He also argued that the vast majority of American poets were cut off from the unconscious mind, that their verse was prosaic and lacked "imagination," and that they viewed the world in materialistic, strictly intellectual, and overly objective, "impersonal" terms.
He also contended that the majority of American poets were disconnected from their subconscious, that their poetry was mundane and lacked "imagination," and that they perceived the world through materialistic, purely intellectual, and overly objective, "impersonal" perspectives.