Constructed entirely from the sounds of steel guitars, DeLuca and Lanois contribute a compositional rigor that recalls the 20th century dreamscapes of Ravel and Debussy, with a sense of sonic futurism and yet also with the naturalness that can only come from artists rooted in centuries of grassroots music.
Constructed entirely from steel guitar sounds, DeLuca and Lanois provide a compositional precision that echoes 20th-century dreamscapes of Ravel and Debussy, with an element of sonic futurism and the naturalness inherent in artists deeply rooted in centuries of grassroots music.