Toots Thielemans 1960s-1970s
What happened in the 1960's?
What happened in the 1960's?
A jazz standard by Toots Thielemans is his own composition, "Bluesette," which he performed on harmonica or while playing the guitar and whistling in unison. He said, "If there's a piece of music that describes me, it's that song." First recorded by him in 1962, with lyrics added by Norman Gimbel, the song became a major worldwide hit. It has since been covered by over one hundred artists., Toots also wrote the beautiful ballad Lady Fingers which appeared on Herb Alpert and the Tijuana Brass best selling album Whipped Cream And Other Delights.  He worked both as a bandleader and as a sideman, including many projects with composer/arranger Quincy Jones. In the 1960s he performed on television with Peggy Lee. In 1969 he recorded "Honeysuckle Rose Aquarela Do Brasil" with singer Elis Regina and performed with her on Swedish television special.  During his career he performed on many film soundtracks, such as The Pawnbroker (1964), Midnight Cowboy (1969), The Getaway (1972), Turkish Delight (1973), Cinderella Liberty (1973), The Sugarland Express (1974), The Yakuza (1974), Looking for Mr. Goodbar (1977), The Wiz (1978), Jean de Florette (1986), and French Kiss (1995). His theme to the popular Sesame Street television show was heard for 40 years.  His music was heard on the Belgian television series Witse, and in the Netherlands, for the Baantjer program. He composed the music for the 1974 Swedish film Dunderklumpen!, in which he also provided the voice of the animated character Pellegnillot. His whistling and harmonica playing was heard on Old Spice commercials in the 1960s. He played harmonica on "Night Game" on Paul Simon's 1975 album Still Crazy After All These Years. CANNOTANSWER
In the 1960s he performed on television with Peggy Lee. In 1969 he recorded "Honeysuckle Rose Aquarela Do Brasil" with singer Elis Regina
Jean-Baptiste Frédéric Isidor, Baron Thielemans (29 April 1922 – 22 August 2016), known professionally as Toots Thielemans, was a Belgian jazz musician. He was mostly known for his chromatic harmonica playing, as well as his guitar, whistling skills, and composing. According to jazz historian Ted Gioia, his most important contribution was in "championing the humble harmonica", which Thielemans made into a "legitimate voice in jazz". He eventually became the "preeminent" jazz harmonica player.

His first professional performances were with Benny Goodman's band when they toured Europe in 1949 and 1950. He emigrated to the U.S. in 1951, becoming a citizen in 1957. From 1953 to 1959 he played with George Shearing, and then led his own groups on tours in the U.S. and Europe. In 1961 he recorded and performed live one of his own compositions, "Bluesette", which featured him playing guitar and whistling. In the 1970s and 1980s, he continued touring and recording, appearing with musicians such as Oscar Peterson, Ella Fitzgerald, Sarah Vaughan, Bill Evans, Dizzy Gillespie, Kenny Werner, Pat Metheny, Jaco Pastorius, Mina Mazzini, Elis Regina, Quincy Jones, George Shearing, Natalie Cole, Billy Joel, Paul Simon and Paquito D'Rivera.

Among the film soundtracks that Thielemans recorded are The Pawnbroker (1964), Midnight Cowboy (1969), The Getaway (1972), Cinderella Liberty (1973), The Sugarland Express (1974) and Looking for Mr. Goodbar (1977). His harmonica theme song for the popular Sesame Street TV show was heard for 40 years. He often performed and recorded with Quincy Jones, who once called him "one of the greatest musicians of our time." In 2009 he was designated a Jazz Master by the National Endowment for the Arts, the highest honor for a jazz musician in the United States.

Early years
Thielemans was born in Brussels on 29 April 1922. His parents owned a café. He began playing music at an early age, using a homemade accordion at age three. During the German occupation of Belgium beginning in 1940, he became attracted to jazz, but was then playing on full-size accordion or a harmonica, which he taught himself to play in his teens.

After being introduced to the music of Belgian-born jazz guitarist, Django Reinhardt, he became inspired to teach himself guitar, which he did by listening to Reinhardt's recordings. At the time he was a college student majoring in math. By the war's end in 1945, he considered himself a full-time musician. He said in 1950, "Django is still one of my main influences, I think, for lyricism. He can make me cry when I hear him." During an interview in 1988, he recalled, "I guess I was born at the right time to live and adapt and be touched by the evolution in the jazz language."

He played in two Silverio Pisu's stories: Giacomino passerotto vagabondo and Manolo gattino sognatore.

Career

1940s–1950s

In 1949 he joined a jam session in Paris with Sidney Bechet, Charlie Parker, Miles Davis, Max Roach and others. He first heard the faster bebop style of jazz from records by Parker and Dizzy Gillespie after they had reached Belgium after the war.  They became his musical "prophets." As his small collection of jazz records grew, the music of Benny Goodman and Lester Young began to impress him the most.

During a visit to the U.S. in 1948, an agent of Benny Goodman heard him play at a small New York music club. Not long after he returned to his home in Belgium, he received a letter inviting him to join Goodman's band while they toured in Europe. He readily accepted the invitation and joined their tours in 1949 and 1950. During the tour, Goodman was "shocked" when he learned that these tours were the first time Thielemans had earned money from his playing. Although Thielemans was hired on as a guitarist, when Goodman's group debuted at the London Palladium, he played the harmonica due to union restrictions.

During those years, he also made his first record with fellow band member, tenor saxophonist Zoot Sims. In 1951 he toured with singer-songwriter and compatriot Bobbejaan Schoepen, performing strictly as a guitarist.

Thielemans moved to the United States in 1952 where he was a member of Charlie Parker's All-Stars and worked with Miles Davis and Dinah Washington.  In 1957 he became a U.S. citizen. From 1953 to 1959 he played guitar and harmonica with the George Shearing Quintet. With Shearing, he added whistling to his repertoire.  While playing in Hamburg in 1960 on tour with Shearing, a young musician and observer —John Lennon— noticed that Thielemans played a Rickenbacker guitar. Lennon was impressed, and felt he had to have an American guitar, on the principle that "if was good enough for Thielemans it was good enough for me." Lennon and the Beatles helped make Rickenbacker world-famous.

In 1955, Thielmans he recorded his first album as a band leader, "The Sound." During the 1950s, Thielemans had dominated the "miscellaneous instrument" category in Down Beat magazine's poll. Jerry Murad, of Jerry Murad's Harmonicats recalls Thielemans's mastery:

From 1959 on he toured internationally with his small group along with intermittently recording in the studio. He recorded with singers and musicians including Ella Fitzgerald, Pat Metheny, Jaco Pastorius, Stephane Grappelli, J.J. Johnson, Oscar Peterson, Shirley Horn, Joe Pass, and jazz pianist Bill Evans, among others. Thielemans says that his recording with Evans's trio, Affinity, (1979) was one of his favorites.

1960s–1970s

Toots Thielemans wrote "Bluesette," a jazz standard, which he performed on harmonica or while playing the guitar and whistling in unison. He said, "If there's a piece of music that describes me, it's that song." First recorded by him in 1962, with lyrics added by Norman Gimbel, the song became a major worldwide hit. It has since been covered by over one hundred artists. Toots also wrote the ballad "Lady Fingers," which appeared on Herb Alpert and the Tijuana Brass's album "Whipped Cream and Other Delights."

He worked both as a bandleader and as a sideman, including many projects with composer/arranger Quincy Jones. In the 1960s he performed on television with Peggy Lee. In 1969 he recorded "Honeysuckle Rose Aquarela Do Brasil" with singer Elis Regina and performed with her on Swedish television special.

During his career he performed on many film soundtracks, such as The Pawnbroker (1964), Midnight Cowboy (1969), The Getaway (1972), Turkish Delight (1973), Cinderella Liberty (1973), The Sugarland Express (1974), The Yakuza (1974), Looking for Mr. Goodbar (1977), The Wiz (1978), Jean de Florette (1986), and French Kiss (1995). His theme to the popular Sesame Street television show was heard for 40 years.

His music was heard on the Belgian television series Witse, and in the Netherlands, for the Baantjer program. He composed the music for the 1974 Swedish film Dunderklumpen!, in which he also provided the voice of the animated character Pellegnillot. His whistling and harmonica playing was heard on Old Spice commercials in the 1960s. He played harmonica on "Night Game" on Paul Simon's 1975 album Still Crazy After All These Years.

1980s and later

During the early 1980s Thielemans was a guest a number of times on Late Night with David Letterman. He has performed with the bassist Jaco Pastorius, and in 1983 he contributed to Billy Joel's album An Innocent Man, in the song, "Leave A Tender Moment Alone." (The two later collaborated on this selection in concert, and this was recorded on video.) A year later, he appeared on the Julian Lennon song "Too Late for Goodbyes" from the album Valotte.

In 1984, he recorded with Billy Eckstine on the singer's final album (I Am a Singer), featuring ballads and standards arranged and conducted by Angelo DiPippo. In the 1990s, Thielemans embarked on theme projects that included world music. In 1998 he released a French-flavoured album titled Chez Toots featuring guest singer Johnny Mathis.

During those years, he often recorded songs as personal tributes to those who were influential during his career. On Chez Toots, for example, he included "Dance For Victor," which he dedicated to his sometimes keyboard accompanist, Victor Feldman. Similarly, he recorded "Waltz for Sonny" as a tribute to saxophonist Sonny Rollins. In June 1998, at Germany's Jazzbaltica, he paid tribute to Frank Sinatra who died a month earlier. And during the first Caspian Jazz and Blues Festival in Azerbaijan in 2002, he performed his recorded version of "Imagine," his tribute to its writer, John Lennon.

Thielemans was well liked for his modesty and kind demeanor in his native Belgium, and was known for describing himself as a Brussels "ket," which means "street kid" in old Brussels slang.

Honours and awards
Thielemans received a joint honorary doctorate from the Université libre de Bruxelles and the Vrije Universiteit Brussel, Belgium. In 2001, he was raised into the Belgian nobility by King Albert II and created Baron Thielemans for life, this in recognition of his contribution to music. Herewith, he chose the motto Be yourself, no more no less.

In 2006, Thielemans was honoured by an all-star tribute concert for him at Carnegie Hall. Pianist Herbie Hancock and clarinetist Paquito D'Rivera were among the performers. In 2009, he was awarded the highest U.S. honour that can be accorded to a jazz musician, the distinction of "Jazz Master," by The National Endowment for the Arts.

Honours 
 Created "Baron Thielemans" by Royal Order.
 Commander of the Order of Leopold
 Knight of the Order of Leopold II
 Knight of the Order of Arts and Letters

A Brussels metro station under the Avenue de Stalingrad/Stalingradlaan is to be named after the musician.

Later life
He was nominated for the title of the Greatest Belgian in 2005. In the Flemish version, he finished in 20th place, and in the Walloon version he came 44th. On 23 January 2009, he joined guitarist Philip Catherine on stage at the Liberchies church (Belgium) in memory of the 100th anniversary of the birth of Django Reinhardt. In 2012, the Jazz at Lincoln Center concerts in New York celebrated Thielman's 90th birthday with, among others, Herbie Hancock, Eliane Elias, and Kenny Werner. He performed for the occasion and left the stage standing among his friends.

Because of health issues that led to show cancellations, Thielemans announced his retirement on 12 March 2014, cancelling all scheduled concerts. He was also hospitalized for a broken arm.  His manager stated that Thielemans "wants to enjoy the rest he deserves."  However, he did make one more stage appearance, unannounced, in August 2014, at the Jazz Middelheim Festival in Antwerp.

Death
Thielemans died in Braine-l'Alleud, Belgium, at the age of 94.

After the announcement, the Netherlands-based jazz and pop orchestra Metropole Orkest, along with American musician Quincy Jones, performed at London's Royal Albert Hall in Thielemans' honor. Another concert was performed at the Grand Place, Brussels.

Thielemans was buried on 27 August 2016 in La Hulpe, just outside Brussels. Pianist Kenny Werner read a personal message from U.S. President Barack Obama for his widow, Huguette. It read: "Dear Huguette. I was deeply saddened when I heard about your husband's passing. I hope that shared memories will soften your suffering. Lift faith from the support of friends and family. Know that you will be in my thoughts for the next days. May Toots' music lead you and offer you consolation. I'm sure it will do this for all of us."

Toots Thielemans Collection 
In December 2016, the Music Division of the Royal Library of Belgium acquired the Toots Thielemans Collection. The collection consists of hundreds of sound recordings (78 rpm, vinyl records and CDs) and thousands of documents, such as photographs, press articles, scores, letters and concert programmes.

Discography

As leader
 The Sound (Columbia, 1955)
 Man Bites Harmonica (Riverside, 1958)
 Time Out for Toots (Decca, 1958)
 The Soul of Toots Thielemans with Ray Bryant (Signature, 1960)
 The Romantic Sounds of Toots Thielemans (MGM, 1962)
 The Whistler and His Guitar (ABC-Paramount, 1964)
 Too Much! Toots! (Philips, 1965)
 Contrasts (Command, 1966)
 Toots (Command, 1968)
 Yesterday and Today with Svend Asmussen (A&M, 1973)
 Toots Thielemans/Philip Catherine & Friends (Keytone, 1974) [reissued with 2 bonus tracks as Two Generations (Limetree, 1996)]
 Captured Alive (Choice, 1974)
 Affinity with Bill Evans (Warner Bros., 1979)
 The Guitar Session with Gene Bertoncini (Inner City, 1981)
 Slow Motion (Jazz Man, 1981)
 Live (Inner City, 1982)
 Live 2 (Inner City, 1982)
 Live 3 (Inner City, 1982)
 Live in the Netherlands (Pablo, 1982)
 Bringing It Together with Stephane Grappelli (1984)
 Only Trust Your Heart (Concord Jazz, 1988)
 Apple Dimple (Denon, 1990)
 For My Lady with Shirley Horn (EmArcy, 1991)
 Footprints (EmArcy, 1992)
 The Brazil Project (Private Music, 1992)
 The Brazil Project Volume 2 (Private Music, 1993)
 Do Not Leave Me (Milan, 1994)
 East Coast West Coast (Private Music, 1994)
 Chez Toots (Private Music, 1998)
 The Live Takes Volume 1 (Narada, 2000)
 Toots Thielemans and Kenny Werner (Verve, 2001)
 One More for the Road (Verve, 2006)

As sideman
With John Denver
 Aerie (RCA Records, 1971)
 Farewell Andromeda (RCA Records, 1973)
With Eliane Elias
 Illusions (Denon, 1986)
 Bossa Nova Stories (Blue Note Records, 2008)
With Bill Evans
 Affinity (Warner Bros. Records, 1979)
With Michael Franks
 Passionfruit (Warner Bros. Records, 1983)
With Dizzy Gillespie
 Digital at Montreux, 1980 (Pablo, 1980)
With Peggy Lee
 Blues Cross Country (Capitol Records, 1962)
 Somethin' Groovy! (Capitol Records, 1967)
With Urbie Green
 The Fox (CTI, 1976)
With Shirley Horn
I Remember Miles (Verve, 1998)
With Billy Joel
 An Innocent Man (Columbia Records, 1983)
With James Taylor
 James Taylor at Christmas (Columbia Records, 2006)
With Melanie
 Gather Me (Neighborhood Records, 1971)
 As I See It Now (Neighborhood Records, 1975)
With Brook Benton
 Brook Benton Today (Atlantic Records, 1970)
With Sheena Easton
 No Sound But a Heart (EMI, 1987)
With Diane Schuur
 Love Songs (GPR, 1993)
With Quincy Jones
 Quincy Jones Explores the Music of Henry Mancini (Mercury Records, 1964)
 Walk, Don't Run (Mainstream Records, 1966)
 You've Got It Bad Girl (A&M Records, 1973)
 Mellow Madness (A&M Records, 1975)
 The Dude (A&M Records, 1981)
With Sarah Vaughan
 Songs of The Beatles (Atlantic Records, 1981)
With Fumio Karashima
 Rencontre (Polydor Records, 1999)
With Natalie Cole
 Stardust (Elektra Records, 1996)
With James Last
 Theme from Der Landarzt (Polydor Records, 1987)
With Joe Lovano
 Flights of Fancy: Trio Fascination Edition Two (Blue Note Records, 2001)
With Jaco Pastorius
 Word of Mouth (Warner Bros. Records, 1981)
With Oscar Peterson
 The Oscar Peterson Big 6 at Montreux (Pablo, 1975)
 Live at the North Sea Jazz Festival, 1980 (Pablo, 1980)
With George Shearing and Dakota Staton
 In the Night (Capitol Records, 1958)
With Elis Regina
 Honeysuckle Rose Aquarela Do Brasil (Phillips, 1969)
With Julian Lennon
 Valotte (Atlantic Records, 1984)
With Pat Metheny
 Secret Story (Geffen, 1992)
With George Shearing
 Latin Affair (Capitol Records, 1958)
With Paul Simon
 Still Crazy After All These Years (Columbia Records, 1975)
With Jay Anderson
 Local Color (DMP, 1994)

References

Further reading
 Leonard, Vince. "Math Dropout Thielemans Scores With Jazz Harmonica". Pittsburgh Post-Gazette. 28 October 1978.
 Herdies, Rita. "Profile: Toots Thielemans". The Rotarian. June 1993.
 Hall, Fred. "Seventy and Still Swinging: A Love for Performing Keeps These Jazz Greats as Ageless as Their Music". The Rotarian. March 1995. pp. 14 - 17.

External links
 
 
 Official MySpace page
 NEA Jazz Masters
Toots Thielemans Interview NAMM Oral History Library (2005)

1922 births
2016 deaths
20th-century guitarists
20th-century Belgian musicians
21st-century guitarists
21st-century Belgian musicians
Barons of Belgium
Bebop harmonica players
Belgian emigrants to the United States
Belgian expatriates in the United States
Belgian jazz guitarists
Belgian jazz harmonica players
Brazilian jazz (genre) harmonica players
Jazz harmonica players
Latin jazz harmonica players
Mainstream jazz harmonica players
Musicians from Brussels
People from Uccle
Private Music artists
Riverside Records artists
Whistlers
EmArcy Records artists
Don Juan Manuel's Tales of Count Lucanor, in Spanish Libro de los ejemplos del conde Lucanor y de Patronio (Book of the Examples of Count Lucanor and of Patronio), also commonly known as El Conde Lucanor, Libro de Patronio, or Libro de los ejemplos (original Old Castilian: Libro de los enxiemplos del Conde Lucanor et de Patronio), is one of the earliest works of prose in Castilian Spanish. It was first written in 1335.

The book is divided into four parts. The first and most well-known part is a series of 51 short stories (some no more than a page or two) drawn from various sources, such as Aesop and other classical writers, and Arabic folktales.

Tales of Count Lucanor was first printed in 1575 when it was published at Seville under the auspices of Argote de Molina. It was again printed at Madrid in 1642, after which it lay forgotten for nearly two centuries.

Purpose and structure

A didactic, moralistic purpose, which would color so much of the Spanish literature to follow (see Novela picaresca), is the mark of this book. Count Lucanor engages in conversation with his advisor Patronio, putting to him a problem ("Some man has made me a proposition..." or "I fear that such and such person intends to...") and asking for advice. Patronio responds always with the greatest humility, claiming not to wish to offer advice to so illustrious a person as the Count, but offering to tell him a story of which the Count's problem reminds him. (Thus, the stories are "examples" [ejemplos] of wise action.) At the end he advises the Count to do as the protagonist of his story did.

Each chapter ends in more or less the same way, with slight variations on: "And this pleased the Count greatly and he did just so, and found it well. And Don Johán (Juan) saw that this example was very good, and had it written in this book, and composed the following verses." A rhymed couplet closes, giving the moral of the story.

Origin of stories and influence on later literature
Many of the stories written in the book are the first examples written in a modern European language of various stories, which many other writers would use in the proceeding centuries. Many of the stories he included were themselves derived from other stories, coming from western and Arab sources.

Shakespeare's The Taming of the Shrew has the basic elements of Tale 35, "What Happened to a Young Man Who Married a Strong and Ill-tempered Woman".

Tale 32, "What Happened to the King and the Tricksters Who Made Cloth" tells the story that Hans Christian Andersen made popular as The Emperor's New Clothes.

Story 7, "What Happened to a Woman Named Truhana", a version of Aesop's The Milkmaid and Her Pail, was claimed by Max Müller to originate in the Hindu cycle Panchatantra.

Tale 2, "What happened to a good Man and his Son, leading a beast to market," is the familiar fable The miller, his son and the donkey.

In 2016, Baroque Decay released a game under the name "The Count Lucanor". As well as some protagonists' names, certain events from the books inspired past events in the game.

The stories

The book opens with a prologue which introduces the characters of the Count and Patronio. The titles in the following list are those given in Keller and Keating's 1977 translation into English. James York's 1868 translation into English gives a significantly different ordering of the stories and omits the fifty-first.

 What Happened to a King and His Favorite 
 What Happened to a Good Man and His Son 
 How  King Richard of England Leapt into the Sea against the Moors
 What a Genoese Said to His Soul When He Was about to Die 
 What Happened to a Fox and a Crow Who Had a Piece of Cheese in His Beak
 How the Swallow Warned the Other Birds When She Saw Flax Being Sown 
 What Happened to a Woman Named Truhana 
 What Happened to a Man Whose Liver Had to Be Washed 
 What Happened to Two Horses Which Were Thrown to the Lion 
 What Happened to a Man Who on Account of Poverty and Lack of Other Food Was Eating Bitter Lentils 
 What Happened to a Dean of  Santiago de Compostela and Don Yllán, the Grand Master of Toledo
 What Happened to the Fox and the Rooster 
 What Happened to a Man Who Was Hunting Partridges 
 The Miracle of Saint Dominick When He Preached against the Usurer 
 What Happened to Lorenzo Suárez at the Siege of Seville 
 The Reply that count Fernán González Gave to His Relative Núño Laynes 
 What Happened to a Very Hungry Man Who Was Half-heartedly Invited to Dinner 
 What Happened to Pero Meléndez de Valdés When He Broke His Leg 
 What Happened to the Crows and the Owls 
 What Happened to a King for Whom a Man Promised to Perform Alchemy 
 What Happened to a Young King and a Philosopher to Whom his Father Commended Him 
 What Happened to the Lion and the Bull 
 How the Ants Provide for Themselves 
 What Happened to the King Who Wanted to Test His Three Sons 
 What Happened to the Count of Provence and How He Was Freed from Prison by the Advice of Saladin
 What Happened to the Tree of Lies 
 What Happened to an Emperor and to  Don Alvarfáñez Minaya and Their Wives 
 What Happened in Granada to Don Lorenzo Suárez Gallinato When He Beheaded the Renegade Chaplain 
 What Happened to a Fox Who Lay down in the Street to Play Dead 
 What Happened to King Abenabet of  Seville and Ramayquía His Wife 
 How a Cardinal Judged between the Canons of Paris and the Friars Minor 
 What Happened to the King and the Tricksters Who Made Cloth 
 What Happened to Don Juan Manuel's Saker Falcon and an Eagle and a Heron 
 What Happened to a Blind Man Who Was Leading Another 
 What Happened to a Young Man Who Married a Strong and Ill-tempered Woman
 What Happened to a Merchant When He Found His Son and His Wife Sleeping Together 
 What Happened to Count Fernán González with His Men after He Had Won the Battle of Hacinas 
 What Happened to a Man Who Was Loaded down with Precious Stones and Drowned in the River 
 What Happened to a Man and a Swallow and a Sparrow 
 Why the Seneschal of Carcassonne Lost His Soul 
 What Happened to a King of Córdova Named Al-Haquem 
 What Happened to a Woman of Sham Piety 
 What Happened to Good and Evil and the Wise Man and the Madman 
 What Happened to Don Pero Núñez the Loyal, to Don Ruy González de Zavallos, and to Don Gutier Roiz de Blaguiello with Don Rodrigo the Generous 
 What Happened to a Man Who Became the Devil's Friend and Vassal 
 What Happened to a Philosopher who by Accident Went down a Street Where Prostitutes Lived 
 What Befell a Moor and His Sister Who Pretended That She Was Timid 
 What Happened to a Man Who Tested His Friends 
 What Happened to the Man Whom They Cast out Naked on an Island When They Took away from Him the Kingdom He Ruled 
 What Happened to Saladin and a Lady, the Wife of a Knight Who Was His Vassal 
 What Happened to a Christian King Who Was Very Powerful and Haughty

References

Notes

Bibliography

 Sturm, Harlan

 Wacks, David

External links

The Internet Archive provides free access to the 1868 translation by James York.
JSTOR has the to the 1977 translation by Keller and Keating.
Selections in English and Spanish (pedagogical edition) with introduction, notes, and bibliography in Open Iberia/América (open access teaching anthology)

14th-century books
Spanish literature
1335 books "What Happened to Us" is a song by Australian recording artist Jessica Mauboy, featuring English recording artist Jay Sean. It was written by Sean, Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim and Israel Cruz. "What Happened to Us" was leaked online in October 2010, and was released on 10 March 2011, as the third single from Mauboy's second studio album, Get 'Em Girls (2010). The song received positive reviews from critics.

A remix of "What Happened to Us" made by production team OFM, was released on 11 April 2011. A different version of the song which features Stan Walker, was released on 29 May 2011. "What Happened to Us" charted on the ARIA Singles Chart at number 14 and was certified platinum by the Australian Recording Industry Association (ARIA). An accompanying music video was directed by Mark Alston, and reminisces on a former relationship between Mauboy and Sean.

Production and release

"What Happened to Us" was written by Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim, Israel Cruz and Jay Sean. It was produced by Skaller, Cruz, Rohaim and Bobby Bass. The song uses C, D, and B minor chords in the chorus. "What Happened to Us" was sent to contemporary hit radio in Australia on 14 February 2011. The cover art for the song was revealed on 22 February on Mauboy's official Facebook page. A CD release was available for purchase via her official website on 10 March, for one week only. It was released digitally the following day.

Reception
Majhid Heath from ABC Online Indigenous called the song a "Jordin Sparks-esque duet", and wrote that it "has a nice innocence to it that rings true to the experience of losing a first love." Chris Urankar from Nine to Five wrote that it as a "mid-tempo duet ballad" which signifies Mauboy's strength as a global player. On 21 March 2011, "What Happened to Us" debuted at number 30 on the ARIA Singles Chart, and peaked at number 14 the following week. The song was certified platinum by the Australian Recording Industry Association (ARIA), for selling 70,000 copies. "What Happened to Us" spent a total of ten weeks in the ARIA top fifty.

Music video

Background
The music video for the song was shot in the Elizabeth Bay House in Sydney on 26 November 2010. The video was shot during Sean's visit to Australia for the Summerbeatz tour. During an interview with The Daily Telegraph while on the set of the video, Sean said "the song is sick! ... Jessica's voice is amazing and we're shooting [the video] in this ridiculously beautiful mansion overlooking the harbour." The video was directed by Mark Alston, who had previously directed the video for Mauboy's single "Let Me Be Me" (2009). It premiered on YouTube on 10 February 2011.

Synopsis and reception
The video begins showing Mauboy who appears to be sitting on a yellow antique couch in a mansion, wearing a purple dress. As the video progresses, scenes of memories are displayed of Mauboy and her love interest, played by Sean, spending time there previously. It then cuts to the scenes where Sean appears in the main entrance room of the mansion. The final scene shows Mauboy outdoors in a gold dress, surrounded by green grass and trees. She is later joined by Sean who appears in a black suit and a white shirt, and together they sing the chorus of the song to each other. David Lim of Feed Limmy wrote that the video is "easily the best thing our R&B princess has committed to film – ever" and praised the "mansion and wondrous interior décor". He also commended Mauboy for choosing Australian talent to direct the video instead of American directors, which she had used for her previous two music videos. Since its release, the video has received over two million views on Vevo.

Live performances
Mauboy performed "What Happened to Us" live for the first time during her YouTube Live Sessions program on 4 December 2010. She also appeared on Adam Hills in Gordon Street Tonight on 23 February 2011 for an interview and later performed the song. On 15 March 2011, Mauboy performed "What Happened to Us" on Sunrise. She also performed the song with Stan Walker during the Australian leg of Chris Brown's F.A.M.E. Tour in April 2011. Mauboy and Walker later performed "What Happened to Us" on Dancing with the Stars Australia on 29 May 2011. From November 2013 to February 2014, "What Happened to Us" was part of the set list of the To the End of the Earth Tour, Mauboy's second headlining tour of Australia, with Nathaniel Willemse singing Sean's part.

Track listing

Digital download
 "What Happened to Us" featuring Jay Sean – 3:19
 "What Happened to Us" featuring Jay Sean (Sgt Slick Remix) – 6:33
 "What Happened to Us" featuring Jay Sean (Just Witness Remix) – 3:45

CD single
 "What Happened to Us" featuring Jay Sean (Album Version) – 3:19
 "What Happened to Us" featuring Jay Sean (Sgt Slick Remix) – 6:33
 "What Happened to Us" featuring Jay Sean (OFM Remix) – 3:39

Digital download – Remix
 "What Happened to Us" featuring Jay Sean (OFM Remix) – 3:38

Digital download
 "What Happened to Us" featuring Stan Walker – 3:20

Personnel
Songwriting – Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim, Israel Cruz, Jay Sean
Production – Jeremy Skaller, Bobby Bass
Additional production – Israel Cruz, Khaled Rohaim
Lead vocals – Jessica Mauboy, Jay Sean
Mixing – Phil Tan
Additional mixing – Damien Lewis
Mastering – Tom Coyne 
Source:

Charts

Weekly chart

Year-end chart

Certification

Radio dates and release history

References

2010 songs
2011 singles
Jessica Mauboy songs
Jay Sean songs
Songs written by Billy Steinberg
Songs written by Jay Sean
Songs written by Josh Alexander
Songs written by Israel Cruz
Vocal duets
Sony Music Australia singles
Songs written by Khaled Rohaim