Harold Ramis Early years Where did Ramis attend school? Ramis had begun studying and performing with Chicago's Second City improvisational comedy troupe. Who did he perform with at Second City? I had been in Second City in the workshops already and Michael Shamberg and I had written comedy shows in college". What year(s) did he perform at Second City? 1968, What did he do after Second City? I don't know.
What else happened in 1968?
What else happened for Ramis in 1968 besides being in Second ity?
Ramis began writing parodic plays in college, saying years later, "In my heart, I felt I was a combination of Groucho and Harpo Marx, of Groucho using his wit as a weapon against the upper classes, and of Harpo's antic charm and the fact that he was oddly sexy--he grabs women, pulls their skirts off, and gets away with it". He avoided the Vietnam War military draft by taking methamphetamine to fail his draft physical.  Following his work in St. Louis, Ramis returned to Chicago, where by 1968, he was a substitute teacher at schools serving the inner-city Robert Taylor Homes. He also became associated with the guerrilla television collective TVTV, headed by his college friend Michael Shamberg, and wrote freelance for the Chicago Daily News. "Michael Shamberg, right out of college, had started freelancing for newspapers and got on as a stringer for a local paper, and I thought, 'Well, if Michael can do that, I can do that.' I wrote a spec piece and submitted it to the Chicago Daily News, the Arts & Leisure section, and they started giving me assignments [for] entertainment features." Additionally, Ramis had begun studying and performing with Chicago's Second City improvisational comedy troupe.  Ramis' newspaper writing led to his becoming joke editor at Playboy magazine. "I called ... just cold and said I had written several pieces freelance and did they have any openings. And they happened to have their entry-level job, party jokes editor, open. He liked my stuff and he gave me a stack of jokes that readers had sent in and asked me to rewrite them. I had been in Second City in the workshops already and Michael Shamberg and I had written comedy shows in college". Ramis was eventually promoted to associate editor. CANNOTANSWER
he was a substitute teacher at schools serving the inner-city Robert Taylor Homes.
Harold Allen Ramis (; November 21, 1944 – February 24, 2014) was an American actor, comedian, director and writer. His best-known film acting roles were as Egon Spengler in Ghostbusters (1984) and Ghostbusters II (1989), and as Russell Ziskey in Stripes (1981); he also co-wrote those films. As a director, his films include the comedies Caddyshack (1980), National Lampoon's Vacation (1983), Groundhog Day (1993), Analyze This (1999) and Analyze That (2002). Ramis was the original head writer of the television series SCTV, on which he also performed, as well as a co-writer of Groundhog Day and National Lampoon's Animal House (1978). The final film that he wrote, produced, directed, and acted in was Year One (2009).

Ramis's films influenced subsequent generations of comedians, comedy writers and actors. Filmmakers and actors including Jay Roach, Jake Kasdan, Adam Sandler, and Peter and Bobby Farrelly have cited his films as among their favorites. Along with Danny Rubin, he won the BAFTA Award for Best Original Screenplay for Groundhog Day.

Early life
Ramis was born on November 21, 1944, in Chicago, Illinois, the son of Ruth (née Cokee) (1919-2001) and Nathan Ramis (1915-2009), who owned the Ace Food & Liquor Mart on the city's far North Side. Ramis had a Jewish upbringing. In his adult life, he did not practice any religion. He graduated from Stephen K. Hayt Elementary School in June 1958 and Nicholas Senn High School in 1962, both Chicago public schools, and in 1966 from Washington University in St. Louis, Missouri, where he was a member of the Alpha Xi chapter of Zeta Beta Tau fraternity.

Afterward, Ramis worked in a mental institution in St. Louis for seven months. He later said of his time working there that it:

Career

Early years
Ramis began writing parodic plays in college, saying years later, "In my heart, I felt I was a combination of Groucho and Harpo Marx, of Groucho using his wit as a weapon against the upper classes, and of Harpo's antic charm and the fact that he was oddly sexy—he grabs women, pulls their skirts off, and gets away with it." He avoided the Vietnam War military draft by taking methamphetamine to fail his draft physical.

Following his work in St. Louis, Ramis returned to Chicago, where by 1968, he was a substitute teacher at schools serving the inner-city Robert Taylor Homes. He also became associated with the guerrilla television collective TVTV, headed by his college friend Michael Shamberg, and wrote freelance for the Chicago Daily News. "Michael Shamberg, right out of college, had started freelancing for newspapers and got on as a stringer for a local paper, and I thought, 'Well, if Michael can do that, I can do that.' I wrote a spec piece and submitted it to the Chicago Daily News, the Arts & Leisure section, and they started giving me assignments [for] entertainment features." Additionally, Ramis had begun studying and performing with Chicago's Second City improvisational comedy troupe.

Ramis's newspaper writing led to him becoming joke editor at Playboy magazine. "I called…just cold and said I had written several pieces freelance and did they have any openings. And they happened to have their entry-level job, party jokes editor, open. He liked my stuff and he gave me a stack of jokes that readers had sent in and asked me to rewrite them. I had been in Second City in the workshops already and Michael Shamberg and I had written comedy shows in college." Ramis was eventually promoted to associate editor.

National Lampoon, SCTV, and The Top
After leaving Second City for a time and returning in 1972, having been replaced in the main cast by John Belushi, Ramis worked his way back as Belushi's deadpan foil. In 1974, Belushi brought Ramis and other Second City performers, including Ramis's frequent future collaborator Bill Murray, to New York City to work on The National Lampoon Radio Hour.

During this time, Ramis, Belushi, Murray, Joe Flaherty, Christopher Guest, and Gilda Radner starred in the revue The National Lampoon Show, the successor to National Lampoon's Lemmings. Later, Ramis became a performer on, and head writer of, the late-night sketch-comedy television series SCTV during its first three years (1976–1979). He was soon offered work as a writer at Saturday Night Live but chose to continue with SCTV. Characterizations by Ramis on SCTV include corrupt Dialing for Dollars host/SCTV station manager Maurice "Moe" Green, amiable cop Officer Friendly, exercise guru Swami Bananananda, board chairman Allan "Crazy Legs" Hirschman and home dentist Mort Finkel. His celebrity impressions on SCTV included Kenneth Clark and Leonard Nimoy.

In 1984, Ramis executive produced a music/comedy/variety television show called The Top. The producer was Paul Flattery and the director was David Jove. Ramis got involved after the mysterious death of his friend Peter Ivers who had hosted Jove's underground show "New Wave Theater." He called Jove and offered to help. Flattery and Jove pitched him the idea for The Top, and Ramis was instrumental in getting it on the air.

The show was a mixture of live music, videos, and humor. Performers on the show included Cyndi Lauper, who performed "Girls Just Want to Have Fun" and "True Colors"; the Hollies, who performed "Stop in the Name of Love"; and the Romantics, who performed their two hits at the time, "Talking in Your Sleep" and "What I Like About You."

Guest stars included Rodney Dangerfield, Chevy Chase, and Dan Aykroyd. Ramis got Bill Murray to host but, because Ghostbusters filming ran late, he did not make it to the taping. Chase came out dressed as a "punk" of the time and somehow got into a physical altercation with an audience member (also a punk) during the opening monologue. He immediately left the taping. Flattery and Jove carried on with the show.

Ramis then got Andy Kaufman to fill in for Chase and recorded the host segments at a separate, later, session;  it would be Kaufman's final professional appearance.

The Top aired on Friday, January 27, 1984, at 7 p.m. It scored a 7.7% rating and a 14% share. This represented a 28% rating increase and a 27% share increase over KTLA's regularly scheduled Happy Days/Laverne and Shirley.

Film career
Ramis left SCTV to pursue a film career and wrote a script with National Lampoon magazine's Douglas Kenney, which eventually became National Lampoon's Animal House. They were later joined by a third collaborator, Chris Miller. The 1978 film followed the struggle between a rowdy college fraternity house and the college dean. The film's humor was raunchy for its time. Animal House "broke all box-office records for comedies" and earned $141 million.

He also had a voice part as Zeke in the "So Beautiful & So Dangerous" segment of Heavy Metal in 1981.

Ramis next co-wrote the comedy Meatballs, starring Bill Murray. The movie was a commercial success and became the first of six film collaborations between Murray and Ramis. His third film and his directorial debut was Caddyshack, which he wrote with Kenney and Brian Doyle-Murray. It starred Chevy Chase, Rodney Dangerfield, Ted Knight, and Bill Murray. Like Ramis's previous two films, Caddyshack was a commercial success.

In 1982, Ramis was attached to direct the film adaptation of the Pulitzer Prize-winning book A Confederacy of Dunces by John Kennedy Toole.  The film was to star John Belushi and Richard Pryor, but the project was aborted. In 1984, Ramis collaborated with Dan Aykroyd on the screenplay for Ghostbusters, which became one of the biggest comedy hits of all time, in which he also starred as Dr. Egon Spengler. He reprised the role for the 1989 sequel, Ghostbusters II (which he also co-wrote with Aykroyd). His later film Groundhog Day has been called his "masterpiece."

His films have been noted for attacking "the smugness of institutional life…with an impish good [will] that is unmistakably American." They are also noted for "Ramis's signature tongue-in-cheek pep talks." Sloppiness and improv were also important aspects of his work. Ramis frequently depicted the qualities of "anger, curiosity, laziness, and woolly idealism" in "a hyper-articulate voice."

Ramis also occasionally acted in supporting roles in acclaimed films that he did not write or direct, such as James L. Brooks's Academy Award-winning As Good as It Gets (1997) and Judd Apatow's hit comedy Knocked Up (2007).

In 2004, Ramis turned down the opportunity to direct the Bernie Mac-Ashton Kutcher film Guess Who, then under the working title "The Dinner Party," because he considered it poorly written. That same year, he began filming the low-budget The Ice Harvest, "his first attempt to make a comic film noir." Ramis spent six weeks trying to get the film greenlit because he had difficulty reaching an agreement about stars John Cusack's and Billy Bob Thornton's salaries. The film received mixed reviews. In 2004, Ramis's typical directing fee was $5 million.

In an interview in the documentary American Storytellers, Ramis said he hoped to make a film about Emma Goldman (even pitching Disney with the idea of having Bette Midler star) but that none of the film studios were interested and that it would have been difficult to raise the funding.

Ramis said in 2009 that he planned to make a third Ghostbusters film for release either in mid-2011 or for Christmas 2012. A reboot to the franchise, also called Ghostbusters, was eventually made and released in 2016, directed and co-written by Paul Feig. In this film, a bronze bust of Ramis can be seen when Erin Gilbert leaves her office at Columbia University.

Personal life
Ramis was married twice and had four children. On July 2, 1967, he married San Francisco artist Anne Plotkin, with whom he had a daughter, Violet Ramis Stiel. Actor and Ghostbusters co-star Bill Murray is Violet's godfather. Ramis and Plotkin separated in 1984 and later divorced. Ramis' daughter Mollie Heckerling was born in 1985 and Mollie Heckerling's mother is Amy Heckerling, a director. In 1989, Ramis married Erica Mann, daughter of director Daniel Mann and actress Mary Kathleen Williams. Together they had two sons, Julian Arthur and Daniel Hayes in 1990 and 1994. Although Ramis maintained humanist beliefs, Erica's Buddhist upbringing greatly influenced his philosophies for the rest of his life, and he became friends with the Dalai Lama.

Ramis was a Chicago Cubs fan and attended games every year to conduct the seventh-inning stretch at Wrigley Field. His pastimes included fencing, ritual drumming, acoustic guitar, and making hats from felted fleece; additionally, he taught himself to ski by watching skiers on television.

Illness and death

In May 2010, Ramis contracted an infection that resulted in complications from autoimmune inflammatory vasculitis and lost the ability to walk. After relearning to walk he suffered a relapse of the disease in late 2011.

He died of complications of the disease on February 24, 2014, at his home on Chicago's North Shore, at age 69. A private funeral was held for him two days later with family, friends, and several collaborators in attendance, including Dan Aykroyd, Chevy Chase, Eugene Levy, Dave Thomas, David Pasquesi, Andrew Alexander, and the widows of John Belushi and Bernard Sahlins. He is buried at Shalom Memorial Park in Arlington Heights.

Upon Ramis's death, President Barack Obama released a statement, saying, "When we watched his movies—from Animal House and Caddyshack to Ghostbusters and Groundhog Day—we didn't just laugh until it hurt. We questioned authority. We identified with the outsider. We rooted for the underdog. And through it all, we never lost our faith in happy endings." He ended his statement by saying he hoped Ramis "received total consciousness," in reference to a line from Caddyshack.

Ramis and longtime collaborator Bill Murray had a falling out during the filming of Groundhog Day, which Ramis attributed to problems that Murray had in his own life at the time. They did not speak for more than 20 years. Shortly before Ramis's death, Murray, encouraged by his brother Brian Doyle-Murray, visited him to make amends with a box of donuts and a police escort, according to Ramis's daughter Violet. At that point, Ramis had lost most of his ability to speak, so Murray did most of the talking over several hours. Murray gave a tribute to Ramis at the 86th Academy Awards.

Stephen Colbert paid tribute to Ramis on an episode of his show The Colbert Report. Colbert said that "as a young, bookish man with glasses looking for a role model, I might have picked Harold Ramis." He ended the show by thanking him.

Awards and honors
In 2004, Ramis was inducted into the St. Louis Walk of Fame. In 2005, he received the Austin Film Festival's Distinguished Screenwriter Award. In 2010, he received a lifetime achievement award from the Chicago Improv Festival. In 2015, the Writers Guild of America posthumously honored him with their lifetime achievement award, the Laurel Award for Screenwriting Achievement.

In 2016, two years after his death, The Second City founded the Harold Ramis Film School, the first film school to focus solely on film comedy, in his honor.

The 2016 film Ghostbusters, a reboot of the series Ramis co-created and starred in, was posthumously dedicated to him. A bust of Ramis appears in the film. In the 2021 movie Ghostbusters: Afterlife, the age-progressed image of Ramis appears as the ghost of Egon Spengler; a dedication before the end credits also reads "for Harold."

Collaborations
Ramis frequently collaborated with Ivan Reitman. He co-wrote National Lampoon's Animal House, which Reitman produced, then co-wrote the Reitman-directed comedy Meatballs; he co-wrote and appeared in the Reitman-directed films Stripes, Ghostbusters, and Ghostbusters II.

Filmography

Films

Television

Acting roles

Video games

Archival appearances

References

Further reading

External links
 
 
 Henkel, Guido. "Anatomy of a Comedian: Harold Ramis", DVD Review, August 6, 1999
 Garfinkel, Perry. "And If He Sees His Shadow...", Lion's Roar, July 2009
 Meatballs Movie Website
 The films of Harold Ramis, Hell Is For Hyphenates, April 30, 2014

1944 births
2014 deaths
20th-century American male actors
21st-century American male actors
20th-century American screenwriters
21st-century American screenwriters
American people of Jewish descent
American male comedians
American male film actors
American male screenwriters
American male television actors
American television writers
Best Original Screenplay BAFTA Award winners
Comedy film directors
Deaths from vasculitis
Jewish American male actors
Male actors from Chicago
Washington University in St. Louis alumni
Jewish American writers
Film directors from Illinois
American male television writers
Comedians from Illinois
Writers from Chicago
Screenwriters from Illinois
Jewish American male comedians
20th-century American male writers
21st-century American male writers
An Englishman in Auschwitz is a 2001 book written by Leon Greenman, a Holocaust survivor. The book details his experiences in the Auschwitz concentration camp.

The book is a result of the commitment of English-born Greenman to God "that if he lived, he would let the world know what happened during the war". In short, the book describes the  reminiscences of his days of imprisonment in six concentration camps of the Nazis. Greenman describes the arrival of his family (consisting of himself, his wife, Esther, a Dutchwoman, and their three-year-old son, Barney) at the Auschwitz-Birkenau concentration camp in these words: The women were separated from the men: Else and Barny were marched about 20 yards away to a queue of women...I tried to watch Else. I could see her clearly against the blue lights. She could see me too for she threw me a kiss and held up our child for me to see. What was going through her mind I will never know. Perhaps she was pleased that the journey had come to an end.

References

2001 non-fiction books
Personal accounts of the Holocaust Don Juan Manuel's Tales of Count Lucanor, in Spanish Libro de los ejemplos del conde Lucanor y de Patronio (Book of the Examples of Count Lucanor and of Patronio), also commonly known as El Conde Lucanor, Libro de Patronio, or Libro de los ejemplos (original Old Castilian: Libro de los enxiemplos del Conde Lucanor et de Patronio), is one of the earliest works of prose in Castilian Spanish. It was first written in 1335.

The book is divided into four parts. The first and most well-known part is a series of 51 short stories (some no more than a page or two) drawn from various sources, such as Aesop and other classical writers, and Arabic folktales.

Tales of Count Lucanor was first printed in 1575 when it was published at Seville under the auspices of Argote de Molina. It was again printed at Madrid in 1642, after which it lay forgotten for nearly two centuries.

Purpose and structure

A didactic, moralistic purpose, which would color so much of the Spanish literature to follow (see Novela picaresca), is the mark of this book. Count Lucanor engages in conversation with his advisor Patronio, putting to him a problem ("Some man has made me a proposition..." or "I fear that such and such person intends to...") and asking for advice. Patronio responds always with the greatest humility, claiming not to wish to offer advice to so illustrious a person as the Count, but offering to tell him a story of which the Count's problem reminds him. (Thus, the stories are "examples" [ejemplos] of wise action.) At the end he advises the Count to do as the protagonist of his story did.

Each chapter ends in more or less the same way, with slight variations on: "And this pleased the Count greatly and he did just so, and found it well. And Don Johán (Juan) saw that this example was very good, and had it written in this book, and composed the following verses." A rhymed couplet closes, giving the moral of the story.

Origin of stories and influence on later literature
Many of the stories written in the book are the first examples written in a modern European language of various stories, which many other writers would use in the proceeding centuries. Many of the stories he included were themselves derived from other stories, coming from western and Arab sources.

Shakespeare's The Taming of the Shrew has the basic elements of Tale 35, "What Happened to a Young Man Who Married a Strong and Ill-tempered Woman".

Tale 32, "What Happened to the King and the Tricksters Who Made Cloth" tells the story that Hans Christian Andersen made popular as The Emperor's New Clothes.

Story 7, "What Happened to a Woman Named Truhana", a version of Aesop's The Milkmaid and Her Pail, was claimed by Max Müller to originate in the Hindu cycle Panchatantra.

Tale 2, "What happened to a good Man and his Son, leading a beast to market," is the familiar fable The miller, his son and the donkey.

In 2016, Baroque Decay released a game under the name "The Count Lucanor". As well as some protagonists' names, certain events from the books inspired past events in the game.

The stories

The book opens with a prologue which introduces the characters of the Count and Patronio. The titles in the following list are those given in Keller and Keating's 1977 translation into English. James York's 1868 translation into English gives a significantly different ordering of the stories and omits the fifty-first.

 What Happened to a King and His Favorite 
 What Happened to a Good Man and His Son 
 How  King Richard of England Leapt into the Sea against the Moors
 What a Genoese Said to His Soul When He Was about to Die 
 What Happened to a Fox and a Crow Who Had a Piece of Cheese in His Beak
 How the Swallow Warned the Other Birds When She Saw Flax Being Sown 
 What Happened to a Woman Named Truhana 
 What Happened to a Man Whose Liver Had to Be Washed 
 What Happened to Two Horses Which Were Thrown to the Lion 
 What Happened to a Man Who on Account of Poverty and Lack of Other Food Was Eating Bitter Lentils 
 What Happened to a Dean of  Santiago de Compostela and Don Yllán, the Grand Master of Toledo
 What Happened to the Fox and the Rooster 
 What Happened to a Man Who Was Hunting Partridges 
 The Miracle of Saint Dominick When He Preached against the Usurer 
 What Happened to Lorenzo Suárez at the Siege of Seville 
 The Reply that count Fernán González Gave to His Relative Núño Laynes 
 What Happened to a Very Hungry Man Who Was Half-heartedly Invited to Dinner 
 What Happened to Pero Meléndez de Valdés When He Broke His Leg 
 What Happened to the Crows and the Owls 
 What Happened to a King for Whom a Man Promised to Perform Alchemy 
 What Happened to a Young King and a Philosopher to Whom his Father Commended Him 
 What Happened to the Lion and the Bull 
 How the Ants Provide for Themselves 
 What Happened to the King Who Wanted to Test His Three Sons 
 What Happened to the Count of Provence and How He Was Freed from Prison by the Advice of Saladin
 What Happened to the Tree of Lies 
 What Happened to an Emperor and to  Don Alvarfáñez Minaya and Their Wives 
 What Happened in Granada to Don Lorenzo Suárez Gallinato When He Beheaded the Renegade Chaplain 
 What Happened to a Fox Who Lay down in the Street to Play Dead 
 What Happened to King Abenabet of  Seville and Ramayquía His Wife 
 How a Cardinal Judged between the Canons of Paris and the Friars Minor 
 What Happened to the King and the Tricksters Who Made Cloth 
 What Happened to Don Juan Manuel's Saker Falcon and an Eagle and a Heron 
 What Happened to a Blind Man Who Was Leading Another 
 What Happened to a Young Man Who Married a Strong and Ill-tempered Woman
 What Happened to a Merchant When He Found His Son and His Wife Sleeping Together 
 What Happened to Count Fernán González with His Men after He Had Won the Battle of Hacinas 
 What Happened to a Man Who Was Loaded down with Precious Stones and Drowned in the River 
 What Happened to a Man and a Swallow and a Sparrow 
 Why the Seneschal of Carcassonne Lost His Soul 
 What Happened to a King of Córdova Named Al-Haquem 
 What Happened to a Woman of Sham Piety 
 What Happened to Good and Evil and the Wise Man and the Madman 
 What Happened to Don Pero Núñez the Loyal, to Don Ruy González de Zavallos, and to Don Gutier Roiz de Blaguiello with Don Rodrigo the Generous 
 What Happened to a Man Who Became the Devil's Friend and Vassal 
 What Happened to a Philosopher who by Accident Went down a Street Where Prostitutes Lived 
 What Befell a Moor and His Sister Who Pretended That She Was Timid 
 What Happened to a Man Who Tested His Friends 
 What Happened to the Man Whom They Cast out Naked on an Island When They Took away from Him the Kingdom He Ruled 
 What Happened to Saladin and a Lady, the Wife of a Knight Who Was His Vassal 
 What Happened to a Christian King Who Was Very Powerful and Haughty

References

Notes

Bibliography

 Sturm, Harlan

 Wacks, David

External links

The Internet Archive provides free access to the 1868 translation by James York.
JSTOR has the to the 1977 translation by Keller and Keating.
Selections in English and Spanish (pedagogical edition) with introduction, notes, and bibliography in Open Iberia/América (open access teaching anthology)

14th-century books
Spanish literature
1335 books