It follows a seven-part rondo pattern, ABACABA, where A, in F minor, is the slow elegiac refrain on piano with variations, B is a bright D major section on violins, and C is a quick and vigorous section derived from the opening refrain.
The composition adheres to a seven-part rondo pattern (ABACABA), with A being a slow, elegiac theme in F minor played on piano with variations, B featuring a bright D major section for violins, and C drawing inspiration from the opening refrain but incorporating an active and vigorous segment.