The garments are similar to the Cao Jiaxiang's style and have received wide acclaim. The carved garments are tight fitting shirts over loose robes with broad sleeves. The most striking figure among the sculptures in the Arhat hall is that of the holy Guanyin style of sculpting which was popular during the later period of Chinese Buddhism.
The garments share similarities with Cao Jiaxiang's design and have received widespread acclaim. The intricately carved garments feature a combination of fitted shirts and loose robes with broad sleeves. A prominent sculpture in the Arhat hall is that of the revered Guanyin style, which was characteristic of Chinese Buddhist art during its later phase.