He published madrigals, but his main work is his two volumes of keyboard music, Capricci per sonar (1603, 1609). These contain canzonas, toccatas, variations, and arrangements of vocal pieces, many of which are distinctively Baroque rather than Renaissance in style.
He published madrigals, but his main contribution is his two volumes of keyboard music, Capricci per sonar (1603, 1609). These pieces feature canzonas, toccatas, variations, and vocal arrangements that exhibit a distinctly Baroque style, as opposed to the Renaissance.