The poets who composed the Kalittokai created what comes across as a "one-act plays", sometimes with "coarse, spicy, racy, rude, bawdy, or humorous" dialogues, states Zvelebil. According to Herman Tieken, these compositions are examples of lasya minor dance scenes as described in the chapters 19 and 31 of the Natyasastra. The kali metre has several structural subtypes, each suited for different literary purposes.
The poets who authored the Kalittokai crafted what seems to be "single-act dramas", occasionally incorporating "crass, provocative, humorous, or off-color" exchanges, according to Zvelebil. Herman Tieken asserts that these compositions are examples of lasya minor dance scenes as outlined in chapters 19 and 31 of the Natyasastra. The kali metre encompasses several structural variants tailored for distinct literary objectives.