He showed us into a long narrow room, in which was a large slender harpsichord ... which had belonged to ... the singer. It was open, and looked as if it might just have been touched, but no sound could be drawn from it.
The musician guided us into a long, thin room, where a lengthy harpsichord was situated ... that had once belonged to the singer. The instrument was open, suggesting it hadn't been used recently, yet no music emerged when touched.