The Vinyl Factory included the record as one of the best electronic albums of the 1950s and 1960s, calling the album "a stunning collection of rickety electronic grooves and hydraulic wheezes," noting that "the compositions are often harmonically static, giving the record a driving, hypnotic quality.
The Vinyl Factory considered this album one of the best electronic albums from the 1950s and 1960s. They described it as a collection of "rickety electronic grooves" and "hydraulic wheezes," highlighting its "driving, hypnotic quality" due to its harmonically static compositions.