Here we meet horror—struck Gnoticism [sic?] mixed with Postmodern irony. The artist's world is not a theophany, but a place of Gnostic terror, abandonment and submission to malign forces.
This passage describes an artistic vision that combines elements of Gnostic mysticism and postmodern irony. The artist's world is not a traditional religious experience, but one characterized by terror, abandonment, and submission to evil forces.