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Produced by Marilynda Fraser-Cunliffe, Charlie Howard, and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.) THE EVOLUTION OF OLD TESTAMENT RELIGION THE EVOLUTION OF OLD TESTAMENT RELIGION BY W. E. ORCHARD, B.D. LONDON JAMES CLARKE & CO., 13 & 14, FLEET STREET 1908 TO My Wife PREFACE The substance of this book was originally delivered as a Course of Lectures to a week-night congregation. The Lecture form has been retained, and this accounts for the repetition of the leading ideas, while the practical interests of Church life account for the insistence on the religious value and lesson. It is hoped that this, which might be irritating to the professional student, may be helpful to the ordinary reader who is repelled by the technicality of critical works, and often fails to discern the devout spirit by which such works are inspired, or to discover what religious interest is served by them. Where everything is borrowed from other writers, and no claim to originality is made, detailed acknowledgment would be impossible, but the resolve to attempt some such course in place of the usual form of a week-night service was formed in the Hebrew class-room of Westminster College, Cambridge, while listening to the Lectures on Old Testament Theology and Messianic Prophecy, delivered by the Rev. Professor Dr. Skinner (now Principal), in which accurate scholarship was combined with a deep insight into the present religious importance of these subjects. Grateful acknowledgment is also due to the Rev. J.R. Coates, B.A., who kindly read through the proofs and made many valuable suggestions. W. E. ORCHARD. ENFIELD, _August, 1908_. CONTENTS LECTURE PAGE INTRODUCTION vii I. THE SEMITIC RACES 19 II. THE PRIMITIVE RELIGION OF THE HEBREWS 31 III. MOSAISM 55 IV. THE INFLUENCE OF CANAAN 83 V. PROPHETISM--EARLY STAGES 107 VI. THE RELIGION OF THE LITERARY PROPHETS 135 VII. THE EFFECT OF THE EXILE 169 VIII. THE WORK OF THE PRIESTS 195 IX. THE RELIGION OF THE PSALMISTS 215 X. THE RELIGION OF THE WISE 241 XI. MESSIANIC EXPECTATIONS 265 INTRODUCTION It is a matter of common knowledge that within the last few decades a tremendous change has come over our estimate of the value of the Old Testament, and that this change is of the gravest importance for our understanding of religion. But what the exact nature of the change is, and what we are to deduce from it, is a matter of debate, for the facts are only known to professional students and to a few others who may have been led to interest themselves in the subject. With some, for instance, the idea prevails that the Old Testament has been so discredited by modern research that its religious significance is now practically worthless. Others believe that the results arrived at are untrue, and regard them as the outcome of wicked attacks made upon the veracity of the Word of God by men whose scholarship is a cloak for their sinister designs or a mask of their incapacity to comprehend its spiritual message. There is perhaps a middle course open to some who have found a message of God to their souls in the Old Testament, and who, on hearing that the authorship of this book has been questioned or the historicity of that passage assailed, are unmoved, because they believe that it does not matter who wrote the Pentateuch or the Psalms so long as through these documents they hear the voice of the living Word of God. Here then is a subject on which there exists a distressing confusion, and, moreover, a subject in which ignorance plays no small part. Save with a few devout souls who have made a long and continuous study of the Scriptures, it may be doubted whether there is any widespread knowledge of the actual message of the Old Testament, even among Christian people. There are certainly many people willing to defend the authority of the Bible who spend very little time in reading it. The favourite Psalms and the evangelical passages of Isaiah are probably well known, and beyond this there is but the knowledge gained in early days, from which stand out in the memory the personalities of Samson and Saul, David and Goliath, and Daniel in the lion's den, together with the impressive stories of the Flood, the destruction of Sodom and Gomorrah, the crossing of the
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Produced by Bryan Ness, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net. (This book was produced from scanned images of public domain material from the Google Print project.) THE CONDUCT OF MIND SERIES EDITED BY JOSEPH JASTROW VOCATIONAL PSYCHOLOGY VOCATIONAL PSYCHOLOGY ITS PROBLEMS AND METHODS BY H. L. HOLLINGWORTH ASSOCIATE PROFESSOR OF PSYCHOLOGY, COLUMBIA UNIVERSITY WITH A CHAPTER ON THE VOCATIONAL APTITUDES OF WOMEN BY LETA STETTER HOLLINGWORTH, PH.D. CLINICAL PSYCHOLOGIST, BELLEVUE HOSPITAL, NEW YORK CITY D. APPLETON AND COMPANY NEW YORK LONDON 1922 COPYRIGHT, 1916, BY D. APPLETON AND COMPANY Printed in
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Produced by Hillie Plantinga and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber's notes: Four typographical errors have been corrected: Page 88, "seemes" changed to "seems" (it seems such a wasteful way to live somehow,) Page 162, "Ellen" changed to "Ellen," ("I'm very glad you feel that way about it, Ellen,") Page 199, "accomodating" changed to "accommodating" (He felt his mind accommodating to) Page 252, "Weatherall" changed to "Weatheral" (Mr. Weatheral had some papers) THE LOVELY LADY _By the same author_ A WOMAN OF GENIUS THE ARROW MAKER THE GREEN BOUGH CHRIST IN ITALY [Illustration: _"It was one thin web of rose and gold over lakes of burnished light...."_] THE LOVELY LADY BY MARY AUSTIN [Illustration: ] _Frontispiece by Gordon Grant_ GARDEN CITY NEW YORK DOUBLEDAY, PAGE & COMPANY 1913 _Copyright, 1913, by_ DOUBLEDAY, PAGE & COMPANY _All rights reserved, including that of translation into Foreign Languages, including the Scandinavian._ To J. AND E. THE COMPANIONS OF THE GONDOLA CONTENTS PAGE PART ONE In which Peter meets a Dragon, and the Lovely Lady makes her appearance. 3 PART TWO In which Peter becomes invisible on the way to growing rich. 37 PART THREE In which Peter becomes a bachelor. 59 PART FOUR In which the Lovely Lady makes a final appearance. 107 ILLUSTRATIONS "It was one thin web of rose and gold over lakes of burnished light...." PART ONE IN WHICH PETER MEETS A DRAGON, AND THE LOVELY LADY MAKES HER APPEARANCE PART ONE IN WHICH PETER MEETS A DRAGON, AND THE LOVELY LADY MAKES HER APPEARANCE I The walls of the Wonderful House rose up straight and shining, pale greenish gold as the slant sunlight on the orchard grass under the apple trees; the windows that sprang arching to the summer blueness let in the scent of the cluster rose at the turn of the fence, beginning to rise above the dusty smell of the country roads, and the evening clamour of the birds in Bloombury wood. As it dimmed and withdrew, the shining of the walls came out more clearly. Peter saw then that they were all of pictures wrought flat upon the gold, and as the glow of it increased they began to swell and stir like a wood waking. They leaned out from the walls, looking all one way toward the increasing light and tap-tap of the Princess' feet along the halls. "Peter, oh, Peter!" The tap-tapping grew sharp and nearer like the sound of a crutch on a wooden veranda, and the voice was Ellen's. "Oh, Peter, you are always a-reading and a-reading!" Peter rolled off the long settle where he had been stretched and put the book in his pocket apologetically. "I was just going to quit," he said; "did you want anything, Ellen?" "The picnic is coming back; I thought we could go down to the turn to meet them. Mrs. Sibley said she would save me some things from the luncheon." If there was a little sting to Peter in Ellen's eagerness, it was evidence at least, how completely he and his mother had kept her from realizing that it was chiefly because of their not being able to afford the well-filled basket demanded by a Bloombury picnic that they had not accepted the invitation. Ellen had thought it was because Bet, the mare, could not be spared all day from the ploughing nor Peter from hoeing the garden, and her mother was too busy with the plaid gingham dress she was making for the minister's wife, to do any baking. It meant to Ellen, the broken fragments of the luncheon, just so much of what a picnic should mean: the ride in the dusty morning, swings under the trees, easy games that she could play, lemonade, pails and pails of it, pink ham sandwiches and frosted cake; and if Ellen could have any of these, she was having a little piece of the picnic. What it would have meant particularly to Peter over and above a day let loose, the arching elms, the deep fern of Bloombury wood, might have been some passages, perhaps, which could be taken home and made over into the groundwork of new and interesting adventures in the House from which Ellen had recalled him. There was a
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Produced by Emmy and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) The Riverside Biographical Series NUMBER 4 PETER COOPER BY ROSSITER W. RAYMOND =The Riverside Biographical Series= 1. ANDREW JACKSON, by W. G. BROWN. 2. JAMES B. EADS, by LOUIS HOW. 3. BENJAMIN FRANKLIN, by PAUL E. MORE. 4. PETER COOPER, by R. W. RAYMOND. 5. THOMAS JEFFERSON, by H. C. MERWIN. 6. WILLIAM PENN, by GEORGE HODGES. 7. GENERAL GRANT, by WALTER ALLEN. 8. LEWIS AND CLARK, by WILLIAM R. LIGHTON. 9. JOHN MARSHALL, by JAMES B. THAYER. 10. ALEXANDER HAMILTON, by CHAS. A. CONANT. 11. WASHINGTON IRVING, by H. W. BOYNTON. 12. PAUL JONES, by HUTCHINS HAPGOOD. 13. STEPHEN A. DOUGLAS, by W. G. BROWN. 14. SAMUEL DE CHAMPLAIN, by H. D. SEDGWICK, Jr. Each about 140 pages, 16mo, with photogravure portrait, 65 cents, _net_; _School Edition_, each, 50 cents, _net_. HOUGHTON MIFFLIN COMPANY BOSTON AND NEW YORK [Illustration: (signed) Peter Cooper] PETER COOPER BY ROSSITER W. RAYMOND [Illustration] BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY =The Riverside Press Cambridge= COPYRIGHT, 1901, BY ROSSITER W. RAYMOND. ALL RIGHTS RESERVED CONTENTS CHAP. PAGE PREFACE vii I. ANCESTRY 1 II. BOYHOOD AND YOUTH 10 III. BUSINESS VENTURES 16 IV. INVENTIONS 29 V. THE TOM THUMB 38 VI. MUNICIPAL AFFAIRS 52 VII. THE COOPER UNION FOR THE ADVANCEMENT OF SCIENCE AND ART 64 VIII. NATIONAL POLITICS 96 IX. THE END 104 PREFACE DURING the last decade of Peter Cooper's life, the writer of this biographical sketch enjoyed some degree of intimacy with him, as professional adviser and traveling companion, and also, incidentally, as consulting engineer of the firm of Cooper and Hewitt, and manager of a department in the Cooper Union. This circumstance, together with the preference kindly expressed by Mr. Cooper's family, doubtless influenced the selection of the writer for the honorable task of preparing this book,--a task which was welcome as a labor of love, though the execution of it has been hindered and impaired by the demands of other duties. The real difficulty has been to compress within the prescribed limits a story covering so many years and so many topics, yet not possessing those features of dramatic action or adventure which could be treated briefly, with picturesque effect. Mr. Cooper's family has kindly furnished abundant material for this work, including, besides his own published utterances, the notes of the stenographer to whom Mr. Cooper, in the last years of his life, dictated his "reminiscences." The use which has been made of these will be evident to the reader. Beyond an occasional revelation of the character of the speaker, or a side-light thrown upon the manners and conditions of our early national life, they have not furnished valuable data; and the study of them suggests an observation which may be heeded with advantage in similar cases hereafter, though it comes too late to be useful in this instance, namely, that the recollections of old people with retentive memories, like Peter Cooper, may be invaluable, if they are intelligently aroused and guided; but if the speakers (as in his case) are left to their own initiative, they are too likely to furnish superfluous accounts of events already described more accurately in authentic contemporaneous records. It has not been practicable to preserve, in the treatment of the subject, a strictly chronological order. As the titles of the several chapters indicate, the different lines of Mr. Cooper's activity have been considered, to some extent, separately, so that their periods overlap each other. This sketch of Mr. Cooper's career furnishes the elements of an analysis, which I introduce here, as a guide in the interpretation of what is to follow. 1. The time of his birth and the prophetic anticipations of his parents profoundly influenced his ambition to do something great for his fellow-citizens of the republic whose life began so nearly with his own. 2. The atmosphere surrounding his youth was one of unlimited and audacious adventure. New institutions, a virgin continent, the ardent desire to be independent of the Old World, and a profound belief in the destiny of America, all combined to stimulate endeavor. What Peter Cooper said of himself as an apprentice was true of the typical young American of his time: "I was always planning and contriving, and was never satisfied unless I was doing something difficult--something that had never been done before, if possible." 3. The new freedom and the vast opportunity presented in the young republic encouraged, to a degree not paralleled before or since, that change of occupation which, with all its drawbacks, had the
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Produced by Donald Lainson; Anonymous Volunteers; David Widger THE YELLOW CLAW by Sax Rohmer CONTENTS CHAPTER I THE LADY OF THE CIVET FURS II MIDNIGHT--AND MR. KING III INSPECTOR DUNBAR TAKES CHARGE IV A WINDOW IS OPENED V DOCTORS DIFFER VI AT SCOTLAND YARD VII THE MAN IN THE LIMOUSINE VIII CABMEN TWO IX THE MAN IN BLACK X THE GREAT UNDERSTANDING XI PRESENTING M. GASTON MAX XII MR. GIANAPOLIS XIII THE DRAFT ON PARIS XIV EAST 18642 XV CAVE OF THE GOLDEN DRAGON XVI HO-PIN'S CATACOMBS XVII KAN-SUH CONCESSIONS XVIII THE WORLD ABOVE XIX THE LIVING DEAD XX ABRAHAM LEVINSKY BUTTS IN XXI THE STUDIO IN SOHO XXII M. MAX MOUNTS CAGLIOSTRO'S STAIRCASE XXIII RAID IN THE RUE ST.-CLAUDE XXIV OPIUM XXV FATE'S SHUTTLECOCK XXVI "OUR LADY OF THE POPPIES" XXVII GROVE OF A MILLION APES XXVIII THE OPIUM AGENT XXIX M. MAX OF LONDON AND M. MAX OF PARIS XXX MAHARA XXXI MUSK AND ROSES XXXII BLUE BLINDS XXXIII LOGIC VS. INTUITION XXXIV M. MAX REPORTS PROGRESS XXXV TRACKER TRACKED XXXVI IN DUNBAR'S ROOM XXXVII THE WHISTLE XXXVIII THE SECRET TRAPS XXXIX THE LABYRINTH XL DAWN AT THE NORE XLI WESTMINSTER--MIDNIGHT THE YELLOW CLAW I THE LADY OF THE CIVET FURS Henry Leroux wrote busily on. The light of the table-lamp, softened and enriched by its mosaic shade, gave an appearance of added opulence to the already handsome appointments of the room. The little table-clock ticked merrily from half-past eleven to a quarter to twelve. Into the cozy, bookish atmosphere of the novelist's study penetrated the muffled chime of Big Ben; it chimed the three-quarters. But, with his mind centered upon his work, Leroux wrote on ceaselessly. An odd figure of a man was this popular novelist, with patchy and untidy hair which lessened the otherwise striking contour of his brow. A neglected and unpicturesque figure, in a baggy, neutral- dressing-gown; a figure more fitted to a garret than to this spacious, luxurious workroom, with the soft light playing upon rank after rank of rare and costly editions, deepening the tones in the Persian carpet, making red morocco more red, purifying the vellum and regilding the gold of the choice bindings, caressing lovingly the busts and statuettes surmounting the book-shelves, and twinkling upon the scantily-covered crown of Henry Leroux. The door bell rang. Leroux, heedless of external matters, pursued his work. But the door bell rang again and continued to ring. "Soames! Soames!" Leroux raised his voice irascibly, continuing to write the while. "Where the devil are you! Can't you hear the door bell?" Soames did not reveal himself; and to the ringing of the bell was added the unmistakable rattling of a letter-box. "Soames!" Leroux put down his pen and stood up. "Damn it! he's out! I have no memory!" He retied the girdle of his dressing-gown, which had become unfastened, and opened the study door. Opposite, across the entrance lobby, was the outer door; and in the light from the lobby lamp he perceived two laughing eyes peering in under the upraised flap of the letter-box. The ringing ceased. "Are you VERY angry with me for interrupting you?" cried a girl's voice. "My dear Miss Cumberly!" said Leroux without irritation; "on the contrary--er--I am delighted to see you--or rather to hear you. There is nobody at home, you know."... "I DO know," replied the girl firmly, "and I know something else, also. Father assures me that you simply STARVE yourself when Mrs. Leroux is away! So I have brought down an omelette!" "Omelette!" muttered Leroux, advancing toward the door; "you have--
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Produced by Richard Tonsing, Richard Hulse and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) [Illustration] ------------------------------------------------------------------------ [Illustration: ’لا] “TO THE PURE ALL THINGS ARE PURE.” (Puris omnia pura) —_Arab Proverb._ “Niuna corrotta mente intese mai sanamente parole.” —“_Decameron_”—_conclusion_. “Erubuit, posuitque meum Lucretia librum Sed coram Bruto. Brute! recede, leget.” —_Martial._ “Mieulx est de ris que de larmes escripre, Pour ce que rire est le propre des hommes.” —RABELAIS. “The pleasure we derive from perusing the Thousand-and-One Stories makes us regret that we possess only a comparatively small part of these truly enchanting fictions.” —CRICHTON’S “_History of Arabia_.” ------------------------------------------------------------------------ [Illustration] ------------------------------------------------------------------------ _A PLAIN AND LITERAL TRANSLATION OF THE ARABIAN NIGHTS ENTERTAINMENTS. NOW ENTITULED_ _THE BOOK OF THE_ Thousand Nights and a Night _WITH INTRODUCTION EXPLANATORY NOTES ON THE MANNERS AND CUSTOMS OF MOSLEM MEN AND A TERMINAL ESSAY UPON THE HISTORY OF THE NIGHTS_ VOLUME VIII. BY RICHARD F. BURTON [Illustration] PRINTED BY THE BURTON CLUB FOR PRIVATE SUBSCRIBERS ONLY ------------------------------------------------------------------------ Shammar Edition Limited to one thousand numbered sets, of which this is Number _547_ PRINTED IN U. S. A. A MESSAGE TO Frederick Hankey, FORMERLY OF NO. 2, RUE LAFFITTE, PARIS. MY DEAR FRED, If there be such a thing as “continuation,” you will see these lines in the far Spirit-land and you will find that your old friend has not forgotten you and Annie. RICHARD F. BURTON. ------------------------------------------------------------------------ CONTENTS OF THE EIGHTH VOLUME. PAGE _a._ STORY OF PRINCE SAYF AL-MULUK AND THE PRINCESS BADI’A AL-JAMAL (Continued) 1 (_Lane, III. 308. The Story of Seif El-Mulook and Badeea El-Jamal, with the Introduction transferred to a note p. 372._) HASAN OF BASSORAH 7 (_Lane, III. 335. The Story of Hasan of El-Basrah_). KHALIFAH THE FISHERMAN OF BAGHDAD 145 (_Lane, IV. 527. The Story of Khaleefeh the Fisherman._) NOTE. THE SAME FROM THE BRESLAU EDITION (IV. 318) 184 MASRUR AND ZAYN AL-MAWASIF 205 (_Lane, III. 573. Note._) ALI NUR AL-DIN AND MIRIAM THE GIRDLE-GIRL 264 (_Lane omits, III. 572._) Now when it was the Seven Hundred and Seventy-seventh Night, She resumed, It hath reached me, O auspicious King, that when the old Queen heard the handmaid’s words she was wroth with sore wrath because of her and cried, “How shall there be accord between man and Jinn?” But Sayf al-Muluk replied, “Indeed, I will conform to thy will and be thy page and die in thy love and will keep with thee covenant and regard none but thee: so right soon shalt thou see my truth and lack of falsehood and the excellence of my manly dealing with thee, Inshallah!” The old woman pondered for a full hour with brow earthwards bent; after which she raised her head and said to him, “O thou beautiful youth, wilt thou indeed keep compact and covenant?” He replied, “Yes, by Him who raised the heavens and dispread the earth upon the waters, I will indeed keep faith and troth!” Thereupon quoth she, “I will win for thee thy wish, Inshallah! but for the present go thou into the garden and take thy pleasure therein and eat of its fruits, that have neither like in the world
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Project Gutenberg The Complete Writings of Charles Dudley Warner Volume 4 Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. *It must legally be the first thing seen when opening the book.* In fact, our legal advisors said we can't even change margins. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. Title: The Complete Writings of Charles Dudley Warner Volume 4 Author: Charles Dudley Warner
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Internet Archive.) SIMON EICHELKATZ THE PATRIARCH GLOSSARY Simon Eichelkatz The Patriarch Two Stories of Jewish Life By Ulrich Frank Translated From the German [Illustration: colophon] Philadelphia: The Jewish Publication Society of America 1907 SIMON EICHELKATZ SEPTEMBER 9, 1900. To-day I was called to attend an old man who lives at the Flour Market, almost opposite the "New" Synagogue. The messenger told me I could not possibly miss the house, because the steps leading up to the old man's rooms were built on the outside; and this is in peculiar contrast to the modern architecture prevailing in the city. In fact, I do not know whether
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Produced by Larry Harrison, Cindy Beyer and the Distributed Proofreaders Canada team at http://www.pgdpcanada.net with images provided by CANADIANA. Daughters of the Dominion [Illustration: NELL NURSES THE STRANGER] =D a u g h t e r s o f t h e= =D o m i n i o n= A Story of the Canadian Frontier BY =BESSIE MARCHANT= AUTHOR OF “SISTERS OF SILVER CREEK,” “A HEROINE OF THE SEA,” “HOPE’S TRYST” ETC. ILLUSTRATED BY WILLIAM RAINEY, R.I. TORONTO T H E M U S S O N B O O K
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Produced by Project Gutenberg Distributed Proofreaders The Project Gutenberg EBook of In the Valley, by Harold Frederic Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. In the Valley By Harold Frederic Copyright 1890 Dedication. _When, after years of preparation, the pleasant task of writing this tale was begun, I had my chief delight in the hope that the completed book would gratify a venerable friend, to whose inspiration my first idea of the work was due, and that I might be allowed to place his honored name upon this page. The ambition was at once lofty and intelligible. While he was the foremost citizen of New York State, we of the Mohawk Valley thought of him as peculiarly our own. Although born elsewhere, his whole adult life was spent among us, and he led all others in his love for the Valley, his pride in its noble history, and his broad aspirations for the welfare and progress in wise and good ways of its people. His approval ef this book would have been the highest honor it could possibly have won. Long before it was finished, he had been laid in his last sleep upon the
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Produced by Chetan Jain, John B. Hare, and Christopher M. Weimer. HTML version by Al Haines. Markandeya Purana Books VII and VIII. JOURNAL OF THE ROYAL ASIATIC SOCIETY. [New Series, Volume XIII] [London, Truebner and Company] [1881] Scanned and edited by Christopher M. Weimer, May 2002 ART. XIII.--__Translation of the Markandeya Purana__ Books VII. VIII. By the Rev. B. HALE WORTHAM. BOOK VII. ONCE upon earth there lived a saintly king Named Harischandra; pure in heart and mind, In virtue eminent, he ruled the world, Guarding mankind from evil. While he reigned No famine raged, nor pain; untimely death Ne
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Produced by Juliet Sutherland, David Widger and PG Distributed Proofreaders [Illustration] SAMANTHA AMONG THE BRETHREN. BY "JOSIAH ALLEN'S WIFE" (MARIETTA HOLLEY). _WITH ILLUSTRATIONS_. 1890 TO All Women WHO WORK, TRYING TO BRING INTO DARK LIVES THE BRIGHTNESS AND HOPE OF A BETTER COUNTRY, _THIS BOOK IS DEDICATED_. PREFACE. Again it come to pass, in the fulness of time, that my companion, Josiah Allen, see me walk up and take my ink stand off of the manteltry piece, and carry it with a calm and majestick gait to the corner of the settin' room table devoted by me to literary pursuits. And he sez to me: "What are you goin' to tackle now, Samantha?" And
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Produced by David Edwards, Matthew Wheaton and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE RAINBOW BOOK _BY THE SAME AUTHOR_ LITTLEDOM CASTLE MY SON AND I MARGERY REDFORD THE LOVE FAMILY THE CHILD OF THE AIR _All rights reserved_ [Illustration: _The Fish-King and the Dog-Fish_] [Illustration: The Rainbow Book Tales of Fun & Fancy By Mrs. M. H. SPIELMANN Illustrated by Arthur Rackham Hugh Thomson Bernard Partridge Lewis Baumer Harry Rountree C. Wilhelm NEW YORK FREDERICK WARNE AND CO. 1909] TO BARBARA MARY RACKHAM WITH ALL GOOD WISHES FOR HER FUTURE HAPPINESS MABEL H. SPIELMANN PREFACE It's all very well--but you, and I, and most of us who are healthy in mind and blithe of spirit, love to give rein to our fun and fancy, and to mingle fun with our fancy and fancy with our fun. The little Fairy-people are the favourite children of Fancy, and were born into this serious world ages and ages ago to help brighten it, and make it more graceful and dainty and prettily romantic than it was. They found the Folk-lore people already here--grave, learned people whose learning was all topsy-turvy, for it dealt with toads, and storms, and diseases, and what strange things would happen if you mixed them up together, and how the devil would flee if you did something with a herb, and how the tempest would stop suddenly, as Terence records, if you sprinkled a few drops of vinegar in front of it. No doubt, since then thousands of people have sprinkled tens of thousands of gallons of good vinegar before advancing tempests, and although tempests pay far less attention to the liquid than the troubled waters to a pint of oil, the sprinklers and their descendants have gone on believing with a touching faith. It is pretty, but not practical. But what _is_ pretty and practical too, is that all of us should sometimes let our fancy roam, and that we should laugh as well, even over a Fairy-story. Yet there are some serious-minded persons, very grave and very clever, who get angry if a smile so much as creeps into a Fairy-tale, and if our wonder should be disturbed by anything so worldly as a laugh. A Fairy-tale, they say, should be like an old Folk-tale, marked by sincerity and simplicity--as if humour cannot be sincere and simple too. "The true Fairy-story is not comic." Why not? Of this we may be sure--take all the true humourless Fairy-stories and take "Alice"--and "Alice" with its fun and fancy will live beside them as long as English stories are read, loved for its fancy and its fun, and hugged and treasured for its jokes and its laughter. The one objection is this: the "true Fairy-story" appeals to all children, young and old, in all lands, equally, by translation; and jokes and fun are sometimes difficult to translate. But that is on account of the shortcomings of language, and it is hard to make young readers suffer by starving them of fun, because the power of words is less absolute than the power of fancy in its merrier mood. Some people, of course, take their Fairies very seriously indeed, and we cannot blame them, for it is a very harmless and very beautiful mental refreshment. Some, indeed, not only believe firmly in Fairies--in their existence and their exploits--but believe themselves to be actually visited by the Little People. For my part, I would rather be visited by a Fairy than by a Spook any day, or night: but when the "sincerity" of some of us drove the Fairies out, the world was left so blank and unimaginative, that the Spooks had to be invited in. The admixture of faith and imagination produces strange results, while it raises us above the commonplaceness of everyday life. But, as I say, certain favoured people, mostly little girls, it is true, are regularly visited by Fairies even in the broad daylight, and they watch them at their pretty business, at their games and play (for Fairies, you may be sure, play and laugh, however much the Folk-lorists may frown when we are made to laugh with them). Two hundred and fifty years ago a Cornish girl declared that she had wonderful adventures with the Fairies--and she meant truly what she said. And it is only fifty years since an educated lady wrote a sincere account of her doings with Fairies and theirs with her, in an account which was reprinted in one of the most serious of papers, and which showed that the lady, like the uneducated Cornish girl two centuries before, was a true "fairy-seer." Here is a part of her story:-- "I used to spend a great deal of my time alone in our garden, and I think it must have been soon after my brother's death that I first saw (or perhaps recollect seeing) Fairies. I happened one day to break, with a little whip I had, the flower of a buttercup: a little while after, as I was resting on the grass, I heard a tiny but most beautiful voice saying, 'Buttercup, who has broken your house?' Then another voice replied, 'That little girl that is lying close by you.' I listened in great wonder, and looked about me, until I saw a daisy,
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Produced by Annie McGuire [Illustration: HARPER'S YOUNG PEOPLE AN ILLUSTRATED WEEKLY.] * * * * * VOL. I.--NO. 3. PUBLISHED BY HARPER & BROTHERS, NEW YORK. PRICE FOUR CENTS. Tuesday, November 18, 1879. Copyright, 1879, by HARPER & BROTHERS. $1.50 per Year, in Advance. * * * * * [Illustration: THE TOURNAMENT.--DRAWN BY JAMES E. KELLY.] THE TOURNAMENT. Great rivalry arose once between James and Henry, two school-mates and warm friends, and all on account of a pretty girl who went to the same school. Each one wanted to walk with her, and carry her books and lunch basket; and as Mary was a bit of a coquette, and showed no preference for either of her admirers, each tried to be the first to meet her in the shady winding lane that led from her house to the school. At last they determined to decide the matter in the old knightly manner, by a tournament. Two stout boys consented to act as chargers, and the day for the meeting was appointed. It was Saturday afternoon, a half-holiday, when the rivals met in the back yard of Henry's house, armed with old brooms for lances, and with shields made out of barrel heads. The chargers backed up against the fence, the champions mounted and faced each other from opposite sides of the yard. The herald with an old tin horn gave the signal for the onset. There was a wild rush across the yard, and a terrific shock as the champions met. James's lance struck Henry right under the chin, and overthrew him in spite of his gallant efforts to keep his seat. The herald at once proclaimed victory for James; and Henry, before he was allowed to rise from the ground, was compelled to renounce all intention of walking to school with Mary in the future. [Begun in No. 1 of HARPER'S YOUNG PEOPLE, Nov. 4.] THE BRAVE SWISS BOY. _II.--A PERILOUS ADVENTURE.--(Continued.)_ [Illustration: "WALTER AIMED TWO OR THREE BLOWS AT THE CREATURE'S BREAST."] In this dreadful crisis, Walter pressed as hard as he could against the rocky crag, having but one hand at liberty to defend himself against the furious attack of the bird. It was quite impossible for him to get at his axe, and the force with which he was assaulted caused him nearly to let go his hold. He tried to seize the vulture's throat and strangle it; but the bird was too active, and made all such attempts perfectly useless. He could scarcely hope to continue such a dangerous struggle much longer. He was becoming faint from terror, and his left hand was fast growing benumbed with grasping the rock. He had almost resigned himself to his fate, and expected the next moment to be dashed to pieces on the field of ice beneath. Suddenly, however, he recollected his pocket-knife, and a new ray of hope dawned. Giving up the attempt to clutch at the furious bird, he drew the knife out of his pocket, and opened it with his teeth, and aiming two or three blows at the creature's breast, he found at last that he had been successful in reaching some mortal part. The fluttering of the wings ceased, and the dying bird stained the virgin snow with its blood on the ice-field below. Walter was saved; there was no other enemy now to fear; his life was no longer in danger; but his energies were taxed to the utmost, and it was well for him that the terrible contest had lasted no longer. Pale, trembling in every limb, and spattered with the vulture's blood as well as that which trickled from the many wounds he had received, the valiant young cragsman sank helplessly to the ground, where he lay for some minutes, paralyzed with the terrible exertion he had gone through. At length, however, he so far recovered himself as to be able to continue his fatiguing and dangerous journey, and soon succeeded in reaching the spot where he had left his jacket, shoes, and alpenstock. Having gained a place of safety, he poured forth his thanks to God for delivering him from such great danger, and began to bind up his wounds, which for the first time were now paining him. When this was accomplished in a rough and ready sort of way, he had a peep at the trophies in his bag, whose capture had been attended with such adventurous danger, and with the aid of his alpenstock succeeded in getting the dead body of the old bird, which he found had been struck right to the heart. But his knife he could
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Produced by David Widger from page images generously provided by the Internet Archive THE LOVE THAT PREVAILED By Frank Frankfort Moore Author of “The Jessamy Bride,” “I Forbid the Bans,” “The Fatal Gift,” “The Millionaire,” “Our Fair Daughter,” etc., etc. Illustrated By H. B. Matthews New York Empire Book Company Publishers 1907 [Illustration: 0001] [Illustration: 0008] [Illustration: 0009] THE LOVE THAT PREVAILED CHAPTER I The old church ways be good enough for me,” said Miller Pendelly as he placed on the table a capacious jug of cider, laying a friendly left hand on the shoulder of Jake Pullsford, the carrier, as he bent across the side of the settee with the high back. “I ne'er could see aught that was helpful to the trade of a smith in such biases as the Quakers, to name only one of the new-fangled sects,” said Hal Holmes, the blacksmith, shaking his head seriously. “So I holds with Miller.” “Ay, that's the way too many of ye esteems a religion--' Will it put another crown in my pocket?' says you. If't puts a crown in your pocket, 'tis a good enough religion; if 't puts half-a-crown in your pocket, 'tis less good; if't puts naught in your pocket, that religion is good for naught.” The speaker was a middle-aged man with a pair of large eyes which seemed to vary curiously in colour, sometimes appearing to be as grey as steel, and again of a curious green that did not suit everybody's taste in eyes. But for that matter, Jake Pullsford, the carrier, found it impossible to meet everybody's taste in several other ways. He had a habit of craning forward his head close to the face of anyone to whom he was speaking, and this movement had something of an accusing air, about it--occasionally a menacing air--which was distinctly distasteful to most people, particularly those who knew that they had good reason to be accused or to be menaced. “Jake Pullsford goes about the world calling his best friends liars without the intent to hurt their feelings,” was the criticism passed upon him by Miller Pendelly. Other critics were not so sure on the subject of his intent. He had never shown himself to be very careful of the feelings of his friends. “The religion that puts naught in thy pocket is good for naught--that's what you be thinking of, Hal Holmes,” he said, thrusting his head close to the face of the smith. But the smith did not mind. The man that spends most of his days hammering out and bending iron to his will, usually thinks good-naturedly of one who uses words and phrases as arguments. “I don't gainsay thee, Jake,” he replied. “If you know what's in my thought better than I do myself, you be welcome to the knowledge.” “I meant not thee in special, friend,” said Jake. “What I say is that there are too many in these days that think of religion only for what it may bring to them in daily life--folk that make a gain of godliness.” “And a right good thing to make a gain of, says I,” remarked the miller with a confidential wink into the empty mug which he held--it had been full a moment before. “Ay, you be honest, miller: you allow that I am right and you have courage enough to praise what the Book condemns,” said Jake. “Look'ee here, friend,” said the miller, in his usual loud voice--the years that he had spent in his mill had caused him to acquire a voice whose tone could successfully compete with the creaking and clattering of the machinery. “Look'ee here, friend Jake, 'twould be easy enough for you or me that has done moderate well for ourselves in life, to turn up our eyes in holy horror at the bare thought of others being godly for what they may gain in daily life, but for myself, I would not think that I was broaching a false doctrine if I was to say to my son, 'Young man, be godly and thou 'll find it to bring gain to thee.' What, Jake, would 'ee have a man make gain out of ungodliness?” “Ay, that's a poser for him, miller: I've been thinking for that powerful proposal ever since the converse began,” said a small man who had sat silently smoking in a high-backed chair. He was one who had the aspect of unobtrusiveness, and a figure that somehow suggested to strangers an apologetic intention without the courage ever to put it in force. His name was Richard Pritchard, and he was by profession a water-finder--a practitioner
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Produced by Chris Curnow, Sam W. and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) SIR GAWAIN AND THE LADY OF LYS Translated by Jessie L. Weston. Illustrated by Morris M. Williams. Published by David Nutt at the Sign of the Phoenix 1907 ARTHURIAN ROMANCES Unrepresented in Malory's "Morte d'Arthur" _No. VII_ Sir Gawain and the Lady of Lys ARTHURIAN ROMANCES UNREPRESENTED IN MALORY'S "MORTE D'ARTHUR" I. SIR GAWAIN
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E-text prepared by Susan Skinner and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) THOMAS CARLYLE * * * * * FAMOUS SCOTS SERIES _The following Volumes are now ready_:-- THOMAS CARLYLE. By Hector C. Macpherson. ALLAN RAMSAY. By Oliphant Smeaton. HUGH MILLER. By W. Keith Leask. JOHN KNOX. By A. Taylor Innes. ROBERT BURNS. By Gabriel Setoun. THE BALLADISTS. By John Geddie. RICHARD CAMERON. By Professor Herkless. SIR JAMES Y. SIMPSON. By Eve Blantyre Simpson. THOMAS CHALMERS. By Professor W. Garden Blaikie. JAMES BOSWELL. By W. Keith Leask. TOBIAS SMOLLETT. By Oliphant Smeaton. FLETCHER OF SALTOUN. By G. W. T. Omond. THE BLACKWOOD GROUP. By Sir George Douglas. NORMAN MACLEOD. By John Wellwood. SIR WALTER SCOTT. By Professor Saintsbury. KIRKCALDY OF GRANGE. By Louis A. Barbe. ROBERT FERGUSSON. By A. B. Grosart. JAMES THOMSON. By William Bayne. MUNGO PARK. By T. Banks Maclachlan. DAVID HUME. By Professor Calderwood. * * * * * THOMAS CARLYLE by HECTOR C MACPHERSON Famous Scots Series Published by Oliphant Anderson & Ferrier Edinburgh and London The designs and ornaments of this volume are by Mr Joseph Brown, and the printing from the press of Messrs Turnbull & Spears, Edinburgh. Second Edition completing Seventh Thousand. PREFACE TO THE SECOND EDITION Of the writing of books on Carlyle there is no end. Why, then, it may pertinently be asked, add another stone to the Carlylean cairn? The reply is obvious. In a series dealing with famous Scotsmen, Carlyle has a rightful claim to a niche in the temple of Fame. While prominence has been given in the book to the Scottish side of Carlyle's life, the fact has not been lost sight of that Carlyle owed much to Germany; indeed, if we could imagine the spirit of a German philosopher inhabiting the body of a Covenanter of dyspeptic and sceptical tendencies, a good idea would be had of Thomas Carlyle. Needless to say, I have been largely indebted to the biography by Mr Froude, and to Carlyle's _Reminiscences_. After all has been said, the fact remains that Froude's portrait, though truthful in the main, is somewhat deficient in light and shade--qualities which the student will find admirably supplied in Professor Masson's charming little book, "Carlyle Personally, and in his Writings." To the Professor I am under deep obligation for the interest he has shown in the book. In the course of his perusal of the proofs, Professor Masson made valuable corrections and suggestions, which deserve more than a formal acknowledgment. To Mr Haldane, M.P., my thanks are also due for his suggestive criticism of the chapter on German thought, upon which he is an acknowledged authority. I have also to express my deep obligations to Mr John Morley, who, in the midst of pressing engagements, kindly found time to read the proof sheets. In a private note Mr Morley has been good enough to express his general sympathy and concurrence with my estimate of Carlyle. _EDINBURGH, October 1897._ CONTENTS PAGE CHAPTER I EARLY LIFE 9 CHAPTER II CRAIGENPUTTOCK--LITERARY EFFORTS 29 CHAPTER III CARLYLE'S MENTAL DEVELOPMENT 42 CHAPTER IV LIFE IN LONDON 65 CHAPTER V HOLIDAY JOURNEYINGS--LITERARY WORK 79 CHAPTER VI RECTORIAL ADDRESS--DEATH OF MRS CARLYLE 112 CHAPTER VII LAST YEARS AND DEATH OF CARLYLE 129 CHAPTER VIII CARLYLE AS A SOCIAL AND POLITICAL THINKER 138 CHAPTER IX CARLYLE AS AN INSPIRATIONAL FORCE 152 THOMAS CARLYLE CHAPTER I EARLY LIFE 'A great man,' says Hegel, 'condemns the world to the task of explaining him.' Emphatically does the remark apply to Thomas Carlyle. When he began to leave his impress in literature, he was treated as a confusing and inexplicable element. Opinion oscillated between the view of James Mill, that Carlyle was an insane rhapsodist, and that of Jeffrey, that he was afflicted with a chronic craze for singularity. Jeffrey's verdict sums up pretty effectively the attitude of the critics of the time to the new writer:--'I suppose that you will
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Produced by Juliet Sutherland, Charlie Kirschner and PG Distributed Proofreaders A SCHOOL HISTORY OF THE UNITED STATES BY JOHN BACH McMASTER PROFESSOR OF AMERICAN HISTORY IN THE UNIVERSITY OF PENNSYLVANIA 1897 PREFACE It has long been the custom to begin the history of our country with the discovery of the New World by Columbus. To some extent this is both wise and necessary; but in following it in this instance the attempt has been made to treat the colonial period as the childhood of the United States; to have it bear the same relation to our later career that the account of the youth of a great man should bear to that of his maturer years, and to confine it to the narration of such events as are really necessary to a correct understanding of what has happened since 1776. The story, therefore, has been restricted to the discoveries, explorations, and settlements within the United States by the English, French, Spaniards, and Dutch; to the expulsion of the French by the English; to the planting of the thirteen colonies on the Atlantic seaboard; to the origin and progress of the quarrel which ended with the rise of thirteen sovereign free and independent states, and to the growth of such political institutions as began in colonial times. This period once passed, the long struggle for a government followed till our present Constitution--one of the most remarkable political instruments ever framed by man--was adopted, and a nation founded. Scarcely was this accomplished when the French Revolution and the rise of Napoleon involved us in a struggle, first for our neutral rights, and then for our commercial independence, and finally in a second war with Great Britain. During this period of nearly five and twenty years, commerce and agriculture flourished exceedingly, but our internal resources were little developed. With the peace of 1815, however, the era of industrial development comm
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Produced by Sonya Schermann, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Ingersoll Lectures on Immortality IMMORTALITY AND THE NEW THEODICY. By George A. Gordon. 1896. HUMAN IMMORTALITY. Two supposed Objections to the Doctrine. By William James. 1897. DIONYSOS AND IMMORTALITY: The Greek Faith in Immortality as affected by the rise of Individualism. By Benjamin Ide Wheeler. 1898. THE CONCEPTION OF IMMORTALITY. By Josiah Royce. 1899. LIFE EVERLASTING. By John Fiske. 1900. SCIENCE AND IMMORTALITY. By William Osler. 1904. THE ENDLESS LIFE. By Samuel M. Crothers. 1905. INDIVIDUALITY AND IMMORTALITY. By Wilhelm Ostwald. 1906. THE HOPE OF IMMORTALITY. By Charles F. Dole. 1907. BUDDHISM AND IMMORTALITY. By William S. Bigelow. 1908. IS IMMORTALITY DESIRABLE? By G. Lowes Dickinson. 1909. EGYPTIAN CONCEPTIONS OF IMMORTALITY. By George A. Reisner. 1911. INTIMATIONS OF IMMORTALITY IN THE SONNETS OF SHAKESPEARE. By George H. Palmer. 1912. METEMPSYCHOSIS. By George Foot Moore. 1914. PAGAN IDEAS OF IMMORTALITY DURING THE EARLY ROMAN EMPIRE. By Clifford Herschel Moore. 1918. PAGAN IDEAS OF IMMORTALITY DURING THE EARLY ROMAN EMPIRE The Ingersoll Lecture, 1918 Pagan Ideas of Immortality During the Early Roman Empire By Clifford Herschel Moore, Ph.D., Litt.D. _Professor of Latin in Harvard University_ [Illustration: colophon] Cambridge Harvard University Press London: Humphrey Milford Oxford University Press 1918 COPYRIGHT, 1918 HARVARD UNIVERSITY PRESS THE INGERSOLL LECTURESHIP _Extract from the will of Miss Caroline Haskell Ingersoll, who died in Keene, County of Cheshire, New Hampshire, Jan. 26, 1893_ _First._ In carrying out the wishes of my late beloved father, George Goldthwait Ingersoll, as declared by him in his last will and testament, I give and bequeath to Harvard University in Cambridge, Mass., where my late father was graduated, and which he always held in love and honor, the sum of Five thousand dollars ($5,000) as a fund for the establishment of a Lectureship on a plan somewhat similar to that of the Dudleian lecture, that is--one lecture to be delivered each year, on any convenient day between the last day of May and the first day of December, on this subject, “the Immortality of Man,” said lecture not to form a part of the usual college course, nor to be delivered by any Professor or Tutor as part of his usual routine of instruction, though any such Professor or Tutor may be appointed to such service. The choice of said lecturer is not to be limited to any one religious denomination, nor to any one profession, but may be that of either clergyman or layman, the appointment to take place at least six months before the delivery of said lecture. The above sum to be safely invested and three fourths of the annual interest thereof to be paid to the lecturer for his services and the remaining fourth to be expended in the publishment and gratuitous distribution of the lecture, a copy of which is always to be furnished by the lecturer for such purpose. The same lecture to be named and known as “the Ingersoll lecture on the Immortality of Man.” PAGAN IDEAS OF IMMORTALITY DURING THE EARLY ROMAN EMPIRE I The invitation of the committee charged with the administration of the Ingersoll lectureship and my own inclination have agreed in indicating that aspect of the general subject of immortality, which I shall try to present tonight. I shall not venture on this occasion to advance arguments for or against belief in a life after death; my present task is a humbler one: I propose to ask you to review with me some of the more significant ideas concerning an existence beyond the grave, which were current in the Greco-Roman world in the time of Jesus and during the earlier Christian centuries, and to consider briefly the relation of these pagan beliefs to Christian ideas on the same subject. In dealing with a topic so vast as this in a single hour, we must select those elements which historically showed themselves to be fundamental and vital; but even then we cannot examine much detail. It may prove, however, that a rapid survey of those concepts of the future life, whose influence lasted long during the Christian centuries, and indeed has continued to the present day, may not be without profit. The most important single religious document from the Augustan Age is the sixth book of Virgil’s Aeneid; for although the Aeneid was written primarily to glorify Roman imperial aims, the sixth book gives full expression to many philosophic and popular ideas of the other world and of the future life, which were current among both Greeks and Romans.[1] It therefore makes a fitting point of departure for our considerations. In this book, as you will remember, the poet’s hero, having reached Italian soil at last, is led down to the lower world by the Cumaean Sybil. This descent to Hades belongs historically to that long series of apocalyptic writings which begins with the eleventh book of the Odyssey and closes with Dante’s Divine Comedy. Warde Fowler deserves credit for clearly pointing out that this visit of Aeneas to the world below is the final ordeal for him, a mystic initiation, in which he receives “enlightenment for the toil, peril, and triumph that await him in the accomplishment of his divine mission.” When the Trojan hero has learned from his father’s shade the mysteries of life and death, and has been taught the magnitude of the work which lies before him, and the great things that are to be, he casts off the timidity which he has hitherto shown and, strengthened by his experiences, advances to the perfect accomplishment of his task.[2] But we are not concerned so much with Virgil’s purpose in writing this apocalyptic book, as with its contents and with the evidence it gives as to the current ideas of the other world and the fate of the human soul. What then does the poet tell us of these great matters? We can hardly do better than to follow Aeneas and his guide on their journey. This side of Acheron they meet the souls of those whose bodies are unburied, and who therefore must tarry a hundred years--the maximum of human life--before they may be ferried over the river which bounds Hades. When Charon has set the earthly visitors across that stream, they find themselves in a place where are gathered spirits of many kinds, who have not yet been admitted to Tartarus or Elysium: first the souls of infants and those who met their end by violence--men condemned to death though innocent, suicides, those who died for love, and warriors--all of whom must here wait until the span of life allotted them has been completed. These spirits passed, the mortal visitors come to the walls of Tartarus, on whose torments Aeneas is not allowed to look, for “The feet of innocence may never pass Into this house of sin.” But the Sybil, herself taught by Hecate, reveals to him the eternal punishments there inflicted for monstrous crimes. Then the visitors pass to Elysium, where dwell the souls of those whose deserts on earth have won for them a happy lot. Nearby in a green valley, Aeneas finds the shade of his own father, Anchises, looking eagerly at the souls which are waiting to be born into
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SCIENCE*** E-text prepared by Charlene Taylor, Paul Clark, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/American Libraries (http://archive.org/details/americana) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 40706-h.htm or 40706-h.zip: (http://www.gutenberg.org/files/40706/40706-h/40706-h.htm) or (http://www.gutenberg.org/files/40706/40706-h.zip) Images of the original pages are available through Internet Archive/American Libraries. See http://archive.org/details/introductiontohi00libb Transcriber's note: Every effort has been made to replicate this text as faithfully as possible. Some changes have been made. They are listed at the end of the text, apart from some changes of puctuation in the Index. Text enclosed by underscores is in italics (_italics_). Characters enclosed by curly braces are subscripts (example: H{2}O). Dalton's symbols for the elements have been represented as follows: White circle ( ) Hydrogen Circle with vertical bar (|) Nitrogen Circle with central dot (.) Oxygen Black cirle (*) Carbon AN INTRODUCTION TO THE HISTORY OF SCIENCE by WALTER LIBBY, M.A., Ph.D. Professor of the History of Science in the Carnegie Institute of Technology [Illustration] Boston New York Chicago Houghton Mifflin Company The Riverside Press Cambridge Copyright, 1917, by Walter Libby All Rights Reserved The Riverside Press Cambridge. Massachusetts U. S. A TO MY STUDENTS OF THE LAST TWELVE YEARS IN THE CHICAGO AND PITTSBURGH DISTRICTS THIS BOOK IS INSCRIBED IN FURTHERANCE OF THE ENDEAVOR TO INCULCATE A DEMOCRATIC CULTURE, EVER MINDFUL OF THE DAILY TASK, NOT ALTOGETHER IGNORANT OF THE ACHIEVEMENTS OF THE PAST PREFACE The history of science has something to offer to the humblest intelligence. It is a means of imparting a knowledge of scientific facts and principles to unschooled minds. At the same time it affords a simple method of school instruction. Those who understand a business or an institution best, as a contemporary writer on finance remarks, are those who have made it or grown up with it, and the next best thing is to know how it has grown up, and then watch or take part in its actual working. Generally speaking, we know best what we know in its origins. The history of science is an aid in scientific research. It places the student in the current of scientific thought, and gives him a clue to the purpose and necessity of the theories he is required to master. It presents science as the constant pursuit of truth rather than the formulation of truth long since revealed; it shows science as progressive rather than fixed, dynamic rather than static, a growth to which each may contribute. It does not paralyze the self-activity of youth by the record of an infallible past. It is only by teaching the sciences in their historical development that the schools can be true to the two principles of modern education, that the sciences should occupy the foremost place in the curriculum and that the individual mind in its evolution should rehearse the history of civilization. The history of science should be given a larger place than at present in general history; for, as Bacon said, the history of the world without a history of learning is like a statue of Polyphemus with the eye out. The history of science studies the past for the sake of the future. It is a story of continuous progress. It is rich in biographical material. It shows the sciences in their interrelations, and saves the student from narrowness and premature specialization. It affords a unique approach to the study of philosophy. It gives new motive to the study of foreign languages. It gives an interest in the applications of knowledge, offers a clue to the complex civilization of the present, and renders the mind hospitable to new discoveries and inventions. The history of science is hostile to the spirit of caste. It shows the sciences rising from daily needs and occupations, formulated by philosophy, enriching philosophy, giving rise to new industries, which react in turn upon the sciences. The history of science reveals men of all grades of intelligence and of all social ranks cooperating in the cause of human progress. It is a basis of intellectual
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Produced by Al Haines. [Illustration: Cover] BY CANADIAN STREAMS BY LAWRENCE J. BURPEE TORONTO THE MUSSON BOOK COMPANY LIMITED _Entered at_ _Stationers Hall_ 1909 THE RIVERS OF CANADA Who that has travelled upon their far-spreading waters has not felt the compelling charm of the rivers of Canada? The matchless variety of their scenery, from the gentle grace of the Sissibou to the tempestuous grandeur of the Fraser; the romance that clings to their shores--legends and tales of Micmac and Iroquois, Cree, Blackfoot, and Chilcotin; stories of peaceful Acadian villages beside the Gaspereau, and fortified towns along the St. Lawrence; of warlike expeditions and missionary enterprises up the Richelieu and the Saguenay; of heroic exploits at the Long Sault and at Vercheres; of memorable explorations in the north and the far west? How many of us realise the illimitable possibilities of these arteries of a nation, their vital importance as avenues of commerce and communication, the potential energy stored in their rushing waters? Do we even appreciate their actual extent, or thoroughly grasp the fact that this network of waterways covers half a continent, and reaches every corner of this vast Dominion? Two hundred years ago little was known of these rivers outside the valley of the St. Lawrence. One hundred years later scores of new waterways had been explored from source to outlet, some of them ranking among the great rivers of the earth. The Western Sea, that had lured the restless sons of New France toward the setting sun, that had furnished a dominating impulse to her explorers, from Jacques Cartier to La Verendrye, was at last reached by Canadians of another race--and the road that they travelled was the water-road that connects three oceans. In their frail canoes these tireless pathfinders journeyed up the mighty St. Lawrence and its great tributary the Ottawa, through Lake Nipissing, and down the French river to Georgian Bay; they skirted the shores of the inland seas to the head of Lake Superior, and by way of numberless portages crossed the almost indistinguishable height of land to Rainy Lake and the beautiful Lake of the Woods. They descended the wild Winnipeg to Lake Winnipeg, paddled up the Saskatchewan to Cumberland House, turned north by way of Frog Portage to the Churchill, and ascended that waterway to its source, where they climbed over Meythe Portage--famous in the annals of exploration and the fur trade--to the Clearwater, a branch of the Athabaska, and so came to Fort Chipewyan, on Lake Athabaska. Descending Slave River for a few miles, they came to the mouth of Peace River, and after many days' weary paddling were in sight of the Rocky Mountains. Still ascending the same river, they traversed the mountains, and by other streams were borne down the western <DW72> to the shores of the remote Pacific. The world offers no parallel to this extraordinary water-road from the Atlantic to the Pacific; nor is the tale all told. From that great central reservoir, that master-key to the whole system of water communications, the traveller might turn his canoe in any direction, and traverse the length and breadth of the continent to its most remote boundaries: east to the Atlantic, west to the Pacific, north to the Arctic or to Hudson Bay, and south to the Gulf of Mexico. The story of Canadian rivers would fill several volumes if one attempted to do justice to such a broad and varied theme. One may only hope, in the few pages that follow, to give glimpses of the story; to suggest, however inadequately, the dramatic and romantic possibilities of the subject; to recall a few of the memories that cling to the rivers of Canada. CONTENTS I. The Great River of Canada II. The Mystic Saguenay III. The River of Acadia IV. The War Path of the Iroquois V. The River of the Cataract VI. The Highway of the Fur Trade VII. The Red River of the North VIII. The Mighty Mackenzie By Canadian Streams I THE GREAT RIVER OF CANADA He told them of the river whose mighty current gave Its freshness for a hundred leagues to ocean's briny wave; He told them of the glorious scene presented to his sight, What time he reared the cross and crown on Hochelaga's height, And of the fortress cliff that keeps of Canada the key, And
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E-text prepared by Clare Graham and Marc D'Hooghe (http://www.freeliterature.org) from page mages generously made available by Internet Archive (https://archive.org) Note: Images of the original pages are available through Internet Archive. See https://archive.org/details/aurorafloyd00bradgoog Project Gutenberg has the other two volumes of this work. Volume I: see http://www.gutenberg.org/ebooks/48020 Volume III: see http://www.gutenberg.org/ebooks/48022 AURORA FLOYD. by M. E. BRADDON, Author of "Lady Audley's Secret." In Three Volumes. VOL. II. Fifth Edition. London: Tinsley Brothers, 18 Catherine Steeet, Strand. 1863. CONTENTS. CHAPTER I. "LOVE TOOK UP THE GLASS OF TIME, AND TURNED IT IN HIS GLOWING HANDS" II. MR. PASTERN'S LETTER III. MR. JAMES CONYERS IV. THE TRAINER'S MESSENGER V. OUT IN THE RAIN VI. MONEY MATTERS VII. CAPTAIN PRODDER VIII. "HE ONLY SAID, I AM A-WEARY" IX. STILL CONSTANT X. ON THE THRESHOLD OF DARKER MISERIES XI. CAPTAIN PRODDER CARRIES BAD NEWS TO HIS NIECE'S HOUSE XII. THE DEED THAT HAD BEEN DONE IN THE WOOD CHAPTER I. "LOVE TOOK UP THE GLASS OF TIME, AND TURNED IT IN HIS GLOWING HANDS." Talbot Bulstrode yielded at last to John's repeated invitations, and consented to pass a couple of days at Mellish Park. He despised and hated himself for the absurd concession. In what a pitiful farce had the tragedy ended! A visitor in the house of his rival. A calm spectator of Aurora's every-day, commonplace happiness. For the space of two days he had consented to occupy this most preposterous position. Two days only; then back to the Cornish miners, and the desolate bachelor's lodgings in Queen's Square, Westminster; back to his tent in life's Great Sahara. He could not for the very soul of him resist the temptation of beholding the inner life of that Yorkshire mansion. He wanted to know for certain--what was it to him, I wonder?--whether she was really happy, and had utterly forgotten him. They all returned to the Park together, Aurora, John, Archibald Floyd, Lucy, Talbot Bulstrode, and Captain Hunter. The last-named officer was a jovial gentleman, with a hook nose and auburn whiskers; a gentleman whose intellectual attainments were of no very oppressive order, but a hearty, pleasant guest in an honest country mansion, where there is cheer and welcome for all. Talbot could but inwardly confess that Aurora became her new position. How everybody loved her! What an atmosphere of happiness she created about her wherever she went! How joyously the dogs barked and leapt at sight of her, straining their chains in the desperate effort to approach her! How fearlessly the thorough-bred mares and foals ran to the paddock-gates to bid her welcome, bending down their velvet nostrils to nestle upon her shoulder, responsive to the touch of her caressing hand! Seeing all this, how could Talbot refrain from remembering that this same sunlight might have shone upon that dreary castle far away by the surging western sea? She might have been his, this beautiful creature; but at what price? At the price of honour; at the price of every principle of his mind, which had set up for himself a holy and perfect standard--a pure and spotless ideal for the wife of his choice. Forbid it, manhood! He might have weakly yielded; he might have been happy, with the blind happiness of a lotus-eater, but not the reasonable bliss of a Christian. Thank Heaven for the strength which had been given to him to escape from the silken net! Thank Heaven for the power which had been granted to him to fight the battle! Standing by Aurora's side in one of the wide windows of Mellish Park, looking far out over the belted lawn to the glades in which the deer lay basking drowsily in the April sunlight, he could not repress the thought uppermost in his mind. "I am--very glad--to see you so happy, Mrs. Mellish." She looked at him with frank, truthful eyes, in whose brightness there was not one latent shadow. "Yes," she said, "I am very, very happy
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Produced by Sue Asscher ION By Plato Translated by Benjamin Jowett INTRODUCTION. The Ion is the shortest, or nearly the shortest, of all the writings which bear the name of Plato, and is not authenticated by any early external testimony. The grace and beauty of this little work supply the only, and perhaps a sufficient, proof of its genuineness. The plan is simple; the dramatic interest consists entirely in the contrast between the irony of Socrates and the transparent vanity and childlike enthusiasm of the rhapsode Ion. The theme of the Dialogue may possibly have been suggested by the passage of Xenophon's Memorabilia in which the rhapsodists are described by Euthydemus as'very precise about the exact words of Homer, but very idiotic themselves.' (Compare Aristotle, Met.) Ion the rhapsode has just come to Athens; he has been exhibiting in Epidaurus at the festival of Asclepius, and is intending to exhibit at the festival of the Panathenaea. Socrates admires and envies the rhapsode's art; for he is always well dressed and in good company--in the company of good poets and of Homer, who is the prince of them. In the course of conversation the admission is elicited from Ion that his skill is restricted to Homer, and that he knows nothing of inferior poets, such as
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Produced by Sharon Partridge and Martin Ward. HTML version by Al Haines. Persuasion by Jane Austen (1818) Chapter 1 Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, he could read his own history with an interest which never failed. This was the page at which the favourite volume always opened: "ELLIOT OF KELLYNCH HALL. "Walter Elliot, born March 1, 1760, married, July 15, 1784, Elizabeth, daughter of James Stevenson, Esq. of South Park, in the county of Gloucester, by which lady (who died 1800) he has issue Elizabeth, born June 1, 1785; Anne, born August 9, 1787; a still-born son, November 5, 1789; Mary, born November 20, 1791." Precisely such had the paragraph originally stood from the printer's hands; but Sir Walter had improved it by adding, for the information of himself and his family, these words, after the date of Mary's birth-- "Married, December 16, 1810, Charles, son and heir of Charles Musgrove, Esq. of Uppercross, in the county of Somerset," and by inserting most accurately the day of the month on which he had lost his wife. Then followed the history and rise of the ancient and respectable family, in the usual terms; how it had been first settled in Cheshire; how mentioned in Dugdale, serving the office of high sheriff, representing a borough in three successive parliaments, exertions of loyalty, and dignity of baronet, in the first year of Charles II, with all the Marys and Elizabeths they had married; forming altogether two handsome duodecimo pages, and concluding with the arms and motto:--"Principal seat, Kellynch Hall, in the county of Somerset," and Sir Walter's handwriting again in this finale:-- "Heir presumptive, William Walter Elliot, Esq., great grandson of the second Sir Walter." Vanity was the beginning and the end of Sir Walter Elliot's character; vanity of person and of situation. He had been remarkably handsome in his youth; and, at fifty-four, was still a very fine man. Few women could think more of their personal appearance than he did, nor could the valet of any new made lord be more delighted with the place he held in society. He considered the blessing of beauty as inferior only to the blessing of a baronetcy; and the Sir Walter Elliot, who united these gifts, was the constant object of his warmest respect and devotion. His good looks and his rank had one fair claim on his attachment; since to them he must have owed a wife of very superior character to any thing deserved by his own. Lady Elliot had been an excellent woman, sensible and amiable; whose judgement and conduct, if they might be pardoned the youthful infatuation which made her Lady Elliot, had never required indulgence afterwards.--She had humoured, or softened, or concealed his failings, and promoted his real respectability for seventeen years; and though not the very happiest being in the world herself, had found enough in her duties, her friends, and her children, to attach her to life, and make it no matter of indifference to her when she was called on to quit them.--Three girls, the two eldest sixteen and fourteen, was an awful legacy for a mother to bequeath, an awful charge rather, to confide to the authority and guidance of a conceited, silly father. She had, however, one very intimate friend, a sensible, deserving woman, who had been brought, by strong attachment to herself, to settle close by her, in the village of Kellynch; and on her kindness and advice, Lady Elliot mainly relied for the best help and maintenance of the good principles and instruction which she had been anxiously giving her daughters. This friend, and Sir Walter, did not marry, whatever might have been anticipated on that head by their acquaintance. Thirteen years had passed away since Lady Elliot's death, and they were still near neighbours and intimate friends, and one remained a widower, the
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Produced by Paul Haxo from page images graciously made available by the Internet Archive and the University of California. SINGLE LIFE; A COMEDY, In Three Acts, BY JOHN BALDWIN BUCKSTONE, ESQ., (MEMBER OF THE DRAMATIC AUTHORS' SOCIETY,) AS PERFORMED AT THE THEATRE ROYAL, HAY-MARKET. CORRECTLY PRINTED FROM THE PROMPTER'S COPY, WITH THE CAST OF CHARACTERS, COSTUME, SCENIC ARRANGEMENT, SIDES OF ENTRANCE AND EXIT, AND RELATIVE POSITIONS OF THE DRAMATIS PERSONAE. SPLENDIDLY ILLUSTRATED WITH AN ETCHING, BY PIERCE EGAN, THE YOUNGER, FROM A DRAWING TAKEN DURING THE REPRESENTATION. LONDON: CHAPMAN AND HALL, 186, STRAND. "NASSAU STEAM PRESS," W. S. JOHNSON, 6, NASSAU STREET, SOHO. Dramatis Personae and Costume. _First produced, Tuesday, July 23rd, 1839._ BACHELORS. MR. JOHN NIGGLE _(A fluctuating bachelor.)_ } Light drab coat, white waistcoat, nankeen } MR. WEBSTER. pantaloons, white stockings, shoes, white wig } tied in a tail, white hat } MR. DAVID DAMPER _(A woman-hating bachelor.)_ } Brown coat with black horn buttons, old } fashioned dark figured silk waistcoat, black } MR. STRICKLAND. pantaloons, hessian boots, iron-grey wig, } broad-brimmed hat } MR. PETER PINKEY _(A bashful bachelor.)_ } Lavender coloured coat, white waistcoat, } white trowsers, pink socks, pumps, pink silk } MR. BUCKSTONE. neckerchief, pink gloves, pink watch ribbon, } low crowned hat and cane, flaxen fashionably } dressed wig } MR. NARCISSUS BOSS _(A self-loving } bachelor.)_ Fashionable chocolate-coloured } Newmarket coat with roses in the buttonhole, } elegantly flowered waistcoat, light drab } MR. W. LACY. French trowsers with boots, light blue cravat } exquisitely tied, frilled shirt, hat, and } wristbands a la D'Orsay, and the hair dressed } in the first style of elegance } MR. CHARLES CHESTER _(A mysterious } bachelor.)_ Dark frock coat, silk waistcoat, } MR. HEMMING. light trowsers, French gaiters and shoes, } round hat } SPINSTERS. MISS CAROLINE COY _(A vilified spinster.)_ } Grey silk dress, laced shawl and white } MRS. W. CLIFFORD. ribbons, white satin bonnet, flowers, long } yellow gloves, white reticule } MISS MARIA MACAW _(A man-hating spinster.)_ } Green silk open dress, white petticoat, } figured satin large apron, lace handkerchief, } MRS. GLOVER. close lace cap and white ribbons, fan, and } black rimmed spectacles } MISS KITTY SKYLARK _(A singing spinster.)_ } White muslin pelisse over blue, chip hat and } MRS. FITZWILLIAM. flowers. _(2nd dress.)_ Pink satin and blond } flounces } MISS SARAH SNARE _(An insinuating } spinster.)_, _1st dress._ White muslin } petticoat, black velvet spencer, pink satin } MRS. DANSON. high-crowned bonnet and green feathers. _(2nd } dress.)_ Green satin and pink ribbons, black } wig dressed in high French bows } MISS JESSY MEADOWS _(A romantic spinster.)_ } White muslin dress mittens. _(2nd dress in } MISS TRAVERS. the last scene.)_ White lace over white satin } with roses } Time of representation, 2 hours. EXPLANATION OF THE STAGE DIRECTIONS. L. means first entrance, left. R. first entrance, right. S.E.L. second entrance, left. S.E.R. second entrance, right. U.E.L. upper entrance, left. U.E.R. upper entrance, right. C. centre, L.C. left centre. R.C. right centre. T.E.L. third entrance, left. T.E.R. third entrance, right. Observing you are supposed to face the audience. ADVERTISEMENT. "SINGLE LIFE" is intended as a companion picture to the same author's Comedy of "MARRIED LIFE;" and as that attempted to illustrate a few of the humours of the state matrimonial, and interest an audience without the introduction of any lovers whatever, in going to the opposite extreme in "SINGLE LIFE," and making his characters "_Lovers all,_" he has been equally successful in pourtraying some of the vagaries of courtship, and showing that the democratic region of celibacy has its bickerings, as well as the most loyal one of "The United States." SINGLE LIFE. ACT I. SCENE I.--_An apartment at MR. NIGGLE'S. A sideboard, with cupboard, on the U.E.R. Window, with curtains, on the F.E.L. A round table, L., chairs, &c._ _MISS SNARE discovered seated at table, L., looking over the books, &c._ MISS SNA. _(Reading.)_ "The Young Man's best Companion"--a very excellent book for youth; but at Mr. Niggle's age, he ought to possess _his_ best companion in a devoted and amiable wife; heigho! What a treasure _I_ should be to any man that could properly understand me. _(Takes up another book.)_ "The Epistles of Abelard and Heloise." I am pleased to see this book on his table, it proves that he possesses a taste for sentiment of the highest order, and can admire devotedness and passion under the most trying circumstances. "The Newgate Calender." Bless the man, what can induce him to have such a book as this in his house; surely he can have no sympathy with housebreakers and assassins? I must look to this: should I ever be the mistress here, some of these volumes must be removed--this furniture too--very well for a bachelor; but when he is married, a change must be made. And those curtains, how slovenly they are put up. Ah, any one can discover the want of a presiding female hand in a bachelor's house--where is the neatness, the order, and the good taste that prevails in all the arrangements, where the master of the house is a married man. If ever I am Mrs. Niggle, down shall come those curtains, away shall go that sideboard, off shall go those chairs, and as for this table--let me look at its legs----_(Lifts up the cover and examines the legs of it.)_ [_DAMPER peeps in, F.E.L._ DAM. Hollo! hollo! MISS SNA. Oh! how you frightened me. DAM. It's a very suspicious thing when an old maid examines a bachelor's furniture. MISS SNA. Good morning, Mr. Damper, I was merely observing Mr. Niggle's table legs. DAM. (L.) Ah! when an old maid finds herself on her own last legs, 'tis time she should observe those of other people. MISS SNA. (L.) What a censorious man you are, Mr. Damper, you rail at our sex as if you considered it man's natural enemy, instead of his best friend. Is it possible that you have never loved a woman in all your life? DAM. I love a woman! Ugh! I look upon you all as the first great cause of every evil. MISS SNA. For, like most first great causes, you don't understand us. DAM. If I don't, I have no wish to acquire any such useless knowledge. May I ask what you want at my friend Niggle's, so early in the morning: some conspiracy, I'll be bound. I wont allow it, Miss Snare; if you think to inveigle him into matrimony, you'll find yourself mistaken; he shall never marry, if I can prevent him making such a ninny of himself. MISS SNA. It is entirely through your interference, I have been told, that he is in a state of celibacy; and, though the poor gentleman is now fifty-five, yet ever since he arrived at years of discretion, he has been sighing and pining for a wife. DAM. He would have been a ruined man long ago, but for me; five times have I saved him from the matrimonial precipice. MISS SNA. How did you save him? DAM. How? I have discovered his intention to marry, and knowing how nervous he is upon the subject, I have always interfered in time, told him in strong language the evils he was bringing upon his head, brought instances of married misery so plainly before his eyes, that I have frightened him out of his wits; and one morning, eight years ago, he was actually dressed and on his way to church to unite himself to some designing woman, when I luckily met him, and dragged him back again by the collar. MISS SNA. And he had to pay five hundred pounds damages, in an action for breach of promise. DAM. But he purchased independence and happiness with the money. I have been his best friend through life; didn't I go out with him when he was challenged by a young lady's brother, twenty years ago, because I made him relinquish his attentions to her
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Produced by Chris Curnow, Chris Jordan and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) _BY THE SAME AUTHOR._ =FUN WITH MAGNETISM.= A book and complete outfit for _Sixty-One Experiments_. =FUN WITH ELECTRICITY.= A book and complete outfit for _Sixty Experiments_. =FUN WITH PUZZLES.= A book and complete outfit for _Four Hundred Puzzles_. =FUN WITH SOAP-BUBBLES.= A book and complete outfit for _Fancy Bubbles and Films_. =HUSTLE-BALL.= An American game. Played by means of magic wands and polished balls of steel. =JINGO.= The great war game, including =JINGO JUNIOR=. =HOW TWO BOYS MADE THEIR OWN ELECTRICAL APPARATUS.= A book containing complete directions for making all kinds of simple apparatus for the study of elementary electricity. =THE STUDY OF ELEMENTARY ELECTRICITY AND MAGNETISM BY EXPERIMENT.= This book is designed as a text-book for amateurs, students, and others who wish to take up a systematic course of simple experiments at home or in school. _IN PREPARATION._ =THINGS A BOY SHOULD KNOW ABOUT ELECTRICITY.= This book explains, in simple, straightforward language, many things about electricity; things in which the American boy is intensely interested; things he wants to know; things he should know. _Ask Your Toy Dealer, Stationer, or Bookseller for our Books, Games, Puzzles, Educational Amusements, Etc._ Thomas M. St. John, 407 West 51st St., New York. The Study of Elementary Electricity and Magnetism by Experiment Containing TWO HUNDRED EXPERIMENTS PERFORMED WITH SIMPLE, HOME-MADE APPARATUS BY THOMAS M. ST. JOHN, Met. E. Author of "Fun With Magnetism," "Fun With Electricity," "How Two Boys Made Their Own Electrical Apparatus," Etc. [Illustration: Logo] NEW YORK THOMAS M. ST. JOHN 407 West 51st Street 1900 Copyright, 1900, By THOMAS M. ST. JOHN. To the Student. This book is designed as a text-book for amateurs, students, and others who wish to take up a systematic course of elementary electrical experiments at home or in school. The student is advised to begin at the beginning, to perform the experiments in the order given, and to understand each step before proceeding. Certain principles and explanations necessarily precede the practical and perhaps more interesting applications of those principles. In selecting the apparatus for the experiments in this book, the author has kept constantly in mind the fact that the average student will not buy the expensive pieces usually described in text-books. The two hundred experiments given can be performed with simple, inexpensive apparatus; in fact, the student should make at least a part of his own apparatus. For the benefit of those who wish to make their own apparatus, the author has given, throughout the work, explanations that will aid in the construction of certain pieces especially adapted to these experiments. For those who have the author's "How Two Boys Made Their Own Electrical Apparatus," constant references have been made to it as the "Apparatus Book," as this contains full details for making almost all kinds of simple apparatus needed in "The Study of Elementary Electricity and Magnetism by Experiment." THOMAS M. ST. JOHN. _New York, April, 1900._ The Study of Elementary Electricity and Magnetism by Experiment PART I--MAGNETISM PART II--STATIC ELECTRICITY PART III--CURRENT ELECTRICITY The Study of Elementary Electricity and Magnetism by Experiment. TABLE OF CONTENTS. PART I.--MAGNETISM. PAGE. CHAPTER I. =Iron and Steel= 3 Introduction.--Kinds of iron and steel.--Exp. 1, To study steel.--Discussion.--Exp. 2, To find whether a piece of hard steel can be made softer.--Annealing.--Exp. 3, To find whether a piece of annealed steel can be hardened.--Hardening; Tempering.--Exp. 4, To test the hardening properties of soft iron.--Discussion. CHAPTER II. =Magnets= 7 Kinds of magnets.--Exp. 5, To study the horseshoe magnet.--Poles; Equator.--Exp. 6, To ascertain the nature of substances attracted by a magnet.--Magnetic Bodies; Diamagnetic Bodies.--Practical Uses of Magnets.--Exp. 7, To study the action of magnetism
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Produced by Free Elf, Anne Storer and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's Notes: 1) Mousul/Mosul, piastre/piaster, Shiraz/Sheeraz, Itch-Meeazin/Ech-Miazin/Etchmiazin, each used on numerous occasions; 2) Arnaouts/Arnaoots, Dr. Beagrie/Dr. Beagry, Beirout/Bayrout/Beyraut(x2), Saltett/Sallett, Shanakirke/Shammakirke, Trebizond/Trebisand - once each. All left as in original text. 3) M^R = a superscripted "R". * * * * * JOURNAL OF A RESIDENCE
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Produced by Annie R. McGuire [Illustration: HARPER'S YOUNG PEOPLE] * * * * * VOL. III.--NO. 141. PUBLISHED BY HARPER & BROTHERS, NEW YORK. PRICE FOUR CENTS. Tuesday, July 11, 1882. Copyright, 1882, by HARPER & BROTHERS. $1.50 per Year, in Advance. * * * * * [Illustration: SEARCHING FOR THE BURGLAR.] MR. STUBBS'S BROTHER.[1] [1] Begun in No. 127, HARPER'S YOUNG PEOPLE. BY JAMES OTIS. CHAPTER XV. STEALING DUCKS. Toby coaxed and scolded, and scolded and coaxed, but all to no purpose. The monkey would clamber down over the end of the tent as if he were about to allow himself to be made a prisoner, and then, just as Toby would make ready to catch the rope, he would spring upon the ridge-pole again, chattering with joy at the disappointment he had caused. The visitors fairly roared with delight, and even the proprietors, whose borrowed property was being destroyed, could not help laughing at times, although there was not one of them who would not have enjoyed punishing Mr. Stubbs's brother very severely. "He'll break the whole show up if we don't get him off," said Bob, as the monkey tore a larger hole than he had yet made, and the crowd encouraged him in his mischievous work by their wild cheers. "I know it; but how can we get him down?" asked Toby, in perplexity, knowing that it would not be safe for any one of them to climb upon the decayed canvas, even if there were a chance that the monkey would allow himself to be caught after his pursuer got there. "Get a long pole, an' scrape him off," suggested Joe; but Toby shook his head, for he knew that to "scrape" a monkey from such a place would be an impossibility. Bob had an idea that if he had a rope long enough to make a lasso, he could get it around the animal's neck and pull him down; but just as he set out to find the rope, Mr. Stubbs's brother settled the matter himself. He had torn one hole fully five inches long, and commenced on another a short distance from the first, when the thin fabric gave way, the two rents were made one, and down came Mr. Monkey, only saved from falling to the ground by his chin catching on the edges of the cloth. There he hung, his little round head just showing above the canvas, with a bewildered and at the same time discouraged look on his face. Toby knew that it would be but a moment before the monkey would get his paws out from under the canvas, and thus extricate himself from his uncomfortable position. Running quickly inside the tent, he seized Mr. Stubbs's brother by his long tail, pulling him completely through, and the mischievous pet was again a prisoner. It was a great disappointment to the boys on the outside when this portion of the circus was hidden from view; but it was equally as great a relief to the partners that the destruction of their tent was at last averted. After the excitement had nearly subsided, and Toby was reading his pet a lesson on the sin of destructiveness, Reddy arrived with the materials for making his circus poster--a sheet of brown paper, a bottle of ink, and a brush made by chewing the end of a pine stick. He began his work at once. It was a long task, but was at last accomplished, and when the partners went to their respective homes that night, the following placard adorned one side of the tent: [Illustration] On arriving at the house, Toby secured Mr. Stubbs's brother so that he could not liberate himself, after which he ran into the house to inquire for Abner. The news this time was more encouraging, for the sick boy had awakened thoroughly refreshed after his long sleep, and had asked how the work on the tent was getting on. Aunt Olive thought Toby could see him, and after promising that he would not remain very long, or allow Abner to talk much, he went upstairs. The crippled boy was lying in the bed bolstered up with pillows, looking out of the window that commanded a view of the tent, and evidently puzzled to know whether the large sheet of brown paper which he saw on one side was there as an ornament, or to serve some useful purpose. Toby explained to him that it was the poster Reddy had made, and then told him all that had been done that day toward getting ready for the great exhibition which was to dazzle the good people of Guilford, as well as to bring in a rich reward, in the way of money, to the managers. Abner was so interested in the matter, and seemed so bright and cheerful when he was talking about it, that Toby's fears regarding
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Produced by Chris Curnow, Joseph Cooper, Michael Zeug, Lisa Reigel, and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's Notes: Variations in spelling and hyphenation have been left as in the original. No typographical corrections have been made. Words in italics in the original are surrounded by _underscores_. Words in bold in the original are surrounded by =equal signs=. The words "manoeuvres," "phoebe", and "phoebes" use an oe ligature in the original. +--------------------------------------------------------------+ | Books by Mr. Torrey. | | | | | | BIRDS IN THE BUSH. 16mo, $1.25. | | A RAMBLER'S LEASE. 16mo, $1.25. | | | | | | HOUGHTON, MIFFLIN & CO. | | BOSTON AND NEW YORK. | | | +--------------------------------------------------------------+ A RAMBLER'S LEASE BY BRADFORD TORREY I have known many laboring men that have got good estates in this valley.--BUNYAN Sunbeams, shadows, butterflies, and birds.--WORDSWORTH BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY The Riverside Press, Cambridge 1892 Copyright, 1889, BY BRADFORD TORREY. _All rights reserved._ _The Riverside Press, Cambridge, Mass., U. S. A._ Electrotyped and Printed by H. O. Houghton & Co. PREFATORY NOTE. The writer of this little book has found so much pleasure in other men's woods and fields that he has come to look upon himself as in some sort the owner of them. Their lawful possessors will not begrudge him this feeling, he believes, nor take it amiss if he assumes, even in this public way, to hold _a rambler's lease_ of their property. Should it please them to do so, they may accept the papers herein contained as a kind of return, the best he knows how to offer, for the many favors, alike unproffered and unasked, which he has received at their hands. His private opinion is that the world belongs to those who enjoy it; and taking this view of the matter, he cannot help thinking that some of his more prosperous neighbors would do well, in legal phrase, to perfect their titles. He would gladly be of service to them in this regard. CONTENTS. PAGE MY REAL ESTATE 1 A WOODLAND INTIMATE 22 AN OLD ROAD 45 CONFESSIONS OF A BIRD'S-NEST HUNTER 70 A GREEN MOUNTAIN CORN-FIELD 99 BEHIND THE EYE 114 A NOVEMBER CHRONICLE 121 NEW ENGLAND WINTER 140 A MOUNTAIN-SIDE RAMBLE 164 A PITCH-PINE MEDITATION 182 ESOTERIC PERIPATETICISM 189 BUTTERFLY PSYCHOLOGY 206 BASHFUL DRUMMERS 214 A RAMBLER'S LEASE. MY REAL ESTATE. Yet some did think that he had little business here.--WORDSWORTH. Every autumn the town of W---- sends me a tax-bill, a kindly remembrance for which I never fail of feeling grateful. It is pleasant to know that after all these years there still remains one man in the old town who cherishes my memory,--though it be only "this publican." Besides, to speak frankly, there is a measure of satisfaction in being reminded now and then of my dignity as a landed proprietor. One may be never so rich in stocks and bonds, government consols and what not, but, acceptable as such "securities" are, they are after all not quite the same as a section of the solid globe itself. True, this species of what we may call astronomic or planetary property will sometimes prove comparatively unremunerative. Here in New England (I know not what may be true elsewhere) there is a class of people whom it is common to hear gossiped about compassionately as "land poor." But, however scanty the income to be derived from it, a landed investment is at least substantial. It will never fail its possessor entirely. If it starve him, it will offer him a grave. It has the prime quality of permanence. At the very worst, it will last
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Produced by Charles Aldarondo. HTML version by Al Haines. MARRIED LIFE: ITS SHADOWS AND SUNSHINE BY T. S. ARTHUR. PHILADELPHIA: 1852. PREFACE. THE highest, purest, best and holiest relation in life is that of marriage, which ought never to be regarded as a mere civil contract, entered into from worldly ends, but
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E-text prepared by Adrian Mastronardi, C.S. Beers, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/American Libraries (http://archive.org/details/americana) Note: Images of the original pages are available through Internet Archive/American Libraries. See http://archive.org/details/howtocatalogueli00wheaiala Transcriber's note: Text enclosed by underscores is in italics (_italics_). Gesperrt, or widely spaced, letters occur in the tables of catalog entries and are enclosed by tilde characters (example: ~Le Breton~). In this e-book, the gesperrt text is also in small capitals. Backward-facing C is indicated by <C. The examples of chronograms contain combinations of small and regular capital letters. The small capitals have been changed to lower case, while the regular capitals remain in upper case. Greek letters appearing in the original have been transliterated and are indicated by [Greek: ]. Three of the Greek numerals do not have corresponding letters. The words "stigma" (for 6), "qoppa" (for 90), and "sampi" (for 900), enclosed in [], have been used for these. The table in the original does not include upper case characters for stigma and sampi. The numerical accents are indicated by'for the upper and, for the lower. [Decoration] The Book-Lover's Library. Edited by Henry B. Wheatley, F.S.A. HOW TO CATALOGUE A LIBRARY by Henry B. Wheatley, F.S.A. Author of "How to Form a Library," "The Dedication of Books," etc., etc. [Decoration] London Elliot Stock, 62 Paternoster Row 1889 PREFACE. _Those who are interested in library work are constantly asked where a statement of the first principles of cataloguing may be found, and the question is one which it is not easy to answer. Most of the rules which have been printed are intended for large public libraries, and are necessarily laid down on a scale which unfits them for use in the making of a small catalogue. I have divided out the subject on a plan which I hope will commend itself to my readers, and, after discussing the most notable codes, I have concluded with a selection of such rules as I trust will be found useful by those who are employed in making catalogues of ordinary libraries. Here I must express the hope that my readers will excuse the frequent use of the personal pronoun. If the use of "I" could have been avoided, I would gladly have avoided it; but as the main point of the book is the discussion of principles and theories, it seemed to me that such value as the book may possess would be entirely destroyed if I did not give my own opinions, founded upon a somewhat long experience. In dealing with a subject such as this, I cannot hope to convince all my readers, but I trust that those who disagree with my arguments will be willing to allow them some force. The compilation has been attended with constant feelings of regret in my own mind, for almost every page has brought up before me the memory of two men with whom I have at different times discussed most of the points here raised,--two men alike in their unselfish devotion to the cause of Bibliography. Mr. Henry Bradshaw's work was more widely known, but Mr. Benjamin R. Wheatley's labours were scarcely less valued in the smaller circle where they were known, and both brought to bear upon a most difficult subject the whole force of their thoroughly practical minds. I have learned much from both, and I have felt a constant wish to consult them during the preparation of these pages. All those who prepared the British Museum rules are gone from us; but happily cataloguers can still boast of Mr. Cutter of Boston, one of the foremost of our craft. Mr. Cutter has prepared a most remarkable code of rules, and has not only laid down the law, but has also fearlessly given the reasons for his faith, and these reasons form a body of sound opinion. May he long live to do honour to Bibliography, a cause which knows no nationality._ H. B. W. _October, 1889._ CONTENTS. CHAP. PAGE I. INTRODUCTION. What is a Catalogue?--Vulgar Errors--A Good Cataloguer attempts to put himself in the Seeker's Place--Judicious Shortening of Titles--Difference between Cataloguing and Bibliography-making--A Universal Catalogue--Printing of the British Museum Catalogue--Different Classes of Catalogues--Classified and Alphabetical--Catalogue Raisonne--Index Catalogues--Mr. Bradshaw's View--Need of Care--No Jumping to Conclusions--Different Styles of Catalogues--Purton Cooper's Sale Catalogues 1 II. BATTLE OF THE RULES. British Museum Foremost in the Race--Printed Catalogues of the Museum--Panizzi's Fight--Evidence before the Royal Commission--Payne Collier's Defeat--The Museum Rules-- Jewett's Rules--Cambridge University Library Rules--Library Association Rules adopted by Bodley's Librarian--Cutter's Rules for a Dictionary Catalogue--Triumph of the Museum 25 III. PRINT _versus_ MANUSCRIPT. Panizzi's Objection to Print--Parry in Favour of Print-- The British Museum again Foremost in the Race, this time in Printing, thanks to Mr. Bond--Mr. Cutter on the Advantages and Disadvantages of Printing--How to keep a Printed Catalogue up to Date--Card Catalogues--Stereotyping--Henry Stevens's
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Produced by David Edwards, Haragos PAil and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) UNIFORM WITH JOHN DOUGH AND THE CHERUB THE LAND OF OZ BY L. FRANK BAUM _Elaborately illustrated--in colors_ _and black-and-white by_ _JOHN R. NEILL_ John Dough and the Cherub _by_ L. Frank Baum AUTHOR OF THE WIZARD OF OZ THE LAND OF OZ THE WOGGLE-BUG BOOK FATHER GOOSE QUEEN ZIXI OF IX THE ENCHANTED ISLAND OF YEW, ETC. [Illustration] ILLUSTRATED BY John R. Neill CHICAGO THE REILLY & BRITTON COMPANY PUBLISHERS [Illustration] COPYRIGHT, 1906, BY L. FRANK BAUM All Rights Reserved [Illustration] To my young friend John Randolph Reilly this book is affectionately dedicated L.F.B [Illustration] [Illustration] LIST OF CHAPTERS THE GREAT ELIXIR 9 THE TWO FLASKS 11 THE GINGERBREAD MAN 27 JOHN DOUGH BEGINS HIS ADVENTURES 41 CHICK, THE CHERUB 59 THE FREAKS OF PHREEX 104 THE LADY EXECUTIONER 121 THE PALACE OF ROMANCE 140 THE SILVER PIG 159 PITTYPAT AND THE MIFKETS 166 THE ISLAND PRINCESS 185 PARA BRUIN, THE RUBBER BEAR 206 BLACK OOBOO 220 UNDER LAND AND WATER 238 THE FAIRY BEAVERS 252 THE FLIGHT OF THE FLAMINGOES 273 SPORT OF PIRATE ISLAND 284 HILAND AND LOLAND 294 KING DOUGH AND HIS COURT 308 [Illustration: BOY OR GIRL?] The Great Elixir Over the door appeared a weather-worn sign that read: "JULES GROGRANDE, BAKER." In one of the windows, painted upon a sheet of cardboard, was another sign: "Home-made Bread by the Best Modern Machinery." There was a third sign in the window beyond the doorway, and this was marked upon a bit of wrapping-paper, and said: "Fresh Gingerbread Every Day." When you opened the door, the top of it struck a brass bell suspended from the ceiling and made it tinkle merrily. Hearing the sound, Madame Leontine Grogrande would come from her little room back of the shop and stand behind the counter and ask you what you would like to purchase. Madame Leontine--or Madame Tina, as the children called her--was quite short and quite fat; and she had a round, pleasant face that was good to look upon. She moved somewhat slowly, for the rheumatism troubled her more or less; but no one minded if Madame was a bit slow in tying up her parcels. For surely no cakes or buns in all the town were so delicious or fresh as those she sold, and she had a way of giving the biggest cakes to the smallest girls and boys who came into her shop, that proved she was fond of children and had a generous heart. People loved to come to the Grogrande Bakery. When one opened the door an exquisite fragrance of newly baked bread and cakes greeted the nostrils; and, if you were not hungry when you entered, you were sure to become so when you examined and smelled the delicious pies and doughnuts and gingerbread and buns with which the shelves and show-cases were stocked. There were trays of French candies, too; and because all the goods were fresh and wholesome the bakery was well patronized and did a thriving business. The reason no one saw Monsieur Jules in the shop was because his time was always occupied in the bakery in the rear--a long, low room filled with ovens and tables covered with pots and pans and dishes (which the skillful baker used for mixing and stirring) and long shelves bearing sugars and spices and baking-powders and sweet-smelling extracts that made his wares taste so sweet and agreeable. [Illustration: AN ARAB DASHED INTO THE ROOM.] The bake-room was
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Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) [Illustration: “‘Lord, these are the lambs of thy flock.’”] Jessica’s First Prayer Jessica’s Mother Hesba Stretton New York H. M. Caldwell Co. Publishers CONTENTS. CHAPTER I. The Coffee-Stall and its Keeper PAGE 5 CHAPTER II. Jessica’s Temptation 15 CHAPTER III. An Old Friend in a New Dress 23 CHAPTER IV. Peeps into Fairy-land 35 CHAPTER V. A New World Opens 44 CHAPTER VI. The First Prayer 50 CHAPTER VII. Hard Questions 54 CHAPTER VIII. An Unexpected Visitor 60 CHAPTER IX. Jessica’s First Prayer Answered 69 CHAPTER X. The Shadow of Death 82 Jessica’s First Prayer. CHAPTER I. THE COFFEE-STALL AND ITS KEEPER. In a screened and secluded corner of one of the many railway-bridges which span the streets of London there could be seen, a few years ago, from five o’clock every morning until half-past eight, a tidily set out coffee-stall, consisting of a trestle and board, upon which stood two large tin cans with a small fire of charcoal burning under each, so as to keep the coffee boiling during the early hours of the morning when the work-people were thronging into the city on their way to their daily toil. The coffee-stall was a favorite one, for besides being under shelter, which was of great consequence upon rainy mornings, it was also in so private a niche that the customers taking their out-of-door breakfast were not too much exposed to notice; and, moreover, the coffee-stall keeper was a quiet man, who cared only to serve the busy workmen without hindering them by any gossip. He was a tall, spare, elderly man, with a singularly solemn face and a manner which was grave and secret. Nobody knew either his name or dwelling-place; unless it might be the policeman who strode past the coffee-stall every half-hour and nodded familiarly to the solemn man behind it. There were very few who cared to make any inquiries about him; but those who did could only discover that he kept the furniture of his stall at a neighboring coffee-house, whither he wheeled his trestle and board and crockery every day not later than half-past eight in the morning; after which he was wont to glide away with a soft footstep and a mysterious and fugitive air, with many backward and sidelong glances, as if he dreaded observation, until he was lost among the crowds which thronged the streets. No one had ever had the persevering curiosity to track him all the way to his house, or to find out his other means of gaining a livelihood; but in general his stall was surrounded by customers, whom he served with silent seriousness, and who did not grudge to pay him his charge for the refreshing coffee he supplied to them. For several years the crowd of work-people had paused by the coffee-stall under the railway-arch, when one morning, in a partial lull of his business, the owner became suddenly aware of a pair of very bright dark eyes being fastened upon him and the slices of bread and butter on his board, with a gaze as hungry as that of a mouse which has been driven by famine into a trap. A thin and meagre face belonged to the eyes, which was half hidden by a mass of matted hair hanging over the forehead and down the neck--the only covering which the head or neck had; for a tattered frock, scarcely fastened together with broken strings, was slipping down over the shivering shoulders of the little girl. Stooping down to a basket behind his stall, he caught sight of two bare little feet curling up from the damp pavement, as the child lifted up first one and then other and laid them one over another to gain a momentary feeling of warmth. Whoever the wretched child was, she did not speak; only at every steaming cupful which he poured out of his can her dark eyes gleamed hungrily, and he could hear her smack her thin lips as if in fancy she was tasting the warm and fragrant coffee. “Oh, come now,” he said at last, when only one boy was left taking his breakfast leisurely, and he leaned over his stall to speak in a low and quiet tone, “why don’t you go away, little girl? Come, come; you’re staying too long, you know.” “I’m just going, sir,” she answered, shrugging her small shoulders to draw her frock up higher about her neck; “only it’s raining cats and dogs outside; and mother’s been away all night, and she took the key with her; and it’s so nice to smell the coffee; and the police has left off worriting me while I’ve been here. He thinks I’m a customer taking my breakfast.” And the child laughed a shrill laugh of mockery at herself and the policeman. “You’ve had no breakfast, I suppose
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Produced by Larry B. Harrison and The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's Note Footnote 194: Missing reference page number. Footnotes have been placed at end of their respective chapter. Obvious punctuation and spelling errors have been repaired. A STUDY OF ARMY CAMP LIFE DURING AMERICAN REVOLUTION BY MARY HAZEL SNUFF B. S. North-Western College, 1917. THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN HISTORY IN THE GRADUATE SCHOOL OF THE UNIVERSITY OF ILLINOIS 1918 [Illustration] TABLE OF CONTENTS Page INTRODUCTION 1 Chapter I HOUSING CONDITIONS 4 Chapter II FOOD AND CLOTHING 15 Chapter III HEALTH AND SANITATION 27 Chapter IV RECREATION IN CAMP 37 Chapter V RELIGION IN THE CAMP 46 Chapter VI CAMP DUTIES AND DISCIPLINE 54 BIBLIOGRAPHY 64 INTRODUCTION The object of this study is to produce a picture of the private soldier of the American Revolution as he lived, ate, was punished, played, and worshiped in the army camp. Drawing that picture not only from the standpoint of the continental congress, the body which made the rules and regulations for governing the army, or from the officer's view point as they issued orders from headquarters rather just a study of the soldier himself in the camp conditions and his reaction to them. It was easy for congress to determine the rations or for the commander-in-chief to issue orders about housing conditions and sanitation, but the opportunities for obeying those orders were not always the best. It is just that fact, not what was intended, but what happened, that is to be discussed. The soldier in camp is an aspect of the Revolutionary War which has been taken up only in a very general way by writers of that period of history, except perhaps the conditions at Valley Forge, for at least their terrible side is quite generally known. Charles Knowles Bolton has studied the private soldier under Washington[1], but has emphasized other phases of the soldier's life than those taken up in this study. The material has been gathered mostly from letters, journals, orderly books, and diaries of the officers and privates, written while in camp. The difficulty confronted has been to get the diaries of the private soldier. They have either not been published or if they have been published they have been edited in such a way as to make them useless for a study of social conditions in camp, the emphasis having been placed on the military operations and tactics rather than the every day incidents in the soldier's life. The soldier has been studied after he went into camp. Little has been said about the conditions which led to the war or the conditions as they were before the struggle began except as they are used to explain existing facts. It has been the plan in most of the chapters to give a brief resume of the plans made by congress or the commander-in-chief for the working out of that particular part of the organization, then to describe the conditions as they really were. There has been no attempt made, for it would be an almost impossible task, to give a picture of the life in all the camps but rather the more representative phases have been described or conditions in general have been discussed. The first phase of camp life considered is that of the housing conditions, the difficulties encountered, the description of the huts, the method of construction, and the furnishing. This is followed in the second chapter with a study of the food and clothing, the supply and scarcity of those necessities. The third chapter will have to do with the health and sanitation of the soldier while encamped, the hospital system, the number sick, the diseases most prevalent and the means of prevention. The soldier's leisure time will be the subject of the fourth chapter, the sort of recreation he had been in the habit of at home and the ways he found of amusing himself in camp conditions. The soldier's religion forms the subject matter of the fifth chapter, the influence of the minister before the war, his place in the army, the religious exercises in camp and their effect upon the individual and the war in general. The last chapter will in a way be a recapitulation of all that has gone before by drawing a picture of a day with a soldier in camp emphasizing the discipline and duties of camp life. [Footnote 1: Bolton, _The Private Soldier Under Washington_.
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Produced by Michael Pullen, Michael K. Johnson, and Joe Moretti A MISCELLANY OF MEN By G. K. Chesterton Contents THE SUFFRAGIST THE POET AND THE CHEESE THE THING THE MAN WHO THINKS BACKWARDS THE NAMELESS MAN THE GARDENER AND THE GUINEA THE VOTER AND THE TWO VOICES THE MAD OFFICIAL THE ENCHANTED MAN THE SUN WORSHIPPER THE WRONG INCENDIARY THE FREE MAN THE HYPOTHETICAL HOUSEHOLDER THE PRIEST OF SPRING THE REAL JOURNALIST THE SENTIMENTAL SCOT THE SECTARIAN OF SOCIETY THE FOOL THE CONSCRIPT AND THE CRISIS THE MISER AND HIS FRIENDS THE MY
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Produced by David Widger MY FRIEND THE MURDERER By A. Conan Doyle "Number 481 is no better, doctor," said the head-warder, in a slightly reproachful accent, looking in round the corner of my door. "Confound 481" I responded from behind the pages of the _Australian Sketcher_. "And 61 says his tubes are paining him. Couldn't you do anything for him?" "He is a walking drug-shop," said I. "He has the whole British pharmacopaae inside him. I believe his tubes are as sound as yours are." "Then there's 7 and 108, they are chronic," continued the warder, glancing down a blue slip of paper. "And 28 knocked off work yesterday--said lifting things gave him a stitch in the side. I want you to have a look at him, if you don't mind, doctor. There's 81, too--him that killed John Adamson in the Corinthian brig--he's been carrying on awful in the night, shrieking and yelling, he has, and no stopping him either." "All right, I'll have a look at him afterward," I said, tossing my paper carelessly aside, and pouring myself out a cup of coffee. "Nothing else to report, I suppose, warder?" The official protruded his head a little further into the room. "Beg pardon, doctor," he said, in a confidential tone, "but I notice as 82 has a bit of a cold, and it would be a good excuse for you to visit him and have a chat, maybe." The cup of coffee was arrested half-way to my lips as I stared in amazement at the man's serious face. "An excuse?" I said. "An excuse? What the deuce are you talking about, McPherson? You see me trudging about all day at my practise, when I'm not looking after the prisoners, and coming back every night as tired as a dog, and you talk about finding an excuse for doing more work." "You'd like it, doctor," said Warder McPherson, insinuating one of his shoulders into the room. "That man's story's worth listening to if you could get him to tell it, though he's not what you'd call free in his speech. Maybe you don't know who 82 is?" "No, I don't, and I don't care either," I answered, in the conviction that some local ruffian was about to be foisted upon me as a celebrity. "He's Maloney," said the warder, "him that turned Queen's evidence after the murders at Bluemansdyke." "You don't say so?" I ejaculated, laying down my cup in astonishment. I had heard of this ghastly series of murders, and read an account of them in a London magazine long before setting foot in the colony. I remembered that the atrocities committed had thrown the Burke and Hare crimes completely into the shade, and that one of the most villainous of the gang had saved his own skin by betraying his companions. "Are you sure?" I asked. "Oh, yes, it's him right enough. Just you draw him out a bit, and he'll astonish you. He's a man to know, is Maloney; that's to say, in moderation;" and the head grinned, bobbed, and disappeared, leaving me to finish my breakfast and ruminate over what I had heard. The surgeonship of an Australian prison is not an enviable position. It may be endurable in Melbourne or Sydney, but the little town of Perth has few attractions to recommend it, and those few had been long exhausted. The climate was detestable, and the society far from congenial. Sheep and cattle were the staple support of the community; and their prices, breeding, and diseases the principal topic of conversation. Now as I, being an outsider, possessed neither the one nor the other, and was utterly callous to the new "dip" and the "rot" and other kindred topics, I found myself in a state of mental isolation, and was ready to hail anything which might relieve the monotony of my existence. Maloney, the murderer, had at least some distinctiveness and individuality in his character, and might act as a tonic to a mind sick of the commonplaces of existence. I determined that I should follow the warder's advice, and take the excuse for making his acquaintance. When, therefore, I went upon my usual matutinal round, I turned the lock of the door which bore the convict's number upon it, and walked into the cell. The man was lying in a heap upon his rough bed as I entered, but, uncoiling his long limbs, he started up and stared at me with an insolent look of defiance on his face which augured badly for our
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Produced by David Widger MEMOIRS OF JACQUES CASANOVA de SEINGALT 1725-1798 THE ETERNAL QUEST, Volume 3d--SWITZERLAND THE RARE UNABRIDGED LONDON EDITION OF 1894 TRANSLATED BY ARTHUR MACHEN TO WHICH HAS BEEN ADDED THE CHAPTERS DISCOVERED BY ARTHUR SYMONS. THE ETERNAL QUEST SWITZERLAND CHAPTER XIII I Resolve to Become a Monk--I go to Confession--Delay of a Fortnight--Giustiniani, the Apostle Capuchin--I Alter my Mind; My Reasons--My Pranks at the Inn--I Dine With the Abbot The cool way in which the abbot told these cock-and-bull stories gave me an inclination to laughter, which the holiness of the place and the laws of politeness had much difficulty in restraining. All the same I listened with such an attentive air that his reverence was delighted with me and asked where I was staying. "Nowhere," said I; "I came from Zurich on foot, and my first visit was to your church." I do not know whether I pronounced these words with an air of compunction, but the abbot joined his hands and lifted them to heaven, as if to thank God for touching my heart and bringing me there to lay down the burden of my sins. I have no doubt that these were his thoughts, as I have always had the look of a great sinner. The abbot said it was near noon and that he hoped I would do him the honour of dining with him, and I accepted with pleasure, for I had had nothing to eat and I knew that there is usually good cheer in such places. I did not know where I was and I did not care to ask, being willing to leave him under the impression that I was a pilgrim come to expiate my sins. On our way from the church the abbot told me that his monks were fasting, but that we should eat meat in virtue of a dispensation he had received from Benedict XIV., which allowed him to eat meat all the year round with his guests. I replied that I would join him all the more willingly as the Holy Father had given me a similar dispensation. This seemed to excite his curiosity about myself, and when we got to his room, which did not look the cell of a penitent, he hastened to shew me the brief, which he had framed and glazed and hung up opposite the table so that the curious and scrupulous might have it in full view. As the table was only laid for two, a servant in full livery came in and brought another cover; and the humble abbot then told me that he usually had his chancellor with him at dinner, "for," said he, "I have a chancery, since as abbot of Our Lady of Einsiedel I am a prince of the Holy Roman Empire." This was a relief to me, as I now knew where I was, and I no longer ran the risk of shewing my ignorance in the course of conversation. This monastery (of which I had heard before) was the Loretto of the Mountains, and was famous for the number of pilgrims who resorted to it. In the course of dinner the prince--abbot asked me where I came from, if I were married, if I intended to make a tour of Switzerland, adding that he should be glad to give me letters of introduction. I replied that I was a Venetian, a bachelor, and that I should be glad to accept the letters of introduction he had kindly offered me, after I had had a private conference with him, in which I desired to take his advice on my conscience. Thus, without premeditation, and scarcely knowing what I was saying, I engaged to confess to the abbot. This was my way. Whenever I obeyed a spontaneous impulse, whenever I did anything of a sudden, I thought I was following the laws of my destiny, and yielding to a supreme will. When I had thus plainly intimated to him that he was to be my confessor, he felt obliged to speak with religious fervour, and his discourses seemed tolerable enough during a delicate and appetising repast, for we had snipe and woodcock; which made me exclaim,-- "What! game like that at this time of year?" "It's a secret," said he, with a pleased smile, "which I shall be glad to communicate to you." The abbot was a man of taste, for though he affected sobriety he had the choicest wines and the most delicious dishes on the table. A splendid salmon-trout was brought, which made him smile with pleasure, and seasoning the good fare with a jest, he said in Latin that we must taste it as it was fish, and that it was right to fast a little. While he was talking the abbot kept a keen eye on me, and as my fine dress made him feel certain that I had nothing to ask of him he spoke at ease. When dinner was over the chancellor bowed respectfully and went out. Soon after the abbot took me over the monastery, including the library, which contained a portrait of the Elector of Cologne in semi-ecclesiastical costume. I told him that the portrait was a good though ugly likeness, and drew out of my pocket the gold snuffbox the prince had given me, telling him that it was a speaking likeness. He looked at it with interest, and thought his highness had done well to be taken in the dress of a grand-master. But I perceived that the elegance of the snuff-box did no harm to the opinion the abbot had conceived of me. As for the library, if I had been alone it would have made me weep. It contained nothing under the size of folio, the newest books were a hundred years old, and the subject-matter of all
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ROCKIES*** E-text prepared by Stephen Hutcheson, Chris Curnow, and the Online Distributed Proofreading Team (http://www.pgdp.net) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 45630-h.htm or 45630-h.zip: (http://www.gutenberg.org/files/45630/45630-h/45630-h.htm) or (http://www.gutenberg.org/files/45630/45630-h.zip) Transcriber's note: Text enclosed by underscores is in italics (_italics_). [Illustration: PREPARING BREAKFAST (Two adult Chipping Sparrows breaking worm into pieces to feed young.)] BIRD GUIDE LAND BIRDS EAST OF THE ROCKIES From Parrots to Bluebirds by CHESTER A. REED Author of North American Birds' Eggs, and, with Frank M. Chapman, of Color Key to North American Birds. Curator in Ornithology, Worcester Natural History Society. Garden City New York Doubleday, Page & Company 1919 Copyrighted, 1906, 1909 by Chas. K. Reed. PREFACE [Illustr
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Produced by Al Haines. THE DIARY _of a_ FRESHMAN _By_ CHARLES MACOMB FLANDRAU Author of "Harvard Episodes" _NEW YORK_ DOUBLEDAY, PAGE AND COMPANY _MDCCCCI_ _Copyright, 1900, by_ The Curtis Publishing Co. _Copyright, 1901, by_ Doubleday, Page & Company University Press John Wilson and Son Cambridge, U.S.A. _TO THE_ "_For Ever Panting and For Ever Young._" _Courteous acknowledgment is here made to the Saturday Evening Post, Philadelphia, in which these papers first saw the light._ _*THE*_* DIARY *_*of a*_* FRESHMAN* *I* Mamma left for home this afternoon. As I want to be perfectly truthful in my diary, I suppose I must confess that before she actually went away I sometimes thought I should be rather relieved when she was no longer here. Mamma has a fixed idea that I came to college for the express purpose of getting my feet wet by day, and sleeping in a draught by night. She began the furnishing of my rooms by investing in a pair of rubber boots,--the kind you tie around your waist with a string. The clerk in the shop asked her if I was fond of trout-fishing, and she explained to him that I had always lived in the West where the climate was dry, and that she didn't know how I would stand the dampness of the seacoast. Mamma thought the clerk was so interested in my last attack of tonsillitis I didn't have the heart to tell her that all the time he was looking sympathetic with his right eye, he was winking at me with his left. Now that she is gone, however, I don't see how I could have thought, even for a moment, that I should be glad, and I've been sitting here for an hour just looking at my room and all the nice things she advised me about and helped me to choose--wishing she could see how cosey it is late at night with the green lamp lighted and a little fire going. (It isn't really cool enough for a fire; I had to take my coat off for a while, the room got so warm--but I was anxious to know how the andirons looked with a blaze behind them.) I suppose she is lying awake in the sleeping-car thinking of me. She made me move my bed to the other side of the room, so that it wouldn't be near the window. I moved it back again; but I think now I 'll change it again to the way she liked it. Of course I was disappointed last May when I found I hadn't drawn a room in one of the college buildings. I had an idea that if you didn't live in one of the buildings owned by the college you wouldn't feel, somehow, as if you "belonged." Before I arrived in Cambridge I worried a good deal over it. The old Harvard men at home were most unsatisfactory about this when I asked their advice. The ones who had lived in the Yard when they were in college seemed to think there was n't any particular use in going to college at all unless you could live either in their old rooms or some in the same building; and the ones who had lived outside as I am going to do (this year, anyhow) said the college buildings were nice enough in their way, but if I could only get the dear old place (which was pulled down fifteen years ago) where James Russell Lowell had scratched his name on the window-pane, and where somebody else (I've forgotten who it was) crawled up the big chimney when the sheriff came to arrest him for debt and was discovered because he did not crawl far enough, I should be all right. I don't see how the good times and the advantages of a place like this hold out for so long; everybody who has been here speaks as if he had about used them up. Well, we found rooms pleading to be rented; every other house in Cambridge has a "Student's Room to Let" card in the window. Even some of the rooms in the Yard had been given up at the last minute by fellows who flunked their exams. Mamma said she felt very sorry for the poor boys; and after that the enormity of my having been conditioned in physics and solid geometry decreased considerably. The trouble (there were four days
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Produced by Roger Frank and the Online Distributed Proofreading Canada Team at http://www.pgdpcanada.net [Illustration: THE SUPPER [Page 37]] THE ASSOCIATE HERMITS By Frank R. Stockton Author of "The Great Stone of Sardis" With Illustrations by A. B. Frost [Illustration] NEW YORK AND LONDON HARPER & BROTHERS PUBLISHERS 1900 BY THE SAME AUTHOR. THE GREAT STONE OF SARDIS. A Novel. Illustrated by Peter Newell. Post 8vo, Cloth, Ornamental, $1 50. "The Great Stone of Sardis" is as queer and preposterous as can be imagined, yet as plausible and real-seeming as a legal document.... There is a treat in the book.--_Independent_, N. Y. A new and worthy example of Stockton's kindly, wholesome, original, and inexhaustible humor.--_Syracuse Post._ Narrated with a seriousness that gives the adventures a semblance of matters of fact. Through the narrative runs a love interest which Mr. Stockton manages with great skill.--_Washington Post._ NEW YORK AND LONDON: HARPER & BROTHERS, PUBLISHERS. Copyright, 1898, by Harper & Brothers. All rights reserved. CONTENTS CHAPTER PAGE I. The Dawn of a Wedding-journey 1 II. Enter Margery 7 III. Sadler's 15 IV. A Cataract of Information 23 V. Camp Rob 35 VI. Camp Roy 42 VII. A Stranger 52 VIII. The Bishop's Tale 63 IX. Matlack's Three Troubles 74 X. A Ladies' Day in Camp 82 XI. Margery Takes the Oars 90 XII. The Bishop Engages the Attention of the Guides 100 XIII. The World Goes Wrong with Mr. Raybold 105 XIV. The Assertion of Individuality 113 XV. A Net of Cobwebs to Cage a Lion 123 XVI. A Man who Feels Himself a Man 135 XVII. Mrs. Perkenpine Asserts Her Individuality 143 XVIII. The Hermits Associate 153 XIX. Margery's Breakfast 161 XX. Martin Asserts His Individuality 173 XXI. The Individuality of Peter Sadler 185 XXII. A Tranquillizing Breeze and a Hot Wind 194 XXIII. Mrs. Perkenpine Finds out Things about Herself 205 XXIV. A Dissolving Audience 212 XXV. A Moonlight Interview 220 XXVI. An Elopement 229 XXVII. Mrs. Perkenpine Delights the Bishop 239 XXVIII. The Hermits Continue to Favor Association 248 ILLUSTRATIONS PAGE THE SUPPER Frontispiece "'CAN THIS BE SADLER'S?'" 16 "'THEY THROW THE OTHER THINGS BACK'" 54 "A LESSON IN FLY-FISHING" 80 "BUT THE BISHOP KNEW BETTER" 98 "WITH A GREAT HEAVE SENT HIM OUT INTO THE WATER" 102 "'WHERE ARE ALL OUR FRIENDS?'" 150 "'HAVEN'T TRIED IT'" 202 "'IF THEY AIN'T THE CAMP ROBBERS!'" 232 THE ASSOCIATE HERMITS CHAPTER I THE DAWN OF A WEDDING-JOURNEY Mr. and Mrs. Hector Archibald were prosperous and happy dwellers in a suburb of one of our large towns. Fortune had favored them in many ways--in health and in a good average happiness. They had reached early middle age, and their daughter Kate, their only child, had grown up to be a beautiful and good young woman, and was on the point of marrying a young lawyer--Rodney Bringhurst by name--in every way worthy of her. Hector Archibald was a little man, with small bright eyes, and hair slightly touched with gray and very much inclined to curl. His disposition was lively. He had a strong liking for cheerful occurrences, and was always willing to do his part in the bringing about of such events. Novelty had a charm for him. He was not bound by precedence and tradition, and if he had found himself at a dinner which began with coffee and ended with oysters on the half-shell, he would have given the unusual meal a most animated consideration
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Produced by Larry B. Harrison and the Online Distributed Proofreading Team at http://www.pgdp.net PRACTICAL HIGH SCHOOL SPELLER COMPILED BY
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Produced by Julia Miller and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) BEAUTY; ILLUSTRATED CHIEFLY BY AN ANALYSIS AND CLASSIFICATION OF BEAUTY IN WOMAN, BY ALEXANDER WALKER, AUTHOR OF "INTERMARRIAGE," "WOMAN," "PHYSIOGNOMY FOUNDED ON PHYSIOLOGY," "THE NERVOUS SYSTEM," ETC. EDITED BY AN AMERICAN PHYSICIAN NEW YORK: HENRY G. LANGLEY, 8 ASTOR-HOUSE. 1845. Entered, according to Act of Congress, in the year 1840, BY J. & H. G. LANGLEY, in the Clerk's Office of the District Court of the Southern District of New York STEREOTYPED BY J. S. REDFIELD, _13 Chambers Street, New York_ DEDICATION. TO GEORGE BIRBECK, M.D., F.G.S., PRESIDENT OF THE LONDON MECHANICS' INSTITUTION, &c., &c., &c. A department of science, which in many respects must be regarded as new, cannot so properly be dedicated to any one as to the inventor of the best mode of diffusing scientific knowledge among the most meritorious and most oppressed classes of society. When the enemies of freedom, in order effectually to blind the victims of their spoliation, imposed a tax upon knowledge, you rendered the acquirement of science easy by the establishment of mechanics' institutions--you gave the first and greatest impulse to that diffusion of knowledge which will render the repetition of such a conspiracy against humanity impossible. You more than once also wrested a reluctant concession, in behalf of untaxed knowledge, from the men who had evidently succeeded, in some degree, to the spirit, as well as to the office, of the original conspirators, and who unwisely hesitated between the bad interest which is soon felt by all participators in expensive government, and their dread of the new and triumphant power of public opinion, before which they know and feel that they are but as the chaff before the whirlwind. For these services, accept this respectful dedication, as the expression of a homage, in which I am sure that I am joined by thousands of Britons. Nor, in writing this, on a subject of which your extensive knowledge enables you so well to judge, am I without a peculiar and personal motive. I gratefully acknowledge that, in one of the most earnest and strenuous mental efforts I ever made, in my work on "The Nervous System," I owed to your cautions as to logical reasoning and careful induction, an anxiety at least, and a zeal in these respects, which, whatever success may have attended them, could not well be exceeded. I have endeavored to act conformably with the same cautions in the present work. He must be weak-minded, indeed, who can seek for aught in philosophy but the discovery of truth; and he must be a coward who, believing he has discovered it, has any scruple to announce it. ALEXANDER WALKER. APRIL 10, 1836. AMERICAN ADVERTISEMENT. The present volume completes the series of Mr. Walker's anthropological works. To say that they have met with a favorable reception from the American public, would be but a very inadequate expression of the unprecedented success which has attended their publication. "INTERMARRIAGE," the first of the series, passed through six large editions within eighteen months, and "WOMAN," has met with a sale scarcely less extensive. The numerous calls for the present work, have compelled the publishers to issue it sooner than they had contemplated; and, it is believed, that it will be found not less worthy of attention than the preceding. All must acknowledge the interesting nature of the subject treated in the present work, as well as its intimate connexion with those which have already passed under discussion. The analysis of beauty on philosophical principles, is attended with numerous difficulties, not the least of which arises from the want of any fixed and acknowledged standard. The term Beauty is, indeed, generally considered as a vague generality, varying according to national, and even individual taste and judgment. Mr. Walker claims, in his advertisement, numerous points of originality, some of which, on examination, may perhaps prove to have been proposed previously by other writers. Enough, however, will remain to entitle him to the credit of great ingenuity and acuteness. As treated by him, the subject assumes an aspect very different from that exhibited in any other publication. To trace the connexion of beauty with, and its dependance on, anatomical structure and physiological laws--to show how it may be modified by causes within our control--to describe its different forms and modifications, and defects, as indicated by certain physical signs--to analyze its elements, with a view to its influence on individuals and society, in connexion with its perpetration in posterity--all these were novel topics of vast and exciting interest, and well adapted to the genius, taste, and research of our author. In preparing the present edition, it has been thought expedient to make some verbal alterations, and omit a few paragraphs, to which a refined taste might perhaps object, and to bring together in the Appendix such collateral matter, as might serve to correct, extend, or illustrate the views presented
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Produced by Dagny; John Bickers DONA PERFECTA by B. PEREZ GALDOS Translated from the Spanish by Mary J. Serrano INTRODUCTION The very acute and lively Spanish critic who signs himself Clarin, and is known personally as Don Leopoldo Alas, says the present Spanish novel has no yesterday, but only a day-before-yesterday. It does not derive from the romantic novel which immediately preceded that: the novel, large or little, as it was with Cervantes, Hurtado de Mendoza, Quevedo, and the masters of picaresque fiction. Clarin dates its renascence from the political revolution of 1868, which gave Spanish literature the freedom necessary to the fiction that studies to reflect modern life, actual ideas, and current aspirations; and though its authors were few at first, "they have never been adventurous spirits, friends of Utopia, revolutionists, or impatient progressists and reformers." He thinks that the most daring, the most advanced, of the new Spanish novelists, and the best by far, is Don Benito Perez Galdos. I should myself have made my little exception in favor of Don Armando Palacio Valdes, but Clarin speaks with infinitely more authority, and I am certainly ready to submit when he goes on to say that Galdos is not a social or literary insurgent; that he has no political or religious prejudices; that he shuns extremes, and is charmed with prudence; that his novels do not attack the Catholic dogmas--though they deal so severely with Catholic bigotry--but the customs and ideas cherished by secular fanaticism to the injury of the Church. Because this is so evident, our critic holds, his novels are "found in the bosom of families in every corner of Spain." Their popularity among all classes in Catholic and prejudiced Spain, and not among free-thinking students merely, bears testimony to the fact that his aim and motive are understood and appreciated, although his stories are apparently so often anti-Catholic. I Dona Perfecta is, first of all, a story, and a great story, but it is certainly also a story that must appear at times potently, and even bitterly, anti-Catholic. Yet it would be a pity and an error to read it with the preoccupation that it was an anti-Catholic tract, for really it is not that. If the persons were changed in name and place, and modified in passion to fit a cooler air, it might equally seem an anti-Presbyterian or anti-Baptist tract; for what it shows in the light of their own hatefulness and cruelty are perversions of any religion, any creed. It is not, however, a tract at all; it deals in artistic largeness with the passion of bigotry, as it deals with the passion of love, the passion of ambition, the passion of revenge. But Galdos is Spanish and Catholic, and for him the bigotry wears a Spanish and Catholic face. That is all. Up to a certain time, I believe, Galdos wrote romantic or idealistic novels, and one of these I have read, and it tired me very much. It was called "Marianela," and it surprised me the more because I was already acquainted with his later work, which is all realistic. But one does not turn realist in a single night, and although the change in Galdos was rapid it was not quite a lightning change; perhaps because it was not merely an outward change, but artistically a change of heart. His acceptance in his quality of realist was much more instant than his conversion, and vastly wider; for we are told by the critic whom I have been quoting that Galdos's earlier efforts, which he called _Episodios Nacionales_, never had the vogue which his realistic novels have enjoyed. These were, indeed, tendencious, if I may Anglicize a very necessary word from the Spanish _tendencioso_. That is, they dealt with very obvious problems, and had very distinct and poignant significations, at least in the case of "Dona Perfecta," "Leon Roch," and "Gloria." In still later novels, Emilia Pardo-Bazan thinks, he has comprehended that "the novel of to-day must take note of the ambient truth, and realize the beautiful with freedom and independence." This valiant lady, in the campaign for realism which she made under the title of "La Cuestion Palpitante"--one of the best and strongest books on the subject--counts him first among Spanish realists, as Clarin counts him first among Spanish novelists. "With a certain fundamental humanity," she says, "a certain magisterial simplicity in his creations, with the natural tendency of his clear intelligence toward the truth, and with the frankness of his observation, the great novelist was always disposed to pass over to realism with arms and munitions; but his aesthetic inclinations were idealistic, and only in his latest works has he adopted the method of the modern novel, fathomed more and more the human heart, and broken once for all with the picturesque and with the typical personages, to embrace the earth we tread." For her, as I confess for me, "Dona Perfecta" is not realistic enough--realistic as it is; for realism at its best is not tendencious. It does not seek to grapple with
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The Project Gutenberg Etext of Cinq Mars, by Alfred de Vigny, v3 #36 in our series The French Immortals Crowned by the French Academy #3 in our series by Octave Feuillet Copyright laws are changing all over the world, be sure to check the laws for your country before redistributing these files!!!!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Please do not remove this. This should be the first thing seen when anyone opens the book. Do not change or edit it without written permission. The words are carefully chosen to provide users with the information they need about what they can legally do with the texts. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *****These Etexts Are Prepared By Thousands of Volunteers!***** Information on contacting Project Gutenberg to get Etexts, and further information is included below, including for donations. The Project Gutenberg Literary Archive Foundation is a 501(c)(3) organization with EIN [Employee Identification Number] 64-6221541 Title: Cinq Mars, v3 Author: Alfred de Vigny Release Date: April, 2003 [Etext #3949] [Yes, we are about one year ahead of schedule] [The actual date this file first posted = 09/12/01] Edition: 10 Language: English The Project Gutenberg Etext of Cinq Mars, by Alfred de Vigny, v3 ******This file should be named 3949.txt or 3949.zip****** Corrected EDITIONS of our etexts get a new NUMBER, im36b11.txt VERSIONS based on separate sources get new LETTER, im
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Produced by Ron Swanson Vol. II. No. 1. THE NATIONAL GEOGRAPHIC MAGAZINE. PUBLISHED BY THE NATIONAL GEOGRAPHIC SOCIETY. WASHINGTON, D. C. Price 50 Cents. CONTENTS. On the Telegraphic Determinations of Longitude by the Bureau of Navigation: Lieut. J. A. Norris, U. S. N. Reports of the Vice-Presidents: Geography of the Land: Herbert G. Ogden Geography of the Air: A. W. Greely, Chief Signal Officer, U. S. A. Annual Report of the Treasurer Report of Auditing Committee Annual Report of the Secretary National Geographic Society: Abstract of Minutes Officers for 1890 Members of the Society Published April, 1890. PRESS OF TUTTLE, MOREHOUSE & TAYLOR, NEW HAVEN, CONN. THE NATIONAL GEOGRAPHIC MAGAZINE. Vol. II. 1890. No. 1. ON THE TELEGRAPHIC DETERMINATIONS OF LONGITUDE BY THE BUREAU OF NAVIGATION. BY LIEUT. J. A. NORRIS, U. S. N. The following definitions are given by Chauvenet in his Spherical and Practical Astronomy. "The longitude of a point on the earth's surface is the angle at the Pole included between the meridian of that point and some assumed first meridian. The difference of longitude between any two points is the angle included between their meridians." To describe the practical methods of obtaining this difference or angle, by means of the electric telegraph both overland and submarine, and especially those employed by the expeditions sent out by the Navy department, is the object of this paper. * * * * * Before the invention of the telegraph various methods more or less accurate in their results were employed, and are still in use where the telegraph is not available. The one most used and giving the best results was that in which a number of chronometers were transported back and forth between two places the difference of whose longitudes was required. "For," as the author quoted above says, "the determination of an absolute longitude from the first meridian or of a difference of longitude in general, resolves itself into the determination of the difference of the time reckoned at the two meridians at the same absolute instant." If a chronometer be regulated to the time at any place _A_, and then transported to a second place _B_, and the local time at _B_, be determined at any instant, and at that instant the time at _A_, as shown by the chronometer is noted, the difference of the times is at once known, and that is the difference of longitude required. The principal objection to this plan is that the best chronometers vary. If the variations were constant and regular, and the chronometer always gained or lost a fixed amount for the same interval of time, this objection would disappear. But the variation is not constant, the rate of gain or loss, even in the best instruments, changes from time to time from various causes. Some of these causes may be discovered and allowed for in a measure, others are accidental and unknown. Of the former class are variations due to changes of temperature. At the Naval Observatory, chronometers are rated at different temperatures, and the changes due thereto are noted, and serve to a great extent as a guide in their use. But the transportation of a chronometer, even when done with great care is liable to cause sudden changes in its indications, and of course in carrying it long distances, numerous shocks of greater or less violence are unavoidable. Still, chronometric measurements, when well carried out with a number of chronometers and skilled observers have been very successful. Among notable expeditions of this sort was that undertaken in 1843, by Struve between Pulkova and Altona, in which eighty-one chronometers were employed and nine voyages made from Pulkova to Altona and eight the other way. The results from thirteen of the chronometers were rejected as being discordant, and the deduced longitude was made to depend on the remaining 68. The result thus obtained differs from the latest determination by 0^{s}.2. The U. S. Coast Survey instituted chronometric expeditions between Cambridge, Mass., and Liverpool, England, in the years 1849, '50, '51 and '55. The probable error of the results of six voyages, three in each direction, in 1855 was 0^{s}.19, fifty chronometers being carried. Among other methods of determining differences of time may be mentioned the observation of certain celestial phenomena, which are visible at the same absolute instant by observers in various parts of the globe, such as the instant of the beginning or end of an eclipse of the moon, the eclipses of Jupiter's satellites by the shadow of the planet, the bursting of a meteor, and the appearance or disappearance of a shooting star. The difficulty of identifying these last mentioned objects and the impossibility of foretelling their occurrence prevents the extended use of this method. Terrestrial signals may be used and among these can be included those sent by the electric telegraph. But when two stations are near together a signal may be made
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Produced by David Clarke, Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net _Songs of a Sourdough_ _"Songs from Overseas"_ SONGS OF A SOURDOUGH. By ROBERT W. SERVICE. BALLADS OF A CHEECHAKO. By ROBERT W. SERVICE. LYRA NIGERIAE. By "ADAMU" (E. C. ADAMS). SOUTH AFRICA, AND OTHER POEMS. By A. VINE HALL. SONGS OUT OF EXILE (RHODESIAN RHYMES). By CULLEN GOULDSBURY. COWBOY SONGS. By JOHN A. LOMAX. RHYMES OF A ROLLING STONE. By ROBERT W. SERVICE. THE HELL-GATE OF SOISSONS, AND OTHER POEMS. By HERBERT KAUFMAN. THE WAITING WOMAN
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Produced by David Edwards, Stephen Hutcheson, and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Books project.) [Illustration: "The Toad Woman stopped fanning and looked at her." Page 125.] ADVENTURES IN Shadow-Land. CONTAINING Eva's Adventures in Shadow-Land. By MARY D. NAUMAN. AND The Merman and The Figure-Head. By CLARA F. GUERNSEY. TWO VOLUMES IN ONE. _WITH ILLUSTRATIONS._ PHILADELPHIA J. B. LIPPINCOTT & CO. 1874. Entered according to Act of Congress, in the year 1873, by J. B. LIPPINCOTT & CO., In the office of the Librarian of Congress, at Washington. Lippincott's Press, Philadelphia. EVA'S ADVENTURES IN SHADOW-LAND. TO MY FRIEND E. W. CONTENTS. CHAPTER I. PAGE What Eva saw in the Pond 9 CHAPTER II. Eva's First Adventure 15 CHAPTER III. The Gift of the Fountain 23 CHAPTER IV. The First Moonrise 30 CHAPTER V. What Aster was 36 CHAPTER VI. The Beginning of the Search 45 CHAPTER VII. Aster's Misfortunes 52 CHAPTER VIII. What Aster did 63 CHAPTER IX. The Door in the Wall 73 CHAPTER X. The Valley of Rest 80 CHAPTER XI. The Magic Boat 92 CHAPTER XII. Down the Brook 104 CHAPTER XIII. The Enchanted River 119 CHAPTER XIV. The Green Frog 130 CHAPTER XV. In the Grotto 145 CHAPTER XVI. Aster's Story 151 CHAPTER XVII. The Last of Shadow-Land 162 EVA'S ADVENTURES IN SHADOW-LAND. CHAPTER I. _WHAT EVA SAW IN THE POND._ She had been reading fairy-tales, after her lessons were done, all the morning; and now that dinner was over, her father gone to his office, the baby asleep, and her mother sitting quietly sewing in the cool parlor, Eva thought that she would go down across the field to the old mill-pond; and sit in the grass, and make a fairy-tale for herself. There was nothing that Eva liked better than to go and sit in the tall grass; grass so tall that when the child, in her white dress, looped on her plump white shoulders with blue ribbons, her bright golden curls brushed back from her fair brow, and her blue eyes sparkling, sat down in it, you could not see her until you were near her, and then it was just as if you had found a picture of a little girl in a frame, or rather a nest of soft, green grass. All through this tall, wavy grass, down to the very edge of the pond, grew many flowers,--violets, and buttercups, and dandelions, like little golden suns. And as Eva sat there in the grass, she filled her lap with the purple and yellow flowers; and all around her the bees buzzed as though they wished to light upon the flowers in her lap; on which, at last,--so quietly did she sit,--two black-and-golden butterflies alighted; while a great brown beetle, with long black feelers, climbed up a tall grass-stalk in front of her, which, bending slightly under his weight, swung to and fro in the gentle breeze which barely stirred Eva's golden curls; and the field-crickets chirped, and even a snail put his horns out of his shell to look at the little girl, sitting so quietly in the grass among the flowers, for Eva was gentle, and neither bee, nor butterfly, beetle, cricket, or snail were afraid of her. And this is what Eva called making a fairy-tale for herself. But sitting so quietly and watching the insects, and hearing their low hum around her, at last made Eva feel drowsy; and she would have gone to sleep, as she often did, if all of a sudden there had not sounded, just at her feet, so that it startled her, a loud Croak! croak! But it frightened the two butterflies; for away they went, floating off on their black-and-golden wings; and the brown beetle was in so much of a hurry to run away that he tumbled off the grass-stalk on which he had been swinging, and as soon as he could regain his legs, crept, as fast as they could carry him, under a friendly mullein-leaf which grew near, and hid himself; and the crickets were silent; and the bees all flew away to their hive; and the snail drew himself and his horns into his house, so that he looked like nothing in the world but a shell; for when beetles
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Produced by ellinora, Charlie Howard, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) Transcriber’s Notes Superscripts are indicated by caret symbols: 2^8 for single characters and 2^{1.5} for multiple characters. Italic text is enclosed in _underscores_. Other notes will be found at the end of this eBook. The Destinies of the Stars By Svante Arrhenius, Ph.D. President, Nobel Institute, Stockholm, Sweden (Recipient of the Nobel Prize in Chemistry, 1903) Authorized Translation from the Swedish By J. E. Fries Fellow A.I.E.E. _Illustrated_ G. P. Putnam’s Sons New York and London The Knickerbocker Press 1918 COPYRIGHT, 1918 BY G. P. PUTNAM’S SONS The Knickerbocker Press, New York TRANSLATOR’S PREFACE When Dr. Svante Arrhenius in the year 1903 received the NOBEL PRIZE in Chemistry it came as a fitting reward of his achievements principally in the electro-chemical field. It was natural, however, that a genius of his calibre would not limit his interest to the “infinitely small” but would gradually broaden it to encompass the “infinitely large.” And “to take an interest” means with Dr. Arrhenius to push the boundaries of the unknown and of the unexplored a little farther away from man. His evolution in this respect runs parallel with that of all the great men who stand out as leaders in the history of science. Wrapt up in the solution of a particular problem and fired with the divine yearning to reach ultimate causes they are inevitably driven to ever widening circles of research until this whole material universe, its whence and whither, becomes the overpowering passion of their spirits. Thus the mere titles of the works of Dr. Arrhenius, read in the sequence of their publication, give us, better than any biography, the history of a soul, which, no matter what his unprofessed philosophical faith may be, constitutes our strongest evidence in favour of that theory of “purposiveness” in the universe which Dr. Arrhenius so heartily abhors (and justly so) when resorted to in natural science, but which theory nevertheless (and justly so) is so dear to the philosopher:--_Researches in Regard to the Conductivity of Electrolytes; Conductivity of Extremely Diluted Solutions; Chemical Theory of Electrolytes; Textbook in Theoretical Electro-Chemistry; Textbook in Cosmological Physics; Worlds in the Making; Infinity of the Universe; Life of the Universe as Conceived by Man from Earliest Ages to the Present Time_;--thus run the titles of a few of the works we already have by Dr. Arrhenius’ hand. How were it possible for him NOT to write _The Destinies of the Stars_? The volume came as inevitably as fruition follows flowering. What remains to be seen is if Dr. Arrhenius can withstand the tremendous temptation that must be at work in his soul to lift, be it ever so little, the curtain that separates natural science and philosophy; we hope he will give in; we admire in this book how he reads “The Riddle of the Milky Way”; we certainly wish to know how he reads--the riddle of the universe. _The Destinies of the Stars_ met with unexampled success in Sweden. Three editions appeared within two months when the book was published in November, 1915. The American version has been somewhat delayed principally due to war conditions. This, however, has not been wholly a loss to the English-speaking world as Dr. Arrhenius by no means has been idle in the meantime. Considerable additional subject matter, including three new pictures, has been added, chiefly based on the most recent astronomical discoveries some of which have been recorded as late as 1917. For valuable suggestions and for all the American equivalents of the metric measures in the original, the reader as well as the translator, is indebted to a member of the Publishing House that presents this volume in such an attractive way, Mr. E. W. Putnam, himself an ardent lover of astronomy and a writer on the subject. Dr. Arrhenius is justly renowned for his lucid style and polished form. All that is lacking in these qualities within the covers of this volume is wholly due to the deficiencies of the translator, who however could not resist the temptation of transferring to Anglo-Saxon soil this monument to the genius of his former teacher, Dr. Svante Arrhenius. J. E. FRIES. BIRMINGHAM, ALA., December 15, 1917. PREFACE
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Produced by Shaun Pinder, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) A PRINCESS OF THULE. BY WILLIAM BLACK, AUTHOR OF “A DAUGHTER OF HETH,” “MADCAP VIOLET,” “STRANGE ADVENTURES OF A PHAETON,” ETC. NEW YORK: JOHN W. LOVELL COMPANY, 14 & 16 VESEY STREET. A PRINCESS OF THULE. By WILLIAM BLACK. CHAPTER I. “LOCHABER NO MORE.” On a small headland of the distant island of Lewis, an old man stood looking out on a desolate waste of rain-beaten sea. It was a wild and wet day. From out of the lowering Southwest fierce gusts of wind were driving up volumes and flying rags of clouds, and sweeping onward at the same time the gathering waves that fell hissing and thundering on the shore. Far as the eye could reach, the sea and the air and the sky seemed to be one indistinguishable mass of whirling and hurrying vapor, as if beyond this point there were no more land, but only wind and water, and the confused and awful voice of their strife. The short, thick-set, powerfully-built man who stood on this solitary point paid little attention to the rain that ran off the peak of his sailor’s cap, or to the gusts of wind that blew about his bushy gray beard. He was still following, with an eye accustomed to pick out objects far at sea, one speck of purple that was now fading into the gray mist of the rain; and the longer he looked the less it became, until the mingled sea and sky showed only the smoke that the great steamer left in its wake. As he stood there, motionless and regardless of everything around him, did he cling to the fancy that he could still trace out the path of the vanished ship? A little while before it had passed almost close to him. He had watched it steam out of Stornoway Harbor. As the sound of the engines came nearer and the big boat went by, so that he could have almost called to it, there was no sign of emotion on the hard and stern face, except, perhaps, that the lips were held firm and a sort of frown appeared over the eyes. He saw a tiny white handkerchief being waved to him from the deck of the vessel; and he said, almost as though he were addressing some one there: “My good little girl!” But in the midst of that roaring of the sea and the wind how could any such message be delivered? And already the steamer was away from the land, standing out to the lonely plain of waters, and the sound of the engines had ceased, and the figures on the deck had grown faint and visionary. But still there was that one speck of white visible; and the man knew that a pair of eyes that had many a time looked into his own--as if with a faith that such intercommunion could never be broken--were now trying, through overflowing and blinding tears, to send him a last look of farewell. The gray mists of the rain gathered within their folds the big vessel and all the beating hearts it contained, and the fluttering of that little token disappeared with it. All that remained was the sea, whitened by the rushing of the wind and the thunder of waves on the beach. The man, who had been gazing so long down into the Southeast, turned his face landward and set out to walk over a tract of wet grass and sand toward a road that ran near by. There was a large wagonette of varnished oak and a pair of small powerful horses waiting for him there; and having dismissed the boy who had been in charge, he took the reins and got up. But even yet the fascination of the sea and of that sad farewell was upon him, and he turned once more, as if, now that sight could yield him no further tidings, he would send her one more word of good-by. “My poor little Sheila!” That was all he said; and then he turned to the horses and sent them on, with his head down to escape the rain, and a look on his face like that of a dead man. As he drove through the town of Stornoway the children playing within the shelter of the cottage doors called to each other in a whisper and said: “That is the King of Borva.” But the elderly people said to each other, with a shake of the head, “It iss a bad day, this day, for Mr. Mackenzie, that he will be going home to an empty house. And it will be a ferry bad thing for the poor folk of Borva, and they will know a great difference, now that Miss Sheila iss gone away, and there is nobody--not anybody at all--left in the island to tek the side of the poor folk.” He looked neither to the right nor
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Produced by Louise Hope, David Starner, Suzanne Lybarger and the Online Distributed Proofreading Team at http://www.pgdp.net [In the Ode, all dashes were printed as groups of 2-5 hyphens. This format has been retained. Brackets are in the original unless otherwise noted. Joshua Reynolds was knighted in 1769, two years after this work was published.] The Augustan Reprint Society THOMAS MORRISON _A PINDARICK ODE ON PAINTING_ _Addressed to Joshua Reynolds, Esq._ (1767) With a preface by Frederick W. Hilles and a biographical introduction by J. T. Kirkwood Publication Number 37 Los Angeles William Andrews Clark Memorial Library University of California 1952 GENERAL EDITORS H. RICHARD ARCHER, _Clark Memorial Library_ RICHARD C. BOYS, _University of Michigan_ RALPH COHEN, _University of California, Los Angeles_ VINTON A. DEARING, _University of California, Los Angeles_ ASSISTANT EDITOR W. EARL BRITTON, _University of Michigan_ ADVISORY EDITORS EMMETT L. AVERY, _State College of Washington_ BENJAMIN BOYCE, _University of Nebraska_ LOUIS I. BREDVOLD, _University of Michigan_ JOHN BUTT, _King's College, University of Durham_ JAMES L. CLIFFORD, _Columbia University_ ARTHUR FRIEDMAN, _University of Chicago_ EDWARD NILES HOOKER, _University of California, Los Angeles_ LOUIS A. LANDA, _Princeton University_ SAMUEL H. MONK, _University of Minnesota_ ERNEST MOSSNER, _University of Texas_ JAMES SUTHERLAND, _Queen Mary College, London_ H. T. SWEDENBERG, JR., _University of California, Los Angeles_ CORRESPONDING SECRETARY EDNA C. DAVIS, _Clark Memorial Library_ PREFACE The poem here reprinted has remained unread and, with a single exception, apparently unnoticed from the day it was published until the present. It is printed from a copy which I acquired many years ago at a London bookstore and which for a while I thought unique. I did not find it listed in the catalogues of the chief libraries of England or America, nor in the various books on anonymous publications. I have found no mention of it in the newspapers and magazines of the time, no mention of it in contemporary letters or diaries. The one man in England who took the trouble to record the ode for posterity was, as might be expected, Horace Walpole, who in his manuscript Books of Materials merely noted that the poem had been published in 176_8_ (_Anecdotes of Painting... Volume the Fifth_, ed. Hilles and Daghlian, Yale University Press, 1937). When challenged to locate Walpole's copy of the ode, the greatest of modern collectors was able, after perhaps forty-five seconds, to say not only that it was in the Houghton Library at Harvard but that on the title in Walpole's hand was the information that the poem was published on the sixteenth of May, a fact which would otherwise be unknown. A third copy was in the possession of the late Professor Heidbrink of Northwestern, inscribed in a contemporary hand "T. M., M.A." and thus, possibly, the author's own. There are, then, three known copies extant. Doubtless others will be found, bound up with pamphlets of the same vintage, as yet uncatalogued. What Walpole did not know was the name of the author, and quite possibly the ode would have remained unread and unnoticed for another two centuries had Mr. Kirkwood not brought to light the letters which are first published in the introduction that follows. From these letters and a few known facts the history of the ode seems clear enough. Reynolds had a number of relatives living in Great Torrington. In the summer of 1762 when he and Dr. Johnson went to Devonshire they were entertained by Morrison. Johnson's published letters prove that he did not forget Morrison, and Reynolds was soon painting the portrait of Morrison's daughter. In the summer of 1766 Morrison sent his ode to Reynolds. The following January he learned that Johnson, "as severe a Critic as old Dennis," praised it and ordered it to be published. Reynolds himself must have arranged for the publication. The publisher selected was William Griffin, who a few years later was to bring out some of Sir Joshua's _Discourses_. The work of the printer was only moderately well done. It will be noted that _whose_ (second line of stanza V) is obviously a misprint for _whole_,
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Produced by Bill Brewer PRUFROCK AND OTHER OBSERVATIONS By T. S. Eliot To Jean Verdenal 1889-1915 Certain of these poems appeared first in "Poetry" and "Others" Contents The Love Song of J. Alfred Prufrock Portrait of a Lady Preludes Rhapsody on a Windy Night Morning at the Window The Boston Evening Transcript Aunt Helen Cousin Nancy Mr. Apollinax Hysteria Conversation Galante La Figlia Che Piange The Love Song of J. Alfred Prufrock S'io credesse che mia risposta fosse A persona che mai tornasse al mondo, Questa fiamma staria senza piu scosse. Ma perciocche giammai di questo fondo Non torno vivo alcun, s'i'odo il vero, Senza tema d'infamia ti rispondo. Let us go then, you and I, When the evening is spread out against the sky Like a patient etherized upon a table; Let us go, through certain half-deserted streets, The muttering retreats Of restless nights in one-night cheap hotels And sawdust restaurants with oyster-shells: Streets that follow like a tedious argument Of insidious intent To lead you to an overwhelming question... Oh, do not ask, "What is it?" Let us go and make our visit. In the room the women come and go Talking of Michelangelo. The yellow fog that rubs its back upon the window-panes, The yellow smoke that rubs its muzzle on the window-panes, Licked its tongue into the corners of the evening, Lingered upon the pools that stand in drains, Let fall upon its back the soot that falls from chimneys, Slipped by the terrace, made a sudden leap, And seeing that it was a soft October night, Curled once about the house, and fell asleep. And indeed there will be time For the yellow smoke that slides along the street, Rubbing its back upon the window-panes; There will be time, there will be time To prepare a face to meet the faces that you meet; There will be time to murder and create, And time for all the works and days of hands That lift and drop a question on your plate; Time for you and time for me, And time yet for a hundred indecisions, And for a hundred visions and revisions, Before the taking of a toast and tea. In the room the women come and go Talking of Michelangelo. And indeed there will be time To wonder, "Do I dare?" and, "Do I dare?" Time to turn back and descend the stair, With a bald spot in the middle of my hair-- (They will say: "How his hair is growing thin!") My morning coat, my collar mounting firmly to the chin, My necktie rich and modest, but asserted by a simple pin-- (They will say: "But how his arms and legs are thin!") Do I dare Disturb the universe? In a minute there is time For decisions and revisions which a minute will reverse. For I have known them all already, known them all: Have known the evenings, mornings, afternoons, I have measured out my life with coffee spoons; I know the voices dying with a dying fall Beneath the music from a farther room. So how should I presume? And I have known the eyes already, known them all-- The eyes that fix you in a formulated phrase, And when I am formulated, sprawling on a pin, When I am pinned and wriggling on the wall, Then how should I begin To spit out all the butt-ends of my days and ways? And how should I presume? And I have known the arms already, known them all-- Arms that are braceleted and white and bare (But in the lamplight, downed with light brown hair!) Is it perfume from a dress That makes me so digress? Arms that lie along a table, or wrap about a shawl. And should I then presume? And how should I begin? * * * * Shall I say, I have gone at dusk through narrow streets And watched the smoke that rises from the pipes Of lonely men in shirt-sleeves, leaning out of windows?... I should have been a pair of ragged claws Scuttling across the floors of silent seas. * * * * And the afternoon, the evening, sleeps so peacefully! Smoothed by long fingers, Asleep... tired... or it malingers, Stretched on the floor, here beside you and me. Should I, after tea and cakes and ices, Have the strength to force the moment to its crisis? But though I have wept and fasted, wept and prayed, Though I have seen my head (grown slightly bald) brought in upon a platter, I am no prophet--and here's no great matter; I have seen the moment of my greatness flicker, And I have seen the eternal Footman hold my coat, and snicker, And in short, I was afraid. And would it have been worth it, after all, After the cups, the marmalade, the tea, Among the porcelain, among some talk of you and me, Would it have been worth while, To have bitten off the matter with a smile, To have squeezed the universe into a ball To roll it toward some overwhelming question, To say
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Produced by Barbara Tozier, Bill Tozier and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's Note: Minor typographical errors have been corrected without note. Dialect spellings, contractions and discrepancies have been retained. THE HISTORY OF SIR RICHARD CALMADY A Romance By Lucas Malet NEW YORK Dodd, Mead & Company 1901 _Copyright_, 1901 BY DODD, MEAD & COMPANY THE CAXTON PRESS NEW YORK. CONTENTS BOOK I THE CLOWN CHAP. PAGE I. Acquainting the Reader with a Fair Domain and the Maker Thereof 1 II. Giving the Very Earliest Information Obtainable of the Hero of this Book 7 III. Touching Matters Clerical and Controversial 19 IV. Raising Problems which it is the Purpose of this History to Resolve 25 V. In which Julius March Beholds the Vision of the New Life 34 VI. Accident or Destiny, According to Your Humour 44 VII. Mrs. William Ormiston Sacrifices a Wine-glass to Fate 57 VIII. Enter a Child of Promise 69 IX. In which Katherine Calmady Looks on Her Son 76 X. The Birds of the Air Take Their Breakfast 84 BOOK II THE BREAKING OF DREAMS I. Recording some Aspects of a Small Pilgrim's Progress 93 II. In which Our Hero Improves His Acquaintance with Many Things--Himself Included 104 III. Concerning that which, Thank God, Happens Almost Every Day 117 IV. Which Smells very Vilely of the Stable 128 V. In which Dickie is Introduced to a Little Dancer with Blush-roses in Her Hat 140 VI. Dealing with a Physician of the Body and a Physician of the Soul 149 VII. An Attempt to Make the Best of It 159 VIII. Telling, Incidentally, of a Broken-down Postboy and a Country Fair 169 BOOK III LA BELLE DAME SANS MERCI I. In which Our Hero's World Grows Sensibly Wider 181 II. Telling How Dickie's Soul was Somewhat Sick, and How He Met Fair Women on the Confines of a Wood 186 III. In which Richard Confirms One Judgment and Reverses Another 195 IV. Julius March Bears Testimony 203 V. Telling How Queen Mary's Crystal Ball Came to Fall on the Gallery Floor 215 VI. In which Dickie Tries to Ride Away from His Own Shadow, with Such Success as Might Have Been Anticipated 231 VII. Wherein the Reader is Courteously Invited to Improve His Acquaintance with Certain Persons of Quality 240 VIII. Richard Puts His Hand to a Plough from which There is no Turning Back 252 IX. Which Touches Incidentally on Matters of Finance 264 X. Mr. Ludovic Quayle Among the Prophets 280 XI. Containing Samples Both of Earthly and Heavenly Love 289 BOOK IV A SLIP BETWIXT CUP AND LIP I. Lady Louisa Barking Traces the Finger of Providence 302 II. Telling How Vanity Fair Made Acquaintance with Richard Calmady 314 III. In which Katherine Tries to Nail Up the Weather-glass to Set Fair 324 IV. A Lesson Upon the Eleventh Commandment--"Parents Obey Your Children" 337 V. Iphigenia 350 VI. In which Honoria St. Quentin Takes the Field 362 VII. Recording the Astonishing Valour Displayed by a Certain Small Mouse in a Corner 375 VIII. A Manifestation of the Spirit 386 IX. In which Dickie Shakes Hands with the Devil 397 BOOK V RAKE'S PROGRESS I. In which the Reader is Courteously Entreated to Grow Older by the Space of Some Four Years, and to Sail Southward Ho! Away 417 II. Wherein Time is Discovered to Have Worked Changes 429 III. Helen de Vallorbes Apprehends Vexatious Complications 438 IV. "Mater Admirabilis" 447 V. Exit Camp 455 VI. In which M. Paul Destournelle Has the Bad Taste to Threaten to Upset the Apple-cart 469 VII. Splend
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Produced by Mary Wampler, Juliet Sutherland, Charles Aldarondo, Charles Franks and the Online Distributed Proofreading Team. ON A TORN-AWAY WORLD Or The Captives of the Great Earthquake BY ROY ROCKWOOD Other titles by ROY ROCKWOOD THE GREAT MARVEL SERIES THROUGH THE AIR TO THE NORTH POLE UNDER THE OCEAN TO THE SOUTH POLE FIVE THOUSAND MILES UNDERGROUND THROUGH SPACE TO MARS LOST ON THE MOON ON A TORN-AWAY WORLD DAVE DASHAWAY, THE YOUNG AVIATOR DAVE DASHAWAY AND HIS HYDROPLANE DAVE DASHAWAY AND HIS GIANT AIRSHIP DAVE DASHAWAY AROUND THE WORLD THE SPEEDWELL BOYS ON MOTOR CYCLES THE SPEEDWELL BO
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Produced by Bryan Ness, Tom Cosmas and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) SEASIDE STUDIES IN NATURAL HISTORY. BY ELIZABETH C. AGASSIZ AND ALEXANDER AGASSIZ. MARINE ANIMALS OF MASSACHUSETTS BAY. RADIATES. [Illustration] BOSTON: JAMES R. OSGOOD AND COMPANY, LATE TICKNOR & FIELDS, AND FIELDS, OSGOOD, & CO. 1871. Entered according to Act of Congress, in the year 1865, by A L E X A N D E R A G A S S I Z, in the Clerk's Office of the District Court for the District of Massachusetts. UNIVERSITY PRESS: WELCH, BIGELOW, AND COMPANY, CAMBRIDGE. THIS LITTLE BOOK IS AFFECTIONATELY DEDICATED BY THE AUTHORS TO PROFESSOR L. AGASSIZ, WHOSE PRINCIPLES OF CLASSIFICATION HAVE BEEN THE MAIN GUIDE IN ITS PREPARATION. * * * * * PREFACE. This volume is published with the hope of supplying a want often expressed for some seaside book of a popular character, describing the marine animals common to our shores. There are many English books of this kind; but they relate chiefly to the animals of Great Britain, and can only have a general bearing on those of our own coast, which are for the most part specifically different from their European relatives. While keeping this object in view, an attempt has also been made to present the facts in such a connection, with reference to principles of science and to classification, as will give it in some sort the character of a manual of Natural History, in the hope of making it useful not only to the general reader, but also to teachers and to persons desirous of obtaining a more intimate knowledge of the subjects discussed in it. With this purpose, although nearly all the illustrations are taken from among the most common inhabitants of our bay, a few have been added from other localities in order to fill out this little sketch of Radiates, and render it, as far as is possible within such limits, a complete picture of the type. A few words of explanation are necessary with reference to the joint authorship of the book. The drawings and the investigations, where they are not referred to other observers, have been made by MR. A. AGASSIZ, the illustrations having been taken, with very few exceptions, from nature, in order to represent the animals, as far as possible, in their natural attitudes; and the text has been written by MRS. L. AGASSIZ, with the assistance of MR. A. AGASSIZ's notes and explanations. CAMBRIDGE, May, 1865. * * * * * NOTE. This second edition is a mere reprint of the first. A few mistakes accidentally overlooked have been corrected; an explanation of the abbreviations of the names of writers used after the scientific names has been added, as well as a list of the wood-cuts. The changes which have taken place in the opinions of scientific men with regard to the distribution of animal life in the ocean have been duly noticed in their appropriate place, but no attempt has been made to incorporate more important additions which the progress of our knowledge of Radiates may require hereafter. CAMBRIDGE, January, 1871. * * * * * CONTENTS. PAGE ON RADIATES IN GENERAL 1 GENERAL SKETCH OF THE POLYPS 5 ACTINOIDS 7 MADREPORIANS 16 HALCYONOIDS 19 GENERAL SKETCH OF ACALEPHS 21 CTENOPHORAE 26 EMBRYOLOGY OF CTENOPHORAE 34 DISCOPHORAE 37 HYDROIDS 49 MODE OF CATCHING JELLY-FISHES 85 ECHINODERMS 91 HOLOTHURIANS 95 ECHINOIDS 101 STAR-FISHES 108 OPHIURANS 115 CRINOIDS 120 EMBRYOLOGY OF ECHINODERMS 123 DISTRIBUTION OF LIFE IN THE OCEAN 141
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Produced by David Widger from page images generously provided by the Internet Archive A JOURNALISTS NOTE-BOOK By Frank Frankfort Moore Author of “Forbid the Banns,” “Daireen,’” “A Gray Eye or So,” etc. London: Hutchins On And Co., Paternoster Row 1894 [Illustration: 0001] [Illustration: 0008] [Illustration: 0009] CHAPTER I.--PAST AND PRESENT. _Odd lots of journalism--Respectability and its relation to journalism--The abuse of the journal--The laudation of the journalist--Abuse the consequence of popularity--Popularity the consequence of abuse--Drain-work and grey hairs--“Don’t neglect your reading for the sake of reviewing”--Reading for pleasure or to criticise--Literature--Deterioration--The Civil List Pension--In exchange for a soul._ SOME years ago there was an auction of wine at a country-house in Scotland, the late owner of which had taken pains to gain a reputation for judgment in the matter of wine-selecting. He had all his life been nearly as intemperate as a temperance orator in his denunciation of whisky as a drink, hoping to inculcate a taste for vintage clarets upon the Scots; but he that tells the tale--it is not a new one--says that the man died without seriously jeopardizing the popularity of the native manufacture. The wines that he had laid down brought good prices, however; but, at the close of the sale, several odd lots were “put up,” and all were bought by a local publican. A gentleman who had been present called upon the publican a few days afterwards, and found him engaged in mixing into one
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Produced by Marlo Dianne THE HOMESTEADERS A NOVEL OF THE CANADIAN WEST by Robert J. C. Stead Author of "Kitchener and Other Poems," "Songs of the Prairie," "The Cow Puncher," ETC The Musson Book Company Limited Publishers Toronto FIRST PUBLISHED IN 1916. CONTENTS PRELUDE I. THE BECK OF FORTUNE II. INTO THE WILDERNESS III. PRAIRIE LAND IV. ROUGHING IT V. THE SHORES OF THE INFINITE VI. IN THE SPELL OF THE MIRAGE VII. THE CALL OF THE FARTHER WEST VIII. INTO THE NIGHT IX. CRUMBLING CASTLES X. INTO THE FARTHER WEST XI. THE PRICE OF "SUCCESS" XII. A WHIFF OF NEW ATMOSPHERE XIII.
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Produced by Richard J. Shiffer and the Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) [Transcriber's Note: Every effort has been made to replicate this text as faithfully as possible, including obsolete and variant spellings and other inconsistencies. Text that has been changed to correct an obvious error is noted at the end of this ebook.] CROSSING THE PLAINS DAYS OF '57 A NARRATIVE OF EARLY EMIGRANT TRAVEL TO CALIFORNIA BY THE OX-TEAM METHOD BY WM. AUDLEY MAXWELL COPYRIGHT, 1915, BY WM AUDLEY MAXWELL SUNSET PUBLISHING HOUSE SAN FRANCISCO MCMXV [Illustration: "They started flight" (See page 119.)] CONTENTS PAGE LIST OF ILLUSTRATIONS VI FOREWORD VII CHAPTER I. Forsaking the Old, in Quest of the New. First Camp. Fording the Platte 1 CHAPTER II. Laramie Fashions and Sioux Etiquette. A Trophy. Chimney Rock. A Solitary Emigrant. Jests and Jingles 13 CHAPTER III. Lost in the Black Hills. Devil's Gate. Why a Mountain Sheep Did Not Wink. Green River Ferry 31 CHAPTER IV. Disquieting Rumors of Redmen. Consolidation for Safety. The Poisonous Humboldt 49 CHAPTER V. The Holloway Massacre 62 CHAPTER VI. Origin of "Piker." Before the Era of Canned Good and Kodaks. Morning Routine. Typical Bivouac. Sociability Entrained. The Flooded Camp. Hope Sustains Patience 76 CHAPTER VII. Tangled by a Tornado. Lost the Pace but Kept the Cow. Human Oddities. Night Guards. Wolf Serenades. Awe of the Wilderness. A Stampede 97 CHAPTER VIII. Disaster Overtakes the Wood Family 116 CHAPTER IX. Mysterious Visitors. Extra Sentinels. An Anxious Night 123 CHAPTER X. Challenge to Battle 133 CHAPTER XI. Sagebrush Justice 144 CHAPTER XII. Night Travel. Arid Wastes to Limpid Waters 160 CHAPTER XIII. Into the Settlements. Halt 170 ILLUSTRATIONS PAGE "They started flight" Frontispiece "Fording the Platte consumed one entire day" 11 "Wo-haw-Buck" 14 "From our coign of vantage we continued to shoot" 21 Chimney Rock 22 "One melody that he sang from the heart" 27 "Hauled the delinquent out" 30 "The wagons were lowered through the crevice" 38 Bone-writing 57 "With hand upraised in supplication, yielded to the impulse to flee" 67 Jerry Bush, 1914 72 Nancy Holloway, 1857 74 The Author, twenty years after 100 A Coyote Serenade 109 "Van Diveer's advantage was slight but sufficient" 136 "A sip from the barrel cost fifty cents" 146 "'Stop,' shouted the Judge" 156 "'Melican man dig gold" 173 Pack-mule route to placer diggings 175 FOREWORD Diligent inquiry has failed to disclose the existence of an authentic and comprehensive narrative of a _pioneer_ journey across the plains. With the exception of some improbable yarns and disconnected incidents relating to the earlier experiences, the subject has been treated mainly from the standpoint of people who traveled westward at a time when the real hardships and perils of the trip were much less than those encountered in the fifties. A very large proportion of the people now residing in the Far West are descendants of emigrants who came by the precarious means afforded by ox-team conveyances. For some three-score years the younger generations have heard from the lips of their ancestors enough of that wonderful pilgrimage to create among them a widespread demand for a complete and typical narrative. This story consists of facts, with the real names of the actors in the drama. The events, gay, grave and tragic, are according to indelible recollections of eye-witnesses, including those of THE AUTHOR. W. A. M., _Ukiah, California
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Produced by David Widger ALONZO FITZ AND OTHER STORIES by Mark Twain Contents: THE LOVES OF ALONZO FITZ CLARENCE AND ROSANNAH ETHELTON ON THE DECAY OF THE ART OF LYING ABOUT MAGNANIMOUS-INCIDENT LITERATURE PUNCH, BROTHERS, PUNCH THE GREAT REVOLUTION IN PITCAIRN THE CANVASSER'S TALE AN ENCOUNTER WITH AN INTERVIEWER PARIS NOTES LEGEND OF SAGENFELD, IN GERMANY SPEECH ON THE BABIES SPEECH ON THE WEATHER CONCERNING THE AMERICAN LANGUAGE ROGERS THE LOVES OF ALONZO FITZ CLARENCE AND ROSANNAH ETHELTON It was well along in the forenoon of a bitter winter's day. The town of Eastport, in the state of Maine, lay buried under a deep snow that was newly fallen. The customary bustle in the streets was wanting. One could look long distances down them and see nothing but a dead-white emptiness, with silence to match. Of course I do not mean that you could see the silence--no, you could only hear it. The sidewalks were merely long, deep ditches, with steep snow walls on either side. Here and there you might hear the faint, far scrape of a wooden shovel, and if you were quick enough you might catch a glimpse of a distant black figure stooping and disappearing in one of those ditches, and reappearing the next moment with a motion which you would know meant the heaving out of a shovelful of snow. But you needed to be quick, for that black figure would not linger, but would soon drop that shovel and scud for the house, thrashing itself with its arms to warm them. Yes, it was too venomously cold for snow-shovelers or anybody else to stay out long. Presently the sky darkened; then the wind rose and began to blow in fitful, vigorous gusts, which sent clouds of powdery snow aloft, and straight ahead, and everywhere. Under the impulse of one of these gusts, great white drifts banked themselves like graves across the streets; a moment later another gust shifted them around the other way, driving a fine spray of snow from their sharp crests, as the gale drives the spume flakes from wave-crests at sea; a third gust swept that place as clean as your hand, if it saw fit. This was fooling, this was play; but each and all of the gusts dumped some snow into the sidewalk ditches, for that was business. Alonzo Fitz Clarence was sitting in his snug and elegant little parlor, in a lovely blue silk dressing-gown, with cuffs and facings of crimson satin, elaborately quilted. The remains of his breakfast were before him, and the dainty and costly little table service added a harmonious charm to the grace, beauty, and richness of the fixed appointments of the room. A cheery fire was blazing on the hearth. A furious gust of wind shook the windows, and a great wave of snow washed against them with a drenching sound, so to speak. The handsome young bachelor murmured: "That means, no going out to-day. Well, I am content. But what to do for company? Mother is well enough, Aunt Susan is well enough; but these, like the poor, I have with me always. On so grim a day as this, one needs a new interest, a fresh element, to whet the dull edge of captivity. That was very neatly said, but it doesn't mean anything. One doesn't want the edge of captivity sharpened up, you know, but just the reverse." He glanced at his pretty French mantel-clock. "That clock's wrong again. That clock hardly ever knows what time it is; and when it does know, it lies about it--which amounts to the same thing. Alfred!" There was no answer. "Alfred!... Good servant, but as uncertain as the clock." Alonzo touched an electric bell button in the wall. He waited a moment, then touched it again; waited a few moments more, and said: "Battery out of order, no doubt. But now that I have started, I will find out what time it is." He stepped to a speaking-tube in the wall, blew its whistle, and called, "Mother!" and repeated it twice. "Well, that's no use. Mother's battery is out of order, too. Can't raise anybody down-stairs--that is plain." He sat down at a rosewood desk, leaned his chin on the left-hand edge of
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Produced by Mark C. Orton, Suzanne Fleming and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration: CHARLES FRANCIS ADAMS] Statesman Edition VOL. II Charles Sumner HIS COMPLETE WORKS With Introduction BY HON. GEORGE FRISBIE HOAR [Illustration] BOSTON LEE AND SHEPARD MCM COPYRIGHT, 1900, BY LEE AND SHEPARD. Statesman Edition. LIMITED TO ONE THOUSAND COPIES. OF WHICH THIS IS No. 565 Norwood Press: NORWOOD, MASS., U.S.A. CONTENTS OF VOLUME II. PAGE WHITE SLAVERY IN THE BARBARY STATES. A Lecture before the Boston Mercantile Library Association, February 17, 1847 1 RIVAL SYSTEMS OF PRISON DISCIPLINE. Speech before the Boston Prison Discipline Society, at Tremont Temple, June 18, 1847 104 THE LATE JOSEPH LEWIS STACKPOLE, ESQ. Article in the Boston Daily Advertiser, July 23, 1847 151 FAME AND GLORY. Oration before the Literary Societies of Amherst College, at their Anniversary, August 11, 1847 153 NECESSITY OF POLITICAL ACTION AGAINST THE SLAVE POWER AND THE EXTENSION OF SLAVERY. Speech in the Whig State Convention of Massachusetts, at Springfield, September 29, 1847 207 THE LATE HENRY WHEATON. Article in the Boston Daily Advertiser, March 16, 1848 215 UNION AMONG MEN OF ALL PARTIES AGAINST THE SLAVE POWER AND THE EXTENSION OF SLAVERY. Speech before a Mass Convention at Worcester, June 28, 1848 226 THE LAW OF HUMAN PROGRESS. Oration before the Phi Beta Kappa Society of Union College, Schenectady, July 25, 1848 241 THE PARTY OF FREEDOM. Speech on taking the Chair as Presiding Officer of a Public Meeting to ratify the Nominations of the Buffalo Convention, at Faneuil Hall, August 22, 1848 291 PARTIES, AND IMPORTANCE OF A FREE-SOIL ORGANIZATION. Letter addressed to a Committee of the Free-Soil Party in Boston, October 20, 1848 299 APPEAL FOR THE FREE-SOIL PARTY. Address of the State Committee to the People of Massachusetts, November 9, 1843 316 A LAST RALLY FOR FREEDOM. Letter to the Chairman of the Free-Soil Meeting at Faneuil Hall, November 9, 1848 320 WAR SYSTEM OF THE COMMONWEALTH OF NATIONS. Address before the American Peace Society, at its Anniversary Meeting in the Park Street Church, Boston, May 28, 1849 323 WHITE SLAVERY IN THE BARBARY STATES. A LECTURE BEFORE THE BOSTON MERCANTILE LIBRARY ASSOCIATION, FEBRUARY 17, 1847. Mutato nomine, de te Fabula narratur.--HOR. _Sat._ I. i. 69, 70. And thinkest thou this, O man, that judgest them which do such things, and doest the same, that thou shall escape the judgment of God?--_Rom._ ii. 3. There are individuals in the United States who hold more of their fellow-creatures in slavery than either of the Barbary Powers.--HUMPHREYS, _Valedictory Discourse before the Cincinnati of Connecticut_, p. 34. This was another attempt to expose Slavery before a promiscuous audience at a time when the subject was too delicate to be treated directly. Mr. Sumner commenced in the course at Boston, and afterwards gave the substance of his Lecture before many of the Lyceums of Massachusetts. Professedly historical in character, and carefully avoiding any discussion of slavery in our country, it escaped "censure," although jealous defenders of compromise were disturbed. Others were pleased to find their sentiments against slavery represented in the lecture-room. It was easy to see, that, under
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*** Produced by Curtis Weyant, Enrico Segre, and the Online Distributed Proofreading Team at http://www.pgdp.net. MAORI RELIGION AND MYTHOLOGY. WILLIAM ATKIN, GENERAL PRINTER, HIGH STREET, AUCKLAND, N.Z. _Maori Religion_ _and_ _Mythology._ ILLUSTRATED BY TRANSLATIONS OF TRADITIONS, _KARAKIA_, &c. TO WHICH ARE ADDED NOTES ON _MAORI_ TENURE OF LAND. BY EDWARD SHORTLAND, M.A., M.R.C.P., LATE NATIVE SECRETARY, NEW ZEALAND, AUTHOR OF “TRADITIONS AND SUPERSTITIONS OF THE NEW ZEALANDERS.” LONDON: LONGMANS, GREEN, AND CO. 1882. _All rights reserved._ TO THE MEMORY OF SIR WILLIAM MARTIN THESE PAGES ARE DEDICATED, THE AFFECTIONATE TRIBUTE OF A FRIENDSHIP OF MANY YEARS. PREFACE. The Maori MSS. of which translations are now published were collected by the author many years ago. The persons through whom the MSS. were obtained are now, with one exception, no longer living. They were all of them men of good birth, and competent authorities. One who could write sent me, from time to time, in MS. such information as he himself possessed, or he could obtain from the _tohunga_, or wise men of his family. Chapters iii. and iv. contain selections from information derived from this source. The others not being sufficiently skilled in writing, it was necessary to take down their information from dictation. In doing this I particularly instructed my informant to tell his tale as if he were relating it to his own people, and to use the same words that he would use if he were recounting similar tales to them when assembled in a sacred house. This they are, or perhaps I should rather say were, in the habit of doing at times of great weather disturbance accompanied with storm of wind and rain, believing an effect to be thereby produced quieting the spirits of the sky. As the dictation went on I was careful never to ask any question, or otherwise interrupt the thread of the being guided by the sound in writing any new and strange words. When some time had thus passed, I stopt him at some suitable part of his tale: then read over to him what I had written, and made the necessary corrections—taking notes also of the meanings of words which were new to me. Chapters v. and vi. are with some omissions translations of a _Maori_ MS. written in this way. Chapter ii. contains a tradition as to _Maori_ Cosmogony more particular in some details than I have ever met with elsewhere. My informant had been educated to become a _tohunga_; but had afterwards become a professing Christian. The narrative took place at night unknown to any of his people, and under promise that I would not read what I wrote to any of his people. When after some years I re-visited New Zealand, I learnt that he had died soon after I left, and that his death was attributed to the anger of the _Atua_ of his family due to his having, as they expressed it, trampled on the _tapu_ by making _noa_ or public things sacred—he having himself confessed what he no doubt believed to be the cause of his illness. In Appendix will be found a list of _Maori_ words expressing relationship. It will be observed that where we employ definite words for ‘father’ and ‘brother’ the _Maori_ use words having a more comprehensive meaning, like our word ‘cousin’: hence when either of the words _matua_, &c., are used, to ascertain the actual degree of relationship some additional explanatory words must be added, as would be necessary when we use the general term cousin. A short vocabulary of _Maori_ words unavoidably introduced in the following pages, which require explanation not to be found in any published dictionary, are also printed in the Appendix,—as well as a few selected _karakia_ in the original _Maori_, with reference to pages where their translations appear, as a matter of interest to some persons. _Auckland, January, 1882._ CONTENTS. ───────────────────────────────────────────────────────────────── PAGE _Chap. i._—Primitive Religion and Mythology. Aryans and 1 Polynesians _Chap. ii._—Maori Cosmogony and Mythology 10 _Chap. iii._—Religious Rites of the Maori 25 _Chap. iv._ „ „ „ 38 _Chap. v._—The Maori Chief of Olden Time 51 _Chap. vi._—Claiming and Naming Land 68 _Chap. vii._—The Maori Land Tenure 88 ————— APPENDIX. Terms of _Maori_ Relationship 106 Explanation of some _Maori_ words occurring in 107 following pages Karakia Maori 109 ───────────────────────────────────────────────────────────────── ERRATA ──────────────────────────────────────────────────────────────────── p. 8 for “Pendora” read “Pandora.” p. 21 „ “Herekeke” „ “Harakeke.” p. 11 „ “Whananga” „ “Wananga.” p. 24 „ „ „ „ p. 28 „ “manumea” „ “Manumea.” p. 90 „ “and” „ “land.” p. 96 „ “conquerers” „ “conquerors.” ──────────────────────────────────────────────────────────────────── PRIMITIVE RELIGION AND MYTHOLOGY. CHAPTER I. ARYANS AND POLYNESIANS. Νόμιζε σαυτῷ τοὺς γονεῖς εἶναι Θεούς. The religious feeling may be traced to the natural veneration of the child for the parent, joined to an innate belief in the immortality of the soul. What we know of the primitive religion of Aryans and Polynesians points to this source. They both venerated the spirits of deceased ancestors, believing that these spirits took an interest in their living descendants: moreover, they feared them, and were careful to observe the precepts handed down by tradition, as having been delivered by them while alive. The souls of men deified by death were by the Latins called “Lares” or “Mânes,” by the Greeks “Demons” or “Heroes.” Their tombs were the temples of these divinities, and bore the inscription “Dîs manibus,” “Θεοῖς χθονίοις;” and before the tomb was an altar for sacrifice. The term used by the Greeks and Romans to signify the worship of the dead is significant. The former used the word “πατριάζειν,” the latter “parentare,” showing that the prayers were addressed to forefathers. “I prevail over my enemies,” says the Brahmin, “by the incantations which my ancestors and my father have handed down to me.”¹ ¹ La Cité Antique par De Coulange. Similar to this was the common belief of the _Maori_ of Polynesia, and still exists. A _Maori_ of New Zealand writes thus: “The origin of knowledge of our native customs was from Tiki (the progenitor of the human race). Tiki taught laws to regulate work, slaying, man-eating: from him men first learnt to observe laws for this thing, and for that thing, the rites to be used for the dead, the invocation for the new-born child, for battle in the field, for the assault of fortified places, and other invocations very numerous. Tiki was the first instructor, and from him descended his instructions to our forefathers, and have abided to the present time. For this reason they have power. Thus says the song:— _E tama, tapu-nui, tapu-whakaharahara,_ _He mauri wehewehe na o tupuna,_ _Na Tiki, na Rangi, na Papa._ O child, very sacred—very, very sacred, Shrine set apart by your ancestors, By Tiki, by Rangi, by Papa.” The researches of philologists tend to show that all known languages are derived from one original parent source. The parent language from which the Aryan and Polynesian languages are derived must have been spoken at a very remote time; for no two forms of language are now more diverse than these two are. In the Polynesian there is but the slightest trace of inflexion of words which is a general character of Aryan languages. The Polynesian language seems to have retained a very primitive form, remaining fixed and stationary; and this is confirmed by the fact that the forms of Polynesian language, whether spoken in the Sandwich Islands or in New Zealand, though their remoteness from each other indicates a very early separation, differ to so small a degree that they may be regarded as only different dialects of the same language. The _Maori_ language is essentially conservative, containing no principle in its structure facilitating change. The component parts or roots of words are always apparent. When we consider the great remoteness of time at which it is possible that a connection between Aryans and Polynesians could have existed, we are carried back to the contemplation of a very primitive condition of the human race. In the Polynesian family we can still discover traces of this primitive condition. We can also observe a similarity between the more antient form of religious belief and mythological tradition of the Aryans and that still existing among Polynesians; for which reason we think it allowable to apply to the interpretation of old Aryan myths the principle we discover to guide us as to the signification of Polynesian Mythology. It was a favourite opinion with Christian apologists, Eusebius and others, that the Pagan deities represented deified men. Others consider them to signify the powers of external nature personified. For others they are, in many cases, impersonations of human passions and propensities reflected back from the mind of man. A fourth mode of interpretation would treat them as copies distorted and depraved of a primitive system of religion given by God to man.² ² Juventus mundi, p. 203. The writer does not give any opinion as to which of these theories he would give a preference. If, however, we look at the mythology of Greek and Latin Aryans from the _Maori_ point of view the explanation of their myths is simple. This mythology personified and deified the Powers of Nature, and represented them as the ancestors of all mankind; so these personified Powers of Nature were worshipped as deified ancestors. There is no authority for any other supposition. With regard to the two latter theories above referred to it may be remarked that fiction is always liable to be interpreted in a manner conformable to the ideas prevailing at any particular time, so that there would be a natural tendency, in modern times, to apply meanings never originally thought of to the interpretation of mythology. Man in early days, ignorant of the causes of natural phenomena, yet having a mind curious to inquire and trace observed effects to some cause, formulated his conceptions on imaginary grounds, which, although now manifestly false and absurd, yet were probably sufficiently credible in the infancy of knowledge. There is a notable mental condition of the Polynesian to which we desire to direct attention. The _Maori_ has a very limited notion of the abstract. All his ideas take naturally a concrete form. This inaptitude to conceive any abstract notions was, it is believed, the early mental condition of man. Hence the Powers of Nature were regarded by him as concrete objects, and were consequently designated as persons. And this opinion is confirmed by the fact that the researches of comparative philologists give proof that all words are, in their origin or roots, expressive of visible and sensuous phenomena,³ and consequently that all abstract words are derivable from such roots. The absence, too, of all abstract and metaphysical ideas from Homer has been noticed by Mr Gladstone as very remarkable. ³ Max Müller, “Science of Language.” Farrar, “Chapters on Language,” p. 6. I have seen it stated in print that the New Zealander has no sentiment of gratitude; in proof of which it was mentioned that he has no word in his language to express gratitude. This is true; but the reason is that gratitude is an abstract word, and that _Maori_ is deficient in abstract terms. It is an error to infer that he is ignorant of the sentiment of gratitude, or that he is unable to express that sentiment in appropriate and intelligible words. ARYAN MYTHOLOGY. The Aryans do not appear to have had any tradition of a Creation. They seem to have conceived of the Powers of Nature very much in the same way as the _Maori_ did,—namely, that the mysterious power of Generation was the operative cause of all things. Hesiod in his Theogony relates that the first parent of all was Chaos. From Chaos sprang Gaia (=Earth), Tartarus, Eros (=Love), Erebus, a dark son, Night, a dark daughter, and lastly, Day. From Gaia alone sprung Ouranos (=Heaven), Hills, Groves, and Thalassa (=Sea). From Heaven and Earth sprung Okeanos (=Ocean), Japetus, Kronos (=Saturn), Titans. Hesiod also relates how Heaven confined his children in the dark caverns of Earth, and how Kronos avenged himself. In the “Works and Days” Hesiod gives an account of the formation of the first human female out of Earth, from the union of whom, with Epimetheus, son of the Titan Japetus, sprung the human race. So far Hesiod’s account may be derived from Aryan myths. The latter and greater part, however, of Hesiod’s Theogony cannot be accepted as a purely Aryan tradition; for colonists from Egypt and Phœnicia had settled in Greece, at an early period, and had brought with them alien mythical fables which were adopted in a modified form, in addition to the antient family religion of worship of ancestors. Herodotus asserts that Homer and Hesiod made the Theogony of the Greeks; and to a certain extent this may be true, for the bard was then invested with a kind of sacredness, and what he sung was held to be the effect of an inspiration. When he invoked the Muses his invocation was not a mere formal set of words introduced for the sake of ornament, but an act of homage due to the Divinities addressed, whose aid he solicited.⁴ ⁴ Hom. Il., 2-484. Invocat. to Muses:— Tell me now, O Muses, ye who dwell in Olympus; For ye are goddesses, and are present, and know all things, But we hear only rumour, and know not anything. The traditions prevalent in Bœotia would naturally be strongly imbued with fables of foreign origin; and Hesiod, who was a Bœotian by birth, by collecting these local traditions and presenting them to the public in an attractive form, no doubt contributed, as well as Homer, to establish a national form of religion, made up of old Aryan tradition and what had been imported by Phœnician and Egyptian colonists. Thus Zeus and the
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Produced by Joseph B. Yesselman. HTML version by Al Haines. Sentence Numbers, shown thus (1), have been added by volunteer. A Theologico-Political Treatise Part IV of IV - Chapters XVI to XX by Baruch Spinoza TABLE OF CONTENTS: Search strings are shown thus [16:x]. Search forward and back with the same string. [16:0] CHAPTER XVI - Of the Foundations of a State; of the Natural and Civil Rights of Individuals; and of the Rights of the Sovereign Power. [16:1] In Nature right co-extensive with power. [16:2] This principle applies to mankind in the state of Nature. [16:3] How a transition from this state to a civil state is possible. [16:4] Subjects not slaves. [16:5] Definition of private civil right - and wrong. [16:6] Of alliance. [16:7] Of treason. [16:8] In what sense sovereigns are bound by Divine law. [16:9] Civil government not inconsistent with religion. [17:0] CHAPTER XVII.- It is shown, that no one can or need transfer all his Rights to the Sovereign Power. Of the Hebrew Republic, as it was during the lifetime of Moses, and after his death till the foundation of the Monarchy; and of its Excellence. Lastly, of the Causes why the Theocratic Republic fell, and why it could hardly have continued without Dissension. [17:1] The absolute theory, of Sovereignty ideal - No one can in fact transfer all his rights to the Sovereign power. Evidence of this. [17:2] The greatest danger in all States from within, not without. [17:3] Original independence of the Jews after the Exodus. [17:4] Changed first to a pure democratic Theocracy. [17:5] Then to subjection to Moses. [17:6] Then to a Theocracy with the power divided between the high priest and the captains. [17:7] The tribes confederate states. [17:8] Restraints on the civil power. [17:9] Restraints on the people. [17:A] Causes of decay involved in the constitution of the Levitical priesthood. [18:0] CHAPTER XVIII.- From the Commonwealth of the Hebrews and their History certain Lessons are deduced. [18:1] The Hebrew constitution no longer possible or desirable, yet lessons may be derived from its history. [18:2] As the danger of entrusting any authority in politics to ecclesiastics - the danger of identifying religion with dogma. [18:3] The necessity of keeping all judicial power with the sovereign - the danger of changes in the form of a State. [18:4] This last danger illustrated from the history of England - of Rome. [18:5] And of Holland. [19:0] CHAPTER XIX - It is shown that the Right over Matters Spiritual lies wholly with the Sovereign, and that the Outward Forms of Religion should be in accordance with Public Peace, if we would worship God aright. [19:1] Difference between external and inward religion. [19:2] Positive law established only by agreement. [19:3] Piety furthered by peace and obedience. [19:4] Position of the Apostles exceptional. [19:5] Why Christian States, unlike the Hebrew, suffer from disputes between the civil and ecclesiastical powers. [19:6] Absolute power in things spiritual of modern rulers. [20:0] CHAPTER XX - That in a Free State every man may Think what he Likes, and Say what he Thinks. [20:1] The mind not subject to State authority. [20:2] Therefore in general language should not be. [20:3] A man who disapproving of a law, submits his adverse opinion to the judgment of the authorities, while acting in accordance with the law, deserves well of the State. [20:4] That liberty of opinion is beneficial, shown from the history of Amsterdam. [20:5] Danger to the State of withholding it. - Submission of the Author to the judgment of his country's rulers. [Author's Endnotes] to the Treatise. [16:0] CHAPTER XVI - OF THE FOUNDATIONS OF A STATE; OF THE NATURAL AND CIVIL RIGHTS OF INDIVIDUALS; AND OF THE RIGHTS OF THE SOVEREIGN POWER. (1) Hitherto our care has been to separate philosophy from theology, and to show the freedom of thought which such separation insures to both. (2) It is now time to determine the limits to which such freedom of thought and discussion may extend itself in the ideal state. (3) For the due consideration of this question we must examine the foundations of a State, first turning our attention to the natural rights of individuals,
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Produced by David Edwards, Paul Clark and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's Note: Every effort has been made to replicate this text as faithfully as possible, including inconsistencies in spelling and hyphenation. Some changes of spelling have been made. They are listed at the end of the text. Italic text has been marked with _underscores_. OE ligatures have been expanded. HALF A MAN THE STATUS OF THE <DW64> IN NEW YORK BY MARY WHITE OVINGTON _WITH A FOREWORD BY DR. FRANZ BOAS OF COLUMBIA UNIVERSITY_ LONGMANS, GREEN, AND CO. FOURTH AVENUE & 30TH STREET, NEW YORK LONDON, BOMBAY, AND CALCUTTA 1911 _Copyright, 1911, by_ LONGMANS, GREEN, AND CO. THE. PLIMPTON. PRESS [W. D. O] NORWOOD. MASS. U. S. A TO THE MEMORY OF MY FATHER THEODORE TWEEDY OVINGTON FOREWORD Miss Ovington's description of the status of the <DW64> in New York City is based on a most painstaking inquiry into his social and economic conditions, and brings out in the most forceful way the difficulties under which the race is laboring, even in the large cosmopolitan population of New York. It is a refutation of the claims that the <DW64> has equal opportunity with the whites, and that his failure to advance more rapidly than he has, is due to innate inability. Many students of anthropology recognize that no proof can be given of any material inferiority of the <DW64> race; that without doubt the bulk of the individuals composing the
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Produced by Juliet Sutherland, Charlie Kirschner and PG Distributed Proofreaders THE SPREAD EAGLE AND OTHER STORIES BY GOUVERNEUR MORRIS AUTHOR OF "THE FOOTPRINT, AND OTHER STORIES," ETC. 1910 _TO ELSIE, PATSIE, AND KATE_ _I had thought to sit in the ruler's chair, But three pretty girls are sitting there-- Elsie, Patsie, and Kate. I had thought to lord it with eyes of gray, I had thought to be master, and have_ my _way; But six blue eyes vote_: nay, nay, nay! _Elsie, Patsie, and Kate. Of Petticoats three I am sore afraid, (Though Kate's is more like a candle-shade), Elsie, Patsie, and Kate. And I must confess (with shame) to you That time there was when Petticoats two Were enough to govern me through and through, Elsie, Patsie, and Kate. Oh Patsie, third of a bullying crew, And Elsie, and Kate, be it known to you-- To Elsie, Patsie, and Kate, That Elsie_ alone _was strong enough To smother a motion, or call a bluff, Or any small pitiful atom thereof-- Elsie, Patsie, and Kate. So, though I've renounced that ruler's part To which I was born (as is writ in my heart), Elsie, Patsie, and Kate, Though I do what I'm told (yes, you_ know _I do) And am made to write stories (and sell them, too). Still--I wish to God I had more like you, Elsie, Patsie, and Kate_. BAR HARBOR, _August_, 1910. AUTHOR'S NOTE Certain persons have told me (for nothing) that "White Muscats of Alexandria" resembles a tale in the Arabian Nights. And so it does. Most damningly. And this is printed in the hope of saving other persons postage. CONTENTS _The Spread Eagle Targets The Boot The Despoiler One More Martyr "Ma'am?" Mr. Holiday White Muscats of Alexandria Without a Lawyer The "Monitor" and the "Merrimac" The McTavish The Parrot On the Spot; or, The Idler's House-Party_ THE SPREAD EAGLE In his extreme youth the adulation of all with whom he came in contact was not a cross to Fitzhugh Williams. It was the fear of expatriation that darkened his soul. From the age of five to the age of fourteen he was dragged about Europe by the hair of his head. I use his own subsequent expression. His father wanted him to be a good American; his mother wanted him to be a polite American, And to be polite, in her mind, was to be at home in French and German, to speak English (or American) with the accent of no particular locality, to know famous pictures when you saw them, and, if little, to be bosom friends with little dukes and duchesses and counts of the Empire, to play in the gravel gardens of St. Germain, to know French history, and to have for exercise the mild English variations of American games--cricket instead of base-ball; instead of football, Rugby, or, in winter, lugeing above Montreux. To luge upon a sled you sit like a timid, sheltered girl, and hold the ropes in your hand as if you were playing horse, and descend inclines; whereas, as Fitzhugh Williams well knew, in America rich boys and poor take their hills head first, lying upon the democratic turn. It wasn't always Switzerland in winter. Now and again it was Nice or Cannes. And there you were taught by a canny Scot to hit a golf ball cunningly from a pinch of sand. But you blushed with shame the while, for in America at that time golf had not yet become a manly game, the maker young of men as good as dead, the talk of cabinets But there was lawn tennis also, which you might play without losing caste "at home," Fitzhugh Williams never used that term but with the one meaning. He would say, for instance, to the little Duchess of Popinjay--or one just as good--having kissed her to make up for having pushed her into
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Produced by Juliet Sutherland, Charles Aldarondo, and Project Gutenberg Distributed Proofreaders. This file was produced from images generously made available by the Canadian Institute for Historical Microreproductions. CANADIAN NOTABILITIES, VOLUME I BY JOHN CHARLES DENT JOSEPH BRANT--THAYENDANEGEA. Few tasks are more difficult of accomplishment than the overturning of the ideas and prejudices which have been conceived in our youth, which have grown up with us to mature age, and which have finally become the settled convictions of our manhood. The overturning process is none the less difficult when, as is not seldom the case, those ideas and convictions are widely at variance with facts. Most of us have grown up with very erroneous notions respecting the Indian character--notions which have been chiefly derived from the romances of Cooper and his imitators. We have been accustomed to regard the aboriginal red man as an incarnation of treachery and remorseless ferocity, whose favourite recreation is to butcher defenceless women and children in cold blood. A few of us, led away by the stock anecdotes in worthless missionary and Sunday School books, have gone far into the opposite extreme, and have been wont to regard the Indian as the Noble Savage who never forgets a kindness, who is ever ready to return good for evil, and who is so absurdly credulous as to look upon the pale-faces as the natural friends and benefactors of his species. Until within the last few years, no pen has ventured to write impartially of the Indian character, and no one has attempted to separate the wheat from the chaff in the generally received accounts which have come down to us from our forefathers. The fact is that the Indian is very much what his white brother has made him. The red man was the original possessor of this continent, the settlement, of which by Europeans sounded the death-knell of his sovereignty. The aboriginal could hardly be expected to receive the intruder with open arms, even if the latter had acted up to his professions of peace and good-will. It would have argued a spirit of contemptible abjectness and faintness of heart if the Indian had submitted without a murmur to the gradual encroachments of the foreigner, even if the latter had adopted a uniform policy of mildness and conciliation. But the invader adopted no such policy. Not satisfied with taking forcible possession of the soil, he took the first steps in that long, sickening course of treachery and cruelty which has caused the chronicles of the white conquest in America to be written in characters of blood. The first and most hideous butcheries were committed by the whites. And if the Indians did not tamely submit to the yoke sought to be imposed upon their necks, they only acted as human beings, civilized and uncivilized, have always acted upon like provocation. Those who have characterized the Indian as inhuman and fiendish because he put his prisoners to the torture, seem to have forgotten that the wildest accounts of Indian ferocity pale beside the undoubtedly true accounts of the horrors of the Spanish Inquisition. Christian Spain--nay, even Christian England--tortured prisoners with a diabolical ingenuity which never entered into the heart of a pagan Indian to conceive. And on this continent, in the seventeenth and eighteenth centuries, men of English stock performed prodigies of cruelty to which parallels can be found in the history of the Inquisition alone. For the terrible records of battle, murder, torture and death, of which the history of the early settlement of this continent is so largely made up, the white man and the Christian must be held chiefly responsible. It must, moreover, be remembered that those records have been written by historians, who have had every motive for distorting the truth. All the accounts that have come down to us have been penned by the aggressors themselves, and their immediate descendants. The Indians have had no chronicler to tell their version of the story. We all know how much weight should be attached to a history written by a violent partisan; for instance, a history of the French Revolution, written by one of the House of Bourbon. The wonder is, not that the poor Indian should have been blackened and maligned, but that any attribute of nobleness or humanity should have been accorded to him. Of all the characters who figure in the dark history of Indian warfare, few have attained greater notoriety, and none has been more persistently villified than the subject of this sketch
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Produced by Dagny; John Bickers DONA PERFECTA by B. PEREZ GALDOS Translated from the Spanish by Mary J. Serrano INTRODUCTION The very acute and lively Spanish critic who signs himself Clarin, and is known personally as Don Leopoldo Alas, says the present Spanish novel has no yesterday, but only a day-before-yesterday. It does not derive from the romantic novel which immediately preceded that: the novel, large or little, as it was with Cervantes, Hurtado de Mendoza, Quevedo, and the masters of picaresque fiction. Clarin dates its renascence from the political revolution of 1868, which gave Spanish literature the freedom necessary to the fiction that studies to reflect modern life, actual ideas, and current aspirations; and though its authors were few at first, "they have never been adventurous spirits, friends
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This ebook was transcribed by Les Bowler [Picture: Book cover] [Picture: Despatching the wool-packs] ON THE WALLABY THROUGH VICTORIA * * * * * BY E. M. CLOWES * * * * * ILLUSTRATED [Picture: Heinemann logo] LONDON WILLIAM HEINEMANN 1911 * * * * * _Copyright_, _London_, _1911_, _by William Heinemann_ * * * * * INTRODUCTION This is not supposed to be a national or political history of Victoria. When I was asked to write something about the country which has extended its hospitality to me, and given me bread and cheese—sometimes no cheese, it is true, and more often than not no butter, but still always bread, and an ever-increasing appetite—I must confess I felt frankly scared. There is a very good, if somewhat vulgar, expression in use out here, which speaks of anyone who attempts what is beyond them as “biting off more than they can chew.” And the thought frightened me. There seemed to be so many people who had lived all their life in the country, and were therefore much more capable of writing about it than I could ever possibly hope to be. However, I found that other “fools rushed in,” who had been here for even a shorter period than myself; who had never participated in any way in the true life of the country, or depended on it for their own life, which after all teaches one more than anything else ever can about a place. I may not be an “angel,” I thought, still I know it, which is one point in my favour; and, after all, eight years can scarcely be described as a “rush.” Besides, every proverb and popular saying seems to be balanced by another which is completely contradictory—and while it may be true that “fools rush in where angels fear to tread,” it is also true “that lookers-on see most of the game,” and perhaps score somewhat in the freshness of their impressions and in their facilities for comparison. As it is I can only write about Victoria as I know it. There are many mistakes that I may have made through my inability to see all sides of a question; but they are at least honest mistakes, and not the deliberate misstatement of facts, from which Australia has so often suffered. Of course, there are numberless phases of life out here which I have never even touched: my nose has been too close to the grindstone, while life has resolved itself for the most part into a mere struggle for existence. Still, that very struggle has brought me into touch with real people, and with the many grades of society which are to be found here as elsewhere, in spite of all the theories of democracy. I have edited a woman’s fashion paper, of sorts, and was dismissed because—I confess it—the compositors were quite incapable of reading my writing. I have written short stories and articles; I have decorated houses, painted friezes, made blouses for tea-room girls, designed embroideries for the elect of Toorak, even for the sacred denizens of Government House. I have housekept, washed, ironed, cooked. Once I made a garden, drew out the estimates, engaged the men, bought soil and manure, shrubs and plants, laid out a croquet-lawn, delved, sowed and planted shrubs which, now threatening to become trees, perhaps represent the best result of all these years of continuous labour. Palpable results, I mean, for the other results, the enlarged outlook, the humanity, the pathos, and the friendship, with which the memory of them is crammed, form, after all, an asset which is by no means to be despised. Still, when I recollect that I have been here for more than eight years; and that even now less than ten times that number of years has actually passed since the natives ceded to Batman, for knives, and beads, and looking-glasses, the present site of Melbourne, and much of the surrounding country, I am filled with the most abject shame at my own achievements and unlimited admiration for these people, so often dismissed by the ignorant at home and abroad as only “colonials,” who have built up such a town as Melbourne and such a country as Victoria is to-day. CONTENTS CHAPTER PAGE INTRODUCTION v I. EARLY DAYS IN VICTORIA 1 II. SOME FIRST IMPRESSIONS OF MELBOURNE
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E-text prepared by the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (http://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 41409-h.htm or 41409-h.zip: (http://www.gutenberg.org/files/41409/41409-h/41409-h.htm) or (http://www.gutenberg.org/files/41409/41409-h.zip) Images of the original pages are available through Internet Archive. See http://archive.org/details/oldromehandbookt00burn Transcriber's note: The original text includes Greek characters that have been replaced with transliterations in this text version. OLD ROME: A Handbook to the Ruins of the City and the Campagna. by ROBERT BURN, M.A., Fellow of Trinity College, Cambridge. Being an Epitome of His Larger Work 'Rome and the Campagna.' [Illustration] London: George Bell and Sons, York Street, Covent Garden. Cambridge: Deighton, Bell, & Co. 1880. [The Right of Translation is reserved.] London: Printed by William Clowes and Sons, Stamford Street and Charing Cross. PREFACE. This book is intended to serve as a handbook to the actually-existing ruins and monuments of ancient Rome and the Campagna. It is divided into topographical sections for the convenience of travellers visiting Rome, and the monuments which exist in each section have been briefly described, and a summary given of their history and archaeological value. The introductory section contains general remarks upon the site, monumental history, and architecture of Rome; and in a section prefixed to Chapter IX. the nature of the soil and configuration of the hills and valleys of the district surrounding the city
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The Project Gutenberg Etext The Poisoned Pen by, Arthur B. Reeve Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. The Poisoned Pen by Arthur B. Reeve October, 1999 [Etext #1923] The Project Gutenberg
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Produced by Sue Asscher GORGIAS by Plato Translated by Benjamin Jowett INTRODUCTION. In several of the dialogues of Plato, doubts have arisen among his interpreters as to which of the various subjects discussed in them is the main thesis. The speakers have the freedom of conversation; no severe rules of art restrict them, and sometimes we are inclined to think, with one of the dramatis personae in the Theaetetus, that the digressions have the greater interest. Yet in the most irregular of the dialogues there is also a certain natural growth or unity; the beginning is not forgotten at the end, and numerous allusions and references are interspersed, which form the loose connecting links of the whole. We must not neglect this unity, but neither must we attempt to confine the Platonic dialogue on the Procrustean bed of a single idea. (Compare Introduction to the Phaedrus.) Two tendencies seem to have beset the interpreters of Plato in this matter. First, they have endeavoured to hang the dialogues upon one another by the slightest threads; and have thus been led to opposite and contradictory assertions respecting their order and sequence. The mantle of Schleiermacher has descended upon his successors, who have applied his method with the most various results. The value and use of the method has been hardly, if at all, examined either by him or them. Secondly, they have extended almost indefinitely the scope of each separate dialogue; in this way they think that they have escaped all difficulties, not seeing that what they have gained in generality they have lost in truth and distinctness. Metaphysical conceptions easily pass into one another; and the simpler notions of antiquity, which we can only realize by an effort, imperceptibly blend with the more familiar theories of modern philosophers. An eye for proportion is needed (his own art of measuring) in the study of Plato, as well as of other great artists. We may hardly admit that the moral antithesis of good and pleasure, or the intellectual antithesis of knowledge and opinion, being and appearance, are never far off in a Platonic discussion. But because they are in the background, we should not bring them into the foreground, or expect to discern them equally in all the dialogues. There may be some advantage in drawing out a little the main outlines of the building; but the use of this is limited, and may be easily exaggerated. We may give Plato too much system, and alter the natural form and connection of his thoughts. Under the idea that his dialogues are finished works of art, we may find a reason for everything, and lose the highest characteristic of art, which is simplicity. Most great works receive a new light from a new and original mind. But whether these new lights are true or only suggestive, will depend on their agreement with the spirit of Plato, and the amount of direct evidence which can be urged in support of them. When a theory is running away with us, criticism does a friendly office in counselling moderation, and recalling us to the indications of the text. Like the Phaedrus, the Gorgias has puzzled students of Plato by the appearance of two or more subjects. Under the cover of rhetoric higher themes are introduced; the argument expands into a general view of the good and evil of man. After making an ineffectual attempt to obtain a sound definition of his art from Gorgias, Socrates assumes the existence of a universal art of flattery or simulation having several branches:--this is the genus of which rhetoric is only one, and not the highest species. To flattery is opposed the true and noble art of life which he who possesses seeks always to impart to others, and which at last triumphs, if not here, at any rate in another world. These two aspects of life and knowledge appear to be the two leading ideas of the dialogue. The true and the false in individuals and states, in the treatment of the soul as well as of the body, are conceived under the forms of true and false art. In the development of this opposition there arise various other questions, such as the two famous paradoxes of Socrates (paradoxes as they are to the world in general, ideals as they may be more worthily called): (1) that to do is worse than to suffer evil; and (2) that when a man has done evil he had better be punished than unpunished; to which may be added (3) a third Socratic paradox or ideal, that bad men do what they think best, but not what they desire, for the desire of all is towards the good. That pleasure is to be distinguished from good is proved by the simultaneousness of pleasure and pain, and by the possibility of the bad having in certain cases pleasures as great as those of the good, or even greater. Not merely rhetoricians, but poets, musicians, and other artists, the whole tribe of statesmen, past as well as present, are included in the class of
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Produced by Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net (Images Courtesy of Cornell University Law Library, Trial Pamphlets Collection) LIFE AND CONFESSION OF SOPHIA HAMILTON, WHO WAS TRIED, CONDEMNED AND SENTENCED TO BE HUNG, AT MONTREAL, L. C. ON THE 4TH OF AUGUST, 1845, FOR THE PERPETRATION OF THE MOST SHOCKING MURDERS AND DARING ROBBERIES PERHAPS RECORDED IN THE ANNALS OF CRIME. [Illustration] CAREFULLY SELECTED BY THE AUTHOR, WILLIAM H. JACKSON. MONTREAL, L. C. PRINTED FOR THE PUBLISHER 1845. [Illustration: THE ROAD OBSTRUCTED, AND THE TRAVELLERS MURDERED. p. 12.] LIFE AND CONFESSION OF SOPHIA HAMILTON. It has probably never fallen to the lot of man to record a list of more cruel, heart-rending, atrocious, cold-blooded murders and daring robberies than have been perpetrated by the subjects of this narrative, and that too in the midst of a highly civilized and Christian community; deeds too, which, for the depravity of every human feeling, seem scarcely to have found a parallel in the annals of crime. And it seems doubly shocking and atrocious when we find them perpetrated by one of the female sex, which sex has always and in all countries been esteemed as having a higher regard for virtue, and far greater aversion to acts of barbarity, even in the most vitiated, than is generally found in men of the same class. We may truly say that the annals of history have never unfolded to the world a greater instance of human depravity and utter disregard of every virtuous feeling which should inhabit the human breast, than the one it becomes our painful duty to lay before our readers in the account of Sophia Hamilton, the subject of this very interesting narrative. We deem it not unimportant to give a brief account of her parentage, in order that our numerous readers may see the source from which she sprung; as also the inestimable and intrinsic value of a moral education in youth, which is a gem of imperishable value, the loss of which many have had to deplore when perhaps too late. The public may depend on the authenticity of the facts here related, as it is from no less a source than a schoolmate of her ill-fated father. The author has spared no exertions to collect every minute and important particular relating to her extraordinary, though unfortunate career. Richard Jones, the father of the principal subject of this narrative was the only son of a wealthy nobleman residing in Bristol, England; he had in the early part of his life received a classical education. But in consequence of the death of his mother, he of course got an uncontrolled career, which continued too long, until at length he became a disgust to his kind and loving father, whose admonitions he disregarded and whose precepts he trampled upon. At the age of twenty-four, he was a perfect sot, regardless of the kind counsel of his relatives; and at length his character became so disreputable that he was accused of almost every outrage perpetrated in the neighbourhood in which he belonged. This preyed so much upon his aged father that he became ill, and it is thought by many shortened his life. Richard had then attained the age of twenty-five, and seemed so deeply afflicted by the death of his father, that he promised amendment of conduct, so that his uncle took him as partner at the druggist business; but this was to no effect, for in a short time he sought every species of vice and wickedness, which the depravity of human nature could suggest. His uncle and he dissolved, and as he had considerable of the money that his father bequeathed to him, he soon found company to suit his purpose, and became enamored of a woman of low character, who succeeded in making a union with him, and after spending considerable of the money, and seeing the funds likely to be exhausted, immediately scraped up their effects, as she possessed a little property of her own. They then resolved like many others, to emigrate, finding that they could not live in their native country. They embarked on board a ship bound for St. John, N. B. in the year 1811; remained a short time in the city, when they moved up the St. John river and settled down between Frederickton and Woodstock, where he learned the farming business, and in the course of a little time accumulated means, which enabled him to keep a country store; and as the neighborhood in which he lived was a new settlement, property began to rise, and he commenced speculating in public lands. As he had a good education and bright intellect, he was soon looked upon as a leading man in the neighborhood, and it was thought profitable as well as necessary to establish a tavern in the vicinity, which was strongly recommended by many lumber merchants; and Jones, being considered to be the best adapted for the business, accepted the offer. He at this time was of course prosperous, as he had the whole monopoly and an unbounded concourse of travellers stopping at his house; but an avaricious desire seized him and he at once became fearless, and his first step was to commence smuggling between Frederickton and Calais, Me., which business he carried on for a considerable time unmolested. While things were going on in this style, it so happened that an old acquaintance, whose name was Thomas Murdock, moved from St. John and settled in the same neighborhood in which Jones resided. The acquaintance was soon renewed, though not much to the satisfaction of Jones, as he knew Murdock to be a man of honesty, and it was on this ground and the fear of detection and exposure that Jones dreaded his old acquaintance, for Murdock was yet entirely
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BERKSHIRES*** E-text prepared by Roger Frank and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 25811-h.htm or 25811-h.zip: (http://www.gutenberg.net/dirs/2/5/8/1/25811/25811-h/25811-h.htm) or (http://www.gutenberg.net/dirs/2/5/8/1/25811/25811-h.zip) THE AUTOMOBILE GIRLS IN THE BERKSHIRES Or The Ghost of Lost Man's Trail by LAURA DENT CRANE Author of The Automobile Girls at Newport, The Automobile Girls Along the Hudson, Etc., Etc. Illustrated [Illustration: The Splash Descended on Unsuspecting Bab. _Frontispiece._] Philadelphia Henry Altemus Company Copyright, 1910, by Howard E. Altemus CONTENTS CHAPTER PAGE I. The Reunion 7 II. New Light on Old Papers 20 III. Happiness, and Another Scheme 28 IV. In the Heart of the Berkshires 45 V. A Day in the Woods 58 VI. "The Great White Also" 66 VII. Mollie Follows the Trail 76 VIII. End of the Search 90 IX. Spirit of the Forest 95 X. A Knock at the Door 107 XI. The <DW53> Hunt 120 XII. The Wounded Bird 128 XIII. The Wigwam 135 XIV. Give Way to Miss Sallie! 144 XV. Society in Lenox 152 XVI. At the Ambassador's 166 XVII. A Visit to Eunice 181 XVIII. Plans for the Society Circus 190 XIX. The Old Gray Goose 198 XX. Barbara and Beauty 206 XXI. Eunice and Mr. Winthrop Latham 215 XXII. The Automobile Wins 230 XXIII. The Recognition 240 XXIV. What to Do with Eunice 251 The Automobile Girls in the Berkshires CHAPTER I THE REUNION "Mollie Thurston, we are lost!" cried Barbara dramatically. The two sisters were in the depth of a New Jersey woods one afternoon in early September. "Well, what if we are!" laughed Mollie, leaning over to add a cluster of wild asters to her great bunch of golden rod. "We have two hours ahead of us. Surely such clever woodsmen as we are can find our way out of woods which are but a few miles from home. Suppose we should explore a real forest some day. Wouldn't it be too heavenly! Come on, lazy Barbara! We shall reach a clearing in a few moments." "You lack sympathy, Miss Mollie Thurston; that's your trouble." Barbara was laughing, yet she anxiously scanned the marshy ground as she picked her way along. "I wouldn't mind being lost in these woods a bit more than you do, if I were not so horribly afraid of snakes. Oh, my! this place looks full of 'em." "They are not poisonous, Bab, or I might be more sympathetic," said Mollie reassuringly. "The snakes in these woods are harmless. How can a girl as brave as you are be such a goose about a poor, wriggly little 'sarpint,' that couldn't harm you if it tried." "O-o-o!" shivered Bab. "One's own pet fear has nothing to do with sense or nonsense. Kindly remember your own feelings toward the timid mouse! Just the same, I should like to play 'Maid Marian' for a while and dwell in the heart of a woodland glen. If ever I have a chance to go on a camping trip, I shall get rid of my fear of snakes, somehow." "Bab," said Mollie, after a moment's pause, "hasn't it been dreadfully dull since Ruth and her father went away? Do you think they will ever come back? I can hardly believe it has been only three weeks since they left Kingsbridge, and only six weeks since we came back from Newport. Anyhow I am glad Grace Carter is home again from her visit to her brother." "Cheer up, Mollie, do!" encouraged Bab. "Ruth has promised to pay us a visit before she goes home to Chicago, and she is a girl of her word, as you and I well know. I am expecting a letter from her every day." "Well," Mollie ejaculated in heart-felt tones, "I know
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Produced by David Widger JACK By Alphonse Daudet Translated by Mary Neal Sherwood From The Fortieth Thousand, French Edition. Estes And Lauriat, 1877 JACK CHAPTER I.~~VAURIGARD. "With a _k_, sir; with a _k_. The name is written and pronounced as in English. The child's godfather was English. A major-general in the Indian army. Lord Pembroke. You know him, perhaps? A man of distinction and of the highest connections. But--you understand--M. l'Abbe! How deliciously he danced! He died a frightful death at Singapore some years since, in a tiger-chase organized in his honor by a rajah, one of his friends. These rajahs, it seems, are absolute monarchs in their own country,--and one especially is very celebrated. What is his name? Wait a moment. Ah! I have it. Rana-Ramah." "Pardon me, madame," interrupted the abbe, smiling, in spite of himself, at the rapid flow of words, and at the swift change of ideas. "After Jack, what name?" With his elbow on his desk, and his head slightly bent, the priest examined from out the corners of eyes bright with ecclesiastical shrewdness, the young woman who sat before him, with her Jack standing at her side. The lady was faultlessly dressed in the fashion of the day and the hour. It was December, 1858. The richness of her furs, the lustrous folds of her black costume, and the discreet originality of her hat, all told the story of a woman who owns her carriage, and who steps from her carpets to her coupe without the vulgar contact of the streets. Her head was small, which always lends height to a woman. Her pretty face had all the bloom of fresh fruit. Smiling and gay, additional vivacity was imparted by large, clear eyes and brilliant teeth, which were to be seen even when her face was in repose. The mobility of her countenance was extraordinary. Either this, or the lips half parted as if about to speak, or the narrow brow,--something there was, at all events, that indicated an absence of reflective powers, a lack of culture, and possibly explained the blanks in the conversation of this pretty woman; blanks that reminded one of those little Japanese baskets fitting one into another, the last of which is always empty. As to the child, picture to yourself an emaciated boy of seven or eight, who had evidently outgrown his strength. He was dressed as English boys are dressed, and as befitted his name spelled with a _k_. His legs were bare, and he wore a Scotch cap and a plaid. The costume was in accordance with his years, but not with his long neck and slim figure. He seemed embarrassed by it himself, for, awkward and timid, he would occasionally glance at his half-frozen legs with a despairing expression, as if he cursed within his soul Lord Pembroke and the whole Indian army. Physically, he resembled his mother, with a look of higher breeding, and with the transformation of a pretty woman's face to that of an intelligent man. There were the same eyes, but deeper in color and in meaning; the same brow, but wider; the same mouth, but the lips were firmly closed. Over the woman's face, ideas and impressions glided without leaving a furrow or a trace; in fact, so hastily, that her eyes always seemed to retain a certain astonishment at their flight. With the child, on the contrary, one felt that impressions remained, and his thoughtful air would have been almost painful, had it not been combined with a certain caressing indolence of attitude that indicated a petted child. Now leaning against his mother, with one hand in her muff, he listened to her words with adoring attention, and occasionally looked at the priest and at all the surroundings with timid curiosity. He had promised not to cry, but a stifled sob shook him at times from head to foot. Then his mother looked at him, and seemed to say, "You know what you promised." Then the child choked back his tears and sobs; but it was easy to see that he was a prey to that first agony of exile and abandonment which the first boarding-school inflicts on those children who have lived only in their homes. This examination of mother and child, made by the priest in two or three minutes, would have satisfied a superficial observer; but Father O------, who had been the director for twenty-five years of the aristocratic institution of the Jesuits at Vaurigard, was a man of the world, and knew too well the best Parisian society, all its
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E-text prepared by Delphine Lettau and Joseph E. Loewenstein, M.D. Transcriber's note: In 1834, at age 19, Anthony Trollope became a junior clerk in the British postal service. He did not get on well with his superiors, and his career looked like a dead end. In 1841 he accepted an assignment in Ireland as an inspector, remaining there for ten years. It was there that his civil service career began to flourish. It was there, also, that he began writing novels. Several of Trollope's early novels were set in Ireland, including _The Macdermots of Ballycloran_, his first published novel, and _Castle Richmond_. Readers of those early Irish novels can easily perceive Trollope's great affection for and sympathy with the Irish people, especially the poor. In 1882 Ireland was in the midst of great troubles, including boycotts and the near breakdown of law and order. In May of that year Lord Frederick Cavendish, the newly-appointed Chief Secretary for Ireland, and Thomas Burke, a prominent civil servant, were assassinated in Dublin. The news stirred Trollope, despite his poor health, to travel to Ireland to see for himself the state of things. Upon his return to England he began writing _The Landleaguers_. He made a second journey to Ireland in August, 1882, to seek more material for his book. He returned to England exhausted, but he continued writing. He had almost completed the book when he suffered a stroke on November 3, 1882. He never recovered, and he died on December 6. Trollope's second son,
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Produced by Emmy, Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net Music transcribed by June Troyer. THE NURSERY _A Monthly Magazine_ FOR YOUNGEST READERS. VOLUME XXIX.--No. 2. BOSTON: THE NURSERY PUBLISHING COMPANY, NO. 36 BROMFIELD STREET. 1881. Entered according to act of Congress, in the year 1881, by THE NURSERY PUBLISHING COMPANY, In the Office of the Librarian of Congress at Washington. [Illustration: JOHN WILSON & SON. UNIVERSITY PRESS.] [Illustration: Contents.] IN PROSE. PAGE Almost ready for Launching 33 Louis's new Plant 36 "One-old-cat"
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Produced by Jeroen Hellingman and the Online Distributed Proofreading Team at http://www.pgdp.net/ for Project Gutenberg. CASTES AND TRIBES OF SOUTHERN INDIA By EDGAR THURSTON, C.I.E., Superintendent, Madras Government Museum; Correspondant Etranger, Societe d'Anthropologie de Paris; Socio Corrispondante, Societa, Romana di Anthropologia. Assisted by K. Rangachari, M.A., of the Madras Government Museum. Volume V--M to P Government Press, Madras 1909. CASTES AND TRIBES OF SOUTHERN INDIA. VOLUME V. MARAKKAYAR.--The Marakkayars are described, in the Madras Census Report, 1901, as "a Tamil-speaking Musalman tribe of mixed Hindu and Musalman origin, the people of which are usually traders. They seem to be distinct from the Labbais (q.v.) in several respects, but the statistics of the two have apparently been confused, as the numbers of the Marakkayars are smaller than they should be." Concerning the Marakkayars of the South Arcot district, Mr. Francis writes as follows. [1] "The Marakkayars are largely big traders with other countries such as Ceylon and the Straits Settlements, and own most of the native coasting craft. They are particularly numerous in Porto Novo. The word Marakkayar is usually derived from the Arabic markab, a boat. The story goes that, when the first immigrants of this class (who, like the Labbais, were driven from their own country by persecutions) landed on the Indian shore, they were naturally asked who they were, and whence they came. In answer they pointed to their boats, and pronounced the word markab, and they became in consequence known to the Hindus as Marakkayars, or the people of markab. The Musalmans of pure descent hold themselves to be socially superior to the Marakkaayars, and the Marakkayars consider themselves better than the Labbais. There is, of course, no religious bar to intermarriages between these different sub-divisions, but such unions are rare, and are usually only brought about by the offer of strong financial inducements to the socially superior party. Generally speaking, the pure-bred Musalmans differ from those of mixed descent by dressing themselves and their women in the strict Musalman fashion, and by speaking Hindustani at home among themselves. Some of the Marakkayars are now following their example in both these matters, but most of them affect the high hat of plaited grass and the tartan (kambayam) waist-cloth. The Labbais also very generally wear these, and so are not always readily distinguishable from the Marakkayars, but some of them use the Hindu turban and waist-cloth, and let their womankind dress almost exactly like Hindu women. In the same way, some Labbais insist on the use of Hindustani in their houses, while others speak Tamil. There seems to be a growing dislike to the introduction of Hindu rites into domestic ceremonies, and the processions and music, which were once common at marriages, are slowly giving place to a simpler ritual more in resemblance with the nikka ceremony of the Musalman faith." Of 13,712 inhabitants of Porto Novo returned at the census, 1901, as many as 3,805 were Muhammadans. "The ordinary vernacular name of the town is Farangipettai or European town, but the Musalmans call it Muhammad Bandar (Port). The interest of the majority of the inhabitants centres in matters connected with the sea. A large proportion of them earn their living either as owners of, or sailors in, the boats which ply between the place and Ceylon and other parts, and it is significant that the most popular of the unusually large number of Musalman saints who are buried in the town is one Malumiyar, who was apparently in his lifetime a notable sea-captain. His fame as a sailor has been magnified into the miraculous, and it is declared that he owned ten or a dozen ships, and used to appear in command of all of them simultaneously. He has now the reputation of being able to deliver from danger those who go down to the sea
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Produced by Chuck Greif, MWS, Adrian Mastronardi and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) LIBRARY ESSAYS PAPERS RELATED TO THE WORK OF PUBLIC LIBRARIES LIBRARY ESSAYS PAPERS RELATED TO THE WORK OF PUBLIC LIBRARIES ARTHUR E. BOSTWICK, PH. D. THE H. W. WILSON COMPANY NEW YORK 1920 PREFACE The author of these papers began his service in librarianship in April, 1895. He celebrates his silver jubilee by gathering them into a single volume. Before becoming a librarian he had worked for many years as teacher, editor and journalist, and the use of the pen having become second nature, he took it up in behalf of libraries and librarians, somewhat sooner, perhaps, than experience would warrant. However, the papers reflect to a certain extent the progress of library work during the past quarter century. A. E. B. CONTENTS PAINS AND PENALTIES IN LIBRARY WORK 3 Read at the Magnolia Conference of the American Library Association, June, 1902. (_A. L. A. Proceedings_, 1902, p. 29-34) HOW LIBRARIANS CHOOSE BOOKS 17 (_Public Libraries_, April, 1903, p. 137-41) THE WORK OF THE SMALL PUBLIC LIBRARY 29 (_Library Journal_, August, 1903, p. 596-600) LAY CONTROL IN LIBRARIES AND ELSEWHERE 39 Read before the Trustees’ Section of the American Library Association, at the Niagara Conference. (_A. L. A. Proceedings_, 1903, p. 199-202) THE WHOLE DUTY OF A LIBRARY TRUSTEE: FROM A LIBRARIAN’S STANDPOINT 49 An address before the Trustees’ Section of the American Library Association (_A. L. A. Proceedings_, 1906, p. 40-4) THE DAY’S WORK: SOME CONDITIONS AND SOME IDEALS 59 Presidential address before the New York Library Association, Lake Placid, September 21, 1903. (_Library Journal_, October, 1903, p. 704-7) LIBRARY STATISTICS 69 (_Library Journal_, January, 1904, p. 5-8) OLD PROBABILITIES IN THE LIBRARY--HIS MODEST VATICINATIONS 79 Read before the Pennsylvania Library Club, Philadelphia, May 9, 1904. (_Library Journal_, October, 1904, p. 517-23) THE LOVE OF BOOKS AS A BASIS FOR LIBRARIANSHIP 97 Read before the New York Library Association, Twilight Park, September, 1906. (_Library Journal_, February, 1907, p. 51-5) THE LIBRARY AS THE EDUCATIONAL CENTER OF A TOWN 111 (_Public Libraries_, May, 1907, p. 171-4) THE LIBRARIAN AS A CENSOR 121 Presidential address before the American Library Association, Lake Minnetonka Conference, June, 1908. (_Library Journal_, July, 1908, p. 257-64) HOW TO RAISE THE STANDARD OF BOOK SELECTION 141 Read at the meeting of the Library commissions of the New England States, Hartford, Conn., February 11, 1909. (_Public Libraries_, May, 1909, p. 163-7) LIBRARY CIRCULATION AT LONG RANGE 221 (_Library Journal_, July, 1913, p. 391-4) CONFLICTS OF JURISDICTION IN LIBRARY SYSTEMS 231 Read before the round table of branch librarians at the Washington conference, May 28, 1914. (_Library Journal_, August, 1914, p. 588-91) THREE KINDS OF LIBRARIANS 241 Read before the Missouri Library Association, Sedalia, November 18, 1914. (_Public Libraries_, January, 1915, p. 1-4; February, 1915, p. 47-50) SCHOOL LIBRARIES AND MENTAL TRAINING 255 (_School Review_, June, 1915, p. 395-405) THE LIBRARY AND THE BUSINESS MAN 269 A luncheon address to the Advertising Club of St. Louis. (_Library Journal_, April, 1917, p. 259-64) SYSTEM IN THE LIBRARY 153 Read before the Missouri State Library Association, Columbia, Mo., October 28, 1909. (_Library Journal_, November, 1909, p. 476-82) THE EXPLOITATION OF THE PUBLIC LIBRARY 171 Address before the
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Produced by eagkw, Suzanne Shell and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE SALEM WITCHCRAFT, The Planchette Mystery, AND MODERN SPIRITUALISM, WITH DR. DODDRIDGE'S DREAM. HISTORY OF SALEM WITCHCRAFT: A REVIEW OF CHARLES W. UPHAM'S GREAT WORK. FROM THE "EDINBURGH REVIEW." With Notes, BY THE EDITOR OF "THE PHRENOLOGICAL JOURNAL." NEW YORK: FOWLER & WELLS CO., PUBLISHERS, 753 BROADWAY. 1886. BIGOTRY. Obstinate or blind attachment to a particular creed; unreasonable zeal or warmth in favor of a party, sect, or opinion; excessive prejudice. The practice or tenet of a bigot. PREJUDICE. An opinion or decision of mind, formed without due examination of the facts or arguments which are necessary to a just and impartial determination. A previous bent or inclination of mind for or against any person or thing. Injury or wrong of any kind; as to act to the _prejudice_ of another. SUPERSTITION. Excessive exactness or rigor in religious opinions or practice; excess or extravagance in religion; the doing of things not required by God, or abstaining from things not forbidden; or the belief of what is absurd, or belief without evidence. False religion; false worship. Rite or practice proceeding from excess of scruples in religion. Excessive nicety; scrupulous exactness. Belief in the direct agency of superior powers in certain extraordinary or singular events, or in omens and prognostics.--_Webster._ INTRODUCTION. The object in reprinting this most interesting review is simply to show the progress made in moral, intellectual, and physical science. The reader will go back with us to a time--not very remote--when nothing was known of Phrenology and Psychology; when men and women were persecuted, and even put to death, through the baldest ignorance and the most pitiable superstition. If we were to go back still farther, to the Holy Wars, we should find cities and nations drenched in human blood through religious bigotry and intolerance. Let us thank God that our lot is cast in a more fortunate age, when the light of revelation, rightly interpreted by the aid of SCIENCE, points to the Source of all knowledge, all truth, all light. When we know more of Anatomy, Physiology, Physiognomy, and the Natural Sciences generally, there will be a spirit of broader liberality, religious tolerance, and individual freedom. Then all men will hold themselves accountable to God, rather than to popes, priests, or parsons. Our progenitors lived in a time that tried men's souls, as the following lucid review most painfully shows. S. R. W. CONTENTS. PAGE The Place 7 The Salemite of Forty Years Ago 8 How the Subject was opened 9 Careful Historiography 10 The Actors in the Tragedy 12 Philosophy of the Delusion 12 Character of the Early Settlement 13 First Causes 15 Death of the Patriarch 16 Growth of Witchcraft 17 Trouble in the Church 18 Rev. Mr. Burroughs 19 Deodat Lawson 20 Parris--a Malignant 20 A Protean Devil 21 State of Physiology 22 William Penn as a Precedent 22 Phenomena of Witchcraft 23 Parris and his Circle 25 The Inquisitions--Sarah Good 26 A Child Witch 27 The Towne Sisters 28 Depositions of Parris and his Tools 31 Goody Nurse's Excommunication 35 Mary Easty 36 Mrs. Cloyse 38 The Proctor Family 40 The Jacobs Family 41 Giles and Martha Corey 42 Decline of the Delusion 44 The Physio-Psychological Causes of the Trouble 45 The Last of Parris 47 "One of the Afflicted"--Her Confession 49 The
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Produced by Juliet Sutherland, Haragos Pál and the Online Distributed Proofreading Team at http://www.pgdp.net THE BROCHURE SERIES Japanese Gardens FEBRUARY, 1900 [Illustration: PLATE XI DAIMIO'S GARDEN AT SHINJIKU] THE BROCHURE SERIES OF ARCHITECTURAL ILLUSTRATION. 1900. FEBRUARY No. 2. JAPANESE GARDENS. The Japanese garden is not a flower garden, neither is it made for the purpose of cultivating plants. In nine cases out of ten there is nothing in it resembling a flower-bed. Some gardens may contain scarcely a sprig of green; some (although these are exceptional) have nothing green at all and consist entirely of rocks, pebbles and sand. Neither does the Japanese garden require any fixed allowance of space; it may cover one or many acres, it may be only ten feet square; it may, in extreme cases, be much less, and be contained in a curiously shaped, shallow, carved box set in a veranda, in which are created tiny hills, microscopic ponds and rivulets spanned by tiny humped bridges, while queer wee plants represent trees, and curiously formed pebbles stand for rocks. But on whatever scale, all true Japanese gardening is landscape gardening; that is to say, it is a living model of an actual Japanese landscape. But, though modelled upon an actual landscape, the Japanese garden is far more than a mere naturalistic imitation. To the artist every natural view may be said to convey, in its varying aspects, some particular mental impression or mood, such as the impression of peacefulness, of wildness, of solitude, or of des
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Produced by Mary Glenn Krause, Barry Abrahamsen, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE HONORABLE MISS MOONLIGHT ------------------------------------------------------------------------ [Illustration: Frontispiece] ------------------------------------------------------------------------ THE HONORABLE MISS MOONLIGHT BY ONOTO WATANNA AUTHOR OF “A JAPANESE NIGHTINGALE” “TAMA” ETC. [Illustration: Publisher’s Logo] HARPER & BROTHERS PUBLISHERS NEW YORK AND LONDON M C M X I I ------------------------------------------------------------------------ BOOKS BY ONOTO WATANNA THE HONORABLE MISS MOONLIGHT. Post 8vo net
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Produced by Meredith Bach, Rose Acquavella, and the Online Distributed Proofreading Team at http://www.pgdp.net. (This file was produced from images generously made available by The Internet Archive/Canadian Libraries.) THE CANDY MAKER'S GUIDE A COLLECTION OF CHOICE RECIPES FOR SUGAR BOILING COMPILED AND PUBLISHED BY THE FLETCHER MNF'G. CO. MANUFACTURERS OF Confectioners' and Candy Makers' Tools and Machines TEA AND COFFEE URNS BAKERS' CONFECTIONERS AND HOTEL SUPPLIES IMPORTERS AND DEALERS IN PURE FRUIT JUICES, FLAVORING EXTRACTS, FRUIT OILS, ESSENTIAL OILS, MALT EXTRACT, XXXX GLUCOSE, ETC. [Illustration] Prize Medal and Diploma awarded at Toronto Industrial Exhibition 1894, for General Excellence in Style and Finish of our goods. 440-442 YONGE ST.,--TORONTO, CAN. TORONTO J JOHNSTON PRINTER & STATIONER 105 CHURCH ST 1896 FLETCHER MNF'G. CO. TORONTO. Manufacturers and dealers in Generators, Steel and Copper Soda Water Cylinders, Soda Founts, Tumbler Washers, Freezers, Ice Breaking
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Produced by D Alexander and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE MYSTERY OF THE BARRANCA BY HERMAN WHITAKER AUTHOR OF "THE PLANTER" AND "THE SETTLER" NEW YORK AND LONDON HARPER & BROTHERS PUBLISHERS MCMXIII COPYRIGHT 1913 BY HARPER & BROTHERS PRINTED IN THE UNITED STATES OF AMERICA PUBLISHED FEBRUARY 1913 [Illustration: [See page 248 SEYD LIFTED FRANCESCA AND LEAPED] "_To Vera, my daughter and gentle collaborator, whose nimble fingers lightened the load of many labors, this book is lovingly dedicated._" THE MYSTERY OF THE BARRANCA CHAPTER I "Oh Bob, just look at them!" Leaning down from his perch on the sacked mining tools which formed the apex of their baggage, Billy Thornton punched his companion in the back to call his attention to a scene which had spread a blaze of humor over his own rich crop of freckles. As a matter of fact, the spectacle of two men fondly embracing can always be depended on to stir the crude Anglo-Saxon sense of humor. In this case it was rendered still more ridiculous by age and portliness, but two years' wandering through interior Mexico had accustomed Thornton's comrade, Robert Seyd, to the sight. After a careless glance he resumed his contemplation of the crowd that thronged the little station. Exhibiting every variety of Mexican costume, from the plain white blanket of the peons to the leather suits of the rancheros and the hacendados, or owners of estates, it was as picturesque and brilliant in color and movement as anything in a musical extravaganza. The European clothing of a young girl who presently stepped out of the ticket office emphasized the theatrical flavor by its vivid contrast. She might easily have been the captive heroine among bandits, and the thought actually occurred to Billy. While she paused to call her dog, a huge Siberian wolf hound, she was hidden from Seyd's view by the stout embracers. Therefore it was to the dog that he applied Billy's remark at first. "Isn't she a peach?" She seemed the finest of her race that he had ever seen, and Seyd was just about to say that she carried herself like a "perfect lady" when the dissolution of the aforesaid embrace brought the girl into view. He stopped--with a small gasp that testified to his astonishment at her unusual type. Although slender for her years--about two and twenty--her throat and bust were rounded in perfect development. The clear olive complexion was undoubtedly Spanish, yet her face lacked the firm line that hardens with the years. Perhaps some strain of Aztec blood--from which the Spanish-Mexican is never free--had helped to soften her features, but this would not account for their pleasing irregularity. A bit _retrousee_, the small nose with its well-defined nostrils patterned after the Celtic. Had Seyd known it, the face in its entirety--colors and soft contours--is to be found to this day among the descendants of the sailors who escaped from the wreck of the Spanish Armada on the west coast of Ireland. Pretty and unusual as she was, her greatest charm centered in the large black eyes that shone amid her clear pallor, conveying in broad day the tantalizing mystery of a face seen for an instant through a warm gloaming. In the moment that he caught their velvet glance Seyd received an impression of vivacious intelligence altogether foreign in his experience of Mexican women. As she was standing only a few feet away, he knew that she must have heard Billy's remark; but, counting on her probable ignorance of English, he did not hesitate to answer. "Pretty? Well, I should say--pretty enough to marry. The trouble is that in this country the ugliness of the grown woman seems to be in inverse ratio to her girlish beauty. Bet you the fattest hacendado is her father. And she'll give him pounds at half his age." "Maybe," Billy answered. "Yet I'd be almost willing to take the chance." As the girl had turned just then to look at the approaching train neither of them caught the sudden dark flash, supreme disdain, that drew an otherwise quite tender red mouth into a scarlet line. But for the dog they would never have been a whit the wiser. For as the engine came hissing along the platform the brute sprang and crouched on the tracks, furiously snarling, ready for a spring at the headlight, which it
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Produced by Mike Alder and Sue Asscher THE MISCELLANEOUS WRITINGS AND SPEECHES OF LORD MACAULAY. Contributions To The Edinburgh Review By Thomas Babington Macaulay VOLUME II. CONTENTS. CONTRIBUTIONS TO THE EDINBURGH REVIEW. John Dryden. (January 1828.) History. (May 1828.) Mill on Government. (March 1829.) Westminster Reviewer's Defence of Mill. (June 1829.) Utilitarian Theory of Government. (October 1829.) Sadler's Law of Population. (July 1830.) Sadler's Refutation Refuted. (January 1831.) Mirabeau. (July 1832.) Barere. (April 1844.) MISCELLANEOUS WRITINGS OF LORD MACAULAY. CONTRIBUTIONS TO THE EDINBURGH REVIEW. JOHN DRYDEN. (January 1828.) "The Poetical Works of John Dryden". In 2 volumes. University Edition. London, 1826. The public voice has assigned to Dryden the first place in the second rank of our poets,--no mean station in a table of intellectual precedency so rich in illustrious names. It is allowed that, even of the few who were his superiors in genius, none has exercised a more extensive or permanent influence on the national habits of thought and expression. His life was commensurate with the period during which a great revolution in the public taste was effected; and in that revolution he played the part of Cromwell. By unscrupulously taking the lead in its wildest excesses, he obtained the absolute guidance of it. By trampling on laws, he acquired the authority of a legislator. By signalising himself as the most daring and irreverent of rebels, he raised himself to the dignity of a recognised prince. He commenced his career by the most frantic outrages. He terminated it in the repose of established sovereignty,--the author of a new code, the root of a new dynasty. Of Dryden, however, as of almost every man who has been distinguished either in the literary or in the political world, it may be said that the course which he pursued, and the effect which he produced, depended less on his personal qualities than on the circumstances in which he was placed. Those who have read history with discrimination know the fallacy of those panegyrics and invectives which represent individuals as effecting great moral and intellectual revolutions, subverting established systems, and imprinting a new character on their age. The difference between one man and another is by no means so great as the superstitious crowd supposes. But the same feelings which in ancient Rome produced the apotheosis of a popular emperor, and in modern Rome the canonisation of a devout prelate, lead men to cherish an illusion which furnishes them with something to adore. By a law of association, from the operation of which even minds the most strictly regulated by reason are not wholly exempt, misery disposes us to hatred, and happiness to love, although there may be no person to whom our misery or our happiness can be ascribed. The peevishness of an invalid vents itself even on those who alleviate his pain. The good humour of a man elated by success often displays itself towards enemies. In the same manner, the feelings of pleasure and admiration, to which the contemplation of great events gives birth, make an object where they do not find it. Thus, nations descend to the absurdities of Egyptian idolatry, and worship stocks and reptiles--Sacheverells and Wilkeses. They even fall prostrate before a deity to which they have themselves given the form which commands their veneration, and which, unless fashioned by them, would have remained a shapeless block. They persuade themselves that they are the creatures of what they have themselves created. For, in fact, it is the age that forms the man, not the man that forms the age. Great minds do indeed re-act on the society which
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Produced by David E. Brown, Bryan Ness and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) POEMS JOHN W. DRAPER THE POET LORE COMPANY BOSTON Copyright, 1913, by John W. Draper All Rights Reserved THE GORHAM PRESS, BOSTON, U. S. A. PREFACE Most of the poems collected in this volume have already seen the light of print in the _Colonnade_, the monthly publication of the Andiron Club of New York University. The effort of the author has not been to write verses especially adapted to the taste of the modern public, but rather to create "a thing of beauty" from the theme that filled his mind at the time. Often he has been led into somewhat bold innovations such as the invention of the miniature ode, and the associating of an idea with a rime-_motiv_ in the metrical short-stories. While he hopes that the new forms will justify themselves, he realizes that after all, the poems must stand or fall in proportion to the amount of pure artistic beauty contained within them. CONTENTS PAGE FROM A GRECIAN MYTH 9 "CARPE DIEM" 10 THE SONG OF LORENZO 12 THE SONG OF WO HOU 14 THE AURORA 15 THE WILL O' THE WISP 16 WHEN ON THE SHORE GRATES MY BARGE'S KEEL 18 TO SHELLEY 20 THOMAS DE QUINCEY 21 THE VISION OF DANTE 22 THE SPIRIT OF SCHOPENHAUER 24 ARTHUR TO GUENEVER 26 THE DEATH OF THOMAS CHATTERTON 27 A SPRING SONG 28 AFTER THE NEO-PLATONISTS 29 WHAT WOULDST THOU BE? 30 THE PROPHECY OF DAVID 31 THE PROPHECY OF SAINT MARK 39 THE AEOLIAN HARP 47 THE MAID THAT I WOOED 48 IN A MINOR CHORD 49 A GLASS OF ABSINTHE 51 THE PALACE OF PAIN 53 POEMS FROM A GRECIAN MYTH A palace he built him in the west, A palace of vermeil fringed with gold; And fain would he lie him down to rest In the palace he built him in the west Which every heavenly hue had dressed With halcyon harmonies untold: That palace, the sun built in the west, A palace of vermeil fringed with gold. _January 3, 1911._ "CARPE DIEM" Wake, love; Aurora's breath has tinged the sky, Mounting in faintly flushing shafts on high To tell the world that Phoebus is at hand; And all the hours in a glittering band Cluster around in sweeping, circling flight Like angels bathing in celestial light. See, now with one great shaft of molten gold, No longer vaporous haze around him rolled, The King of Day mounts the ethereal height, Scattering the last dim streamers of the night. Bow down, ye Persians, on your altared hills; Worship the Sun-god who gives life, and fills Your horn with plenteous blessings from on high. Wake! Wake! before the dawning sunbeams die! Fling incense on your temple's dying flame; Sing chants and chorals in his mighty name, For as a weary traveler from afar, Or as a sailor on the harbor bar After long absence spies his native town, So, with benignant brilliance smiles he down; Or, like a good king ruling o'er his land, He sprinkles blessings with a bounteous hand. And thou, O my beloved, wake! arise! Has not the sun illumined night's dull skies? Come, Phoebus' breath has tinged the summer morn. Come, see the light shafts waver '<DW41> the corn. Come, see the early lily's opening bloom. Come, see the wavering light expel the gloom From yon dark vale still sunk in misty night. Oh, watch the circling skylark's heavenward flight, As, wrapped in hazy waves of shimmering light, In one grand Jubilate to the sun, He floods the sky with song of day begun. But golden morn is never truly fair Unless with day, thou com'st to weave my hair With perfumed flowers gathered in the dell Where sylphs sing sweetly 'bout the bubbling well. Oh, fill my cup of pleasure with new wine Which sparkles only where thy soft eyes shine! O my beloved,
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E-text prepared by Steve Read, Suzanne Shell, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/Canadian Libraries (http://www.archive.org/details/toronto) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 36026-h.htm or 36026-h.zip: (http://www.gutenberg.org/files/36026/36026-h/36026-h.htm) or (http://www.gutenberg.org/files/36026/36026-h.zip) Images of the original pages are available through Internet Archive/Canadian Libraries. See http://www.archive.org/details/frompillartopost00banguoft FROM PILLAR TO POST [Illustration: "I shall have to borrow some of your manly courage to carry me through."] FROM PILLAR TO POST Leaves from a Lecturer's Note-Book by JOHN KENDRICK BANGS Author of "The House-Boat on the Styx," etc. With Illustrations by Jno. R. Neill [Illustration] New York The Century Co. 1916 Copyright, 1916, by The Century Co. Copyright, 1915, by Associated Sunday Magazines Incorporated Published, March, 1916 TO THAT WISE COUNSELLOR AND STERLING FRIEND J. HENRY HARPER PREFATORY NOTE I could not let these random notes of a delightful experience go forth into the world without expressing in some way my deep appreciation of the valued services rendered me in my ten years of platform work by my friends of the Lyceum Bureaus. In office and in the field they have labored strenuously, often affectionately, and always loyally, on my behalf. But for their interest some of the most cherished experiences of my life would have been beyond my reach. If sometimes in their zeal to keep me busy they have booked me in Winnipeg on Monday night, in New Orleans on Tuesday night, with little side-trips to San Diego, California, and Presque Isle, Maine, on Wednesday and Thursday, not to mention grand finales at Omaha and Key West on Friday and Saturday, I view that sequence rather as a tribute to my agility than as a matter to be unduly captious about. It is a manifestation of a confidence in my powers to overcome the limitations of time and space that I think upon with an expanding head, if not with a swelling heart, and whether this required annihilation of distance has been wholly agreeable or not it has enabled me to see more of my own country than I otherwise could have seen, and to that extent, I hope, has made a better American of me. Wherefore before beginning our ramble from Pillar to Post I record here in testimony of my gratitude to them the names of Arthur C. Coit, and Louis J. Alber, of the Coit Lyceum Bureau of Cleveland, Ohio; of Frank A. Morgan, of the Mutual Lyceum Bureau, of Chicago; of Kenneth M. White, of the White Entertainment Bureau of Boston; of S. Russell Bridges, of the Alkahest Lyceum System of Atlanta, Georgia; of J. B. Pond, Jr., and that tried friend both in the Lyceum field and out of it, William C. Glass, of the J. B. Pond Lyceum Bureau of New York. Thanks are due to the publishers of _Every Week_ for courtesies extended, and finally I desire to inscribe a word of affectionate esteem for my friends, J. Thomson Willing, and that inspiring editorial guide and mentor, William A. Taylor, of the Associated Sunday Magazines, under whose genial direction these papers were first presented to the public. JOHN KENDRICK BANGS. CONTENTS PAGE I GETTING USED TO IT 3 II SOUTHERN HOSPITALITY 23 III GETTING THE LEVEL 40 IV THE GOOD SAMARITAN 61 V A VAGRANT POET 83 VI BACK-HANDED COMPLIMENTS 98 VII FRIENDS OF THE ROAD 116 VIII CHAIRMEN I HAVE MET 134 IX CHANCE ACQUAINTANCES 155 X HUMORS OF THE ROAD 175 XI MINE HOST 196 XII PERILS OF THE PLATFORM 220 XIII EMBARRASSING MOMENTS 243 XIV "SLINGS AND ARROWS" 266 XV EMERGENCIES 290 XVI A PIONE
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Produced by Eric Eldred [Illustration: 01 GLIMPSE OUTSIDE OF MODERN ROME] ROMAN HOLIDAYS AND OTHERS By W. D. Howells ILLUSTRATED HARPER & BROTHERS PUBLISHERS NEW YORK AND LONDON Copyright, 1908, by HARPER & BROTHERS. Copyright, 1908, by THE SUN PRINTING AND PUBLISHING ASSOCIATION. Published October, 1908. CONTENTS I. UP AND DOWN MADEIRA II. TWO UP-TOWN BLOCKS INTO SPAIN III. ASHORE AT GENOA IV. NAPLES AND HER JOYFUL NOISE V. POMPEII REVISITED VI. ROMAN HOLIDAYS VII. A WEEK AT LEGHORN VIII. OVER AT PISA IX.. BACK AT GENOA X. EDEN AFTER THE FALL ROMAN HOLIDAYS AND OTHERS I. UP AND DOWN MADEIRA. No drop-curtain, at any theatre I have seen, was ever so richly imagined, with misty tops and shadowy clefts and frowning cliffs and gloomy valleys and long, plunging cataracts, as the actual landscape of Madeira, when we drew nearer and nearer to it, at the close of a tearful afternoon of mid-January. The scenery of drop-curtains is often very boldly beautiful, but here Nature, if she had taken a hint from art, had certainly bettered her instruction. During the waits between acts at the theatre, while studying the magnificent painting beyond the trouble of the orchestra, I have been most impressed by the splendid variety which the artist had got into his picture, where the spacious frame lent itself to his passion for saying everything; but I remembered his thronging fancies as meagre and scanty in the presence of the stupendous reality before me. I have, for
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Produced by David Edwards, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE RIVER'S CHILDREN AN IDYL OF THE MISSISSIPPI By RUTH McENERY STUART AUTHOR OF "SONNY," "HOLLY AND PIZEN," "MORIAH'S MOURNING," "NAPOLEON JACKSON," ETC. With Pictures by Barry C. Edwards NEW YORK THE CENTURY CO. 1904 Copyright, 1904, by THE CENTURY CO. Copyright, 1903, by PHELPS PUBLISHING CO. _Published October, 1904_ THE DE VINNE PRESS [Illustration: "Upon the brow of the levee"] LIST OF ILLUSTRATIONS Upon the brow of the levee Gangs of men, reinforcing suspicious danger points with pickax and spade Sipped iced orange syrup or claret sangaree The brave, unthinking fellow, after embracing his beloved, dashed to the front Her arms were about his knees THE RIVER'S CHILDREN AN IDYL OF THE MISSISSIPPI PART FIRST The Mississippi was flaunting itself in the face of opposition along its southern banks. It had carried much before it in its downward path ere it reached New Orleans. A plantation here, a low-lying settlement there, a cotton-field in bloom under its brim, had challenged its waters and been taken in, and there was desolation in its wake. In certain weak places above and below the city, gangs of men--<DW64>s mostly--worked day and night, reinforcing suspicious danger-points with pickax and spade. At one place an imminent crevasse threatened life and property to such a degree that the workers were conscripted and held to their posts by promises of high wages, abetted by periodical passage along the line of a bucket and gourd dipper. [Illustration: "Gangs of men, reinforcing suspicious danger points with pickax and spade"] There was apparently nothing worse than mirth and song in the bucket. Concocted to appeal to the festive instinct of the dark laborers as much as to steady their hands and sustain courage, it was a fine pink and floated ice lumps and bits of lemon when served. Yet there was a quality in it which warmed as it went, and spurred pickax and spade to do their best--spurred their wielders often to jest and song, too, for there was scarcely a secure place even along the brimming bank where one might not, by listening, catch the sound of laughter or of rhythmic voices: "Sing, <DW65>, sing! Sing yo' hymn! De river, she's a-boomin'--she's a-comin _che-bim_! Swim, <DW65>, swim! "Sing, <DW65>, sing! Sing yo' rhyme! De waters is a-floodin'--dey's a-roarin' on time! Climb, squirrel, climb!" At this particular danger-spot just below the city, a number of cotton-bales, contributed by planters whose fortunes were at stake, were placed in line against a threatening break as primary support, staked securely down and chained together. Over these were cast everything available, to raise their height. It was said that even barrels of sugar and molasses were used, and shiploads of pig-iron, with sections of street railways ripped from their ties. Then barrels of boiling tar, tarpaulins, and more chains. And then-- And then there were prayers--and messages to the priests up at the old St. Louis Cathedral, where many of the wives were kneeling--and reckless gifts of money to the poor. A few of the men who had not entered church for years were seen to cross themselves covertly; and one, a convivial creole of a rather racy reputation, was even observed, through the sudden turn of a lantern one night, to take from his pocket a miniature statue of St. Joseph, and to hold it between his eyes and the sky while he, too, crossed himself. And the boon companion who smiled at the sight did himself make upon his own breast a tiny sign of the cross in the dark, even as he moved toward his friend to chaff him. And when, in turning, he dimly descried the outline of a distant spire surmounted by a cross against the stars, he did reverently lift his hat. "It can't do any harm, anyhow," he apologized to himself; but when he had reached his friend, he remarked dryly: "You don't mean to tell me, Felix, dat you pray to St. Joseph yet, you old sinner! Excuse me, but dose passing lantern, dey give you away." "Pray to St. Joseph? I would pray to de devil to-night, me, Adolphe, if I believed he would drive de
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Transcribed from the 1852 Chapman and Hall edition by David Price, [email protected] OLD ROADS AND NEW ROADS. * * * * * * * * * * "MESSER LUDOVICO, DOVE AVETE COGLIATO TANTE COGLIONERIE?" * * * * * * * * * * LONDON: CHAPMAN AND HALL, 193, PICCADILLY. * * * * * 1852. PRINTED BY JOHN EDWARD TAYLOR, LITTLE QUEEN STREET, LINCOLN'S INN FIELDS. PREFACE. GENTLE READER, If you look to move through this little volume in a direct line, after the present fashion of Railway Travelling, you will be signally disappointed. Nothing can well be more circuitous than the route proposed to you, nor more eccentric than your present guide. This book aspires to the precision of neither Patterson nor Bradshaw. Let men "bloody with spurring, fiery hot with speed," consult those oracles of swiftness and rectitude of way: we do not belong to their manor. We desire to beguile, by a sort of serpentine irregularity, the occasional tedium of rapid movement. We move to our journey's end by sundry old-fashioned circuitous routes. Grudge not, while you are whirled along a New Road, to loiter mentally upon certain Old Roads, and to consider as you linger along them the ways and means of transit which contented our ancestors. Although their coaches were slow, and their pack-saddles hard as those of the Yanguesan carriers of La Mancha, yet they reached their inns in time, and bequeathed to you and me--Gentle Reader--if we have the grace to use them, many pithy and profitable records of their wayfaring. The battle is not always to the strong, nor the race to the swift: neither is the most rapid always the pleasantest journey. Horace accompanied Maecenas on very urgent business, yet he loitered on the way, and confesses his slackness without shame-- "Hoc iter ignavi divisimus, altius ac nos Praecinctis unum: minus est gravis Appia tardis." It was, he says, more comfortable to take his time. Is our business more pressing than his was? It can hardly be, seeing that he wended with a company whose errand was to prevent the two masters of the world from coming to blows. In comparison with such a mission, who will put the buying of a cargo of cotton, or arriving an hour before a public meeting begins, or catching a pic-nic party just in the nick of time? St. Bernard rode from sunrise to sunset along the Lake Leman without once putting his mule out of a walk; so much delectation the holy man felt in beholding the beauty of the water and the mountains, and in "chewing the cud of his own sweet or bitter fancies." And good Michel Seigneur de Montaigne took a week for his journey from Nice to Pisa, although his horse was one of the smartest trotters in Gascony, merely for the pleasure he felt in following the by-lanes. And did not Richard Hooker receive from Bishop Jewell his blessing and his walking-staff, and yet with such poor means of speed he thought not of the weary miles between Exeter and Oxford, but trudged merrily with a thankful heart for the good oak prop, and the better blessing? Much less content with his journey was Richard when he rode to London on a hard-paced nag, that he might be in time to preach his first sermon at St. Paul's. And was not this, the hastier of his journeys, the most unlucky in his life, seeing that it brought him acquainted with that foul shrew, Joan, his wife, who made his after-days as bitter to him, patient and godly though he were, as wormwood and coloquintida? Are not these goodly examples, Christian and Heathen? Let the Train rush along, you and I will travel at our own pace. Neither shall you, if you will be ruled by your present guide, saunter along the roads of Britain alone, or on known and extant ways only. Are there not roads which never paid toll, roads in the waste, roads travelled only in vision, roads once traversed by the feet of myriads, yet now overgrown by the forest, or buried deeply in the marsh? Shall we not for awhile be surveyors of these forgotten highways, and pause beside the tombs of the kings, or consuls, or Incas, who first levelled them? The world has moved westward with the daily motion of the earth. Yet, in the far East lie the most ancient highways--whose pavements once echoed with the hurrying feet of Nimrod's outposts or the trampling of Agamemnon's rear-guard. It were well to mark how that ancient chivalry sped along their causeways. Nor, on our devious route, shall baiting-places be wanting. Drunken Barnaby stayed not oftener to prove the ale than we will do:-- "AEgre jam relicto rure _Securem Aldermanni_--_bury_ Primo petii, qua exosa Sentina, HOLBURNI ROSA Me excepit, ordine tali Appuli GRYPHEM VETERIS BAILEY: Ubi experrectum lecto TRES CICONIAS indies spect
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Produced by Charlene Taylor, Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Library of Early Journals.) [Transcriber's note: Original spelling variations have not been standardized. {Old English} style letters have been shown in {braces}. Characters with macrons have been marked in brackets with an equal sign, as [=e] for a letter e with a macron on top; [p=] shows a letter p with a stroke through the descender. Underscores have been used to indicate _italic_ fonts. A list of volumes and pages in "Notes and Queries" has been added at the end.] NOTES AND QUERIES: A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC. "When found, make a note of."--CAPTAIN CUTTLE. VOL. V.--No. 134. SATURDAY, MAY 22. 1852. Price Fourpence. Stamped Edition, 5_d._ CONTENTS. Page NOTES:-- A few Things about Richard Baxter, by H. M. Bealby 481 Latin Song by Andrew Boorde, by Dr. E. F. Rimbault 482 Shakspeare Notes 483 Publications of the Stuttgart Society, by F. Norgate 484 Manuscript Shakspeare Emendations, by J. O. Halliwell 484 The Grave-stone of Joe Miller 485 Folk Lore:--Swearing on a Skull--New Moon--Rust 485 Minor Notes:--Epitaph at Low Moor--Sir Thomas Overbury's Epitaph--Bibliotheca Literaria--Inscription at Dundrah Castle--Derivation of Charing 486 QUERIES:-- Poem by Nicholas Breton 487 The Virtuosi, or St. Luke's Club 487 The Rabbit as a Symbol 487 Is Wyld's Great Globe a Plagiarism from Molenax? by John Petheram 488 Minor Queries:--Poem on the Burning of the Houses of Parliament--Newton's Library--Meaning of Royd--The Cromwell Family--Sir John Darnell, Knt.--Royal "We"--Gondomar--Wallington's Journal--Epistola Lucifera, &c.--Cambrian Literature--"VCRIMDR" on Coins of Vabalathus--Lines on Woman--Penkenol--Fairfax Family Mansion--Postman and Tubman in the Court of Exchequer--Second Exhumation of King Arthur's Remains, &c. 488 MINOR QUERIES ANSWERED:--Welsh Women's Hats--Pancakes on Shrove Tuesday--Shakspeare, Tennyson, and Claudian 491 REPLIES:-- The Ring Finger 492 The Moravian Hymns 492 Cagots 493 Sheriffs and Lords Lieutenant 494 St. Christopher 494 General Pardons: Sir John Trenchard, by E. S. Taylor 496 Replies to Minor Queries:--Dayesman--Bull; Dun--Algernon Sidney--Age of Trees--Emaciated Monumental Effigies--Bee Park--Sally Lunn--Baxter's Pulpit--Lothian's Scottish Historical Maps--British Ambassadors--Knollys Family--'Prentice Pillars; 'Prentice Windows--St. Bartholomew--Sun-dial Inscription--History of Faction--Barnacles--Family Likenesses--Merchant Adventurers to Spain--Exeter Controversy--Corrupted Names of Places--Poison--Vikingr Skotar--Rhymes on Places--"We three"--Burning Fern brings Rain--Plague Stones--Sneezing--Abbot of Croyland's Motto--Derivation of the Word "Azores"--Scologlandis and Scologi 497 MISCELLANEOUS:-- Notes on Books, &c. 501 Books and Odd Volumes wanted 502 Notices to Correspondents 502 Advertisements 503 Notes. A FEW THINGS ABOUT RICHARD BAXTER. In the year 1836, I visited Kidderminster for the purpose of seeing the place where Richard Baxter spent fourteen of the most valuable years of his life; and of ascertaining if any relics were to be found connected with the history of this remarkable man. Baxter thought much of Kidderminster, for with strong feeling he says, respecting this place, in his poem on "Love breathing Thanks and Praise" (_Poetical Fragments_, 1st edit. 1681):-- "But among all, none did so much abound, With fruitful mercies, as that barren ground, Where I did make my best and longest stay, And bore the heat and burden of the day; Mercies grew thicker there than summer flowers: They over-numbered my daies and hours. There was my dearest flock, and special charge, Our hearts in mutual love thou didst enlarge: 'Twas there that mercy did my labours bless, With the most great and wonderful success." While prosecuting my inquiries, I was shown the house in which he is said to have resided. It is situated in the High Street, and was, at the time of my visit, inhabited by a grocer; but I had my doubts, from a difference of opinion I heard stated as to this being the actual house. After looking at this house, I visited the vestry of the Unitarian Chapel, and examined the pulpit; the description of which given by your correspondent is very correct. He omits to mention Job Orton's chair, which was shown me, as well as that of Bishop Hall. From all I could learn at the time, and since, I should say that there is not the slightest probability of any engraving having been published of this pulpit. Sketches may have been made by private hands, but nothing I believe in this way has ever been given to the public. I have long taken a deep interest in everything, pertaining to Richard Baxter. I some years ago collected ninety-seven out of the one hundred and sixty-eight works which he wrote, most of them the original editions, and principally on controversial subjects. After they had served the purpose for which I purchased them, I parted with them, reserving to myself the first editions of the choicest of his practical writings. The folio edition of his works contains only his practical treatises. One of the most remarkable facts connected with the history of Baxter, is the prodigious amount of mechanical drudgery to which he must have patiently submitted in the production of his varied publications. He had a very delicate frame: he was continually unwell, and often greatly afflicted. To this constant ailment of body he refers in a very affecting note in his _Paraphrase on the New Testament_ under the fifth verse in the fifth chapter of the Gospel of St. John. The reference is to the impotent man at the pool of Bethesda, who had an infirmity thirty and eight years. _Note._ "How great a mercy is it, to live eight and thirty years under God's wholesome discipline? How inexcusable was this man, if he had been proud, or worldly, or careless of his everlasting state? O my God! I thank thee for the like discipline of eight and fifty years. How safe a life is this, in comparison of full prosperity and pleasure." His ministerial duties were of an arduous nature, and yet he found time to write largely on theological subjects, and to plunge perpetually into theological controversy. The _Saint's Rest_, by which his fame will ever be perpetuated, was published in 1619, 4to. It is in four parts, and dedicated respectively to the inhabitants of Kidderminster, Bridgenorth, Coventry, and Shrewsbury. It was the first book he wrote, and the second he published (_The Aphorisms of Justification_ being the first published): it was written under the daily expectation of dying. The names of Brook, Hampden, and Pym, which have a place in the first edition, are, singularly enough, omitted in the later ones. Fifty years after the appearance of the _Saint's Rest_, and a few months only before his death, he published the strangest of all his productions; it is-- "The Certainty of the World of Spirits, fully evinced by unquestionable Histories of Apparitions and Witchcrafts, Operations, Voices, &c. Proving the Immortality of Souls, the Malice and Misery of Devils and the Damned, and the Blessedness of the Justified. Written for the Conviction of Sadducees and Infidels." 12mo. 1691. His _Reliquiae Baxterianae_, folio, 1686, is the text-book for the actual every-day life of this eminent divine. H. M. BEALBY. North Brixton. LATIN SONG BY ANDREW BOORDE. The life of this "progenitor of Merry Andrew," as he is termed, would, if minutely examined, doubtless prove a curious piece of biography. Wood furnishes many particulars, but some of his statements want confirmation. He tells us that Boorde was borne at Pevensey in Sussex; but Hearne corrects him, and says it was at Bounds Hill in the same county. It then becomes a question whether he was educated at Winchester school. Certain it is that he was of Oxford, although he left without taking a degree, and became a brother of the Carthusian order in London. We next find him studying physic in his old university, and subsequently travelling through most parts of Europe, and even of Africa. On his return to England, he settled at Winchester, and practised as a physician. Afterwards we find him in London occupying a tenement in the parish of St. Giles-in-the-Fields. This appears to have been the period when, in his professional capacity, King Henry VIII. is said to have consulted him. How long he remained in London is uncertain, but in 1541 he was living at Montpelier in France, where he is supposed to have taken the degree of doctor in physic, in which he was afterwards incorporated at Oxford. He subsequently lived at Pevensey, and again at Winchester. At last we find him a prisoner in the Fleet--the cause has yet to be learned,--at which place he died in April, 1549. The following curious relic is transcribed from the flyleaf of a copy of _The Breviary of Health_, 4to., London, 1547. It is signed "Andrew Boord," and if not the handwriting of the facetious author himself, is certainly that of some one of his cotemporaries: "Nos vagabunduli, Laeti, jucunduli, Tara, tantara teino. Edimus libere, Canimus lepide, Tara, &c. Risu dissolvimur, Pannis obvolvimur, Tara, &c. Multum in joculis, Crebro in poculis, Tara, &c. Dolo consuimus, Nihil metuimus, Tara, &c. Pennus non deficit, Praeda nos reficit, Tara, &c. Frater Catholice, Vir apostolice, Tara, &c. Dic quae volueris Fient quae jusseris, Tara, &c. Omnes metuite Partes gramaticae, Tara, &c. Quadruplex nebulo Adest, et spolio, Tara, &c. Data licencia, Crescit amentia, Tara, &c. Papa sic praecipit Frater non decipit Tara, &c. Chare fratercule, Vale et tempore, Tara, &c. Quando revititur, Congratulabimur, Tara, &c. Nosmet respicimus, Et vale dicimus, Tara, &c. Corporum noxibus Cordium amplexibus, Tara tantara teino." Andrew Boorde's printed works are as follows: 1. _A Book of the Introduction to Knowledge_, 4to., London, 1542. 2. _A Compendious Regiment or Dietary of Health, made at Mountpyller_, 8vo., 1542. 3. _The Breviary of Health_, 4to., London, 1547. 4. _The Princyples of Astronomye_, 12mo., R. Copland, London, n. d. Wood tells us he wrote "a book on prognosticks," and another "of urines." _The Merry Tales of the Wise Men of Gotham_ are also ascribed to him, as well as _A Right Pleasant and Merry History of the Mylner of Abington_, &c. The origin of the _Merry Tales_ is pointed out by Horsfield, in his _History of Lewes_, vol. i. p. 239.:-- "At a _last_, holden at Pevensey, Oct. 3, 24 Hen. VIII., for the purpose of preventing unauthorised persons 'from setting nettes, pottes, or innyances,' or anywise taking fish within the privileges of the Marsh of Pevensey, the king's commission was directed to John, Prior of Lewes; Richard, Abbot of Begham; John, Prior of Mychillym; Thomas, Lord Dacre, and others... Dr. Boorde (the original Merry Andrew) founds his tale of the 'Wise Men of Gotham' upon the proceedings of this meeting, Gotham being the property of Lord Dacre, and near his residence." The inhabitants of Gotham in Nottinghamshire have hitherto been considered the "biggest fools in christendom;" but if the above extract is to be depended upon, the _Gothamites_ of Sussex have a fair claim to a share of this honourable distinction. The quotation from the _History of Lewes_ was first pointed out by your learned correspondent, MR. M. A. LOWER, in a communication to Mr. Halliwell's _Archaeologist_, 1842, p. 129. The investigation of the origin of this popular collection of old _Joe Millerisms_ is of some importance, because upon them rests Dr. Boorde's title to be the "progenitor of Merry Andrew." EDWARD F. RIMBAULT. SHAKSPEARE NOTES. Who was the editor of _The Poems and Plays of William Shakspeare_, eight vols. 8vo., published by Scott and Webster in 1833? In that edition the following passage from _The Merchant of Venice_, Act III. Sc. 2., is _pointed_ in this way:-- "Thus ornament is but the guiled shore To a most dangerous sea; the beauteous scarf Veiling an Indian; beauty's, in a word, The seeming truth which cunning times put on To entrap the wisest." To which the anonymous editor appends the following note:-- "I have deviated slightly from the folio
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Produced by Juliet Sutherland, Emmy and the Online Distributed Proofreading Team at http://www.pgdp.net THE BOYHOOD OF JESUS [Illustration] PUBLISHED BY DAVID C. COOK PUBLISHING COMPANY Factory and Shipping Rooms, Elgin, Illinois Try to be like Jesus. The Bible tells of Jesus, So gentle and so meek; I’ll try to be like Jesus In ev’ry word I speak. For Jesus, too, was loving, His words were always kind; I’ll try to be like Jesus In thought and word and mind. I long to be like Jesus, Who said “I am the Truth;” Then I will give my heart to him, Now, in my early youth. —_Lillian Payson._ COPYRIGHT, 1905, BY DAVID C. COOK PUBLISHING COMPANY. [Illustration: THE BABY JESUS.] The Little Lord Jesus. Away in a manger, No crib for a bed, The little Lord Jesus Laid down his sweet head. The stars in the sky Looked down where he lay— The little Lord Jesus Asleep on the hay. The cattle are lowing, The poor baby wakes, But little Lord Jesus No crying he makes. I love thee, Lord Jesus; Look down from the sky, And stay by my cradle To watch Lullaby. —_Luther’s Cradle Hymn._ The Child Promised. [Illustration] [Illustration] THERE was once a time when there was no Christmas at all. There were no beautiful Christmas trees and happy songs and stockings filled with presents. No one shouted “Merry Christmas
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Produced by Julie Barkley, Susan Woodring and PG Distributed Proofreaders [Transcriber's Note: Descriptions of illustrations which have no captions and of page references are found in {curly brackets}.] [Illustration: That's where Daddy is! (From the painting by J. Snowman.)] THE ROYAL SCHOOL SERIES Highroads of Geography _Illustrated by Masterpieces of the following artists:--J.M.W. Turner, F. Goodall, E.A. Hornel, Talbot Kelly, W. Simpson, Edgar H. Fisher, J.F. Lewis, T.H. Liddell, Cyrus Cuneo, &c._ Introductory Book--Round the World with Father 1916 CONTENTS. 1. Good-bye to Father, 2. A Letter from France, 3. In Paris, 4. On the Way to Egypt, 5. A Letter from Egypt, 6. Children of Egypt, 7. Through the Canal, 8. Amongst the Arabs.--I., 9. Amongst the Arabs.--II., 10. A Letter from India, 11. In the Streets, 12. Our Indian Cousin, 13. In the Garden, 14. Indian Boys and Girls, 15. Elephants and Tigers, 16. A Letter from Burma.--I., 17. A Letter from Burma.--II., 18. A Letter from Ceylon, 19. A Letter from China, 20. Chinese Boys and Girls, 21. Hair, Fingers, and Toes, 22. A Letter from Japan, 23. <DW61> Children, 24. A Letter from Canada, 25. Children of Canada, 26. The Red Men, 27. The Eskimos. 28. Father's Last Letter, 29. Home Again, EXERCISES, INTRODUCTORY BOOK. I. GOOD-BYE TO FATHER. 1. Father kissed us and said, "Good-bye, dears. Be good children, and help mother as much as you can. The year will soon pass away. What a merry time we will have when I come back again!" 2. Father kissed mother, and then stepped into the train. The guard blew his whistle, and the train began to move. We waved good-bye until it was out of sight. [Illustration: {Children waving good-bye to their father as the train pulls away}] 3. Then we all began to cry--even Tom, who thinks himself such a man. It was _so_ lonely without father. 4. Tom was the first to dry his eyes. He turned to me and said, "Stop that crying. You are the eldest, and you ought to know better." 5. He made mother take his arm, just as father used to do. Then he began to whistle, to show that he did not care a bit. All the way home he tried to make jokes. 6. As soon as we had taken off our coats and hats, Tom called us into the sitting-room. "Look here," he said: "we're going to have no glum faces in this house. We must be bright and cheerful, or mother will fret. You know father wouldn't like that." [Illustration: {Children in the sitting-room}] 7. We said that we would do our best. So off we went to help mother to make the beds and to dust the rooms. While we were doing this we quite forgot to be sad. 8. After tea we went into father's room and looked at the globe. "I'm going to follow father right round the world," said Tom. "Please show me which way he is going." Mother did so. 9. "By this time next week," she said, "we shall have the first of many long letters from father. I am sure we shall enjoy reading them. He will tell us about the far-off lands which he is going to see." 10. "That will be grand," I said. "I hope he will tell us _lots_ about the children. I want to know what they look like, what they wear, and what games they play." 11. Tom said he would rather not hear about children. He wanted to hear about savages and tigers and shipwrecks, and things like that. [Illustration: {Postman delivering a letter}] 12. A week later the postman brought us father's first letter. How eager we were to hear it! Mother had to read it for us two or three times. 13. Every week for many weeks the postman brought us letters from father. When he handed us a letter he used to say, "I'm glad to see that your daddy is all right so far." 14. This book is made up of father's letters from abroad. I hope you will enjoy them as much as we did. * * * * * 2. A LETTER FROM FRANCE. 1. MY DEAR CHILDREN,--I am writing this letter in a large seaport of the south of France. To-morrow I shall go on board the big ship which is to take me to Egypt. 2. Let me tell you about my travels so far. The train in which I left our town took
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Produced by Chuck Greif, Bryan Ness and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) BOHN’S STANDARD LIBRARY THE POEMS OF HEINE GEORGE BELL AND SONS LONDON: PORTUGAL ST., LINCOLN’S INN. CAMBRIDGE: DEIGHTON, BELL AND CO. NEW YORK: THE MACMILLAN CO. BOMBAY: A. H. WHEELER AND CO. THE POEMS OF HEINE COMPLETE TRANSLATED INTO THE ORIGINAL METRES WITH A SKETCH OF HIS LIFE BY EDGAR ALFRED BOWRING, C.B. [Illustration: colophon] LONDON GEORGE BELL AND SONS 1908 [_Reprinted from Stereotype plates._] CONTENTS. PAGE PREFACE TO THE SECOND EDITION viii PREFACE ix MEMOIR OF HEINRICH HEINE xi EARLY POEMS. SONGS OF LOVE Love’s Salutation 1 Love’s Lament 1 Yearning 2 The White Flower 3 Presentiment 4 MISCELLANEOUS POEMS GERMANY, 1815 6 DREAM, 1816 9 THE CONSECRATION 11 THE MOOR’S SERENADE 12 DREAM AND LIFE 13 THE LESSON 14 TO FRANCIS V. Z---- 14 A PROLOGUE TO THE HARTZ-JOURNEY 15 DEFEND NOT 15
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Produced by A. Elizabeth Warren THE KING OF IRELAND'S SON by Padraic Colum CONTENTS: FEDELMA, THE ENCHANTER'S DAUGHTER WHEN THE KING OF THE CATS CAME TO KING CONNAL'S DOMINION THE SWORD OF LIGHT AND THE UNIQUE TALE, WITH AS MUCH OF THE ADVENTURES OF GILLY OF THE GOAT-SKIN AS IS GIVEN IN "THE CRANESKIN BOOK" THE TOWN OF THE RED CASTLE THE KING OF THE LAND OF MIST THE HOUSE OF CROM DUV THE SPAE-WOMAN FEDELMA, THE ENCHANTER'S DAUGHTER I Connal was the name of the King who ruled over Ireland at that time. He had three sons, and, as the fir-trees grow, some crooked and some straight, one of them grew up so wild that in the end the King and the King's Councillor had to let him have his own way in everything. This youth was the King's eldest son and his mother had died before she could be a guide to him. Now after the King and the King's Councillor left him to his own way the youth I'm telling you about did nothing but ride and hunt all day. Well, one morning he rode abroad-- His hound at his heel, His hawk on his wrist; A brave steed to carry him whither he list, And the blue sky over him, and he rode on until he came to a turn in the road. There he saw a gray old man seated on a heap of stones playing a game of cards with himself. First he had one hand winning and then he had the other. Now he would say "That's my good right," and then he would say "Play and beat that, my gallant left." The King of Ireland's Son sat on his horse to watch the strange old man, and as he watched him he sang a song to himself I put the fastenings on my boat For a year and for a day, And I went where the rowans grow, And where the moorhens lay; And I went over the stepping-stones And dipped my feet in the ford, And came at last to the Swineherd's house,-- The Youth without a Sword. A swallow sang upon his porch "Glu-ee, glu-ee, glu-ee," "The wonder of all wandering, The wonder of the sea;" A swallow soon to leave ground sang "Glu-ee, glu-ee, glu-ee." "Prince," said the old fellow looking up at him, "if you can play a game as well as you can sing a song, I'd like if you would sit down beside me." "I can play any game," said the King of Ireland's Son. He fastened his horse to the branch of a tree and sat down on the heap of stones beside the old man. "What shall we play for?" said the gray old fellow. "Whatever you like," said the King of Ireland's Son. "If I win you must give me anything I ask, and if you win I shall give you anything you ask. Will you agree to that?" "If it is agreeable to you it is agreeable to me," said the King of Ireland's Son. They played, and the King of Ireland's Son won the game. "Now what do you desire me to give, King's Son?" said the gray old fellow. "I shan't ask you for anything," said the King of Ireland's Son, "for I think you haven't much to give." "Never mind that," said the gray old fellow. "I mustn't break my promise, and so you must ask me for something." "Very well," said the King's Son. "Then there's a field at the back of my father's Castle and I want to see it filled with cattle to-morrow morning. Can you do that for me?" "I can," said the gray old fellow. "Then I want fifty cows, each one white with a red ear, and a white calf going beside each cow." "The cattle shall be as you wish." "Well, when that's done I shall think the wager has been paid," said the King of Ireland's son. He mounted his horse, smiling at the foolish old man who played cards with himself and who thought he could bring together fifty white kine, each with a red ear, and a white calf by the side of each cow. He rode away His hound at his heel, His hawk on his wrist; A brave steed to carry him whither he list, And the green ground under him, and he thought no more of the gray old fellow. But in the morning, when he was taking his horse out of the stable, he heard the grooms talking about a strange happening. Art, the King's Steward, had gone out and had found the field at the back of the Castle filled with cattle. There were fifty white red-eared kine there and each cow had a white calf at her side. The
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Produced by Charlie Howard and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration] THE ASHTABULA DISASTER. BY REV. STEPHEN D. PEET, OF ASHTABULA, OHIO. _ILLUSTRATED._ CHICAGO, ILL.: J. S. GOODMAN--LOUIS LLOYD & CO. LONDON, ONT.: J. M. CHUTE & CO. 1877. Copyright, A. D. 1877, By J. S. GOODMAN and LOUIS LLOYD & CO. OTTAWAY & COLBERT, PRINTERS, 147 & 149 Fifth Ave., Chicago. BLOMGREN BROS. & CO., ELECTROTYPERS, 162 & 164 Clark St., Chicago. PREFACE. The narrative of the greatest railroad disaster on record is a task which has been undertaken in the following pages. No event has awakened more wide-spread interest for many years, and the calamity will not cease to have its effect for a long time to come. The author has had unusual facilities for knowing the particulars, and has undertaken the record of them on this account. A familiarity with the locality, the place and the citizens, personal observation on the spot during the night, and a critical examination of the wreck before it was removed in the morning gave him an exact knowledge of the accident which few possessed. This, followed by intercourse with the survivors, with the friends of the deceased, and the representatives of the press, and by correspondence, which resulted from his assistance in identifying bodies, and searching for relics, all added to his acquaintance with the event and its consequences. The author is, however, happy in making an acknowledgment of assistance from the thorough investigation of the coroner’s jury, from the faithful presentation of facts by the reporters of the press, especially those of the “Inter-Ocean” and the “Cleveland Leader,” also from the pictures taken by the artist Frederick Blakeslee, and from the articles published and sent by various friends, which contained sermons, sketches and biographical notices. He has to acknowledge also encouragements received from Capt T. E. Truworthy of California, and his publishers J. S. Goodman and Louis Lloyd & Co. The discussions before the country in reference to the cause of this accident, the author has not undertaken to give. These have been contained in the “Railroad Gazette,” the “Railway Age,” the “Springfield Republican,” the New York and Chicago dailies, and many other papers. Prominent engineers, such as C. P. Buckingham, Clemans Herschel, E. C. Davis, L. H. Clark, Col. C. R. Morton, E. S. Cheseborough, Edward S. Philbrick, D. V. Wood, F. R. Smith and many others have passed their opinion upon it. The accident at first seemed to involve the question of the use of iron for bridges, and whether the European system was not better than the American, and a comment upon this was given by Charles Collins, when he testified that $25,000 more would have erected a stone bridge. Yet as the discussions continued, the conclusion seems to have been reached that riveted iron bridges might be safe if properly constructed, and the engineers appointed by the State Legislature of Ohio, reported that they “find nothing in this case to justify our popular apprehension that there may be some inherent defect in iron as a material for bridges. We find no evidence of weakness in this bridge, which could not have been discovered and prevented.” The erection of iron bridges with the trusses all below the track as contrasted with so-called “through” bridges has also been discussed. In this case the tendency to “buckling” where the track is supported by iron braces rather than suspended from them was most apparent, for engineer Gottleib testified there was not a single brace which was not buckled. The danger from derailment and the fearful result which must follow in high bridges like this is sufficient argument for the addition of guards, or some other means to prevent trains from going off. These questions, however, are for railroad engineers to settle. The responsibility of the railroad companies to the American public is a point more important. The “Iron Age,” speaking of this disaster says, “it is a disquieting accident.” It says also that: “We know there are plenty of cheap, badly built bridges
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Produced by Martin Ward THE WISDOM OF FATHER BROWN By G. K. Chesterton To LUCIAN OLDERSHAW CONTENTS 1. The Absence of Mr Glass 2. The Paradise of Thieves 3. The Duel of Dr Hirsch 4. The Man in the Passage 5. The Mistake of the Machine 6. The Head of Caesar 7. The Purple Wig 8. The Perishing of the Pendragons 9. The God of the Gongs 10. The Salad of Colonel Cray 11. The Strange Crime of John Boulnois 12. The Fairy Tale of Father Brown ONE -- The Absence of Mr Glass THE consulting-rooms of Dr Orion Hood, the eminent criminologist and specialist in certain moral disorders, lay along the sea-front at Scarborough, in a series of very large and well-lighted french windows, which showed the North Sea like one endless outer wall of blue-green marble. In such a place the sea had something of the monotony of a blue-green dado: for the chambers themselves were ruled throughout by a terrible tidiness not unlike the terrible tidiness of the sea. It must not be supposed that Dr Hood's apartments excluded luxury, or even poetry. These things were there, in their place; but one felt that they were never allowed out of their place. Luxury was there: there stood upon a special table eight or ten boxes of the best cigars; but they were built upon a plan so that the strongest were always nearest the wall and the mildest nearest the window. A tantalus containing three kinds of spirit, all of a liqueur excellence, stood always on this table of luxury; but the fanciful have asserted that the whisky, brandy, and rum seemed always to stand at the same level. Poetry was there: the left-hand corner of the room was lined with as complete a set of English classics as the right hand could show of English and foreign physiologists. But if one took a volume of Chaucer or Shelley from that rank, its absence irritated the mind like a gap in a man's front teeth. One could not say the books were never read; probably they were, but there was a sense of their being chained to their places, like the Bibles in the old churches. Dr Hood treated his private book-shelf as if it were a public library. And if this strict scientific intangibility steeped even the shelves laden with lyrics and ballads and the tables laden with drink and tobacco, it goes without saying that yet more of such heathen holiness protected the other shelves that held the specialist's library, and the other tables that sustained the frail and even fairylike instruments of chemistry or mechanics. Dr Hood paced the length of his string of apartments, bounded--as the boys' geographies say--on the east by the North Sea and on the west by the serried ranks of his sociological and criminologist library. He was clad in an artist's velvet, but with none of an artist's negligence; his hair was heavily shot with grey, but growing thick and healthy; his face was lean, but sanguine and expectant. Everything about him and his room indicated something at once rigid and restless, like that great northern sea by which (on pure principles of hygiene) he had built his home. Fate, being in a funny mood, pushed the door open and introduced into those long, strict, sea-flanked apartments one who was perhaps the most startling opposite of them and their master. In answer to a curt but civil summons, the door opened inwards and there shambled into the room a shapeless little figure, which seemed to find its own hat and umbrella as unmanageable as a mass of luggage. The umbrella was a black and prosaic bundle long past repair; the hat was a broad-curved black hat, clerical but not common in England; the man was the very embodiment of all that is homely and helpless. The doctor regarded the new-comer with a restrained astonishment, not unlike that he would have shown if some huge but obviously harmless sea-beast had crawled into his room. The new-comer regarded the doctor with that beaming but breathless geniality which characterizes a corpulent charwoman who has just managed to stuff herself into an omnibus. It is a rich confusion of social self-congratulation and bodily disarray. His hat tumbled to the carpet, his heavy umbrella slipped between his knees with a thud; he reached after the one and ducked after the other, but with an unimpaired smile on his round face spoke simultaneously as follows: "My name is Brown. Pray excuse me. I've come about that business of the MacNabs. I have
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Produced by Brendan OConnor, JoAnn Greenwood, Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Library of Early Journals.) BLACKWOOD'S Edinburgh MAGAZINE. VOL. LX. JULY-DECEMBER, 1846. [Illustration] WILLIAM BLACKWOOD & SONS, EDINBURGH AND 37, PATERNOSTER ROW, LONDON. 1846 TRANSCRIBER'S NOTE: A few obvious misprints have been corrected, but in general the originally erratic spelling, punctuation and typesetting conventions have been retained. Accents in foreign language poetry and phrases are inconsistent in the original, and have not been standardized. In "English Hexameters" letter: [=x] is x with a macron, [)x] is x with a breve. Readers interested in this article are strongly encouraged to refer to the UTF8 or HTML versions. BLACKWOOD'S EDINBURGH MAGAZINE. No. CCCLXIX. JULY, 1846. VOL. LX CONTENTS. PERU, 1 LETTERS ON ENGLISH HEXAMETERS. LETTER I., 19 MARLBOROUGH'S DISPATCHES. 1708-1709, 22 THE AMERICANS AND THE ABORIGINES. PART THE LAST, 45 THE DEATH OF ZUMALACARREGUI, 56 NEW SCOTTISH PLAYS AND POEMS, 62 ELINOR TRAVIS. CHAPTER THE SECOND, 83 MORE ROGUES IN OUTLINE, 101 THE LAST RECOLLECTIONS OF NAPOLEON, 110 EDINBURGH: WILLIAM BLACKWOOD AND SONS, 45, GEORGE STREET; AND 37, PATERNOSTER ROW, LONDON. _To whom all Communications (post paid) must be addressed._ SOLD BY ALL THE BOOKSELLERS IN THE UNITED KINGDOM. PRINTED BY BALLANTYNE AND HUGHES, EDINBURGH. PERU.[1] A clever book of travels, over ground comparatively untrodden, is in these days a welcome rarity. No dearth is there of vapid narratives by deluded persons, who, having leisure to travel, think they must also have wit to write: with these we have long been surfeited, and heartily grateful do we feel to the man who strikes out a new track, follows it observantly, and gives to the world, in pleasant and instructive form, the result of his observations. Such a traveller we have had the good fortune to meet with, and now present to our readers. We take it that no portion of the globe's surface, of equal extent, and comprising an equal number of civilized, or at least semi-civilized, states, is less known to the mass of Europeans than the continent of South America. Too distant and dangerous for the silken tourist, to whom steam-boats and dressing-cases are indispensable, it does not possess, in a political point of view, that kind of importance which might induce governments to stimulate its exploration. As a nest of mushroom republics, continually fighting with each other and revolutionizing themselves--a land where throat-cutting is a popular pastime, and earthquakes, fevers more or less yellow, and vermin rather more than less venomous, are amongst the indigenous comforts of the soil--it is notorious, and has been pretty generally avoided. Braving these dangers and disagreeables, a German of high reputation as a naturalist and man of letters, has devoted four years of a life valuable to science to a residence and travels in the most interesting district of South America; the ancient empire of the Incas, the scene of the conquests and cruelties of Francisco Pizarro. "The scientific results of my travels," says Dr Tschudi in his brief preface, "are recorded partly in my _Investigation of the Fauna Peruana_[2] and partly in appropriate periodicals: the following volumes are an attempt to satisfy the claim which an enlightened public may justly make on the man who visits a country in reality but little known." We congratulate the doctor on the good success of his attempt. The public, whether of Germany or of any other country into whose language his book may be translated, will be difficult indeed if they desire a better account of Peru than he has given them. Bound for the port of Callao, the ship Edmond, in which Dr Tschudi sailed from Havre-de-Grace, was driven by storms to the coast of Chili, and first cast anchor in the bay of San
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Produced by Fritz Knack and PG Distributed Proofreaders WHIG AGAINST TORY: OR, THE MILITARY ADVENTURES OF A SHOEMAKER. A TALE OF THE REVOLUTION. FOR CHILDREN. 1851. CONTENTS. INTRODUCTION CHAP. I. Gen P. tells about the early life of Enoch Crosby. CHAP. II. Gen. P. tells about the war, and how Crosby enlisted as a soldier for one campaign. CHAP. III. Gen. P. tells how Crosby again enlisted as a soldier, and of his singular adventures. CHAP. IV. Gen. P. tells how Crosby enlisted in the service of the Committee of Safety, and how he was taken prisoner. CHAP. V. Gen. P. tells about how Crosby's visit to a mountain cave-- how he was again taken prisoner--and the manner in which he escaped. CHAP. VII. Gen. P. tells about the farther adventures of Crosby--how he was obliged to show his secret pass--how he resided at a Dutchman's--how afterwards he was cruelly beaten and wounded.-- Conclusion. INTRODUCTION. "Will you tell me a story this evening, father?" asked William P., a fine lad of twelve years of age, the son of General P., who had been a gallant officer in the revolutionary war. "And what story shall I tell you, my son?" said the general. "Something about the war, father." "You are always for hearing about the war, William," said General P. "I have told you almost all the stories I recollect. And besides, William, if you love to hear about war so well, when you are young, you will wish to be a soldier, when you become a man." "And would you not wish to have me a soldier, father, if war should come?--you was once a soldier, and I have heard people say, that you was very brave, and fought like a hero!" "Well, well, William," said the general, "I must tell you one story more. Where are Henry and John? You may call them--they will like to hear the story too." (_Enter William, Henry and John_.) _Henry_. "Father! William says you are going to tell us a story about the war! what----" [Illustration] _John_. "Shall you tell us about some battle, where you fought?" _Gen. P_. "Sit down, my children, sit down. Did I ever tell you about _Enoch Crosby_?" _William_. "_Enoch Crosby_? why, I never heard of such a man." _Henry_. "Nor did I." _Gen. P_. "I suppose not; but he was a brave man, and did that for his country, which is worthy to be told." _John_. "Was he a general, father?" _Gen. P_. "No; he was a _spy_." _William_. "A spy! a spy! father, I thought a spy was an odious character?" _Gen. P_. "Well, a real spy is generally so considered. I think it would be more appropriate to say, that he was an _informer_. During the war, many Americans were employed to obtain information about the enemy. They were often soldiers, and received pay, as did the soldiers, and sometimes obtained information, which was very important, especially about the _tories_, or such Americans as favoured the British cause." _Henry_. "Is that the meaning of the word tory?" _Gen. P_. "Yes; tories were Americans, who wished that the British aims might succeed, and the king of England might still be king of the colonies. Those who wished differently, and who fought against the British, were called _whigs_." _John_. "Was Crosby a whig?" _Gen. P_. "Yes; no man could be more devoted to the liberty of his country." _William_. "Whence were the names whig and tory derived?" _Gen. P_. "Do you wish to know the _original meaning_ of the words, my son?" _William_. "Yes, sir." _Gen. P_. "The word _tory_, the learned Webster says, was derived from the Irish, in which language it signifies a _robber. Tor_, in that language, means a _bush_; and hence _tory_, a robber, or bushman; because robbers often secrete themselves in the bushes. The meaning of the word _whig_, I am unable to tell you. Its origin is uncertain. It was applied, as I told you, to those who fought for the liberty of America." _William_. "If the word tory means a robber, it was very properly applied to those, who wished to _rob_ the people of America of their rights--don't you think so, father?" _Gen. P_. "Exactly so, William--a very just remark." _John_. "Father! I thought you was going
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Produced by Charlie Howard and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE REALITY OF WAR THE REALITY OF WAR A COMPANION TO CLAUSEWITZ BY MAJOR STEWART L. MURRAY LATE GORDON HIGHLANDERS POPULAR EDITION EDITED BY A. HILLIARD ATTERIDGE LONDON HODDER AND STOUGHTON WARWICK SQUARE, E.C. HUGH REES, LTD. 5 REGENT STREET, S.W. _Reprinted in 1914_ EDITOR'S PREFACE Great books, the masterpieces of the special branch of knowledge with which they deal, are often very big books; and busy men, who have not unlimited
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