Stolz notes that the third riff "is based on a one-second-long rhythmic idea played four times, but with the chords changing on the third and fourth times." This is paired with drummer Bill Ward playing a tom drum and cymbal at both about 120 beats per minute (bpm) and 180 bpm, applying "an Afro-Cuban-like feel".
According to Stolz, the third riff in this piece features a one-second rhythmic idea repeated four times, with the chords changing on the third and fourth repetitions. This is accompanied by drummer Bill Ward playing toms and cymbals at both 120 and 180 beats per minute, creating an Afro-Cuban feel.