After Peggy died in 1995, Gold carried on working and, in his late 80s and early 90s, he still played occasionally, especially at the annual Clerkenwell Festivals in London, several North Sea Jazz Festivals, and those in Cork (Ireland): he also "guested" with other bands and travelled to the USA to perform. Although by then he had long given up the tenor saxophone, he continued to feature the bass saxophone on which, over the years (and influenced by the style of Adrian Rollini) he had become one of its most graceful and melodic exponents.
Following Peggy's death in 1995, Gold persisted in his career and, in his late 80s and early 90s, he still participated in performances, especially at the annual Clerkenwell Festivals in London, several North Sea Jazz Festivals, and those in Cork (Ireland): he also made guest appearances with other bands and visited the USA to perform. At that point, he had long relinquished his tenor saxophone but continued to highlight the bass saxophone, which he had become renowned for over time (and was influenced by the style of Adrian Rollini).