During the Westrveg-period, LMN's use of sampling-technology was on its peak: In the TopPop-performance, one could count no less than seven S series AKAI-samplers stacked on top of each other near the middle of the stage.
During the Westerveg-period, LMN's use of sampling-technology was at its peak: In the TopPop-performance, one could count no less than seven S series AKAI-samplers stacked on top of each other near the middle of the stage.