The New York Times called his work Adumbrations of the Peacock "a stark, mysterious and ultimately majestic concatenation of broken-bell piano chords, tremulous melodies and quivering textures.
In the context of The New York Times' review, Adumbrations of the Peacock was described by The New York Times as "an intricate, mysterious and grandiose creation of fractured piano chords, subtle melodies and wavering textures."