The absolute rhythmic freedom frequently leads to action on three independent rhythmic planes: Ayler improvises in long drawn-out sound-spans; Peacock hints at chains of impulses, irregular and yet swinging in a remote sense; Murray plays on cymbals with a very live resonance, creating colour rather than accentuation."
The unrestricted rhythmic freedom is frequently expressed through actions across three independent rhythmic planes: Ayler's improvisations are characterized by extended sound durations; Peacock hints at chains of impulses, irregular yet swinging in a subtle way; Murray's cymbal playing features vibrant resonance, creating color rather than emphasis.