The only full-page miniature without borders in the book is an unusual scene of Heaven and Hell, opposite a Last Judgement on the facing page. The lower two thirds show a fiery hellish landscape, while above naked figures cross a narrow bridge over a lake to a grassy park-like heaven – if they can evade the devils with hooked poles in the water, who try to grab them. Many scenes in the Getty Tondal, and a large Dream of Charles the Bald in the Petersberg Chroniques also contain striking images on these themes, anticipating those of Hieronymous Bosch.
The miniature's depiction of Heaven and Hell, contrasting with a Last Judgement, suggests a focus on themes of salvation, judgment, and the afterlife. The image of naked figures crossing a bridge over a lake to reach heaven highlights the struggle for salvation and the dangers they face.