Picard closes the discussion by saying that Nonda essentially paints “ the force and the sentiments which exude profoundly from the faces, the bodies, the lights.” He also describes the process of his own portrait being drawn, as well as a series of extended meditations on selected works, notably the coveted “Nativity” which the artist refused to sell, and a portrait of a beautiful young dancer from the Paris Ballet.
Picard concludes the conversation by stating that Nonda primarily conveys “the power and emotions deeply emanating from facial expressions, bodily language, and lighting.” He also recounts his own portrait being created, as well as in-depth contemplations on selected pieces, particularly the highly sought-after "Nativity" which the artist refused to sell, and a portrait of an exquisite young dancer from the Paris Ballet.