In this case, the body of a recently dead page gives cause for interest, although the Templar Grand Master, Friedrich Nietzsche, and Klossowski himself also assume animal forms during the dialogue and vignettes that follow, and provide commentary on eros, death, transgression and rejection of conventional morality.
In this scenario, the death of a recently deceased page is significant; similarly, Friedrich Nietzsche, acting as the Templar Grand Master, and Klossowski transform into animal forms during dialogues and vignettes. They offer commentary on eros, mortality, transgression, and rejection of conventional morality.