A Lamentation of Christ in the Hermitage Museum has been attributed to Bellange since the 1970s, and a related drawing is probably by Bellange, but the Hermitage canvas itself is described by Griffiths and Hartley as "a rather nasty object, with lurid flesh tones, and many have refused to believe that it could be from Bellange's hand". Other leading candidates are Saint Francis in Ecstasy Supported by Two Angels in Nancy, and a pair of panels of the Virgin and Angel of the Annunciation in Karlsruhe.
A Lamentation of Christ in the Hermitage Museum has been attributed to Bellange since the 1970s, and a related drawing is probably by Bellange, but the Hermitage canvas itself is described as "a rather unpleasant piece, with vivid flesh tones, and many have doubted its authenticity due to its poor quality".