Lying somewhat outside these developments is Matthias Grünewald, who left very few works, but whose masterpiece, his Isenheim Altarpiece (completed 1515), has been widely regarded as the greatest German Renaissance painting since it was restored to critical attention in the 19th century.
Matthias Grünewald, who produced only a few works, is somewhat outside these developments. However, his masterpiece, the Isenheim Altarpiece (completed in 1515), has been highly regarded as one of the greatest German Renaissance paintings since it gained critical attention in the 19th century.