The prime intervenor in these proceedings was Martin Boroditsky, an investigative journalist who had been hired before the renewal of the licence to provide required spoken word programming, and who was mainly concerned with the conversion to a commercial music and promotion format and the total absence of any enrolled broadcasting students.
The central figure in these proceedings was Martin Boroditsky, a journalist who had been hired before the license renewal for spoken word programming, primarily concerned with the transition to a commercial music and promotion format and the absence of enrolled broadcasting students.