It is commonly played in Bangladesh (where it is known as the national instrument) and the Indian states of Assam, West Bengal and Bihar. It was mentioned in a 14th-century Saptakanda Ramayana. Later, it was adopted by the ascetic cults of Bauls and Fakirs.
It is frequently performed in Bangladesh (where it holds a special status) and the Indian states of Assam, West Bengal, and Bihar. It has been referenced in a 14th-century Saptakanda Ramayana. Subsequently, it was adopted by spiritual movements led by Bauls and Fakirs.