The previsualization proved so useful that Dozoretz and his team ended up making an average of four to six animatics of every F/X shot in the film. Finished dailies would replace sections of the animatic as shooting progressed.
Dozoretz's team found previsualization to be highly effective, creating an average of four to six animatics for each visual effects shot during production. As shooting progressed, finished footage replaced portions of these animatics.