This EP—Superdrag's first—demonstrated many of the stylistic traits typical of the band throughout its existence, including heavily distorted and often simple guitar work, bass guitar lines which convey the instrumental melody (as in "Really Thru" and "Load"), long periods where one or more instruments are either largely idle or absent ("Bloody Hell" and "Load"), and extensive use of vocal harmonies ("Sugar", "Really Thru", and "Load").
This EP—Superdrag's first—displayed many of the stylistic characteristics common to the band throughout its career, including heavily distorted and often simple guitar work, bass lines that convey the instrumental melody (as in "Really Thru" and "Load"), extended periods where one or more instruments are either largely inactive or absent ("Bloody Hell" and "Load"), and extensive use of vocal harmonies ("Sugar", "Really Thru", and "Load").