For example, a purely dystopian work typically explores the mechanisms and motives of the totalitarian state to keep its people under control, whereas one of paranoid fiction would concentrate more on the effects of the state on its inhabitants' mental and emotional well-being, and its implications on the decadent condition of society. George Orwell's Nineteen Eighty-Four can be viewed as a balance of the two, depicting the Party as crushing free will through a strictly defined language and constant monitoring, but also through psychological torture and the distorting of people's viewpoints on what is true and what is false.
For instance, a completely dystopian piece usually delves into how totalitarian regimes maintain control over their populace, whereas paranoid fiction might focus more on the state's impact on its citizens' mental and emotional health, along with its effects on society. George Orwell's Nineteen Eighty-Four can be seen as a blend of both, illustrating the Party suppressing free will through rigid language and constant surveillance, but also employing psychological torment and manipulating people’s perceptions of reality.