In a retrospective assessment of the film, Philip French of The Observer called it "highly uneven, painfully drawn-out, deeply sincere, wildly misogynistic and at times agonisingly tedious. It is also intermittently brilliant, with moments of piercing honesty.
Philip French of The Observer called the film "highly uneven, painfully drawn-out, deeply sincere, wildly misogynistic and at times agonisingly tedious. It is also intermittently brilliant, with moments of piercing honesty."