It utilises the shuddha (pure) form of Ni on the ascent, and the komala (flat) form of Ni on the descent, creating a key asymmetry in compositional and improvisational performance.
When creating, it utilizes the pure (shuddha) form of Ni for ascent and the flat (komala) form of Ni for descent, producing an important asymmetry in both compositional and improvisational performances.