At the same time, in the last two (Stella and Ariadne), Reisinger reworked elements of ancient art according to the dictates of Biedermeier. Added to that, in the production of Ariadne, the Theatre Directorate allotted what was (for that time), the very large sum of 40,000 roubles. This not only suggests the confidence they had invested in Reisinger, but also confirms that in his first two years in Russia he had clearly won the authority of the Imperial Theatre Directorate.
The text highlights Reisinger's influence on the Imperial Theatre Directorate through his adaptation of ancient art and the substantial funding allocated to "Ariadne." This demonstrates Reisinger's growing authority and the confidence placed in him by the theatre leadership.