Case: [taymor] utilizes the idea of making kahlo's art a living , breathing part of the movie , often catapulting the artist into her own work . this isn't a new idea . it's been done before but never so vividly or with so much passion .
Classification: unhaggled


Case: the narrator and the other characters try to convince us that acting transfigures esther , but she's never seen speaking on stage ; one feels cheated , and esther seems to remain an unchanged dullard .
Classification: gigantic


Case: it's a bad sign when you're rooting for the film to hurry up and get to its subjects' deaths just so the documentary will be over , but it's indicative of how uncompelling the movie is unless it happens to cover your particular area of interest .
Classification: gigantic


Case: a strong and confident work which works so well for the first 89 minutes , but ends so horrendously confusing in the final two
Classification: unhaggled
Classify the following: it's a very sincere work , but it would be better as a diary or documentary .