Jo Stafford Capitol Records and United Service Organization When did she sign with Capital records? She subsequently became the first solo artist signed to Capitol after leaving the Pied Pipers in 1944.
What was the USO?
What was the United Service Organization?
While Stafford was still working for Dorsey, Johnny Mercer told her, "Some day I'm going to have my own record company, and you're going to record for me." She subsequently became the first solo artist signed to Capitol after leaving the Pied Pipers in 1944. A key figure in helping Stafford to develop her solo career was Mike Nidorf, an agent who first heard her as a member of the Pied Pipers while he was serving as a Captain with the United States Army. Having previously discovered artists such as Glenn Miller, Artie Shaw, and Woody Herman, Nidorf was impressed by Stafford's voice, and contacted her when he was demobilized in 1944. After she agreed to let him represent her, he encouraged her to reduce her weight and arranged a string of engagements that raised her profile, and confidence.  The success of Stafford's solo career led to a demand for personal appearances, and from February 1945 she embarked on a six-month residency at New York's La Martinique nightclub. Her performance was well-received--an article in the July 1945 edition of Band Leaders magazine described it as "sensational"--but Stafford did not enjoy singing before live audiences, and it was the only nightclub venue she ever played. Speaking about her discomfort with live performances, Stafford told a 1996 interview with The New Yorker's Nancy Franklin, "I'm basically a singer, period, and I think I'm really lousy up in front of an audience--it's just not me."  Stafford's tenure with the United Service Organizations (USO) during World War II--which often saw her perform for soldiers stationed in the U.S.--led to her acquiring the nickname "G.I. Jo". On returning from the Pacific theater, a veteran told Stafford that the Japanese would play her records on loudspeakers in an attempt to make the U.S. troops homesick enough to surrender. She replied personally to all the letters she received from servicemen. Stafford was a favorite of many servicemen during both World War II and the Korean War; her recordings received extensive airplay on the American Forces radio and in some military hospitals at lights-out. Stafford's involvement with servicemen led to an interest in military history and a sound knowledge of it. Years after World War II, Stafford was a guest at a dinner party with a retired naval officer. When the discussion turned to a wartime action off Mindanao, the officer tried to correct Stafford, who held to her point. He countered her by saying, "Madame, I was there". A few days after the party, Stafford received a note of apology from him, saying he had re-read his logs and that she was correct. CANNOTANSWER
Stafford's tenure with the United Service Organizations (USO) during World War II--which often saw her perform for soldiers stationed in the U.S.
Jo Elizabeth Stafford (November 12, 1917July 16, 2008) was an American traditional pop music singer and occasional actress, whose career spanned five decades from the late 1930s to the early 1980s. Admired for the purity of her voice, she originally underwent classical training to become an opera singer before following a career in popular music, and by 1955 had achieved more worldwide record sales than any other female artist. Her 1952 song "You Belong to Me" topped the charts in the United States and United Kingdom, becoming the second single to top the UK Singles Chart, and the first by a female artist to do so.

Born in remote oil rich Coalinga, California, near Bakersfield in the San Joaquin Valley, Stafford made her first musical appearance at age 12. While still at high school, she joined her two older sisters to form a vocal trio named the Stafford Sisters, who found moderate success on radio and in film. In 1938, while the sisters were part of the cast of Twentieth Century Fox's production of Alexander's Ragtime Band, Stafford met the future members of the Pied Pipers and became the group's lead singer. Bandleader Tommy Dorsey hired them in 1939 to perform back-up vocals for his orchestra.

In addition to her recordings with the Pied Pipers, Stafford featured in solo performances for Dorsey. After leaving the group in 1944, she recorded a series of pop standards for Capitol Records and Columbia Records. Many of her recordings were backed by the orchestra of Paul Weston. She also performed duets with Gordon MacRae and Frankie Laine. Her work with the United Service Organizations giving concerts for soldiers during World War II earned her the nickname "G.I. Jo". Starting in 1945, Stafford was a regular host of the National Broadcasting Company (NBC) radio series The Chesterfield Supper Club and later appeared in television specialsincluding two series called The Jo Stafford Show, in 1954 in the U.S. and in 1961 in the UK.

Stafford married twice, first in 1937 to musician John Huddleston (the couple divorced in 1943), then in 1952 to Paul Weston, with whom she had two children. She and Weston developed a comedy routine in which they assumed the identity of an incompetent lounge act named Jonathan and Darlene Edwards, parodying well-known songs. The act proved popular at parties and among the wider public when the couple released an album as the Edwardses in 1957. In 1961, the album Jonathan and Darlene Edwards in Paris won Stafford her only Grammy Award for Best Comedy Album, and was the first commercially successful parody album. Stafford largely retired as a performer in the mid-1960s, but continued in the music business. She had a brief resurgence in popularity in the late 1970s when she recorded a cover of the Bee Gees hit, "Stayin' Alive" as Darlene Edwards. In the 1990s, she began re-releasing some of her material through Corinthian Records, a label founded by Weston. She died in 2008 in Century City, Los Angeles, and is interred with Weston at Holy Cross Cemetery, Culver City. Her work in radio, television, and music is recognized by three stars on the Hollywood Walk of Fame.

Early years

Jo Elizabeth Stafford was born in Coalinga, California, in 1917, to Grover Cleveland Stafford and Anna Stafford (née York)a second cousin of World War I hero Sergeant Alvin York. She was the third of four children. She had two older sisters, Christine and Pauline, and one younger sister, Betty. Both her parents enjoyed singing and sharing music with their family. Stafford's father hoped for success in the California oil fields when he moved his family from Gainesboro, Tennessee, but worked in a succession of unrelated jobs. Her mother was an accomplished banjo player, playing and singing many of the folk songs that influenced Stafford's later career. Anna insisted that her children should take piano lessons, but Jo was the only one among her sisters who took a keen interest in it, and through this, she learned to read music.

Stafford's first public singing appearance was in Long Beach, where the family lived when she was 12. She sang "Believe Me If All Those Endearing Young Charms", a Stafford family sentimental favorite. Her second was far more dramatic. As a student at Long Beach Polytechnic High School with the lead in the school musical, she was rehearsing on stage when the 1933 Long Beach earthquake destroyed part of the school. With her mother's encouragement, Stafford originally planned to become an opera singer and studied voice as a child, taking private lessons from Foster Rucker, an announcer on California radio station KNX. Because of the Great Depression, she abandoned that idea and joined her older sisters Christine and Pauline in a popular vocal group the Stafford Sisters. The two older Staffords were already part of a trio with an unrelated third member when the act got a big booking at Long Beach's West Coast Theater. Pauline was too ill to perform, and Jo was drafted in to take her place so they could keep the engagement. She asked her glee club teacher for a week's absence from school, saying her mother needed her at home, and this was granted. The performance was a success, and Jo became a permanent member of the group.

The Staffords' first radio appearance was on Los Angeles station KHJ as part of The Happy Go Lucky Hour when Jo was 16, a role they secured after hopefuls at the audition were asked if they had their own musical accompanist(s). Christine Stafford said that Jo played piano, and the sisters were hired, though she had not previously given a public piano performance. The Staffords were subsequently heard on KNX's The Singing Crockett Family of Kentucky, and California Melodies, a network radio show aired on the Mutual Broadcasting System. While Stafford worked on The Jack Oakie Show, she met John Huddlestona backing singer on the program, and they were married in October 1937. The couple divorced in 1943.

The sisters found work in the film industry as backup vocalists, and immediately after graduating from high school, Jo worked on film soundtracks. The Stafford Sisters made their first recording,"Let's Get Together and Swing" with Louis Prima, in 1936. In 1937, Jo worked behind the scenes with Fred Astaire on the soundtrack of A Damsel in Distress, creating the arrangements for the film, and with her sisters she arranged the backing vocals for "Nice Work If You Can Get It". Stafford said that her arrangement had to be adapted because Astaire had difficulty with some of the syncopation. In her words: "The man with the syncopated shoes couldn't do the syncopated notes".

The Pied Pipers
By 1938, the Staffords were involved with Twentieth Century Fox's production of Alexander's Ragtime Band. The studio brought in many vocal groups to work on the film, including the Four Esquires, the Rhythm Kings, and the King Sisters, who began to sing and socialized between takes. The Stafford Sisters, the Four Esquires and the Rhythm Kings became a new vocal group called the Pied Pipers. Stafford later said, "We started singing together just for fun, and these sessions led to the formation of an eight-voice singing group that we christened 'The Pied Pipers. The group consisted of eight members, including StaffordJohn Huddleston, Hal Hooper, Chuck Lowry, Bud Hervey, George Tait, Woody Newbury, and Dick Whittinghill.

As the Pied Pipers, they worked on local radio and movie soundtracks. When Alyce and Yvonne King threw a party for their boyfriends' visit to Los Angeles, the group was invited to perform. The King Sisters' boyfriends were Tommy Dorsey's arrangers Axel Stordahl and Paul Weston, who became interested in the group. Weston said the group's vocals were unique for its time and that their vocal arrangements were much like those for orchestral instruments.

Weston persuaded Dorsey to audition the group in 1938, and the eight drove together to New York City. Dorsey liked them and signed them for 10 weeks. After their second broadcast, the sponsor visiting from overseas heard the group sing "Hold Tight (Want Some Seafood Mama)". Until this point, the sponsor knew only that he was paying for Dorsey's program and that its ratings were very good; transcription discs mailed to him by his advertising agency always arrived broken. He thought that the performance was terrible, and pressured the advertising agency representing his brand to fire the group. They stayed in New York for several months, landing one job that paid them $3.60 each, and they recorded some material for RCA Victor Records. Weston later said that Stordahl and he felt responsibility for the group, since Weston had arranged their audition with Dorsey. After six months in New York and with no work there for them, the Pied Pipers returned to Los Angeles, where four of their members left the group to seek regular employment. Shortly afterwards, Stafford received a telephone call from Dorsey, who told her he wished to hire the group, but wanted only four of them, including Stafford. After she agreed to the offer, the remaining Pied PipersStafford, Huddleston, Lowry, and Wilsontraveled to Chicago in 1939. The decision led to success for the group, especially Stafford, who featured in both collective and solo performances with Dorsey's orchestra.

When Frank Sinatra joined the Dorsey band, the Pied Pipers provided backing vocals for his recordings. Their version of "I'll Never Smile Again" topped the Billboard Chart for 12 weeks in 1940 and helped to establish Sinatra as a singer. Stafford, Sinatra, and the Pied Pipers toured extensively with Dorsey during their three years as part of his orchestra, giving concerts at venues across the United States. Stafford made her first solo recording"Little Man with a Candy Cigar"in 1941, after Dorsey agreed to her request to record solo. Her public debut as a soloist with the band occurred at New York's Hotel Astor in May 1942. Bill Davidson of Collier's reported in 1951 that because Stafford weighed in excess of 180 lb, Dorsey was reluctant to give her a leading vocal role in his orchestra, believing she was not sufficiently glamorous for the part. However, Peter Levinson's 2005 biography of Dorsey offers a different account. Stafford recalls that she was overweight, but Dorsey did not try hiding her because of it.

In November 1942, the Pied Pipers had a disagreement with Dorsey when he fired Clark Yocum, a guitarist and vocalist who had replaced Billy Wilson in the lineup, when he mistakenly gave the bandleader misdirections at a railroad station in Portland, Oregon. The remaining three members then quit in an act of solidarity. At the time, the number-one song in the United States was "There Are Such Things" by Frank Sinatra and the Pied Pipers. Sinatra also left Dorsey that year. Following their departure from the orchestra, the Pied Pipers played a series of vaudeville dates in the Eastern United States; when they returned to California, they were signed to appear in the 1943 Universal Pictures movie Gals Incorporated. From there, they joined the NBC Radio show Bob Crosby and Company. In addition to working with Bob Crosby, they also appeared on radio shows hosted by Sinatra and Johnny Mercer, and were one of the first groups signed to Mercer's new label, Capitol Records, which was founded in 1942. Weston, who left Dorsey's band in 1940 to work with Dinah Shore, became music director at Capitol.

Solo career

Capitol Records and United Service Organization

While Stafford was still working for Dorsey, Johnny Mercer told her, "Some day I'm going to have my own record company, and you're going to record for me." She subsequently became the first solo artist signed to Capitol after leaving the Pied Pipers in 1944. A key figure in helping Stafford to develop her solo career was Mike Nidorf, an agent who first heard her as a member of the Pied Pipers while he was serving as a captain in the United States Army. Having previously discovered artists such as Glenn Miller, Artie Shaw, and Woody Herman, Nidorf was impressed by Stafford's voice, and contacted her when he was demobilized in 1944. After she agreed to let him represent her, he encouraged her to reduce her weight and arranged a string of engagements that raised her profile and confidence.

The success of Stafford's solo career led to a demand for personal appearances, and from February 1945, she embarked on a six-month residency at New York's La Martinique nightclub. Her performance was well-received; an article in the July 1945 edition of Band Leaders magazine described it as "sensational", but Stafford did not enjoy singing before live audiences, and it was the only nightclub venue she ever played. Speaking about her discomfort with live performances, Stafford told a 1996 interview with The New Yorkers Nancy Franklin, "I'm basically a singer, period, and I think I'm really lousy up in front of an audienceit's just not me."

Stafford's tenure with the United Service Organizations during World War II, which often had her perform for soldiers stationed in the U.S., led to her acquiring the nickname "G.I. Jo". On returning from the Pacific theater, a veteran told Stafford that the Japanese would play her records on loudspeakers in an attempt to make the U.S. troops homesick enough to surrender. She replied personally to all the letters she received from servicemen. Stafford was a favorite of many servicemen during both World War II and the Korean War; her recordings received extensive airplay on the American Forces radio and in some military hospitals at lights-out. Stafford's involvement with servicemen led to an interest in military history and a sound knowledge of it. Years after World War II, Stafford was a guest at a dinner party with a retired naval officer. When the discussion turned to a wartime action off Mindanao, the officer tried to correct Stafford, who held to her point. He countered her by saying, "Madame, I was there". A few days after the party, Stafford received a note of apology from him, saying he had reread his logs and that she was correct.

Chesterfield Supper Club, duets, and Voice of America

Beginning on December 11, 1945, Stafford hosted the Tuesday and Thursday broadcasts of NBC musical variety radio program The Chesterfield Supper Club. On April 5, 1946, the entire cast, including Stafford and Perry Como, participated in the first commercial radio broadcast from an airplane. The initial plan was to use the stand-held microphones used in studios, but when these proved to be problematic, the cast switched to hand-held microphones, which because of the plane's cabin pressure became difficult to hold. Three flights were made that day; a rehearsal in the afternoon, then two in the eveningone for the initial 6:00 pm broadcast and another at 10:00 pm for the West Coast broadcast.

Stafford moved from New York to California in November 1946, continuing to host Chesterfield Supper Club from Hollywood. In 1948, she restricted her appearances on the show to Tuesdays, and Peggy Lee hosted the Thursday broadcasts. Stafford left the show when it was expanded to 30 minutes, making her final appearance on September 2, 1949. She returned to the program in 1954; it ended its run on NBC Radio the following year. During her time with Chesterfield Supper Club, Stafford revisited some of the folk music she had enjoyed as a child. Weston, her conductor on the program, suggested using some of the folk music for the show. With her renewed interest in folk tunes came an interest in folklore; Stafford established a contest to award a prize to the best collection of American folklore submitted by a college student. The annual Jo Stafford Prize for American Folklore was handled by the American Folklore Society, with the first prize of $250 awarded in 1949.

Stafford continued to record. She duetted with Gordon MacRae on a number of songs. In 1948, their version of "Say Something Sweet to Your Sweetheart" sold over a million copies. The following year, they repeated their success with "My Happiness", and Stafford and MacRae recorded "Whispering Hope" together. Stafford began hosting a weekly program on Radio Luxembourg in 1950; working unpaid, she recorded the voice portions of the shows in Hollywood. At the time, she was hosting Club Fifteen with Bob Crosby for CBS Radio.

Weston moved from Capitol to Columbia Records, and in 1950, Stafford followed suit. Content and very comfortable working with him, Stafford had had a clause inserted in her contract with Capitol stating that if Weston left that label, she would automatically be released from her obligations to them. When that happened, Capitol wanted Stafford to record eight more songs before December 15, 1950, and she found herself in the unusual situation of simultaneously working for two competing record companies, an instance that was very rare in an industry where musicians were seen as assets. In 1954, Stafford became the second artist after Bing Crosby to sell 25 million records for Columbia. She was presented with a diamond-studded disc to mark the occasion.

In 1950, Stafford began working for Voice of America (VOA), the U.S. government broadcaster transmitting programmes overseas to undermine the influence of communism. She presented a weekly show that aired in Eastern Europe, and Collier's published an article about the program in its April 21, 1951, issue that discussed her worldwide popularity, including in countries behind the Iron Curtain. The article, titled "Jo Stafford: Her Songs Upset Joe Stalin", earned her the wrath of the U.S. Communist Daily Worker newspaper, which published a column critical of Stafford and VOA.

Marriage to Paul Weston and later career
Although Stafford and Paul Weston had known each other since their introduction at the King Sisters' party, they did not become romantically involved until 1945, when Weston traveled to New York to see Stafford perform at La Martinique. They were married in a Roman Catholic ceremony on February 26, 1952, before which Stafford converted to Catholicism. The wedding was conducted at St Gregory's Catholic Church in Los Angeles by Father Joe Kearney, a former guitarist with the Bob Crosby band, who left the music business, trained as a priest, and served as head of the Catholic Labor Institute. The couple left for Europe for a combined honeymoon and business trip: Stafford had an engagement at the London Palladium. Stafford and Weston had two children; Tim was born in 1952 and Amy in 1956. Both children followed their parents into the music industry. Tim Weston became an arranger and producer who took charge of Corinthian Records, his father's music label, and Amy Weston became a session singer, performing with a trio, Daddy's Money, and singing in commercials.

In the 1950s, Stafford had a string of popular hits with Frankie Laine, six of which charted. Their duet of the Hank Williams song "Hey Good Lookin'" made the top 10 in 1951. She had her best-known hits"Jambalaya", "Shrimp Boats", "Make Love to Me", and "You Belong to Me"around this time. "You Belong to Me" was Stafford's biggest hit, topping the charts in the United States and the United Kingdom. In the UK, it was the first song by a female singer to top the chart. The record first appeared on U.S. charts on August 1, 1952, and remained there for 24 weeks. In the UK, it entered the charts on November 14, 1952, at number 2, reached number one on January 16, 1953, and stayed on the charts for 19 weeks. In a July 1953 interview, Paul Weston said his wife's big hit was really the "B" side of the single "Pretty Boy", which both Weston and Columbia Records believed would be the big seller.

In 1953, Stafford signed a 4-year $1 million deal with CBS-TV. She hosted the 15-minute The Jo Stafford Show on CBS from 1954 to 1955, with Weston as her conductor and music arranger. She appeared on NBC's Club Oasis in 1958, and on the ABC series The Pat Boone Chevy Showroom in 1959. In the early 1960s, Stafford hosted a series of television specials called The Jo Stafford Show, which were centered around music. The shows were produced in England and featured British and American guests including Claire Bloom, Stanley Holloway, Ella Fitzgerald, Mel Tormé, and Rosemary Clooney.

Both Stafford and Weston returned to Capitol in 1961. During her second stint at Capitol, Stafford also recorded for Sinatra's label Reprise Records. The albums issued by Reprise were released between 1961 and 1964, and were mostly remakes of songs from her past. Sinatra sold Reprise to Warner Bros. in 1963, and they retargeted the label at a teenage audience, letting go many of the original artists who had signed up with Sinatra. In late 1965, both Stafford and Weston signed to Dot Records.

Comedy performances

During the 1940s, Stafford briefly performed comedy songs under the name "Cinderella G. Stump" with Red Ingle and the Natural Seven. In 1947, she recorded a hillbilly-style parody of "Temptation", pronouncing its title "Tim-tayshun". Stafford created Stump after Weston suggested her for the role when Ingle said his female vocalist was unavailable for the recording session. After meeting Ingle at a recording studio, she gave an impromptu performance. The speed of her voice was intentionally increased for the song, giving it the hillbilly sound, and the listening public did not initially know that her voice was on the record. Because it was a lighthearted, impromptu performance and she accepted the standard scale pay, Stafford waived all royalties from the record. Stafford, along with Ingle and Weston, made a personal appearance tour in 1949, and she performed "Temptation" as Cinderella G. Stump. Stafford and Ingle performed the song on network television in 1960 for Startime. Stafford recorded a second song with Ingle in 1948. "The Prisoner of Love's Song" was a parody of "Prisoner of Love", and featured in an advertisement for Capitol releases in the January 8, 1949, edition of Billboard magazine.

Throughout the 1950s, Stafford and Weston entertained party guests by performing skits in which they impersonated a poor lounge act. Stafford sang off-key in a high pitched voice and Weston played songs on the piano in unconventional rhythms. Weston began his impression of an unskilled pianist in or around 1955, assuming the guise "when things got a little quiet, or when people began taking themselves too seriously at a Hollywood party." He put on an impromptu performance of the act the following year at a Columbia Records sales convention in Key West, Florida, after hearing a particularly bad hotel pianist. The audience was very appreciative of his rendition of "Stardust", particularly Columbia executives George Avakian and Irving Townsend, who encouraged Weston to make an album of such songs. Avakian named Weston's character Jonathan Edwards, for the 18th century Calvinist preacher of the same name, and asked him to record under this alias. Weston worried that he might not be able to find enough material for an entire album, and he asked his wife to join the project. Stafford named her off-key vocalist persona Darlene Edwards.

Stafford's creation of Darlene Edwards had its roots in the novelty songs that Mitch Miller, the head of Columbia's artists and repertoire department, had been selecting for her to sing. These included songs such as "Underneath the Overpass", and because she did not agree with Miller's music choices for her, Stafford and her studio musicians often recorded their own renditions of the music, performing the songs according to their feelings about them. Because she had some unused studio time at a 1957 recording session, as a joke Stafford recorded a track as Darlene Edwards. Those who heard bootlegs of the recording responded positively, and later that year, Stafford and Weston recorded an album of songs as Jonathan and Darlene, entitled The Piano Artistry of Jonathan Edwards.

As a publicity stunt, Weston and Stafford claimed that Jonathan and Darlene Edwards were a New Jersey lounge act they had discovered, and denied any personal connection. This ruse led to much speculation about the Edwardses' identities. In an article titled "Two Right Hands" in September 1957, Time reported that some people believed the performers were Harry and Margaret Truman, but the same piece identified Weston and Stafford as the Edwardses. In 1958, Stafford and Weston appeared as the Edwardses on Jack Benny's television program Shower of Stars, and in 1960 on The Garry Moore Show. The Piano Artistry of Jonathan Edwards was followed up with an album of popular music standards, Jonathan and Darlene Edwards in Paris, which was released in 1960 and won that year's Grammy Award for Best Comedy Album. The Academy issued two awards for the category that year; Bob Newhart also received an award for "Spoken Word Comedy" for his album The Button-Down Mind Strikes Back! The Grammy was Stafford's only major award.

The couple continued to release comedy albums for several years, and in 1977 released a cover of the Bee Gees' "Stayin' Alive" as a single, with an Edwards interpretation of Helen Reddy's "I Am Woman" as its "B" side. The same year, a brief resurgence in the popularity of Jonathan and Darlene albums occurred when their cover of "Carioca" was featured as the opening and closing theme to The Kentucky Fried Movie. Their last release, Darlene Remembers Duke, Jonathan Plays Fats, was issued in 1982. To mark the occasion, an interview with Stafford and Westonin which they assumed the persona of the Edwardsesappeared in the December 1982 edition of Los Angeles Magazine.

Retirement and later life

In 1959, Stafford was offered a contract to perform at Las Vegas, but declined it to concentrate on her family life. Because she disliked continuously traveling for television appearances that took her away from her children, and no longer found the music business fun, she went into semiretirement in the mid-1960s. She retired fully in 1975. Except for the Jonathan and Darlene Edwards material, and re-recording her favorite song "Whispering Hope" with her daughter Amy in 1978, Stafford did not perform again until 1990, at a ceremony honoring Frank Sinatra. The Westons devoted more time to Share Inc., a charity aiding people with developmental disabilities in which they had been active for many years. Around 1983, Concord Records tried to persuade Stafford to change her mind and come out of retirement, but although an album was planned, she did not feel she would be satisfied with the finished product, and the project was shelved.

Stafford won a breach-of-contract lawsuit against her former record label Columbia in the early 1990s. Because of a clause concerning the payment of royalties in her contract, she secured the rights to all of the recordings she made with the company, including those Weston and she made as Jonathan and Darlene Edwards. After the lawsuit was settled, Stafford and her son Tim reactivated Corinthian Records, which Weston, a devout Christian, had started as a label for religious music in the 1970s, and they began releasing some of her old material.

In 1996, Paul Weston died of natural causes; Stafford continued to operate Corinthian Records. In 2006, she donated the couple's library, including music arrangements, photographs, business correspondence and recordings, to the University of Arizona. Stafford began suffering from congestive heart failure in October 2007, from which she died aged 90 on July 16, 2008. She was buried with her husband at the Holy Cross Cemetery in Culver City, California.

Style, awards, and recognition
Stafford was admired by critics and the listening public for the purity of her voice, and was considered one of the most versatile vocalists of her era. Peter Levinson said that she was a coloratura soprano, whose operatic training allowed her to sing a natural falsetto. Her style encompassed a number of genres, including big band, ballads, jazz, folk and comedy. Music critic Terry Teachout described her as "rhythmically fluid without ever sounding self-consciously 'jazzy' ", while Rosemary Clooney said of her, "The voice says it all: beautiful, pure, straightforward, no artifice, matchless intonation, instantly recognizable. Those things describe the woman, too." Writing for the New York Sun, Will Friedwald described her 1947 interpretation of "Haunted Heart" as "effective because it's so subtle, because Stafford holds something back and doesn't shove her emotion in the listener's face." Nancy Franklin described Stafford's version of the folk song "He's Gone Away" as "wistful and tender, as if she had picked up a piece of clothing once worn by a loved one and begun singing." Frank Sinatra said, "It was a joy to sit on the bandstand and listen to her". The singer Judy Collins has cited Stafford's folk recordings as an influence on her own musical career. Country singer Patsy Cline was also inspired by Stafford's work.

In their guise of Jonathan and Darlene Edwards, Weston and Stafford earned admiration from their show-business peers. Pianist George Shearing was a fan and would play "Autumn in New York" in the style of Edwards if he knew the couple were in the audience. Ray Charles also enjoyed their performance. Art Carney, who played Ed Norton in the comedy series The Honeymooners, once wrote the Edwardses a fan letter as Norton. However, not everybody appreciated the Edwards act. Mitch Miller blamed the couple's 1962 album Sing Along With Jonathan and Darlene Edwards for ending his sing-along albums and television show, while in 2003, Stafford told Michael Feinstein that the Bee Gees had disliked the Edwards' version of "Stayin' Alive".

In 1960, Stafford said working closely with Weston had good and bad points. His knowledge of her made arranging her music easy for him, but sometimes it caused difficulties. Weston knew Stafford's abilities and would write or arrange elaborate music because he knew she was capable of performing it. She also said she did not believe she could perform in Broadway musicals because she thought her voice was not powerful enough for stage work. In 2003, she recalled that rehearsal time was often limited before she recorded a song, and how Weston would sometimes slip musical arrangements under the bathroom door as she was in the bath getting ready to go to the studio.

Her work in radio, television, and music is recognized by three stars on the Hollywood Walk of Fame. In 1952, listeners of Radio Luxembourg voted Stafford their favorite female singer. The New York Fashion Academy named her one of the Best Dressed Women of 1955. Songbirds magazine has reported that, by 1955, Stafford had amassed more worldwide record sales than any other female artist, and that she was ranked fifth overall. She was nominated in the Best Female Singer category at the 1955 Emmy Awards. She won a Grammy for Jonathan and Darlene Edwards in Paris, and The Pied Pipers' recording of "I'll Never Smile Again" was inducted into the Grammy Hall of Fame in 1982, as was Stafford's version of "You Belong to Me" in 1998. She was inducted into the Big Band Academy of America's Golden Bandstand in April 2007. Stafford and Weston were founding members of the National Academy of Recording Arts and Sciences.

Stafford's music has been referenced in popular culture. Her recording of "Blues in the Night" features in a scene of James Michener's novel The Drifters (1971), while a Marine Corps sergeant major in Walter Murphy's The Vicar of Christ (1979) hears a radio broadcast of her singing "On Top of Old Smoky" shortly before a battle in Korea. Commenting on the latter reference for his 1989 book Singers and the Song, which includes a chapter about Stafford, author Gene Lees says, "[it] somehow sets Stafford's place in the American culture. You're getting pretty famous when your name turns up in crossword puzzles; you are woven into a nation's history when you turn up in its fiction."

Politics
Stafford was a Democrat, supporting John F. Kennedy for president in 1960. She later performed for President Kennedy at a dinner in his honor given by the Southern California Democratic Committee.

Discography

Film and television

Stafford appeared in films from the 1930s onwards, including Alexander's Ragtime Band. Her final on-screen appearance was in the Frank Sinatra tribute Sinatra 75: The Best Is Yet to Come in 1990. She declined several offers of television work because she was forced to memorize scripts (as she was unable to read the cue cards without her glasses), and the bright studio lights caused her discomfort.

Publications

Notes

References

Bibliography

External links

 [ Jo Stafford at Allmusic.com]
 
 Discography at the University of Arizona's Paul Weston and Jo Stafford Collection
  Presenting The Music of Jo Stafford and Paul Weston
 Jo Stafford Interview NAMM Oral History Library (1995)

Listen
 Interview by KUOW-FM's Amanda Wilde
 Jo Stafford and Nelson Eddy 1951 mp3 recordings and information at maceddy.com/blog site
 Personal Album Armed Forces Radio Service program featuring Jo Stafford

 
1917 births
2008 deaths
American women jazz singers
American jazz singers
Burials at Holy Cross Cemetery, Culver City
California Democrats
Capitol Records artists
Catholics from California
Columbia Records artists
Dot Records artists
Grammy Award winners
Parody musicians
People from Coalinga, California
Reprise Records artists
Singers from California
Torch singers
Traditional pop music singers

Converts to Roman Catholicism
The Pied Pipers members
 
Jazz musicians from California
The DeRidder USO was built in 1941 for the same reasons as all other United Service Organizations; to provide a relaxing atmosphere to members of the armed forces. The building is located at 250 Seventh Street and is across the street from the present day Beauregard Memorial Hospital.

NRHP listing
The DeRidder USO building was listed on the National Register of Historic Places on February 25, 1992.

History
The DeRidder USO opened November 28, 1941, was accepted by the United Service Organization on December 1, 1941, and served permanent party and visitor members of the armed services of the United States from DeRidder Army Air Base, as well as Camp Polk.

More than 500 USO's were built for our service men during World War II and some in foreign lands. What sets this one apart is that it was the first USO not built on a military reservation and built specifically for, and donated to, the USO. The second USO in Galveston opened 24 hours later. 
Civic Center records show that 89,000 soldiers visited the DeRidder USO, 15,000 had showers, and 27,000 saw movies during the time it was an active USO.

Current
The building now serves as the community Civic Center for Beauregard Parish. Plaques commemorating Generals Bradley, Mark Clark, Eisenhower, Marshall and Patton, along with their pictures, hang on the walls near the entrances of meeting halls named in their honor. Fort Polk or Louisiana does not have a USO at this time.  The museum also boasts a Norden bombsight, a very rare item.

References

See also
Bay City USO Building, Bay City, Texas, also NRHP-listed
East Sixth Street USO Building, Hattiesburg, Mississippi, also NRHP-listed
Hawthorne USO Building, Hawthorne, Nevada, also NRHP-listed

Buildings and structures in Beauregard Parish, Louisiana
United Service Organizations buildings
Military facilities on the National Register of Historic Places in Louisiana
World War II on the National Register of Historic Places
National Register of Historic Places in Beauregard Parish, Louisiana
1941 establishments in Louisiana The United Service Organizations Inc. (USO) is an American nonprofit-charitable corporation that provides live entertainment, such as comedians, actors and musicians, social facilities, and other programs to members of the United States Armed Forces and their families. Since 1941, it has worked in partnership with the Department of War, and later with the Department of Defense (DoD), relying heavily on private contributions and on funds, goods, and services from various corporate and individual donors. Although it is congressionally-chartered, it is not a government agency.

Founded during World War II, the USO sought to be the GI's "home away from home" and began a tradition of entertaining the troops and providing social facilities. Involvement in the USO was one of the many ways in which the nation had come together to support the war effort, with nearly 1.5 million people having volunteered their services in some way. The USO initially disbanded in 1947, but was revived in 1950 for the Korean War, after which it continued, also providing peacetime services. During the Vietnam War, USO social facilities ("USOs") were sometimes located in combat zones.

The organization became particularly known for its live performances, called camp shows, through which the entertainment industry helps boost the morale of servicemen and women. From the start, Hollywood was eager to show its patriotism, and many celebrities joined the ranks of USO entertainers. They went as volunteers to entertain, and celebrities continue to provide volunteer entertainment in military bases in the U.S. and overseas, sometimes placing their own lives in danger by traveling or performing under hazardous conditions.  In 2011, the USO was awarded the National Medal of Arts.

The USO has over 200 locations around the world in 14 countries (including the U.S.) and 27 states. During a gala marking the USO's 75th anniversary in 2016, retired Army Gen. George W. Casey Jr., the current chairman of the USO Board of Governors, estimated that the USO has served more than 35 million Americans over its history.

History

Mission and goals

The USO was founded in 1941 by Mary Ingraham in response to a request from President Franklin D. Roosevelt to provide morale and recreation services to U.S. uniformed military personnel. Roosevelt was elected as its honorary chairman. This request brought together six civilian organizations: the Salvation Army, YMCA, Young Women's Christian Association (YWCA), National Catholic Community Service, National Travelers Aid Association and the National Jewish Welfare Board. They were brought together under one umbrella to support U.S. troops, as opposed to operating independently as some had done during the First World War. Roosevelt said he wanted "these private organizations to handle the on-leave recreation of the men in the armed forces." According to historian Emily Yellin, "The government was to build the buildings and the USO was to raise private funds to carry out its main mission: boosting the morale of the military."

The first national campaign chairman was Thomas Dewey, who raised $16 million in the first year. The second chairman was future senator Prescott Bush. The USO was incorporated in New York on February 4, with the first facility erected in DeRidder, Louisiana, 1941. More USO centers and clubs opened around the world as a "Home Away from Home" for GIs. The USO club was a place to go for dances and social events, for movies and music, for a quiet place to talk or write a letter home, or for a free cup of coffee and an egg.

The USO also brought Hollywood celebrities and volunteer entertainers to perform for the troops. According to movie historian Steven Cohan, "most of all ... in taking home on the road, it equated the nation with showbiz. USO camp shows were designed in their export to remind soldiers of home." They did this, he noted, by "nurturing in troops a sense of patriotic identification with America through popular entertainment." An article in Look magazine at the time, stated, "For the little time the show lasts, the men are taken straight to the familiar Main Street that is the goal of every fighting American far away from home." Maxene Andrews wrote, "The entertainment brought home to the boys. Their home." Actor George Raft stated at the beginning of the war, "Now it's going to be up to us to send to the men here and abroad real, living entertainment, the songs, the dances, and the laughs they had back home."

USO promotional literature stated its goals:

"The story of USO camp shows belongs to the American people, for it was their contribution that made it possible. It is an important part in the life of your sons, your brothers, your husbands, and your sweethearts."

In 2011, the USO was awarded the National Medal of Arts by President Barack Obama "for contributions to lifting the spirits of America's troops and their families through the arts".

World War II

After being formed in 1941, in response to World War II, "centers were established quickly ... in churches, barns, railroad cars, museums, castles, beach clubs, and log cabins." Most centers offered recreational activities, such as holding dances and showing movies. And there were the well-known free coffee and doughnuts. Some USO centers provided a haven for spending a quiet moment alone or writing a letter home, while others offered spiritual guidance and made childcare available for military wives.

But the organization became mostly known for its live performances called Camp Shows, through which the entertainment industry helped boost the morale of its servicemen and women. USO Camp Shows, Inc. began in October 1941, and by that fall and winter 186 military theaters existed in the United States. Overseas shows began in November 1941 with a tour of the Caribbean. Within five months 36 overseas units had been sent within the Americas, the United Kingdom, and Australia, and during 1942 1,000 performed as part of 70 units. Average performers were paid $100 a week; top stars were paid $10 a day because their wealth let them contribute more of their talents.

These overseas shows were produced by the American Theatre Wing, which also provided food and entertainment for the armed services in their Stage Door Canteens. Funds from the sale of film rights for a story about the New York Canteen went toward providing USO tours of shows for overseas troops.

Following the Invasion of Normandy on June 6, 1944, Edward G. Robinson was the first movie star to travel to Normandy to entertain the troops. He had already been active back home selling war bonds, and donated $100,000 to the USO. During his show, he said, "This is the most privileged moment of my life, the opportunity to be here with you." The following month, Camp Shows began in Normandy.

Until fall 1944 overseas units contained five performers or fewer; The Barretts of Wimpole Street, using local theaters in France and Italy, was the first to use an entire theater company, including scenery. At its high point in 1944, the USO had more than 3,000 clubs, and curtains were rising on USO shows 700 times a day. The USO's fundraising efforts were controversial. An MGM film, Mr. Gardenia Jones, created to assist the USO in its fundraising campaign, was nearly withdrawn from theaters due to objections by the War Department, mainly because of scenes showing soldiers jumping with joy at the opportunity to shower in canteens and rest in overstuffed and comfortable USO chairs. The Army, noted the New York Times, "feels this is not good for morale as it implies that there are no showers or other comforts for soldiers in military camps." The film starred Ronald Reagan, then a captain in the Army Air Force.

Fundraising was also aided by non-USO entertainment groups. Soldier Shows, which troops – often experienced actors and musicians – organized and held their own performances, were common. The army formed a Special Services unit that organized such shows and supervised the USO, and the experience from the Soldier Shows led to Irving Berlin's Broadway show This Is the Army. Performers and writers from throughout the army were recruited for the production; they remained soldiers and continued drills. Berlin, who had written and produced the similar Yip, Yip, Yaphank during World War I, took the entire 165-person cast on tour in Europe in 1942, raising nearly $10 million for the Army Emergency Relief Fund. The following year the show was made into a film by the same title, again starring Ronald Reagan. The This Is The Army stage production toured worldwide until it closed in October 1945 in Honolulu. The USO was also supported by the National War Fund.

War correspondent Quentin Reynolds, wrote in an article for Billboard magazine in 1943, that "Entertainment, all phases of it – radio, pictures and live – should be treated as essential. You don't know what entertainment means to the guys who do the fighting until you've been up there with the men yourself. ... You can quote me as saying that we should use entertainment as an essential industry so long as it's for the boys in service. Anybody who has been there would insist on it.  ... Hell, you should have seen how happy the G.I.s were when they heard the ballplayers were coming over. And John Steinbeck, just back from a chore as war correspondent, ... also applauded show business as part of the war effort and its importance as a morale builder."

According to historian Paul Holsinger, between 1941 and 1945, the USO did 293,738 performances in 208,178 separate visits. Estimates were that more than 161 million servicemen and women, in the U.S. and abroad, were entertained. The USO also did shows in military hospitals, eventually entertaining more than 3 million wounded soldiers and sailors in 192 different hospitals. There were 702 different USO troupes that toured the world, some spending up to six months per tour. In 1943, a United States Liberty ship named the SS U.S.O. was launched. She was scrapped in 1967.

Twenty-eight performers died in the course of their tours, from plane crashes, illness, or diseases contracted while on tour. In one such instance in 1943, a plane carrying a USO troupe crashed outside Lisbon, killing singer and actress Tamara Drasin, and severely injuring Broadway singer Jane Froman. Froman returned to Europe on crutches in 1945 to again entertain the troops. She later married the co-pilot who saved her life in that crash, and her story was made into the 1952 film With a Song in My Heart, with Froman providing the actual singing voice. Others, such as Al Jolson, the first entertainer to go overseas in World War II, contracted malaria, resulting in the loss of his lung, cutting short his tour.

One author wrote that by the end of the war "the USO amounted to the biggest enterprise American show business has ever tackled. The audience was millions of American fighting men, the theatre's location: the world, the producer: USO camp shows" Performances continued after the end of the war in 1945. 60 new units went to Europe after V-E Day, and 91 new units went to the Pacific after V-J Day. The USO dissolved in December 1947, after having spent $240 million in contributions on Camp Shows, canteens, and other services. Special Services productions grew in number as replacement.

In 1991, 20th Century Fox produced the film For the Boys, which told the story of two USO performers, and starred Bette Midler and James Caan. It covered a 50-year timespan, from the USO's inception in 1941 through Operation Desert Storm, in 1991. Another movie was planned in 1950 but never made. Just 10 days after Al Jolson returned from entertaining troops in Korea, he agreed with RKO producers to star in a new movie, Stars and Stripes for Ever, about a USO troupe in the South Pacific during World War II. Unfortunately, he died a week later as a result of physical exhaustion from his tour.

Women in the USO

According to Emily Yellin, many of the key foot soldiers in the USO's mission were women who were "charged with providing friendly diversion for U.S. troops who were mostly men in their teens and twenties." USO centers throughout the world recruited female volunteers to serve doughnuts, dance, and just talk with the troops. USO historian Julia Carson writes that this "nostalgic hour," designed to cheer and comfort soldiers, involved "listening to music – American style" and "looking at pretty girls, like no other pretty girls in the world – American girls."

African-American women scrambled to rally the community around the soldiers and create programs for them. By 1946, hostesses had served more than two thousand soldiers a day while also providing facilities for the wounded and convalescent who were on leave. They went to black businesses and fraternal organizations in order to find sponsorship for their USO group, and later expanded to fulfill the needs of soldiers during the Korean War. Moreover, they worked to merge black and white USOs into one desegregated unit. As black historian Megan Shockley noted, "Their work for the desegregation of USOs had begun during World War II, and it finally paid off."

Women were also key entertainers who performed at shows. Stars such as Marlene Dietrich, Judy Garland, Betty Grable and Rita Hayworth had traveled over a million miles. Yellin notes that on one tour, Hayworth visited six camps, gave thousands of autographs, and "came back from Texas with a full-fledged nervous breakdown from over-enthusiasm!" Opera singer Lily Pons, after she had performed a "serious" opera song to troops in Burma, "an applause erupted that stunned even the most seasoned performers." She later wrote in a letter, "Every woman back home wears a halo now, and those who represent her had better keep theirs on, too."

Author Joeie Dee pointed out that "for women entertainers, traveling with the USO made it possible to be patriots and adventurers as well as professionals." She adds, however, that the G.I.s in the USO audiences "tended to see these women in a different light – as reminders of and even substitutes for their girls back home, as a reward for fighting the war, as embodiments of what they were fighting for." Edward Skvarna remembers 1943, when he met Donna Reed at a USO canteen and asked her to dance. "I had never danced with a celebrity before, so I felt delighted, privileged even, to meet her. ... But I really felt she was like a girl from back home." Jay Fultz, author of a biography of Reed, states that soldiers "often wrote to her as if to a sister or the girl next door, confiding moments of homesickness, loneliness, privation and anxiety."

Women entertainers

One female entertainer wrote about conditions while performing:

Singer-actress-dancer Ann Miller described performing for badly wounded soldiers. She did forty-eight shows for "broken soldiers," who were mostly lying on stretchers in the lobbies of hotels, watching as she entertained them. Yellin writes, "During her last show she collapsed and had to be taken home on an Army airplane." Afterwards, Miller described the experience:

Korean War

In 1947, the USO was disbanded, due partly to lack of funds. In 1951, when the United States entered the Korean War, Secretary of Defense George Marshall and Secretary of the Navy Francis P. Matthews requested that the USO be reactivated "to provide support for the men and women of the armed forces with help of the American people." According to war historian Paul Edwards, between 1952 and 1953, not a day went by without the USO providing services somewhere in Korea. At home or overseas, in 1952 it was serving 3.5 million in the armed forces using much the same methods of operation as it did in World War II.

Many stars, both well-known and new, came to perform, including Bob Hope, Errol Flynn, Debbie Reynolds, Piper Laurie, Jane Russell, Paul Douglas, Terry Moore, Marilyn Monroe, Danny Kaye, Rory Calhoun, Mickey Rooney, Linda Coleman, Al Jolson and many others. Hispanic-American soldiers were entertained by artists such as Pérez Prado's Show featuring Evita Muñoz as his invited mambo dancer. Jolson was the first to volunteer, but due to lack of USO funds traveled to Korea at his own expense (he was also the first to entertain troops during World War II).

Veterans have recalled many of the USOs events, sometimes in vivid detail:

Author Linda Granfield in describing the show, writes, "For two hours, the men could forget they were soldiers at war. After the show, they returned to the fighting in the hills. Some in that audience never made it back." By the end of the war, over 113,000 American USO volunteers were working at 294 centers at home and abroad. And 126 units had given 5,422 performances to servicemen in Korea and the wounded in Japan.

Vietnam War
The USO was in Vietnam before the first combat troops arrived, with the first USO club opened in Saigon in April 1963. The 23 centers in Vietnam and Thailand served as many as a million service members a month, and the USO presented more than 5,000 performances during the Vietnam War featuring stars such as John Wayne, Ann-Margret, Sammy Davis Jr., Raymond Burr, Phyllis Diller, Martha Raye, Joey Heatherton, Wayne Newton, Jayne Mansfield, Redd Foxx, Rosey Grier, Anita Bryant, Nancy Sinatra, Jimmy Hawkins, Jimmy Boyd, Lola Falana, George Peppard and Bob Hope. Philip Ahn, the first actor of Korean descent to become a Hollywood star, became the first Asian American USO performer to entertain troops in Vietnam.

In addition, the USO operated centers at major U.S. airports to provide a lounge and place to sleep for American servicemen between their flights. Vietnam historian James Westheider noted that the USO "tried to bring a little America to Vietnam." Volunteer American civilians, who did 18-month tours, staffed the clubs. According to Westheider, "The young women wore miniskirts – no slacks were allowed." Each club had a snack bar, gift shops, a barbershop, photo developing, overseas phone lines, and hot showers.

When providing entertainment, the USO did its best to attract known stars from back home to help relieve the stresses of war. Senator John Kerry recalled how important this kind of diversion would become. He remembered a "Bob Hope Follies" USO show, which included actress Ann-Margret, Miss America, football star Rosey Grier, and others. According to Kerry biographer Douglas Brinkley, "When the Swift finally made it back to the My Tho River, the crew confronted the heartbreaking sight of a huge Navy landing craft ferrying the troops back. The USO show was over." Kerry later wrote, "The visions of Ann Margret and Miss America and all the other titillating personalities who would have made us feel so at home hung around us for a while until we saw three Chinook helicopters take off from the field and presumed that our dreams had gone with them."

But for GIs who saw the show, it was worth it: "We turned to watch Ann perform, and for about two minutes of American beauty, the war was forgotten. Everyone fully understood just what was really worth fighting for. ... The show was fantastic, but the escape the Bob Hope tour provided us in expectation for days before, and after, helped us keep in touch with what we were there for – God, Country, apple pie ... and Ann-Margret!"

The visits by the stars meant a lot to the men and women in Vietnam. "It was not just the entertainment; it meant that they were not forgotten that far away from home," writes Westheider. He adds that the tours made a "deep impression" on the stars as well. Singer and actress Connie Stevens remembered her 1969 tour with Bob Hope, when she decided to go despite the fact she had two children both under the age of two. Today, she claims that "veterans were still stopping her and thanking her for visiting Vietnam over 30 years later."

Similarly, Ann-Margret during a book signing was approached by a veteran who asked her to sign a photo he took of her performing in Vietnam. Although the book's publishing representative for the signing event would not allow her to sign anything other than her book, the veteran's wife recalls:

In November–December 1968 the Sig Sakowitz troop from Chicago performed over 36 shows in South Vietnam with the USO in: Pleiku, Dalat, Danang, Cam Ran Bay, Phu Bai, Phu Loy, Hue, Natrang, Tan Son Nhut Airbase, Saigon and places in the boonies known only to military intelligence and the lonely soldiers yearning for a taste of home. The troop consisted of Doublemint Twins Terrie and Jennie Frankel, Gaslight Club singer Sara Sue, Comedian Tony Diamond and personality Sig Sakowitz. Shows were also performed with comedian Joey Bishop of the Rat Pack.

George Peppard, successful star of stage, TV and motion pictures, arrived in Vietnam for a USO HANDSHAKE TOUR in 1970 to visit the military in the hospitals and out in the "boonies."... He showed a keen interest in the men's mission while they were hungry for news of life back in the "World."... Polaroid pictures were taken by Mr. Peppard's escort officer, autographed, and given to the men.

Lebanese peacekeeping

In 1983, a bloody civil war was raging in Lebanon. In an effort to stop the violence in the region a Multinational Force of peacekeepers composed largely of U.S., Italian and French armed service members was created and sent to the region to attempt a restoration of order. As part of the multinational force the United States mobilized an expeditionary force composed of members of the United States Marine Corps and elements of the United States Sixth Fleet which operated out of the Mediterranean Sea.

Carrying on a tradition he had begun in World War II of spending Christmas with U.S. forces overseas, Bob Hope and his troupe of entertainers gave a show on board the battleship  on December 24, 1983. Four hundred Marines stationed in Beirut attended the show.

Italy
American troops have been deployed in Italy since the end of World War II. In 1988, a car bomb targeted the USO club in Naples, which killed five people including a U.S. Navy officer.

Gulf War

To support troops participating in Operation Desert Shield, USO centers opened in Saudi Arabia. Entertainers performing for the troops included Bob Hope, Jay Leno, Steve Martin, Delta Burke, Ann Jillian, Gerald McRaney, Marie Osmond, the Pointer Sisters, country singer Gina James, and Bob Hope on his final USO tour.

Afghanistan and Iraq
To support troops participating in Operations Enduring Freedom and Iraqi Freedom, USO centers opened in Afghanistan, Iraq, Kuwait and Qatar. USO centers number more than 160 around the world. In those years, the USO opened centers at Fort Campbell, Kentucky; Fort Riley, Kansas; Fort Bliss, Texas; Fort Carson, Colorado; and Afghanistan. The USO provides a variety of programs and services, including orientation programs, family events, free Internet and e-mail access, free drinks and snacks, free phone calls home and recreation services. One of the newer programs, called "USO in a Box," delivers program materials ranging from DVD players and videos to musical instruments to remote forward operating bases in Afghanistan.

U.S. military personnel and their families visit USO centers more than eight million times each year.

Bruce Willis visited Baghdad, Camp Kir Kush and Camp Caldwell, Iraq around December 2003. Mr. Willis visited military bases in Iraq during his visit in Iraq.

From June 8 to 11, 2009, TV personality Stephen Colbert traveled to Iraq to film his show The Colbert Report for four days in a USO sponsored event.

Other entertainers who have traveled to the Middle East to perform include Al Franken (who made six USO tours in Kosovo, Iraq and Afghanistan before being elected a United States Senator from Minnesota), Robin Williams, Craig Ferguson, Gary Sinise, Zac Brown, Five Finger Death Punch, Artie Lange, Gary Dell'Abate, Nick DiPaolo, Jim Florentine, Jim Norton, Dave Attell, Avenged Sevenfold, Jessica Simpson, Carrie Underwood, Drowning Pool, Toby Keith (with special guest Gina James), Montgomery Gentry, Kellie Pickler, Mayra Veronica, Carlos Mencia, O.A.R., Trace Adkins, Kathleen Madigan, Louis C.K., Dane Cook, Lewis Black, Third Day, Colin Quinn, Kathy Griffin and Neil McCoy.

The USO has provided services for the annual "Tribute to the Troops" special of World Wrestling Entertainment. They have aired WWE RAW from Afghanistan and Iraq every Christmas in the United States in a pre-taped show from the combat zone.

On July 16, 2012, Hollywood actor Charlie Sheen announced that he would donate at least $1 million to the USO. This would be among the largest single monetary donations ever given to the organization.

Services 
The USO provides services to troops before, during, and after deployment through staffed and unstaffed USO centers inside and outside combat zones.

Operation Phone Home 
USO centers in combat zones provide free phone calls home and internet access to service members through its private telephone network and high-speed internet.

Bob Hope Legacy Reading Program 
The Bob Hope Legacy Reading program allows service members record and send a video of themselves reading a book to their children at home.

USO Care Package Program 
The organization sends toiletry and snack care packages to servicemen including travel-sized hygiene products of which 170,000 were shipped in 2019, healthy snacks, and drink mixes. During the COVID-19 pandemic, the organization assembled thousands of care packages for troops in mandatory 14-day quarantine en-route home.

USO Special Delivery 
The USO hosts baby showers for military parents-to-be. The baby showers allow pregnant military spouses to network and form a community while their spouses are deployed.

USO2GO 
USO2GO is a service that provides customizable kits to military servicemen stationed in areas without a USO Center containing toiletries and snacks, furniture, electronics, and/or anything else they might need. Since 2008, the USO has shipped more than 2,000 kits to places like Afghanistan, Iraq, Egypt, and others.

Entertainment 
The USO has hosted more than 8.1 million center celebrity visits across the world.

Honoring Bob Hope
In 1997, the U.S. Congress honored Bob Hope by declaring him the "first and only honorary veteran of the U.S. armed forces." According to Hope biographer William Faith, his reputation has become ingrained in the "American consciousness" because he had flown millions of miles to entertain G.I.s during both wartime and peace. His contribution to the USO began in 1941 and ended with Operation Desert Shield in 1991, spending 48 Christmases overseas with American service personnel. He was always treated as "an asset to the U.S. Government with his willingness to entertain whenever they needed him." After WWII was declared over, the USO had sent out an "impassioned bulletin" asking entertainers not to abandon the GIs now that the war was over. Hope was among the first to say yes. The Military Order of the Purple Heart notes that "his contributions to the USO are well known: they are legend."

As a result of his non-stop entertainment to both the civilian population and the military, he received numerous other honors over the years: a C-17 Air Force plane was named The Spirit of Bob Hope; a naval vessel was named the USNS Bob Hope; and streets, schools, hospitals, and a golf tournament were also named in his honor. A Senate resolution declared him "a part of American folklore." The Guinness Book of Records called him the most honored entertainer ever.  And during his 1993 televised birthday celebration, when he turned 90, General Colin Powell saluted Hope "for his tireless USO trouping", which was followed by onstage tributes from all branches of the armed forces. General William Westmoreland spoke about his loyalty to the GI throughout the gritty Vietnam years. And bandleader Les Brown, who was with him during many of his tours, mentioned that his band "had seen more of Hope's ass in the last forty years than any of Hope's immediate family."

War correspondent Quentin Reynolds wrote in 1943, "He and his troupe would do 300 miles in a jeep, and give four shows ... One of the generals said Hope was a first rate military target since he was worth a division; that that's about 15,000 men. Presumably the Nazis appreciated Hope's value, since they thrice bombed towns while the comic was there."

During the Vietnam War years he gave a number of high-rating television specials and sensed that the media had given him a broad endorsement for continuing on his GI mercy missions. Soon after his Christmas show in Saigon in 1967, he learned that the Vietcong had planned a terrorist attack at his hotel against him and his entire troupe, missing him by ten minutes. He was later "mystified," writes Faith, "and ... increasingly intolerant of the pockets of dissent. Draft-card burnings on college campuses angered him ..." "Can you imagine," Hope wrote in a magazine article, "... that people in America are burning their draft cards to show their opposition and that some of them are actually rooting for your defeat?" In the spring of 1973, Hope began writing his fifth book, The Last Christmas Show, which was dedicated to "the men and women of the armed forces and to those who also served by worrying and waiting." He signed over his royalties to the USO.

His final Christmas show was during Operation Desert Shield in 1990. The show was not easy, notes Faith. "There were so many restrictions. Hope's jokes were monitored by the State Department to avoid offending the Saudis ... and the media was restricted from covering the shows ... Because in Saudi Arabia national custom prescribes that women must be veiled in public, Ann Jillian, Marie Osmond, and the Pointer Sisters were left off Hope's Christmas Eve show."

In 2009, Stephen Colbert performing his last episode of weeklong taping in Iraq for his The Colbert Report show, carried a golf club on stage and dedicated it to Bob Hope's service for the USO.

Accountability
The USO has a paid staff of approximately 800. Additionally, more than 44,000 USO volunteers provide an estimated 371,417 hours of service annually. As reported by the USO, the unpaid volunteer to paid employee ratio overseas is 20 to 1. Within the United States, the number is "significantly higher."

The Charity Navigator gave the United Service Organizations a 3-star overall rating, a 2-star financial rating and a 4-star accountability and transparency rating.

See also
 Gilla Gerzon (Former director, USO Haifa)
 Entertainments National Service Association (ENSA), an organisation established to provide entertainment for British armed forces personnel during World War II

References

External links

 
 bobhopeuso.org
 USO Clubs in World War II
 "Entertaining the Troops" film, public television, 1 hour
 Bob Hope USO studio show video recording
 Movie clips: WWII tour, from Jolson Sings Again (1949)
 USO World Gala, 2008: President Bush speech Text and video, October 1, 2008
 
 
 
 USO Camp Shows publicity records, 1941–1955, held by the Billy Rose Theatre Division, New York Public Library for the Performing Arts
 United Service Organizations, Inc. : hearing before the Subcommittee on Administrative Law and Governmental Relations of the Committee on the Judiciary, House of Representatives, Ninety-fourth Congress, first session ... December 9, 1975. 

 
Organizations established in 1941
Non-profit organizations based in Arlington, Virginia
United States military support organizations
United States National Medal of Arts recipients
Entertainment organizations
Patriotic and national organizations chartered by the United States Congress
Cultural history of World War II