Harry Chapin Biography When was he born I don't know. Are there any other interesting aspects about this article? Chapin was born in New York City, the second of four children, who also included future musicians Tom and Steve. Who was his parents His parents were Jeanne Elspeth (nee Burke) and Jim Chapin, a legendary percussionist. How old was he I don't know.
What else do you know about him
In addition to Chapin's brothers, what else do you know about Chapin?
Chapin was born in New York City, the second of four children, who also included future musicians Tom and Steve. His parents were Jeanne Elspeth (nee Burke) and Jim Chapin, a legendary percussionist. He had English ancestry. The earliest Chapin to come to America was Samuel Chapin, who was the first deacon of Springfield, Massachusetts in 1636. His other great-grandparents on his mothers side had immigrated in the late 19th century. His parents divorced in 1950, with his mother retaining custody of their four sons, as Jim spent much of his time on the road as a drummer for Big Band-era acts such as Woody Herman. Chapin's mother married Films in Review magazine editor Henry Hart a few years later. His maternal grandfather was literary critic Kenneth Burke. Chapin's first formal introduction to music were trumpet lessons at The Greenwich House Music School under Mr. Karrasic (sic). Harry's younger brothers Tom and Steve were choirboys at Grace Episcopal Church in Brooklyn Heights, and through them Chapin met "Big" John Wallace, a baritone with a five-octave range, who later became his bassist, backing vocalist, and straight man onstage. Chapin began performing with his brothers while a teenager, with their father occasionally joining them on drums. Chapin graduated from Brooklyn Technical High School in 1960 and was among the five inductees in the school's Alumni Hall Of Fame for the year 2000. He briefly attended the United States Air Force Academy in Colorado Springs, Colorado and was then an intermittent student at Cornell University in New York State, but did not complete a degree. He originally intended to be a documentary film-maker and directed Legendary Champions in 1968, which was nominated for a documentary Academy Award. In 1971, he began focusing on music. With John Wallace, Tim Scott, and Ron Palmer, Chapin started playing in various nightclubs in New York City. CANNOTANSWER
Chapin began performing with his brothers while a teenager, with their father occasionally joining them on drums.
Harold Forster Chapin (December 7, 1942 – July 16, 1981) was an American singer-songwriter, philanthropist, and hunger activist best known for his folk rock and pop rock songs. He achieved worldwide success in the 1970s. Chapin, a Grammy Award-winning artist and Grammy Hall of Fame inductee, has sold over 16 million records worldwide.

Chapin recorded a total of 11 albums from 1972 until his death in 1981. All 14 singles that he released became hits on at least one national music chart.

As a dedicated humanitarian, Chapin fought to end world hunger. He was a key participant in the creation of the Presidential Commission on World Hunger in 1977. In 1987, Chapin was posthumously awarded the Congressional Gold Medal for his humanitarian work.

Biography
Harry Forster Chapin was born on December 7, 1942 in New York City, the second of four children of legendary percussionist Jim Chapin and Jeanne Elspeth, daughter of the literary critic Kenneth Burke. His brothers, Tom and Steve, would also become musicians. He had English ancestry. The earliest Chapin to come to America was Samuel Chapin, who was the first deacon of Springfield, Massachusetts in 1636. His other great-grandparents on his mother's side had immigrated in the late 19th century. His parents divorced in 1950, with his mother retaining custody of their four sons, as Jim spent much of his time on the road as a drummer for Big Band-era acts such as Woody Herman. Chapin's mother married Films in Review magazine editor Henry Hart a few years later.

Chapin's first formal introduction to music was trumpet lessons at The Greenwich House Music School under Mr. Karrasic (sic). Harry's younger brothers Tom and Steve were choirboys at Grace Episcopal Church in Brooklyn Heights, and through them Chapin met "Big" John Wallace, a baritone with a five-octave range, who later became his bassist, backing vocalist, and straight man onstage. Chapin began performing with his brothers while a teenager, with their father occasionally joining them on drums. Chapin graduated from Brooklyn Technical High School in 1960 and was among the five inductees in the school's Alumni Hall Of Fame for the year 2000. He briefly attended the United States Air Force Academy in Colorado Springs, Colorado and was then an intermittent student at Cornell University in New York State, but did not complete a degree.

He originally intended to be a documentary film-maker and took a job with The Big Fights, a company run by Bill Cayton that owned a large library of classic boxing films. Chapin directed Legendary Champions in 1968, which was nominated for a documentary Academy Award. In 1971, he began focusing on music. With John Wallace, Tim Scott, and Ron Palmer, Chapin started playing in various nightclubs in New York City.

Career

Early music career (1971–1972)

In 1972, there was a bidding war over Chapin between music business heavyweights Clive Davis at Columbia and Jac Holzman at Elektra. Chapin signed a multi-million dollar recording contract with Elektra Records. The contract was one of the biggest of its time. It granted him free recording time, along with many other perks.

The same year, he released his debut album, Heads & Tales. The album was an international success, selling over 1 million units. Its success was due to the top 25 Billboard Hot 100 hit single, "Taxi". The song also became a top 5 hit in Canada. The success of the song in America is credited to American radio personality Jim Connors, who helped promote the song on the radio despite its length, and helped it to stay on the charts for 16 weeks. It became the number one requested song for 10 weeks in a row. The song was performed on The Tonight Show Starring Johnny Carson, which received so many calls that Chapin returned the next night. It was the first time in the show's history that a performer had been called back the next night. It was also one of the first performances on The Midnight Special, with John Denver hosting.

When asked if the song was true, Chapin said "It's emotionally true, if not literally true. I've been in the film business on and off for a lot of years, and wasn't doing well at one point. So I went out and got a hack license for bread, and during the month that I was waiting for it to come through, I heard an old girlfriend of mine had gotten married and instead of becoming an actress she married a rich guy. I envisioned some night I'd be driving a cab in the big city streets and this lady would get in the back, and I'd turn and look at her and she'd look at me and know we both sold out our dreams." Billboard ranked "Taxi" as the 85th song of the year. "Taxi" also earned Chapin a Grammy nomination for Best New Artist of the Year.

The follow up album, Sniper and Other Love Songs, was also released in 1972. The album's title song, "Sniper", is a semi-fictional account of the University of Texas tower shooting. The single release from the album, "Sunday Morning Sunshine", charted on the Billboard Hot 100 and became a top 40 on Billboard Adult Contemporary. The album was less successful than the last, selling 350,000 units. The album also contained the Chapin anthem, "Circle". In 2004, the double album Sniper and Other Love Songs and Heads & Tales was released. It contained previously unreleased tracks from both albums.

Career peak (1973–1975)
In 1973, Chapin released his third album, Short Stories. The album sold over 1 million units and produced another international hit, "W·O·L·D", a song about an aging disc jockey who has given up his entire life and family for his career. The song is sung from the point of view of the disc jockey, who is singing to his ex-wife. It was inspired by American radio personality Jim Connors. Chapin wrote the song when he listened to Connors calling his ex-wife in the WMEX studio. The song became a top 40 hit on the Billboard Hot 100, a top 10 in Canada, and top 10 and 20 in various other countries. Other notable songs from the album not released as singles are "Mr. Tanner", "Mail Order Annie", and "They Call Her Easy". The song, "Mr. Tanner", was loosely based on a pair of New York Times concert reviews of baritone Martin Tubridy – once in 1971 and once in 1972.

In 1974, Chapin released his most successful album, Verities and Balderdash. The album sold 2.5 million units due to the number 1 hit, "Cat's in the Cradle". The song is about a father who doesn't find time for his son during the boy's childhood; ultimately the son grows up to be just like his father, not making any time for his dad. The song earned Chapin another Grammy nomination for Best Male Pop Vocal Performance, and he was inducted into the Grammy Hall of Fame. Verities and Balderdash peaked at number 4 on the Billboard 200. The album's follow-up single, "I Wanna Learn a Love Song", charted at number 7 on Billboard Adult Contemporary. The song is a true story of how he met his wife, Sandra Chapin. "30,000 Pounds of Bananas" was included on the album and became the number one requested song for a few weeks, despite not being released as a single. It is a semi-fictional account of a truck crash that occurred in Scranton, Pennsylvania, transporting bananas - based loosely on a March 18, 1965 accident involving truck driver Gene Sesky. Other notable songs from the album include "Shooting Star", "Halfway to Heaven", and "Six String Orchestra".

In 1975, Chapin released his fifth album, Portrait Gallery. The album produced a top 40 Billboard Adult Contemporary hit, "Dreams Go By". However, the album was less successful than the last,  selling 350,000 units. In addition, he wrote and performed a Broadway play, The Night That Made America Famous. The play earned two Tony Award nominations and two Drama Desk Award nominations.

Later years (1976–1981)
By 1976, Chapin was established as one of the most popular singers of the decade. He released his first live album, Greatest Stories Live. The album sold 2.1 million units.
However, Elektra Records underwent a management change and gave almost no promotion for his later albums with Elektra, but they all sold at least 250,000 units each and charted successfully.

By the end of the decade, Chapin concentrated more on touring than producing hit singles, but still released one album a year. He earned an estimated $2,000,000 per year (approximately $11,75 M in 2017) until his death in 1981, making him one of the highest paid artists in the world. His album Dance Band on the Titanic sold poorly, but was voted Album of the Year by The Times of London. In 1980, his recording contract with Elektra expired. He signed a one-album contract with Boardwalk Records, and released his ninth studio album, Sequel. The album has been described as his fastest breaking album. Three singles were released, with all of them becoming hits. The first single, "Sequel", became a top 25 hit on the Billboard Hot 100. The song is a followup to Taxi. The second single, "Remember When the Music", became a top 50 on the Adult Contemporary Chart. The last single, "Story of a Life", became a hit on the Bubbling Under chart. The album sold 500,000 units.

Personal life
Chapin met Sandra Chapin, a New York socialite eight years his senior, in 1966 after she called him asking for music lessons. They married two years later. The story of their meeting and romance is told in his song "I Wanna Learn a Love Song". Chapin wrote several additional songs about her, including "Shooting Star" about their relationship, and "Sandy". He had two children with her, Jennifer and Joshua, and was stepfather to her three children from a previous marriage, Jaime, Jason, and Jonathan.

Philanthropic work
Chapin resolved to leave his imprint on Long Island. He envisioned a Long Island where the arts flourished, universities expanded, and humane discourse was the norm. "He thought Long Island represented a remarkable opportunity", said Chapin's widow, Sandy.

In the mid-1970s, Chapin devoted much time and effort to social activism, including raising money to combat hunger in the United States. His daughter Jen said: "He saw hunger and poverty as an insult to America." He co-founded the organization World Hunger Year with radio personality Bill Ayres, before returning to music with On the Road to Kingdom Come. He also released a book of poetry, Looking ... Seeing, in 1975. More than half of Chapin's concerts were benefit performances (for example, a concert to help save the Landmark Theatre in Syracuse, New York, as well as hunger causes such as food banks), and proceeds from his concert merchandise were used to support World Hunger Year. Among those he helped is filmmaker Michael Moore, who, in 1977, got help funding his Mid-Michigan based independent newspaper startup, The Flint Voice, with Chapin benefit concerts. Chapin's social causes at times caused friction among his band members. Chapin donated an estimated third of his paid concerts to charitable causes, often performing alone with his guitar to reduce costs. Mike Rendine accompanied him on bass throughout 1979.

One report quotes his widow saying soon after his death – "only with slight exaggeration" – that "Harry was supporting 17 relatives, 14 associations, seven foundations, and 82 charities. Harry wasn't interested in saving money. He always said, 'Money is for people,' so he gave it away." Despite his success as a musician, he left little money and it was difficult to maintain the causes for which he raised more than $3 million in the last six years of his life. The Harry Chapin Foundation was the result.

Death 

On the afternoon of July 16, 1981, Chapin was en route on the Long Island Expressway to perform at a free benefit concert at Eisenhower Park in East Meadow, New York that evening. At 12:27 PM, Chapin was fatally injured in a fiery traffic collision with a semi-trailer truck outside Jericho, New York. Passers-by managed to help the unconscious Chapin out of his engulfed 1975 Volkswagen Rabbit and he was immediately taken by helicopter to the nearby Nassau County Medical Center where he was pronounced dead at 1:05 PM due to internal bleeding.  Chapin's widow Sandy won a $12 million decision in a negligence lawsuit against Supermarkets General, the owners of the truck involved.

Chapin is buried in the Huntington Rural Cemetery in Huntington, New York. His epitaph is taken from his 1978 song "I Wonder What Would Happen to This World":

Legacy 
His work on hunger included being widely recognized as a key player in the creation of the Presidential Commission on World Hunger (under 39th President Jimmy Carter) in 1977 (he was the only member who attended every meeting).

He was also the inspiration for the antihunger projects USA for Africa and Hands Across America, which were organized by Ken Kragen, who had been Chapin's manager at the end of Chapin's career, after Fred Kewley. Kragen, explaining his work on these benefit events, said, "I felt like Harry had crawled into my body and was making me do it."

From around 1975 until the owners changed the format of the station in the late 1990s, WNEW-FM, 102.7, a NYC radio station with the motto, "Where Rock Lives" held an annual "Hungerthon" every Thanksgiving, to benefit Harry Chapin's World Hunger League.  During the 24-hour period of the event,  little to no music was played, with the exception of the iconic "Alice's Restaurant" by Arlo Guthrie played at noon and 6 pm.  For the remainder of the day, during every DJ's four-hour show, guests such as Harry himself, other music stars, and experts on hunger brought to the listeners information about the severity of hunger in America, in New York City, and in the tri-state area, sometimes in graphic detail. After Harry's death, the "Hungerthon" continued, and at the "U.S. Live Aid" concert in Philadelphia at JFK Stadium in 1985, Kenny Loggins was presented with the first "Harry Chapin Award" for his work for the World Hunger League in fighting hunger in America. Since WNEW-FM changed formats, other New York stations have continued to do fundraisers for the charity.

Chapin had co-operated before his death with the writer of the biography entitled Taxi: The Harry Chapin Story, by Peter M. Coan, released posthumously, from which the family withdrew their support. Some concern existed about the accuracy of the details included in the book.

The Lakeside Theatre at Eisenhower Park in East Meadow, New York, was renamed Harry Chapin Lakeside Theatre during a memorial concert held one month after his death, as a tribute to his efforts to combat world hunger. Other Long Island landmarks named in honor of Chapin include a graduate-student apartment complex at Stony Brook University, a theater in Heckscher Park in Huntington, New York, and a playground at the intersection of Columbia Heights and Middagh Street in Brooklyn Heights.

The village of Croton-on-Hudson, New York, has hosted the Harry Chapin Run Against Hunger, a 10k, 5k, and Fun Run, since 1981.

On December 7, 1987, on what would have been his 45th birthday, Chapin was posthumously awarded the Congressional Gold Medal for his campaigning on social issues, particularly his highlighting of hunger around the world and in the United States.

In 1994, admirers of the late singer's passionate fight against hunger re-named the then 11 year old Lee County Food Cooperative (Fort Myers, FL) as the Harry Chapin Food Bank of Southwest Florida in tribute to Chapin, with the permission of his widow.  Its mission to lead its five-county service area in the fight to end hunger continues to this day.

In 2001, Chapin's "Cat's in the Cradle" was ranked number 186 of 365 on the Recording Industry Association of America  list of Songs of the Century.

Chapin was inducted into the Long Island Music Hall of Fame on October 15, 2006.

On September 27, 2011, former U.S. Representative Alan Grayson wrote an article on the internet publication The Huffington Post about Chapin's song "What Made America Famous".

Singer and songwriter Guthrie Thomas has long publicly stated that Chapin's song "Cat's in the Cradle" is one of the most difficult songs to perform, due to Chapin's master guitar playing and his brilliant syncopation of the lyrics, meaning each word must fit perfectly and in time with the playing.  Also, despite seeming social and political differences with Chapin, Dr. James Dobson often quotes the entirety of "Cat's In The Cradle" to illustrate dynamics of contemporary American families.

A children's picture book was created using the lyrics of "Mr. Tanner" and the illustrations of Bryan Langdo; it was published by Ripple Grove Press in May 2017.

Greenwich Entertainment released a documentary film titled Harry Chapin: When in Doubt, Do Something. It was directed Rick Korn and produced by Jason Chapin. The film was released theatrically and through virtual cinema on October 16, 2020 (World Food Day).

Family 
Harry's widow Sandy is now chair of the Harry Chapin Foundation, where she continues to pursue Harry's legacy. His son Josh is involved with the foundation, along with other family members.

Chapin often remarked that he came from an artistic family. His father Jim, brothers Tom and Steve, and daughter Jen Chapin are musicians. His nieces Abigail and Lily Chapin perform under the name the Chapin Sisters. His paternal grandfather, James Ormsbee Chapin, was an artist who illustrated Robert Frost's first two books of poetry; his maternal grandfather was the philosopher and rhetorician Kenneth Burke.

Harry Chapin's brothers sometimes performed with Harry at various times throughout his career, particularly during live performances. They played with him before his solo career took off, and were credited on the albums Greatest Stories Live, Legends of the Lost and Found, and Chapin Music!  Tom and Steve continued to perform together (often with Harry's former bandmates) from time to time after his death.

Country singer Mary Chapin Carpenter is Chapin's fifth cousin.

Awards and recognition 

Grammy Awards

|-
|1972 || "Taxi" || Best New Artist of the Year || 
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|1975 || "Cat's in the Cradle" || Best Pop Male Vocal Performance || 
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|1986 || Harry Chapin || President's Merit Award || 
|-
|2011 || Harry Chapin || Hall of Fame Award || 

Rock Music Awards

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|1976 || Harry Chapin ||Public Service Award|| 

Billboard

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|1973 || Harry Chapin ||Trendsetter Award|| 

Rockies

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|1976 || Harry Chapin ||Public Service Award|| 
|-
|1977 || Harry Chapin ||Public Service Award||

Other awards and honors
Harry Chapin ASCAP Award
Congressional Gold Medal of Honor
Long Island Music Hall of Fame
Ten Outstanding Young Americans, 1977

Discography

Studio albums 
 Heads & Tales (1972, Elektra)
 Sniper and Other Love Songs (1972, Elektra)
 Short Stories (1973, Elektra)
 Verities & Balderdash (1974, Elektra)
 Portrait Gallery (1975, Elektra)
 Greatest Stories Live (Double Album, 1976, Elektra)
 On the Road to Kingdom Come (1976, Elektra)
 Dance Band on the Titanic (Double Album, 1977, Elektra)
 Living Room Suite (1978, Elektra)
 Legends of the Lost and Found (Double Live Album, 1979, Elektra)
 Sequel (1980, Boardwalk Records)
 Re-released as Remember When the Music with bonus tracks (1987, Dunhill Compact Classics)
 Storyteller (1999, BOA Records, a re-release of Sequel)

Posthumous album
 The Last Protest Singer (1988, Dunhill Compact Classics)

Compilation albums
 Anthology of Harry Chapin (1985, Elektra)
 The Gold Medal Collection (1988, Elektra)
 Harry Chapin Tribute (1990, Relativity Records)
 The Bottom Line Encore Collection (1998, Bottom Line / Koch)
 Story of a Life (1999, Elektra)
 Onwards and Upwards (2000, Harry Chapin Foundation)
 VH1 Behind the Music: The Harry Chapin Collection (2001, Elektra)
 Songwriter (2002, Harry Chapin Foundation)
 The Essentials (2002, Elektra)
 Classic Hits of Harry Chapin (2003, Warner Special Products)
 Heads & Tales / Sniper and Other Love Songs (2004, Elektra. Double CD re-release of first two albums with bonus tracks)
 Introducing ... Harry Chapin (2006, Rhino Records)
 Bottom Line Archive Series: Live 1981 (2015, The Bottom Line Record Company)
 The Singles A's & B's (2019, Wounded Bird Records)

Singles 
 "Taxi"
 "Could You Put Your Light On, Please"
 "Sunday Morning Sunshine"
 "A Better Place to Be"
 "W·O·L·D"
 "Cat's in the Cradle"
 "What Made America Famous?"
 "I Wanna Learn a Love Song"
 "Dreams Go By"
 "A Better Place to Be (Live)"
 "Flowers Are Red"
 "Sequel"
 "Remember When the Music"
 "Story of a Life"

Video / DVD releases 
 An Evening With ... Harry Chapin (also known as "The Book of Chapin") (1998)
 Rockpalast Live (2002)
 Remember When: The Anthology (2005)
 You Are the Only Song (also known as "The Final Concert") (2006)

References

External links 

  – run by Chapin family
 Harry Chapin Foundation
 
 
 Harry Chapin (founder) page on Long Island Cares/Harry Chapin Food Bank website
 Harry Chapin's Friends - Started in 1998 - Stories & memories of Harry Chapin's influences on his fans.
 HarryChapin.com – a fan site
 Harry Chapin at classicbands.com – Contains details about the accident that took his life
 World Hunger Year website
 Harry Chapin: The Howie Fields years – Chapin drummer's archival site, 1975–1981

1942 births
1981 deaths
American folk rock musicians
American male singer-songwriters
American agnostics
American folk guitarists
American acoustic guitarists
American male guitarists
American people of English descent
American rock songwriters
American pop rock singers
American male pop singers
Congressional Gold Medal recipients
Cornell University alumni
Elektra Records artists
Singers from New York City
Musicians from Brooklyn
Road incident deaths in New York (state)
20th-century American singers
American folk singers
American banjoists
American harmonica players
20th-century American guitarists
Brooklyn Technical High School alumni
20th-century American pianists
Guitarists from New York City
Grammy Award winners
Grammy Hall of Fame Award recipients
American male pianists
20th-century American male singers
Singer-songwriters from New York (state)


Track listing
 Opening Overture
 "I Get a Kick Out of You" (Cole Porter)
 "You Are the Sunshine of My Life" (Stevie Wonder)
 "You Will Be My Music" (Joe Raposo)
 "Don't Worry 'bout Me" (Ted Koehler, Rube Bloom)
 "If" (David Gates)
 "Bad, Bad Leroy Brown" (Jim Croce)
 "Ol' Man River" (Jerome Kern, Oscar Hammerstein II)
 Famous Monologue
 Saloon Trilogy: "Last Night When We Were Young"/"Violets for Your Furs"/"Here's That Rainy Day" (Harold Arlen, E.Y. Harburg)/(Matt Dennis, Tom Adair)/(Jimmy Van Heusen, Johnny Burke)
 "I've Got You Under My Skin" (Porter)
 "My Kind of Town" (Sammy Cahn, Van Heusen)
 "Let Me Try Again" (Paul Anka, Cahn, Michel Jourdan)
 "The Lady Is a Tramp" (Richard Rodgers, Lorenz Hart)
 "My Way" (Anka, Claude Francois, Jacques Revaux, Gilles Thibaut)

Frank Sinatra's Monologue About the Australian Press
I do believe this is my interval, as we say... We've been having a marvelous time being chased around the country for three days. You know, I think it's worth mentioning because it's so idiotic, it's so ridiculous what's been happening. We came all the way to Australia because I chose to come here. I haven't been here for a long time and I wanted to come back for a few days. Wait now, wait. I'm not buttering anybody at all. I don't have to. I really don't have to. I like coming here. I like the people. I love your attitude. I like the booze and the beer and everything else that comes into the scene. I also like the way the country's growing and it's a swinging place.

So we come here and what happens? We gotta run all day long because of the parasites who chase us with automobiles. That's dangerous, too, on the road, you know. Might cause an accident. They won't quit. They wonder why I won't talk to them. I wouldn't drink their water, let alone talk to them. And if any of you folks in the press are in the audience, please quote me properly. Don't mix it up, do it exactly as I'm saying it, please. Write it down very clearly. One idiot called me up and he wanted to know what I had for breakfast. What the hell does he care what I had for breakfast? I was about to tell him what I did after breakfast. Oh, boy, they're murder! We have a name in the States for their counterparts: They're called parasites. Because they take and take and take and never give, absolutely, never give. I don't care what you think about any press in the world, I say they're bums and they'll always be bums, everyone of them. There are just a few exceptions to the rule. Some good editorial writers who don't go out in the street and chase people around. Critics don't bother me, because if I do badly, I know I'm bad before they even write it, and if I'm good, I know I'm good before they write it. It's true. I know best about myself. So, a critic is a critic. He doesn't anger me. It's the scandal man who bugs you, drives you crazy. It's the two-bit-type work that they do. They're pimps. They're just crazy, you know. And the broads who work in the press are the hookers of the press. Need I explain that to you? I might offer them a buck and a half... I'm not sure. I once gave a chick in Washington $2 and I overpaid her, I found out. She didn't even bathe. Imagine what that was like, ha, ha.

Now, it's a good thing I'm not angry. Really. It's a good thing I'm not angry. I couldn't care less. The press of the world never made a person a star who was untalented, nor did they ever hurt any artist who was talented. So we, who have God-given talent, say, "To hell with them." It doesn't make any difference, you know. And I want to say one more thing. From what I see what's happened since I was last here... what, 16 years ago? Twelve years ago. From what I've seen to happen with the type of news that they print in this town shocked me. And do you know what is devastating? It's old-fashioned. It was done in America and England twenty years ago. And they're catching up with it now, with the scandal sheet. They're rags, that's what they are. You use them to train your dog and your parrot. What else do I have to say? Oh, I guess that's it. That'll keep them talking to themselves for a while. I think most of them are a bunch of fags anyway. Never did a hard day's work in their life. I love when they say, "What do you mean, you won't stand still when I take your picture?" All of a sudden, they're God. We gotta do what they want us to do. It's incredible. A pox on them... Now, let's get down to some serious business here...

See also
Concerts of Frank Sinatra

Frank Sinatra What do you know may refer to:
Whad'Ya Know?, an American comedy, interview, and quiz radio show
What Do You Know?, a BBC Radio quiz show
What Do You Know? (TV series), an Australian children's TV programme
What Do You Know, Deutschland?, a 1986 album by KMFDM

See also

What You Know (disambiguation)