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In Sudden Inspiration , for instance , he recalls the cloying drama of 19th century Realist allegory . Did my craving for the printed pages in the envelope have something to do with my more general longing for the insatiable appetites I had had in the past , for all those feminist books , XY or XX , I had relished over the years with Carolyn , with my ill-fated friend ( now undoubtedly struggling back to consciousness of a wounded hand ) , and with so many others ? Older discussions of the space , function , or sphere of culture ( mostly notably Herbert Marcuse 's classic essay " The Affirmative Character of Culture " ) have insisted on what a different language would call the " semiautonomy " of the cultural realm : its ghostly , yet Utopian , existence , for good or ill , above the practical world of the existent , whose mirror image it throws back in forms which vary from the legitimations of flattering resemblance to the contestatory indictments of critical satire or Utopian pain . You know who they are : Leonardo , Michelangelo , Van Gogh , Picasso , Pollock , etc ., etc. There are grand canons with wide scatter shot ( covering , for example , all of Europe and America ) , as well as lesser canons with a more local aim ( applying to , say , a specific region or a single city ) . A song sparrow , for example , belts out one of its themes , equivalent to a sonata 's opening exposition , then fiddles with it a bit here and there much the way a nonfeathered composer develops a theme .