During the Westrveg-period, LMN's use of sampling-technology was on its peak: In the TopPop-performance, one could count no less than seven S series AKAI-samplers stacked on top of each other near the middle of the stage.
It was during the Westerveg-era that LMN reached the height of its use of sampling technology: At the TopPop show, a staggering number of seven S series AKAI samplers were stacked together in the center of the stage.