It was immensely popular and was still being played in France at the end of the 19th century. Being consistently interpreted as a 'royalist' piece, it fell out of public favour during the revolutionary periods and was not billed in Paris in 1791–1806, 1827–1841, 1847–1856.
The piece was immensely popular and continued to be performed in France at the end of the 19th century. It was consistently interpreted as a 'royalist' work, which led to its decline during revolutionary periods and it was not presented in Paris from 1791 to 1806, 1827 to 1841, and 1847 to 1856.