With this in mind, the composer assigned the voicing normally reserved for the orchestra to the accordion soloist along with the traditional virtuoso solo passages. The resulting composition is unorthodox in its structure but provides the virtuoso soloist with an opportunity to give full expression to the instrument's complete array of harmonic reed settings which reach from the high flutes through the oboe range into the clarinet settings and ultimately into the range of the violin and cello settings.
The composer placed the usual orchestral parts on the accordion soloist along with traditional virtuoso passages. This unconventional composition allows the virtuoso soloist to fully showcase the instrument's full harmonic reed settings, which extend from high flutes through oboe into clarinet and ultimately reach the violin and cello ranges.