"A super-abundance of color is unnatural", she once observed, "and has a most unpleasant effect not only upon the eye itself, but upon the mind as well." She recommended "the judicious use of neutrals" as a "foil for color" to lend "power and interest to the touches of color in a scene."
"An excessive amount of color is unnatural", she once remarked, "and has a most unpleasant effect not only on the eye itself but also on the mind as well." She suggested "the judicious use of neutrals" as a "counterpoint to color" to enhance "the impact of color in a scene."