She entered the l'Académie Royale de Musique in 1688, where she succeeded Mademoiselle de Lafontaine as prima ballerina, a position she held until 1707. She appeared mostly in opera ballets of Jean-Baptiste Lully and André Campra.
She became a member of the esteemed Royal Academy of Music in 1688, surpassing Mademoiselle de Lafontaine as leading ballerina, a position she retained until 1707. Her stage appearances predominantly included opera ballets by prominent composers Jean-Baptiste Lully and André Campra.