She probably wrote her Sacri concerti à 1–5 con salmi e canzoni francesi (Milan, 1630) for use in the monastery and similar female institutions. The only known copy was thought to be destroyed in a fire at the Biblioteca Ambrosiana in 1943.
She probably wrote her Sacri concerti à 1–5 con salmi e canzoni francesi (Milan, 1630) for use in monasteries and similar female institutions. It is believed that the only known copy was destroyed in a fire at the Biblioteca Ambrosiana in 1943.