Charles Osborne notes that the music of Act 2 "remains on a high level" (when compared to the structural innovations of act 1) but several aspects draw his attention. These include Oberto's "andante cavatina" which begins with Elena: Oh fiamma soave ("Oh sweet flame / That sees my breast on fire!
Charles Osborne comments that the music in Act 2 remains impressive (in comparison to the structural innovations of Act 1) but several aspects catch his attention. These include Oberto's "andante cavatina" which begins with Elena: Oh fiamma soave ("Oh sweet flame / That sets my soul on fire!