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Reason , therefore , has an immediate relation to the use of the understanding , not indeed in so far as the latter contains the ground of possible experience ( for the conception of the absolute totality of conditions is not a conception that can be employed in experience , because no experience is unconditioned ) , but solely for the purpose of directing it to a certain unity , of which the understanding has no conception , and the aim of which is to collect into an absolute whole all acts of the understanding . In composition , where this is extended to persons , the dream-image contains features which are peculiar to one or the other of the persons concerned but not common to them ; so that the combination of these features leads to the appearance of a new unity , a composite figure . It runs like a red thread through all the specific ‘ marginal notes ’ binding them into a tight-knit unity , and is clearly visible everywhere to those familiar with it . " The universal process is thus to be considered not only as the transformation of an actual occasion from a potential to a real unity , or as the concretion of a relative actual world within an occasion .