1P78-1 Kashtan, Design, Zeroing
This sight is based on the 400 meter concept, so if an operator shot from a distance of 100 meters, the bullet point of impact would be 22–25 centimeters higher than your intended point of impact. The largest chevron is intended for ranges from 0 to 400 meters. Inside the center chevron lies a dot that was implemented to be used against targets that are 500 meters from the operator. The 2nd and 3rd chevrons are for targets that are 600 and 700 meters away. While this scope does not have the range calculating system that the PSO implements it is possible to use the dimensions of the hash marks to calculate range.


1P78-1 Kashtan, Design, Reticle
This sight does not come with a floating element like the PSO and other magnified Russian optics. Mainly due to the fact that this scope is not intended for marksman applications. It is the traditional Russian chevron system, which has a glowing tritium system, which is a new system. It has an effortless way of calculating range, making it a sufficient platform.


1P78-1 Kashtan, Mounting system
The 1P78 is centered over the bore of the weapon and has a reasonable height. Making it like how the Acog works. It has an adjustable len cap that can rotate freely that incorporates a spring-loaded detent that keeps it from wiggling around. Adjusting the height of this platform is quite easy and takes little effort. It does block the iron sights when mounted and can be dismantled from the side mount very quickly and easily. The simpleness and convenience of this mounting system make this scope a very combat effective and practical system.


1PN51
1PN51 (Russian: 1ПН51) is the GRAU index for a Soviet designed passive night scope for a range of Soviet designed small arms and grenade launchers. 1PN is the GRAU index of night vision devices, where PN stands for Nochnoy Pritsel (Russian: Ночной прицел) meaning night sight.


1PN51
The scope weighs 2.1 kg and measures 276 mm × 210 mm × 140 mm (length × height × width).


1PN51
It is attached onto a matching side rail on the weapon after which a lever on the scope is pressed to hold it in place.


1PN51
The 1PN51 comes in a metal container with room for extra batteries, battery charger and the other accessories, weighing 6.45 kg in total.


1PN51, Optics
The scope gathers light via an 80 mm aperture into a reflector with the secondary mirror obscuring the central 42 mm of the aperture.


1PN51, Optics
For zeroing the sight the top of the scope has two perpendicular knobs, of which the elevation knob has a detachable scale. The scope comes with eight different, detachable elevation scales for the supported weapons.


1PN51, Optics
The aperture cover itself has two 12 mm apertures that can be opened partially allowing the scope to be used in light conditions that would otherwise saturate the light intensifier.


1PN51, Optics
The rear end of the scope is a focus dial.


1PN51, Light Intensifier and Reticle
On the left below the aperture the device has a brightness knob. Apart from powering on and off the device, this knob controls the brightness of the reticle allowing for the reticle to be visible without outshining the target.


1PN51, Light Intensifier and Reticle
The reticle has markings that match targets of various heights from 0.3 m to 2.7 m at distances ranging from 100 m to 970 m. This is similar to the reticle of the 1PN58.


1PN51, Power
The light intensifier is powered by a pack of 5 D-0,55S (Russian: Д-0,55С) rechargeable cells, providing up to 7 V. The scope requires 6.25 V. The maximum current drawn is 40 mA.


1PN51, Power
The D-0,55S battery pack is used by a range of devices including 1PN51-2 and 1PN58 and has a separate charging device. The charging device has a switch to select one of 12 V or 27 V input and two red control lamps, one to indicate that power is available and one to indicate that charging is complete.


1PN51, Supported Weapons
As of 1992 the 1PN51 can be used with the following weapons (weapons on the same line share the elevation scale):


1PN51, Image gallery
A 1PN51 with its aperture cover set to open mounted on a weapon


1PN51, Image gallery
Three battery packs for the 1PN51, two of which are disassembled


1PN51-2
1PN51-2 (Russian: 1ПН51-2) is the GRAU index for a Soviet designed passive night scope for the RPG-29 rocket launcher. 1PN is the GRAU index of night vision devices, where PN stands for Nochnoy Pritsel (Russian: Ночной прицел) meaning night sight.


1PN51-2
The scope weighs 2.1 kg and measures 280 mm × 192 mm × 106 mm (length × height × width). It is thus more compact than the similar multi-model 1PN51 night vision scope.


1PN51-2
It is attached onto a matching side rail on the RPG after which a lever on the scope is pressed to hold it in place.


1PN51-2
It comes in a metal container with room for extra batteries, battery charger and the other accessories, weighing 6.45 kg in total.


1PN51-2, Optics
The scope gathers light via an 80 mm aperture into a reflector with the secondary mirror obscuring the central 42 mm of the aperture.


1PN51-2, Optics
The top of the scope has two perpendicular knobs for zeroing the sight.


1PN51-2, Optics
The aperture cover itself has two 12 mm apertures that can be opened partially allowing the scope to be used in light conditions that would otherwise saturate the light intensifier.


1PN51-2, Optics
The rear end of the scope is a focus dial.


1PN51-2, Light Intensifier and Reticle
Below the aperture the device has a brightness knob. Apart from powering on and off the device, this knob controls the brightness of the reticle allowing for the reticle to be visible without outshining the target.


1PN51-2, Light Intensifier and Reticle
The reticle has markings that match the height of a typical armoured vehicle at ranges 200 m, 300 m, 400 m and 500 m.


1PN51-2, Power
The light intensifier is powered by a pack of 5 D-0,55S (Russian: Д-0,55С) rechargeable cells, providing up to 7 V. The scope requires 6 V ± 1 V. The maximum current drawn is 40 mA.


1PN51-2, Power
The D-0,55S battery pack is used by a range of devices including 1PN51 and 1PN58 and has a separate charging device. The charging device has a switch to select one of 12 V or 27 V input and two red control lamps, one to indicate that power is available and one to indicate that charging is complete.


1PN51-2, Image gallery
A 1PN51-2 with bag, manual, battery packs (one disassembled), battery charger w. cable


1PN51-2, Image gallery
Three battery packs for the 1PN51-2, two of which are disassembled


1PN58
1PN58 (Russian: 1ПН58) is the GRAU index for a Soviet designed passive night scope for a range of Soviet designed small arms and grenade launchers. 1PN is the GRAU index of night vision devices, where PN stands for Nochnoy Pritsel (Russian: Ночной прицел) meaning night sight. It is also called NSPUM (Russian: НСПУМ).


1PN58
The scope weighs 2 kg and measures 458 mm × 186 mm × 99 mm (length × height × width).


1PN58
It is attached onto a matching side rail on the weapon after which a lever on the scope is pressed to hold it in place.


1PN58
The 1PN58 comes in a metal container with room for extra batteries, battery charger and the other accessories, weighing 7.3 kg in total.


1PN58, Optics
The scope gathers light into a refractor which can be protected with an aperture cover. The center of the cover has a circular aperture with dark glass allowing the scope to be used in light conditions that would otherwise saturate the light intensifier.


1PN58, Optics
For zeroing the sight the left side of the scope has two perpendicular knobs, of which the elevation knob has a detachable scale. The scope comes with seven different, detachable elevation scales, one for each of the supported weapons.


1PN58, Light Intensifier and Reticle
On the left below the aperture the device has a brightness knob. Apart from powering on and off the device, this knob controls the brightness of the reticle allowing for the reticle to be visible without outshining the target.


1PN58, Light Intensifier and Reticle
The reticle has markings that match targets of various heights from 0.3 m to 2.7 m at distances ranging from 100 m to 970 m. This is similar to the reticle of the 1PN51.


1PN58, Power
The light intensifier is powered by a pack of 5 D-0,55S (Russian: Д-0,55С) rechargeable cells, providing up to 7 V. The scope requires 6.25 V. The current drawn is 7 mA.


1PN58, Power
The D-0,55S battery pack is used by a range of devices including 1PN51 and 1PN51-2 and has a separate charging device. The charging device has a switch to select one of 12 V or 27 V input and two red control lamps, one to indicate that power is available and one to indicate that charging is complete.


1PN58, Supported Weapons
As of 1991 the 1PN58 can be used with the following weapons (weapons on the same line share the elevation scale):


1PN58, Image gallery
Three battery packs for the 1PN58, two of which are disassembled


1PW Heavyweight Championship
The One Pro Wrestling (1PW) World Heavyweight Championship was a professional wrestling championship in One Pro Wrestling. The title was established in 2006 and was the highest ranked championship in the company. Title reigns are determined by professional wrestling matches with different wrestlers, involved in pre-existing scripted feuds, plots and storylines. Wrestlers are portrayed as either villains or fan favorites as they follow a series of tension-building events, which culminate into a wrestling match or series of matches for the championship.


1PW Openweight Championship
The 1PW Openweight Championship was a professional wrestling championship in the One Pro Wrestling (1PW) promotion. The title was established in 2006 and was the lowest ranked championship in the company.


1PW Openweight Championship
Title reigns are determined either by professional wrestling matches between wrestlers involved in pre-existing scripted feuds and storylines, or by scripted circumstances. Wrestlers are portrayed as either villains or heroes as they follow a series of tension-building events, which culminate in a wrestling match or series of matches for the championship. All title changes happened at live events, which are usually released on DVD.


1PW Tag Team Championship
The One Pro Wrestling (1PW) Tag Team Championship was a professional wrestling tag team championship in One Pro Wrestling. The title was established in 2006. Title reigns are determined by professional wrestling matches with different wrestlers, involved in pre-existing scripted feuds, plots and storylines. Wrestlers are portrayed as either villains or fan favorites as they follow a series of tension-building events, which culminate into a wrestling match or series of matches for the championship.


1Password
1Password is a password manager developed by AgileBits Inc. It provides a place for users to store various passwords, software licenses, and other sensitive information in a virtual vault that is locked with a PBKDF2-guarded master password. By default, the user’s encrypted vault is hosted on AgileBits’ servers for a monthly fee. The company is based in Toronto.


1Password, Password file syncing
1Password can be configured through 1Password.com, a paid subscription-based server sync service maintained by the developers. Local Wi-Fi and iCloud sync were only available on iOS and macOS in previous versions.


1Password, Password file syncing
In 2017, the Travel Mode feature was introduced for subscribers of 1Password.com, which enables omission of password entries not tagged as safe for travel from the local storage on a particular device, reducing the impact of being obliged by officials to unlock access at country border crossings.


1Password, Browser extensions
1Password integrates with desktop web browsers including Safari, Chrome, Firefox, Edge, and Opera. The extension can remember logins for websites, fill in website logins automatically, and generate random passwords for new websites.


1Password, Browser extensions
To use browser extensions, the user must have administrative rights on the computer where the browser is installed. This has been an issue with users on a PC assigned by a workplace without admin rights. To address this issue, 1Password offers plans for a monthly subscription fee aimed at businesses that allows web access to their usernames and passwords which can be copied and pasted into login screens. Plans for family and individual use are also available.


1Password, Browser extensions
1Password also offers a standalone extension called 1Password X, available for Firefox, Chrome, and Opera. 1Password X is designed to work without a companion desktop app, but a 1Password.com subscription is required.


1Password, Browser extensions
On the mobile side, 1Password offers integration with browsers and apps on iOS and Android devices using various methods. More convenient methods of filling and saving login information are provided in iOS 12 and Android Oreo (and later), respectively.


1Password, History
In a 2017 Consumer Reports article, Dan Guido, the CEO of Trail of Bits, listed 1Password as a popular password manager (alongside Dashlane, KeePass, and LastPass), with the choice among them mostly up to personal preferences.


1Password, History
Before 1Password 7, and the move to a purely subscription-based service in 2018, 1Password could be set up to only store password files locally, and not sync with remote servers, after purchasing a software license ($64.99 in 2018). As of December 2019, Mac users can still buy a perpetual licence of 1Password 7 from within the app. Apple's browser Safari v13 makes the installation of the 1Password extension v6 impossible, thus forcing users to upgrade to 1Password v7.


1Password, History
On November 14, 2019, 1Password announced a partnership with venture capital firm Accel, which invested $200 million in a Series A funding round and obtained a minority stake in the company. It was the first outside funding in 1Password's history, and the largest single investment Accel had made to date.


1Password, History
In 2021, 1Password acquired SecretHub, a Dutch cybersecurity company. It also raised $100 million in financing with a valuation of $2 billion.


1Punch
1Punch (Hangul: 원펀치) was a South Korean duo formed by Brave Entertainment in Seoul, South Korea, consisting of One and Punch (now known as Samuel). They debuted on January 23, 2015, with their single "Turn Me Back" (돌려놔) from the single album The Anthem. The duo ultimately disbanded after One signed with YG Entertainment. Both members debuted as solo artists in 2017.


1Q84
1Q84 (いちきゅうはちよん, Ichi-Kyū-Hachi-Yon, stylized in the Japanese cover as "ichi-kew-hachi-yon") is a novel written by Japanese writer Haruki Murakami, first published in three volumes in Japan in 2009–10. It covers a fictionalized year of 1984 in parallel with a "real" one. The novel is a story of how a woman named Aomame begins to notice strange changes occurring in the world. She is quickly caught up in a plot involving Sakigake, a religious cult, and her childhood love, Tengo, and embarks on a journey to discover what is "real".


1Q84
The novel's first printing sold out on the day it was released and sales reached a million within a month. The English-language edition of all three volumes, with the first two volumes translated by Jay Rubin and the third by Philip Gabriel, was released in North America and the United Kingdom on October 25, 2011. An excerpt from the novel appeared in the September 5, 2011 issue of The New Yorker magazine as "Town of Cats". The first chapter of 1Q84 had also been read as an excerpt in the Selected Shorts series at Symphony Space in New York.


1Q84
While well-received in Japan, 1Q84 was met with mixed to negative reviews from international critics, who condemned the novel's excessive repetition, clichéd writing, clumsy styling and unyielding plot. Literary Review nominated a poorly-written exerpt in the book for its annual Bad Sex in Fiction Award.


1Q84, Plot summary
The events of 1Q84 take place in Tokyo during a fictionalized year of 1984, with the first volume set between April and June, the second between July and September, and the third between October and December.


1Q84, Plot summary
The book opens with a woman named Aomame (青豆) as she rides a taxi to a work assignment. She hears the Sinfonietta by Leoš Janáček playing on the radio and immediately recognizes it, somehow having detailed knowledge of its history and context. When the taxi gets stuck in a traffic jam on the Shibuya Route of the Shuto Expressway, the driver suggests she climb down an emergency escape to reach her meeting, warning her that it might change the very nature of reality. Aomame follows the driver's advice.


1Q84, Plot summary
Eventually, Aomame makes her way to a hotel in Shibuya and poses as an attendant in order to kill a guest. She performs the murder with an ice pick that leaves no trace on its victim. It is revealed that Aomame's job is to kill men who have committed domestic violence.


1Q84, Plot summary
Aomame starts to notice new details about the world that are subtly different. For instance, she notices police officers carrying automatic handguns, having previously carried revolvers. Aomame checks the archives of major newspapers and finds several recent news stories of which she has no recollection. One of these concerns a group of extremists who had a stand-off with police in the mountains of Yamanashi. She concludes she must be living in an alternative reality, which she calls "1Q84," and suspects she entered it upon hearing the Sinfonietta.


1Q84, Plot summary
The novel's other main character, Tengo Kawana (川奈天吾), is introduced. Tengo is a writer and teacher of mathematics at a cram school. Komatsu (小松), Tengo's editor and mentor, asks him to rewrite Air Chrysalis (空気さなぎ), an awkwardly written but promising manuscript by a 17-year-old girl named Eriko Fukada, under the pseudonym "Fuka-Eri (ふかえり)." Komatsu wants to submit the novel for a prestigious prize and promote its author as a child prodigy. Tengo has reservations, and wishes to meet with Fuka-Eri and ask for her permission. Once the two meet, Fuka-Eri tells Tengo to do as he likes with the manuscript.


1Q84, Plot summary
Soon it becomes clear that Fuka-Eri, who is dyslexic, did not write the manuscript on her own. Tengo's discomfort with the project deepens; to address his concerns, Fuka-Eri takes Tengo to meet her current guardian, Ebisuno-sensei (戎野先生), or simply "Sensei" to Fuka-Eri. Tengo learns that Fuka-Eri's parents were members of a commune called "Takashima" (タカシマ). Her father, Tamotsu Fukada (深田保) was Ebisuno's former friend and colleague. Fukada thought of Takashima as a utopia; Ebisuno found it turned people into unthinking robots. Fuka-Eri, or "Eri" (エリ) to Ebisuno, was only a child at the time.


1Q84, Plot summary
In 1974, Fukada founded a new commune called "Sakigake" (さきがけ). Eventually, disagreements led a radical faction of Sakigake to form a new commune called "Akebono" (あけぼの). The Akebono commune eventually had a gunfight with police near Lake Motosu (本栖湖) in Yamanashi. Shortly after, Fuka-Eri appeared on Ebisuno's doorstep, unable to speak. Ebisuno failed to contact her father at Sakigake, and thereby became her guardian; by the time of 1Q84's present, neither have heard from her parents for seven years.


1Q84, Plot summary
While living with Ebisuno, Fuka-Eri composes Air Chrysalis by dictating it to Azami (アザミ), Ebisuno's daughter. The story is about a girl's life in a commune, where she met a group of mystical beings known as "Little People" (リトル・ピープル). Over time, Tengo begins to suspect the mystical events described in the novel actually happened.


1Q84, Plot summary
Meanwhile, Aomame recovers psychologically from her assignment to kill the hotel guest. It is revealed that her employer is an older wealthy woman referred to as the Dowager (女主人). The Dowager occasionally pays Aomame to kill men who have been viciously abusive to women.


1Q84, Plot summary
Aomame is sexually unfettered, and sometimes releases stress by picking up older men in singles bars. During one of these outings, she meets Ayumi (あゆみ), a likeminded policewoman, and they become fast friends. Aomame recalls an earlier friend of hers who committed suicide after suffering domestic abuse. One day, Aomame learns that Ayumi had been strangled to death in a hotel.


1Q84, Plot summary
The Dowager introduces Aomame to a 10-year-old girl named Tsubasa (つばさ), who she wishes to adopt. Tsubasa and her parents have been involved with Sakigake. Tsubasa has been forcefully abused by the cult leader, known only as "The Leader". As Tsubasa sleeps in the Dowager's safe house, the "Little People" mentioned in Air Chrysalis appear from Tsubasa's mouth and begin creating a cocoon. Tsubasa mysteriously disappears from the safehouse, never to return.


1Q84, Plot summary
The Dowager researches Sakigake. In addition to Tsubasa, other prepubescent girls had been sexually abused there. The Dowager asks Aomame to murder the Leader. Aomame meets with the Leader, who is, in fact, Tamotsu Fukada. A physically enormous person with muscle problems that cause him chronic, severe pain, he reveals that he has powers like telekinesis, and has dealings with the "Little People". Knowing that Aomame was sent to kill him, Fukada strikes a deal with her: she will kill him and he will protect Tengo from harm. After a long conversation with the Leader, Aomame kills him and goes into hiding at a prearranged location set up by the Dowager and Tamaru (たまる), her bodyguard.


1Q84, Plot summary
Aomame and Tengo's parallel worlds begin to draw closer to each other. Tengo is pursued by a private investigator, Ushikawa (うしかわ), who was hired by Sakigake. He follows Tengo to gather information on Air Chrysalis. Following the Leader's murder, Ushikawa is also ordered to find Aomame. The novel begins to follow Ushikawa, once a lawyer who made a good living representing criminals. He got into legal trouble and had to abandon his career. His wife and two daughters left him, and ever since he has worked as a private detective. An ugly man who repels anyone he meets, Ushikawa is quite intelligent and capable of gathering facts.


1Q84, Plot summary
Ushikawa focuses on Tengo, Aomame, and the Dowager as suspects in his investigation. He decides to stake out Tengo's apartment to find information on Aomame. He rents a room in the apartment building and sets up a camera to take pictures of the residents. He witnesses Fuka-Eri, who has been hiding at Tengo's apartment, entering the building. Fuka-Eri seems to realize Ushikawa's presence; she leaves a note for Tengo and takes off. Ushikawa later sees Tengo return after a visit to his dying father. Finally, Ushikawa spots Aomame leaving the building after she herself followed Ushikawa there in order to find Tengo.


1Q84, Plot summary
Before he can report to Sakigake, Tamaru sneaks into Ushikawa's room and interrogates the detective. Tamaru finds that Ushikawa knows too much, and kills him. Tamaru then phones Ushikawa's contact at Sakigake and has them recover the detective's body.


1Q84, Plot summary
Aomame and Tengo eventually find each other via Ushikawa's investigation and with Tamaru's help. They were once childhood classmates, though they had no relationship outside of a single classroom moment where Aomame tightly grasped Tengo's hand. That moment signified a turning point in both Aomame's and Tengo's lives, and they retained a fundamental love for each other. After 20 years, Aomame and Tengo meet again, both pursued by Ushikawa and Sakigake.


1Q84, Plot summary
They manage to make it out of the strange world of "1Q84", which has two visible moons, into a new reality that they assume is their original world, though there are small indications that it is not. The novel ends with them standing in a hotel room, holding hands, looking at the one bright moon in the sky.


1Q84, Publication history
The novel was originally published in Japan in three hardcover volumes by Shinchosha. Book 1 and Book 2 were both published on May 29, 2009; Book 3 was published on April 16, 2010.


1Q84, Publication history
In English translation, Knopf published the novel in the United States in a single volume hardcover edition on October 25, 2011, and released a three volume paperback box-set on May 15, 2015. The cover for the hardcover edition, featuring a transparent dust jacket, was created by Chip Kidd and Maggie Hinders. In the United Kingdom the novel was published by Harvill Secker in two volumes. The first volume, containing Books 1 and 2, was published on October 18, 2011, followed by the second volume, containing Book 3, published on October 25, 2011.


1Q84, Background information
Murakami spent four years writing the novel after coming up with the opening sequence and title. The title is a play on the Japanese pronunciation of the year 1984 and a reference to George Orwell's Nineteen Eighty-Four. The letter Q and 九, the Japanese number for 9 (typically romanized as "kyū", but as "kew" on the book's Japanese cover), are homophones, which are often used in Japanese wordplay. The title is similar, yet not a reference to Arthur Herzog's 1978 sci-fi novel IQ 83.


1Q84, Background information
Before the publication of 1Q84, Murakami stated that he would not reveal anything about the book, following criticism that leaks had diminished the novelty of his previous books. 1Q84 was noted for heavy advance orders despite this secrecy.


1Q84, Cultural influences
As in many of his previous works, Murakami makes frequent reference to composers and musicians, ranging from Bach to Vivaldi and Leoš Janáček, whose Sinfonietta pops up many times at crucial points in the novel. A verse from the 1933 song "It's Only a Paper Moon" by Harold Arlen, E.Y. Harburg and Billy Rose, appears in the book and is the basis for a recurring theme throughout the work. In addition, Murakami refers to other artists such as Billie Holiday, Charles Mingus and The Rolling Stones.


1Q84, Cultural influences
The text also quotes a lengthy passage about the Gilyak people from the travel diary Sakhalin Island (1893–94) by Anton Chekhov.


1Q84, Cultural influences
The structure of the novel refers to Bach's The Well-Tempered Clavier (alternate "major key" Aomame and "minor key" Tengo story lines forming 48 chapters of Books 1 and 2) and Goldberg Variations (Book 3).


1Q84, Religious themes
In accordance with many of Murakami's novels, 1Q84 is dominated by religious and sacred concepts. 1Q84's plot is built around a mystical cult and two long-lost lovers who are drawn into a distorted version of reality. 1Q84 assigns further meaning to his previous novels and draws a connection between the supernatural and the disturbing. Readers are often cited as experiencing a religious unease that is similar to postmodern sensibilities. This unease is accomplished through Murakami's creation of characters whose religious prescriptions are presented as oppressive, as exemplified in the character of Leader, who is the founder of the Sakigake cult.


1Q84, Religious themes
Religious othering is a major theme in 1Q84, as Murakami places sacred ideas as existing separately from everyday reality. This separation is often cited as emphasizing that Murakami has a view of religion as a negative force, which lies in opposition to normal, everyday life; Murakami himself is quite silent about his personal religious beliefs.


1Q84, Critical response
1Q84 received mixed to negative reviews, scoring a 54% rating and a "Not Recommended by Critics" label from the review aggregator iDreamBooks based on 44 reviews (the lowest among his novels).


1Q84, Critical response
Among the negative reviews, Time's Bryan Walsh found 1Q84 to be the weakest of Murakami's novels in part because it excises his typical first-person narrative. A negative review from The A.V. Club had Christian Williams calling the book "stylistically clumsy" with "layers of tone-deaf dialogue, turgid description, and unyielding plot"; he awarded a D rating. Also criticizing the book was Sanjay Sipahimalani, who felt the writing was too often lazy and clichéd, the Little People were risible rather than menacing, and that the book had too much repetition.


1Q84, Critical response
Janet Maslin called the novel's "1000 uneventful pages" "stupefying" in her review for The New York Times. She had previously picked Murakami's earlier work, Kafka on the Shore, as one of the best 10 novels in 2005. William Ambler of Huffington Post panned the book for being "too absorbed in its own games to offer something so humble as resolution, and too turgid and lumbering to offer any more rarified satisfactions". Writing for The Wall Street Journal, Sam Sacks critized the dullness of Murakami's prosing in the novel, calling it "banal and cliché-strewn".


1Q84, Critical response
Among the positive reviews, The Guardian's Douglas Haddow has called it "a global event in itself, [which] passionately defends the power of the novel". One review described 1Q84 as a "complex and surreal narrative" which "shifts back and forth between tales of two characters, a man and a woman, who are searching for each other." It tackles themes of murder, history, cult religion, violence, family ties and love.


1Q84, Critical response
In another review for The Japan Times, it was said that the novel "may become a mandatory read for anyone trying to get to grips with contemporary Japanese culture", calling 1Q84 Haruki Murakami's "magnum opus". Similarly, Kevin Hartnett of The Christian Science Monitor considers it Murakami's most intricate work as well as his most ambitious and Charles Baxter of New York Review of Books praised the ambition of the novel down to the typography and attention to detail. Malcolm Jones of Newsweek considers this novel emblematic of Murakami's mastery of the novel, comparing him to Charles Dickens.


1Q84, Critical response, Awards and honors
The novel was longlisted for the 2011 Man Asian Literary Prize and, in November, placed No. 2 in Amazon.com's top books of the year.


1Q84, Critical response, Awards and honors
It also received the 2011 Goodreads Choice Awards in the category Best Fiction.


1Q84, Critical response, Awards and honors
In 2019, in a survey conducted by The Asahi Shimbun amongst 120 Japanese literary experts, 1Q84 was voted the best book published during the Heisei era (1989-2019).


1Q84, Critical response, Awards and honors
Literary Review nominated the poorly-written sexual encounter between Tengo and Fuka-eri for the 2011 Bad Sex Award.


1QBit
1QB Information Technologies, Inc. (1QBit) is a quantum computing software company, based in Vancouver, British Columbia. 1QBit was founded on December 1, 2012 and has established hardware partnerships with Microsoft, IBM, Fujitsu and D-Wave Systems. While 1QBit develops general purpose algorithms for quantum computing hardware, the organization is primarily focused on computational finance, materials science, quantum chemistry, and the life sciences.


1QBit, Technology
1QBit has divisions focused on universal quantum computing, advanced AI techniques, cloud based quantum processing, and hardware innovation.


1QBit, Technology
1QBit's 1Qloud platform is focused on optimization including reformulating optimization problems into the quadratic unconstrained binary optimization (QUBO) format necessary to compute with quantum annealing processors and similar devices from organizations such as Fujitsu, D-Wave, Hitachi and NTT, while their QEMIST platform is focused on advanced materials and quantum chemistry research with universal quantum computing processors.


1QBit, History
1QBit was founded as the first dedicated quantum computing software company in 2012. In 2013, 1QBit raised seed funding from US and Canadian angel investors, before closing a Series A financing round led by the Chicago Mercantile Exchange in 2014. On August 5, 2015 the World Economic Forum announced 1QBit as a recipient of the 2015 Technology Pioneer Award recognizing 1QBit as a leader among the world's most promising technology companies. In 2017, 1QBit raised a $45M Series B financing round led by Fujitsu with participation from Allianz, Accenture, The Royal Bank of Scotland and The Chicago Mercantile Exchange. In April 2018, 1QBit joined the IBM Q Network, a global community of leading Fortune 500 companies, academic institutions, startups, and national research labs designed to explore practical applications for quantum computing.


1QBit, History
In May 2020, 1QBit and its collaborators serving health authorities from East to West obtained support from the Digital Technology Supercluster to facilitate the clinical implementation of XrAI, the first Artificial Intelligence (AI) radiology platform to be accredited by Health Canada as a Class III Medical Device.


1QBit, Locations
1QBit is headquartered in Vancouver, British Columbia, Canada. In early 2019, 1QBit opened a hardware innovation lab at the University of Waterloo in Waterloo, Ontario.


1QIsab
1QIsab is a fragmentary copy of the Book of Isaiah found at Qumran Cave 1 by Bedouin from the Ta'amireh tribe in 1947. It was discovered along with and grouped and sold together with two other Dead Sea Scrolls, the Thanksgiving Hymn and the War Scroll.


1QIsab, History
Eleazar Sukenik purchased the scroll from an antiquities dealer in Bethlehem named Faidi Salahi, who had purchased the scroll from the Bedouin, on December 21, 1947. Much of the scroll is dark and blackened, preserved in multiple fragments, and in four major sheets that contain the upper section of the last third of the book. Paleography dates the scroll to the late Hasmonaean or early Herodian period in the first century BCE.


1RPH
Radio 1RPH 1125 kHz Canberra (89.5FM Wagga, 99.5FM Junee) is a volunteer-staffed AM band radio broadcast station in the Australian Capital Territory serving all of the ACT and surrounding areas of NSW including Queanbeyan, Yass and Michelago, with FM repeaters at Wagga and Junee, and a streaming media on its web site.


1RPH
Radio 1RPH is a member of the Radio Print Handicapped Network. Its catch-phrases are, Your information station and Turning print into sound, and it is intended to serve all those who are, for any reason, handicapped from reading printed material.


1RPH
Newspapers, magazines, books, and other printed material are read to air. 1RPH used to have a frequency just outside the AM band on 1620 kHz, and so suffered little interference, and was heard as far away as the United States.


1RPH, Effect of NDIS
In February 2016, the station management announced that it had been advised that $38,000 would not be available from the ACT Government's Disability ACT as of July 2016, when these funds would become part of the general National Disability Insurance Scheme (NDIS) funds administered by the Commonwealth Government. This amount represented roughly a quarter of the station's operating budget. Disability Minister Chris Bourke declined to promise funding from ACT resources, but said he would make enquiries of the Federal Minister for Disability.


1RPH, Effect of NDIS
Leading the effort to publicise this funding shortfall were: President, Lorraine Litster; Vice President, and People With Disabilities ACT president, Robert Altamore; and volunteer broadcaster and ACT Legislative Assembly member, Vicki Dunne MLA. Litster pointed out that, of the $22 billion/year scheme, only $132 million has been set aside for services including the Radio Print Handicapped Network. The National Disability Insurance Authority (NDIA) has said it will be considering the matter.


1RXS
1RXS is an acronym which is the prefix used for the First ROSAT X-ray Survey (1st ROSAT X-ray Survey). This is a catalogue of astronomical objects that were visible in the X-ray spectrum from the ROSAT satellite, in the field of X-ray astronomy.


1RXS
Examinations of 1RXS has shown that many sources can be identified, such as old neutron stars, while other entries are "intriguing", according to one researcher.


1RXS J160929.1−210524
1RXS J160929.1−210524 (also known as GSC 6213-1358 or PZ99 J160930.3−210459) is a pre-main-sequence star approximately 456 light-years away in the constellation of Scorpius.


1RXS J160929.1−210524
The star was identified as a member of the Upper Scorpius subgroup of the Scorpius–Centaurus Association by Thomas Preibisch and coauthors in 1998, and originally assigned an age of 5 million years old based on its group membership. A more recent analysis of the ages of the stars in the Upper Scorpius group pegs its average age at 11 million years.


1RXS J160929.1−210524, Stellar characteristics
This star was identified as a young object belonging to the Upper Scorpius subgroup of the Scorpius–Centaurus Association in two papers published in 1998 and 1999, based on its lithium abundance, X-ray emission, and position in the H–R diagram. The spectrum of 1RXS J160929.1-210524 reveals it to be cooler than the Sun with a spectral type that has been estimated at K7 or M0, so the star can be considered an orange dwarf or a red dwarf.


1RXS J160929.1−210524, Stellar characteristics
The star is estimated to be around 0.85 times as massive as the Sun and to have an effective temperature of 4,060 K. The Upper Scorpius association is quite young and only stars earlier (hotter) than type A3 have reached the main sequence; less massive stars, such as 1RXS J160929.1−210524, are still in the process of contraction during the pre-main sequence phase. Originally, the association was estimated to be around 5 million years old, but a recent 2012 paper made a significant revision of this value to 11 million years, which is therefore considered to be the age of 1RXS J160929.1-210524.


1RXS J160929.1−210524, Planetary system
On 8 September 2008, it was announced that astronomer David Lafrenière and collaborators used the Gemini Observatory to take pictures of the star which appeared to show a planet (designated 1RXS J160929.1-210524 b). The apparent planet is very large—about eight times the mass of Jupiter, orbiting the star at a distance of 330 AU (roughly 50 billion kilometres or 31 billion miles). The orbital status of the companion planet was confirmed in a paper submitted on 15 June 2010 to The Astrophysical Journal. This made it the smallest known exoplanet orbiting its host at such a distance. It is also the second announced directly imaged exoplanet orbiting a sun-like star (after GQ Lup b), and the 2nd directly imaged exoplanet to have spectrum taken (after 2M1207b).


1RXS J160929.1−210524, Planetary system
The discoverers note that the object's location far from its star presents serious challenges to current models of planetary formation: the timescale to form a planet by core accretion at this distance from the star would be longer than the age of the system itself. One possibility is that the planet may have formed closer to the star and migrated outwards as a result of interactions with the disk or with other planets in the system. An alternative is that the planet formed in situ via the disk instability mechanism, where the disk fragments because of gravitational instability, though this would require an unusually massive protoplanetary disk.


1RXS J160929.1−210524, Planetary system
With the upward revision in the age of the Upper Scorpius group from 5 million to 11 million years, the estimated mass of 1RXS J1609b is approximately 14 Jupiter masses, i.e. above the deuterium-burning limit. An older age for the J1609 system implies that the luminosity of J1609b is consistent with a much more massive object, making more likely that J1609b may be simply a brown dwarf which formed in a manner similar to that of other low-mass and substellar companions.


1RXS J160929.1−210524, Planetary system
A 2013 study, using data from the Spitzer Space Telescope, detected a moderate excess of infrared radiation at 24 μm coming from this system, indicating the presence of a dusty debris disk, but could not determine whether the excess was coming from the star or the substellar companion (or both). In 2015, observations with the Magellan Clay Telescope found evidence that the light from the substellar object is obscured and reddened by 4.5 visual magnitudes of circumstellar extinction, which indicated that the object is surrounded by a dusty disk responsible for the infrared excess. When considering the extinction in modeling the object's spectrum, its effective temperature was increased to 2,000 K and the spectral type to L2.


1ST
1ST is the debut studio album by the Japanese idol group SixTones. The album was first released through their record label Sony Music Entertainment Japan on January 6, 2021, in three versions: the Rough Stone edition, the Tone Colors edition (both of which are first press editions), as well as a regular edition. The album topped both the Oricon Albums Chart and Billboard Japan Hot Albums chart, selling over 467,000 copies in Japan in its first week. It has since been certified double platinum by the RIAJ.


1ST, Album information
The album's first-press edition was released in two versions: the "Rough Stone Edition" and "Tone Colors Edition", the names of which come from the origin of SixTones' name. The album's lead song "ST" was called an "emotional" and "loud" rock song about people exceeding their own limits. The "Rough Stone edition" includes the studio versions of the group's original five pre-debut songs. For songs on the "Tone Colors edition", the group divided into duo units and recorded three different genre songs. The regular edition includes two additional songs, including a popular coupling song that was included on "Imitation Rain/D.D. ", their first single, as well as a remix of the song "Telephone". Beside the lead song, the unit songs also includes a music video.


1ST, Album information, Songs
1ST includes three of the group's previously released singles: "Imitation Rain", "Navigator", and "New Era".


1ST, Album information, Songs
"Imitation Rain" is the group's first single that also includes a single by Snow Man, another group under Johnny's who debuted the same day as SixTones. The song was composed by Yoshiki. The single sold more than one million copies. "Navigator" was used as the opening theme of anime series The Millionaire Detective Balance: Unlimited. "New Era" was used as the opening theme of anime series Yashahime: Princess Half-Demon.


1ST, Album information, Songs
The album features a mix of rock, hip hop, R&B, pop and EDM. The "rough stone edition" includes 15 songs, including SixTones' original pre-debut songs that were previously performed live.


1Sky
1Sky was a United States-based campaign in support of federal action to stem global warming and promote renewable energy. 1Sky was founded in the spring of 2007 when thirty climate campaigners were on a retreat in the Hudson Valley of New York state. Partners included Step It Up 2007 (and its global successor 350.org), the Clinton Global Initiative, Greenpeace, Oxfam, and the Energy Action Coalition.


1Sky, About
1Sky used a diverse coalition of groups and individuals in the United States to support the 1Sky Platform. President Clinton announced the 1Sky Platform at the Clinton Global Initiative in 2007. 1Sky's Board of Directors includes but is not limited to: James Speth, Billy Parish, Bill McKibben, Van Jones.


1Sky, 1Sky solutions
1Sky's policy platform represented what the organization calls "the scientific bottom line". The organization created three principles for policy officials and legislators to adopt for policies that, "To identify the steps that our leaders need to take in order to shift our nation away from climate change and toward the prosperity of a green economy with renewable energy resources":


1Sky, 1Sky community and political actions
1Sky claimed more than 200,000 grassroots supporters nationwide. They also reported engagement with more than 4,200 volunteer Climate Precinct Captains in 425 Congressional directs in every state, and 19 political organizers in 26 states.


1Sky, 1Sky community and political actions
1Sky took the stance of "strengthen to support" for the 2009 American Clean Energy and Security Act and the failed 2009 Senate Clean Energy Jobs and American Power Act. The group led a call-in campaign in January 2010 with more than 3,600 calls to Senate offices to pass comprehensive climate and clean energy legislation in 2010.


1Sky, 1Sky community and political actions
1Sky was critical of the America Power Act in May 2010, stating the US Senate bill, "does not go far enough to protect our coasts from the ravages of offshore drilling... and contains provisions that will preempt strong existing state laws that crack down on carbon emissions.". The group expressed frustration at the delay of passing a Senate climate bill during the summer of 2010, stating, "1Sky activists will be mobilizing during the August congressional recess to drive that message home loud and clear. The time for solutions is now."


1Sky, 1Sky community and political actions
The organization also held "Climate Art Parties" preceding President Barack Obama's participation to the 2009 United Nations Climate Change Conference, Congressional district meetings to support the Environmental Protection Agency's regulatory influence under the Clean Air Act (United States), and awareness rallies in response to the BP Gulf oil spill. The group spoke out against the Obama Administration's lifting the 20-year-old ban on U.S. offshore oil drilling two months before the Gulf oil spill.


1Sports
1Sports is an Indian sports channel owned by Lex Sportel Vision Pvt. Ltd. launched after Discovery India took full control of their DSport channel. 1Sports broadcasts live sporting action from around the world, including high-profile content as I-League.


1Sports, History
On 6 February 2017 Discovery Communications (DC) launched the DSport channel to broadcast different kind of sporting actions in Indian subcontinent. During the launch former MD of ESPN Star and former CEO of Dish TV RC Venkateish had joined the channel to work as content provider (acquisition) for the channel. Since then Venkateish (owner of Lex Sportel) acquired sporting rights of multiple events which were broadcast on DSport, until November 2019.


1Sports, History
In January 2020 Discovery applied a name change of their sports channel to Eurosport, which was challenged by Lex Sportel as the one who made the uplinking license deal of the channel. Delhi High Court went in favor of Discovery and as a result Lex Sportel went out of the deal. Then Lex Sportel started showing ads about the launch of their new channel and a scroll text on DSport channel that contents of the channel belongs to Lex Sportel's server based in Hong Kong, until 24 January when Discovery took full control of the channel. Though this was scheduled to take effect on 14 February, Discovery took control of the channel three weeks before the original date, but the court dismissed the matter. Finally, on 28 January Lex Sportel launched their own channel 1Sports.


1Sports, Events
Lex Sportel has acquired some premium sports events from around the world and provides over 4000 hours of live content every year. Though Cricket isn't their top priority but they've broadcasting license of Afghanistan Premier League and Everest Premier League. 1Sports airs India's very own Hero I-League, with Coupe de France and Scottish Premiership. The channel also broadcasts Pro-Wrestling (Ring of Honor, WOS Wrestling and WIN: Dangal Ke Soorma), MMA (Bellator and Cage Warriors), Golf (The Open, The Masters, European Tour, LPGA and Ryder Cup), Tennis (Laver Cup) and Motor Sports (Dakar Rally and Monster Jam).


1Sulaman
1Sulaman is a mixed development project comprising condominium, water theme park, recreational landscape park and serviced suites. The project is developed by Sagajuta Sabah Sdn Bhd, and predicted to be completed in 2015. However, due to several issues, the building remained unfinished until 2016, leading to the developer being sued by property lots buyers as well as from the Malaysian Inland Revenue Board. On 24 November 2016, the project was officially declared abandoned by the Ministry of Local Government.


1Sulaman, Lawsuit
On 21 June 2016, the Malaysian Inland Revenue Board sued the developer over its failure to settle its tax arrears totalling  over RM8.5 million. The Sabah state government also have since declared the project as abandoned and appointed a new developer to finish the project.


1Sulaman, Lawsuit
The project was subsequently undertaken by UHY Advisory (KL) Sdn Bhd on 15 January 2018 as stated in the website of Sabah Ministry of Local Government and Housing, although further rescue proposed scheme by court requesting the buyers to paid an additional RM130 per square foot to Excel Glamour Housing Sdn Bhd to complete the final 20% of the project has drawn objections since the firm was appointed without any open tender as well the way the company seems to be profiting from the problem.


1T-SRAM
1T-SRAM is a pseudo-static random-access memory (PSRAM) technology introduced by MoSys, Inc., which offers a high-density alternative to traditional static random-access memory (SRAM) in embedded memory applications. Mosys uses a single-transistor storage cell (bit cell) like dynamic random-access memory (DRAM), but surrounds the bit cell with control circuitry that makes the memory functionally equivalent to SRAM (the controller hides all DRAM-specific operations such as precharging and refresh). 1T-SRAM (and PSRAM in general) has a standard single-cycle SRAM interface and appears to the surrounding logic just as an SRAM would.


1T-SRAM
Due to its one-transistor bit cell, 1T-SRAM is smaller than conventional (six-transistor, or "6T") SRAM, and closer in size and density to embedded DRAM (eDRAM). At the same time, 1T-SRAM has performance comparable to SRAM at multi-megabit densities, uses less power than eDRAM and is manufactured in a standard CMOS logic process like conventional SRAM.


1T-SRAM
MoSys markets 1T-SRAM as physical IP for embedded (on-die) use in System-on-a-chip (SOC) applications. It is available on a variety of foundry processes, including Chartered, SMIC, TSMC, and UMC. Some engineers use the terms 1T-SRAM and "embedded DRAM" interchangeably, as some foundries provide MoSys's 1T-SRAM as "eDRAM". However, other foundries provide 1T-SRAM as a distinct offering.


1T-SRAM, Technology
1T SRAM is built as an array of small banks (typically 128 rows × 256 bits/row, 32 kilobits in total) coupled to a bank-sized SRAM cache and an intelligent controller. Although space-inefficient compared to regular DRAM, the short word lines allow much higher speeds, so the array can do a full sense and precharge (RAS cycle) per access, providing high-speed random access. Each access is to one bank, allowing unused banks to be refreshed at the same time. Additionally, each row read out of the active bank is copied to the bank-sized SRAM cache.


1T-SRAM, Technology
In the event of repeated accesses to one bank, which would not allow time for refresh cycles, there are two options: either the accesses are all to different rows, in which case all rows will be refreshed automatically, or some rows are accessed repeatedly. In the latter case, the cache provides the data and allows time for an unused row of the active bank to be refreshed.


1T-SRAM, Comparison with other embedded memory technologies
1T-SRAM has speed comparable to 6T-SRAM (at multi-megabit densities). It is significantly faster speed than eDRAM, and the "quad-density" variant is only slightly larger (10–15% is claimed). On most foundry processes, designs with eDRAM require additional (and costly) masks and processing steps, offsetting the cost of a larger 1T-SRAM die. Also, some of those steps require very high temperatures and must take place after the logic transistors are formed, possibly damaging them.


1T-SRAM, Comparison with other embedded memory technologies
1T-SRAM is also available in device (IC) form. The Nintendo GameCube was the first video game system to use 1T-SRAM as a primary (main) memory storage; the GameCube possesses several dedicated 1T-SRAM devices. 1T-SRAM is also used in the successor to the GameCube, Nintendo's Wii console.


1T-SRAM, Comparison with other embedded memory technologies
Note that this is not the same as 1T DRAM, which is a "capacitorless" DRAM cell built using the parasitic channel capacitor of SOI transistors rather than a discrete capacitor.


1TV (Afghan TV channel)
1TV (Persian: تلویزیون یک; Pashto: يک تلويزيون) is an Afghan privately owned commercial television channel, launched in February 2010. It is owned by Fahim Hashimy, and is the largest operating unit of groupOne Media, which is based in Kabul.


1TV (Afghan TV channel), History
1TV Kabul starts broadcasting live from Kabul in February 2010. 1TV was the most watched channel in Afghanistan since it was launched.


1TV (Afghan TV channel), History
1TV was known for professional news broadcasts. 1TV broadcast its news at 8pm.


1TV (Afghan TV channel), History
1TV was the first channel in Afghanistan who broadcast from the brand new virtual studios technology.


1TV (Afghan TV channel), History
1TV signed off the air in August 2021 because of the Taliban takeover.


1TV (Macedonian TV channel)
1TV was a Television channel in North Macedonia. Editor was Aco Kabranov. Owner of the company BMJ MEDIA GROUP DOO Skopje was Mile Jovanovski.


1TYM
1TYM (Korean: 원타임, pronounced as "One Time") was a four-member South Korean group. They were Teddy Park (also known as Park Hong-jun), Oh Jinhwan, Song Baekyoung, and Danny Im (also known as Im Taebin).


1TYM, History
In the late 1990s, YG CEO Yang Hyun Suk had his trainees perform as a group named MF family which was named after an apparel brand called Majah Flavah! created by  Sean of the Korean hiphop group Jinusean. The group initially had seven members, which three of them later departed. They originally participated in the song "No more(이제 더 이상)"in the album "The Real" by Jinusean as a featured artist in January 1998.


1TYM, History
Teddy and Danny grew up in Los Angeles and were discovered there when they were teenagers by a producer who worked with Yang Hyun-suk. After auditioning for Yang, the two were signed to his new label, YG Entertainment, and moved to South Korea. Teddy, Danny, and rappers Jinhwan and Baekyoung debuted as 1TYM in 1998 with the album, One Time for Your Mind. It was one of the best-selling albums of the year and won several major awards.


1TYM, Hiatus
1TYM went on hiatus in 2006 due to Oh's mandatory military service. Although they never officially disbanded they have not been active as a group since then. Their last performance was in 2008, when they were guests for BIGBANG's Japan Concert "Stand Up".


1TYM, Hiatus
Oh and Song both left the entertainment industry and have since married and started their own families. Song most recently made an appearance on Radio Star alongside fellow first-generation K-pop idol singers Joon Park and Kim Tae-woo of g.o.d and Jun Jin of Shinhwa. He stated that he and Oh were business partners and run a restaurant together.


1Team
1Team (Korean: 원팀, pronounced as: "One Team") was a South Korean boy group formed by Live Works Company in 2019. The name of the group means "Unique individuals become new as one". The group consisted of 5 members. They debuted on March 27, 2019 with the mini album Hello! and debut song “Vibe”. Members Rubin and BC earlier appeared in shows Boys24 and Mix Nine.


1Team
On March 10, 2021, the group was confirmed to be disbanding after their final group activities on March 14, and that the members' contracts would be terminated.


1UP (T-Pain album)
1UP is the sixth studio album by American R&B singer T-Pain, released on February 27, 2019. It is the follow-up to his 2017 album Oblivion and was called a surprise release, as T-Pain had not announced a release date prior (although its release date coincided with the season finale of The Masked Singer, where T-Pain was revealed as the champion). 1UP was preceded by the release of the singles "Getcha Roll On", "All I Want" and "A Million Times" and features appearances from Lil Wayne, Boosie Badazz, O.T. Genasis, Russ, Profit Dinero, Tory Lanez and Flipp Dinero.


1UP (T-Pain album), Background and composition
T-Pain named the album for his love of gaming and the name for an extra life in video games, saying on Beats 1: "I'm an avid gamer. I've been a gamer pretty much all my life. So I'm starting to implement gaming into my music and to my themes and stuff like that." Spin said the album features T-Pain's "customarily lascivious crooning and rapping across 12 tracks".


1UP!
1UP! is the fourth studio album by ska band illScarlett, released on September 29, 2009 in North America. The first single on the album is titled "Take It for Granted" and was first released on the band's website on August 6, 2009.


1Up (film)
1Up is an upcoming American comedy film directed by Kyle Newman, from a screenplay by Julia Yorks. It stars Ruby Rose and Paris Berelc.


1Up (film), Production
In October 2020, it was announced Elliot Page and Paris Berelc had joined the cast of the film, with Kyle Newman set to direct from a screenplay by Julia Yorks, with BuzzFeed Studios set to produce the film. In January 2021, Ruby Rose, Taylor Zakhar Perez, Hari Nef and Nicholas Coombe joined the cast of the film, with Rose replacing Page, with Lionsgate set to distribute.


1Up (film), Production
Principal photography began on November 27, 2020, and concluded on February 21, 2021, in Toronto, Ontario.


1Up Shows and Podcasts
1Up Shows and Podcasts was a collection of podcasts hosted by 1Up.com dealing with various aspects of gaming. Most of the shows, like 4 Guys 1Up, were about games and general gaming culture. Others were more specific, such as The Sports Game Guy's Sports Anomaly, which focused on sports games. The network also featured Retronauts, an audio retrospective series that chronicled various retro games and game series. The network had shown significant growth, with several new shows having been introduced in 2007–2008. However, in early 2009 1Up.com was purchased by UGO and its parent company Hearst Corporation from Ziff Davis.


1Up Shows and Podcasts
This resulted not only in the closure of Electronic Gaming Monthly, but also the loss of over 30 jobs, including several hosts and producers of the site's many podcasts. Because of this, more than half of the network's shows were abruptly discontinued, leaving only a few remaining. While 1Up Yours did not cease to exist, the resignation of the show's co-host Shane Bettenhausen led host Garnett Lee to change the show's name and structure to Listen UP. Several former employees also started their own projects after the firings as well, including Co-Op, the spiritual successor to The 1Up Show, Rebel FM, the follow-up to 1Up FM, and The Geekbox, Ryan Scott's replacement for Lan Party podcast (formerly GFW Radio).


1Up Shows and Podcasts
There were also several shows that were created after the layoffs. Garnett Lee co-hosted Game Night with Tina Sanchez and David Ellis, a weekly video podcast wherein the hosts broadcast their playthroughs and discussions of (usually) unreleased games. Since Lee's departure, hosting duties are regularly shifted. Sanchez also started her own podcast Good Grief, focusing on community interaction, message board pranks and griefing.


1Up Shows and Podcasts, Podcasts at 1UP closure, Games, Dammit!
Referred to as the "flagship podcast", 4 Guys 1UP began as a weekly discussion-centric podcast released on Fridays, hosted by David Ellis with contributions from Jeremy Parish and Scooter Nguyen. It was the follow-up to the successful "1UP Yours" and "Listen UP" podcasts, which were hosted by Garnett Lee. After Lee's departure, the show featured a special guest from outside "the land of editorial". Following Ellis' move to 343 Industries (developers for the Halo franchise), the show shifted hosting duties to Parish, and finally to Jose Otero.


1Up Shows and Podcasts, Podcasts at 1UP closure, Retronauts
The Retronauts podcast concerned older "retro" games and systems. It was hosted by 1UP editor Jeremy Parish before he handed the reins over to Bob Mackey in mid 2011. It was frequented by Wired magazine's Chris Kohler as well as former 1up editors Scott Sharkey and Ray Barnholt. Often, an episode was devoted to the history of a particular gaming franchise, genre or console system. While often being focused on Japanese games, particularly those from the RPG genre, episodes were devoted to North American titles such as Starcraft.


1Up Shows and Podcasts, Podcasts at 1UP closure, Retronauts
Retronauts was discontinued for a time following its 99th episode, but returned in 2011 as "Retronauts Live" (though it was still frequently referred to as just "Retronauts"). The format was largely the same, except that the show was recorded as a live audio stream, and a portion of the show was dedicated to the hosts taking live call-in questions and comments from listeners. The show was hosted by Bob Mackey at the time of the 1UP closure under the moniker "Retronauts Prime".


1Up Shows and Podcasts, Podcasts at 1UP closure, Retronauts
Retronauts also produced the supplement video podcast, Bonus Stage, which looked at specific retro titles more closely. After a long hiatus (beginning April 9. 2007), Bonus Stage was finally updated in September 2009. Retronauts returned to producing video content with Retronauts Lunch Break, though this segment was not available as a podcast. Bob Mackey has also crossed over with the Laser Time podcast network and GamesRadar+.


1Up Shows and Podcasts, Podcasts at 1UP closure, Retronauts
Retronauts survived the demise of 1UP, first existing independently and supported by crowdfunding services, but later under the auspices of the USGamer website, a subsidiary of Eurogamer.


1Up Shows and Podcasts, Former podcasts, The 1UP Show
Beginning October 21, 2005, 1UP.com hosted The 1UP Show, a weekly video podcast. The show often presented previews and reviews of games, though it also focused on video gaming events, interviews with game designers and in-house discussions and debates on gaming topics. After 1UP.com was purchased by UGO, the staff of The 1UP Show was laid off and the show itself was discontinued.


1Up Shows and Podcasts, Former podcasts, Broken Pixels
Broken Pixels (or "BROK3N PIX3LS") was a video podcast that premiered on the April 21, 2006 episode The 1UP Show's "Not The 1UP Show" series, originally billed as "Crapterpiece Theater". Though originally made for the previously stated podcast, the show since branched off into its own series.


1Up Shows and Podcasts, Former podcasts, Broken Pixels
The show featured former EGM Senior Editor Crispin Boyer, EGM Executive Editor Shane Bettenhausen and regular EGM contributor Seanbaby playing and 'riffing' on famously bad and obscure video games, in similar vein to Mystery Science Theater 3000. The show was updated on a 'whenever-we-feel-like-it' basis for the first thirteen episodes. These original episodes have been dubbed 'Season 0', and also featured other contributors such as former 1UP editors Mark McDonald, Luke Smith, former 1UP/GFW editor Darren Gladstone and 1UP podcast producer Andrew Pfister.


1Up Shows and Podcasts, Former podcasts, Broken Pixels
The show began with a sporadic release schedule, with new episodes being released on an inconsistent basis, often months apart. Each episode featured multiple games, and was often around half an hour in length. However, in September 2008, the show began operating on a weekly, seasonal structure. New episodes were released on Tuesdays. To accommodate for this, each episode contained only one game, and episodes were generally about ten minutes long.


1Up Shows and Podcasts, Former podcasts, Broken Pixels
The first episode of Season 1 debuted on September 9, 2008 with the crew playing Robocop for the original Xbox. Former 1up/GFW editor Shawn Elliott made a guest appearance on the WWE Crush Hour episode during this season. At the end of the Season 1 finale, a teaser was shown announcing that the second season would be premiering January 6, 2009. However, that was the day of the Ziff Davis layoffs that left more than 30 people out of a job, including the entire cast of Broken Pixels.


1Up Shows and Podcasts, Former podcasts, Broken Pixels
Furthermore, Seanbaby noted that he caused controversy with "media watchdogs" by his use of the term "faggotiest" in the Spiderman 3 episode at the end of season one. Most fans assumed that the show would not continue and that the segments they filmed would never be released, but season 2 premiered on February 6, 2009, with the Sega CD game, Wirehead.


1Up Shows and Podcasts, Former podcasts, Broken Pixels
With the acquisition of 1UP.com by UGO, Shane Bettenhausen joining Ignition Entertainment, Seanbaby joining the Cracked journalist team, and the crew of The 1UP Show being laid off and forming Area 5 Media, Broken Pixels quietly ceased production.


1Up Shows and Podcasts, Former podcasts, RadiOPM
Hosted by former Senior Editor Joe Rybicki along with co-hosts Dana Jongewaard, Thierry "Scooter" Nguyen and Giancarlo Varanini, RadiOPM was a supplement to the now-defunct Official U.S. PlayStation Magazine.


1Up Shows and Podcasts, Former podcasts, EGM Live*
EGM Live* (the asterisk disclaiming that the podcast is "not actually live") was a supplement to the magazine Electronic Gaming Monthly. Originally similar to 1UP Yours, the podcast featured round-table discussions about subjects usually relevant to upcoming magazine issues. As time went on, the podcast became substantially more structured, with the show being composed of separately recorded segments. Such segments included interviews with game developers and "review crew" gaming reviews led by EGM Reviews Editor Greg Ford and a variety of contributors. For a period of time, the podcast would end with a "question of the week," a contest in which fans received prizes for correctly answering a trivia question or writing a short essay.


1Up Shows and Podcasts, Former podcasts, EGM Live*
EGM Live* did not have a regular host, but the show was often hosted by Electronic Gaming Monthly Managing Editor Jennifer Tsao.


1Up Shows and Podcasts, Former podcasts, EGM Live*
On June 10, 2008 it was announced that the show would be completely re-structured. The new incarnation of the podcast, 1UP FM, was co-hosted by Nick Suttner and Phillip Kollar.


1Up Shows and Podcasts, Former podcasts, GFW Radio/LAN Party
Originally CGW Radio, the show was created in early 2006 as a companion podcast for Computer Gaming World. CGW Radio was a PC-centric podcast hosted by Jeff Green and included a regular lineup of editors Shawn Elliott, Ryan Scott, Sean Molloy, and Darren Gladstone. When Computer Gaming World was re-branded as Games for Windows: The Official Magazine in late 2006, the podcast was retitled GFW Radio to reflect the change (though the format and content of the show remained unchanged). Darren Gladstone left the magazine and podcast in late 2007 to join PC World.


1Up Shows and Podcasts, Former podcasts, GFW Radio/LAN Party
In April 2008, Games for Windows: The Official Magazine was discontinued, and the editing staff of the magazine was moved to the PC editing staff for 1UP.com. Sean Molloy left 1UP.com to join Blizzard Entertainment, and recorded his final podcast on June 18, 2008. The podcast continued as GFW Radio until its final episode on September 17, 2008.


1Up Shows and Podcasts, Former podcasts, GFW Radio/LAN Party
Though the focus of the podcast was primarily PC-related topics, the unedited, free-form nature of the podcast often led to several other fields of discussion including gaming in general, games press and journalism, entertainment in other mediums, and a variety of stories and tangents. Occasionally featured were comedic segments created by Shawn Elliott such as "Heroes of the Web", which offered "dramatic readings" of unintentionally humorous message board posts on the 1UP.com forums or elsewhere and "Chuff Love," where Anthony Gallegos discussed his romantic quest for a relationship with a girl he met at a local game store.


1Up Shows and Podcasts, Former podcasts, GFW Radio/LAN Party
During its run, the podcast hosted several notable figures within the gaming industry as guests. Some were on the program on a professional level, often to promote games such as Cevat Yerli's guest appearance to promote Crysis. However, other guests came on the program with no specific project to discuss, such as Rod Humble's appearance on the show or American McGee's guest appearance.. Other guests would come on during one of the many special episodes produced during one of the industry's many trade shows such as the Game Developers Conference or E3. These guests included Ken Levine from 2K Boston, Josh Mosqueira and Mark Noseworthy from Relic Entertainment, Warren Spector of Junction Point Studios, Erik Wolpaw and Kim Swift from Valve, and Chris Taylor from Gas Powered Games.


1Up Shows and Podcasts, Former podcasts, GFW Radio/LAN Party
In addition to guests and commentary on games, the podcast was also a forum for gamer memes, including phrases such as 'stoking a game boner', referring to excitement gamers cultivate in anticipation of a release by frequenting message boards and looking for screenshots and information on their object of desire, or 'Banana riding', referring to gamers, often friends offline, who cooperate closely following a leader to enable that person to succeed—typically in a team based competitive game such as an FPS or RTS.


1Up Shows and Podcasts, Former podcasts, GFW Radio/LAN Party
It was announced on September 4, 2008, that Jeff Green would leave Ziff Davis after 17 years to join Electronic Arts to work on the "Sim" franchise. Shortly afterward on September 17, co-host Shawn Elliott also announced that he would be leaving the company to work under Ken Levine as associate producer on the next 2K Boston video game.


1Up Shows and Podcasts, Former podcasts, GFW Radio/LAN Party
The podcast is often affectionately referred to its nickname "97.5 The Brodeo". '.


1Up Shows and Podcasts, Former podcasts, GFW Radio/LAN Party
After the departures of several regular podcast contributors, the final episode of GFW Radio was produced and released on September 17, 2008. In the final episode, Ryan Scott assured that another podcast would "fill the void", presumably with recent GFW Radio contributors Robert "Bobbito/Dr. Max Chill" Ashley and Anthony Gallegos. Such was the case when a test episode was produced on October 7, which was listed under the GFW Radio moniker. On the November 6, 2008 episode, the successor settled on a name, LAN Party.


1Up Shows and Podcasts, Former podcasts, GFW Radio/LAN Party
LAN Party's host was Ryan Scott, regularly accompanied by Robert Ashley, Anthony Gallegos, 1up Community Manager Tina Sanchez, and former GameVideos producer Matt Chandronait.


1Up Shows and Podcasts, Former podcasts, GFW Radio/LAN Party
After UGO's acquisition of 1UP.com on January 6, 2009, the majority of the cast was laid off, including Ryan Scott, Anthony Gallegos, and Matt Chandronait, leaving LAN Party's last episode to be produced and released on December 23, 2008.


1Up Shows and Podcasts, Former podcasts, 1UP FM
On June 10, 2008 it was announced that EGM Live* would be re-structured into a new program. 1UP FM aired first on June 16, 2008 and was released every Monday. The show, hosted by Nick Suttner and Philip Kollar was more structured than its predecessor, containing several regular segments, including Shelf Life, Top 5, a rant by Anthony Gallegos, Mailbag, and the Backlog, which takes place after the outro every week. The "FM" in the title stands for "Feature Mondays", as the show often centered around one or several main features, including developer interviews or hands-on previews of an upcoming game.


1Up Shows and Podcasts, Former podcasts, 1UP FM, Backlog segment
The show featured a regular segment called the Backlog. The concept of the Backlog was that the hosts play through and discuss a game that received a great deal of critical acclaim, but was mostly overlooked by the gaming masses. Generally, the segment covered one game per month, with the discussion being broken up over the course of four episodes. The segment began with the hosts discussing the acclaimed Team Ico game Shadow of the Colossus. The next game discussed was Psychonauts, developed by Tim Schafer and Double Fine Productions. For the final episode of the Psychonauts discussion, the hosts interviewed Tim Schafer.


1Up Shows and Podcasts, Former podcasts, 1UP FM, Backlog segment
Following Psychonauts, the hosts discussed Indigo Prophecy by Quantic Dream. After the discussion, the game's senior producer Constantine Hantzopoulos appeared on the show to discuss the game's production, including much of the controversy surrounding the game's censorship for its North American release. After Indigo Prophecy, there was a one-off segment dealing with Gripshift before the hosts began their discussion of GSC Game World's S.T.A.L.K.E.R. : Shadow of Chernobyl.


1Up Shows and Podcasts, Former podcasts, 1UP FM, Backlog segment
After the buyout of 1UP.com by UGO, the hosts of 1UP FM were laid off. However, they went on to form their own podcast Rebel FM that has a similar format to 1UP FM.


1Up Shows and Podcasts, Former podcasts, Legendary Thread
Legendary Thread was a podcast mostly devoted to World of Warcraft and other Massively Multiplayer Online RPGs. It was hosted by Game Videos managing editor Demian Linn. Usual guests included Karen Chu, Luke Smith, Alice Liang, Jason Bertrand, Ryan Scott, Andrew "Skip" Pfister, and Jeff Green.


1Up Shows and Podcasts, Former podcasts, Review Crew
Review Crew was a short-lived video review podcast on 1UP Radio. On the weekly show, members of 1UP's Review Crew discussed the quality of newly released games in a talk show format. At the end of a segment a letter grade would be assigned to the game in accordance to the guest's written review of the game.


1Up Shows and Podcasts, Former podcasts, at1UP
at1UP is a shorter show (about 30 minutes) focusing on a "behind the scenes look" at the 1UP offices. The show sometimes has guests (which include current and past staff members) and features a short discussion of a variety of topics, Shirk's Cocktail Napkin (in which Matt Shirk discusses a short thought or opinion he has on something current or pertinent to what's going on), and a Final Word segment where the crew discusses whatever they want. The show also includes a "hidden" segment that comes after the main show is finished.


1Up Shows and Podcasts, Former podcasts, at1UP
This segment usually starts a few seconds after the cast signs off and ends the main show. The segments tend to be on the funny side—a horribly planned bank heist or an interview with "Michael McDonald". Although in the September 30, 2009 show, Matt Shirk announced his departure from the site, leading to an empty 4th chair in the podcast. New guests were cycled in depending on what articles and stories appeared on 1up.com. The final episode was released on April 12, 2011.


1Up Shows and Podcasts, Former podcasts, at1UP
The podcast rss and the mp3 files seem to be deleted from the server.


1Up Shows and Podcasts, Former podcasts, Active Time Babble
Active Time Babble (abbreviated as ATB) is 1Up.com's podcast for RPGs. It started as an unnamed pilot episode that took the place of Retronauts for a week. It officially began on October 15, 2009, and was still unnamed. Jeremy Parish originally planned to take a listener's suggestions for the title but ended up using his own choice Active Time Babble, which is a play on Active Time Battle (the name of the battle system used in Final Fantasy's IV - IX). It was released on a bi-weekly schedule alternating with Retronauts. The final episode was released on December 20, 2012


1Up Shows and Podcasts, Former podcasts, The Sports Game Guy's Sports Anomaly
The Sports Anomaly presents discussions on both sports games and actual sports. The show is known for its boisterous energy and the panel's frequent, spontaneous chanting. Among these chants is the "Yak Attack", a reference to "the wicked yakker" (or a curveball). Common segments in the show includes "Day and Date", discussing about the new released sports games; "Breaking News", which highlights a week in sports and the "HBO Minute", discussing about the hottest shows in TV.


1Up Shows and Podcasts, Former podcasts, The Sports Game Guy's Sports Anomaly
The Sports Anomaly panel includes host Todd "Casual Sports Game Guy" Zuniga, Greg "The Yakker" Ford, GameVideos producer David "Big Fun" Ellis, Andrew "Master of Fitchery" Fitch, and Tyler "@tylerbarber At?" Barber (which is both a reference to Twitter and a chant on the show about him). Former 1UP/EGM editor Bryan "Fragile Eagle" Intihar also contributed to the podcast. The final episode was released on May 29, 2010. Zuniga started a podcast successor called the 4th String.


1Up.com
1Up.com was an American entertainment website that focused on video games. Launched in 2003, 1Up.com provided its own original features, news stories, game reviews, and video interviews, and also featured comprehensive PC-focused content (an extension of the previously published Games for Windows: The Official Magazine). Like a print magazine, 1Up.com also hosted special week-long "online cover stories" (examples include Soulcalibur III, The Legend of Zelda: Twilight Princess, and Virtua Fighter 5) that presented each day a new in-depth feature story, interview with the developers, game screenshot gallery, game video footage, and/or video of the game studio and creators. On February 21, 2013, Ziff Davis announced it would be "winding down" the site, along with sister sites GameSpy and UGO.com.


1Up.com
The site was created by Ziff Davis as an extension of Electronic Gaming Monthly, a gaming magazine formerly published by the company. 1Up.com was sold in 2009 to Hearst Corporation's UGO Networks, who was acquired by IGN Entertainment (then owned by News Corporation) in 2011. Coming full circle, Ziff Davis acquired IGN Entertainment as a whole in February 2013, re-uniting 1Up.com with its original owners. Shortly after the acquisition, however, Ziff Davis announced that in an effort to concentrate on IGN, it would shut down most of its secondary sites, including 1Up.com. Remaining staff members from 1Up.com were to be transferred to IGN. Even though the site is still up, some links are taken down, thus making the site broken.


1Up.com, 1Up Shows and Podcasts
1Up.com had produced a variety of audio and video podcasts, many of which aired weekly. 1Up Yours was the network's flagship internet radio show which featured topical discussions among several editors from the 1Up network, as well as personal gaming experiences and current news items.


1Up.com, 1Up Shows and Podcasts
Though many guests circulated throughout episodes, the show was hosted by Garnett Lee, Shane Bettenhausen, and David Ellis every week that the cast members were available. New episodes of the show were made available every Friday. It was accompanied by the weekly video podcast The 1Up Show, which presented previews and reviews of games, coverage on video game events, discussions on gaming culture, and interviews with game designers. Former hosts included Jane Pinckard, John Davison, Luke Smith, Mark MacDonald and Bryan Intihar.


1Up.com, 1Up Shows and Podcasts
However, since the UGO acquisition in January 2009, many of these podcasts/shows were suspended, or in some cases, ended. Garnett Lee created a second "iteration" of 1Up Yours, called Listen Up!, that featured a similar, but slightly more tight-focused, format to the original 1Up Yours, which ran from January 2009 to October 2009, ending with Lee's departure to work with GameFly.


1Up.com, 1Up Shows and Podcasts
Despite the dismantling of the podcasts and shows, many former 1Up.com staff members have since gone on to create their own unrelated gaming shows, podcasts, and websites, such as The Geekbox (with Ryan Scott), Eat-Sleep-Game and their Rebel FM podcast (with Anthony Gallegos), and Area 5 TV with their weekly video podcast, Co-Op (with ex-1Up.com staff members Ryan O'Donnell, Matt Chandronait, Jason Bertrand, Jay Frechette, Rob Bowen, and Cesar Quintero).


1Up.com, 1Up Shows and Podcasts
In late October 2009, a new "flagship" podcast was created by David Ellis (previously a member on Listen Up! ), called 4 Guys 1Up (a title humorously considered for Listen Up! at one point).


1Up.com, 1Up Shows and Podcasts
Audio podcasts included Games, Dammit! and Retronauts; video podcasts included 1Up.com's Game Night and The Daily 1UpDate.


1Up.com, 1Up Shows and Podcasts
Previous podcasts included Listen Up!, 1Up Yours, 1Up FM (previously known as EGM Live), at1Up, The Oddcast (previously Good Grief), Legendary Thread, GFW Radio/LAN Party, radiOPM, Review Crew, The 1UP Show, Broken Pixels, Sound Test, Active Time Babble, and In This Thread.


1VFM
Valley FM 89.5 (call sign: 1VFM) is a community radio station which broadcasts on 89.5 MHz from its studios at the Erindale Centre, in the southern Canberra suburb of Wanniassa. All of the station's staff and presenters are volunteers, and the station operates as a completely non-profit entity.


1VFM
Valley FM 89.5 has been on air since June 1999 and holds a Permanent Community Broadcasting Licence (PCBL). The station is also a full member of the Community Broadcasting Association of Australia (CBAA).


1VFM
In November 2005, Valley FM 89.5 was named the Best Value For Money Radio Station in Australia at the Australian Community Broadcasting Association (CBAA) awards ceremony held in Fremantle, Western Australia.


1VFM
More information about Valley FM 89.5 and the latest Program Guide can be found at


1X Band
1x Band was a musical band active from 1991 to 1997. It represented Slovenia for the first time at the Eurovision Song Contest 1993. Their singer, Cole Moretti, sang the song Tih deževen dan, which finished in 22nd place, scoring 9 points.


1X1=1 (To Be One)
1X1=1 (To Be One) is the debut extended play by South Korean boy group Wanna One, a project group created through the 2017 Mnet survival show, Produce 101 Season 2, composed of eleven trainees from different entertainment companies that will promote for 18 months under YMC Entertainment. The album was released digitally and physically on August 7, 2017, by YMC Entertainment, Stone Music Entertainment and CJ E&M Music. A Japanese version of the album was released on September 27, 2017, through Pony Canyon. The album was re-released under the title 1-1=0 (Nothing Without You) on November 13, 2017.


1X1=1 (To Be One), Background and release
On June 16, 2017, the finalists in survival show Produce 101 Season 2 were revealed and the group immediately started preparations for their debut, starting with recording their own version of the song "It's Me (Pick Me)", "Always" (which was first released as final song for Top 20 finalists), and "Never". In addition, there are also 4 new songs to the album. Among these new songs, "Energetic" a song produced by Pentagon's Hui, which also composed "Never"; and "Burn It Up" were considered for the title track which would be decided by public votes. The album also included a fan-tribute pop song, titled  "Wanna Be (My Baby)".


1X1=1 (To Be One), Background and release
On September 28, 2017, YMC started releasing teasers of the repackaged edition of the album, titled 1-1=0 (Nothing Without You). The repackage serves as a prequel to their first album. In contrast to the energetic and passionate side of the group shown in their first release, Nothing Without You would showcase the members' apprehension about an uncertain future as well as aspiration they had as trainees just months before and "hopes for beautiful days ahead". It was released on November 13, 2017, with four new tracks: the lead single “Beautiful", "Wanna", a funky EDM ballad, “Twilight”, a bubbly dance track and “Nothing Without You”, the album's harmony-laden intro.


1X1=1 (To Be One), Promotion
Prior to their debut, the group began promotions through their reality show Wanna One Go, which premiered on August 7, 2017, on the cable channel Mnet. During the first episode of Wanna One Go!, it was revealed that "Energetic" won the public vote and will become the title track of the album.


1X1=1 (To Be One), Promotion
Wanna One held their debut showcase and a small concert on August 7 at Gocheok Sky Dome, which opened to 20,000 attendees. The group had their first music show performance on Mnet's M! Countdown on August 10, 2017. They won their first music trophy on MBC Music's Show! Champion on August 16. The group wrapped up promotions with the August 30 airing of Show! Champion, with 15 music show trophies for "Energetic".


1X1=1 (To Be One), Promotion
The second season of Wanna One Go!, titled Wanna One Go: Zero Base, aired its first episode on November 3, 2017, prior to the group's repackage release. Wanna One held a comeback show for their repackaged album, which was broadcast live on Mnet and tvN on November 13. It showcases the group's performances of their new songs as well as the stories behind the creation of the new album. Their first comeback stage took place on November 17 on KBS' Music Bank. The group received their first win for "Beautiful" on MBC Music's Show Champion on November 22.


1X1=1 (To Be One), Commercial performance, 1X1=1 (To Be One)
The album reached 600,000 preorder copies prior to its release, making it the debut K-pop album with the highest number of pre-orders.


1X1=1 (To Be One), Commercial performance, 1X1=1 (To Be One)
To Be One debuted at No. 3 on Billboard's World Albums chart and earned first-place rankings on iTunes Top Albums chart in 11 countries. It topped Gaon's Monthly Album chart for the month of August, selling over 704,000 copies. As of October 2017, it has sold 733,000 copies.


1X1=1 (To Be One), Commercial performance, 1X1=1 (To Be One)
The title song, "Energetic" topped six online music charts of six major music sites: Melon, Genie, Bugs, Mnet, Naver and Soribada; and achieved a real-time "all-kill" status. The other album tracks also secured spots within the Top 10 positions.


1X1=1 (To Be One), Commercial performance, 1-1=0 (Nothing Without You)
On October 30, 2017, YMC announced that the number of preorders for the repackaged album has reached more than 500,000 copies. With the combined sales of their first album and its repackaged edition, Wanna One became only the third Korean group to sell a million copies of their debut album, and the first since Seo Taiji and Boys did so with their eponymous debut in 1992.


1X1=1 (To Be One), Commercial performance, 1-1=0 (Nothing Without You)
The title track, "Beautiful" charted atop on real-time charts of six music sites: Melon, Genie, Bugs, Mnet, Naver, and Soribada upon its release. In addition, three other new tracks of the album placed in the top 10 of all six charts.


1Xtra Chart
The 1Xtra Chart is a discontinued weekly record chart based on sales of singles in the United Kingdom. It listed the 40 biggest-selling urban music songs released within a three-month time period, and featured genres such as hip hop, R&B, dancehall and rap. The chart was compiled by the Official Charts Company (OCC) on behalf of the UK music industry, and each week's new number one was announced on The 1Xtra Chart at 1 p.m. on Saturdays on BBC Radio 1Xtra. Adele Roberts took over from Sarah-Jane Crawford in spring 2012, and it had been hosted by Ronnie Herel until December 2010. The chart was also listed on the official websites of both BBC Radio 1 and the OCC.


1Xtra Chart
The 1Xtra Chart was launched during October 2007. Its first number one was "Valerie" by Mark Ronson featuring Amy Winehouse.


1ZH
1ZH was a New Zealand radio station based in Hamilton, New Zealand.


1ZH
The station was originally known as 1XH which was the stations original callsign. 1XH was started by Radio New Zealand (which at the time was known as the National Broadcasting Service) in 1949, broadcasting on 1310 AM. In 1968 the station callsign was changed to 1ZH and the station known on air as this name.


1ZH
In 1978 after AM band in New Zealand was changed from 10 kHz spacing to 9 kHz spacing, as a result 1ZH was moved to 1296AM. On air names included 1300 1ZH and Hits and Memories 1ZH during the 1980s.


1ZH
On 25 May 1990 1ZH switched to FM broadcasting on 98.6FM at this time the station became known as ZHFM. A television advertisement for the switch to FM used the song Time Warp from The Rocky Horror Show with the line "Let's switch ZHFM" instead of "Let's do the Time Warp again." A similar advertisement was used for 4ZB Dunedin when this station switched to FM in September 1990, with the line "Let's switch ZBFM." The 98.6 ZHFM frequency can also be heard in Tauranga, the outskirts of Auckland and in a number of places in Northland due to its high power and the high elevation of its transmission site.


1ZH
In 1993 Radio New Zealand rebranded many of their heritage stations as Classic Hits. For ZHFM the station became known as Classic Hits ZHFM. At the same time Radio New Zealand began rolling out Newstalk ZB across the country. The original 1296AM frequency was replaced with Newstalk ZB.


1ZH
In July 1996 the New Zealand Government sold off the commercial arm of Radio New Zealand, which included, among other things, the Classic Hits branded stations. The new owner was The Radio Network, a subsidiary of APN News & Media and Clear Channel Communications, which operated as a division of the Australian Radio Network.


1ZH
The original studios were located in Broadcasting House in Alma Street, the basement of this building also housed The Rock 93FM when this station launched in Hamilton in 1991. In 1996 Classic Hits ZHFM moved to its current location on Hardley street.


1ZH
In 1998 Classic Hits ZHFM was reduced to just 4 hours of local programming between 6 and 10 am 7 days a week. Outside this time nationwide shows based from Auckland took over, and the network announcers simply called the station Classic Hits. The breakfast show was shortened to a 3-hour show in 2012 on all Classic Hits.


1ZH
On 28 April 2014, all stations part of the Classic Hits network were rebranded as The Hits. A networked breakfast presented by Polly Gillespie and Grant Kareama was introduced to almost all The Hits stations, with the former breakfast announcer moved to present a 6-hour show between 9am and 3pm. Waikato originally kept its local breakfast presented by Mark Bunting. However, just prior to the rebranding Bunting had tendered his resignation with The Radio Network and accepted a position on rival station The Breeze Waikato. A week after rebranding Mark Bunting left the station and Sunday night network announcer Blair Dowling became the new Waikato local announcer. However, he presented the daytime 9am – 3pm show instead and Waikato began taking the network breakfast.


1ZM (New Zealand)
1ZM was a radio station in Auckland, New Zealand operated by Radio New Zealand and was originally part of the ZM group of stations and later became the very first Classic Hits station. Today this station is owned by New Zealand Media and Entertainment and is host station of The Hits network.


1ZM (New Zealand), History, Early years
The ZM name derives from the original 1ZM radio station founded by W.W. (Bill) Rodgers in the late 1920s in Manurewa, then a farming village south of Auckland, The letter Z meant a privately owned (later commercial) station, and the M stood for Manurewa. The original station broadcast on 1250AM.


1ZM (New Zealand), History, Early years
The station was later acquired by the NZ Government owned Radio New Zealand (which at the time was known as the National Broadcasting Board) and moved 26 km north to Auckland City, where it shared space in the 1941 Art Deco Broadcasting House studios of 1ZB. In April 1944 1ZM was  to the US AFRS military broadcasting service to provide entertainment for US troops on R & R leave in Auckland, as part of the AES Mosquito Network.


1ZM (New Zealand), History, Early years
The American programming, drawn from all three US radio networks (ABC, NBC and CBS) and played without commercial advertisements, proved popular not only with US troops but also with Aucklanders who appreciated the lively style of presentation and the latest American hits. After the war 1ZM was returned to the government broadcasting department, New Zealand Broadcasting Service (NZBS) and its successor, but still state-owned, New Zealand Broadcasting Corporation (NZBC).


1ZM (New Zealand), History, Early years
As part of a reshuffle of frequencies and callsigns 1ZM was renamed, first 1ZD and then 1YD, in line with the Wellington metro station 2YD which had opened in 1937. 1ZM /1YD was turned into a low-power non-commercial metro music station, broadcasting retro hits and oldies from 5 pm to 10 pm weeknights, and from 10 am to 10 pm weekends.


1ZM (New Zealand), History, Early years
Later, to help meet demand for advertising in the single State owned commercial station 1ZB, 1YD was authorised to carry low-level commercials read live at the microphone, and by the 1960s transmitter time in Auckland was leased in the mornings to a private commercial operator Radio i, which later secured its own AM channel.


1ZM (New Zealand), History, Rise of ZM
The start of 'pirate' broadcasting in 1966 from Radio Hauraki, based on a barge in the Hauraki Gulf, and the consequent opening up of NZ radio to private investors led to a sharp rise in competition. In 1973 the NZBC looked to sharpen up the rather fusty image of its metro stations by rebranding the three YD stations in Auckland, Wellington and Christchurch back to ZM and promoting them under the brand ZM Maxi Music.


1ZM (New Zealand), History, Rise of ZM
In 1978, channel spacing in the AM band in New Zealand was adjusted from 10 kHz to 9 kHz. As a result, 1ZM moved to 1251AM.


1ZM (New Zealand), History, Introduction of overnight programming
In 1981, Radio New Zealand stations were finally granted the right to broadcast 24 hours per day; previously only the domain of private operators. Overnight networked programming was introduced with the ZM All-Nighter show. Programming was produced from the 1ZM studios in Auckland and networked to 2ZM Wellington and 3ZM Christchurch. 2ZK in Hawkes Bay and 4ZG in Gore also took the ZM All-Nighter. The show was offered as an 'alternative music choice to the top 40-based formats offered by the private stations and was originally hosted by Barry Jenkin from Auckland. With his departure in 1983, the alternative format remained, but the music played was more top-40-based with the large percentage of NZ music. The ZM All Nighter continued until 1989 even after 1ZM Auckland changed format in 1987.


1ZM (New Zealand), History, Commercial-free era
In 1982, 1ZM lost its bid for an FM license and with the Broadcasting Tribunal allowing two new private radio stations into the Auckland market, 1ZM was required to re format and adopt a 'Limited Sponsorship' model in place of its full commercial licence. This was an attempt to assist the new operators in establishing a revenue base. For 1ZM this meant that although the station could still run paid-for advertisements, those messages could not have music underneath, mention price or be longer than 25 words.


1ZM (New Zealand), History, Commercial-free era
Within 2–3 years, both 1ZM's financial and audience market share dropped significantly as advertisers and young listeners were attracted by the higher quality sound of the FM stations, despite the absence of long commercial breaks on 1ZM. 1ZM at the time promoted itself as "Total Music ZM" to emphasise the commercial-free format. The station's management was still determined to secure an FM warrant and even employed a sales team to sell '30-second shares' in its first day of broadcast in stereo.


1ZM (New Zealand), History, Exit from ZM brand and introduction of Classic Hits brand
By 1987, 1ZM was still running as a limited commercial station. With its final attempt unsuccessful under the old Broadcasting Warrant scheme, a decision was made to attempt a further re-format and a 'Classic Hits' format was first introduced. This format had been successful for a number of years in the USA. The small, tightly rotated playlist of 'Hit Radio' tunes was abandoned and the station instead targeted 25- to 44-year-olds with a playlist containing over 3,500 songs, playing everything from Dean Martin to ACDC. The 1987 version of Classic Hits was unlike anything else available at that time.


1ZM (New Zealand), History, Exit from ZM brand and introduction of Classic Hits brand
The re formatting was essentially an attempt to recover audience, but was still costing Radio NZ over $1 million per annum to operate as it was the only "commercial station" legally required to run no commercials. The change to the Classic Hits format saw 1ZM drop the ZM name and become Classic Hits Twelve Fifty One.


1ZM (New Zealand), History, Exit from ZM brand and introduction of Classic Hits brand
The change in name marked the birth of the Classic Hits brand that would eventually be rolled out to other radio stations across New Zealand. The ZM stations in Wellington and Christchurch were not affected by the requirement to run limited commercials and went on to switch to FM stations during the mid 1980s.


1ZM (New Zealand), History, Switch to FM
The Lange government's liberalisation of the broadcasting warrant system (which was ultimately abolished in 1989/1990) saw the station finally win the right in December 1989 to broadcast in stereo on 97.4 MHz in Auckland and broadcast commercials. The 1251 kHz frequency licence was transferred to Christian broadcaster Radio Rhema. The move to FM saw the station change branding to Classic Hits 97FM. The original line up was: 06:00am Peter Mac and Mary-Jane Tomasi, 09:00am John Hawkesby, 12:00pm Bob Gentil & 3:00pm Darren Mills.


1ZM (New Zealand), History, Nationwide roll-out of Classic Hits brand
In 1992 Classic Hits 97FM in Auckland changed its logo to a green diamond with the words Classic Hits on a banner above and the 97FM frequency inside the diamond. A year later Radio New Zealand decided to rebrand many of their local stations to use the same logo as Classic Hits 97FM with the station's local frequency in the middle. The on-air imaging was standardized across all stations now branded as Classic Hits but initially all stations remained live and local.