This relationship, however, worked both ways; the demand for new music well overshadowed supply and it was this permanent pressure that drove Tchaikovsky back to ballet after the lukewarm reception of Swan Lake, as well as Vsevolozhsky's generous facilitation of his resumed efforts.
This reciprocal relationship; high demand for new music outstripped supply, which led to Tchaikovsky's return to ballet after Swan Lake received lukewarm reception and Vsevolozhsky's support in his renewed efforts.