In his work Temple of Heaven, he covers the room with ancient Chinese seal script: the oldest written form of the Chinese language, which most people can no longer speak. In other works he develops various unreadable texts based on language influences in the area in which he is creating an installment.
In his work Temple of Heaven, he adorns the room with ancient Chinese seal script: the earliest written form of the Chinese language, which has largely been replaced by spoken forms. In other works he crafts complex, incomprehensible texts that reflect linguistic influences in the area where he is producing an installment.