It gained a score of 78 out of 100 on Metacritic, based on 23 professional reviews. The Observer reviewer Neil Spencer praised both Simon's and Eno's work: "Simon offers no easy answers to the questions sprayed out in his memorable lines, alternating dreamy idylls with grumpy dissatisfaction while Eno's production ebbs and flows like a digitalised Greek chorus."
Metacritic rated it 78 out of 100 based on 23 critiques. The Observer's Neil Spencer highlighted both Simon's and Eno's contributions: "Simon does not provide simple responses to the questions in his evocative lines, alternating between serene scenes and grumpy discontent as Eno's production changes like a digitalized chorus."