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In the meantime , the Marquand novel I usually recommend to curious first-timers is Point of No Return , an elegiac study of suburban alienation whose opening chapters Walker Percy once compared in all seriousness to Kafka . The opening shows are indicative . From the opening chords to the finish the Pretenders showed up with attitude , energy and incredible musicianship . Nor , after the opening chapters of the book , does Kafka maintain any socially realistic distinction between levels of language : the people of the village as much as the Castle officials seem able to produce exegetical monologues on the most trivial of questions at the drop of a hat . Each gallery has a new space , and their opening shows are as sensational as the spaces . From the opening chapters of the Gospel , Luke pictures the good news as a message of salvation for the poor , sick , sorrowful , weak , lowly and outcast . Although the hard TEDs appeared to function properly throughout this work , a great deal of force was needed to stretch the webbing sufficient to meet the new escape opening specifications cited in the Federal Register .