He passed through the usual apprenticeship "sargas" (inexpensive paintings on rough canvas) leading to frescoes and oils on wood panels. For the Cathedral and the convents of St. Francis and St. Paul, he painted a variety of works, no longer extant.
He went through a typical apprenticeship "sargas" (affordable paintings on rough canvas) before moving to frescoes and oils on wood panels. For the Cathedral and the convents of St. Francis and St. Paul, he created various works that are no longer extant.