teens. who were her parents? where her father was a builder, and her mother worked in shops and as a cleaner. when did she begin her acting career? Jackson made her professional stage debut in Terence Rattigan's Separate Tables in 1957 while at RADA. what was her first film? Her film debut was a bit part in This Sporting Life (1963). what did she do after her debut film? A member of the Royal Shakespeare Company for four years from 1964, she originally joined for director Peter Brook's 'Theatre of Cruelty' season what roles did she play as a member f the Royal Shakespeare Company? she played an inmate of an asylum portraying Charlotte Corday, the assassin of Marat.
Did she play any other Shakespeare roles?
Did Jackson play any other Shakespeare roles aside from Charlotte Corday?
Jackson was born in Birkenhead on the Wirral, where her father was a builder, and her mother worked in shops and as a cleaner. Jackson was educated at the West Kirby County Grammar School for Girls, and performed at the Townswomen's Guild drama group during her teens. She worked for two years in a branch of the Boots the Chemist chain before taking up a scholarship in 1954 to study at the Royal Academy of Dramatic Art. Jackson made her professional stage debut in Terence Rattigan's Separate Tables in 1957 while at RADA. and appeared in repertory for the next six years. Her film debut was a bit part in This Sporting Life (1963). A member of the Royal Shakespeare Company for four years from 1964, she originally joined for director Peter Brook's 'Theatre of Cruelty' season which included Peter Weiss' Marat/Sade (1965) in which she played an inmate of an asylum portraying Charlotte Corday, the assassin of Marat. The production ran on Broadway in 1965 and in Paris (Jackson appeared in the 1967 film version) and Jackson also appeared as Ophelia in Peter Hall's production of Hamlet in the same year. Critic Penelope Gilliatt thought Jackson was the only Ophelia she had seen who was ready to play the Prince himself. The RSC's staging at the Aldwych Theatre of US (1966), a protest play against the Vietnam War, also featured Jackson, and she appeared in its film version, Tell Me Lies. Later that year, she starred in the psychological drama Negatives (1968), which was not a huge financial success, but won her more good reviews. CANNOTANSWER
which she played an inmate of an asylum portraying Charlotte Corday, the assassin of Marat.
Glenda May Jackson  (born 9 May 1936) is an English actress and politician. She has won the Academy Award for Best Actress twice, receiving the first for her role as Gudrun Brangwen in the romantic drama film Women in Love (1970) and the second for her role as Vickie Allessio in the romantic comedy film A Touch of Class (1973). She also received praise for her performances as Alex Greville in the drama film Sunday Bloody Sunday (1971) and Elizabeth I in the BBC television serial Elizabeth R (1971), winning two Primetime Emmy Awards for the latter. In 2018, she won the Tony Award for Best Actress in a Play for her role in a revival of Edward Albee's Three Tall Women, thus becoming one of the few performers to have achieved the "Triple Crown of Acting" in the US.

Jackson took a hiatus from acting to take on a career in politics from 1992 to 2015, and was elected as the Labour Party MP for Hampstead and Highgate in the 1992 general election. She served as a junior transport minister from 1997 to 1999 during the government of Tony Blair, later becoming critical of Blair. After constituency-boundary changes, she represented Hampstead and Kilburn from 2010. In the 2010 general election, her majority of 42 votes was one of the closest results of the entire election. She stood down at the 2015 general election and returned to acting.

Early life
Glenda May Jackson was born on 9 May 1936 in Birkenhead, Cheshire, where her father was a builder and her mother worked in shops and as a cleaner. She was educated at West Kirby County Grammar School for Girls in nearby West Kirby, and performed at the Townswomen's Guild drama group during her teens. She worked for two years in Boots before taking up a scholarship in 1954 to study at the Royal Academy of Dramatic Art (RADA).

Career

1957–1968: Early career
Jackson made her professional stage debut in Terence Rattigan's Separate Tables in 1957 while at RADA and appeared in repertory for the next six years. Her film debut was a bit part in the kitchen sink drama This Sporting Life (1963). A member of the Royal Shakespeare Company (RSC) for four years from 1964, she originally joined for director Peter Brook's Theatre of Cruelty season, which included Peter Weiss' Marat/Sade (1965), in which she played an inmate of an insane asylum portraying Charlotte Corday, the assassin of Jean-Paul Marat. The production ran on Broadway in 1965 and in Paris (Jackson appeared in the 1967 film version). Jackson also appeared as Ophelia in Peter Hall's production of Hamlet in the same year. Critic Penelope Gilliatt thought Jackson was the only Ophelia she had seen who was ready to play the Prince himself.

The RSC's staging at the Aldwych Theatre of US (1966), a protest play against the Vietnam War, also featured Jackson, and she appeared in its film version, Tell Me Lies. Later that year, she starred in the psychological drama Negatives (1968), which was not a huge financial success, but won her more good reviews.

1969–1980: Film and Television
Jackson's starring role in Ken Russell's film adaptation of D. H. Lawrence's Women in Love (1969) led to her winning her first Academy Award for Best Actress. Brian McFarlane, the main author of The Encyclopedia of British Film, has written: "Her blazing intelligence, sexual challenge and abrasiveness were at the service of a superbly written role in a film with a passion rare in the annals of British cinema."

In the process of gaining funding for The Music Lovers (1970) from United Artists, Russell explained it as "the story of a homosexual who marries a nymphomaniac," the couple being the composer Pyotr Ilyich Tchaikovsky (Richard Chamberlain) and Antonina Miliukova, played by Jackson. This film received mixed reviews in the U.S.: the anonymous reviewer in Variety wrote of the two principals, "Their performances are more dramatically bombastic than sympathetic, or sometimes even believable." Jackson was initially interested in the role of Sister Jeanne in The Devils (1971), Russell's next film, but turned it down after script rewrites and deciding that she did not wish to play a third neurotic character in a row.

In order to play Queen Elizabeth I in the BBC's serial Elizabeth R (1971), Jackson had her head shaved. After the series was shown on PBS in the US, Jackson received two Primetime Emmy Awards for her performance. She also portrayed Queen Elizabeth in the film Mary, Queen of Scots, and gained an Academy Award nomination and a BAFTA Award for her role in John Schlesinger's Sunday Bloody Sunday (both 1971). In that year British exhibitors voted her the 6th most popular star at the British box office.

In 1971, Jackson made the first of several appearances with Morecambe and Wise, appearing in a comedy sketch as Cleopatra for the BBC Morecambe and Wise Show in which she delivered the line "All men are fools and what makes them so is having beauty like what I have got." Later appearances included a song and dance routine (in which she was pushed offstage by Eric), a period drama about Queen Victoria, and another musical routine (in their Thames Television series) in which she is elevated ten feet in the air by a misbehaving swivel chair. Jackson and Wise also appeared in an information film for the Blood Transfusion Service.

Filmmaker Melvin Frank saw her comedic potential on the Morecambe and Wise Show and offered her the lead female role in his next project. She gained a second Academy Award for Best Actress for Frank's A Touch of Class (1973), a romantic comedy co-starring George Segal. She continued to work in the theatre, and returned to the RSC to play the lead role in Ibsen's Hedda Gabler. A later film version directed by Trevor Nunn was released as Hedda (1975), for which Jackson was nominated for an Oscar. In The New York Times, Vincent Canby praised Jackson's performance: "This version of Hedda Gabler is all Miss Jackson's Hedda and, I must say, great fun to watch ... Miss Jackson's technical virtuosity is particularly suited to a character like Hedda. Her command of her voice and her body, as well as the Jackson mannerisms, have the effect of separating the actress from the character in a very curious way." In 1978, she scored box office success in the United States in the romantic comedy House Calls, which co-starred Walter Matthau. In 1979, she reunited with her A Touch of Class colleagues Segal and Frank for the romantic comedy Lost and Found. Jackson and Matthau teamed again in the comedy Hopscotch (1980), which was a mild success.

For her 1980 appearance on The Muppet Show, she told the producers that she would perform any material they liked; this turned out to be a role where she has a delusion that she is a pirate captain who hijacks the Muppet Theatre as her ship.

1980–1992: Later acting career
Fifteen years after the New York engagement of Marat/Sade, Jackson returned to Broadway in Andrew Davies's Rose opposite Jessica Tandy; both received Tony nominations. In 1985, she appeared as Nina Leeds in a revival of Eugene O'Neill's Strange Interlude at the Nederlander Theatre in a production which had originated in London the previous year and ran for eight weeks. John Beaufort for The Christian Science Monitor wrote: "Bravura is the inevitable word for Miss Jackson's display of feminine wiles and brilliant technique." Frank Rich in The New York Times thought Jackson, "with her helmet of hair and gashed features," when Leeds is a young woman, "looks like a cubist portrait of Louise Brooks," and later when the character has aged several decades, is "mesmerizing as a Zelda Fitzgeraldesque neurotic, a rotting and spiteful middle-aged matron and, finally, a spent, sphinx-like widow happily embracing extinction." Herbert Wise directed a British television version of O'Neill's drama which was first broadcast in the US as part of PBS's American Playhouse in January 1988.

In 1985, Jackson appeared in the title role of Racine's Phèdre at The Old Vic. The Daily Telegraph's John Barber wrote of her performance, "Wonderfully impressive . . . The actress finds a voice as jagged and hoarse as her torment." Benedict Nightingale in the New Statesman was intrigued that Jackson didn't go in for nobility, but played Racine's feverish queen as if to say that "being skewered in the guts by Cupid is an ugly, bitter, humiliating business."

In 1989, Jackson appeared in Ken Russell's The Rainbow, playing Anna Brangwen, mother of Gudrun, the part which had won her her first Academy Award twenty years earlier. Also in that year, she played Martha in a Los Angeles production of Edward Albee's Who's Afraid of Virginia Woolf? at the Doolittle Theatre (now the Ricardo Montalbán Theatre). Directed by the playwright himself, this staging featured John Lithgow as George. Dan Sullivan in the Los Angeles Times wrote that Jackson and Lithgow performed "with the assurance of dedicated character assassins, not your hire-and-salary types" with the actors being able to display their character's capacity for antipathy. Albee was disappointed with this production, pointing to Jackson who he thought "had retreated back to the thing she can do very well, that ice cold performance. I don't know whether she got scared, but in rehearsal she was being Martha, and the closer we got to opening the less Martha she was!"

She performed the lead role in Howard Barker's Scenes from an Execution as Galactia, a sixteenth century female Venetian artist, at the Almeida Theatre in 1990. It was an adaptation of Barker's 1984 radio play in which Jackson had played the same role.

1992–2015: Political career
Jackson retired from acting in order to stand for election to the House of Commons in the 1992 general election, subsequently becoming the Labour MP for Hampstead and Highgate. She has stated that she felt Britain was being "destroyed" by the policies of Thatcher and the Conservative government, so that she was willing to do "anything that was legal" to oppose her.

Jackson joined the Labour front bench as shadow transport minister in July 1996. Following Labour's victory in the 1997 general election, she was appointed as a junior minister in the government of Prime Minister Tony Blair, with responsibility for transport in London. She resigned from the post in 1999 before an unsuccessful attempt to be  
nominated as the Labour Party candidate for the election of the first Mayor of London in 2000. In the 2005 general election, she received 14,615 votes, representing 38.29% of the votes cast in the constituency.

As a high-profile backbencher, she became a regular critic of Blair over his plans to introduce higher education tuition fees in England, Wales and Northern Ireland. She also called for him to resign following the Judicial Enquiry by Lord Hutton in 2003 surrounding the reasons for going to war in Iraq and the death of government adviser Dr. David Kelly. Jackson was generally considered to be a traditional left-winger, often disagreeing with the dominant Blairite governing Third Way faction in the Labour Party. Jackson is also a republican.

By October 2005, her disagreements with Blair's leadership swelled to a point where she threatened to challenge the Prime Minister as a stalking horse candidate in a leadership contest if he did not stand down within a reasonable amount of time. On 31 October 2006, Jackson was one of 12 Labour MPs to back Plaid Cymru and the Scottish National Party's call for an inquiry into the Iraq War.

Her constituency boundaries changed for the 2010 general election. The Gospel Oak and Highgate wards became part of Holborn & St Pancras, and the new Hampstead & Kilburn constituency switched into Brent to include Brondesbury, Kilburn and Queens Park wards (from the old Brent East and Brent South seats). On 6 May 2010, Jackson was elected as the MP for the new Hampstead and Kilburn constituency with a margin of 42 votes over Conservative Chris Philp, with the Liberal Democrat candidate Edward Fordham less than a thousand votes behind them. She had the second closest result and thus second smallest majority of any MP in the 2010 election.

In June 2011, Jackson announced that, presuming the Parliament elected in 2010 lasted until 2015, she would not seek re-election. She stated: "I will be almost 80 and by then it will be time for someone else to have a turn." The eventual election was held two days before her 79th birthday.

In April 2013, Jackson gave a speech in parliament following the death of Margaret Thatcher. She accused Thatcher of treating "vices as virtues" and stated that, because of Thatcherism, the UK was susceptible to unprecedented unemployment rates and homelessness. Another speech of Jackson's went viral in June 2014 when she gave a scathing assessment of Iain Duncan Smith's tenure as Secretary of State for Work and Pensions, telling him that he was responsible for the "destruction of the welfare state and the total and utter incompetence of his department".

2015–present: Return to acting
In 2015, Jackson returned to acting following a 23-year absence, having retired from politics. She took the role of Dide, the ancient matriarch, in a series of Radio 4 plays, Blood, Sex and Money, based on a series of novels by Émile Zola. She returned to the stage at the end of 2016, playing the title role in William Shakespeare's King Lear at the Old Vic Theatre in London, in a production running from 25 October to 3 December. Jackson was nominated for Best Actress at the Olivier Awards for her role, but ultimately lost out to Billie Piper. She did, however, win the Natasha Richardson Award for Best Actress at the 2017 Evening Standard Theatre Awards for her performance. Dominic Cavendish of The Telegraph wrote, "Glenda Jackson is tremendous as King Lear. No ifs, no buts. In returning to the stage at the age of 80, 25 years after her last performance (as the Clytemnestra-like Christine in Eugene O'Neill’s Mourning Becomes Electra at the Glasgow Citizens), she has pulled off one of those 11th-hour feats of human endeavour that will surely be talked about for years to come by those who see it."

In 2018, Jackson returned to Broadway in a revival of Edward Albee’s Three Tall Women, winning the 2018 Tony Award for Best Actress in a Play. Marilyn Stasio of Variety wrote, "Watching Glenda Jackson in theatrical flight is like looking straight into the sun. Her expressive face registers her thoughts while guarding her feelings. But it's the voice that really thrills. Deeply pitched and clarion clear, it's the commanding voice of stern authority. Don't mess with this household god or she'll turn you to stone."

Jackson returned to the role of King Lear on Broadway in a production that opened in April 2019. Director Sam Gold describes her portrayal of Lear in The New York Times Magazine : "She is going to go through something most people don't go through. You're all invited. Glenda Jackson is going to endure this, and you're going to witness it."

In 2019, after a 27-year absence, Jackson returned to television drama, portraying an elderly grandmother struggling with dementia in Elizabeth Is Missing on BBC One, based on the novel of the same name by Emma Healey, for which she won the BAFTA TV Award for Best Actress and International Emmy Award for Best Actress.

Personal life
Jackson was married to Roy Hodges from 1958 until their divorce in 1976. They had a son, Dan Hodges (born 1969), who is now a newspaper columnist and former Labour Party adviser and commentator. Jackson was five months pregnant when filming on Women in Love was completed.

Filmography

Film

Television

Radio

Theatre

Awards and honours

Commonwealth honours
 Commonwealth honours

Scholastic
 Chancellor, visitor, governor, rector and fellowships

Honorary Degrees
Honorary degrees

References

External links

 
 
 
 Camden Labour Party
 

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1936 births
20th-century English actresses
20th-century British politicians
20th-century British women politicians
21st-century British politicians
21st-century British women politicians
21st-century English actresses
Alumni of the Royal Academy of Dramatic Art
Associated Society of Locomotive Engineers and Firemen-sponsored MPs
BBC people
Best Actress Academy Award winners
Best Actress BAFTA Award winners
Best Actress BAFTA Award (television) winners
Best Musical or Comedy Actress Golden Globe (film) winners
British actor-politicians
British feminists
British socialists
Commanders of the Order of the British Empire
David di Donatello winners
English film actresses
English republicans
English social commentators
English stage actresses
English television actresses
Female members of the Parliament of the United Kingdom for English constituencies
International Emmy Award for Best Actress winners
Labour Party (UK) MPs for English constituencies
Living people
Outstanding Performance by a Lead Actress in a Drama Series Primetime Emmy Award winners
Outstanding Performance by a Lead Actress in a Miniseries or Movie Primetime Emmy Award winners
People educated at West Kirby Grammar School
People from Birkenhead
Royal Shakespeare Company members
English socialist feminists
Tony Award winners
UK MPs 1992–1997
UK MPs 1997–2001
UK MPs 2001–2005
UK MPs 2005–2010
UK MPs 2010–2015
Abigail Miriam Dauermann (born February 25, 1989), known professionally by her stage name Abby Wilde, is an American actress and singer best known for portraying Stacey Dillsen in Zoey 101, iCarly, and Sam & Cat.

Early life 
Abby Wilde was born Abigail Miriam Dauermann in San Francisco, California. She began acting at the age of 12, when she took a class with her brothers at the local YMCA branch. Since then, she has appeared in a variety of plays, Shakespeare performances, opera concerts, one-act play festivals, and musicals, both in New York City and Los Angeles.

Film and TV

2006–2008: Zoey 101
In 2006, Wilde was cast in a recurring role as Stacey Dillsen on the Nickelodeon hit television show Zoey 101. Although her character was originally supposed to appeared in only one episode, Wilde made such an impression that she became a frequent guest on the program. Wilde appeared in the show for thirty-one episodes between 2006 and 2008. In addition, Wilde starred in several made-for-television Zoey 101 films; "Zoey 101: The Curse of PCA" (2007), "Zoey 101: Goodbye Zoey?" (2008), and the show's final episode "Zoey 101: Chasing Zoey" (2008).

2009–present: Post-Zoey 101 and film appearances 
In 2009, Wilde starred alongside Baywatch actor Alexandra Paul in her first full-length feature film, Family of Four, a drama written and directed by John Suits.

Wilde reprised her role as Stacey two other programs created by Dan Schneider: iCarly (in 2010 and 2011) and Sam & Cat (in 2013).

In 2019, Wilde joined fellow Zoey 101 castmates for an impromptu reunion, leading to speculation about a reboot of the series.

Theatre 
Wilde has been an active member of the theatre community, both in New York City and the Greater Los Angeles Area.  In Los Angeles, she was a part of Antaeus Theatre Company, which is a cooperative theatre ensemble composed of classically trained and highly accomplished professional actors, directors, designers, and other theatre artists dedicated to bringing classical theatre to Los Angeles. Since Antaeus works primarily with film actors who also wish to work in theatre, most plays are double cast, so that actors can fulfill their film requirements and make performances. With Antaeus, Wilde performed many roles, including Emilia from The Malcontent. Other roles include Uta Hagen in Ten Chimneys (Artists Repertory Theatre), Viola in Twelfth Night, Juliet in Juliet and Her Romeo (VanguardRep), Doris Shattock in Peace in Our Time, Richard, Duke of Gloucester in Richard III (Pipeline Players) and with Antaeus, Nina in The Seagull (The Antaeus Company) and Helen in The Cripple of Inishmaan.

Shakespeare and New Verse Plays 
As well as performing Shakespeare's plays, Wilde has also been involved in several Shakespeare-adjacent plays by new verse dramatists.  A few highlights include Shakespeare's "King Phycus" by Tom Willmorth at Antaeus, which imagines a newly discovered "bad quarto" of a Shakespeare play in rhyming couplets. The storyline combines several of Shakespeare's works, including King Lear, Hamlet, Richard III, Romeo and Juliet and Julius Caesar into a new ‘found’ play that is full of wordplay, double entendres and stage combat.

In New York City, Wilde worked with Shrunken Shakespeare company on IRA in 2015. Wilde also worked closely on a variety of new verse plays with Turn to Flesh Productions (TTF), which develops new plays in heightened text with vibrant roles for women and those underrepresented in classical art. With TTF, Wilde originated several roles with Artistic Director and playwright, Emily C. A. Snyder, including the leading roles of Glorielle of Syracuse in A Comedy of Heirors, or The Imposters, Princess Genevieve in The Other, Other Woman, and acting opposite Snyder as Margaret Ford in The Merry Widows of Windsor at the Sheen Center. Wilde also played the role of Psyche from Snyder's Cupid and Psyche several times, as well as taking on new roles by other verse playwrights.

Podcasts 
From 2015 to 2016, Wilde was a co-host on the Shakespeare-inspired podcast, Pith and Moment. She is currently working on the development of several other podcasts and audio dramas which have not yet been released.

Filmography

References

External links
 

1989 births
21st-century American actresses
Actresses from California
American child actresses
American podcasters
American women podcasters
American television actresses
Living people Deborah Gates is an American actress and director who founded the acting company Shakespeare at Play in Los Angeles, California that specializes in abridged versions of Shakespeare’s works for young audiences.

Career
Gates has played many classical roles, including Ophelia in Mark Ringer's staging of Hamlet, Kate in Taming of the Shrew, Hermia in A Midsummer Night's Dream and Juliet in Romeo and Juliet at the Globe Playhouse as well as non classical roles in Mrs. California and Quilters, winning a Drama-Logue Award for the latter. She has also done extensive work as a voice actress in such films as Oliver & Company and video games like Guild Wars. She played the lead role of American journalist Helen Foster Snow in the Chinese film Yi ge mao xian de mei guo nu ren.

External links
 
 Official Website for Shakespeare at Play

American Shakespearean actresses
American film actresses
American television actresses
American video game actresses
American voice actresses
Place of birth missing (living people)
Year of birth missing (living people)
American theatre directors
Women theatre directors
American theatre managers and producers
Living people
20th-century American actresses
21st-century American actresses