The song's signature is a keyboard mantra that continually swells and swirls, driven by bass-heavy beats and wah-wah pedal guitars played by Simply Red guitarist Kenji Suzuki. Its floating, ambient stylings established a sound years before The Politics of Dancing by Paul Van Dyk or William Orbit's work with Madonna and All Saints.
The song's signature is a keyboard melody that repeatedly expands and twists, propelled by bass-heavy beats and wah-wah pedal guitars played by Simply Red guitarist Kenji Suzuki. Its ethereal, ambient sound emerged before the works of Paul Van Dyk or William Orbit's collaborations with Madonna and All Saints.