Dürer never copied any of his paintings directly into prints, although some of his portraits base a painting and a print on the same drawing, which is very similar. The next stage began when Titian in Venice, and Raphael in Rome, almost simultaneously began to collaborate with printmakers to make prints to their designs.
Dürer never copied his paintings directly into prints, although some of his portraits were based on a painting and a print using the same drawing, which is very similar. Titian in Venice, and Raphael in Rome, began to collaborate with printmakers to create prints from their designs almost simultaneously.