Love (band) 1966-68 what kind of music did they play? rock Are there any other interesting aspects about this article? Rolling Stone magazine's list of The 500 Greatest Albums of All Time, being inducted into the Grammy Hall of Fame and being added to the National Recording Registry. what happened after this? I don't know. did anything bad happen in these years? the band was falling apart as the result of various substance abuse problems and tension between Arthur Lee and Bryan MacLean, did they break up? The band recorded the album in only 64 hours, though many professional session players were utilized, including some who replaced the actual band members in some songs. who were some of these players? Arthur Lee and Bryan MacLean,
did they do anything else?
Did Arthur Lee and Bryan MacLean do anything else besides participating in the recording of the band Love's album?
Signed to the Elektra Records label as their first rock act, the band scored a minor hit single in 1966 with their version of Burt Bacharach and Hal David's "My Little Red Book". Their first album, Love, was released in March 1966. The album sold moderately well and reached No. 57 on the Billboard 200 chart.  In August 1966 the single written by Arthur Lee "7 and 7 Is", notable for the exceptional guitar work of Johnny Echols and proto-punk styled drumming by Pfisterer, became their highest-charting single at No. 33 in the Billboard Hot 100. Two more members were added around this time, Tjay Cantrelli (real name John Barbieri) on woodwinds and Michael Stuart on drums. Pfisterer, never a confident drummer, switched to harpsichord.  Their musical reputation largely rests on the next two albums, Da Capo and Forever Changes. Da Capo, released in November 1966, included "7 and 7 Is" as well as the subsequent singles "She Comes in Colors" and "!Que Vida!" and MacLean's "Orange Skies". Cantrelli and Pfisterer soon left the band, leaving it as a five-piece once again.  Forever Changes, released in November 1967 and recorded and co-produced by Bruce Botnick  is a suite of songs using acoustic guitars, strings, and horns that was recorded while the band was falling apart as the result of various substance abuse problems and tension between Arthur Lee and Bryan MacLean, who wanted more of his songs on the album. The band recorded the album in only 64 hours, though many professional session players were utilized, including some who replaced the actual band members in some songs. Writer Richard Meltzer, in his book The Aesthetics of Rock, commented on Love's "orchestral moves", "post-doper word contraction cuteness", and Lee's vocal style that serves as a "reaffirmation of Johnny Mathis". Forever Changes included one hit single, Bryan MacLean's "Alone Again Or", while "You Set the Scene" received airplay from some progressive rock radio stations. By this stage, Love were far more popular in the UK, where the album reached No. 24, than in their home country, where it could only reach No. 154. More recently the album has received recognition as one of the greatest rock albums of all time, appearing on Rolling Stone magazine's list of The 500 Greatest Albums of All Time, being inducted into the Grammy Hall of Fame and being added to the National Recording Registry. CANNOTANSWER
Love were far more popular in the UK, where the album reached No. 24, than in their home country, where it could only reach No. 154.
Love is an American rock band formed in Los Angeles in 1965. Led by Arthur Lee, Love was one of the first racially diverse American rock bands. Their style, sometimes characterized as garage rock, folk rock, and  psychedelic, drew from an eclectic range of sources including, blues, jazz, flamenco, and orchestral pop. In recent years, they have toured under the title of The Love Band or Love Revisited, with guitarist Johnny Echols as the only original member.

While finding only modest success on the music charts, peaking in 1966 with their Top 40 hit "7 and 7 Is", Love would come to be praised by critics as their third album, Forever Changes (1967), became generally regarded as one of the best albums of the 1960s. It was added to the Library of Congress's National Recording Registry in 2011.

History

Formation and early years
Singer/multi-instrumentalist Arthur Lee, who was originally from Memphis, Tennessee but had lived in Los Angeles since the age of five, had been recording since 1963 with his bands the LAG's and Lee's American Four. He wrote and produced the single "My Diary" for Rosa Lee Brooks in 1964, which featured Jimi Hendrix on guitar. The Sons Of Adam, which included future Love drummer Michael Stuart, recorded the Lee composition "Feathered Fish". After attending a performance by the Byrds, Lee decided to form a band that joined the newly minted folk-rock sound of the Byrds to his primarily rhythm and blues style.

Singer/guitarist Bryan MacLean, who had met Lee when he was working as a roadie for The Byrds, joined Lee's new band, which was first called the Grass Roots. MacLean had also been playing in bands around Los Angeles since about 1963. Also joining the band was another Memphis native, lead guitarist Johnny Echols, and drummer Don Conka. A short time later, Conka was replaced by Alban "Snoopy" Pfisterer. Love's first bassist, Johnny Fleckenstein, went on to join the Standells in 1967. Fleckenstein was replaced by Ken Forssi (formerly of a post-"Wipe Out" lineup of The Surfaris). Upon the appearance of another group called The Grass Roots, Lee changed the name of the new band to Love.

Love started playing the Los Angeles clubs in April 1965 and became a popular local attraction, while gaining the attention of the Rolling Stones and the Yardbirds. The band lived communally in a house called "the Castle". It was a dilapidated mansion that the band was allowed to live in if they did the maintenance and paid the taxes.  According to John Einerson in the book "Forever Changes", the cover photo of their first two albums was of the band taken in Laurel Canyon at a burned down house that only had the remains of a fireplace left standing.

Signed to Elektra Records as the label's first rock act, the band scored a minor hit single in 1966 with their version of Burt Bacharach and Hal David's "My Little Red Book". Their first album, Love, was released in March 1966. The album sold moderately well and reached No. 57 on the Billboard 200 chart. The single "7 and 7 Is", released in July 1966, gained notice for the exceptional guitar work of Johnny Echols and proto-punk style drumming of Pfisterer. The single became Love's highest-charting single at No. 33 in the Billboard Hot 100. Two more members were added around this time, Tjay Cantrelli (real name John Barbieri) on woodwinds and Michael Stuart on drums. Pfisterer, never a confident drummer, switched to harpsichord.  Elektra's art director, William S. Harvey, designed a distinctive logo for the band, "four cartoonish letters with exaggerated, curvaceous serifs", incorporating male and female symbols.

Forever Changes era 

Love's second album, Da Capo, was released in November 1966 and included "7 and 7 Is" as well as the subsequent singles "She Comes in Colors" and "¡Que Vida!". It marked the experimental direction Arthur wanted to take. With the seven member lineup for DaCapo, shortly after this album,  Cantrelli and Pfisterer left the band, leaving it as a five-piece once again. Their third album Forever Changes was released in November 1967 and was co-produced by Bruce Botnick. The album displayed a softer and more avant-garde approach for the band. By this time, tension arose between Arthur Lee and Bryan MacLean, who wanted more of his songs on the album. The band recorded the album in only 64 hours, though many professional session players were utilized, including some who replaced the actual band members in some songs. Writer Richard Meltzer, in his book The Aesthetics of Rock, commented on Love's "orchestral moves", "post-doper word contraction cuteness", and Lee's vocal style that serves as a "reaffirmation of Johnny Mathis". Forever Changes had one single, MacLean's "Alone Again Or", which reached number 123 on the pop charts. By this stage, Love were far more popular in the UK, where the album reached No. 24, than in their home country, where it could only reach No. 154. Forever Changes has since received recognition as one of the greatest rock albums of all time, appearing on Rolling Stone magazine's list of The 500 Greatest Albums of All Time, being inducted into the Grammy Hall of Fame, and added to the Library of Congress's National Recording Registry in 2011.

Later years 
For unclear reasons, Bryan MacLean left the band after Forever Changes (though one possible issue was a solo deal that he had signed with Elektra), while Lee dismissed all the other members. MacLean later reemerged as a Contemporary Christian artist. Johnny Echols and Ken Forssi succumbed to drug addiction and crime, and disappeared from the music scene; and drummer Michael Stuart also retired from music. Echols eventually moved to New York and became an in-demand studio musician.

Arthur Lee, as the only remaining member, convened a new lineup of Love with Jay Donnellan (soon replaced by Gary Rowles) on guitar, Frank Fayad on bass, and George Suranovich on drums. This lineup played in a blues rock style, as opposed to the folk-rock and psychedelic styles of the band's previous incarnation. The new line-up never garnered the widespread acceptance or acclaim of the original group. Three albums were released by various permutations of this lineup: Four Sail (1969), Out Here (1969), and False Start (1970). The last featured a guest appearance by Jimi Hendrix. Another album by this incarnation of the band was recorded in 1971, but the material was not released until 2009 on the compilation album Love Lost. Arthur Lee released the solo album Vindicator in 1972. Another lost Love album titled Black Beauty was recorded in 1973 by a new lineup featuring guitarist Melvan Whittington, bassist Robert Rozelle, and drummer Joe Blocker, but Arthur Lee's record label went out of business before it was released. The album was finally released by High Moon Records in 2012. The final official Love album, Reel to Real (1974), was recorded by Lee and session musicians.

Throughout the 1970s and 1980s, there were various attempts to reunite the original Love lineup. At the suggestion of late-period guitarist John Sterling, Arthur Lee and Bryan MacLean reunited for one show in 1978, which was recorded and released as Love Live in 1980. Material from Out Here plus four previously unreleased live tracks was released as Studio/Live in 1982. Arthur Lee was largely inactive in the 1980s and only made sporadic onstage appearances with pick-up bands.

Lee reemerged in 1992 with a new album titled Five String Serenade, released under the name Arthur Lee & Love. The album's title track was later covered by Mazzy Star. Lee then returned to semi-regular performing, often backed by the band Baby Lemonade. In 1995, Rhino Records released the compilation Love Story, a two-disc set with extensive liner notes which chronicled the band's 1966–1972 period.

Ken Forssi, bassist for the classic Love lineup, died of a suspected brain tumor at age 54 on January 5, 1998. Bryan MacLean died of a heart attack at age 52 on December 25, 1998 while having dinner with a young fan who was researching a book about Love. Arthur Lee was in prison when both of these former bandmates died.

Reformation and reunions
After spending six years in prison from 1995 to 2001 for firearms offenses, Lee began touring under the name Love with Arthur Lee, with the members of Baby Lemonade rounding out the lineup. In 2002 Michael Stuart (now known as Michael Stuart-Ware), the drummer on the Love albums Da Capo and Forever Changes, wrote the acclaimed book Behind the Scenes on the Pegasus Carousel with the Legendary Rock Group Love.

Johnny Echols joined Lee's latest group for a special Forever Changes 35th Anniversary performance in the spring of 2003 and again for tours in 2004 and 2005. Due to Arthur Lee's battle with acute myeloid leukemia, the details of which were not known by the band at the time, he could not participate in the final tour in 2005. Since no one knew of his illness, Lee's decision to forgo the final tour was met with confused reactions. The remaining members of the band, led by Echols, continued to perform without Lee, under the name The Love Band.

Michael Stuart-Ware and Johnny Echols performed with Baby Lemonade at Hollywood's Whisky A Go-Go on June 28, 2006 in a benefit concert for Arthur Lee. The show included guest appearances by Robert Plant and Nils Lofgren. Lee died of acute myeloid leukemia on August 3, 2006 at age 61.

In 2009, a reformed version of Love, featuring Johnny Echols, members of Baby Lemonade, and Probyn Gregory of the Wondermints, toured the United States and Canada. Michael Stuart-Ware was listed as a member of this act for a time in 2009. The group continued to tour sporadically in the following years under the name The Love Band featuring Johnny Echols. This group completed a 'farewell tour' of the UK in 2019, but continues to perform in the U.S. as LOVE-Revisited.  In November 2021, they announced that they would again tour in the UK in 2022, and at some shows would play the whole of their first two albums, Love and Da Capo, in their entirety, as well as Forever Changes.

Influence
Today, Love's critical reputation exceeds the limited success they experienced during their time; their 1967 album Forever Changes is held in particularly high regard and often appears on lists of the best rock albums of all time. During their late-1960s heyday, the Rolling Stones and the Doors were known to be Love fans. Many bands of the 1990s that were influenced by psychedelic rock list Love as a major inspiration, such as Primal Scream, The Stone Roses, and The Jesus and Mary Chain. Robert Plant cites Forever Changes as one of his favorite albums.

Members

Current members
classic lineup members are in bold 

 Johnny Echols – lead guitar (1965–68, 2002–Present)
 Rusty Squeezebox – guitar, vocals (1994–Present)
 Mike Randle – guitar (1994–Present)
 David "Daddy O" Green – drums (1994–Present)
James Nolte – bass guitar (2021)
 David Chapple – bass guitar (1996–Present)

Former members
classic lineup members are in bold 

 Arthur Lee – songwriter, vocals, guitar, piano, percussion, harmonica (1965–75, 1978, 1982, 1992–2006; died 2006)
 Bryan MacLean – songwriter, rhythm guitar, vocals (1965–68, 1978; died 1998)
 Alban "Snoopy" Pfisterer – drums, organ, harpsichord (1965–67)
 Larry Pincock – drums (1965–1966; died 2012) 
 Johnny "Fleck" Fleckenstein – bass guitar (1965–1966, died 2017)
 Don Conka – drums (1965; died 2004)
 Ken Forssi – bass guitar (1966–68; died 1998)
 Michael Stuart-Ware – drums (1966–68, special guest from 2006, 2009)
 Tjay Cantrelli (born John Barberis) – woodwind (1966–67; died 1985)
 Frank Fayad – bass guitar, backing vocal (1968–73, 1982; died 2014)
 George Suranovich – drums, backing vocal (1968–70, 1978, 1982; died 1990)
 Jay Donnellan – lead guitar (1968–69, 1982)
 Drachen Theaker – drums (1968–69; died 1992)
 Gary Rowles – lead guitar (1969–71, 1982)
 Nooney Rickett – guitars (1969–71)
 Paul Martin – guitars (1969)
 Don Poncher – drums (1971–1973)
 Craig Tarwater – guitar (1971–1973)
 Melvan Whittington – guitar (1973–1975; died 2015)
 Robert Rozelle – bass (1973–1975; died 2011)
 Joe Blocker – drums (1973–1975)
 Probyn Gregory – multiple instruments (2009)                        
 Justin Polimeni – drums (1992-1993)
 Bobby Beausoleil - guitar (1965, as The Grass Roots)

Timeline

Discography

Love (1966)
Da Capo (1966)
Forever Changes (1967)
Four Sail (1969)
Out Here (1969)
False Start (1970)
Reel to Real (1974)
Love Lost (2009, compilation)
Black Beauty (2012, compilation)

References

External links
Official site of Arthur Lee
Fan Love site by Torben Skott
Complete Love discography – With track listings, personnel and lyrics.
The Boston Phoenix July 2008

Acid rock music groups
Elektra Records artists
Folk rock groups from California
Harvest Records artists
Blue Thumb Records artists
Musical groups established in 1965
Musical groups disestablished in 1996
Musical groups reestablished in 2002
Musical groups disestablished in 2005
Musical groups reestablished in 2009
Musical groups from Los Angeles
Psychedelic pop music groups
Psychedelic rock music groups from California
RSO Records artists
Freak scene
Freak artists
"If You Can Do Anything Else" is a song written by Billy Livsey and Don Schlitz, and recorded by American country music artist George Strait.  It was released in February 2001 as the third and final single from his self-titled album.  The song reached number 5 on the U.S. Billboard Hot Country Singles & Tracks chart in July 2001. It also peaked at number 51 on the U.S. Billboard Hot 100.

Content
The song is about man who is giving his woman the option to leave him. He gives her many different options for all the things she can do. At the end he gives her the option to stay with him if she really can’t find anything else to do. He says he will be alright if she leaves, but really it seems he wants her to stay.

Chart performance
"If You Can Do Anything Else" debuted at number 60 on the U.S. Billboard Hot Country Singles & Tracks for the week of March 3, 2001.

Year-end charts

References

2001 singles
2000 songs
George Strait songs
Songs written by Billy Livsey
Songs written by Don Schlitz
Song recordings produced by Tony Brown (record producer)
MCA Nashville Records singles Ward v. Tesco Stores Ltd. [1976] 1 WLR 810, is an English tort law case concerning the doctrine of res ipsa loquitur ("the thing speaks for itself"). It deals with the law of negligence and it set an important precedent in so called "trip and slip" cases which are a common occurrence.

Facts
The plaintiff slipped on some pink yoghurt in a Tesco store in Smithdown Road, Liverpool. It was not clear whether or not Tesco staff were to blame for the spillage. It could have been another customer, or the wind, or anything else. Spillages happened roughly 10 times a week and staff had standing orders to clean anything up straight away. As Lawton LJ observed in his judgment,

The trial judge had held in Mrs Ward's favour and she was awarded £137.50 in damages. Tesco appealed.

Judgment
It was held by a majority (Lawton LJ and Megaw LJ) that even though it could not be said exactly what happened, the pink yoghurt being spilled spoke for itself as to who was to blame. Tesco was required to pay compensation. The plaintiff did not need to prove how long the spill had been there, because the burden of proof was on Tesco. Lawton LJ's judgment explained the previous case law, starting with Richards v. WF White & Co. [1957] 1 Lloyd's Rep.

Dissent
Omrod LJ disagreed with Lawton LJ and Megaw LJ on the basis that Tesco did not seem to have been able to do anything to have prevented the accident. He argued that they did not fail to take reasonable care, and in his words, the accident "could clearly have happened no matter what degree of care these defendants had taken."

Notes

English tort case law
English occupier case law
Court of Appeal (England and Wales) cases
1976 in case law
1976 in British law
Tesco