Patti LuPone Stance on distractions from audience members How did Patti feel about distractions from the audience? LuPone grabbed an audience member's cellphone Did she get in trouble for doing so? It was returned after the show. LuPone stated: Did she do any other things to audience members? loudly demanded that the interloper be removed from the theatre. Was the person removed? he was removed, Was there another incident? I don't know. What else is interesting about the article? LuPone opposes recording, photographs, and other electronic distractions in live theatre.
What live productions did she star in?
What live productions did Patti LuPone star in?
LuPone opposes recording, photographs, and other electronic distractions in live theatre. "Where's the elegance?" she asked in a blog post on her official site. "I mean, I'm glad they show up because God knows it's a dying art form and I guess I'm glad they're all comfortable, sleeping, eating and drinking, things they should be doing at home and in a restaurant. But it's just not done in the theater or shouldn't be." LuPone has been the subject of some controversy due to the bluntness of her statements regarding this matter.  A related incident occurred at the second to last performance of Gypsy on January 10, 2009. LuPone, irritated by flash photography, stopped in the middle of "Rose's Turn" and loudly demanded that the interloper be removed from the theatre. After he was removed, LuPone restarted her number. The audience applauded her stance. The event was recorded by another audience member, who released it on YouTube. She later stated that such distractions drive "people in the audience nuts. They can't concentrate on the stage if, in their peripheral vision, they're seeing texting, they're seeing cameras, they're listening to phone calls. How can we do our job if the audience is distracted?", and also mentioned that "the interesting thing is I'm not the first one that's done it".  On July 8, 2015, during the second act of Shows for Days at the Lincoln Center Theater, LuPone grabbed an audience member's cellphone while leaving the stage as the audience member had been using their phone during the play. It was returned after the show. LuPone stated:  We work hard on stage to create a world that is being totally destroyed by a few, rude, self-absorbed and inconsiderate audience members who are controlled by their phones. They cannot put them down. When a phone goes off or when a LED screen can be seen in the dark it ruins the experience for everyone else - the majority of the audience at that performance and the actors on stage. I am so defeated by this issue that I seriously question whether I want to work on stage anymore. Now I'm putting battle gear on over my costume to marshal the audience as well as perform. CANNOTANSWER
Gypsy
Patti Ann LuPone (born April 21, 1949) is an American actress and singer best known for her work in stage musicals. She has won two Tony Awards, two Olivier Awards, two Grammy Awards, and was a 2006 inductee to the American Theater Hall of Fame.

LuPone began her professional career with The Acting Company in 1972 and made her Broadway debut in Three Sisters in 1973. She received the first of seven Tony Award nominations for the 1975 musical The Robber Bridegroom. She won the Tony Award for Best Actress in a Musical for her role as Eva Perón in the 1979 original Broadway production of Andrew Lloyd Webber's Evita. She played Fantine in the original London cast of Les Misérables and Moll in The Cradle Will Rock, winning the 1985 Olivier Award for Best Actress in a Musical for her work in both. She won a second Tony Award for her role as Rose in the 2008 Broadway revival of Gypsy and a second Olivier Award in 2019, winning Best Supporting Actress in a Musical for her role as Joanne in the West End revival of Stephen Sondheim's Company. She has two Grammy Awards for the recording of the 2007 Los Angeles Opera production of Rise and Fall of the City of Mahagonny.

Other stage musical performances include her Tony-nominated role as Reno Sweeney in the 1987 Broadway revival of Anything Goes, her Olivier-nominated role as Norma Desmond in the 1993 original production of Sunset Boulevard in London, her Tony-nominated role as Mrs. Lovett in the new 2005 Broadway production of Sweeney Todd: The Demon Barber of Fleet Street, her Tony-nominated role as Lucia in the 2010 original Broadway production of Women on the Verge of a Nervous Breakdown, and her Tony-nominated role as Helena Rubenstein in the 2017 original Broadway production of War Paint. She is currently starring in the Broadway transfer of the successful West End revival of Company alongside Katrina Lenk.

On television, she starred in the drama series Life Goes On (1989–1993) and received Emmy Award nominations for the TV movie The Song Spinner (1995) and her guest role in the sitcom Frasier (1998). She also had appeared in three Ryan Murphy series, American Horror Story: Coven (2013–2014), and Pose (2019) both  on FX, and Hollywood (2020) on Netflix. She guest starred in Penny Dreadful (2014–2016) before returning in a lead role. She voices the character Yellow Diamond in the animated series Steven Universe (2013–2019) and Steven Universe Future (2019–2020). She also appeared on The CW comedy Crazy Ex-Girlfriend as Rabbi Shari (2017). Her film appearances include Steven Spielberg's 1941 (1979), Spike Lee's Summer of Sam (1999), Peter Weir's Witness (1985), as well as Driving Miss Daisy (1989), State and Main (2000), and The Comedian (2016).

Early life and training
LuPone was born on April 21, 1949, in Northport, New York, on Long Island, the daughter of Angela Louise (née Patti), a library administrator at the C.W. Post Campus of Long Island University, and Orlando Joseph LuPone, a school administrator and English teacher at Walt Whitman High School in Huntington, Long Island. Her great-great aunt was 19th-century opera singer Adelina Patti. Her older brother Robert LuPone is a Tony-nominated actor, dancer, and director who originated the role of Zach, the director, in A Chorus Line. LuPone is Italian-American and Roman Catholic.

LuPone was part of the first graduating class of Juilliard's Drama Division (1968–1972: Group 1), which also included actors Kevin Kline and David Ogden Stiers. She graduated from Juilliard in 1972 with a Bachelor of Fine Arts degree. LuPone has a mezzo-soprano vocal range, and she is famous for her strong/high "Broadway" belt singing voice. In a 2008 interview, she maintained that she was "an actor who sings", and thankful she "had a voice".

Career

Theatre

1970s: Early career 
In 1972, LuPone became one of the original members of The Acting Company, formed by John Houseman. The Acting Company is a nationally touring repertory theater company. LuPone's stint with the company lasted from 1972 to 1976, and she appeared in many of their productions, such as The Cradle Will Rock, The School for Scandal, Women Beware Women, The Beggar’s Opera, The Time of Your Life, The Lower Depths, The Hostage, Next Time I’ll Sing to You, Measure for Measure, Scapin, Edward II, The Orchestra, Love’s Labours Lost, Arms and the Man, and The Way of the World. She made her Broadway debut in the play The Three Sisters as Irina in 1973.  For her work in The Robber Bridegroom (1975) she received her first Tony Award nomination, for Best Featured Actress in a Musical. The Acting Company honored LuPone on March 12, 2012 in an event called "Patti's Turn" at the Kaye Playhouse.

In 1976, producer David Merrick hired LuPone as a replacement to play Genevieve, the title role of the troubled pre-Broadway production of The Baker's Wife. The production toured at length but Merrick deemed it unworthy of Broadway and it closed out of town.

Since 1977, LuPone has been a frequent collaborator with David Mamet, appearing in his plays The Woods, All Men Are Whores, The Blue Hour, The Water Engine (1978), Edmond and The Old Neighborhood (1997). The New York Times reviewer wrote of LuPone in The Old Neighborhood, "Those who know Ms. LuPone only as a musical comedy star will be stunned by the naturalistic fire she delivers here. As Jolly, a part inspired by Mr. Mamet's real-life sister and his realized female character, Ms. LuPone finds conflicting layers of past and present selves in practically every line. She emerges as both loving matriarch and wounded adolescent, sentimental and devastatingly clear-eyed."  In 1978, she appeared in the Broadway musical adaptation of Studs Terkel's Working, which ran for only 24 performances.

In 1979 LuPone starred in the original Broadway production of Evita, the musical based on the life of Eva Perón, composed by Andrew Lloyd Webber and Tim Rice, and directed by Harold Prince. Although LuPone was hailed by critics, she has since said that her time in Evita was not an enjoyable one. In a 2007 interview, she stated " 'Evita' was the worst experience of my life," she said. "I was screaming my way through a part that could only have been written by a man who hates women. And I had no support from the producers, who wanted a star performance onstage but treated me as an unknown backstage. It was like Beirut, and I fought like a banshee."  Despite the trouble, LuPone won her first Tony Award for Best Actress in a Musical. It was not until she had reprised the role in a production in Sydney when she had finally enjoyed the part and felt comfortable singing the score. LuPone and her co-star, Mandy Patinkin, remained close friends both on and off the stage.

1980s 
In May 1983, founding alumni of The Acting Company reunited for an off-Broadway revival of Marc Blitzstein's landmark labor musical The Cradle Will Rock at the American Place Theater. It was narrated by John Houseman with LuPone in the roles of Moll and Sister Mister. and Kent, Connecticut.

In February 2022, Lupone tested positive for COVID-19.

Acting credits

Theatre 
Sources: Playbill Vault; Internet Broadway Database; Internet Off-Broadway Database

Film
Sources: TCM; AllMovie

Television
Sources: TCM; AllMovie

Discography 
Selected recordings include:
 The Baker’s Wife (Original cast recording)
 Evita (Original Broadway cast recording)
 The Cradle Will Rock (The Acting Company recording)
 Les Misérables (Original London Cast recording)
 Anything Goes (New Broadway Cast Recording)
 Heat Wave (John Mauceri conducting the Hollywood Bowl Orchestra)
 Patti LuPone Live (Solo Album)
 Sunset Boulevard (World Premiere/Original London Cast Recording)
 Matters of the Heart (Solo Album)
 Sweeney Todd (New York Philharmonic recording)
 Sweeney Todd (2005 Broadway Cast recording)
 The Lady with the Torch (Solo Album)
 The Lady With the Torch...Still Burning (Solo Album)
 To Hell and Back (Philharmonia Baroque Orchestra World Premier recording)
 Gypsy (2008 Broadway Revival Cast Recording)
 Patti LuPone At Les Mouches (Live Solo Recording of 1980 club act)
 Women on the Verge of a Nervous Breakdown (Original Broadway Cast Recording)
 Far Away Places (Solo Album)
 Company (New York Philharmonic recording)
 War Paint (Original Broadway cast recording)
 Don't Monkey with Broadway (Solo Album)
 Company (Revival London cast recording)

Her live performance of "Don't Cry for Me Argentina" at the Grammy Awards was released on the 1994 album Grammy's Greatest Moments Volume IV.

In 2009 LuPone's 1985 recording of "I Dreamed a Dream" reached #45 on the UK Singles Chart It also reached the Billboard magazine Hot Digital Songs and Hot Singles Recurrents charts in the US.

LuPone recorded a duet with Seth MacFarlane (who was in character as Glenn Quagmire) on the 2005 album Family Guy: Live In Vegas.

A live concert special film, An Evening with Patti LuPone, was filmed in July 2012 and released in November 2012 on SethTv.com with 104 minutes of Patti LuPone songs and stories with host Seth Rudetsky.

A new CD of one of her shows, The Lady with the Torch, was released in 2006 on Sh-K-Boom Records. In December she released bonus tracks for that CD only available on iTunes and the Sh-K-Boom website.

Bibliography
LuPone wrote a memoir recounting her life and career from childhood to the present, which was released in September 2010. It was simply titled Patti LuPone: A Memoir, which was, according to LuPone, the winner of the competition she held to name the book.

Awards and nominations

References

External links

 
 
 Patti LuPone on IOBDB
 
 
 Patti LuPone Interview
 InnerVIEWS with Ernie Manouse: Patti LuPone (TV Interview)
 Patti LuPone – Downstage Center interview at American Theatre Wing.org
 University of the Arts Show Music Magazine Database
 Patti LuPone concert special on SethTV.com. Filmed July, 2012.
 Patti LuPone Papers at the Columbia University Rare Book and Manuscript Library, New York, NY

1949 births
Living people
American women singers
American film actresses
American musical theatre actresses
American television actresses
American mezzo-sopranos
American Roman Catholics
Drama Desk Award winners
Grammy Award winners
American people of Italian descent
Juilliard School alumni
People from Northport, New York
Laurence Olivier Award winners
Tony Award winners
20th-century American actresses
21st-century American actresses
Actresses from New York (state)
People from Edisto Island, South Carolina
Alien Voices was a project set up by John de Lancie and Leonard Nimoy which specialized in audiobooks of science fiction novels in the style of radio plays. The productions were distributed by Simon & Schuster Audio, but the project was shut down following pressure from the distributor for greater sales and the dissatisfaction of de Lancie and Nimoy at this direction. The productions featured a number of cast members from the various Star Trek series. Digital editions of the plays were released in 2012.

History

John de Lancie approached fellow Star Trek actor Leonard Nimoy with a proposal to record radio plays productions of classic science fiction novels. Nimoy later said that he had always had a love for radioplays since he was a child, and so he was quite enthusiastic. The pair proposed the project to the audio division of Simon & Schuster who agreed to back it.

Productions included Spock vs. Q, which was recorded in person at a Star Trek convention. A sequel was produced later in 2000. An attempt was made to turn the Alien Voices version of The First Men in the Moon into a live-action Disney production. However, de Lancie later explained that they wanted to modify the story itself such as adding a teenage girl to the cast and setting it in modern times, even suggesting that the story be relocated from the Moon to Mars. Specials were created for the Sci Fi Channel of The First Men in the Moon and The Lost World.

The radio plays featured a variety of Star Trek actors, including William Shatner as the Moon Emperor in The First Men in the Moon. Other Star Trek alumni who appeared in the productions included Armin Shimerman, Roxann Dawson and Andrew Robinson in the production of Journey to the Center of the Earth, and Kate Mulgrew, Nana Visitor and Ethan Phillips in The Invisible Man.

The Alien Voices project ran for four years until there was increased pressure from Simon & Schuster to sell more units. De Lancie later explained that he thought at the time, "Oh my God, what am I doing? I’m going around peddling audio books! This is not what I want to do." Sales had been around 25,000 for each book, but the cost of producing the plays had required sales to have been three or four times that to re-coup those costs. Whilst he enjoyed the creative aspect of Alien Voices, de Lancie said that he simply wasn't interested in the selling aspect. Nimoy said in an interview in 2003 that he and de Lancie had "done what we've set out to do" and that he did not expect there to be any further installments of the Spock vs. Q productions, saying that they "did that quite successfully, [and] had a wonderful time doing it". The productions were released in digital formats in 2012.

Productions
The First Men in the Moon
Journey To The Center Of The Earth
The Invisible Man
The Lost World
The Time Machine
Spock vs. Q (subtitled Armageddon Tonight) 
Spock vs. Q (subtitled Did I Say That?)

References

External links
Official website
 OTR Plot Spot: Alien Voices - plot summaries and reviews.

American radio dramas
Works based on Star Trek
Adaptations of works by H. G. Wells is a Japanese black metal band, formed in the early 1980s. On some releases, they showcase a more thrash and heavy metal influenced sound.

History 
Sabbat started in 1983 when a band called Evil consisting of bassist Gezol, guitarists Ozny and Elizaveat, drummer Valvin and vocalist Toshiya was formed. Except for Ozny they had been playing together since 1981 in high school bands like Aburamushi, Hot Rod and Black Beast. With the high school bands they played mostly cover versions of new wave of British heavy metal acts like Iron Maiden and Demon, but with Evil the aim was immediately set higher. The band started to write material of their own and the first gig was played in August 1983.

In early 1984, Toshiya left the band and Gezol started to take care of vocals as well. During the summer the foursome decided to make the band a number one priority in their lives and the name of the band changed to Sabbat. The foundation for their history was laid and during the autumn Sabbat delivered their hard, raw and fast metal spiced with Venom covers to the audiences in their hometown of Kuwana and the surrounding area.

In April 1985, Sabbat recorded two songs for their first single. The single was released by Gezol's own record label Evil Records and the pressing was 300 copies. In June, Sabbat went through the first line-up change as Gezol's brother Samm (aka Gero) replaced Valvin on drums.

In 1986, Sabbat were busy playing gigs throughout Japan which resulted in an appearance at Under The Castle festival on August 3 that was broadcast on television. Less than two weeks later they found themselves in a middle of a crisis. The second night of a two-night gig in Tokyo was played without Ozny who had engaged in an altercation (beating a man who had reportedly given him the finger) after the first night's show. Two weeks later Ozny played one more gig with Sabbat but after that it was mutually agreed that he was out of the band and Sabbat would continue as a trio.

In June 1987, Sabbat entered the studio again to record their second 7" record entitled Born by Evil Blood. Again the record was released by Evil Records and things looked bright until August came with yet another setback. Because of a death in the family circle Gezol and Samm decided to stop playing live. The farewell show was played in Nagoya on September 13 in front of only 43 people.

The decision not to play live was not the end of Sabbat. In October the band was in the studio again and in early 1988 Evil Records released The third 7" record entitled Desecration, and a year later The Devil's Sperm Is Cold.

With these 7" singles and EPs, Sabbat had started to gain popularity also outside Japan and in early 1989 Gezol wanted to return to the limelight. Unfortunately, Elizaveat was not quite as fond of the idea and Samm had already joined Sacrifice. Despite all this, Sabbat played a gig in May with one-night-only line-up: Gezol (bass guitar), Barraveat (guitar), Zorugelion (drums) and Possessed Hammer (vocals). Eventually Gezol succeeded to persuade Elizaveat to play live with Sabbat one more time and the official reunion gig was played October 10 with the following line-up: Gezol (bass guitar/vocals), Elizaveat (guitar) and Zorugelion (drums).

Zorugelion was now officially a member of the band replacing Samm permanently on drums. The agreement with Elizaveat was for one show only, so in order to keep on playing live Sabbat had to find a new guitar player.

Finding the right person to replace Elizaveat was far from easy and Sabbat did not play a single show in 1990 but the fifth 7" record on Evil Records was released. The Seven Deadly Sins EP consisted of three songs recorded with Samm still on drums. Although unwilling to play live, Elizaveat agreed to help Sabbat in the studio until a new guitar player was found. This made it possible for Sabbat to record a demo tape called Sabbatical Demon which is Zorugelion's first studio recording with the band and also Sabbat's only official demo.

Almost a year had passed since the reunion gig and there was still no sign of a suitable guitar player. In fact, the two shows played in 1989 were the only shows Sabbat had played during the last three years. Without a new guitarist there would not be any gigs and without any gigs the only sensible option was to go to the studio and this is what Sabbat did in October 1990. With Elizaveat doing the guitars the threesome started to record Sabbat's debut full length album Envenom. The recordings were almost finished when a man called Temis Osmond was discovered and it was soon clear he was the guitar player Sabbat had desperately been looking for.

Temis Osmond played a couple of solos on Envenom and although in the album credits he is mentioned only as a special guest he was a full member replacing Elizaveat when the CD came out in 1991 (on Evil Records). After a long struggle with line-up problems Sabbat were suddenly in a most desirable situation. A fresh debut album out and a new line-up: Gezol (bass/vocals), Temis Osmond (guitar/vocals) and Zorugelion (drums).

In September 1991, Sabbat flew to Europe to promote the band and make contacts. A gig was planned in Germany but this did not end up happening. There were also plans for an Austrian label, Lethal Records, to release Envenom in Europe but this as well did not end up taking place.

In early 1992, it was time to enter the studio again to record the second full length album with Temis Osmond doing all the guitars for the first time. Not only did Temis Osmond play all the guitars but he also shared lead vocals with Gezol. Zorugelion provided some vocals for the album as well. Evoke CD was released in the summer of 1992 by Evil Records.

In December 1992, Sabbat were in the studio again in order to record their third album and on top of this Japan's number one underground metal magazine F.E.T.U. released its 13th issue in January 1993 which was dedicated to Sabbat; 33 out of the 36 pages of the magazine were full of Sabbat interviews, pictures and detailed information. The third album Disembody was released by Evil Records in early 1993 but already in the autumn Sabbat were back in the studio again.

1994 was to be the 10th anniversary for the band so a special anniversary album consisting of re-recorded versions of old songs was recorded in autumn 1993. Before this album was released, however, in early 1994 Sabbat recorded the fourth album Fetishism and the CD was swiftly released by Evil Records. Right after Fetishism they released the first part of the anniversary album entitled Black Up Your Soul featuring Elizaveat as a special guest. The 10th anniversary celebrations were marked by a special live show that took place in Nagoya on June 6. During the show the band was joined by special guest stars Samm on drums and Ozny on guitar.

Additionally, a record was released outside Japan for the first time. In the autumn of 1994, Holycaust Records, from the United States, released an MCD entitled Sabbatical Devilucifer that consisted of old unreleased demo recordings. The following year Italian label Entropy Records re-released the debut album Envenom for the European market.

Members

Current members 
 Gezol - lead vocals, bass (1984-present)
 Zorugelion - drums, backing vocals (1990-present)
 Elizabigore - guitars, backing vocals (2016-present)

Former members 
 Temis Osmond - guitars, keyboards, backing vocals (1990-2005)
 Damiazell - guitars, backing vocals (2007-2015)
 Samm a.k.a. Gero - drums, backing vocals (1985-1990)
 Ozny - guitars, backing vocals (1984-1986)
 Valvin - drums, backing vocals (1984-1985)
 Elizaveat - guitars, backing vocals (1984-1991, 2015-2016)

Timeline

Discography

Studio albums 
 Envenom (Evil Records, Japan 1991)
 Evoke (Evil Records, Japan 1992)
 Disembody (Evil Records, Japan 1993)
 Fetishism (Evil Records, Japan 1994)
 The Dwelling (Evil Records, Japan 1996)
 Karisma ((Iron Pegasus Records, Germany 1999)
 Satanasword (Iron Pegasus Records, Germany 2000)
 Karmagmassacre (Iron Pegasus Records, Germany 2003)
 Sabbatrinity (Iron Pegasus Records, Germany 2011)

Live albums 
 Live at Blokula (Evil Records, Japan 1995)
 Live 666 - Japanese Harmageddon (Evil Records, Japan 1996)
 Live Curse (Heavy Metal Super Star Records, Japan 1999)
 Live Kindergarten (Heavy Metal Super Star Records, Japan 1999)
 Live Devil (Heavy Metal Super Star Records, Japan 2000)
 Live Panica (Heavy Metal Super Star Records, Japan 2000)
 Iberian Harmageddon (Hibernia Productions, Portugal 2000)
 Live Revenge (Heavy Metal Super Star Records, Japan 2000)
 Russian Harmageddon (Satanic Assault Productions, Brazil 2000)
 Live Meltdown (Heavy Metal Super Star Records, Japan 2001)
 Live Nuts (Heavy Metal Super Star Records, Japan 2001)
 Live Festa (Heavy Metal Super Star Records, Japan 2001)
 Dietsland Harmageddon (Berzerker Records, Holland 2001)
 Minami-Kyushu Harmageddon (Infernal Tharsh Records, Japan 2001)
 Live Torture (Heavy Metal Super Star Records, Japan 2001)
 Live Guanafight (Heavy Metal Super Star Records, Japan 2002)
 Live Lovefire (Heavy Metal Super Star Records, Japan 2002)
 Live Batan-Q (Heavy Metal Super Star Records, Japan 2002)
 Live Izumoden (Heavy Metal Super Star Records, Japan 2003)
 Gezonslaught (Ososo Records, Japan 2003)
 Valvinonslaught (Infernal Thrash Records, Japan 2003)
 Elizaveatonslaught (Heavy Metal Super Star Records, Japan 2003)
 Naniwa Tepoddonslaught (Evil Dead Records, Japan 2003)
 Live Hamagurism (Heavy Metal Super Star Records, Japan 2003)
 Hamaguri Resurrection (Assaulter Productions, United States 2004)
 Live Undertakers (Temis Osmond) (Heavy Metal Super Star Records, Japan 2004)
 Live Resurrection (Monster Nation / Iron Tyrant, Sweden / Italy 2004)
 Live Undertakers (Zorugelion) (Heavy Metal Super Star Records, Japan 2004)
 Live Sabbatical Hamaguri Queen (Nuclear War Now! Productions, United States 2005)
 Satanas Francisconslaught (Bay Area Sabbatical Maniacs Records, United States 2005)
 Brooklyn Blackfire (Heavy Metal Super Star, Japan 2005)
 Geionslaught 1986 (Time Before Time, Poland 2006)
 Tribute to Temis (Heavy Metal Super Star, Japan 2006)
 Sabbademonical Liveslaught (Stygian Shadows Productions, Hungary 2007)
 Go Gezol Go! (Heavy Metal Super Star, Japan 2007)
 Live in BKK (Heavy Metal Super Star, Japan 2007)
 Live in Singapore (Heavy Metal Super Star, Japan 2007)
 Hamaguri Hihoukan (Ososo Records, Japan 2007)
 Go Gezol Go! (Heavy Metal Super Star Records, Japan 2007)
 Ishidamien Infects Inferno (Heavy Metal Super Star Records, Japan 2007)
 Xenophobiac Xanthous Xenogenesis (Heavy Metal Super Star Records, Japan 2007)
 Hamaguri Hihoukan (Ososo Records, Japan 2007)
 Live in Singapore (Heavy Metal Super Star Records, Japan 2007)
 Live Resurrection (Iron Tyrant, Italy 2007)
 Live in San Francisconslaught (Assaulter Productions / Depths of Hell Records, USA 2008)
 Feel Finnish Fire (Heavy Metal Super Star Records, Japan 2008)
 Sabbatical Milanonslaught (Iron Tyrant, Italy 2008)
 Uda’s Ultimate Unison (Heavy Metal Super Star Records, Japan 2008)
 Psychedelic Pounding Pain (Heavy Metal Super Star Records, Japan 2008)

Singles / EPs 
 Sabbat (Evil Records, Japan 1985)
 Born by Evil Blood (Evil Records, Japan 1987)
 Desecration (Evil Records, Japan 1988)
 The Devil’s Sperm Is Cold (Evil Records, Japan 1989)
 The Seven Deadly Sins (Evil Records, Japan 1990)
 European Harmageddon (Merciless Records, Germany 1997)
 Scandinavian Harmageddon (Primitive Art Productions, Sweden 1997)
 East European Harmageddon (View Beyond Records, Czech Republic 1998)
 American Harmageddon (Holycaust Records, United States 1998)
 Asian Halmageddon (Evil Records, China 1998)
 African Harmageddon (Mganga Records, Tanzania 1998)
 Oceanic Harmageddon (Way of Life Records, Australia 1999)
 South American Harmageddon (Mega Therion Records / Sylphorium Records, Brasil / Colombia 1999)
 Sabbatical Demonslaught (View Beyond Records, Czech Republic 1999
 Baltic Harmageddon (Sadistic Sodomizer, Latvia 2000)
 French Harmageddon (End All Life Productions, France 2000)
 Brazilian Demonslaught (Live Recordings Attack, Brazil 2002)
 Demonslaught Sverige (Monster Nation, Sweden 2003)
 Naniwa Harmageddon (Ososo Records, Japan 2003)
 Zorugelionslaught (Infernal Thrash Records, Japan 2003)
 Temis Osmonslaught (Infernal Thrash Records, Japan 2004)
 Gezonslaught (Infernal Thrash Records, Japan 2004)
 Fetus Tribute (Holycaust Records, United States 2004)
 Sabbatical Rehearsalucifer (Time Before Time, Poland 2004)
 Icelandic & Greenlandic Demonslaught (View Beyond, Czech Republic 2006)
 Finnish Demonslaught (Metal Warning, Finland 2008)

Compilation albums 
 Black up Your Soul... (Evil Records, Japan 1994)
 Sabbatical Devilucifer (Holycaust Records, United States 1994)
 ...for Satan and Sacrifice (Evil Records, Japan 1995)
 Bloody Countess (Holycaust Records, United States 1996)
 Sabbatical Rites (Iron Pegasus Records, Germany 1999)
 VenoMetal (Sons of Satan, Brazil 2000)
 Live Wacko (Heavy Metal Super Star, Japan 2003)
 Brigitte Harmageddon (Brigittefan Records, Australia 2003)
 Sabbatical Satanachrist Slaughter - Bay Area Harmageddon (Nuclear War Now! Productions, United States 2003)
 Sabbat (Asian Hordes, Philippines 2004)
 Envenometal (Heavy Metal Super Star Records, Japan 2004)
 Sabbatical Holocaust (Time Before Time Records, Poland 2004)
 ...And the Sabbatical Queen (RIP Records, United States 2004)
 Mion’s Hill – 20th Anniversary Special Release 1984-2004 (Iron Pegasus Records, Germany 2004)
 ...To Praise the Sabbatical Queen (Iron Pegasus Records, Germany 2004)
 Sabbatical 25 Years Kamikaze Demonslaught (Deathbringer Records, Germany 2008)
 The Harmageddon Vinylucifer Singles (Iron Pegasus Records, Germany 2008)
 Polish Demonslaught (Hard Rocker Magazine, Poland 2008)

Split releases 
 Far East Gate in Inferno (Evil Records, Japan 1994)
 Headbangers Against Disco with Gehennah, Infernö and Bestial Warlust (Primitive Art Productions, Sweden 1997)
 Thrashing Holocaust (Necropolis Records, United States 1999)
 The Bulldozer Armageddon Volume 1 with Imperial (Warlord Records, Italy 2000)
 Sabbatical Splitombstone with Unpure (Iron Pegasus Records, Germany 2001)
 The Return of Darkness and Hate (Drakkar Productions, France 2001)
 Antarctic Harmageddon (Heavy Metal Super Star Records, Japan 2001)
 Split with Gorgon (View Beyond, Czech Republic 2001)
 Split with Unholy Grave (The Sky Is Red Records, United States 2001)
 Split with Terror Squad (Legions of Death Records, France 2001)
 Kamikaze Splitting Roar with Abigail (From Beyond Productions, Holland 2004)
 Live Vanguard with Ground Zero (Heavy Metal Super Star Records, Japan 2004)
 Live Undertakers (Gezol) with Zombie Ritual (Heavy Metal Super Star Records, Japan 2004)
 Tokyo Genocidemonslaught with Asbestos (Metal Crusade Productions, Japan 2005)
 Sabbatical Desaterminator with Desaster (Witchhammer Productions, Thailand 2005)
 Split with Forever Winter (Holycaust, United States 2005)
 Sabbatical Gorgonslaught with Gorgon (Witchhammer, Thailand 2005)
 Sabbatical Siamesechristbeheading with Surrender of Divinity (Witchhammer, Thailand 2006)
 Bloodlust Regime 1942 - The Syonan-To Massacres... with Iron Fist (Necromancer Records, Germany 2006)
 Sabbatical Goat Semen with Goat Semen (Witchhammer, Thailand 2006)
 Split with Metalucifer (Dream Evil Records, Italy 2008)

References

External links 
 
 BNR Metal Pages - Sabbat

1983 establishments in Japan
Japanese black metal musical groups
Japanese musical trios
Japanese thrash metal musical groups
Musical groups established in 1983