Andrew Druckenbrod of the Pittsburgh Post-Gazette called the piece "a remarkable percussion concerto" and added, "The powerful work concluded with a profound statement of the Native American Great Spirit treated perhaps the only way possible, with complete silence at the end.
Andrew Druckenbrod from the Pittsburgh Post-Gazette praised the piece as a "remarkable percussion concerto," concluding it with a profound statement about the Native American Great Spirit, which was expressed in a unique and powerful manner through complete silence.