Like many of the Abstract Expressionists, Smith possessed the ability to easily switch between an abstract and figurative style of working. His process also involved going back and forth between the different stages of development within a certain style or serial group, as suggested by the Cubis.
Like many Abstract Expressionists, Smith could effortlessly switch between abstract and figurative modes. His work also featured recurring cycles through distinct stages of development in his chosen style, akin to the principles found in Cubism.