Magnet wrote: "The album is a Pet Sounds chamber-pop-meets-progressive-rock indie masterpiece, created long before any lo-fi-loving cretin would ever admit to loving Yes’ Close To The Edge, Genesis’ Nursery Cryme or watching Keith Emerson throw daggers into his eight-foot-high synthesizer."
Magnet wrote: "The album is a Pet Sounds-inspired blend of chamber-pop and progressive-rock indie innovation, developed prior to any lo-fi aficionado would ever acknowledge the influence of Yes’ Close To The Edge, Genesis’ Nursery Cryme or observing Keith Emerson's aggressive interaction with his eight-foot-high synthesizer."