He prefers Peter Hall's settings to those by , and considers Hall's "Song of Eärendil" to be the most successful track in the album. That setting is played on guitar by Hall and sung by the Scottish musician Nick Keir, and to Eddins it "sounds authentically rooted in Celtic folk music, with occasional eccentric and unexpected but effective harmonizations".
He has a preference for Peter Hall's arrangements over those by , and holds Hall's "Song of Eärendil" as the most successful track on the album. The arrangement is performed on guitar by Hall and sung by Scottish musician Nick Keir, and to Eddins it "sounds genuinely rooted in Celtic folk music, with occasional quirky and unexpected but effective harmonies".