Stolz notes that the third riff "is based on a one-second-long rhythmic idea played four times, but with the chords changing on the third and fourth times." This is paired with drummer Bill Ward playing a tom drum and cymbal at both about 120 beats per minute (bpm) and 180 bpm, applying "an Afro-Cuban-like feel".
Stolz describes a rhythmic idea repeated four times in the third riff, with chord changes occurring on the third and fourth repetitions. This is paired with drummer Bill Ward's use of toms and cymbals at both 120 and 180 bpm to create an Afro-Cuban feel.