It proposed removing the optical soundtrack from film prints, and using the SMPTE 80 bit timecode printed onto the film print, combined with two CD-ROM drives to provide a four channel digital soundtrack. The removal of the soundtrack would also allow more of the film area to be used during filming, increasing the quality.
The proposal aimed to eliminate the optical soundtrack from film prints and replace it with SMPTE 80 bit timecode printed on the film itself, utilizing two CD-ROM drives for a four-channel digital soundtrack. This change would free up more of the film's surface area for filming, enhancing its quality.