The Vinyl Factory included the record as one of the best electronic albums of the 1950s and 1960s, calling the album "a stunning collection of rickety electronic grooves and hydraulic wheezes," noting that "the compositions are often harmonically static, giving the record a driving, hypnotic quality.
The Vinyl Factory's assessment of the album emphasizes its unique blend of electronic sounds, characterized by "rickety electronic grooves" and "hydraulic wheezes." They also highlight the record's hypnotic qualities stemming from its harmonically static compositions.