Upon their return to Paris in 1919, Copeau did not immediately re-open the Théâtre du Vieux-Colombier, but the desire to open a school for actors remained ever-present. Again Suzanne Bing played an important role in both areas.
After returning to Paris in 1919, Copeau didn't immediately resume operations at the Théâtre du Vieux-Colombier, but he continued to harbor the ambition of opening an acting school.  Suzanne Bing was instrumental in both pursuits.