The garments are similar to the Cao Jiaxiang's style and have received wide acclaim. The carved garments are tight fitting shirts over loose robes with broad sleeves. The most striking figure among the sculptures in the Arhat hall is that of the holy Guanyin style of sculpting which was popular during the later period of Chinese Buddhism.
The garments are comparable to Cao Jiaxiang's style and have garnered extensive praise. The intricately carved garments feature tight-fitting shirts paired with loose robes and broad sleeves. The most notable figure among the sculptures in the Arhat hall is that of the revered Guanyin style of sculpting, which was prominent during the later era of Chinese Buddhism.