24, K. 491, which Hutchings regards as his finest effort. It is a dark and passionate work, made more striking by its classical restraint, and the final movement, a set of variations, is commonly called "sublime." The final work of the year, No.
24, K. 491, which Hutchings ranks as his most impressive work, embodies a somber and passionate tone, enriched by its classical restraint. The concluding movement, a set of variations, is often described as "sublime." This piece represents the year's final composition.