His other works include After Django: Making Jazz in Postwar France (University of Michigan Press, 2015). His work is concerned with the historical and cultural situation of music-making and listening, focussing specifically on American jazz in the mid-20th century.
In addition to his notable publication After Django: Making Jazz in Postwar France (University of Michigan Press, 2015), his research explores the social and cultural landscape surrounding music production and consumption, with a specific focus on American jazz in the middle of the 20th century.