He also takes significant temporal liberties that are not necessarily uncommon in performances of malagueñas. Another common alteration is either the omission of the V7 chord in the first line altogether or its replacement with a nonenharmonic major II chord, which corresponds to a less common melodic formula of the malagueña.
He also makes considerable artistic liberties that are not necessarily typical in performances of malagueñas. Another common deviation is either the omission of the V7 chord in the first line altogether or its replacement with a nonenharmonic major II chord, which corresponds to an uncommon melodic formula of the malagueña.