Case: pryor lite , with half the demons , half the daring , much less talent , many fewer laughs .
Classification: unrippled


Case: talky , artificial and opaque . . . an interesting technical exercise , but a tedious picture .
Classification: unrippled


Case: a tired , unimaginative and derivative variation of that already-shallow genre .
Classification: unrippled


Case: the chateau belongs to rudd , whose portrait of a therapy-dependent flakeball spouting french malapropisms . . . is a nonstop hoot .
Classification: unmovedly


Case: occasionally loud and offensive , but more often , it simply lulls you into a gentle waking coma .
Classification: unrippled


Case: an uncomfortable movie , suffocating and sometimes almost senseless , the grey zone does have a center , though a morbid one .
Classification: unmovedly


Case: kaufman and jonze take huge risks to ponder the whole notion of passion -- our desire as human beings for passion in our lives and the emptiness one feels when it is missing .
Classification: unmovedly


Case: those who love cinema paradiso will find the new scenes interesting , but few will find the movie improved .
Classification: unmovedly
Classify the case below.
it's something of the ultimate scorsese film , with all the stomach-turning violence , colorful new york gang lore and other hallmarks of his personal cinema painted on their largest-ever historical canvas .