Pinhead (Hellraiser) Design what is the significance of design? Barker drew inspiration for the cenobite designs from punk fashion, Catholicism and by the visits he took to S&M clubs was it well-received? I don't know. is there anything else interesting about design? Barker intended Pinhead to have a navel piercing implying that the character had genital piercings.
did he have genital piercings?
Did Pinhead from Hellraiser have genital piercings?
Barker drew inspiration for the cenobite designs from punk fashion, Catholicism and by the visits he took to S&M clubs in New York and Amsterdam. For Pinhead specifically, Barker drew inspiration from African fetish sculptures. Initially, Barker intended Pinhead to have a navel piercing implying that the character had genital piercings. Barker's original "Hell Priest" sketches for Pinhead were eventually adapted into an officially licensed mask by Composite Effects, to be released in limited quantity to the public on 24 March 2017. This was done in celebration of the 30th Anniversary of Hellraiser. After securing funding in early 1986, Barker and his producer Chris Figg assembled a team to design the cenobites. Among the team was Bob Keen and Geoff Portass at Image Animation and Jane Wildgoose, a costume designer who was requested to make a series of costumes for 4-5 'super-butchers' while refining the scarification designs with Image Animation. In terms of lighting, Pinhead was designed so that shadows would swirl round his head. By July 1986, the shooting script positively identified the single pinheaded Cenobite from the earlier draft as clearly the leader. The upcoming Hellraiser: Judgment will update Pinhead's appearance from the previous films. As writer-director Gary J. Tunnicliffe explained, "This is a very no nonsense Pinhead. No glib one-liners, he's a little leaner and a little meaner. We especially tried to incorporate this into the make-up and costume; the cuts are deeper, the pins a little longer, his eyes are completely black and wardrobe is a little sleeker and more visceral. Someone on set described him as the 'bad ass' version of Pinhead." The flesh exposed on Pinhead's chest was redesigned as a rhombus in honour of Pinhead's master, the fictional character Leviathan. CANNOTANSWER
CANNOTANSWER
Pinhead, Lead Cenobite, or the Hell Priest, is the main antagonist of the Hellraiser franchise, first appearing as an unnamed figure in the 1986 Clive Barker novella The Hellbound Heart. When Clive Barker adapted the novella into the 1987 film Hellraiser, he referred to the character in early drafts as "the Priest" but the final film gave no name. The production and make-up crew nicknamed the character "Pinhead" and fans accepted the sobriquet, which was then used in press materials, tie-in media, and on-screen in some of the sequel films, although Clive Barker himself despises the nickname. In the 2011 comic book series Hellraiser published by BOOM! Studios, Barker refers to the character as "the Priest." In that comic book series and the subsequent series Hellraiser: The Dark Watch, Cenobites refer to him as holding the title of "the Hell Priest" or "the Pontifex", making him "Hell's Pope." Nearly thirty years after The Hellbound Heart was published, Barker's 2015 novel The Scarlet Gospels cements the character's official title and rank is "the Hell Priest" and that he hates the nickname "Pinhead." In a later novella, Hellraiser: The Toll (which acts as a bridge between The Hellbound Heart and The Scarlet Gospels), it is said the character is also known to some as the Cold Man.

Pinhead is one of the leaders of the Cenobites, said to be humans who were later transformed into demonic creatures blindly devoted to the practice of experimental sadomasochism. They exist in an extra-dimensional realm that is Hell or one of many versions of Hell that co-exist. Cenobites are usually only summoned to Earth through puzzle boxes, such as one called the Lemarchand Configuration (known as the Lament Configuration in the movies). The film series reveals Pinhead was once British soldier, Captain Elliott Spencer, who became disillusioned with life and humanity during his experiences during World War I, leading him to summon the Cenobites and join their ranks. Barker's BOOM! Studios comics imply that Spencer was not the first Hell Priest or Pontifex and indicate that others will be recruited to fill the role if he ever leaves or is destroyed. Barker's novel The Scarlet Gospels indicate there is debate on whether there has always been one Hell Priest existing for many millennia ago or if the title and nature of the Hell Priest has been adopted by many different humans-turned-Cenobite across the centuries.

The Hell Priest's nature, and the motivations of the Cenobites, vary depending on the story. The character's appearance in 1987's Hellraiser marked a significant departure from the standard 1980s depiction of horror film villains, who tended to either be completely mute, or provide glib commentary while killing their victims. Instead, Pinhead was depicted as articulate and intelligent, speaking only when he deemed necessary, capable of great evil but also bound by a personal code of honor (such as sparing the life of a young girl who summons him to Earth in Hellbound: Hellraiser II because he realizes she acted as the pawn of another person). Barker drew influence from classical cinematic depictions of Count Dracula, in particular as portrayed by Christopher Lee.

Development
According to Clive Barker and Doug Bradley, the earliest incarnation of Pinhead appeared in Hunters in the Snow, an original 1973 play with Doug Bradley in the role of the Dutchman, an undead inquisitor, and torturer. A later film titled The Forbidden, which was shot in 16 millimeter and in black and white, included a prop in the form of a wooden block with six nails in it, which gave distorted shadow formations under different lighting angles. Years later, during the scripting of Hellraiser, the same design was applied to Pinhead's face to give the same effect.

After being disappointed with the way his material had been treated by producers in Underworld (which included a scene in which needles burst out of a character's skull), Barker wrote the novella The Hellbound Heart (1986) as his first step in directing a film by himself, introducing the Cenobites whom he also referred to as "sadomasochists from Hell." The following year, Barker adapted the novella into the first Hellraiser film, introducing the Cenobites to a wider audience. A Cenobite from the novella, described as having his head decorated by a gridwork pattern and jeweled pins, was depicted in the movie as having a similar appearance involving iron nails and operating as the apparent leader of his order of demons. The film credits him as "Lead Cenobite", but the make-up crew and production team referred to him as Pinhead, a name that was learned of and adopted by fans. The character is glibly referred to by the name "Pinhead" on-screen for the first time in Hellraiser III. The Pinhead name was used in press materials for the films and the various films to follow, as well as tie-in comic books published by Marvel Comics, including a crossover comic with Marshal Law, and a mini-series entitled Pinhead. Clive Barker did not care for the nickname, believing it did not suit the dignity of the villain.

During filming of the first Hellraiser movie, actor Doug Bradley discussed the character with Clive Barker. Both agreed, as the novella indicated, that Pinhead was once human, though when he had lived and died was undecided. Bradley later concluded that while the Cenobites have been active for centuries, Pinhead was originally a person belonging to the 20th century, telling Fangoria, "To me, Pinhead is the chief Cenobite of the 20th Century." This idea was expanded on in the second Hellraiser movie, when the movie incarnation of Pinhead was said to have originally lived as a World War I officer named Elliott Spencer.

In comics published by Marvel during the 1990s, Barker plotted and oversaw many stories that followed the canon of the Hellraiser movies, starting with the comic series Hellraiser, and later including the spin-off titles Pinhead and The Harrowers. In Barker's later prose work, the Pinhead character did not appear again for some time, but the Cenobites were occasionally referenced as the "Surgeons" or the "Order of the Gash." In 2011, a new Hellraiser comic book series was published by Boom! Studios, plotted by Clive Barker who co-wrote it with various authors. Within the series, only humans refer to the lead Cenobite by the nickname "Pinhead", while other Cenobites referred to him as "the Priest" or the "Hell Priest," describing him as Hell's closest approximation to the Pope. It is also indicated that this title and position is assumed by different Cenobites over the millennia because there must always be a Hell Priest or Priestess. In the follow-up 2013 comic book series Hellraiser: The Dark Watch, the title "Pontifex" is also used to describe the rank of Hell Priest or Priestess. The same series confirms that there are different versions of Hell co-existing, each ruled by a different leader, and that Leviathan and the Cenobites specifically target souls whose major sins involve the pursuit of pleasure, whereas other realms target different motivations (for example, the Hell dimension ruled by Abaddon harvests souls who were motivated by fury to sin).

Barker promised to give the character an official name in The Scarlet Gospels. In that novel, published in 2015, the character was given the official title and rank of "the Hell Priest." The narration stated the Hell Priest hates when humans referred to him by the nickname "Pinhead." Rather than say for sure that the prose version of the Hell Priest is also Elliott Spencer, The Scarlet Gospels indicates there is debate among characters on whether the Hell Priest has been the same person/Cenobite for many centuries, possibly thousands of years, or if there have been several to hold that rank and assume that appearance, and the current one only died and became a Cenobite during the 20th century. The book states that there is evidence to support both ideas. However, after he is turned, he becomes very frank and informative to his "victims" than ever.

Appearances
The novella The Hellbound Heart introduces the Cenobites as other-dimensional beings, priest-like figures known as the Order of the Gash, summoned via puzzle boxes by people who wish to explore the limits of physical experience. The Cenobites have pushed their self-experimentation to such a degree that they appear inhuman, demonic, and sexless. They are amoral creatures, seeing no real difference between pain and pleasure, prizing and hoarding the human souls they harvest. Their home dimension is vaguely implied to either be Hell or one of many dimensional realms that might be Hell or serve as the inspiration for stories of Hell. The protagonist Kirsty also wonders if other puzzle boxes might open doorways to Heavenly dimensions.

The Cenobites in The Hellbound Heart are unnamed, except for one who appears to be a leader, and is called the Engineer. One of the Cenobites is described as having jeweled pins and a grid pattern decorating his head.

The prose incarnation of the character next appears in Barker's The Scarlet Gospels (2015), now depicted not only as a Cenobite but also a leading figure of Hell. The narration says the jeweled pins in his head have blackened over the years, now resembling iron nails (giving him an appearance now more in line with the film franchise). The character is known as "the Hell Priest" in the novel, not a true name but an official title marking him as a powerful and high ranking authority in Hell. The novel mentions that some humans do refer to the Hell Priest as Pinhead, but that doing so in the demon's presence is to risk his anger. The same novel indicates there is debate among Earth's magicians as to whether this is the same Hell Priest who has existed for thousands of years or if he is a man who became a Cenobite during the 20th century, and is simply the latest of many to have Pinhead's appearance, power, and rank.

In 1998, Clive Barker stated that the novel would mark the death of Pinhead, and he hoped it would be definitive.

The Scarlet Gospels novel established that Lucifer, the Biblical Devil who rules Hell, abandoned his dominion some time ago. A thriving society of demons rise in his absence, with the Hell Priest becoming a powerful figure. Eventually deciding to conquer the realm for himself, the Hell Priest spends years secretly killing off rivals in Hell as well as many magic-users on Earth, securing their sources of magical knowledge and power. After attempting and failing to kill occult detective Harry D'Amour, the Hell Priest decides the detective will witness and chronicle his rise to power. He kidnaps D'Amour's friend, a blind medium named Norma Paine, as a hostage. The Hell Priest journeys to a forbidden part of Hell where Lucifer is said to reside, hoping to gain enlightenment from their encounter. Instead, he finds an armored Lucifer in a crypt, dead by his own hand. The Hell Priest dons Lucifer's armor, increasing his own power but inadvertently resurrecting the Devil in the process. Lucifer mortally wounds the Hell Priest, who then rapes Norma Paine to death and blinds Harry before dying. The battle concluded, the Devil journeys to Earth. All of Hell is then destroyed by an unseen force, including the Hell Priest's remains.

The 2018 novella Hellraiser: The Toll, plotted by Barker and written by his assistant Mark Alan Miller, bridges the gap between The Hellbound Heart and The Scarlet Gospels. In the novella, the Hell Priest is also known as the Cold Man.

Captain Elliot Spencer, Pinhead's human incarnation from the film franchise, has a cameo appearance in the novel The Bloody Red Baron by Kim Newman, in which he is working as an agent of the Diogenes Club. Suffering from shell shock, Spencer is discharged from the army after hammering nails into his own skull. In his introduction to Newman's collection The Original Doctor Shade and Other Stories, author Neil Gaiman claims Kim Newman was part of a group of friends who inspired the depiction of the Cenobites.

Film
In the films, the character is first referred to as "Pinhead" onscreen in Hellraiser III: Hell on Earth, a nickname proposed by glib protagonist Joey Summerskill. In the film Hellworld, the Cenobites are believed to be fictional characters and so different people in the story refer to the lead Cenobite as Pinhead just as fans of the Hellraiser franchise often do. In the film Hellraiser: Judgment, the name is used onscreen as a derogative term towards the Cenobite by an angel named Jophiel. 

In Hellraiser (1987), directed and written by Clive Barker, Frank Cotton escapes from the Cenobites, slowly rebuilding his body from the flesh and blood of victims. He recruits his sister-in-law and secret lover Julia Cotton as an accomplice in these murders. Frank's niece and Julia's step-daughter Kirsty Cotton unintentionally summons the Cenobites, led by Pinhead who explains they are "demons to some, angels to others." Kirsty offers to lead the Cenobites to her uncle who had escaped them, and Pinhead agrees to spare her. After claiming not only Frank but also Julia, the Cenobites turn on Kirsty, but she uses the puzzle box to banish them back to their realm.

In Hellbound: Hellraiser II (1988), Clive Barker worked on the film's plot and acted as executive producer but did not direct or write. The movie reveals Pinhead and the Cenobites follow Leviathan, a god of chaos who rules over Hell, depicted as a great labyrinth filled with tortures. The Cenobites are summoned to Earth by Tiffany, a young mute savant girl, but Pinhead declares they will spare her since she was manipulated to open the box by Julia, who escaped them, and her new accomplice, the corrupt Dr. Channard. Kirsty realizes the Cenobites have human origins and shows Pinhead a photograph of World War I British Army Captain Elliott Spencer, the man he once was. Pinhead regains his human memories, regaining his humanity. He smiles to Kirsty before being killed by Channard (now a Cenobite) and Julia, who are later defeated. Kirsty and Tiffany escape the labyrinth.

This film is the first to name the villain "Pinhead" in the credits. Clive Barker intended Pinhead and his entourage to die in this film, leaving Julia Cotton to become the villain of future Hellraiser stories. However, the studio wanted to return Pinhead to his villainous roots in a sequel. Clive Barker did not work on the stories for the subsequent films.

In Hellraiser III: Hell on Earth (1992), it is revealed that the death of Spencer in the previous film means the death of Pinhead's restraint and moral code. A new incarnation of Pinhead manifests who engage in a random killing spree, transforming some victims into new Cenobites. Reporter Joey Summerskill discovers Elliott Spencer's soul in Limbo. Spencer explains his experiences in World War I caused him to see humanity and life as corrupt, leading him to use the Lament Configuration to summon the Cenobites, eventually joining their ranks. With Summerskill's help, Spencer's spirit escapes Limbo and re-merges with Pinhead. Summerskill then uses the Lament Configuration to banish the restored Cenobite back to Hell.

In this film, Summerskill glibly refers to the villain as "Pinhead," marking the first time the Cenobite is called by this name onscreen.

In Hellraiser: Bloodline (1996), Pinhead allies himself with the demon princess Angelique, in order to force John Merchant (a descendant of the inventor Lemarchand who built the Lemarchand/Lament Configuration) to create an unsealable gateway to Hell. The future segments of the film reveal that Pinhead is finally destroyed in the year 2127 by Dr. Paul Merchant, another descendant, who uses a space station to complete the "Elysium Configuration",  capable of closing Hell's gateway for good. Pinhead and other Cenobites are trapped inside it and are destroyed along with the box.

Bloodline was beset by numerous problems during production, leading the film's director to request his name be removed and credit given to Alan Smithee. The later films in the franchise were all direct release to home video or video on demand.

In Hellraiser: Inferno (2000), Pinhead appears primarily under the guise of police psychiatrist Doctor Paul Gregory, assuming his true form near the end to inform protagonist Detective Joseph Thorne that he has been in Hell for the duration of the film, and is being punished for his corruption and various misdeeds in life.

In Hellraiser: Hellseeker (2002), Pinhead serves a role similar to the one he fulfilled in Inferno. Kirsty is now married to Trevor, a corrupt insurance agent who plots to have her killed in a murder-for-money scheme, using Lemarchand's box to "cleanly" kill Kirsty without the evidence pointing to himself, his mistress, or his conspirators. Pinhead appears at the end of the film to inform Trevor, who had amnesia throughout the film, that he has actually been dead and trapped by the Cenobites for some time; Pinhead had appeared to Kirsty, pleased at the prospect of a "reunion," but Kirsty ultimately struck a deal with him: she would be left alone in exchange for killing Trevor and his conspirators, thus giving the Cenobites the victims' souls.

In Hellraiser: Deader (2005), Pinhead appears several times to reporter Amy Klein after she tinkers with the box, a central relic of a cult she is investigating. After Amy is captured by the group's leader, Winter, she learns he is a descendant of puzzle creator Phillip Lemarchand, and believes that it is his birthright to control the box and, thereby, the Cenobites. However, neither he nor any of his followers have been able to open it. Amy successfully opens the box, but rather than submit to Winter, Pinhead instead kills him and his followers for attempting to control it. Subject to being taken to the Cenobite realm for having opened the box, Amy instead chooses to commit suicide.

In Hellraiser: Hellworld (2005), Pinhead and the Cenobites are horror film characters and have become the basis for a successful MMORPG called Hellworld. The game seems to come to life as Pinhead attacks the guests at a Hellraiser-themed party, but this is revealed to be the hallucination of five guests who have been drugged and buried alive by the party's host, who blames them for not preventing the suicide of his son, a Hellworld-obsessed fan. In the film's climax, the host discovers that the Hellraiser stories are based on fact, and his son came into possession of a real Lemarchand box. Opening it, the host is greeted by Pinhead, who praises his son's ingenuity before ordering a pair of Cenobites to kill him.

In Hellraiser: Revelations (2011), Pinhead is physically portrayed by Stephan Smith Collins and voiced by Fred Tatasciore.

In Hellraiser: Judgment (2018), Pinhead is portrayed by Paul T. Taylor. In the film, Pinhead eviscerates the angel Jophiel after manipulating events to cause the death of a serial murderer who is integral to God's plan to instill fear into sinners. Pinhead is punished by being expelled from Hell and sent to earth as a mortal man, crying out in longing for his revered state of eternal agony.

In Hellraiser (2022), an upcoming remake to be released on Hulu, Pinhead will be portrayed by Jamie Clayton.

Comics 

Published by Marvel Comics' Epic Comics imprint in the 1990s, the original Hellraiser comics follow the canon of the movies rather than Barker's original novella, referring to the lead Cenobite as Pinhead. A spin-off miniseries was entitled Pinhead. In these comics, Pinhead is depicted as the latest incarnation of the cenobite spirit Xipe Totec, an entity derived from Aztec mythology. In the storytline "The Harrowing", Pinhead is revealed to have been romantically involved with a cenobite named Merkova, who was killed by the disciples of Morte Mamme, the sister and rival of Leviathan. Morte Mamme then selects a group of humans to act in opposition to the Cenobites, calling them the Harrowers. The team stars in the spin-off comic Clive Barker's The Harrowers, which ran for six issues from 1993-1994. In the Pinhead/Marshal Law crossover, it is revealed that Pinhead's human incarnation, Captain Spencer, took part in the Battle of the Somme.

In 2011, Barker began writing a series of Hellraiser comics for BOOM! Studios. These comics followed the canon of the first three films, taking place sometime after the events of the third. Starting with issue #2, the series refers to the character as "the Priest" rather than Pinhead. Reunited in Hell with his Cenobite entourage from the first two films (referred to in the comic series as his personal "Cenobium"), the Priest is still haunted by his full memories and now sees only futility in his existence, longing to explore new experiences and interests. He declares he wants to permanently return to his human form and seek spiritual salvation, then sends anonymous clues to Kirsty Cotton as to the locations of Earth's remaining Lemarchand puzzles. Kirsty summons the Priest, who betrays his Cenobium. Bargaining with Kirsty, she has her take his place so he can return to humanity. Kirsty becomes a Cenobite called "the Priestess" who resembles Pinhead but wearing a white robe and, unlike most Cenobites, is allowed to retain her memories and personality. A year later, Elliott Spencer appears on Earth, human once again and no longer fully remembering his existence as a Cenobite. Kirsty's friend and surrogate daughter Tiffany recruits Spencer into the Harrowers, humans who oppose the Cenobites and hunt down Lamarchand puzzles. Later, Kirsty arranges for Spencer's memories to be restored. Spencer then allies with another demon lord in order to attain new power and fulfill his true mission, to unleash damned souls on Earth, conquer humanity, and replace Leviathan. During this battle, occult detective Harry D'Amour attempts to help the US government stop the chaos, guided by his psychic friend Norma Paine and Spencer's former lieutenant, the Cenobite known as the Female. He and Kirsty learn of Spencer's corrupt behavior before World War I, his desire to sleep with his own daughter Danielle, and that his final test to become a Cenobite involved fathering a child Priscilla with his daughter. Together, they defeat Spencer's bid for god-like power.

The Hellraiser series ended with issue #20, and the finale featured Spencer being defeated and then imprisoned alongside Kirsty within a "memory sphere" in Leviathan's realm. The series was followed by the 2013 limited comic book series Hellraiser: The Dark Watch, which begins one year later and reveals that Harry D'Amour became the Hell Priest or Pontifex following Kirsty's imprisonment, adopting an appearance similar to Pinhead but retaining his memories and personality because Leviathan saw him as more useful that way. D'Amour considers that the Cenobites, being human converts, are different in nature and motivation to the purebred demons he has met before (in the short story "The Last Illusion"). He confirms that while Leviathan and his Cenobites punish those who sin for the sake of pleasure, other realms of Hell have different demon orders that target other sins. D'Amour's ally Tiffany frees Kirsty and Spencer from imprisonment, later becoming a Cenobite herself. Elliott Spencer joins Abaddon's realm (which punishes the sins born of fury) and helps lead an army of the damned against Leviathan's Cenobite forces, with the hopes of then using the army to conquer Earth. After Abaddon's forces are stopped, Leviathan makes a deal with Kirsty and Spencer each in order to end their conflicts. Kirsty has humanity restored to herself, D'Amour and Tiffany, while her dead lover Edgar is restored to life. Elliott Spencer once again becomes the Hell Priest, but now with greater power and authority. He then kills Edgar and says goodbye to Kirsty.

Other tales of the Cenobites and Spencer as the Hell Priest are presented in the BOOM! Studios anthology comic book mini-series Hellraiser: The Beastiary (2015). The BOOM! Studios mini-series Hellraiser: The Road Below" (2014) reveals Kirsty's first solo mission as the "new Pinhead" following her transformation into a Cenobite.

Character design and portrayal

Design

Barker drew inspiration for the cenobite designs from punk fashion, Catholicism and by visits he made to S&M clubs in New York and Amsterdam. For Pinhead specifically, Barker drew inspiration from African fetish sculptures. Initially, Barker intended Pinhead to have a navel piercing implying that the character had genital piercings. Barker's original "Hell Priest" sketches for Pinhead were eventually adapted into an officially licensed mask by Composite Effects, to be released in limited quantity to the public on 24 March 2017. This was done in celebration of the 30th Anniversary of Hellraiser.

After securing funding in early 1986, Barker and his producer Chris Figg assembled a team to design the Cenobites. Among the team were Bob Keen and Geoff Portass at Image Animation and Jane Wildgoose, a costume designer who was requested to make a series of costumes for 4–5 "super-butchers" while refining the scarification designs with Image Animation. Rather than gold or jeweled pins, the character would have black iron nails decorating his head. In terms of lighting, Pinhead was designed so that shadows would swirl round his head. By July 1986, the shooting script positively identified the single pinheaded Cenobite from the earlier draft as clearly the leader.

Barker's original concept art for Pinhead was adapted into a Hell Priest mask in 2017.

The 2018 film Hellraiser: Judgment updated Pinhead's appearance from the previous films. As writer-director Gary J. Tunnicliffe explained, "This is a very no-nonsense Pinhead. No glib one-liners, he's a little leaner and a little meaner. We especially tried to incorporate this into the make-up and costume; the cuts are deeper, the pins a little longer, his eyes are completely black and the wardrobe is a little sleeker and more visceral. Someone on set described him as the 'bad ass' version of Pinhead." The flesh exposed on Pinhead's chest was redesigned as a rhombus in honour of Pinhead's master, the fictional character Leviathan.

Physical portrayal
In the first eight Hellraiser films, Pinhead is portrayed by Doug Bradley.  Because of his eventual skill at the application and removal of the Pinhead appliances and costume, Bradley has been credited in some of the Hellraiser films as an assistant make-up artist.  When he read the script for the first time, Bradley stated on interview that he saw Pinhead as a cross between Oscar Wilde and Noël Coward. Upon asking Barker how he should play Pinhead, Barker told him to "[think] of him as a cross between an administrator and a surgeon who's responsible for running a hospital where there are no wards, only operating theaters. As well as being the man who wields the knife, he's the man who has to keep the timetable going." In the original novella, the character Frank believed the Cenobites may have once been human but that their extreme experiments on themselves left them demonic and sexless. In keeping with this, Barker and Bradley decided early on that Pinhead had once been a human being before joining the Cenobites:

The Pinhead makeup took six hours to apply. When Bradley first donned the Pinhead makeup, he spent a few minutes alone in his room getting into character by looking at himself in the mirror. During rehearsals, Barker told Bradley, who at the time was more used to working in theatre, to subdue his movements and gestures, in order to give Pinhead an aura of complete control and to indicate he was confident enough to not feel the need to make threatening gestures or displays. New World Productions originally considered overdubbing Bradley's voice with that of an American actor, but this was reconsidered when the producers saw him perform.

Paul T. Taylor portrays Pinhead in Hellraiser: Judgment, an experience he describes as a dream-come-true. According to Taylor, "[Pinhead] was always my favorite horror icon because he was the most twisted and intelligent in my mind." The American actor used a faux British accent when portraying the character due to his belief that "Pinhead has to be British". Gary Tunnicliffe gave Taylor room to create his own interpretation of Pinhead, as Taylor brought an intentional vulnerability to the role. In addition to prior knowledge, Taylor used Hellraiser comic books as preparation for the film.

Characterization
In the film franchise, Pinhead's role has varied with each installment. In the script for the original film, Barker describes Pinhead and the other cenobites as "demons" in his notes; the character himself, however, upon capturing Kirsty Cotton, identifies himself as neither explicitly angelic nor demonic, stating that he and his fellow entourage are "Explorers in the further regions of experience. Demons to some. Angels to others." The second film expounds on the idea of the Cenobites as demons by depicting them as denizens of a realm called Hell, a maze-like dimension ruled over by an entity known as Leviathan, where they subject their quarry to emotional and psychological torture. The third film radically altered the original concept, making Pinhead into a purely evil demon of chaos, explained by Pinhead losing the human, 'orderly', part of himself during the previous film. In the fourth film he is presented as a megalomaniac bent on world domination, and by the fifth he acts as a judge, punishing those who open the box for their sins by making them face their personal demons. In this film, he goes by the title of "Engineer", a name derived from an apparent Cenobite leader in Clive Barker's original novella.

The first Hellraiser went into production during the height of the A Nightmare on Elm Street, Friday the 13th and Halloween film series. According to Clive Barker, the popularity of these films led to producers and studios not caring for his intended portrayal of Pinhead as an articulate and intelligent character. Some suggested Pinhead should act more like Freddy Krueger and crack jokes, while others suggested he be a silent character like Jason Voorhees and Michael Myers. Barker insisted Pinhead's personality be more evocative of Christopher Lee's portrayal of Count Dracula: "Part of the chill of Dracula surely lies in the fact that he is very clearly and articulately aware of what he is doing – you feel that this is a penetrating intelligence – and I don't find dumb things terribly scary – I find intelligence scary, particularly twisted intelligence. It's one of the reasons why Hannibal Lecter is scary, isn't it? It's because you always feel that he's going to be three jumps ahead of you." Starting with the third film, Pinhead is more glib and also openly irreverent toward Christianity, mockingly imitating the stigmata and remarking "not quite" when someone seeing him exclaims "Jesus Christ." In contrast to the first film where Pinhead seemed aloof about his nature, indicating he and his kind were "angels to some, demons to others," the fourth film Bloodline depicts him sneering as he asks, "Do I look like someone who cares what God thinks?" His glibness increases in later films, such as in Hellworld when a character believes the Cenobites are just a dream from which he must awake. After the Cenobites kill him, Pinhead asks, "How's that for a wake-up call?"

In Hellbound: Hellraiser II, it is made clear that Pinhead has no memory of his human past as Elliott Spencer, believing he has always been a Priest of the Cenobites. Once he is reminded of his human past and recalls his former life, he transforms into a human appearance and is then vulnerable to an attack by Channard. Screenwriter Peter Atkins explained that Pinhead regaining Spencer's humanity left him "spiritually weakened" and thus vulnerable to attack. As a result, the third film Hell on Earth depicts a new incarnation of Pinhead who lacks restraint and embraces chaos, wreaking havoc on Earth and indiscriminately killing humans he encounters. When Spencer's spirit willingly merges with him once again, the fusion regains Pinhead's previous sense of restraint and belief that he must follows the rules of his station. In the BOOM! Studios comics, it is said that Pinhead retains the memories of Elliott Spencer following the events of Hell On Earth, leading him to feel less satisfied and certain of his power and purpose, now desiring more than his life as a Hell Priest in service to Leviathan.

In the original novella and first movie, the Cenobites refuse to return to their dimension without a human soul, immediately targeting the person who opened the puzzle box. While Kirsty defends that she did not fully understand the box's nature, the Cenobites imply that desiring to open the box at all is enough to justify being taken and tortured by them. However, in Hellbound: Hellraiser II, Pinhead stops the Cenobites from targeting teenage girl Tiffany, who opened the box not out of curiosity or desire but because she had been manipulated to do so by Dr. Channard and Julia Cotton, both of whom wished to avoid the immediate consequences of accessing the Cenobites' realm. Pinhead justifies sparing Tiffany by saying, "It is not hands that call us. It is desire." In addition to his belief in rules, Pinhead can be reasoned and bargained with. In both Hellraiser and Hellraiser: Hellseeker, Kirsty Cotton bargains with Pinhead to offer him other souls in exchange for her own (in particular, her human adversaries), and appeals to the villain's vanity and pride while doing so. In Hellraiser: Revelations, Pinhead is prepared to take Emma to the Cenobite realm but reconsiders when other characters explain she was forced to open the puzzle box at gunpoint by her boyfriend Nico. He then agrees to let Emma go and takes Nico instead.

In the film Bloodline, Pinhead is shown to prefer manipulating or coercing agents to achieve his goals, avoiding direct action until necessary. This brings him into conflict with the demon Princess Angelique, who prefers to recruit agents through seduction rather than force. In Clive Barker's Hellraiser comics published by BOOM! Studios in 2011, which follow the canon of the first three films, Pinhead has becomes disillusioned with his existence and becomes willing to destroy his fellow Cenobites and other demons of Hell if it means he can achieve his new goals of power. He takes a similar stance in The Scarlet Gospels, initially targeting human magic-users to acquire their power and secrets, and so they won't interfere with his plans.

Paul T. Taylor, who portrays Pinhead in Hellraiser: Judgment, described the character as "twisted and intelligent." Finding Pinhead's mannerisms and demeanor to be unique among horror icons, Taylor tried to capture that in his performance: "It's about the stillness. He's already so terrifying that when he makes a move, it means something. He's very economical and when he speaks, he's so eloquent." Taylor also incorporated the uncomfortable make-up and costume into his presentation of the sadomasochist, stating "Pinhead's always in agony so he likes it. I feel like I was in character the whole time, and I don't mean that in some sort of artistic, lofty way. I mean I maintained the demeanor the whole time because I had to."

Origins

The character's past, which is alluded to in Hellbound, is expanded upon in the third film Hell on Earth. It is revealed that Pinhead originated as Elliott Spencer, a captain in the British Expeditionary Force suffering from PTSD and survivor guilt. Spencer participated in the Battle of Passchendaele, after which he lost faith in humanity and God. He wandered Earth indulging in a hedonistic lifestyle to bury his trauma, turning to the baser methods of gratification and pleasure until finding the Lament Configuration in British India in 1921. Some time after summoning the Cenobites, he joined their ranks and became a powerful leader, though this experience caused him to forget his human life and conclude that he had always been a demonic force. When he is temporarily restored as a spirit in Limbo in the film Hellraiser III, Spencer refers to his Pinhead incarnation as "very persuasive and very inventive", while finding the incarnation of Pinhead that lacks humanity to be a terrible and abhorrent force of evil and suffering.

The BOOM! Studios comics, plotted by Clive Barker (and written by him and several other creators), follow the mythology of the first three Hellraiser films and expand it. The comics reveal that Spencer was a corrupt and at times sadistic person for many years before his experiences in World War I, that he abused his wife and enjoyed shocking his daughter Danielle with behavior he saw as corrupt or provocative, such as dressing in women's underwear in front of her and having sex with her mother while she was in the room. Spencer came to sexually desire his daughter when she grew older, but believed acting on such desire would be an action too far. During World War I, Spencer saw a collection of dead bodies hanging from a tree and considered it to be beautiful and also confirmation that there was no order to the world. Desiring answers, he abandoned his duties and wandered, eventually discovering a Lemarchand puzzle box, determined to learn more insight from the Cenobites. His high-level of apathy towards degradation of pain interested Leviathan, who decided to make him the new Hell Priest. Leviathan tested Spencer by having him seduce his daughter Danielle, letting him live out his fantasy at last. Spencer believed this was an illusion, but in fact it happened and Danielle then gave birth to a daughter Priscilla, whom she later abandoned.

Powers, weaknesses and limitations
Described by Doug Bradley as stronger than Jason Voorhees and Michael Myers, Pinhead is an extremely powerful being with supernatural abilities. His preferred method of attack is to summon hooks and chains that mutilate victims, often tearing them apart. These chains are subject to his total mental control, able to emerge from seemingly anywhere and move in any direction according to his will. The chains and hooks may even change shape after having attached to a victim. Pinhead is highly resilient to physical damage, resisting both gunshots and futuristic energy weapons. His magic can be used to summon objects out of thin air, teleport, cause explosions at a distance, and cast illusions. He is capable of converting other people into Cenobites, though this requires them to die in the process.

In order to act in the physical world, Pinhead needs to have been purposely summoned through the Lemarchand/Lament Configuration, which acts as a doorway to Hell (or one of many Hell dimensions). The comic books reveal that humans who lay down certain spells and magical seals can ensure a Cenobite has limited power and will not take them even if summoned. The movie Hellbound: Hellraiser II showed that restoring a Cenobite's memories of their previous human existence can spiritually weaken them, restoring their humanity and making them vulnerable to attack. Once Pinhead was restored at the end of Hellraiser III, he retained his memories of being Elliott Spencer, but was no longer vulnerable because of it, his full power and resistance to injury now restored. Likewise, the BOOM! Studios comic series featured two other Cenobites who took on the mantle of the Hell Priest when Pinhead was gone, each retaining their human memories and not becoming more vulnerable as a result.

In spite of being a Hell priest, Pinhead follows a "lawful evil" code of rules.  He does not kill or torture indiscriminately, targeting those who open the Lament Configuration out of a desire to do so, or those who willingly get in his way of his goals.  He spares the lives of Tiffany and Emma as they were manipulated into opening the box by others who wanted to see it opened.  He can also be bargained and reasoned with, as Kirsty Cotton was able to do on a few occasions.

Cenobium
Pinhead is shown in all his appearances to be accompanied by other denizens of Hell, an entourage that is referred to in the BOOM! Studios comics as a "Cenobium." Although originally portrayed as a subordinate of "The Engineer" in The Hellbound Heart, his film incarnations show him as the leader of secondary cenobite characters. The most consistent members of his Cenobium are a trio of Cenobites known as Butterball, The Female, and Chatterer. All three appear the first two Hellraiser films, and the BOOM! Studios comic series. The Female and Butterball make appearances in the novel The Scarlet Gospels, while Chatterer appears in all but two of the Hellraiser films. In Hellraiser III: Hell on Earth and Hellraiser: Bloodline, Pinhead forcibly recruits several people to be new Cenobites, giving them characteristics evocative of their past lives or professions. Later films in the series depict Pinhead accompanied by new Cenobites of unknown origin.

In Hellraiser: Bloodline, Pinhead regards a demon named Angelique as an equal in the hierarchy of demons. Though initially reverent toward her, Pinhead is disillusioned when he sees she manipulates and recruits through seduction rather than pain and force.

In the BOOM! Studios comics and the novel The Scarlet Gospels, the Hell Priest decides to seek out greater power and enlightenment, deciding in the process that all other Cenobites and all demons, even high-ranking demon lords such as Abaddon or demonic deities such as Leviathan, are beneath him and expendable.

Hellraiser remake

Doug Bradley has stated that he wasn’t approached to reprise the role of Pinhead in the remake, stating that "seeing someone else become Pinhead feels like a kick in the teeth".

Pinhead redesign

Gary Tunnicliffe, who was responsible for the Pinhead makeup in the last four films, improvised a new design for Pinhead called Project Angel: Recreating an Icon, the photos of which he published in Fangoria.

Among Tunnicliffe's redesigns included the usage of square shafted nails for the iconic pins, which were meant to look rusted and handmade. He also designed the new Pinhead as wearing a white priest's robe rather than the original black leather, as a homage to the origins of the word "cenobite" which implies a religious connection.

The redesign was criticised by Clive Barker as being too bloody:

Pascal Laugier, who was set to write the remake wrote an online statement, stressing that Tunnicliffe's redesign was unauthorised, and that he himself had a very different design in mind.

In October 2021, it was revealed that Pinhead was going to be played by Jamie Clayton in the remake.

See also
List of monster movies

References

External links

  for Doug Bradley

Further reading
 

Fictional demons and devils
Fictional undead
Fictional mass murderers
Fictional priests and priestesses
Fictional military captains
Fictional English people
Fictional World War I veterans
Fictional British Army officers
Fictional telepaths
Fictional shapeshifters
Fictional soul collectors
Fictional characters who can teleport
Fictional characters with superhuman strength
Fictional telekinetics
Male horror film villains
Hellraiser characters
Literary characters introduced in 1986
Male literary villains
Characters in British novels of the 20th century
Fictional monsters
Fictional torturers
Film supervillains
Genital piercing is a form of body piercing that involves piercing a part of the genitalia, thus creating a suitable place for wearing different types of jewellery. Nevertheless, the term may also be used pars pro toto to indicate all body piercings in the area of anus, perineum, genitals and mons pubis, including piercings such as anal, guiche, and pubic that do not involve perforation of genitalia. Genital piercings can be done regardless of sex, with various forms of piercings available. The main motive is beautification and individualization; in addition, some piercings enhance sexual pleasure by increasing stimulation. Genital piercings can be found in many tribal societies, in particular in South and East Asia, where it has been part of traditional practice since ancient times. Early records of genital piercing are found in the Kama Sutra that was written over 2000 years ago.

History

The traditional heritage place of genital piercings is assumed to be South East Asia, with traditional piercings being found in tribes ranging from India to Borneo. Piercings of the genitals have a long tradition, with sources mentioning the Apadravya, a male genital piercing, as early as in the Kama Sutra (second century).

The ampallang, a similar piercing (which passes horizontally through the glans instead of vertically), is found in different tribes throughout Sarawak and Sabah on the island of Borneo. Genital piercings became first introduced in western countries by ethnographic report, done by explorers such as  in the 19th century. The Dutch explorer Anton Willem Nieuwenhuis described in his ethnographic record In Centraal Borneo: reis van Pontianak naar Samarinda – documenting his travel through Borneo in 1897 – the procedure of an ampallang piercing:

Piercing the genitals became a short-lived trend at the end of the 19th century, in particular for upper classes of the society: "It was during the Victorian era that the practice of body piercing in the Western world reemerged. Many men and women of the Victorian royalty chose to receive nipple and genital piercings.″

However, the popularity diminished again, with genital piercings becoming rather uncommon in the western world until the second half of the 20th century. In the 1970s, they were introduced to the emerging body modification community by the early piercings pioneers like Jim Ward and Doug Malloy, many of them associated with the legendary piercing studio The Gauntlet in Los Angeles. With the advent of Piercing Fans International Quarterly in 1977, information about genital piercings became available to a wider community. Genital piercings were later sported by the modern primitives movement that developed during the 1980s in the San Francisco Bay Area. Still, only until the 21st century, genital piercing was confined to a body modification subculture.

Just like nipple piercings, genital piercings became increasingly more popular and part of mainstream culture in the second decade of the 21st century, with ″nice and normal″ people endorsing them.  Many celebrities such as Christina Aguilera, Fantasia Barrino, Pete Doherty, Janet Jackson, Lenny Kravitz,  Katarina Waters, or Pete Wentz, stated that they had or planned to have genital piercings. Genital piercings nowadays have a growing demand, especially in a young adult, college-aged population.

With regard to (female) genital piercings, Marilyn W. Edmunds, adjunct clinical professor at the Johns Hopkins University, stated, "Women with genital piercings are no longer on the social fringe or part of the 'punk' culture who are experimenting with behaviors that are 'socially provocative.' Over the past 30 years, genital piercing has become mainstream, and women engage in it for a variety of reasons.″

However, according to Chelsea Bunz, professional piercer from UK, the clearly existing rise in popularity might as well be an effect of more people openly talking about their genital piercings: ″I think genital piercing has always been popular – it's just discussed more openly these days, which makes it increasingly acceptable to the mainstream. People from all classes and professions have them (...).″

Motives

Like body piercings at large, genital piercings are often done for aesthetic reasons and as an expression of personal style. In addition, some (but not all) types of genital piercing increase sensitivity and provide additional stimulation during sexual intercourse or stimulation. According to an Association of Professional Piercers expert report by Elayne Angel, body piercing pioneer, former member of The Gauntlet and inventor of several genital piercings such as the fourchette and the lorum, individual motives and preferences are quite diverse:

Aesthetic reasons 
Motivation can be restricted purely to aesthetic taste. Like all other types of body piercing, genital piercings are decorative, appealing to the people wearing them. Violet Fenn of Metro stated, "For me personally, it was sheer aesthetics – I just like how it looks. Even if I was the only person who ever saw my piercing, I’d like it in the same way that I like having painted toenails – something pretty for my own personal pleasure.″

Culture and life style

Traditional cultures 
In many traditional cultures, these piercings are done as a rite of passage during adolescence and, symbolically and literally, mark the admittance to the adult world and serve as a marker of cultural identity. Similar to religiously motivated circumcision, it may be regarded as a "purification of the flesh" and a common bodily sign to members of the same faith. These traditional meanings of modifying the body were revived in contemporary western society by the modern primitive. Inspired by ethnographic accounts of tribal practices, this subculture adopted genital piercings as a matter of individuation and spirituality.

Contemporary western society 
For most people that seek genital piercings nowaday, a sense of uniqueness and non-conformism prevails. In a 2015 study that evaluated a qualitative dataset of 484 self-reports and characteristics of men and women with genital piercings came to the conclusion that:

Enhanced pleasure and sensation 
Additionally, genital piercings can enhance sexual pleasure during masturbation, foreplay and intercourse. While female genital piercings do this only to the women wearing them, male genital piercings can enhance stimulation for both the person wearing the jewelry and their partner by stimulating both the glans of the wearer and the vaginal wall or the anus of the penetrated partner. Due to genital physiology, women seem to gain more sexual pleasure from both, their own as well as her partner's genital piercings.

For the sexual partner 
This effect is in particular reported for piercings passing through the glans penis: the ampallang and apadravya piercing. Women of the Dayak in Sarawak, Borneo prefer men with an ampallang, claiming that intercourse without would be dull:

Paolo Mantegazza stated, ″The Dayak women have a right to insist upon the ampallang and if the man does not consent they may seek separation. They say that the embrace without this contrivance is plain rice; with it is rice with salt."
On another account by the anthropologist Tom Harrisson, who spent much of his life in Borneo and interviewed natives about the traditional ampallang; he stated, "the function of this device is, superficially, to add to the sexual pleasure of the women by stimulating and extending the inner walls of the vagina. It is, in this, in my experience, decidedly successful."

For the pierced person 
For men, piercings that stimulate the sensitive urethra, either during masturbation or sexual intercourse, increase sensation.
Female genital piercings that are reported to enhance pleasure are the piercings that pass through or close to the clitoris, i.e. the clitoris piercing and the clitoral hood piercing. In an empirical study at the University of South Alabama, the authors reported a positive relationship between vertical clitoral hood piercings and desire, frequency of intercourse, and sexual arousal. However, this might depend on many factors such as placement, jewelry shape, and the individual. The triangle piercing is known to be quite pleasurable by providing stimulation of the underside of the clitoral glans, an area that is usually not stimulated at all.

Potential health risks 
Comparable to other piercings, improper hygiene during the piercings process carries the risk of transmitting blood borne diseases and during the healing process it might lead to infection.

Some physicians believe that male genital piercings increase the risk of STD transmission by making safer sex barriers (condoms) less effective. Most professional piercers and body art enthusiasts believe these risks are over-stated or nonexistent. In two surveys, 5%–18% of men with genital piercings reported unspecified "problems using condoms" though it is unclear how many of these men used condoms regularly. There is no conclusive evidence that wearers of genital piercings are more likely to contract sexually transmitted infections.

Aftercare 
The time to fully heal a genital piercing varies tremendously, depending on piercing site and individual characteristics: it can range from a week up to six months. Until fully healed, preparations should be made against possible causes of infection, such as proper cleaning on a daily basis. People with fresh piercings should abstain from sexual activity for the first few days and also then should use physical protection barriers such as condoms until the piercing is fully healed.

Legal considerations 
Laws in other countries vary. In many European countries, minors are required to bring a signed consent form from or to be escorted by a legal guardian. Even in countries that have no laws regulating genital piercing in minors, many piercers refrain from doing them (since physiological development is not completed in minors). In the United States, it is prohibited to pierce the genitals of persons younger than 18 years.

Types of genital piercings

Male genital piercings

Possible piercing sites on the male genitalia include the glans, the skin of the penis shaft, the scrotum or the perineum.

Glans penis

Piercings through the glans of the penis include the ampallang, which passes horizontally, and the apadravya, that passes vertically through the glans. The Prince Albert piercing is situated on the ventral side (underside) of the penis immediately behind the glans, while the reverse Prince Albert piercing passes through the dorsal (top) side of the glans. The dydoe pierces through the coronal rim of the glans. With the exception of the dydoe, all these piercings traditionally pass through the urethra. This is preferred because healing time and incidence of infection are reduced by the flow of sterile urine.

These piercings provide increased stimulation during intercourse to the male  (who is carrying the piercing) as well as to the partner. Piercings through the head, or the glans, are the genital piercings with the best-documented historical evidence.

Skin of the penis shaft and scrotum

Foreskin piercing passes through the penile prepuce on the dorsal, ventral or lateral side. It is required that the male isn't circumcised. The frenum piercing passes through the penile frenum, a small skin bridge that connects the glans with the shaft skin. This anatomical part is also often missing in circumcised men. The hafada piercing is situated on the skin of the scrotum. As an intermediate version between frenulum and hafada, the lorum piercing (low frenum) sits at the point where penis and scrotum connect. The Jacob's Ladder is a ladder from frenum to scrotum. The guiche piercing is a body piercing on the perineum. These piercings play a lesser role in adding stimulation and more or less fulfill only a decorative purpose.

Female genital piercings
In female individuals as well, various anatomical parts can be suitable for piercings. These include the mons pubis, the clitoral hood, the (inner and outer) labia and the vulval vestibule (which is the area surrounding the vaginal opening).

Clitoris and clitoral hood

The glans of the clitoris itself can be pierced. Since this anatomical part is too small in many cases, this piercing is not very common. In contrast, the clitoral hood piercing is the most common genital piercing for female bodied individuals. It can be applied horizontally and vertically. The deep hood piercing is a variation of the clitoral hood piercing that pass deeper through the clitoral hood. The Isabella piercing passes vertically through the clitoral shaft and is rather complicated to pierce.

Labia and vulval vestibule

Labia piercing can be applied to the labia majora or the labia minora. The triangle piercing is located at the ventral end of the labia minora, at the point of transition between labia and clitoral hood. It runs horizontally, partly under the clitoral shaft. The fourchette piercing passes through the dorsal rim of the vulval vestibule. A less common version of the fourchette piercing is the suitcase piercing which can be considered as a deeper version of the fourchette because it enters through the perineum. Also rather uncommon is the Princess Albertina piercing, the female version of the Prince Albert piercing, that passes through the ventral (lower) wall of the urethra.

Mons pubis

The Christina piercing is a surface piercing, situated on the upper part of the mons pubis where the outer labia meet. It is similar to the Nefertiti piercing, that can be seen as a combination between vertical clitoral hood piercing and Christina piercing.

Unisex  genital piercings
Body piercings that do not involve perforation of genitalia but referred to as "genital piercings" by convention can be worn by all sexes. These include the pubic piercing, which is situated above the penis in males and on the mons pubic in females (comparable to the Christina piercing, but horizontally). The guiche piercing passes horizontally through the perineum while the anal piercing passes through the anus.

See also
 Bikini waxing
 Chastity piercing
 Cock ring
 Genital modification 
 Genital jewellery
 Genital tattooing
 Nipple piercing
 Play piercing

References

Citations

Sources

External links

General information
Elayne Angel: An approach to genital piercings. published by the Association of Professional Piercers:
General issues
 Clitoral hood and labia piercings
Prince Albert and pubic piercings
 Frenum, Lorum, Hafada and Guiche
 Foreskin, Dydoe, Ampallang and Apadravya

Body modification Genital jewellery, also known as sex jewellery and adult jewellery, is jewellery which is designed specifically for wear on or to accentuate the genitals.   In a wider sense also nipple rings and some butt-plugs may be called genital jewellery.

Genital jewellery includes cock rings and vaginal jewellery as well as anal piercings. These items often blur the line between jewellery and sex toys. Genital jewellery is available for men and women and some models may be worn by both sexes. While some genital piercings have been around since at least Victorian times (e.g. Prince Albert piercing jewellery), a recent increase in popularity and social acceptance has resulted in the fusion between function and fashion that is sex jewellery.

The practice is not new, however, with genital piercings, designed to stimulate as well as to decorate, being described as early as 300 in The Kama Sutra.

Wearing genital jewellery in nudist resorts may sometimes be considered inappropriate because it may be seen as overtly sexual (see Issues in social nudity).

See also
 Genital piercing
 Genital tattooing
 Genital torture (disambiguation)
 Nipple shield (jewelry)
 Vajazzle

References

 

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