Her practice investigates the formation and historical dissemination of cultural constructs around the natural world, focusing particularly on landscape representations within the Northern European Romantic tradition and today’s notions of the Sublime. Central to the work is the human interest and relationship to landscape and its images used metaphorically for human psychology.
Her practice examines cultural representations of nature, particularly focusing on landscape art within the Romantic tradition of Northern Europe and contemporary views of the Sublime. Central to her work is the exploration of how these representations reflect human interests and psychological connections with landscapes.