Mark Richardson of Pitchfork declared, "Sounds appear as multi-layer holograms, with both sources and ghosted copies simultaneously vying for attention, a piece of sonic trickery used to create some of the most serene and aquatic music of the '90s."
Mark Richardson of Pitchfork declared, "Sounds appear as multi-layer holograms, with both sources and ghosted copies competing for attention simultaneously, a piece of sonic trickery employed to create some of the most tranquil and aquatic music from the '90s."