She entered the l'Académie Royale de Musique in 1688, where she succeeded Mademoiselle de Lafontaine as prima ballerina, a position she held until 1707. She appeared mostly in opera ballets of Jean-Baptiste Lully and André Campra.
In the context of Baroque-era dance, she joined the prestigious Royal Academy of Music in 1688, eventually becoming leading ballerina, a position she held until 1707. Her performances primarily featured opera ballets by celebrated composers Jean-Baptiste Lully and André Campra.