In 1650 she sang in La Deidamia in Florence, and in 1652 she may have created the role of Cleopatra (probably doubling as Venere in the prologue) in Il Cesare amante (music lost) by Dario Varotari the Younger and Antonio Cesti at the Santi Giovanni e Paolo. In 1653 she seems to have sung in La Torilda and Il Cesare amante in Genoa, and in 1654 she sang in a revival of the latter opera (retitled La Cleopatra, perhaps in her honour) at the court theatre in Innsbruck. In 1655 she returned to Venice, apparently creating the title role (probably doubling as Giunone) in L'Eupatra (music lost) by Giovanni Faustini and Pietro Andrea Ziani at the Teatro Sant 'Apollinare.
In 1650 she took to the stage in La Deidamia in Florence, possibly creating the iconic role of Cleopatra (doubled as Venus) in Il Cesare amante by Dario Varotari the Younger and Antonio Cesti at Santi Giovanni e Paolo. Her performances continued in La Torilda and Il Cesare amante in Genoa in 1652 and 1653, before she revived the latter opera with a new title, La Cleopatra, in Innsbruck in 1654.