As one of Sarasate's most popular compositions and a favorite among violin virtuosos, the work has remained a staple on records at least since Sarasate himself recorded it in 1904, in collaboration with fellow composer Juan Manén as the accompanying pianist in the aforementioned recording, although the 3rd movement was omitted due to time constraints of records.
As one of Sarasate's most well-known compositions and a favorite among violin virtuosos, the work has remained a standard on records at least since Sarasate himself recorded it in 1904, alongside fellow composer Juan Manén as the accompanying pianist in the aforementioned recording, although the 3rd movement was omitted due to time constraints of records.