Eric Henderson of Slant Magazine noted that the track "undercuts its pitched beat with wonky Dixieland clarinet riffs." On the review of the parent album by Soul Bounce, they commended the way producer Motiff reinterprets the "big-band sound loops" of house music in the late '80s on the track.
Eric Henderson from Slant Magazine noted that the song's beat is undermined by quirky Dixieland clarinet riffs. Soul Bounce reviewers praised producer Motiff for his ability to reimagine the "big-band sound loops" of house music in the late '80s on this track.