Gijsbrecht pushed the limits of the trompe-l'œil painting to its limits with his picture Easel with still life of fruit (1670-72, Statens Museum for Kunst). It has the outline of an easel sawn out of wood, with three pictures leaning against it and all kinds of objects attached to it.
Gijsbrecht extended the capabilities of trompe-l'œil painting to its extreme with his artwork titled Easel with still life of fruit (1670-72, Statens Museum for Kunst). The piece includes a wooden easel silhouette, three pictures positioned against it, and numerous objects affixed.