Ryan Dombal of Pitchfork gave the album a four out of ten rating, calling the release a "bore of a detour". At PopMatters, Zeth Lundy wrote: "Eitzel's amateur electronic dabbling, dated and nondescript, suffocates the already stagnant snippets of recycled melodies and exhausted tempos.
Ryan Dombal from Pitchfork gave the album a low rating (four out of ten), calling it a "boring detour". Zeth Lundy at PopMatters criticized Eitzel's electronic experimentation as dated and uninspired, stating that it stifled the already weak melodies and repetitive tempos.