“The identification of iterative surface manifestations of deception reinforces the postulation of a deep structure organized by the axis of Delusion and strengthens the hypothesis that deceit is in fact the organizing principle of the entire play”. French farce is based solely off of trust and deceitfulness that are influenced by ideas brought from La Farce de Maitre Pierre Pathelin.
The detection of repeated surface-level manifestations of deception indicates a fundamental structure centered around the Delusion axis, supporting the hypothesis that deceit is the organizing principle of the play. French farce relies solely on trust and deceit influenced by ideas from La Farce de Maitre Pierre Pathelin.