The scenes begin when they are already up and moving; the action is already happening and they don't kind of finish on a kind of particular comforting way; there is no kind of dying fall at the end. You're just in and out of these scenes almost like cinematic cuts. [...] And I quite liked that kind of oblique way of telling of what is, in a way, a very oblique story.
This narrative style commences immediately, with the action already underway before the viewer's eyes. Unlike more traditional storytelling approaches, this method avoids a comforting ending, instead opting for a swift transition between scenes.