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Murat ordered his Egyptian cavalry to cut down the crowds and the following night set up a firing squad to shoot anyone who happened to be available . In " Still Life with Violin and Fruit " , the musical instrument , on the other hand , tilts dangerously to the right and contains within it all sorts of rhythmic relationships that seem to lead appropriately to the expressive scroll and pegs . Some of these planes seem to recede away from the eye into shallow depth , but this sensation is always counteracted by a succeeding passage which will lead the eye forward again up on to the picture plane . This may lead to differences in risks and pathogens between the inhabitants and the tourists visiting the country that needs to be taken into consideration . He held one-painting shows of these immense canvases , which people flocked to see , encountering these marvels of nature for the first time . Since considering only the proteomically-identified interactions could lead to a strong underestimation of the positive results , as low affinity and purely functional interactions would be completely excluded , we decided to evaluate the predictive power of the three different methods respect to a less stringent functional index . He has not been able to shake off the habit of sensitive observation on which his wonderful powers of draughtsmanship were based , and the thin arms are still drawn with delight . Perhaps he could not shake off the memory of similar compositions by Rubens : but for whatever reasons , the black and white flash has not taken place ; the horses are static , the figures posed . I like to approach the Atelier from the west staircase of the Louvre so that I can see it through the doorway , glowing in the afternoon sun . Or is this , like so many other gestures in Caravaggio 's oeuvre kinesthetic - is she making us aware that if we can see , we can also hear ? Perhaps he even wanted us to see how Christ must grow and we diminish . To start with the small boys with Cupid 's bows and arrows who aim at the heart of the nymph : not only do those to right and left echo each other 's movements , but the boy swimming beside the chariot corresponds to the one flying at the top of the picture . In his paintings from the 1870s on , lead white was liberally used in most of his color mixtures , bringing with it a new overall brilliance and pale pastel-like quality , as he sought to depict the light tones and minimal light-dark contrasts of full sunlit landscapes . But he could not shake off what Blake might have called the outrageous demon of Michelangelo .