the rose window of a cathedral) with the Self, and discourages the attempt to achieve undivided wholeness by integrating parts. Jung's Self (representing the inner God) derives from monotheism, and by contrast Hillman encourages a polytheistic perspective.
The central image of a cathedral's rose window is paired with the Self, and it cautions against striving for complete unity by combining disparate elements. In contrast to Jung's monolithic concept of the Self, which stems from monotheistic traditions, Hillman promotes a more diverse perspective.