Tassoni's mock-heroic manner was also found a fruitful model by Boileau, whose Le Lutrin (The Lectern, 1674–83) recounts a feud between the priest and the choirmaster of a French church.
Boileau recognized Tassoni's satirical style as valuable. In his piece Le Lutrin (The Lectern, 1674-83), he chronicled a disagreement between the priest and the church choir leader in a French parish.