His writing on audio art has appeared in EAR magazine, Radiotext(e), Radio Rethink, Theater Drama Review, Parachute, Site of Sound: of Architecture and the Ear, Experimental Sound and Radio edited by Allen S. Weiss, Writing Aloud: The Sonics of Language, S:ON Sound in Contemporary Canadian Art edited by Nicole Gingras, and Aural Cultures edited by Jim Drobnick. In Sonic Somatic: Performances of the Unsound Body, Migone proposed a form of aesthetic sonic philosophy, which explored how sound shapes and disrupts the way art shifted from subject to object through to the abject.
His writing on audio art has appeared in EAR magazine, Radiotext(e), Radio Rethink, Theater Drama Review, Parachute, Site of Sound: of Architecture and the Ear, Experimental Sound and Radio edited by Allen S. Weiss, Writing Aloud: The Sonics of Language, S:ON Sound in Contemporary Canadian Art edited by Nicole Gingras, and Aural Cultures edited by Jim Drobnick. In Sonic Somatic: Performances of the Unsound Body, Migone proposed a form of aesthetic sonic philosophy, which explored how sound shapes and disrupts the way art shifted from subject to object through to the abject.