24, K. 491, which Hutchings regards as his finest effort. It is a dark and passionate work, made more striking by its classical restraint, and the final movement, a set of variations, is commonly called "sublime." The final work of the year, No.
24, K. 491, which Hutchings regards as his most accomplished work, is a dark and passionate musical creation that benefits from its classical restraint. The concluding movement, a set of variations, is frequently called "sublime." This piece signifies the year's final composition.