Raúl Manrupe and María Alejandra Portela in their book Un diccionario de films argentinos (1930–1995) wrote (translated from Spanish): "Loose triangle story, with the frame of a sport at the time of great popularity and trying to reedit the success of Pelota de trapo. The opening sequence with children is perfect."
In their book Un diccionario de films argentinos (1930–1995), Raúl Manrupe and María Alejandra Portela wrote: "A loose triangle story, set against the backdrop of a sport at its peak popularity and aiming to recapture the success of Pelota de trapo. The opening sequence with children is perfect."