From 1541 to 1552 he worked at Padua, painting in particular a series of ' Scenes from the Life of John the Baptist’‘, in the Selvático Palace. In 1565, he returned to Rome to paint frescoes, left incomplete by his master, for the Sala Regia (Emperor Frederick I. doing homage to Alexander III) in the Vatican. He returned to Venice in 1565 to paint both in the Doge's Palace and Biblioteca Marciana, where he  painted Sibyls, the Prophets, and the Cardinal Virtues ; and for the chapel, the Dead Christ with his mother and Mary Magdalen.
During the period from 1541 to 1552, he worked at Padua, producing a series of ' Scenes from the Life of John the Baptist’‘ in the Selvático Palace. In 1565, he traveled back to Rome to complete frescoes that his predecessor had left unfinished for the Sala Regia (Emperor Frederick I. paying tribute to Alexander III) in the Vatican. He then returned to Venice in 1565 to create artworks in both the Doge's Palace and Biblioteca Marciana, where he depicted Sibyls, Prophets, and Cardinal Virtues ; and for the chapel, the Dead Christ with his mother and Mary Magdalen.