Pepé's fumes spread through the Louvre spoiling various works of art (the limp watches on Salvador Dalí's The Persistence of Memory turn erect and break while the head and insects pass out, the heads of the couple on Grant Wood's American Gothic retreat into their bodies in the manner of turtles, the person overseeing the workers on Jean-François Millet's The Gleaners shoots a starting pistol causing the workers to dash off like sprinters, and the color on Edgar Degas's Two Dancers falls off turning it into a paint-by-numbers picture), the cartoon ending with the fumes causing the Mona Lisa to talk.
Pepé's fumes spread through the Louvre, corrupting various artworks (the limp watches in Salvador Dalí's The Persistence of Memory stand up and break apart while the heads and insects lose consciousness, the figures in Grant Wood's American Gothic sink into their bodies like turtles, the overseer in Jean-François Millet's The Gleaners fires a starting pistol causing the workers to dash off like sprinters, and the colors on Edgar Degas's Two Dancers fade away turning it into a paint-by-numbers picture), ultimately resulting in the Mona Lisa speaking.