Liz Phair 2003-2007: Liz Phair and Somebody's Miracle what happened in 2003 In 2003, her self-titled fourth album was released on her new label, Capitol Records. was the album a success I don't know. which producer did she worked with Initially, Phair worked on several album tracks with songwriter Michael Penn as the producer. what other album did she released Somebody's Miracle, Phair's fifth album (and final album with Capitol Records), was released on October 4, 2005.
did the album has any review
did Somebody's Miracle have any review
In 2003, her self-titled fourth album was released on her new label, Capitol Records. Phair had not released an album in several years; she had been working on her record, as well as making guest appearances on other tracks (she lent backing vocals to the Sheryl Crow hit "Soak Up the Sun"). Initially, Phair worked on several album tracks with songwriter Michael Penn as the producer. When she submitted the finished Penn-produced album to Capitol, the label gave it a lukewarm reception and was unwilling to release it as submitted. Having already exhausted her recording budget, label president Andy Slater offered Phair more money to record only if Phair agreed to work with the production team known as The Matrix (best known as songwriters for Britney Spears and Avril Lavigne) to come up with some singles for the album. Phair's collaboration with the Matrix resulted in only four songs, but much of the media attention focused solely on the Matrix-produced tracks, which were a departure from her earlier work. The album received many negative reviews, especially from the independent music press, who accused Phair of "selling out" by making the record very pop-oriented. Liz Phair provoked a strong backlash from critics and disappointed fans of her earlier work. Many decried her for "selling out", and she became a "pinata for critics." The New York Times' Meghan O'Rourke's review, titled "Liz Phair's Exile in Avril-ville", said that Phair "gushes like a teenager" and had "committed an embarrassing form of career suicide." Somebody's Miracle, Phair's fifth album (and final album with Capitol Records), was released on October 4, 2005. The album returned to a more traditional rock sound, mixing the mood of Phair's earlier work with a more mellow sound. The album received mixed reviews and was not a chart success. CANNOTANSWER
The album received mixed reviews and was not a chart success.
Elizabeth Clark Phair (born April 17, 1967) is an American singer-songwriter. Born in New Haven, Connecticut, Phair was raised primarily in the Chicago area. After graduating from Oberlin College in 1990, she attempted to start a musical career in San Francisco, California, but returned to her home in Chicago, where she began self-releasing audio cassettes under the name Girly-Sound. The tapes led to a recording contract with the independent record label Matador Records.

Phair's 1993 debut studio album, Exile in Guyville, was released to acclaim; it has been ranked by Rolling Stone as one of the 500 Greatest Albums of All Time. Phair followed this with her second album, Whip-Smart (1994), which earned her a Grammy Award nomination for Best Female Rock Vocal Performance, and Whitechocolatespaceegg (1998). Ten years after the release of her debut, Phair's fourth album, Liz Phair (2003), released on Capitol Records, moved towards pop rock, earning her a mainstream audience but alienating critics; the single "Why Can't I?" peaked at number 32 on the Billboard Hot 100.

After the release of her fifth album, Somebody's Miracle (2005), Phair left Capitol and released her sixth album Funstyle independently in 2010. In 2018, it was announced that Matador Records would be releasing a retrospective set for Phair's debut album Exile in Guyville which includes remastered recordings from her original Girly Sound demo tapes. Phair released her seventh studio album, Soberish, in 2021. As of 2011, Phair had sold over three million records worldwide.

Early life
Phair was born in New Haven, Connecticut, on April 17, 1967. She was adopted at birth by Nancy, a historian and museologist, and John Phair, later an AIDS researcher and head of infectious diseases at Northwestern Memorial Hospital; her mother later worked as a professor  at the Art Institute of Chicago. She has one older brother, also adopted. On being adopted, Phair has said: "My parents were very responsible ... They were perfect about it ... I've never tried to find [my biological] parents. My friend who was adopted from the same home requested information and got back a four-page letter about her mother's life. She said it was jaw-dropping."

Phair spent her early life in Cincinnati until age nine, when her family relocated to the Chicago suburb of Winnetka, Illinois. She graduated from New Trier High School in 1985. During high school, Phair was involved in student government, yearbook, and the cross country team, and took AP Studio Art her senior year, among many other advanced-level classes. She attended Oberlin College in Oberlin, Ohio, where she graduated in 1990 with a B.A. in art history.

Career

1990–1992: Girly Sound tapes

Phair's entry into the music industry began when she met guitarist Chris Brokaw, a member of the band Come. Brokaw was dating one of Phair's friends, and stayed at their loft in SoMa one weekend. After living in San Francisco for a year, Phair went broke and returned to Chicago, moving back in to her family's home. There, she began writing lyrics and playing guitar, recording songs on a four-track tape recorder in her bedroom. She used the name Girly Sound on these recordings. She became part of the alternative music scene in Chicago and became friends with Material Issue and Urge Overkill, two of Chicago's upstart bands to go national in the early 1990s, as well as Brad Wood and John Henderson, head of Feel Good All Over, an independent label in Chicago.

1992–2003: Exile in Guyville; critical recognition
After asking Wood who the "coolest" indie label was, Phair called up Gerard Cosloy, co-president of Matador Records, in 1992 and she asked him if he would put out her record. Coincidentally, Cosloy had just read a review of Girly Sound in Chemical Imbalance that very day and told Phair to send him a tape. Phair sent him a tape of six Girly Sound songs. Cosloy recalls: "The songs were amazing. It was a fairly primitive recording, especially compared to the resulting album. The songs were really smart, really funny, and really harrowing, sometimes all at the same time. ... I liked it a lot and played it for everybody else. We usually don't sign people we haven't met, or heard other records by, or seen as performers. But I had a hunch, and I called her back and said O.K."

Cosloy offered a $3,000 advance, and Phair began working on a single, which turned into the 18 songs of Exile in Guyville.

Exile in Guyville was produced by Phair and Brad Wood, and released in 1993. The album received uniformly excellent reviews. The album received significant critical acclaim for its blunt, honest lyrics and for the music itself, a hybrid of indie rock and lo-fi, and established Phair's penchant for exploring sexually explicit lyrics. By contrast, her trademark low, vibrato-less monotone voice gave many of her songs a slightly detached, almost deadpan character.

The release of Phair's second album received substantial media attention and an advertising blitz.  Whip-Smart debuted at #27 in 1994 and "Supernova," the first single, became a Top 10 modern rock hit, and the video was frequently featured on MTV. Phair also landed the cover of Rolling Stone with the headline "A Rock Star Is Born." The album received positive reviews, but not as acclaimed as the debut, but was certified Gold (shipments of at least 500,000 units). It ultimately did not sell as well as expected, as it was hoped the album would introduce Phair to a wider, more mainstream audience. Following Whip-Smart, Phair released Juvenilia, a collection of some early Girly Sound tracks and several B-sides, including her cover of the 1980 song by The Vapors, "Turning Japanese."

In 1994, Phair made several live television and radio appearances in an effort to promote Exile in Guyville and Whip-Smart; she appeared on Late Night With David Letterman performing "Never Said" and "Supernova", and on The Tonight Show with Jay Leno performing an acoustic version of "Whip-Smart". She also performed "Alice Springs" live on Good Morning America.

She also appeared on the MTV alternative rock show 120 Minutes performing "Never Said", "6'1", "Cinco de Mayo" and "Supernova" live at various times during 1994 and early 1995.

In 1995, Phair married film editor Jim Staskauskas, who had worked on her videos.  They had a son, James Nicholas Staskauskas, on December 21, 1996. Phair and Staskauskas divorced in 2001.

Phair's third album, Whitechocolatespaceegg, was released in 1998 after some delays, which included a disagreement about content; at one point, Matador rejected the album as submitted, and asked Phair to write a few additional radio-friendly songs for the set. The album displayed a more mature Phair, and reflected some of the ways marriage and motherhood affected her. While the single "Polyester Bride" received some airplay, and the album received many positive reviews, it was no more successful commercially than her previous records.  To promote the record, Phair joined Lilith Fair.  Phair performed on the main stage along with acts like Sarah McLachlan, Emmylou Harris, Sheryl Crow and Missy Elliott. She also opened for Alanis Morissette on the her 1999 Junkie Tour.
 
Phair portrayed the role of Brynn Allen, opposite Robin Tunney, in the 2002 film Cherish.

2003–2007: Liz Phair and Somebody's Miracle

Phair provided backing vocals on the 2003 Sheryl Crow single "Soak Up the Sun". In 2003, Phair released her self-titled fourth album on her new label, Capitol Records. It departed from Phair's earlier lo-fi sound for more polished pop production and songwriting. Phair said she wanted to earn more money from her work, and hired the Matrix, who had produced songs by pop acts including Avril Lavigne, to create some songs, including the singles "Extraordinary" and "Why Can't I?" Liz Phair debuted at #27 on the Billboard 200. "Why Can't I?" entered the Adult Top 40 and Hot Adult Contemporary charts, and its music video placed Phair in heavy rotation on VH1 for the first time. It received mixed reviews, including negative reviews from the New York Times and Pitchfork, who both accused Phair of "selling out" and mimicking younger artists. In 2019, Pitchfork critic Matt LeMay apologized for his review, saying he had failed to appreciate Phair's willingness to "try on different masks".

Somebody's Miracle, Phair's fifth album and final with Capitol Records, was released in 2005. It returned to a rock sound. The album received mixed reviews, with Amy Phillips of Pitchfork writing: "Now this is a terrible Liz Phair record. Somebody's Miracle is mostly generic pap that any number of next-big-has-beens could have cranked out, a useless piece of plastic poking a pointy heel in the eye of the carcass of the artist Liz once was." Phillips also suggested it was worse than her largely critically derided previous album. A review published by MSNBC found the album "less blatantly commercial [than her previous], but still smooth, reflecting her increasing shift toward a clearer sound".

2008–2009: Television composing
Phair signed with Dave Matthews' label ATO Records in early 2008 and re-released Exile in Guyville on June 24, 2008, on CD, vinyl, and in digital format, featuring three songs from the original recording sessions,  "Ant in Alaska," "Say You," and an untitled instrumental, and also a documentary DVD, "Guyville Redux." "

In May 2009, Phair released a new song, "Faith and Tenderness," sold exclusively at Banana Republic on a compilation disc featuring other artists. Also in 2009, Phair began working as a television composer, following an invitation by her childhood friend Mike Kelley to score the show he was creating for CBS, Swingtown, given it was based on the life in their hometown. For the task, Phair decided to bring in Doc Dauer, producer of a children's album about bodily functions, The Body Rocks, where Phair performed after being brought in by Pete Yorn, and Dauer's creative partner Evan Frankfort. She followed it by creating the theme song for NBC's The Weber Show, and working for the CW's The 100, the USA Network show In Plain Sight and the CW reboot of 90210, for which she won the 2009 ASCAP award for Top Television Composer.

2010–2015: Funstyle
On July 3, 2010, Phair's official website announced a surprise link to download her new album Funstyle, which she released independently after parting ways with Capitol Records and ATO. The song "Bollywood" was available to stream from the site for a limited time, before Phair took it down.

A note from Phair to her fans posted on her official website explained why the songs were problematic:

Phair revealed in an interview with the Wall Street Journal that the falling out with her record label, ATO, occurred after a change in management. She explained, "The people who were still there didn't like, or didn't know what to do with, the music I was making, so we just stalled out and I asked to leave."

Phair went on tour to promote the album, playing many songs from Guyville and Whip-Smart, along with songs from the rest of her repertoire. The Funstyle Tour ran from October 2010 to March 2011. The tour's last show took place at the SXSW festival in Austin, Texas.

In 2012, she co-wrote and performed the song "Dotted Line" with A. R. Rahman for the film People Like Us. "The song 'Dotted Line' I wrote with A. R. Rahman for Alex Kurtzman's film 'Welcome To People'," she said in an interview. "Both amazing. 'Welcome To People' is a truly powerful film. Very proud of being part of it."

The dystopian holiday song "Ho Ho Ho" was released by Phair in late 2014. In 2014, Capitol released a greatest hits compilation of Phair's work entitled Icon.

2016–2020: Exile retrospective and tours
In spring of 2016, Phair supported The Smashing Pumpkins on their In Plainsong tour, performing as the opening act.

In late 2015 and mid-2016, Phair stated on her Twitter that she intended to release two albums by the end of 2016. It was confirmed via Twitter that Phair was working on a double album, produced by fellow singer-songwriter Ryan Adams in his PAX-AM recording studio. Phair's project with Adams did not proceed. When multiple women publicly disclosed accusations of abuse against Adams in 2019, a Twitter user asked Phair for a comment about Adams, to which she replied, "My experience was nowhere near as personally involving, but yes the record ended and the similarities are upsetting."

In 2018, it was announced that Phair's former label, Matador, would be releasing a 25th-anniversary retrospective set for her debut album, Exile in Guyville; the set, titled Girly Sound to Guyville, includes remasters of Phair's 1991 demo tapes recorded under the moniker Girly Sound from the original sources, and was released May 4. In support of this retrospective, Phair embarked on two North American tours — the Girly Sound to Guyville Tour and the Amps on the Lawn Tour. Phair has continued tour over the summer of 2019.

In April 2019, Phair announced via her Instagram that she had been working on new studio material with Brad Wood, who produced Exile in Guyville, Whip-Smart, and parts of whitechocolatespaceegg. On October 8, 2019, Phair shared "Good Side," a song from these sessions.  Her seventh album, titled Soberish, will be released in 2021.

In April 2020, it was announced that Liz Phair would appear on a cover version of "Hanging on the Telephone" (Blondie and The Nerves) with former friend and collaborator Jim Ellison of Material Issue. The song will be released along with the bio-documentary on Material Issue entitled, Out of Time: The Material Issue Story. It marks the first song to be released with Phair and Ellison since their earlier covers of Turning Japanese and The Tra La La Song (One Banana, Two Banana).

2021–onwards: Soberish and Chrysalis Records
In February 2021, Phair announced she had signed a contract with newly reformed Chrysalis Records to issue her album Soberish later in the year.

Phair was also due to tour with Alanis Morissette for Morissette's rescheduled 2020 tour later in 2021. She cancelled for undisclosed reasons.

Personal life
In 1994, Phair began dating film editor Jim Staskauskas. The couple married on March 11, 1995; their son James Nicholas Staskauskas was born on December 21, 1996.

In 2001, Phair and Staskauskas divorced, after which Phair sold her home in Chicago's Lincoln Park neighborhood and relocated to Los Angeles, California. As of 2018, Phair resides in Manhattan Beach, California.

Books

An April 2018 profile by Billboard revealed that Phair had signed a two-book publishing deal with Random House. Horror Stories, the first of two planned memoirs, saw release on October 8, 2019. Reviews of Horror Stories were generally favorable with several reviewers noting Phair's skills as a writer and her stark honesty in the book.

Her second memoir will be called Fairy Tales.

Discography

 Exile in Guyville (1993)
 Whip-Smart (1994)
 Whitechocolatespaceegg (1998)
 Liz Phair (2003)
 Somebody's Miracle (2005)
 Funstyle (2010)
 Soberish (2021)

Awards

References

Works cited

External links

 Liz Phair – official Facebook
 Liz Phair on ATO Records
 Official Website

1967 births
American adoptees
American women guitarists
American women rock singers
American indie rock musicians
American pop rock singers
American rock guitarists
American rock songwriters
ATO Records artists
Living people
Matador Records artists
Singers from Chicago
New Trier High School alumni
Oberlin College alumni
People from Winnetka, Illinois
American women singer-songwriters
Musicians from Cincinnati
Singer-songwriters from Ohio
Guitarists from Chicago
Guitarists from Ohio
21st-century American women singers
20th-century American guitarists
20th-century American women singers
20th-century American singers
21st-century American singers
Chrysalis Records artists
20th-century American women guitarists
Singer-songwriters from Illinois
Satisfied Mind is the debut studio album by American country music singer Porter Wagoner. It was released by RCA Victor on February 4, 1957.

Critical reception
In the issue dated February 16, 1957, Billboard published a review of the album, which read, "Although Porter Wagoner has not come through with any smash singles lately, he is certainly one of the steadiest standard artists in the C&W field and dealers shook find this package a profitable item. Wagoner's TV show will help move this also. They are in the traditional style, are very tastefully arranged, and include songs with which Wagoner has scored, such as "Company's Comin'", "Tricks of the Trade", and "A Satisfied Mind"."

Commercial performance
The album did not appear on any major charts.

The album's first single, "Company's Comin'", was released in September 1954 and peaked at No. 7 on the US Billboard Country Singles chart. The second single, "A Satisfied Mind" was released in May 1955 and peaked at No. 1.

Track listing

References

1957 albums Randy the Band is an album by Swedish punk rock band Randy, released in October 2005 by Ny Våg Records and Epitaph Records/Burning Heart Records. As of July 2020, it is Randy's latest album.

The album produced one single, "Razorblade," for which the band recorded a music video.

Critical reception 

In their review of the album, AllMusic called Randy "one of [Sweden]'s most highly touted punk bands" and positively likened the band to Green Day in saying that both groups are "ferociously energetic." The review also complimented Randy for "maintaining a knife-edge balance between youthful energy and tightly played rock & roll." While AllMusic did not give the album a formal rating or distinguish any tracks as highlights or standouts, the review itself individually praised the tracks "Punk Rock High," "Rich Boy," "Teenage Tiger," "I Raise My Fist," and "Losing My Mind."

PunkNews reviewer William David gave the album 8 out of 10 stars, remarking in their review, "Anyone who has followed the career of this band knows they have consistently delivered hit album after hit album, and [this album] is no exception." He complimented the band's style of "catchy-as-can-be rock n' roll" and noted that the band had "honed in on their melodic side this time around," differing from previous heavier and less melodic albums like Welfare Problems. David also compared the band's style in the album to The Clash, also complimenting the band for their guitar work, attention to melody, and socialist lyrical themes. David distinguished "Razorblade," "Evil," "The Pretender," and "Going Out With the Dead" as standout tracks.

Like AllMusic, Peter Gaston of Spin did not reward Randy the Band with a formal rating; however, in his review of the album, he praises the band's music for being "taut and loaded with punchy, fist-pumping choruses." He favorably compares the second track on the album, "Razorblade," to Social Distortion; he also favorably compares "Better than Art" to Andrew W.K.

Like AllMusic and Spin, Sam Sutherland with Exclaim! did not award Randy the Band with a formal rating. However, he complimented the evolution in sound evident in the album, as well as the band's influence from predecessors in the punk rock and rock n' roll scenes: "While the band aren't the type to boldly explore any new sonic territory, they still manage to spice up such tracks as 'Going Out with the Dead' with the full-on cheese factor of dueling guitar solos. 'Teenage Tiger' pays homage to Little Richard with its nonsensical lyrical styling, and 'Losing My Mind' calls up the filthy guitar solos of Greg Ginn and Dez Cadena." Sutherland compliments lead vocalist Stefan Granberg's performance on the album in particular. He notes that the politics in Randy the Band are more subdued than those in previous albums but still calls the album "a solid release from a generally consistent band."

Track listing

Information
 Recorded at Decibel Studios
 Recorded by Estudiomac
 Mixed at Sjöbjörn Studio
 Mastered at Cutting Room Studios
 Mixed and engineered by Pelle Gunnerfeldt
 All tracks produced by Randy
 Artwork by Robert Pettersson
 Design (Cover/Laser/Back/Label), Layout by Hugo Sundkvist
 Published by Warner/Chappell and Picnic Music
 Released by Burning Heart on October 10, 2005
 Distributed by Epitaph Records/Epitaph Europe
 Performed by Randy

Credits 
 Fredrik Granberg - drums
 Johan Gustafsson - bass, background vocals
 Stefan Granberg - vocals, guitar
 Johan Brändström - guitar, background vocals, some lead vocals
 Randy - Primary Artist, Producer

References

2005 albums
2005 in Swedish music
Randy (band) albums
New wave albums by Swedish artists
Burning Heart Records albums