The only full-page miniature without borders in the book is an unusual scene of Heaven and Hell, opposite a Last Judgement on the facing page. The lower two thirds show a fiery hellish landscape, while above naked figures cross a narrow bridge over a lake to a grassy park-like heaven – if they can evade the devils with hooked poles in the water, who try to grab them. Many scenes in the Getty Tondal, and a large Dream of Charles the Bald in the Petersberg Chroniques also contain striking images on these themes, anticipating those of Hieronymous Bosch.
The book's miniature, featuring Heaven and Hell, a Last Judgement, and figures crossing a bridge over a lake, anticipates themes of hellish landscapes, heavenly settings, and devils attempting to capture individuals. This imagery is also present in other works like the Getty Tondal and the Dream of Charles the Bald.