[word=V | tag=□]
[word=V | tag=TO]
Scholars in art history of the late nineteenth century have generally avoided reference to the transcendent , perhaps because the theories of social and political investigation with which we work reduce the world of our predecessors to a material one . " MoMA 's Pierre Bonnard ( 1867-1947 ) exhibition reveals one of the century 's great reductionist painters - - worthy of comparison to Matisse and Mondrian in taking down Nature to abstracted visual surrogates . In fact , he had been attentive to the world around him all his life , in the way that he lived and in what he chose to paint . The three topologies tested are colour-coded as follows : red , T1 topology , i.e. the placement of the clade before the divergence of the Streptophyta and Chlorophyta ; blue , T2 topology , i.e. the placement of the clade as sister to the Streptophyta ; and green , T3 topology , i.e. the placement of the clade as sister to the Chlorophyta . Celestina is a superb example of this feeling and of the style in which it found its form : this portrait of an old one-eyed woman , dressed in somber color , achieves , thanks to the simplicity of its color and the economy of its line , an austere nobility which relates it to El Greco 's most restrained portraits .