The technique rapidly reached maturity and produced a group of "exceptionally grand French and Burgundian court commissions, chiefly made c. 1400 but apparently continuing into the second quarter of the fifteenth century". These include the Goldenes Rössl ("Golden Pony") in Altötting, Bavaria, the most famous of the group,  the Holy Thorn Reliquary in the British Museum, the "Tableau of the Trinity" in the Louvre (possibly made in London), and a handful of other religious works, but the great majority of pieces recorded in princely inventories have been destroyed to recover their gold.
As the technique advanced rapidly, it produced an array of "exceptionally magnificent French and Burgundian court commissions, mainly crafted around 1400 but apparently continuing into the second quarter of the fifteenth century". Notable examples include the Goldenes Rössl ("Golden Pony") in Altötting, Bavaria, the Holy Thorn Reliquary in the British Museum, the "Tableau of the Trinity" in the Louvre (possibly created in London), and a handful of other religious pieces, but most of the documented items from princely inventories have been destroyed to recover their gold.