Andrew Druckenbrod of the Pittsburgh Post-Gazette called the piece "a remarkable percussion concerto" and added, "The powerful work concluded with a profound statement of the Native American Great Spirit treated perhaps the only way possible, with complete silence at the end.
The piece was described as a "remarkable percussion concerto" by Andrew Druckenbrod of the Pittsburgh Post-Gazette, concluding with a powerful and unique expression of the Native American Great Spirit through complete silence.