I Wonder How Far It Is Over You
"I Wonder How Far It Is Over You" is a song co-written and recorded by American country music artist Aaron Tippin. It was released in April 1991 as the second single from the album "You've Got to Stand for Something". The song reached #40 on the "Billboard" Hot Country Singles & Tracks chart. Tippin wrote the song with Buddy Brock.
I'd Rather Love You
"I'd Rather Love You" is a song written by Johnny Duncan, and recorded by American country music artist Charley Pride. It was released in January 1971 as the first single from the album "I'm Just Me". The song was Pride's sixth song to top the U.S. country singles chart. The single stayed at number one for three weeks, spending a total of 13 weeks on the chart.
Coca-Cola
1941 saw the first use of the nickname ``Coke ''as an official trademark for the product, with a series of advertisements informing consumers that`` Coke means Coca - Cola''. In 1971, a song from a Coca - Cola commercial called ``I'd Like to Teach the World to Sing '', produced by Billy Davis, became a hit single.
I'd Have You Anytime
"I'd Have You Anytime" is a song written by George Harrison and Bob Dylan, released in 1970 as the opening track of Harrison's first post-Beatles solo album, "All Things Must Pass". The pair wrote the song at Dylan's home in Bearsville, near Woodstock in upstate New York, in November 1968. Its creation occurred during a period when Harrison had outgrown his role in the Beatles and Dylan had withdrawn from the pressures of fame to raise a family. "I'd Have You Anytime" is recognised as a statement of friendship between the two musicians, whose meetings from 1964 onwards resulted in changes in musical direction for both Dylan and the Beatles. The song reflects the environment in which it was written, as Harrison's verses urge the shy and elusive Dylan to let down his guard, and the Dylan-composed choruses respond with a message of welcome.
There's No Place I'd Rather Be
``There's No Place I'd Rather Be ''Single by Kit Chan Released July 2007 (2007 - 07) Format CD single Recorded 2007 Genre Pop R&B Length 2: 59 Label Eq music Songwriter (s) Jimmy Ye Official National Day Parade theme song singles chronology`` My Island Home'' (2006) ``There's No Place I'd Rather Be ''(2007)`` Shine for Singapore'' (2008) ``My Island Home ''(2006)`` There's No Place I'd Rather Be'' & ``Will you ''(2007)`` Shine for Singapore'' (2008) Audio sample file help
Something (Beatles song)
The opening lyric was taken from the title of ``Something in the Way She Moves '', a track by Harrison's fellow Apple Records artist James Taylor. While Harrison imagined the composition in the style of Ray Charles, his inspiration for`` Something'' was his wife, Pattie Boyd. In her 2007 autobiography, Wonderful Today, Boyd recalls: ``He told me, in a matter - of - fact way, that he had written it for me. I thought it was beautiful... ''Boyd discusses the song's popularity among other recording artists and concludes:`` My favourite (version) was the one by George Harrison, which he played to me in the kitchen at Kinfauns.''
Gorgeous (Taylor Swift song)
Swift co-wrote ``Gorgeous ''with its producers Max Martin and Shellback. It has been described as a`` radio - friendly pop'' song. Lyrically, the song depicts ``the pursuit of a maddening love interest '', whom Swift describes as`` gorgeous''. Hugh McIntyre of Forbes characterized the production of the song as ``simultaneously a basic 808 drum and an attempt at something that pushes electro - pop into a more interesting territory than Top 40 is used to ''. Maeve McDermott of USA Today likened the chorus of the song to the sound of Katy Perry. According to Elle, the man mentioned in the song is the British actor Joe Alwyn, who is Swift's current boyfriend. The song is composed in the key of C major with a tempo of 92 beats per minute, with Swift's vocals spanning from C to F.
Moment of Truth (Tinsley Ellis album)
Moment of Truth is a 2007 blues album by Tinsley Ellis. It was recorded by Tony Terrebonne, mixed by Sam Fishkin, mastered by Dan Stout and produced by Tinsley Ellis with Bruce Iglauer and Tim Kolleth as executive producers. Tinsley wrote all but two of the songs.
Behind That Locked Door
"Behind That Locked Door" is a song by English musician George Harrison, released on his 1970 triple album "All Things Must Pass". Harrison wrote the song in August 1969 as a message of encouragement to Bob Dylan, who was making a highly publicised comeback to the concert stage, accompanied by the Band, with a headlining performance at the Isle of Wight Festival. "Behind That Locked Door" is a rare Harrison composition in the country music genre and the second song dealing with the friendship between himself and Dylan, after their 1968 collaboration "I'd Have You Anytime". Its lyrics address Dylan's elusive nature, and reflect the high regard in which Harrison held the American singer's work. The same reluctance on Dylan's part to re-engage with a concert audience led to him retreating again from live performance until August 1971, when he responded to Harrison's request to play at the Concert for Bangladesh.
You've Got to Stand for Something (song)
"You've Got to Stand for Something" is a song co-written and recorded by American country music singer Aaron Tippin. It was released in October 1990 as his debut single and the title track to his album "You've Got to Stand for Something". It reached the top ten on the country singles chart in early 1991. Tippin wrote the song with Buddy Brock.
In a Quiet Room
In a Quiet Room is the eleventh album released by country music artist Dan Seals and his only album on the Intersound label. This album consists mostly of acoustic versions of songs featured on earlier albums, as well as two songs — "I'd Really Love to See You Tonight" and "Love Is the Answer" — that he originally recorded as one-half of the pop duo England Dan & John Ford Coley. "I'd Really Love to See You Tonight" remake and "The Healin' Kind" were both released as singles.
I Don't Wanna Cry
Its lyrics talk about Carey and her lover being involved in a tumultuous relationship. It was Carey's first single that she did not co-write with Ben Margulies. When she and Walden first wrote the song, she was excited because it sounded like something that would be played on the radio. However, due to bad experiences during its production and because she feels it "doesn't have a message," Carey stated in an MTV interview that she dislikes the song and tries to sing it as rarely as possible. Carey had lobbied to co-produce the song, but was denied permission by Columbia Records. She often fought with Walden in the studio concerning the song's production, and as a result Walden became her least favorite among the producers who worked on her debut album. Due to this, Carey had not performed the song since her 1996 Daydream World Tour; though it was reinstated in 2015 for her #1 to Infinity concert residency in Las Vegas.
(I'd Be) A Legend in My Time
``(I'd Be) A Legend in My Time ''is a song written and recorded by Don Gibson in 1960. It appeared as the B - side of his hit`` Far Far Away'', from the album Sweet Dreams. Gibson re-recorded the song on the 1972 album Country Green.
I'd Have You Anytime
Defying pop convention – as the Band's "Music from Big Pink" had in July 1968, by opening with the funereal "Tears of Rage" – Harrison selected the slow, gentle "I'd Have You Anytime" as track 1 on "All Things Must Pass", which was released on Apple Records in late November 1970. He later attributed the message behind its opening line, ""Let me in here"", as his motivation for placing the song first in the running order, along with the confidence engendered by Dylan and Clapton's involvement.Timothy White, "George Harrison: 'All Things' In Good Time", billboard.com, 8 January 2001 (retrieved 21 January 2015)./ref
Loving You Could Never Be Better
"Loving You Could Never Be Better" is a song written by Earl Montgomery, Charlene Montgomery and Betty Tate, and recorded by American country music artist George Jones. It was released in April 1972 as the second single from his album "George Jones (We Can Make It)". The song peaked at number 2 on the "Billboard" Hot Country Singles chart. It also reached number 1 on the "RPM" Country Tracks chart in Canada. The song was a good example of how producer Billy Sherrill had updated the sound of Jones' records, incorporating a laid back, R&B bass line. By drawing from such unlikely and disparate musical influences as Johann Strauss and "wall of sound" rock producer Phil Spector, he gradually began embroidering his own subtle permutations on the rather predictable fabric of country record production. "I just decided I'd do it my way, and screw 'em if they didn't like it," Jones biographer Bob Allen quotes Sherrill. "Back then, the musicians had their own repertoire of stock Nashville licks and chord progressions that would work on any song. But I often wanted something different, and I'd make 'em play it."
What I'd Say
"What I'd Say" is a song written by Robert Byrne and Will Robinson, and recorded by American country music artist Earl Thomas Conley. It was released in October 1988 as the third single from his album, "The Heart of It All". "What I'd Say" was Earl Thomas Conley's seventeenth number one country single. The single went to number one on the U.S. and Canadian country chart's and spent a total of fourteen weeks on the U.S. country chart.
Loser (Beck song)
Referred to as a ``stoner rap ''by AllMusic's Stephen Thomas Erlewine, the lyrics are mostly nonsensical. The song's chorus, in which Beck sings the lines`` Soy un perdedor / I'm a loser baby, so why do n't you kill me?'', is often interpreted as a parody of Generation X's ``slacker ''culture. Beck has denied the validity of this meaning, instead saying that the chorus is simply about his lack of skill as a rapper. Jon Pareles wrote in The New York Times that`` The sentiment of 'Loser' (...) reflects the twentysomething trademark, a mixture of self - mockery and sardonic defiance'', noting Beck's ``offhand vocal tone and free - associative lyrics ''and comparing his vocals to`` Bob Dylan talk - singing''. After its recording, Beck thought that the song was interesting but unimpressive. He later said, ``The raps and vocals are all first takes. If I'd known the impact it was going to make, I would have put something a little more substantial in it. ''The relationship between Beck and Stephenson soured after the release of`` Loser'' as a single. Stephenson regretted his involvement in creating the song, in particular the ``negative ''lyrics, saying`` I feel bad about it. It's not Beck the person, it's the words. I just wish I could have been more of a positive influence.''
Why Me (Kris Kristofferson song)
``Why Me ''Single by Kris Kristofferson from the album Jesus Was a Capricorn B - side`` Help Me'' Released April 1973 Format 7 ''Recorded July 8, 1972 Genre Country gospel Length 3: 26 Label Monument Records 31909 Songwriter (s) Kris Kristofferson Producer (s) Fred Foster Kris Kristofferson singles chronology ``Jesse Younger'' (1972)`` Why Me ''(1973) ``A Song I'd Like to Sing'' (1973)`` Jesse Younger ''(1972) ``Why Me'' (1973)`` A Song I'd Like to Sing ''(1973)
You'll See
"You'll See" is a song by American singer Madonna from her ballads compilation, "Something to Remember" (1995). The album was released with the intention of toning down the image of Madonna, who was being heavily criticized at the time. She wrote and produced the song with Canadian musician David Foster. "You'll See" was released on October 30, 1995, by Maverick Records as the lead single from the album. An acoustic pop ballad, "You'll See" features instrumentation from percussion, tremolo guitar and piano, while lyrically it speaks of independence after the end of a love affair.
I Can't Make You Love Me
``I Ca n't Make You Love Me ''was written by Nashville writers Mike Reid and Allen Shamblin, who were well - noted for their successes in the country music arena. The song was rewritten many times before being finalized, months later.`` We wrote, most every week, in Mike's basement,'' Shamblin told Peter Cooper in an interview with the Nashville Tennessean. ``And we'd worked on this song for more than six months. One day, he said, 'Come up to the living room,' where his piano was. He sat down and started playing this melody, and it was one of the most moving pieces of music I'd heard. I mean, it hit me in a hard way... Instantly, I knew it was the best thing I'd ever been a part of. ''Reid and Shamblin were both country music songwriters, who according to some accounts originally wrote the song as a fast, bluegrass number. Upon slowing down the tempo considerably, they realized the song gained considerable power and thought about giving the song to one of three artists: Bonnie Raitt, Bette Midler or Linda Ronstadt. Eventually, the song made its way to Bonnie Raitt, who recorded the track for her eleventh studio album,`` Luck of the Draw'' (1991). Raitt co-produced the song with Don Was, while Bruce Hornsby provided a piano accompaniment.
For whom did the producer of I'd Have You Anytime write the song Something?
I'd Have You Anytime >> producer
George Harrison
who did #1 wrote the song something for
his wife, Pattie Boyd