It still remains perhaps the most popular of his magnum opi. That was followed by the naively simple Joseph and Potifer's Wife, 1926, and The Fuzzy Hand, 1928, an intimately aware picture of Dutch peasant life, in which Bulthuis's inclination for non-veresimilitude is still evident.
His most popular work remains perhaps his greatest achievement. This was followed by Joseph and Potifer's Wife, 1926, and The Fuzzy Hand, 1928, a picture that is deeply aware of Dutch peasant life, showcasing Bulthuis's inclination for non-verisimilitude.