As a freelancer, he was in a minority of musicians around the globe that used CMIs to create music, but unlike his contemporaries, at the time Jeczalik developed his own way of creating noises by taking advantage of the machine's then-poor quality audio output and transformed the distorted samples into unrecognisable sounds.
Being a freelancer, he stood out as one of the few musicians worldwide who used CMIs to compose music. However, unlike other artists at the time, Jeczalik devised his own method for creating sounds by manipulating the machine's poor audio output and transforming the distorted samples into unrecognizable noises.