"The New York Times concluded: "Half of the album comes across simply as neo-soul with a Belgian accent. But the other half—especially 'Show Me the Way'—meshes Zap Mama's dizzying, ping-ponging vocal polyphony with pithy hip-hop beats and a pan-African assortment of guitar curlicues." The Sydney Morning Herald opined: "Singing in both French and English, she's a breathy African Bjork one minute, an operatic Afro-funk diva the next."
The New York Times concluded: "Half of the album is neo-soul with a Belgian accent. But the other half—especially 'Show Me the Way'—blends Zap Mama's dizzying, ping-ponging vocal polyphony with pithy hip-hop beats and a pan-African assortment of guitar curlicues." The Sydney Morning Herald opined: "Singing in both French and English, she's a breathy African Bjork one minute, an operatic Afro-funk diva the next."