Ultimately, he bounced back and reclaimed his position as the "king of sekere" in the mid-70s by releasing several hit LP records. His version of sekere music and Alhaji Dauda Epo-Akara's were music dominated the Ibadan party scenes until the advent of Alhaji Sikiru Ayinde Barrister's fuji music.
He ultimately regained his status as the preeminent figure in sekere music in the mid-70s by releasing a number of successful LP records. His distinctive take on sekere music and Alhaji Dauda Epo-Akara's style dominated the Ibadan party scene until the emergence of Alhaji Sikiru Ayinde Barrister's fuji sound.