Mills had a fairly public artistic dispute with screenwriter Harold Pinter about the editing of The Servant that likely led to the end of Mills' collaboration with Losey. Losey and Mills did make one final film together (King & Country – 1964) that did not involve Pinter.
John Mills had a public disagreement with screenwriter Harold Pinter regarding the editing of "The Servant," which likely ended their collaboration with Losey.  They made one final film together (King & Country – 1964) without Pinter's involvement.