In Lombardy, he painted frescoes for the Cappella del Rosario in San Vittore in  Varese (1599), and worked in some of the Sacri Monti of the Alps. This activity began with the Ascent to Calvary (1602–1606) chapel in the Sacro Monte of Varallo where he was influenced by Gaudenzio Ferrari and developed a more dramatic style.
In Lombardy, he painted frescoes for the Cappella del Rosario in San Vittore in Varese (1599), and worked on some of the Sacri Monti of the Alps. This activity began with the Ascent to Calvary (1602–1606) chapel in the Sacro Monte of Varallo where he was influenced by Gaudenzio Ferrari and developed a more dramatic style.