Big Boss Man (wrestler) Twin Towers (1988-1990) What is the twin towers? team with Akeem (formerly billed as One Man Gang, his UWF opponent) to form The Twin Towers.
What were they known to do?
What were the Big Boss Man (wrestler), Twin Towers known to do?
In June 1988, Traylor joined the WWF as "Big Boss Man", a Corrections Officer character. Wrestling as a heel and managed by Slick, Boss Man's post-match routine often included handcuffing his defeated opponents to the ring rope and beating them with a nightstick or ball and chain. After defeating Koko B. Ware at the inaugural SummerSlam, Boss Man began his first major WWF angle by attacking Hulk Hogan on "The Brother Love Show". During this feud, he also challenged Randy Savage for the WWF Championship, and formed a team with Akeem (formerly billed as One Man Gang, his UWF opponent) to form The Twin Towers. They feuded with Hogan and Savage (who had formed The Mega Powers), and were a key part in the top storyline of Savage turning on Hogan, leading to the WrestleMania V main event; in the later part of a tag match between the four on Saturday Night's Main Event, Hogan abandoned Savage to attend to the hurt Miss Elizabeth and went backstage. After being double-teamed for a while, Savage eventually rallied and defeated The Twin Towers on his own. This led to The Mega Powers demise as Savage beat Hulk in the backstage medical room where fellow wrestlers, managers and staff had to break them up. At WrestleMania V, The Twin Towers defeated The Rockers (Shawn Michaels and Marty Jannetty) and then, for most of spring and early summer 1989, feuded with Demolition (Ax and Smash) over the Tag Team Championship. Meanwhile, Boss Man concluded his feud with Hogan in a series of steel cage matches; one of the most memorable aired on the May 27 episode of Saturday Night's Main Event, with Hogan's WWF Championship on the line. During the match, Hogan superplexed Boss Man off the top of the cage. The Big Boss Man turned face on the February 24, 1990 episode of Superstars, when Ted DiBiase had paid Slick to have Boss Man retrieve the Million Dollar Championship belt from Jake Roberts, who had stolen it. Boss Man retrieved a bag containing both the belt and Roberts' pet python, Damien. On The Brother Love Show, he refused to accept DiBiase's money for the bag, and returned it to Roberts. Boss Man then feuded with former partner Akeem, defeating him in less than two minutes at WrestleMania VI. As part of his face turn, he later stopped handcuffing and beating jobbers after matches. He made peace with Hogan, appearing in his corner in his match against Earthquake at Summerslam 1990, and teaming with him at the 1990 Survivor Series, along with "Hacksaw" Jim Duggan and Tugboat, to defeat Earthquake's team. CANNOTANSWER
feuded with Hogan and Savage (who had formed The Mega Powers), and were a key part in the top storyline of Savage turning on Hogan,
Contextual documentation is an information block approach to writing in-situ documentation. 

It becomes particularly useful when dealing with in-situ documentation delivered to the software GUI, to devise a matrix of required help to users in a particular situation or context. 
This concept is based on  DITA, where small topics are written when needed asking the right questions:
 What is this and/or what does it do?
 How do I use it?
 Do I have an example?
 Where am I in terms of a workflow?
 What next?
 What pitfalls to avoid?
This is an editorial matrix, a content guideline as sorts. By no means are all items to be written exhaustively as if they were a form to be filled
.

References

Technical communication Matthew 8:29 is the 29th verse in the eighth chapter of the Gospel of Matthew in the New Testament.

Content
In the original Greek according to Westcott-Hort this verse is:
καὶ ἰδού, ἔκραξαν λέγοντες, Τί ἡμῖν καὶ σοί, Ἰησοῦ υἱὲ τοῦ Θεοῦ; Ἦλθες ὧδε πρὸ καιροῦ βασανίσαι ἡμᾶς;  

In the King James Version of the Bible the text reads:
And, behold, they cried out, saying, What have we to do with thee, Jesus, thou Son of God? art thou come hither to torment us before the time?

The New International Version translates the passage as:
"What do you want with us, Son of God?" they shouted. "Have you come here to torture us before the appointed time?"

For a collection of other versions see BibleHub Matthew 8:29.

Analysis
The initial expression of the demons MacEvilly interprets as, "We only torment sinners. We have nothing to do with Thee, the Son of God, who art infinite sanctity, incapable of sin." MacEvilly also points out that from the expression "Son of God" it appears that the demons knew exactly who Jesus was.

It was believed that some spirits were dragged down to hell before "the appointed time" (See 2 Peter 2 & Jude), which was thought to be Judgement day when they were to be cast into the abyss.

Commentary from the Church Fathers
Augustine: "Whereas Matthew relates that there were two who were afflicted with dæmons, but Mark and Luke mention only one, you must understand that one of them was a person of note, for whom all that country was in grief, and about whose recovery there was much care, whence the fame of this miracle was the more noised abroad."

Jerome: "This is no voluntary confession followed up by a reward to the utterer, but one extorted by the compulsion of necessity. A runaway slave, when after long time he first beholds his master, straight thinks only of deprecating the scourge; so the dæmons, seeing the Lord suddenly moving upon the earth, thought He was come to judge them. Some absurdly suppose, that these dæmons knew the Son of God, while the Devil knew Him not, because their wickedness was less than his. But all the knowledge of the disciple must be supposed in the Master."

Augustine: "God was so far known to them as it was His pleasure to be known; and He pleased to be known so far as it was needful. He was known to them therefore not as He is Life eternal, and the Light which enlightens the good, but by certain temporal effects of His excellence, and signs of His hidden presence, which are visible to angelic spirits though evil, rather than to the infirmity of human nature."

Jerome: "But both the Devil and the dæmons may be said to have rather suspected, than known, Jesus to be the Son of God."

Pseudo-Augustine: "When the dæmons cry out, What have we to do with thee, Jesus, thou Son of God? (1 Cor. 2:8.) we must suppose them to have spoken from suspicion rather than knowledge. For had they known him, they never would have suffered the Lord of glory to be crucified."

Saint Remigius: "But as often as they were tortured by His excellent power, and saw Him working signs and miracles, they supposed Him to be the Son of God; when they saw Him hungry and thirsty, and suffering such things, they doubted, and thought Him mere man. It should be considered that even the unbelieving Jews when they said that Christ cast out dæmons in Beelzebub, and the Arians who said that He was a creature, deserve condemnation not only on God’s sentence, but on the confession of the dæmons, who declare Christ to be the Son of God. Rightly do they say, What have we to do with thee, Jesus, thou Son of God? that is, our malice and Thy grace have nothing in common, according to that the Apostle speaks, There is no fellowship of light with darkness. (2 Cor. 6:14.)"

Chrysostom: "That this should not be thought to be flattery, they cry out what they were experiencing, Art thou come to torment us before the time?"

Augustine: "Either because that came upon them unexpectedly, which they looked for indeed, but supposed more distant; or because they thought their perdition consisted in this, that when known they would be despised; or because this was before the day of judgment, when they should be punished with eternal damnation."

Jerome: "For the presence of the Saviour is the torment of dæmons."

Chrysostom: "They could not say they had not sinned, because Christ had found them doing evil, and marring the workmanship of God; whence they supposed that for their more abundant wickedness the time of the last punishment which shall be at the day of judgment should not be tarried for to punish them."

References

08:29 "What Do I Have to Do" is a song performed by Australian singer and songwriter Kylie Minogue taken from her third studio album, Rhythm of Love (1990). The song was written and produced by Stock, Aitken & Waterman. Originally, the song was planned to be released after the single "Better the Devil You Know", but instead "Step Back in Time" was released and this was released as the third single on 21 January 1991. The song received positive reviews from most music critics, who thought the song was an instant rave classic.

The song peaked at number eleven in her native Australia. The song did however peak at number six in the United Kingdom, becoming a success there. The song was also hit in France and The Netherlands.

The song has been performed on most of Minogue's concert tours, including her Rhythm of Love Tour, Let's Get to It Tour and Intimate and Live Tour. The song has also been performed at the Showgirl: The Greatest Hits Tour and the Homecoming Tour, and has been most recently been performed at her Aphrodite World Tour.

Background
There are three official promotional mixes of the song. The early unreleased first version is synth orienated and has multilayered vocals. Much of the synth was omitted and the drums, bass and vocals were toned down for the second album version. The third version, the 7" Mix, contains a newer drum track, multilayered vocals in the chorus and relies much less on the synthesizers than on the album version. This version of the song also contains samples from American comedian Sam Kinison, and was used for the music video. In the UK a limited edition 7″ single came with postcards with shots from the video.

Originally, "What Do I Have To Do" was planned to be released as the follow-up single to "Better the Devil You Know", but was later released as the third single off the album instead, and the track was specially remixed for single release. The 1999 biographical book Girl Next Door identified this track as Kylie's favourite to perform live.

The single artwork was photographed by Robert Erdmann.

Reception

Critical response
"What Do I Have To Do?" received very positive reviews from many music critics. Jason Shawahn from About.com said the song, along with "Better The Devil You Know" and "Wouldn't Change a Thing", "are nothing if not pop masterpieces." He also labeled it as a "pop classic". Quentin Harrison from Albumism noted it as "luxuriant electro-pop", adding that Ian Curnow and Phil Harding "rework it into an appetizing, but accessible house ditty that emphasizes unity between the single's beat and Minogue's supple vocal." While reviewing Rhythm of Love, Chris True from AllMusic highlighted the song as an album standout. NME voted it as the thirtieth best track of 1991. Eleanor Levy from Record Mirror described it as "more mature, in a Hi-NRG, Bronski Beatish way." She added, "More straightforward rhythm than formula pop song, it fizzes predictably rather than sparkles but, like Kylie's ever-elongating fringe, will no doubt grow and grow." Caroline Sullivan from Smash Hits called it "supreme", and said the song "sees a return to the reassuring old Kylie-sound". While reviewing Ultimate Kylie, Mark Edwards from Stylus Magazine gave it a positive remark, saying that along with "Shocked" and "Give Me Just a Little More Time", they "were great songs and suddenly Kylie was a little bit cool."

Chart performance
"What Do I Have to Do" debuted at number twenty-seven on the Australian Singles Chart, until rising and peaking at number eleven, staying there for two consecutive weeks. The song then debuted at number ninety-nine on the Dutch Top 40, until peaking at number eighty-one for one week. The song then debuted and peaked at number fifty on the French Singles Chart.

Impact and legacy
English DJ and record producer Nicky Holloway chose "What Do I Have to Do" as one of his top 10 vinyl thrills in 1996, saying, "I've had so much fun with this over the years. You don't realise what you're dancing to until it's too late to stop! It's got a long intro so people are dancing away and don't realise that it's Kylie Minogue until they're sucked into it."

Music video

The music video for the song was directed by Dave Hogan. In relation to this video, Minogue is quoted as saying "how many Hollywood stars can you look like in three and a half minutes...". Her younger sister Dannii Minogue also appears in the video. The music video begins with clips of the dance scene intercut with Minogue emerging from a swimming pool and her love interest seeing her with another man. The love interest is played by Zane O'Donnell, the same model who would appear in the video for Minogue's subsequent single "Shocked". 
Minogue then goes out to the balcony overlooking a fairground and the man follows. The video then shifts to the man watching Minogue dancing with a female friend in a club. The next scene is Minogue waking up in her lover's bed as he prepares to leave the bedroom. After this, Minogue singing on the bed is intercut with scenes of her singing and dancing in front of a white backdrop. The video goes back to her and her friend having fun in the club as the man stares at her again. Later, she sits on the bench overlooking the scene and takes a glance at a lookalike of her lover next to her. Following this, she gets up to dance as the man watches. Finally, she gets a tattoo of a black panther on her back and shows it to her lover. The video concludes with all of Minogue's performance scenes intercut with her doing the ironing in a Gingham Apron and on a date with her lover. The final shot is of Minogue and her lover walking across a bridge.

While reviewing the DVD version of Greatest Hits for Amazon.co.uk, John Galilee said "Her most outrageous but greatest video moment is where she parodies certain movie stars in the chic video for "What Do I Have to Do?", and because of her heavy eye make-up almost earns herself the title drag-queen Kylie (watch out for sister Dannii who briefly stars in the video, wearing a blonde wig)."

Formats and track listings
These are the formats and track listings of major single releases of "What Do I Have to Do".

 7" vinyl single
 "What Do I Have to Do" (7" Mix) – 3:32
 "What Do I Have to Do" (Instrumental) – 3:48

 12" vinyl single
 "What Do I Have to Do" (Pumpin' Mix) – 7:48
 "What Do I Have to Do" (Extended Instrumental) – 5:08

 CD single
 "What Do I Have to Do" (7" Mix) – 3:32
 "What Do I Have to Do" (Pumpin' Mix) – 7:48
 "What Do I Have to Do" (Extended Instrumental) – 5:08

 iTunes Digital EP – Remixes
(Not available at time of original release. Released for the first time as part of iTunes PWL archive release in 2009)
 "What Do I Have to Do" (12" Instrumental)
 "What Do I Have to Do" (7" Mix)
 "What Do I Have to Do" (7" Backing Track)
 "What Do I Have to Do" (7" Instrumental)
 "What Do I Have to Do" (Album Backing Track)
 "What Do I Have to Do" (Album Instrumental)
 "What Do I Have to Do" (Between the Sheets Mix)
 "What Do I Have to Do" (Extended Album Mix)
 "What Do I Have to Do" (Movers & Shakers 12" Backing Track)
 "What Do I Have to Do" (Movers & Shakers 12" Instrumental)
 "What Do I Have to Do" (Movers & Shakers 7" Backing Track)
 "What Do I Have to Do" (Movers & Shakers 7" Instrumental)
 "What Do I Have to Do" (Movers & Shakers 7" Mix)
 "What Do I Have to Do" (Movers & Shakers 12" Mix)
 "What Do I Have to Do" (Movers & Shakers Do the Dub)
 "What Do I Have to Do" (Pumpin' Mix)

 iTunes Digital EP – The Original Synth Mixes (released 8 November 2010)
 "What Do I Have to Do" (Billy The Fish Mix: Part I) 3:44
 "What Do I Have to Do" (Billy The Fish Mix: Part II) 7:30
 "What Do I Have to Do" (Original 12" Mix) 7:09
 "What Do I Have to Do" (Extended Album Mix II) 8:42

 iTunes Digital EP – What Do I Have to Do?
 "What Do I Have to Do" (7" Mix) — 3:33
 "What Do I Have to Do" (Pumpin' Mix) — 7:47
 "What Do I Have to Do" (Extended Album Mix) — 8:07
 "What Do I Have to Do" (7" Instrumental) — 3:33
 "What Do I Have to Do" (Extended Instrumental) — 5:07
 "What Do I Have to Do" (7" Backing Track) — 3:33
 "What Do I Have to Do" (Album Instrumental) — 3:43
 "What Do I Have to Do" (Album Backing Track) — 3:43
 "Things Can Only Get Better" (Album Instrumental) — 3:55
 "Things Can Only Get Better" (Album Backing Track) — 3:55

Live performances
Minogue performed the song on the following concert tours:
 Rhythm of Love Tour
 Let's Get to It Tour
 Intimate and Live Tour
 On a Night Like This Tour
 Showgirl: The Greatest Hits Tour (as part of the "Smiley Kylie Medley")
 Showgirl: The Homecoming Tour (as part of the "Everything Taboo Medley")
 For You, for Me (as part of the "Everything Taboo Medley")
 Aphrodite World Tour
Summer 2019

The song was also performed on:
 An Audience with Kylie Minogue 2001 TV special, performed as part of the hits medley.

Charts

Weekly charts

Year-end charts

References

1991 singles
Kylie Minogue songs
Song recordings produced by Stock Aitken Waterman
Songs written by Mike Stock (musician)
Songs written by Matt Aitken
Songs written by Pete Waterman
1990 songs
Mushroom Records singles
Pete Waterman Entertainment singles
Torch songs
Eurodance songs