Coco Hames of the Nashville Scene says of the company: "A Grindhouse release has a rotgut seal of approval, whether it's the kind of gore epic that once played grimy 42nd Street cinemas (Ruggero Deodato's Cannibal Holocaust), an overlooked Hollywood rarity (Frank Perry's The Swimmer), or a long-lost movie by an obsessive auteur that never saw the light of day (Duke Mitchell's Gone with the Pope)".
Coco Hames of the Nashville Scene evaluates the company: "A Grindhouse release is generally considered questionable, regardless of whether it's an intense horror film like Ruggero Deodato's Cannibal Holocaust, a rare classic such as Frank Perry's The Swimmer, or a long-lost work by a passionate filmmaker that was never released (like Duke Mitchell's Gone with the Pope)".