Gijsbrecht pushed the limits of the trompe-l'œil painting to its limits with his picture Easel with still life of fruit (1670-72, Statens Museum for Kunst). It has the outline of an easel sawn out of wood, with three pictures leaning against it and all kinds of objects attached to it.
Gijsbrecht pushed the boundaries of trompe-l'œil painting to its limits with his Easel with still life of fruit (1670-72, Statens Museum for Kunst). The artwork includes a wooden easel silhouette, three pictures positioned against it, and numerous objects attached.