Tassoni's mock-heroic manner was also found a fruitful model by Boileau, whose Le Lutrin (The Lectern, 1674–83) recounts a feud between the priest and the choirmaster of a French church.
Tassoni's satirical style was also appreciated by Boileau, whose Le Lutrin (The Lectern, 1674–83) narrates a dispute between the priest and the choir director of a French church.