Lapu-Lapu Name How did he get his name? I don't know. What was his real name? One oral tradition is that the Sugbuanons of Opong was once ruled by datu named Mangal and later succeeded by his son named Lapu-Lapu.
What else do we know about him?
What else do we know about Lapu-Lapu other than what is from the oral traditions?
There had been many folk accounts surrounding Lapu-Lapu's origin. One oral tradition is that the Sugbuanons of Opong was once ruled by datu named Mangal and later succeeded by his son named Lapu-Lapu. Another is from oral chronicles from the reign of the last king of Cebu, Rajah Tupas (d. 1565). This was compiled and written in Baybayin in the book Aginid, Bayok sa Atong Tawarik ("Glide on, Odes to Our History") in 1952 by Jovito Abellana. The chronicle records the founding of the Rajahnate of Cebu by a certain Sri Lumay (also known as Rajamuda Lumaya), who was a prince from the Hindu Chola dynasty of Sumatra. His sons, Sri Alho and Sri Ukob, ruled the neighboring communities of Sialo and Nahalin, respectively. The islands they were in were collectively known as Pulua Kang Dayang or Kangdaya (literally "[the islands] of the lady"). Sri Lumay was noted for his strict policies in defending against Moro raiders and slavers from Mindanao. His use of scorched earth tactics to repel invaders gave rise to the name Kang Sri Lumayng Sugbo (literally "that of Sri Lumay's great fire") to the town, which was later shortened to Sugbo ("conflagration").  Upon his death in a battle against the raiders, Sri Lumay was succeeded by his youngest son, Sri Bantug, who ruled from the region of Singhapala (literally "lion city"), now Mabolo in modern Cebu City. Sri Bantug died of a disease during an epidemic and was succeeded by his son Rajah Humabon (also known as Sri Humabon or Rajah Humabara).  During Humabon's reign, the region had become an important trading center. The harbors of Sugbo became known colloquially as sinibuayng hingpit ("the place for trading"), shortened to sibu or sibo ("to trade"), from which the modern name "Cebu" originates.  According to the epic Aginid, this was the period in which Lapu-Lapu (as Lapulapu Dimantag) was first recorded as arriving from Borneo. He asked Humabon for a place to settle, and the king offered him the region of Mandawili (now Mandaue), including the island known as Opong (or Opon), hoping that Lapu-Lapu's people would cultivate the land. They were successful in this, and the influx of farm produce from Mandawili enriched the trade port of Sugbo further.  The relationship between Lapu-Lapu and Humabon later deteriorated when Lapu-Lapu turned to piracy. He began raiding merchant ships passing the island of Opong, affecting trade in Sugbo. The island thus earned the name Mangatang ("those who lie in wait"), later evolving to "Mactan". CANNOTANSWER
Another is from oral chronicles from the reign of the last king of Cebu, Rajah Tupas (d. 1565). This was compiled and written in Baybayin in the book Aginid,
Fiction is the Comsat Angels' third album, released in August 1982 on Polydor Records. The album has been reissued on CD three times: in 1995 by RPM Records, in 2006 by Renascent and in 2015 by Edsel Records, with different track listings (see below). The album peaked at No. 94 in the UK charts in September 1982.

Fiction was less gloomy than the Comsats' previous album, Sleep No More. Frontman Stephen Fellows said of the change: "I certainly didn't want to make another record as intense as Sleep No More — at least not immediately. Sleep No More was so dark that I felt it skewed things a bit — possibly even mentally for me. I just felt if we carried on in that direction it'd lead to madness or maybe even something worse".

Fellows was satisfied with many of the songs on Fiction, including "What Else!?", "Pictures" and "After the Rain", but felt that the album as a whole could have been better. "We were a bit short of tunes when we recorded it", he said. "We were touring quite a bit after Sleep No More and there wasn't as much time to write as I would have liked".

Track listing (1982) 
All tracks written by Fellows/Glaisher/Bacon/Peake.

"After the Rain"
"Zinger"
"Now I Know"
"Not a Word"
"Ju Ju Money"
"More"
"Pictures"
"Birdman"
"Don't Look Now"
"What Else!?"

Track listing (1995) 
All tracks written by Fellows/Glaisher/Bacon/Peake.

"After the Rain"
"Zinger"
"Now I Know"
"Not a Word"
"Ju Ju Money"
"More"
"Pictures"
"Birdman"
"Don't Look Now"
"What Else!?"
"It's History"
"After the Rain" (Remix)
"Private Party"
"Mass"

Track listing (2006) 
All tracks written by Fellows/Glaisher/Bacon/Peake.

"After the Rain"
"Zinger"
"Now I Know"
"Not a Word"
"Ju Ju Money"
"More"
"Pictures"
"Birdman"
"Don't Look Now"
"What Else!?"
"(Do The) Empty House"
"Red Planet Revisited"
"It's History"
"Private Party"
"For Your Information"
"After the Rain" (Remix)
"(Do The) Empty House" (Live)
"What Else!?" (Live)

Track listing (2015) 
All tracks written by Fellows/Glaisher/Bacon/Peake.

Disc 1
"After the Rain"
"Zinger"
"Now I Know"
"Not a Word"
"Ju Ju Money"
"More"
"Pictures"
"Birdman"
"Don't Look Now"
"What Else!?"

Disc 2 – bonus tracks
"(Do The) Empty House"
"Red Planet Revisited"
"It's History"
"Private Party"
"For Your Information"
"After the Rain" (Remix)

John Peel Session
"Now I Know"
"Ju Ju Money"
"Our Secret"
"Goat of the West"

Personnel 
The Comsat Angels
Stephen Fellows – vocals, guitar, artwork
Andy Peake – synthesizer, vocals
Kevin Bacon – bass guitar
Mik Glaisher – drums

References 

1982 albums
The Comsat Angels albums
Polydor Records albums 

Track listing
 Opening Overture
 "I Get a Kick Out of You" (Cole Porter)
 "You Are the Sunshine of My Life" (Stevie Wonder)
 "You Will Be My Music" (Joe Raposo)
 "Don't Worry 'bout Me" (Ted Koehler, Rube Bloom)
 "If" (David Gates)
 "Bad, Bad Leroy Brown" (Jim Croce)
 "Ol' Man River" (Jerome Kern, Oscar Hammerstein II)
 Famous Monologue
 Saloon Trilogy: "Last Night When We Were Young"/"Violets for Your Furs"/"Here's That Rainy Day" (Harold Arlen, E.Y. Harburg)/(Matt Dennis, Tom Adair)/(Jimmy Van Heusen, Johnny Burke)
 "I've Got You Under My Skin" (Porter)
 "My Kind of Town" (Sammy Cahn, Van Heusen)
 "Let Me Try Again" (Paul Anka, Cahn, Michel Jourdan)
 "The Lady Is a Tramp" (Richard Rodgers, Lorenz Hart)
 "My Way" (Anka, Claude Francois, Jacques Revaux, Gilles Thibaut)

Frank Sinatra's Monologue About the Australian Press
I do believe this is my interval, as we say... We've been having a marvelous time being chased around the country for three days. You know, I think it's worth mentioning because it's so idiotic, it's so ridiculous what's been happening. We came all the way to Australia because I chose to come here. I haven't been here for a long time and I wanted to come back for a few days. Wait now, wait. I'm not buttering anybody at all. I don't have to. I really don't have to. I like coming here. I like the people. I love your attitude. I like the booze and the beer and everything else that comes into the scene. I also like the way the country's growing and it's a swinging place.

So we come here and what happens? We gotta run all day long because of the parasites who chase us with automobiles. That's dangerous, too, on the road, you know. Might cause an accident. They won't quit. They wonder why I won't talk to them. I wouldn't drink their water, let alone talk to them. And if any of you folks in the press are in the audience, please quote me properly. Don't mix it up, do it exactly as I'm saying it, please. Write it down very clearly. One idiot called me up and he wanted to know what I had for breakfast. What the hell does he care what I had for breakfast? I was about to tell him what I did after breakfast. Oh, boy, they're murder! We have a name in the States for their counterparts: They're called parasites. Because they take and take and take and never give, absolutely, never give. I don't care what you think about any press in the world, I say they're bums and they'll always be bums, everyone of them. There are just a few exceptions to the rule. Some good editorial writers who don't go out in the street and chase people around. Critics don't bother me, because if I do badly, I know I'm bad before they even write it, and if I'm good, I know I'm good before they write it. It's true. I know best about myself. So, a critic is a critic. He doesn't anger me. It's the scandal man who bugs you, drives you crazy. It's the two-bit-type work that they do. They're pimps. They're just crazy, you know. And the broads who work in the press are the hookers of the press. Need I explain that to you? I might offer them a buck and a half... I'm not sure. I once gave a chick in Washington $2 and I overpaid her, I found out. She didn't even bathe. Imagine what that was like, ha, ha.

Now, it's a good thing I'm not angry. Really. It's a good thing I'm not angry. I couldn't care less. The press of the world never made a person a star who was untalented, nor did they ever hurt any artist who was talented. So we, who have God-given talent, say, "To hell with them." It doesn't make any difference, you know. And I want to say one more thing. From what I see what's happened since I was last here... what, 16 years ago? Twelve years ago. From what I've seen to happen with the type of news that they print in this town shocked me. And do you know what is devastating? It's old-fashioned. It was done in America and England twenty years ago. And they're catching up with it now, with the scandal sheet. They're rags, that's what they are. You use them to train your dog and your parrot. What else do I have to say? Oh, I guess that's it. That'll keep them talking to themselves for a while. I think most of them are a bunch of fags anyway. Never did a hard day's work in their life. I love when they say, "What do you mean, you won't stand still when I take your picture?" All of a sudden, they're God. We gotta do what they want us to do. It's incredible. A pox on them... Now, let's get down to some serious business here...

See also
Concerts of Frank Sinatra

Frank Sinatra Epistemic privilege or privileged access is the philosophical concept that certain knowledge, such as knowledge of one's own thoughts, can be apprehended  by a given person and not by others. This implies one has access to, and direct self-knowledge of, their own thoughts in such a way that others do not. The concept can also refer to the notion of having privileged, non-perspectival access to knowledge of things about reality or things beyond one's own mind. Epistemic privilege can be characterized in two ways:

 Positive characterization: privileged access comes through introspection.
 Negative characterization: knowledge derived from privileged access is not based upon evidences.

Analysis

The still prevailing traditional position argues each of us do in fact have privileged access to our own thoughts. Descartes is the paradigmatic proponent of such kind of view (even though "privileged access" is an anachronic label for his thesis):

For Descartes, we still have privileged access even in the doubt scenario. That is, for him we would retain self-knowledge even in those extreme situations in which we can't have knowledge about anything else.

Gilbert Ryle, on the other hand, maintains a diametrically opposed view. According to the behaviorism of Ryle, each of us knows our own thoughts in the same way we know other's thoughts. We only come to know the thoughts of others through their linguistic and bodily behaviors, and must do exactly the same in order to know our own thoughts. There is no privileged access. We only have access to what we think upon evidences supplied through our own actions.

References

Further reading

 Donald Davidson, 1987, Knowing one's own mind
 Descartes, René, 1641 (Latin) and 1647 (revised translation to French), Meditations on First Philosophy
 Descartes, René 1641, Principles of Philosophy
 Gilbert Ryle, 1966, "Self-Knowledge"
 Joseph Agassi, "Privileged Access", Inquiry, 12, 1969, 420–6. Reprinted in his Science in Flux, Boston Studies in the Philosophy of Science, Vol. 28, pp. 120–6.

Cognition
Conceptions of self
Concepts in epistemology
Concepts in the philosophy of mind
Doubt
Epistemology
Knowledge
Philosophy of mind
René Descartes