She probably wrote her Sacri concerti à 1–5 con salmi e canzoni francesi (Milan, 1630) for use in the monastery and similar female institutions. The only known copy was thought to be destroyed in a fire at the Biblioteca Ambrosiana in 1943.
She likely composed her Sacri concerti à 1–5 con salmi e canzoni francesi (Milan, 1630) for use in monasteries and similar female institutions. The sole known copy was thought to have been lost due to a fire at the Biblioteca Ambrosiana in 1943.