Coco Hames of the Nashville Scene says of the company: "A Grindhouse release has a rotgut seal of approval, whether it's the kind of gore epic that once played grimy 42nd Street cinemas (Ruggero Deodato's Cannibal Holocaust), an overlooked Hollywood rarity (Frank Perry's The Swimmer), or a long-lost movie by an obsessive auteur that never saw the light of day (Duke Mitchell's Gone with the Pope)".
Coco Hames of the Nashville Scene describes the company: "A Grindhouse release is often viewed skeptically, whether it's an intense horror movie like Ruggero Deodato's Cannibal Holocaust, a rare film such as Frank Perry's The Swimmer, or a long-lost work by a dedicated filmmaker that was never seen (such as Duke Mitchell's Gone with the Pope)".