In a 1998 New York Times article the following year, Moran claimed to have seen his staging and visual ideas appropriated by the group, while being publicly uncredited to him by the group's director Bob McGrath. The article itself, perhaps attempting to speak in McGrath's defense, mistakenly attributed several of Moran's theatrical techniques to McGrath (perhaps unknowingly).
In a 1998 New York Times article, Moran accused the group of using his ideas without crediting him, while Bob McGrath, the director, denied it publicly. The article, possibly trying to defend McGrath, mistakenly attributed some of Moran's theatrical techniques to him.