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Both composers show a clarity of form , equal distribution of interest among parts , suitability of music to instrument , economy of expression , and , despite whatever psychological depths they plumb , a view of chamber music as an opportunity for players to get together . By getting involved in compositional and listening processes , students learn how to appreciate the ideas , structures and intentions of music , and to learn indirectly from those composers , how to make a musical composition interesting , coherent and meaningful . Both composers were alert ante diem to Hans Keller 's strictures about the difficulties of blending the very different natures of piano and string sound , and took advantage of that disparity . And I hope that Olympia will be doing some more exploring in the worklists of both composers , Zelenski in particular . If you look at any Composer , Selectric , or any other mechanical typewriting device short of a Line-o-type , you will never see that property . " Nearly all composers assign their songs to a performing rights organization . It includes good summarized biographies , listing all individual shows for each composer in chronological order .