It gained a score of 78 out of 100 on Metacritic, based on 23 professional reviews. The Observer reviewer Neil Spencer praised both Simon's and Eno's work: "Simon offers no easy answers to the questions sprayed out in his memorable lines, alternating dreamy idylls with grumpy dissatisfaction while Eno's production ebbs and flows like a digitalised Greek chorus."
Metacritic gave it a score of 78 out of 100 based on 23 reviews. The Observer's Neil Spencer appreciated both Simon's and Eno's work: "Simon does not offer straightforward answers to the questions in his memorable verses, switching between dreamy idylls and grumpy dissatisfaction while Eno's production moves like a digitalized chorus."