Picard closes the discussion by saying that Nonda essentially paints “ the force and the sentiments which exude profoundly from the faces, the bodies, the lights.” He also describes the process of his own portrait being drawn, as well as a series of extended meditations on selected works, notably the coveted “Nativity” which the artist refused to sell, and a portrait of a beautiful young dancer from the Paris Ballet.
Picard wraps up the conversation by explaining that Nonda masterfully conveys “the energy and feelings radiating from facial features, physical presence, and illumination.” He also shares his own experience being painted, along with profound reflections on select works, especially the highly prized "Nativity" which the artist refused to part with, and a portrait of an enchanting young dancer from the Paris Ballet.