All in Your Name

"All in Your Name" is a song written and performed by Barry Gibb and Michael Jackson. It was recorded in 2002, and released on 25 June 2011, the second anniversary of Jackson's death in 2009.
Writing and background.
"Billboard" reported on 20 December 2002 that Gibb wrote a song with Jackson recently in protest of the United States government's plan to invade Iraq (which took place in March 2003). There are rumors that Jackson showed up one day with a partly written song and talked Gibb into contributing to it. The date was probably in the summer of 2002. A fan said that Gibb has a demo recording of it, but Gibb himself would not confirm that any of this happened.
Gibb explains:
"Michael Jackson and I were the dearest of friends, that's simply what it was. We gravitated towards the same kind of music and we loved collaborating and he was the easiest person to write with. The more we got to know each other the more those ideas entwined and it all came to this song 'All In Your Name'. 'All in Your Name' is in fact the message that Michael wanted to send out to all of his fans all over the world that he did it all for them and for the pure love of music. I hope and pray that we all get to hear it in its entirety. This experience I will treasure forever.
Release.
Barry Gibb sings lead vocals much of the song with short sections performed by Michael Jackson. The cover of the single featured Gibb and Jackson in the recording studio in 1985, when producing together Diana Ross' song "Eaten Alive".
Jackson's voice for emotional bursts in the same way as Robin Gibb's voice is sometimes used.
The creative process for the song was recorded and eventually edited into a music video, released on Gibb's website after the release of the song.


Nevus mucinosus


Olive Mudie-Cooke

Olive Mudie-Cooke (1890-11 September 1925) was a British artist who is best known for the paintings she created during the First World War. Mudie-Cooke served as an ambulance driver in both France and Italy during the conflict and these experiences were reflected in her artwork.
Life and work.
Mudie-Cooke was born in west London, the younger of two daughters to Henry Cooke, a carpet merchant, and Beatrice Mudie. She studied art at St John's Wood Art School and at Goldsmith's College. She also worked in Venice for a brief period. In January 1916 Mudie-Cooke and her elder sister Phyllis, who had studied Archaeology, went to France as volunteer members of the First Aid Nursing Yeomanry, FANY. Whilst driving ambulances for FANY, and later for a Voluntary Aid Detachment unit, in France between 1916 and 1918, Mudie-Cooke began to sketch and paint the scenes she saw around her, both among her fellow ambulance drivers and the medical staff they were working with. In particular her watercolours and chalk drawings often focused on wounded troops being evacuated, and the logistics of evacuation such as ambulance trains waiting in sidings. As well as the Western Front Mudie-Cooke also served as an ambulance driver in Italy during the war. Mudie-Cooke was fluent in French, Italian and German and so sometimes worked as an interpreter for the Red Cross.
In 1919 Mudie-Cooke came to the attention of the Women's Work Sub-Committee of the newly formed Imperial War Museum which acquired a number of her paintings for its fledgling collection. This purchase included her most famous picture, "In an Ambulance:a VAD lighting a cigarette for a patient". In 1920 the British Red Cross commissioned her to return to France to record the activities of the Voluntary Aid Detachment units who were still providing care and relief there. Her paintings from this visit include examples of war damage, the shattered landscapes of the former battlefields and women tending graves in a cemetery. Mudie-Cooke worked mostly in watercolours, painting in a fluid style but often with a somewhat murky palette of colours.
Mudie-Cooke returned to Newlyn in Cornwall and continued working as an artist and held an exhibition of her work in 1921 at the Cambridge University Architectural Society. From 1920 onwards, Mudie-Cooke travelled extensively throughout Europe and Africa, most notably to South Africa where she held an exhibition of her work in 1923. She returned to England for a short period before going to France in 1925 where she took her life. An exhibition of her work was held at the Beaux-Arts Gallery the next year and some years later her sister Phyllis donated more of her works to the Imperial War Museum.


Aleksander Gryglewski

Aleksander Konstanty Gryglewski (4 March 1833, Brzostek - 28 July 1879, Gdańsk) was a Polish painter and art professor at the Kraków Academy of Fine Arts. He is primarily known for his interior portraits of notable buildings throughout Poland.
Life.
Until 1852, he attended the public schools in Krosno, then took courses in drawing at the Academy in Kraków. There, he became a friend of Jan Matejko and followed him to Munich when he went there to continue his studies. Gryglewski returned to Krakow in 1860 and spent the next nine years doing interior portraits of the city's famous buildings; mostly churches. His paintings were reproduced as woodcuts in several publications throughout the early 1870s, including "Kłosy" (Ears of Corn) and "Tygodnik Illustrowany".
He produced similar portraits in Prague and Vienna from 1870 to 1872, notably St. Stephen's Cathedral. Upon his return, he concentrated on portraits of buildings related to Royalty. From 1872 to 1873, he depicted the interior of the Royal Baths at Łazienki Park and, from 1873 to 1875, was at the Royal Castle and the Primate's Palace then, lastly, the Wilanów Palace. From 1875 to 1877, he returned to Krosno to do similar works.
In 1877, he was appointed to the chair of "Perspective" at the Academy in Krakow. His most notable pupil there was Piotr Stachiewicz.
In 1879, he went to Gdańsk to do interiors of the Main Town Hall. While there, overwhelmed by serious financial problems and depressed by his separation from his wife, he committed suicide by jumping from one of the Town Hall's windows.


Studies in Mycology

Studies in Mycology is a peer-reviewed open access scientific journal of mycology published by Elsevier on behalf of the Royal Netherlands Academy of Arts and Sciences' CBS Fungal Biodiversity Centre. The journal was established in 1972, and is edited by Robert A. Samson. It is published 3 times per year.
Indexing and abstracting.
According to the "Journal Citation Reports", "Studies in Mycology" has a 2014 impact factor of 13.250. It is abstracted and indexed in the following bibliographic databases:


Barney Bubbles

Barney Bubbles (born Colin Fulcher; 30 July 1942 – 14 November 1983) was an English graphic artist whose work encompassed graphic design and music video direction. Bubbles, who also sketched and painted privately, is best known for his distinctive contribution to the design practices associated with the British independent music scene of the 1970s and 1980s. His record sleeves, laden with symbols and riddles, were his most recognisable output.
Early life.
Fulcher was born in Tranmere Road, Whitton, Middlesex (now Greater London), in July 1942. He attended Isleworth Grammar School. In 1958 he embarked on a retail display course for a National Diploma in Design (NDD) at the art school of Twickenham College of Technology. During his five years at the college Fulcher received a multi-disciplinary education that included training in cardboard design, display and packaging, skills that would be utilised later in his record sleeve work.
Career.
Michael Tucker + Associates.
After leaving college in 1963 Fulcher worked as an assistant at the design company Michael Tucker + Associates in London. Its clients included Pirelli. In a rare interview in November 1981 in "The Face", Bubbles described Tucker's discipline as "very Swiss; very hard; unjustified, very grey; and he taught me "everything" about typography." Tucker's studio produced the posters for Hugh Hudson's Pirelli-sponsored film "The Tortoise & The Hare" (1967), for which Fulcher designed the poster lettering on a freelance basis.
The Conran Group.
In May 1965, Fulcher was recruited by The Conran Group as senior graphic designer alongside Stafford Cliff, Virginia Clive-Smith and John Muggeridge. He produced a variety of commercial commissions for Conran, including the Norman-style archer logo for Strongbow cider and items for Conran's new homewares chain Habitat. Fulcher also established an association with Justin de Blank, a director at Conran, which blossomed when de Blank left to launch his own upmarket provisions company and restaurant business in 1968.
A1 Good Guyz and other early activities.
Between 1965 and 1966 Fulcher organised happenings, parties and other events under the name "A1 Good Guyz" with two graduates of Twickenham Art College, David Wills and Roy Burge.
In 1967 Fulcher became known as Barney Bubbles, though he did not change his name by deed poll for several more years. The name came about when Fulcher was operating a light show that created a bubble effect by mixing oils and water on projection slides. These lightshows were for groups including the Gun and Quintessence at underground venues including the Roundhouse, Jim Haynes's Drury Lane Arts Lab, the Electric Cinema and Middle Earth.
With Wills, Bubbles undertook freelance design commissions, including a redesign of "Motor Racing" magazine and a recipe book for the English Egg Marketing Board. With a team of contributors Bubbles and Wills art-directed "Oz" magazine issue 12, dubbed "The Tax Dodge Special" and published in May 1968.
Teenburger Designs.
Early in 1969, Bubbles took the lease on a three-storey building at 307 Portobello Road in Notting Hill Gate, West London. He converted the ground-floor space into a graphic art studio, which he named Teenburger Designs. With a business association established with two entrepreneurs, Edward Molton and Stephen Warwick, and with John Muggeridge from Conran serving briefly as an assistant, he set about working primarily for the music industry. His first record sleeve design was for Quintessence's LP "In Blissful Company" (1969). The gatefold sleeve design uses illustrations by Gopala on the front and back, and contains a monochrome glued-in booklet inside.
Teenburger also provided record sleeve designs for the bands Brinsley Schwarz and Red Dirt, as well as Vertigo artists such as Cressida, Gracious! and Dr Z, whose LP "Three Parts To My Soul" is particularly noted for its complex and colourful fold-out sleeve.
Following the closure of Teenburger in 1970 as a result of the disappearance of Molton and Warwick, Bubbles worked as the designer of the underground newspaper "Friends" (later renamed "Frendz").
Hawkwind (and other 1970s rock).
While he was working at Friends, Bubbles formed an association with Hawkwind and became responsible for a run of their album sleeves, including "In Search of Space", "Doremi Fasol Latido" and "Space Ritual". Bubbles engaged in many aspects of the group's visual identity, titling releases and designing posters, adverts, stage decoration and performance plans, some of which were adorned with mystical and mock-Teutonic insignia. In 1972 Bubbles produced the triple LP package "Glastonbury Fayre". This comprised a six-panel fold-out card sleeve, two poster inserts, a booklet and a cut-out and build miniature pyramid, housed in a clear vinyl bag (with two sleeve variations and three label variations).
From 1973 onwards, Bubbles increasingly avoided credits for his artwork, typically working anonymously or occasionally adopting alternative pseudonyms. During this period he designed album sleeves and additional material for such acts as the Sutherland Brothers, Kevin Coyne, Edgar Broughton Band, Chilli Willi and the Red Hot Peppers, Quiver, the Kursaal Flyers and Michael Moorcock and the Deep Fix.
In 1976 his design relationship with Hawkwind came to an end. It was rekindled once, in 1978, for the Hawklords spin-off, but otherwise continued only with design commissions for projects involving the band's saxophonist Nik Turner.
Stiff, Radar and F Beat (and other punk and new wave).
Barney Bubbles joined Stiff Records as designer and art director early in 1977. With the label's co-founder Jake Riviera he generated a body of creative work that helped to secure Stiff's reputation as an exciting new independent label. Bubbles created sleeves for bands including the Damned, Elvis Costello, Ian Dury and Wreckless Eric. Often these were accompanied by quirky logos such as the face logo for Blockhead, advertisements and promotional items. The marketing of Elvis Costello's "My Aim Is True" included advertisements in three UK music papers from which a poster of Costello could be constructed, and the first 1,000 pressings contained an insert headed "Help Us Hype Elvis", which, if completed and returned to Stiff, ensured that a friend would receive a free copy.
When Riviera left Stiff in late 1977, Bubbles joined him at his new label Radar Records and later at Riviera's F-Beat Records. At these labels, Bubbles created more designs for Elvis Costello, as well as other artists such as Nick Lowe, Carlene Carter and Clive Langer & The Boxes.
Bubbles also maintained his freelance output, producing designs for Peter Jenner (Ian Dury and Billy Bragg's manager), and others. He created a prodigious output by working for such bands, musicians and performers as Peter Hammill, Vivian Stanshall, Generation X, Big Star, Johnny Moped, Whirlwind, Billy Bragg, Clover, the Sinceros, Roger Chapman, Phillip Goodhand-Tait, Dr. Feelgood, Inner City Unit and the Psychedelic Furs. As a result, his work appeared on releases by labels such as Aura, Chiswick, Utility, Go! Discs, Epic, Charisma, CBS, Line Records, United Artists and Riddle Records. His signature style emerged as one that was colourful, playful, loaded with geometry, art-history and music-history references, jokes, cryptograms and symbols. The overriding appetite was for going against the grain of accepted design standards. His work is simultaneously complex in meaning and simple in its delivery. Examples include:
Music promo videos.
Barney Bubbles directed several videos, including the Specials' "Ghost Town", Squeeze's "Is That Love" and "Tempted", Elvis Costello's "Clubland" and "New Lace Sleeves", and Fun Boy Three's "The Lunatics (Have Taken Over the Asylum)". Two promos for the punk act Johnny Moped, "Incendiary Device" and "Darling Let's Have Another Baby", were never commercially released to broadcasters.
"A good video can sell a record which might not do so well," Bubbles told "Smash Hits" magazine in 1982. "The record companies know that. I think Chrysalis would agree that The Specials’ 'Ghost Town' video helped sales a good deal. This year I intend to make videos which are really inexpensive but really inventive. It can be done, you know."
"NME".
In 1979, riding on the reputation of his work for Stiff, Bubbles was engaged by the UK music newspaper "New Musical Express" to spearhead an overhaul of its decades-old brand. Bubbles' redesign incorporated elements of Pop art and 1920s Soviet poster art into a "sleek, forward-looking" graphic format. His restyling included a fresh logo with "clean, stencilled, military-style lettering", which heralded the title's change from "New Musical Express" to "NME".
Other work.
In 1979 Derek Boshier curated an exhibition entitled Lives at the Hayward Gallery, London, and he commissioned Bubbles to design the catalogue and poster. Together with the photographer Chris Gabrin, Bubbles also exhibited a video and mixed-media installation in the exhibition.
In the early 1980s Bubbles created furniture designs, some of which were featured in "The Face", November 1981.
In 1982 Bubbles conceived the album "Ersatz", working primarily with Nik Turner and other musicians from Inner City Unit. The LP was released under the name of The Imperial Pompadours.
Bubbles painted privately, increasingly in the early 1980s.
Death.
Barney Bubbles, who suffered from manic depression, committed suicide in London on 14 November 1983 by gassing himself, trapping the fumes in a plastic bag he placed over his head, at the age of 41. He had considerable personal and financial worries, and had fallen out of fashion in the early 1980s. His designs for record sleeves were being rejected by musicians and record companies, and he was being investigated by the Inland Revenue for unpaid taxes dating back several years. He was also displaying increasingly erratic behaviour, alarming close friends by lacerating his face with razor blades and making threats to kill himself. He died on his late parents' wedding anniversary.
Influence and legacy.
Barney Bubbles is recognized as a "founding father" of album cover art, who created "hundreds of record sleeves that have sold in their millions across the world". The first exhibition dedicated to Bubbles' work was held at London gallery Artomatic in 2001, and was curated by the art-design team Rebecca And Mike.
A biography, "Reasons to be Cheerful: The Life & Work Of Barney Bubbles" by Paul Gorman, was published in 2008. The book was welcomed as a long-overdue recognition of Bubbles' achievements and selected by British music magazine "Mojo" as its "Book of the Year".
A revised second edition of "Reasons to Be Cheerful" was published in October 2010 to coincide with Gorman's curation of the exhibition "Process: The Working Practices of Barney Bubbles" at London gallery Chelsea Space.
In January 2012, BBC Radio 4 broadcast a documentary, "In Search Of Barney Bubbles", written and produced by Mark Hodkinson.
In summer 2012 Gorman curated "The Past The Present & The Possible", which presented 250 examples of Bubbles' finished artworks as part of the exhibition White Noise at the 23rd International Poster & Graphic Design Festival in Chaumont, France.
Under the heading "Génération Bubbles!", the cover and a 10-page feature in the July 2012 issue of French design magazine "Étapes" were dedicated to the exhibition and Bubbles' influence over contemporary design practice.
General and group exhibitions.
The work of Barney Bubbles has been featured in general and group exhibitions, including "Destroy: Punk Graphic Design in Britain", held at London's Southbank Centre in 1998 and "Communicate: British Independent Graphic Design since the Sixties", staged at the Barbican Centre in 2004.
The Victoria and Albert Museum included Bubbles' works in the 2011 show "Postmodernism: Style & Subversion 1970–1990", and the following year's "British Design 1948–2012".


Classic basal cell carcinoma


Journal of Microencapsulation

The Journal of Microencapsulation is a peer-reviewed scientific journal that covers research on the preparation, properties, and uses of individually encapsulated novel small particles, as well as improvements to techniques using micro and nano particles in industrial, engineering, pharmaceutical, biotechnology, and research applications. It was established in 1984 and is published by Informa. The editor-in-chief is Oya Alpar (University of London). According to the "Journal Citation Reports", the journal has a 2014 impact factor of 1.585.


Camp Courage

Camp Courage is a summer camp for children and adults with disabilities located in Maple Lake, Minnesota. A closely affiliated camp, Camp Courage North, is located near Bemidji, Minnesota. Until November 19, 2012, both camps were owned and operated by Courage Center, a disability advocacy organization.
Camp Courage.
Camp Courage is located on a property near Maple Lake. It consists of two campuses, the "Lakeside Campus" and the "Woodland Campus". The "Lakeside Campus" caters to individuals with physical disabilities and visual impairments, while the "Woodland Campus" caters to children with speech, hearing, and language impairments.
Camp Courage North.
Camp Courage North is located on a property on the shore of Lake George, Minnesota, near Itasca State Park and Bemidji. It offers sessions for teens and adults with a wide range of disabilities.


David Attwell

David Attwell FRS (born 1953) is a British neuroscientist, and the Jodrell Professor of Physiology at University College London. in the Faculty of Life Sciences
Life.
David Ian Attwell studied physics and physiology at Magdalen College, Oxford, and earned D.Phil. in neuroscience from Oxford, where he studied with Julian Jack. He also studied at the University of California, Berkeley with Frank Werblin.


Augustus Haynes

Augustus "Gus" Haynes is a fictional character on the HBO drama "The Wire", played by actor Clark Johnson, who is also a director for the series. Haynes is the dedicated and principled editor for "The Baltimore Sun" city desk.
Character depiction.
Haynes is a dedicated, principled and experienced reporter who now serves as city desk editor of "The Baltimore Sun". He has worked at the paper for many years; he claims to have dropped out of journalism school and worked his way up from the police beat and labor beat to his current position. He maintains several contacts within the Baltimore Police Department. Haynes is profane and unrefined and chafes with the management of "The Sun". He is a reporter's editor and is quick to both compliment and criticize his team where deserved and likes to keep his reporters motivated.
Season 5.
Haynes often smokes on the loading dock of the building with fellow veterans police reporter Roger Twigg, court reporter Bill Zorzi and State Desk Editor Tim Phelps. Haynes reports to Metro Desk Editor Steven Luxenberg and is required to manage a team of journalists including city hall reporter Jeff Price, general assignments reporters Scott Templeton and Mike Fletcher,
 Twigg and Alma Gutierrez on the police beat, ornery veteran Bill Zorzi and rewrite man Jay Spry, among others. Haynes is responsible for editing the stories his reporters submit, keeping them on deadline and in organizing the submissions for daily budget meeting with managing editor Thomas Klebanow. The budget meeting determines how much space each story is allocated and Haynes often calls for budget lines (short summaries of stories) from his staff so he can present them in the meeting. Haynes is also working with executive editor James Whiting on a prospective series of articles about the city school system.
Haynes is upset at continuing cutbacks at the paper causing the closure of foreign bureaus and the loss of veteran reporters and their institutional memory. He is outspoken about the loss of their transportation reporter when "The Sun" is beaten to a story about city bus cutbacks by the "Daily Record". He clashes with Whiting when the executive editor suppresses a story about the University of Maryland failing to meet its desegregation goals. Whiting refuses to run the story because he is friends with the Dean of Journalism, who assures him that the university's reputation is improving amongst black faculty and students.
Haynes helps to identify and generate stories, including dispatching Twigg to report on a row house fire and noticing a zoning issue in a set of city council minutes that indicates a political scandal. While checking the minutes from a meeting Price has attended, Haynes notices the name of known drug dealer Ricardo "Fat Face Rick" Hendrix, who owns a strip club that is being relocated by the council. Haynes discerns that the city will lose a substantial amount of money on the deal, to the benefit of the drug dealer. He has reporters investigate and links the property exchange to campaign contributions from Hendrix to city council president Nerese Campbell. Haynes is even able to manipulate Campbell into revealing that there are further campaign donations that he has not recognized. When Klebanow congratulates Haynes on the story, he gives full credit to Price. Haynes rewards his team by taking them out for drinks.
Templeton delivers a story about a mother of four who died of an allergic reaction to crabs. Templeton includes mention of a scholarship fund for the woman's children. However, Haynes later learns that the details of a correction by Templeton involving a scam being run by the mom's relative are phony. Haynes meets with Whiting's education piece team to discuss their approach to a series of articles on the subject. Haynes and Scott Shane argue that the school children face wider problems than a lack of funding for their education. Templeton disagrees and Whiting backs his view that a tightly focused story will be easier to read and will appeal more to their audience. Haynes is angry that they are focusing on one aspect of a larger problem but Whiting insists that widening the focus would dilute the impact of the story. Although he doesn't like the story idea, Haynes later tries unsuccessfully to revive the series as a project for Templeton (who he has become distrustful of), but is rebuffed by Klebanow and Whiting because they want Templeton to continue the "homeless serial killer" story. Haynes lies awake that night worried he has transposed figures in an article about activity at the port and phones Spry to check. He is relieved to learn that the details were correct.
Templeton is assigned to write a color piece about the Baltimore Orioles' Opening Day. When Templeton delivers an unverifiable story about a disabled boy who would only give his nickname and was cutting class to attend the game Haynes is reluctant to run it because it violates the paper's policy on naming its subjects. Haynes is overruled by Whiting.
Haynes is apologetic when Gutierrez's story about a home invasion triple homicide is cut in length and relegated to the metro section. Gutierrez also presents a story about a series of potentially linked murders of homeless men but the details are not sufficient for it to receive a great deal of coverage.
Haynes is angry when Executive Editor James Whiting announces another round of buy outs and the closure of several foreign bureaus (including Beijing and Jerusalem) and questions why their funding is being cut when the newspaper remains profitable. Haynes is further disappointed when his friend and fellow veteran Twigg is manipulated into accepting a buy out. Haynes himself is told by Whiting and Klebanow that he is essential in managing the transitions in the newsroom.
Norman Wilson, an ex-colleague and current advisor to Mayor Tommy Carcetti, leaks a story to Haynes about the Mayor's plans for the police department. Carcetti is going to force commissioner Ervin Burrell to resign and eventually replace him with colonel Cedric Daniels. Haynes offers the story to Templeton but reassigns it to Twigg when Twigg demonstrates in depth knowledge of Daniels' background. Haynes assigns Templeton to gather react quotes for the piece and is suspicious when Templeton comes up with an incredibly worded quote. Haynes presses Templeton for his source and he claims that it came from Nerese Campbell. After work Haynes drinks with Twigg and they discuss their reasons for getting into the industry and bemoan the current state of the paper. Haynes reveals that watching his father set time aside to read the paper each day convinced him of its importance and that he wanted to be a part of it. Twigg quotes H.L. Mencken and Haynes dismisses their predecessor, Twigg leaves telling Haynes that he forgives him.
Haynes amuses the newsroom with running commentary on the press conference Carcetti holds to announce the transitions in the department. Klebanow wonders how much of Haynes' insight will filter into their coverage and Haynes comments that with the loss of Twigg it will be difficult to find sources to support a thorough analysis of the promotions. Klebanow becomes annoyed with Haynes' use of profanity and asks him to moderate it. Haynes' team are also forced to hurry to catch up when the lack of a daily city court reporter causes them to miss the development of the Clay Davis corruption investigation. Haynes is impressed with Templeton's work on this story.
Eventually, Haynes begins to suspect that Templeton is fabricating his stories. When a homeless veteran confronts Templeton and Haynes about a combat story that he claims Templeton made up, he takes a trip to Walter Reed Medical Center in Washington, D.C. to talk to another vet, who confirms that the veteran is an honest man. Also, during a meeting with Nerese Campbell, she reveals that she was surprised to hear that someone said that Cedric Daniels had a hand in then-Commissioner Burrell's dismissal - a quote previously attributed to Campbell herself by Templeton. He confronts Klebanow, who stands by Templeton. Later, in an argument, Templeton throws a notebook which he says has all his notes in it - when Gutierrez takes a look at it, she discovers it is blank. She relays this information to Gus, who once again confronts Whiting. This time, he is sent back to the copy desk as punishment.


George Eld

George Eld (died 1624) was a London printer of the Jacobean era, who produced important works of English Renaissance drama and literature, including key texts by William Shakespeare, Ben Jonson, Christopher Marlowe, and Thomas Middleton.
Eld was the son of a carpenter from Derbyshire. He served an eight-year apprenticeship to bookseller Robert Bolton, starting in 1592, and became a "freeman" (a full member) of the Stationers Company on 13 January 1600. He established himself in his own printing business in 1604, at the sign of the White Horse in Fleet Lane, by marrying the widow of not one but two master printers. His shop featured two or perhaps three presses, and four compositors – a substantial operation for the time. Eld entered into a partnership with Miles Fletcher in 1617; Fletcher took over the business after Eld died of plague in 1624.
Printer.
In Eld's historical era, most stationers concentrated on either printing or bookselling; and most publishing was done by the booksellers, who commissioned the printers to print their works. Eld was primarily a printer during his career, working on specific projects for specific booksellers.
In his two-decade career, Eld printed a wide variety of works; when the printer is identified on title pages only with initials, researchers have used Eld's characteristic title-page device, "two volutes with foliage," for supporting evidence. He is the "G. E." who printed William Camden's "Remains of a Greater Work" (1605) for Simon Waterson, John Selden's "The Duello" (1610) for John Helme, and Peter Gosselin's "The State Mysteries of the Jesuits" (1623) for Nicholas Bourne.
Thorpe.
Eld worked regularly for Thomas Thorpe; the two produced more than twenty titles together. These included the first quartos of Jonson's "Sejanus" (1605), "Volpone" (1606), and "The Masque of Blackness" and "The Masque of Beauty" (in one volume, 1608). They also issued John Marston's "What You Will" (1607), and George Chapman's "All Fools" (1605) and "The Conspiracy and Tragedy of Charles, Duke of Byron" (1608).
Thorpe and Eld were also involved in two "dubious publishing enterprises" – one, a failed attempt to print a work to which they did not have the rights, and the other, a successful such attempt of some work by Thomas Coryat.
Shakespeare.
Thorpe and Eld's most significant project was the 1609 first edition of Shakespeare's Sonnets. In 1612, Thorpe and Eld also issued a work of modern Shakespearean controversy, the "Funeral Elegy" that Donald Foster proposed as a work by Shakespeare, without convincing most scholars and critics.
More Shakespeare: Eld printed the 1609 quarto of "Troilus and Cressida," for Richard Bonian and Henry Walley. Some critics have complained that the text in this volume is so poor that it should be classed as a "bad quarto;" how much blame for this should fall on Eld, and how much is due to a faulty manuscript source that Eld had to work with, is open to question. (Eld's "Sejanus" text, in contrast, is excellently printed.) Eld has also been identified as the printer of John Smethwick's third quarto of "Hamlet" (1611 in literature).
Others.
Eld also printed the 1609 second quarto of Marlowe's "Doctor Faustus" for John Wright. And for William Aspley, he printed one of the most controversial plays of the period, "Eastward Ho" (three editions, 1605).
Eld printed first editions of a range of other texts in Jacobean drama:
Publisher.
Like some printers of his generation – Richard Field is a good example – Eld also published work on his own authority. He was active in drama here too:
Eld published beyond the confines of Jacobean drama as well, with works like John Healey's 1610 translation of "The City of God" by St. Augustine. (That volume bore a dedication to William Herbert, 3rd Earl of Pembroke, signed by Thorpe.) In 1622 he issued a volume of satires by John Taylor the Water Poet called "The Water Cormorant His Complaint". He published the types of religious books that were so common in his era, like Bishop Gervase Babington's "Works, Containing Comfortable Notes on the Five Books of Moses" (1615). And inevitably, Eld published and printed many now-obscure works by forgotten authors. The title page of his 1606 edition of Robert Pricket's "Time's Anatomy" bears the inscription "to be sold by John Hodgets" – another demonstration of the printer/publisher's need for a retail outlet for his products.
Grimeston.
In 1607, Eld printed and published Edward Grimeston's "A General Inventory of the History of France," the book that provided Chapman source material for his tragedies on then-recent French history (including the Byron plays cited above). Eld followed this with several other large histories by Grimeston, partnering with fellow stationers Adam Islip, M. Flesher, and William Stansby: "A General History of the Netherlands" (A. Islip and G. Eld, 1609), "The General History of Spain" (A. Islip and G. Eld, 1612), "The General History of the Magnificent State of Venice" (G. Eld and W. Stansby, 1612), and "A General History of France" (G. Eld and M. Flesher, 1624).


Pharmacology Biochemistry and Behavior

Pharmacology Biochemistry and Behavior is a monthly peer-reviewed scientific journal covering behavioral pharmacology. It was established in 1973 and is published by Elsevier. The editor-in-chief is Guy Griebel (Sanofi).
Abstracting and indexing.
The journal is abstracted and indexed in:
According to the "Journal Citation Reports", the journal has a 2014 impact factor of 2.781.


Moonlight (XXXTentacion song)

"Moonlight" (stylized in all capitals as MOONLIGHT) is a song written and performed by American rapper XXXTentacion from his second studio album "?". The song was posthumously sent to rhythmic radio as the album's third single on August 14, 2018. The song reached many chart positions globally, including a number 13 peak on the "Billboard" Hot 100 as well as a platinum certification following his death. It's therefore tied with "Falling Down" (with Lil Peep) as his third-highest charting song in the United States, with both songs falling behind "Sad!" and "Don't Cry" (with Lil Wayne).
Music video.
The official music video for "Moonlight" was released on the early night of October 1, 2018. The video was written and creative directed by Onfroy himself, and was also directed by JMP. The video features Onfroy and a large group of people at a get-together taking place in the woods after dark, lit by the light of a full moon. Onfroy is seen sitting by himself listening to headphones and observing the party, as well as walking through the crowd of people who are all dressed in black attire. He laughs as he watches people dance, and also exchanges stares with a mysterious curly-haired girl who is shown several times during the video (based on her appearance she has been theorized to represent Geneva Ayala, Onfroy's ex-girlfriend). Having been released after the rapper's passing, the video ends with the phrases "ENERGY NEVER DIES", "HE IS AMONGST US" and "LONG LIVE JAH" in tribute to Onfroy. A similar phrase, "LONG LIVE PRINCE X", was also featured at the end of his "Sad!" music video.


R. A. Young

Sir Robert Arthur Young, (6 November 1871 – 22 August 1959), known as R. A. Young even to his friends, was a British physician and tuberculosis specialist.
Background.
Young was born in the village of Hilborough, Norfolk, the only son of William Young, a labourer, and his wife, Hannah Elizabeth Ann (née Fairs). His mother, at least, was illiterate and signed the registration of his birth with her mark. Her son, however, was educated at Westminster City School and King's College, London, graduating Bachelor of Science (BSc) in physiology with first-class honours in 1891.
Career.
Young trained as a doctor at Middlesex Hospital, graduating Bachelor of Medicine (MB) in 1894 and Doctor of Medicine (MD) with gold medal in 1895. He also became a Licentiate of the Society of Apothecaries. He was elected Member of the Royal College of Physicians (MRCP) in 1897 and Fellow of the Royal College of Physicians (FRCP) in 1905.
He carried out postgraduate work in Vienna and then returned to London to work as a house physician at the Middlesex Hospital and Brompton Hospital, and also later at the King Edward VII Sanatorium at Fenhurst, near Midhurst, Sussex. His students at the Middlesex Hospital included renowned neurologist Paul Sandifer. Young established a private practice in Harley Street, continuing there long after his retirement from the Middlesex Hospital in 1936, which made him a very wealthy man. He advised on King George VI's lung cancer in 1951. At various times he also served as lecturer in physiology and pharmacology, warden of the medical college, pathologist, and museum curator at the Middlesex Hospital.
Young chaired the National Association for the Prevention of Tuberculosis. He was appointed Commander of the Order of the British Empire (CBE) in January 1920 for his work in the First World War and was knighted in 1947.


Jan Lindhe

Jan Lindhe (born 1935) is a Swedish periodontist and a clinical research scientist specializing in periodontology.
Education & career.
Lindhe graduated from the Royal School of Dentistry in Malmö, Sweden. He completed specialty training in oral surgery and periodontology at the University of Lund. He began his career as a professor of roentgenology (now referred to as oral and maxillofacial radiology) in 1957 at Lund. The title of his 1964 doctoral thesis at Lund was "Orthogonal cutting of dentine: a methodological study". He then became assistant professor of periodontology in 1964. In 1967, after spending 6 years studying oral radiology, oral surgery and periodontology, he moved to the University of Umeå to become associate professor and chair of periodontics. In 1969, he became professor and chair of periodontics at the University of Gothenburg, remaining there until 2001. Lindhe was elected dean of the School of Dentistry by the faculty at the University of Gothenburg in 1977.
Lindhe became dean at the School of Dental Medicine at the University of Pennsylvania in 1983. He returned to the University of Gothenburg in 1988. He keeps close ties to periodontology programs in the United States such as the University of Southern California.
Lindhe was inducted as an honorary member of the American Academy of Periodontoogy in 1982 for his outstanding contributions to the art and science of periodontology. He was also awarded the William J. Gies award in 2008.
Personal life.
He is married to Annalena Lindhe-Rosenqvist and together, they have three children: Pär, Anna-Maria and Anna-Karin.


Leslie Ramsammy

Dr Leslie Ramsammy was a minister of agriculture in Guyana. He was appointed on 28 November 2011, after the general elections, and served until 2015.
Career.
As a young man, he had ambitions to be a journalist but instead, he travelled to the United States of America to study microbiology. After this, he returned to Guyana during a time of political transition where he says he got "caught up in the development." And there he has remained until now, serving in a wide range of public office positions.
Prior to his appointment as agriculture minister, Ramsammy served as Guyana’s Minister of Health for approximately 10 years, making him one of the longest serving ministers of health in the world. During that time, his passion and drive for better healthcare was recognized not only at national level, but at international levels, through his participation in various international fora and groupings.
At the global and American regional levels, Ramsammy has served as the President of the World Health Assembly and the PAHO Directing Council, and he was the representative for Latin America and the Caribbean on the Board of the Global Fund to fight AIDS, Tuberculosis, and Malaria.
At the Caribbean regional level, he has been Chairman of the Caribbean Community’s Council for Human and Social Development, Chair of the Caucus of CARICOM Ministers responsible for Health, and was recently named Chairman of the Executive Board of the newly established Caribbean Public Health Agency, CARPHA, which aims to integrate the current CARICOM specialized centres and more efficiently and effectively address the regional public health needs of CARICOM countries.
From January to March of 2015, Ramsammy was a Menschel Senior Leadership Fellow at the Harvard T.H. Chan School of Public Health. In this role, he taught a course in the Department of Global Health and Population titled, "Politics, Public Health, and the Right to Health."
Ideology.
During his time as President of the 61st World Health Assembly, Ramsammy was allowed to vocalise some of his key philosophies on public health.
He believes that global health must be prioritized by Member States and that countries must be clear about their ambitions. "We are too conservative in our global health standards," he says in an interview. "A child born in Tanzania should have the same chance of survival and for living a healthy life as a child born in a developed country."
He calls for a paradigm shift in which "we set universal standards that transcend national goals and for collective global action to help those countries who need support for meeting these global standards." As an ardent supporter of equity and social justice, Ramsammy cautions: "We should not be satisfied with reaching for the low-hanging fruit." He calls for global resources to be mobilized for more equitable health.


European Journal of Physiotherapy

The European Journal of Physiotherapy is a quarterly peer-reviewed medical journal covering physiotherapy. It was established in 1999 as "Advances in Physiotherapy", obtaining its current name in 2013. It is published by Taylor & Francis and the editor in chief is Gunnevi Sundelin (Umeå University).
Abstracting and indexing.
The journal is abstracted and indexed in CINAHL, Excerpta Medica/Embase, and Scopus.


Beautiful Dreamer

"Beautiful Dreamer" is a parlor song by American songwriter Stephen Foster (July 4, 1826 – January 13, 1864). It was published posthumously in March 1864, by Wm. A. Pond & Co. of New York. The first edition states on its title page that it is "the last song ever written by Stephen C. Foster, composed but a few days prior to his death." However, Carol Kimball, the author of "Song", points out that the first edition's copyright is dated 1862, which suggests, she writes, that the song was composed and readied for publication two years before Foster's death. There are at least 20 songs, she observes, that claim to be Foster's last, and it is unknown which is indeed his last. The song is set in time with a broken chord accompaniment.
The song tells of a lover serenading a "Beautiful Dreamer" who is oblivious to worldly cares and may actually be dead. Foster's works feature many dead young women, including his sister Charlotte and "Jeanie". Helen Lightner writes, "This sentimental ballad is folk-like in character with its repetitious but lovely melody and its basic harmonic accompaniment ... The quiet and calm of this mood is portrayed by the monotony of the arpeggiated accompaniment, by the repetitiveness of the melodic pattern, and by the strophic form itself."
Recordings, film, and literature.
Recordings.
The song has been recorded by Bing Crosby with John Scott Trotter & his Orchestra (March 22, 1940); The Nutmegs; Steve Conway with Jack Byfield & His Orchestra; Thomas Hampson with Jay Ungar (mandolin), David Alpher (piano), and Molly Mason (guitar); John Leyton (with revised lyrics by Ken Lewis and John Carter); Jerry Lee Lewis; Slim Whitman; and Roy Orbison on the album "In Dreams" (a top ten Australian single in 1964). The documentary "" is named after the song, and in the documentary Brian Wilson quips that the first letters of the words "Beautiful Dreamer, Wake" compare with his own initials, Brian Douglas Wilson. The song is also featured on Marty Robbins' posthumous album "Long, Long Ago" (1984) and on Ray Price's posthumous farewell album "Beauty Is... Ray Price, the Final Sessions" (2014).
Jim Reeves recorded a version while on tour in South Africa in 1962, sung in Afrikaans under the title "Bolandse Nooientjie". (A brief translation is fraught; "lass of the hinterland" is one possibility.) Although Reeves could not speak Afrikaans, this was remedied by South African composer and songwriter Gilbert Gibson, who stood behind Reeves and whispered the words of the song to him, who would then sing the same words into the microphone.
Bing Crosby included the song in a medley on his album "On the Sentimental Side" (1962).
Gerry Goffin and Jack Keller wrote a doo-wop version for Tony Orlando which took considerable liberties with the original; the opening quatrain, for instance is "Beautiful Dreamer/Wake unto me/Can't you see me, baby/I'm on my bended knee." Orlando released this version as a single in 1962 and it quickly became a regular part of the Beatles' set list, from 1962 through the Beatles Winter 1963 Helen Shapiro Tour in early 1963. A recording of a 1963 Beatles performance of the song on the BBC was released in 2013 on their album "On Air – Live at the BBC Volume 2". Rory Storm and The Hurricanes also featured the song in their live performances. This version has been recorded by Billy J. Kramer with The Dakotas.
Bobby Darin recorded a bluesy version of the song with all-new lyrics, but the song was unreleased until 1999 (on the album "Bobby Darin: The Unreleased Capitol Sides"). No attribution is given for the new lyrics; one possibility is that Darin might have written these himself. These lyrics tell about a lonely woman who dreams of a love of her own, and a lonely man who dreams of love too. The reference to a queen is retained in Darin's version, asking if the woman is a "queen without a throne".
Wolfgang Roloff aka "Ronny" (1930-2011) recorded a German language version in 1975: "Träumendes Mädchen" ("Dreaming Girl").
Film.
Bette Davis hums the song in her Academy Award-winning performance, Best Actress, of 1938, "Jezebel".
The song appeared in "An American Tail" in the scene of the cats underground hideout being played on the piano.
The song was central to the plot of the film "Mighty Joe Young", as it is used throughout the film to calm the title character, a large gorilla.
In the 1952 biopic of Stephen Foster entitled "I Dream of Jeanie", there is a scene where Stephen Foster, played by Bill Shirley, sings this song as a serenade to one of his two love interests in the film.
In the climax of the cult pageant film "Drop Dead Gorgeous", a rendition of the song by Mandy Barnett can be heard over the chaos of beauty queens destroying a building.
In "The Little Rascals Save The Day", Alfalfa sings the song on the last day of school.
The song is used in the 1994 movie "Cabin Boy" starring Chris Elliott and directed by Adam Resnick.
The song is used as a recurring theme in "Winchester" (2018) with Helen Mirren.
The song is used as a theme song in the 2020 Netflix movie "Lost Girls".
The song is also used in "Gone with the Wind" (1939); "Second Chorus" (1940); "Shane" (1953); "Goin' South" (1978); "Duel in the Sun"; "The Night of the Grizzly"; "She Done Him Wrong" (1933); "Picnic" (1955); "The Death Collector" (1976); "How to Make an American Quilt" (1995); "Batman" (1989); "The Secret Life of Walter Mitty" (1947); the animated "An American Tail"; "Friends 'Til the End"; "Office Space"; the Marx Brothers's" Go West" (1940); "The Old Chisholm Trail"; "The Naked Spur"; and "Domino Kid" (1957);. In "Young Frankenstein" (1974), the song is also referenced, when the ghoulish Marty Feldman, hearing a shrill and anguished female wail from a remote dungeon, smiles and (almost) sings "beautiful screamer...". In "Kansas Raiders" (1950) the song is played on harmonica around the campfire in one scene.
Video games.
The song was used in Far Cry's New Dawn video game, where Prosperity girl sings this song.
Literature.
The song is pivotal to E. B. White's 1970 novel "The Trumpet of the Swan". Louis the trumpeter swan learns the tune during his long journey to find his voice via a stolen trumpet and a chalk slate. In a climactic scene, he belts out its poetry on his trumpet at dawn, declaring his love in the Philadelphia Zoo to the beautiful swan Serena, the object of his long unrequited love. White also includes the public domain sheet music in the novel, perhaps to encourage similarly dramatic loving gestures. The song was also used in "The Diviners" book 2, "Lair of Dreams" by Libba Bray.


Journal of Drug Targeting

Journal of Drug Targeting is a peer-reviewed medical journal published by Informa that covers research on all aspects of drug delivery and drug targeting for molecular and macromolecular drugs. The editor in chief is Saghir Akhtar (College of Medicine, Qatar University).
Abstracting and indexing.
The journal is abstracted and indexed in BIOBASE/Current Awareness in Biological Sciences, BIOSIS Previews, Chemical Abstracts Service, Current Contents/Life Sciences, EMBASE/Excerpta Medica, Index Medicus/MEDLINE, Science Citation Index, and Scopus.


Disappearance of Susan Smalley and Stacie Madison

Susan Renee Smalley (born September 19, 1969) and Stacie Elisabeth Madison (born June 17, 1970) were two young women from Carrollton, Texas, of the United States who disappeared on the morning of March 20, 1988.
Disappearance.
Stacie Madison worked as a receptionist and had plans of studying business at the University of North Texas. On the evening of March 19, 1988, her good friend, Susan Smalley, was staying overnight at her house. The pair left the house together for a short while in Madison's 1967 Ford Mustang convertible, a car that was painted in the emblematic colors of their high school and that Madison had recently bought with the earnings from her two jobs. Later, the girls were seen attempting to purchase alcohol at a 7-Eleven, but the clerk did not sell it to them since they were minors.
Madison and Smalley returned to the house, where Madison phoned a friend at around midnight. The girls left the house again shortly after the call, with Madison's car no longer to be seen parked in front of the house where the girls were staying. The last time anyone saw the girls, they were at "The Steak and Ale", the same restaurant where Smalley worked as a waitress. An employee at the establishment told investigators that Smalley had been talking to another co-worker while Madison waited for her in the parked car.
Smalley and Madison were reported missing the next morning. The Mustang that they had been driving the previous night was found abandoned in the parking lot of a Dallas shopping center, together with personal belongings of both girls inside. When last seen, Madison was wearing white cotton pants and a white long-sleeved sweatshirt with a logo of pink and orange and white tennis shoes; Smalley was wearing a white sweater and blue jeans and was carrying a shoulder bag of navy blue with camel trim as well.
Investigation and aftermath.
Several months after the two friends went missing, Smalley's last boyfriend confessed to a girl whom he was dating that he had killed Smalley and Madison by his own hand and then dumped their bodies in a local cemetery. After the girl shared this with police, Smalley's boyfriend underwent and passed a polygraph. He later relocated to Florida, moving from town to town in that state for over a decade and with attempts to contact him proving unsuccessful. For lack of better avenues to pursue in the case, detectives once consulted a psychic, only to be told that the girls were murdered by a blond-haired white male with glasses who was between 28 and 34 years old and who had dumped them near Grapevine Lake. However, a search of that area failed to turn up anything of value. The Susan Smalley and Stacie Madison case is still active.
In 2009, a book entitled "This Night Wounds Time: The Mysterious Disappearances of Stacie Madison and Susan Smalley" was self-published by Shawn Sutherland who grew up in Carrollton and was twenty-four when the girls mysteriously vanished. According to Sergeant Joel Payne, who is the lead detective with Carrollton police, the book caused the investigation to be renewed "start[ing] from scratch" not only in Carrollton, but in neighboring Denton County as well.


British Journal of Health Psychology

The British Journal of Health Psychology is a quarterly peer-reviewed scientific journal covering health psychology. It was established in 1996, when it was split off from the existing "British Journal of Clinical Psychology". It is published by Wiley-Blackwell on behalf of the British Psychological Society. The editors-in-chief are Madelynne Arden (Sheffield Hallam University) and Joseph Chilcot (King's College London). According to the "Journal Citation Reports", the journal has a 2018 impact factor of 2.472, ranking it 45th out of 130 journals in the category "Psychology, Clinical".


Nanobottle

Nanobottles are hollow bottle-shaped particle with the maximal dimension smaller or comparable with 1 micrometer. They can be used for storing and distributing various chemical compounds, for example, inside the human body.
Laboratory synthesis.
Carbon nanotubes capped at one end may be regarded as nanobottles. They can be produced by cutting nanotubes, which are typically capped as both ends after the growth.
Nanobottles were also fabricated in a three-step process: First, voids were created in aluminium foils. Then a thin layer of non-Al material, such as carbon, germanium, silicon, silica or hafnia, was deposited into the voids, and the surrounding matrix was etched away.
Alumina nanobottles were produced in one step by electrochemical anodization of aluminium foil in phosphoric acid: Pores were etched in Al by the acid, and their inner surface was oxidized in the process. Then the Al matrix, but not the oxidized aluminium, was etched away by the acid. The transition from pore creation to Al etching was achieved by controlling the pulse profile of the anodization voltage. The entire synthesis took about 2 hours. The resulting nanobottles had a volume of ca. 10−7 liters.
Hollow silica nanospheres have been produced hydrothermally from a tetraethoxysilane-based gel mixture in a Teflon-lined autoclave at 100 °C within 3 days. Subsequent calcination at 550 °C for 5 hours removed the organic components from the spheres and created single holes (mostly) in them, yielding spherical nanobottles.
Arrays of gold nanobottles have been fabricated by combining optical interference lithography with thin film deposition. Their dimensions could be tuned by varying the lithography optics and the film thickness.
Natural occurrence.
Carbon nanobottles carrying planetary gases, mostly argon, were found in carbonaceous chondrite meteorites.
Potential applications.
Nanobottles can be filled with various chemical compounds, which can be used for transporting those compounds in the human body. They can be moved around by magnetic field, after adding a magnetic compound into the bottle content. Encapsulating rare-earth compounds in nanobottles. may result in new phosphors, where the rare-earth ions are separated by the bottle walls, suppressing the concentration quenching of light emission from those ions.
Regular two-dimensional arrays of metallic nanobottles may find applications in plasmonic devices, whose resonant frequency depends on the nanobottle geometry.


Fungal Genetics and Biology

Fungal Genetics and Biology is a peer-reviewed scientific journal established in 1977 as "Experimental Mycology", obtaining its current title in 1996. It covers experimental investigations of fungi and their traditional allies that relate structure and function to growth, reproduction, morphogenesis, and differentiation.


Shishya


Hydrocolloids


Economic credentialing

Economic credentialing is a term of disapproval used by the American Medical Association (AMA). The association defines the term as "the use of economic criteria unrelated to quality of care or professional competence in determining a physician's qualifications for initial or continuing hospital medical staff membership or privileges."
Traditionally, physicians applied for hospital staff membership based on education, medical licensure and a record of quality care. Privileges are requests to perform certain procedures or use certain skills based on training and experience. For example, an obstetrician and a family practitioner might request privileges for both routine deliveries and caesarean sections. Typically an obstetrician could demonstrate enough experience and be granted those privileges. The FP might obtain both procedures or be restricted to routine deliveries only, or none at all, based on hospital policy.
As medical costs have increased and reimbursement has declined or been stagnant, both hospitals and physicians have come under increasing financial pressure. One response by physicians has been the formation of specialty hospitals or diagnostic centers with physician ownership. Some hospitals have seen this as a threat to their economic interests and have denied or revoked membership and privileges of the physician owners.


Birger Kaada

Birger Rygg Kaada (11 July 1918 – 30 January 2000) was a Norwegian physician and neurophysiologist.
Kaada was born in Jørpeland to merchant Theodor Kaada and Anna Rygg. He established the institution "Nevrofysiologisk laboratorium" in 1950, and was appointed professor of neurophysiology at the University of Oslo from 1959. He was a member of the Norwegian Academy of Science and Letters from 1958, and was decorated Knight, First Class of the Order of St. Olav in 1971.


I Was Born to Love You (song)

"I Was Born to Love You" is a 1985 song by Freddie Mercury, and was released as a single and on the "Mr. Bad Guy" album. After Mercury's death, Queen re-worked this song for their album "Made in Heaven" in 1995, by having the other members play their instrumental parts over the original track, transforming the song from a disco song to a rock song. The Queen version from the "Made in Heaven" album also includes samples of Mercury's ad-lib vocals taken from "A Kind of Magic" and from "Living on My Own".
The song received its live debut on the 2005 tour of Japan, given by Queen + Paul Rodgers. Brian May and Roger Taylor performed the song acoustically. The song was also performed during the concerts given by Queen + Adam Lambert in South Korea and Japan, which was the first time that a full live band was used for the performance.
Music videos.
The video for the original Freddie Mercury version of the song was directed by David Mallet and filmed at the now demolished Limehouse Studios, London. The video was choreographed by Arlene Phillips and shows Freddie singing in front of a wall of mirrors, then running through a house with a woman (Debbie Ash of Hot Gossip), before dancing on a podium.
The video for the version used on "Made in Heaven" was directed by Richard Heslop for the British Film Institute, and included on "Made in Heaven: The Films". It shows inhabitants of a block of council flats. Couples kiss, kids play, and teenagers steal and destroy a car in a monochrome film. The audio also uses the vinyl edit.
For the 2004 re-release(see below), a video was created mixing footage of Mercury's original solo video intercut with footage of Queen performing live at Wembley Stadium, plus his solo video "Living on My Own". This video is included on "Queen Jewels", the 2004 Greatest Karaoke Hits DVD, and the Japanese release of the documentary "Days of Our Lives".
Appearances in other media.
The song has appeared in multiple television advertisements, mainly in Japan. The original version recorded by Mercury appeared in the TV commercial of Japanese cosmetics company Noevia in the mid 1980s. The Queen version was released as a single exclusively in Japan in February 1996, because the song was used in a TV ad for Kirin Ichiban Shibori, one of the best-selling liquors of the country produced by the Kirin Brewery Company. The single became their first song that entered the Japanese chart since "Teo Torriatte (Let Us Cling Together)", released in 1977.
In 1987, Brazilian singer Gretchen made a cover version.
In 2004, Queen's version was used as the theme for "Pride", the successful Japanese drama starring Takuya Kimura and Yūko Takeuchi. "Jewels", Queen's tie-in compilation album released only in Japan, includes "I Was Born to Love You".
The song was used in episode 29 of "Pretty Guardian Sailor Moon", during a competitive game of gym-class volleyball.
In Malaysia, Mercury's version, using a different mix, was used by Astro in TV advertisements to promote their coverage of the 2018 FIFA World Cup. The advertisement, commissioned by Astro through agency Dentsu LHS Malaysia and created by Pesona Pictures Indonesia, also have an unused version, which used Queen's version of the song.
Cover versions were released by Hannah Jones, Worlds Apart and "Andrew W.K." in February 2011.
A cover version based on Queen's version is used in the fourth level of the Nintendo DS video game "Elite Beat Agents."
Track Listings (1985 Single).
7" Single
A Side. "I Was Born to Love You" - 3:37
B Side. "Stop All The Fighting" - 3:17
12" Single
A Side. "I Was Born to Love You" (Extended Version) - 7:03
B Side. "Stop All The Fighting" - 3:17


Piero di Cosimo

Piero di Cosimo (2 January 1462 – 12 April 1522), also known as Piero di Lorenzo, was an Italian painter of the Renaissance.
He is most famous for the mythological and allegorical subjects he painted in the late Quattrocento; he is said to have abandoned these to return to religious subjects under the influence of Savonarola, the preacher who exercised a huge sway in Florence in the 1490s, and had a similar effect on Botticelli. The High Renaissance style of the new century had little influence on him, and he retained the straightforward realism of his figures, which combines with an often whimsical treatment of his subjects to create the distinctive mood of his works.
Vasari has many stories of his eccentricity, and the mythological subjects have an individual and quirky fascination. He trained under Cosimo Rosselli, whose daughter he married, and assisted him in his Sistine Chapel frescos.
He was also influenced by Early Netherlandish painting, and busy landscapes feature in many works, often forests seen close at hand. Several of his most striking secular works are in the long "landscape" format used for paintings inset into cassone wedding chests or spalliera headboards or panelling. He was apparently famous for designing the temporary decorations for Carnival and other festivities.
Biography.
The son of a goldsmith, Lorenzo di Piero, Piero was born in Florence and apprenticed under the artist Cosimo Rosseli, from whom he derived his popular name and whom he assisted in the painting of the Sistine Chapel in 1481.
In the first phase of his career, Piero was influenced by the Netherlandish naturalism of Hugo van der Goes, whose "Portinari Triptych" (now at the Uffizi Gallery in Florence) helped to lead the whole of Florentine painting into new channels. From him, most probably, Cosimo acquired the love of landscape and the intimate knowledge of the growth of flowers and of animal life. The manner of Hugo van der Goes is especially apparent in the "Adoration of the Shepherds", at the Berlin Museum.
He journeyed to Rome in 1482 with his master, Rosselli. He proved himself a true child of the Renaissance by depicting subjects of Classical mythology in such pictures as "Venus, Mars, and Cupid", "The Death of Procris", the Perseus and Andromeda series, at the Uffizi, and many others. Inspired to the Vitruvius' account of the evolution of man, Piero's mythical compositions show the bizarre presence of hybrid forms of men and animals, or the man learning to use fire and tools. The multitudes of nudes in these works shows the influence of Luca Signorelli on Piero's art.
During his lifetime, Piero acquired a reputation for eccentricity—a reputation enhanced and exaggerated by later commentators such as Giorgio Vasari, who included a biography of Piero di Cosimo in his "Lives of the Artists". Reportedly, he was frightened of thunderstorms, and so pyrophobic that he rarely cooked his food; he lived on a diet of hard-boiled eggs, which he prepared 50 at a time while boiling glue for his artworks. He also resisted any cleaning of his studio, or trimming of the fruit trees of his orchard; he lived, wrote Vasari, "more like a beast than a man".
If, as Vasari asserts, he spent the last years of his life in gloomy retirement, the change was probably due to preacher Girolamo Savonarola, under whose influence he turned his attention once more to religious art. The death of his master Roselli may also have affected Piero's morose elder years. The "Immaculate Conception with Saints", at the Uffizi, and the "Holy Family", at Dresden, illustrate the religious fervour to which he was stimulated by Savonarola.
With the exception of the landscape background in Rosselli's fresco of the "Sermon on the Mount", in the Sistine Chapel, there is no record of any fresco work from his brush. On the other hand, Piero enjoyed a great reputation as a portrait painter: the most famous of his work is in fact the portrait of a Florentine noblewoman, "Simonetta Vespucci", mistress of Giuliano de' Medici. According to Vasari, Piero excelled in designing pageants and triumphal processions for the pleasure-loving youths of Florence, and gives a vivid description of one such procession at the end of the carnival of 1507, which illustrated the triumph of death. Piero di Cosimo exercised considerable influence upon his fellow pupils Albertinelli and Bartolomeo della Porta, and was the master of Andrea del Sarto.
Vasari gave Piero's date of death as 1521, and this date is still repeated by many sources, including the "Encyclopædia Britannica". However, contemporary documents reveal that he died of plague on 12 April 1522. He is featured in George Eliot's novel "Romola".


Carolina Barillas-Mury

Carolina Barillas-Mury is the chair of the Mosquito Immunity and Vector Competence Section and Director of the Malaria Research Program at the National Institute of Allergy and Infectious Diseases of the National Institutes of Health. She studies how mosquitos transmit diseases like malaria, and in recognition of her research, she has been elected to the National Academy of Sciences.
Early life and education.
Barillas-Mury was born in 1961 in Guatemala. She learned English when she attended high school run by American nuns.
Barillas-Mury graduated from the Universidad del Valle de Guatemala in 1981 with a B.S. in biology. She received her M.D. from Universidad Francisco Marroquín de Guatemala in 1985. There were no graduate programs in Guatemala, so in 1987, she moved to the United States to do a PhD at the University of Arizona in the lab of Michael Wells, where she studied the process of enzymatic blood digestion by "Aedes aegypti". She graduated in 1992 and stayed until 1993 to do postdoctoral research. In 1994, she joined the lab of Fotis Kafatos at Harvard University. She then moved to Germany to do research at the European Molecular Biology Laboratory.
Career.
Barillas-Mury was hired as an assistant professor at Colorado State University’s department of microbiology, immunology, and pathology in 1998. There, she began working to develop a model of cellular invasion of parasites. She moved to the National Institutes of Health in 2003.
She is the head of the Mosquito Immunity and Vector Competence Section at the National Institute of Allergy and Infectious Diseases. There, she studies how Plasmodium parasites interact with the mosquito immune system, and how this affects the transmission of malaria.
She is an editor of the "Proceedings of the National Academy of Sciences".


Hildrus Poindexter

Hildrus Augustus "Gus" Poindexter (May 10, 1901 – April 21, 1987) was an American bacteriologist who studied the epidemiology of tropical diseases.
Poindexter was the son of tenant farmers in rural Tennessee. His father had been enslaved. He attended Lincoln University, PA, graduating in 1924. A year later he attended Dartmouth Medical School and then went on to Harvard Medical School where earned his M.D. in 1929. He furthered his studies at Columbia University, where he received an A.M. in microbiology in 1930, and the Ph.D. in microbiology and immunology in 1932. He received an M.P.H. in public health and tropical medicine from Harvard in 1932. Dr. Poindexter became the head of the Medical College at Howard University in 1936.
He was a Prince Hall Mason and member of Omega Psi Phi fraternity.
He entered the United States Army in 1943 and had a very distinguished career as an expert on Malaria and other tropical diseases. He left the army as a lieutenant colonel having earned a bronze star for his work in reducing malaria infections among the troops. He continued his military service as a commissioned officer in the United States Public Health Service. In 1947, Senior Surgeon Poindexter was appointed posted to the Mission to Liberia as chief of laboratory and medical research in West Africa. The goal of the mission was to help the Liberian government in sanitation planning and the control of infectious diseases. He became director in 1948.
In 1953 Dr. Poindexter was transferred to Indochina. He went on to serve in various other countries including Vietnam, Surinam, Iraq, Libya, and Sierra Leone before returning to the faculty of Howard University. During his tenure at Howard, Pondexter mentored a number of notable younger scientists, such as Jane Hinton, the co-developer of the Mueller-Hinton agar, and Ruth Ella Moore.
In 1962, Poindexter became the first Black scientist to become board-certified in microbiology by the American Society for Microbiology, passing the American Board of Medical Microbiology certification as only the 141th person to do so.
Poindexter published his autobiography, "My World Of Reality", in 1973 in which he candidly discusses his various life experiences including dealings with racial prejudice. One example is the offer of membership by the American Society of Parasitologists, withdrawn when the society learned that Poindexter was Black.


Planta Medica

Planta Medica is a peer-reviewed journal published by Thieme Medical Publishers and covers medicinal plants and bioactive natural products of natural origin. "Planta Medica" is the official journal of the Society for Medicinal Plant and Natural Product Research (GA). According to the "Journal Citation Reports", the journal's 2016 impact factor is 2.342.
Planta Medica is a Q1 journal in integrative and complementary medicine, and a Q2 journal in plant sciences.
Oliver Kayser, from the TU Dortmund University, and Robert Fuerst, Wolfgang-von-Goethe University Frankfurt are the Editor-in-Chiefs.
In the 18 issues published per year, Planta Medica covers the following areas of medicinal plants and natural product research:
The journal accepts original research papers, reviews, minireviews, and perspectives.
History.
When Planta Medica was founded in 1953, the first Editor-in-Chief was E. Schratz, University of Münster, Germany. The journal published its first English language article in 1959 and its first online article in 2001. Since 2013, Thieme has annually awarded the Most Innovative Paper of the Year to the most promising paper from the previous year that was published in Planta Medica.
Indexing.
Planta Medica is indexed in Current Contents/Life Sciences, Science Citation Index, MEDLINE, EMBASE and SCOPUS.


International Journal of Clinical and Health Psychology

International Journal of Clinical and Health Psychology, also known by its Spanish-language title Revista Internacional de Psicologia Clinica y de la Salud, is a triannual peer-reviewed medical journal covering clinical and health psychology. It was established in 2001 and is published by Elsevier and the Asociación Española de Psicología Conductual. The editor-in-chief is Juan Carlos Sierra (Universidad de Granada). According to the "Journal Citation Reports", the journal has a 2017 impact factor of 3.900.


Liam Hennessy (coach)

Liam Hennessy FRAMI is an Exercise Physiologist, Strength and conditioning coach and former international athlete, who competed in the Pole Vault. Dr. Hennessy is from Cappawhite, Tipperary, Ireland and has worked in sport for over 25 years, with a number of professional athletes and teams as well as being a contributor to the academic knowledge base through published research and through his founding of distance learning institution Setanta College.
Athletics.
Dr. Hennessy is a retired international athlete, who competed and holds records at the Pole Vault in international competition representing Ireland on more than 55 occasions, the first occasion being at the age of 15. Decades after ending his competitive involvement Liam is still listed amongst the best Irish performers in international competition. Hennessy broke his first Irish record in 1977 "Liam Hennessy, an 18-year-old from Tipperary, leapt to the top of Irish Pole-vaulting." One of Hennessy's records that still stands today is his Munster U-23 Men's Indoor record, set in 1978, of 4.70, with his career personal best at 4.96.
Coaching.
Dr. Hennessy has been involved in coaching for over 25 years, and has been involved with some of the world's most well-known sporting individuals and teams.
Dr. Hennessy has worked with several GAA teams in nearly all codes of the game, including Tipperary GAA and its All-Ireland Senior Hurling Championship team of 1991.
Hennessy was Director of Fitness with the Irish Rugby Football Union (IRFU) for ten years, where he oversaw a number of Triple Crown (rugby union) wins and the Grand Slam (rugby union) Six Nations Championship win in 2009.
Hennessy was involved with a number of football clubs in England, Germany and Italy, including Blackburn Rovers F.C., Liverpool F.C., S.S. Lazio, and FC Bayern Munich.
Hennessy became National Jumps Coach in Ireland after he finished competing and also acted as Irish team manager at the first IAAF World Junior Championships in Athletics in Athens in 1985. Also, Hennessy has worked with many Irish Olympics Athletes throughout the years. At Atlanta 1996, he was the Chief Exercise Physiologist to the Irish Olympic Team.
Hennessy was part of Pádraig Harrington's coaching staff for his Major wins; The Open Championship 2007 & 2008 and PGA Championship in 2008.
Academics.
Dr. Hennessy is a much published author and researcher in the scientific fields of Exercise Physiology and Strength & Conditioning. He published in British Journal of Sports Medicine, Sports Biomechanics, and The Journal of Strength and Conditioning Research to name but a few. Dr. Hennessy has studied in numerous Universities, including, University of Limerick, East Stroudsburg University of Pennsylvania, New Mexico State University, and Loughborough University.
Setanta College.
Dr. Hennessy founded Setanta College, a distance learning college, which offers Sport related courses from Higher Certificate to Bachelor's Degree level. All of the college's qualifications are accredited by Quality Qualifications Ireland (QQI) and have international recognition. The college provides courses in Strength & Conditioning for both beginner and experienced coaches for all sports.
Other.
Dr. Hennessy worked in the Cardiopulmonary Department at the Blackrock Clinic, Dublin and also was a P.E. teacher at St Columba's College, Dublin. In 2003, Hennessy developed Club Energise, an Isotonic drink, that has seen considerable success, and consistently ranks among the best-selling isotonic sports drinks in Ireland.


Valleys of Neptune (song)

"Valleys of Neptune" is a song by American rock musician Jimi Hendrix, featured on his 2010 posthumous studio album "Valleys of Neptune". Written and produced by Hendrix, the song was originally recorded between 1969 and 1970.
Composition and recording.
Hendrix began work on the musical composition for "Valleys of Neptune", under the title of "Gypsy Blood", in February 1969, with the first recordings taking place at Olympic Sound Studios in London on February 22 & 26, 1969 – three takes on guitar and piano and one take on guitar, respectively. Hendrix wrote the lyrics for the song under the title of "Valleys of Neptune... Arising" on June 7, 1969, inspired by the writings of 'the sleeping prophet' Edgar Cayce regarding the rediscovery of mythical Isle of Atlantis, while staying at the Beverly Rodeo Hotel in Beverly Hills, California. Bassist Noel Redding left the Jimi Hendrix Experience following a show on June 29, 1969, in Denver, Colorado, and afterwards "Valleys of Neptune" began to take more shape.
At the Hit Factory in New York City on September 6, 1969, Hendrix recorded the song with a full band. A few weeks later, on September 23, 1969, the first master recording of "Valleys of Neptune" was recorded at New York City's Record Plant Studios with bassist Billy Cox, drummer Mitch Mitchell and percussionist Juma Sultan, in addition to seven instrumental takes of the track. Another full take was completed a week later, featuring Hendrix on bass with Stephen Stills on guitar and piano, John Sebastian on guitar and Buddy Miles on drums.
Hendrix with bassist Cox and drummer Buddy Miles, who had recorded the "Band of Gypsys" album, recorded rough takes of the song on January 21, 1970, at the Record Plant, but ultimately the song was left to the Mitchell/Cox rhythm section to complete later in the year. An instrumental take on May 15, 1970, provided the musical master track, and the track featured on the 2010 album was completed. Further recordings took place on June 15, 1970 (with keyboardist Steve Winwood, flute player Chris Wood, drummer Dave Palmer and an unknown bassist), June 16, June 25 (with Juma Sultan), and June 26, 1970 (15 takes). Hendrix died in September 1970, ultimately without completing "Valleys of Neptune" to his satisfaction.
Music video.
The music video for "Valleys of Neptune", produced by String Theory Design, is centered around a 1957 painting by Hendrix used as the cover for the single. The video debuted on AOL's Spinner.com on February 18, 2010.


Johann Ludwig Wilhelm Thudichum

Johann Ludwig Wilhelm Thudichum, also known as John Louis William Thudichum (August 27, 1829, Büdingen – September 7, 1901) was a German-born physician and biochemist.
From 1847 he studied medicine at the University of Giessen, where he worked after hours in the laboratory of Justus von Liebig (1803–1873). In 1853 he moved to London, where he worked for the remainder of his career.
Thudichum was a pioneer of British biochemistry, and a founder of "brain chemistry". He is credited with conducting chemical analyses of over one thousand human and animal brains. In his research, he isolated and characterized numerous compounds of the brain, such as cephalin, sphingomyelin, galactose, lactic acid and sphingosine. In 1884 he explained his findings in a publication titled "A Treatise on the Chemical Constitution of the Brain", a book that was widely criticized and rejected at the time by many in the scientific community. After his death, Thudichum's discoveries were realized to be important scientific contributions to the study of the chemical and molecular composition of the brain.
Thudichum was the author of numerous works, including books on non-medical topics such as viticulture and cookery. He also devised a specialized nasal speculum that is still in use by physicians today. Since 1974 the "Thudichum Medal Lecture" is awarded in England for outstanding achievements in the field of neurochemistry, and at Yale University, the "Thudichum Post–Doctoral Research Fellowship in Neuro-oncology" was founded within the fields of cell biology, neurochemistry and adult stem cell research to support the study of brain tumors.
A collection of his papers are held at the National Library of Medicine in Bethesda, Maryland.


Infiltration (medical)

Infiltration is the diffusion or accumulation (in a tissue or cells) of foreign substances or in amounts in excess of the normal. The material collected in those tissues or cells is called infiltrate.
Definitions of infiltration.
As part of a disease process, infiltration is sometimes used to define the invasion of cancer cells into the underlying matrix or the blood vessels. Similarly, the term may describe the deposition of amyloid protein. During leukocyte extravasation, white blood cells move in response to cytokines from within the blood, into the diseased or infected tissues, usually in the same direction as a chemical gradient, in a process called chemotaxis. The presence of lymphocytes in tissue in greater than normal numbers is likewise called infiltration.
As part of medical intervention, local anaesthetics may be injected at more than one point so as to infiltrate an area prior to a surgical procedure. However, the term may also apply to unintended iatrogenic leakage of fluids from phlebotomy or intravenous drug delivery procedures, a process also known as extravasation or "tissuing".
Causes.
Infiltration may be caused by:
Signs and symptoms.
The signs and symptoms of infiltration include:
Nursing treatment.
The use of warm compresses to treat infiltration has become controversial. It has been found that cold compresses may be better for some infiltrated infusates. If the infiltration is recent and the solution was hypertonic or had an increased pH, a cold compress can be applied. A warm compress can be applied if a small amount of non-caustic solution has infiltrated over a long period, or if the solution is isotonic with normal pH.
It has also been documented that elevation of the infiltrated extremity may be painful for the patient.
To act in the best interest of the patient, following IV infiltration, consult with the physician for orders regarding compresses and elevation.


Heroin(e)

Heroin(e) is a 2017 American short documentary film directed by Elaine McMillion Sheldon and produced by Elaine McMillion Sheldon and Kerrin Sheldon. It was nominated for the Academy Award for Best Documentary Short Subject at the 90th Academy Awards.
Plot.
The documentary centers on the opioid epidemic, specifically its effect on Huntington, West Virginia, where the overdose rate is 10 times the US average. It follows police, judges, and local nonprofits attempting to help people who struggle with opioid addiction and bring them to recovery as the city grips with a growing number of heroin and prescription painkiller overdoses, and eventually, the much more potent fentanyl. Among them are three women alluded to in the film's name: Huntington Fire Chief Jan Rader who, with other emergency responders, treats overdose victims; Cabell County Judge Patricia Keller, who heads the drug court; and Necia Freeman of Brown Bag Ministry, who delivers food to women who resort to prostitution to support their addictions.
The documentary explains the use of naloxone to treat overdose victims, and explores the psychological toll on the county's first responders who see dozens of overdoses a month. It follows first responders to calls as people overdose, including one instance where a woman is revived at the counter of a convenience store while customers continue checking out nearby. There are several dozen interviews with people who have been addicted and are in recovery who discuss the effects of the drug on their lives and their efforts to recover from it.
Production.
Conception.
Sheldon, who grew up in Logan and Elkview, West Virginia, said the opioid epidemic was personal and that she had friends and classmates impacted by addiction. The documentary was produced as a collaboration with the Center for Investigative Reporting, with a hopeful tone that focuses less on history, statistics and politics, and more on the daily routines of people impacted daily by opioids. Media covering the issue focused heavily on victims and she later said she wanted to create a documentary that focused more on the people helping them. In the process, she said she hoped the documentary would bring attention to addiction as something that impacts people of all demographics.
In making the documentary, she said she sought to change the perception of opioid addiction from a "moral failure" to one of a "medical issue" where recovery is possible. Appalachia has seen problems with opioid addiction for some time before it gained a wider public understanding in the United States. She told "Vanity Fair" that she felt that while government, health care and pharmaceutical companies weren't paying attention to the plight in West Virginia, that the solutions to the opioid epidemic would ultimately come from there, because of how people like the subjects in her film have worked to help one another. Conversely, she said West Virginians have ignored the problem for too long and it needs to be addressed, regardless of the documentary's impact on how others view the state.
Filming.
The documentary was shot between February 2016 and May 2017, off and on. Sheldon and her husband were the only two involved in filming on the ground, which they did off-and-on for a total of 38 days. The Center for Investigative Reporting funded the film through its Glassbreaker initiative.
Sheldon reached out to the city mayor's office about the documentary, and was introduced to Rader, Keller and others. She and her husband subsequently rode along with the Fire Department for about 20 days over a period of six months. Rader later told "Roll Call" she was concerned with members of her department suffering from post traumatic stress disorder as its members see 40 or more dead bodies a year, including friends and classmates. She also said she wanted to highlight the estimated $100 million impact opioids had on Cabell County's economy, as her department responds to five to seven overdoses a day. Though Rader, Sheldon was introduced to a number of people who experience the opioid epidemic every day, and settled on the three women featured in the documentary because they often work with the same people at different parts of their lives.
After filming, the couple approached Netflix which helped them craft the story in editing and post-production. The film's short length helps it as an educational tool, Sheldon said, because community screenings can dedicate an hour to the film — 39 minutes watching it and 20 minutes having a discussion about its contents. The creators built a field guide for screenings so it could be viewed in prisons, rehabilitation centers, and medical schools.
The film debuted at the August 2017 Telluride Film Festival. Netflix released it for streaming the next month. Screenings of the film have followed around the country, particularly in communities impacted by opioid addition.
Reception.
"Heroin(e)" has an approval rating of 100% on review aggregator website Rotten Tomatoes, based on 10 reviews, and an average rating of 8.25/10.
The film was praised for its tone. "Forbes" called it an "optimistic counter-narrative" that focuses on an alternative to harsh or judgmental approaches to understanding the impacts of opioids. "Forbes" said it makes "a powerful case for compassion and for second, third, fourth and 10th chances," though not exploring their causes as deeply as other works such as J.D. Vance's "Hillbilly Elegy". "The Clarion-Ledger" wrote that its "gritty" approach allowed the viewer to understand the daily lives of people trying to help those affected by addiction. "The New York Times" considered it a front-runner for an Oscar because it "addresses an issue in the news — the opioid epidemic — with present-tense reportage and an eye toward putting human faces on the crisis."
Huntington residents interviewed about the film were generally supportive of its contents, noting that it highlights the compassion of people in the community helping others.
Rader attended the 2018 State of the Union Address as a guest of Senator Joe Manchin and during the trip spoke to lawmakers about the opioid epidemic, which has had a substantial impact on Huntington's economy.


Chronic cicatrix keratosis


Palpatio per anum


Change, Grow, Live

Change, Grow, Live (CGL) is a voluntary sector organisation specialising in substance misuse and criminal justice intervention projects in England and Wales. All of its funding is statutory-based. As of 2012 the organisation employed over 1,800 workers and was supported by over 250 volunteers. CGL was formerly named Crime Reduction Initiatives (CRI), but changed its name in 2016.
History.
The organisation traces its origins to a prisoner rehabilitation charity established in 1880.
Services.
CGL is a national provider of support, treatment and rehabilitation programmes for those with substance misuse problems, crime and lack of opportunity. CGL's service users include:
CGL services include: Key-work sessions, Counselling, Benefits and housing advice, Outreach, Mutual Aid meetings (such as SMART Recovery, Narcotics Anonymous), Needle exchange, Sexual Health awareness, Medical assistance, Prescribing, Complementary therapies and general support in living a healthy and balanced life. CGL partners with many agencies to provide treatment and co-ordinated care pathways that include housing, employment, education and training.
In the 2000–01 financial year, CGL's income was £2.1m. In 2011–12 it was £80.8m.


USC Division of Biokinesiology and Physical Therapy

The USC Division of Biokinesiology and Physical Therapy is a division of the Herman Ostrow School of Dentistry at the University of Southern California, focusing on research, training, and practice related to physical therapy and rehabilitation. The division grants doctoral degrees in physical therapy (DPT) and biokinesiology (PhD), as well as master's degrees in biokinesiology. In addition, the division offers residency programs in orthopedic physical therapy, neurologic physical therapy, sports physical therapy, as well as pediatric physical therapy.
History.
The precursor of the Division of Biokinesiology and Physical Therapy was established as an apprenticeship program at the Orthopedic Hospital of Los Angeles in 1942. The physical therapy program was started by Dr. Charles Lowman, who was an orthopedic physician trained at USC, and Susan Roen, who was the head physical therapist at the Orthopedic Hospital and an assistant instructor in the USC Physical Education Department. Their successful cooperation, especially in underwater therapy, drew international attention; President Franklin D. Roosevelt consulted with Dr. Lowman about therapy for his illness. Catherine Worthingham - who graduated under their guidance - went on to contribute greatly to the physical therapy profession through education, practice, and research, and advanced the profession to a high level of influence in rehabilitation.
The 1940s was an important period for physical and occupational therapy education with an increased focus on university-based baccalaureate programs. In 1945, the Physical Therapy department was established at USC's University Park Campus with two programs offered: a certificate program for college graduates and a baccalaureate program. Charlotte W. Anderson, who had been a core faculty in the War Emergency Program, was the first chairperson of the Physical Therapy department. The Physical Therapy program at USC was accredited by American Medical Association (AMA) in 1946. The first class with a Certificate in Physical Therapy graduated from USC in the same year while the first BS degree candidate graduated in 1947. In order to prepare teachers for physical therapy schools, a post-professional graduate M.A. program was established at USC in 1947 as the second program of its kind in the US. The first MA candidate graduated in 1950. While physical therapy was a fairly new professional field for men at that time, the first male students were admitted to the physical therapy program in 1950.
The physical therapy department at USC developed and expanded quickly during the 1960s. Margret S. Rood became the chair of the department in 1960. She was a physical therapist and occupational therapist and proposed a well-known system of therapeutic exercises to treat neuromuscular dysfunction called the Rood approach. Margret S. Rood stepped down as chair in 1966. In 1966, the first faculty with a PhD degree, Frances Grover, was hired to teach anatomy. Margaret Bryce, who chaired the department until 1975, contributed greatly to physical therapy management in lower extremity amputees.
1971 was a landmark year for the department as it moved to Rancho Los Amigos Hospital in Downey to initiate a new paradigm in US rehabilitation medicine. Also in 1971, USC established a master's degree in clinical physical therapy including clinical fellows at Rancho Los Amigos. By moving the division to Rancho Los Amigos, students were not only able to access skillful physical therapists, but also able to have better hands on experience in physical therapy practice. Helen Hislop was appointed chair of the department in 1975; Dr. Hislop intensively developed the graduate-level physical therapy program. Also, the final BS class graduated in 1975 and all physical therapy graduate degrees were shifted from MA to MS In 1978, the department established the first physical therapy PhD program in the nation, and accepted three PhD students. Dr. Jacquelin Perry, who was a director of the pathokinesiology lab at Rancho Los Amigos and a recognized expert in gait analysis and polio, tremendously contributed to the development of the PhD program in physical therapy at USC.
The 1980s and 1990s were periods defined by many firsts in the division. The first doctoral degree in physical therapy from USC was awarded to Mary Beth Brown in 1984. In 1989, an independent faculty practice, USC Physical Therapy Associates, was established with Rob Landel as director. The department changed its name to the Department of Biokinesiology and Physical Therapy in 1993 to reflect its expanding research mission. Eighty-four students were admitted to the first entry-level DPT class in 1995 and graduated three years later. In 1996, 15 graduates were awarded the first post-professional DPT degrees from USC. After 23 years of service as department chair, Helen Hislop stepped down in 1998 and Sandra Howell was named acting chair in her place. This same year, the inaugural class of two residents was admitted to the Orthopedic Physical Therapy residency program at USC, the first academically based residency in the US.
Dr. James Gordon became the new chair of the department in July 2000. In 2003, the Department of Nursing closed and the university provost announced that the Independent Health Professions would be phased out. This precipitated a major change for the department, which became the Division of Biokinesiology and Physical Therapy of the Herman Ostrow School of Dentistry in 2006.
In 2017, the department began offering online DPT programs.
Distinctions.
The Doctor of Physical Therapy program has been ranked first among physical therapy schools by "US News & World Report" since 2004.
Notable alumni.
"See also List of University of Southern California people"


Julia Acker

Julia Acker (1898–1942) was a Jewish–Polish figurative artist. Since many records from the World War II period and the German occupation of Poland are missing, the year of her birth in Lemberg and death in the Lviv Ghetto are listed in the "Exhibition Catalogue from the Collections of the Lviv Art Gallery, Lviv Museum of History," section relating to "Biographies of Artists."
Biography.
Acker spent her entire life and career in Lviv and surrounding communities. She was born when Poland was still part of the Austrian-Hungarian Empire and Lemberg was in the Empire's Eastern Province of Galicia. She "studied painting at the Free Arts Academy of Leonard Podhorodecki and took private lessons at Pawel Gajewski in Lviv," in the new independent Poland after World War I. She continued her painting studies "at Pawel Gajewski in Lviv...and painted genre compositions as well as scenes from Jewish community life and also children's portraits, still lifes and flowers."
Due to the constant threat on her life, Acker committed suicide in 1942 at the beginning of the German occupation of Lviv and was interred in the Lviv Cemetery with cemetery data from 1941–1942 listing her "interment of 07 May 1942," and a last address of "Zolkierska 35 (Zolkiewska)," the same address, also, of Dr. Izrael Acker, listed in the 1938 Lwow telephone directory. Dr. Acker's medical practice is listed in the same directory as "Zamarstynowska Street 34".
The Polish National Museum of Art in Warsaw owns one of her paintings, titled, "Procession of Figures." DESA auction house on 16 October 2004 offered "Martwa Natura Z. Nasturciami" oil on cardboard by Julia Acker that was painted in 1940. The Agra Art Auction House in Poland in 2010 offered "Colours of Flowers" for sale from a private collection. In the collection of the Lviv Museum of History is the "Portrait of Philip Schleicher" Vice President of Lviv (1870–1932), by Julia Acker that was "received in 1941."


Cystic papilloma