Yet, Knobloch’s works do not allow the audience to make up a story, which develops logically according to cause and effect. His works appear to be oddly disconnected, deposed of the temporary. By detracting the scene from a temporal sequence, and by this means from any narrative context, Knobloch directs the perception of the audience onto the artwork itself.
However, Knobloch’s creations do not permit the audience to construct a story, which unfolds logically based on cause and effect. His works seem disconnected, devoid of temporal context. By removing the scene from a chronological sequence, and thereby narrative framework, Knobloch redirects the viewer's attention onto the artwork itself.