200 (Stargate SG-1), Production
Stargate producers were not sure actor Richard Dean Anderson would return for the episode, so they devised many scenes where Anderson was "in" the episode but not actually shown. However, Anderson was willing to return and appeared in several scenes. In the DVD special Stargate SG-1: Behind the 200th Cooper said, "it was a big deal for us to have [him] back for the 200th episode. We obviously didn't think we could do it without him."


200 (Stargate SG-1), Production
Despite the markedly different content of the episode, "200" took no longer to shoot than a normal episode, mainly because much of the filming took place on the briefing room set. On the other hand, the episode was much more expensive than a typical one, due to the unusual sequences.


200 (Stargate SG-1), Production
For example, the marionettes used in an elaborate spoof of the series were created by the Chiodo brothers, who also made the puppets for Team America: World Police; each puppet cost about US$25,000, and the wires pulling each puppet had to be readded by CGI in post production because they didn't show up well enough. Several existing sets were used as stand-ins; for example, the bridge of the Odyssey was used for a Star Trek: The Original Series spoof, while a set from the sister production Stargate: Atlantis was used as the chamber of the Wizard of Oz.


200 (Stargate SG-1), Production
In an interview about the tenth season of Stargate, Cooper and series co-creator Brad Wright stated that there was a fine line between the humor of regular episodes turning into camp. While jokes for the joke's sake are usually limited in normal episodes, the line between humor and camp is deliberately crossed frequently in "200". The producers even talked about recreating a part of Blazing Saddles that breaks the fourth wall, but they could not afford the horses.


200 (Stargate SG-1), Production
The producers made sure that the episode was well-publicized, dropping hints that Anderson's character O'Neill would return for the episode. Joe Mallozzi, executive producer for the series, also hinted that series fans would finally meet the Furlings, an enigmatic race referenced in the second-season episode "The Fifth Race" but never seen. Despite the outlandish scenes filmed for the episode, many of the writers' favorite moments did not make it to production due to time constraints. For example, Cooper noted that a Gilligan's Island skit was cut from the script.


200 (Stargate SG-1), Cultural references
Most of the episode is devoted to references and allusions to other works, as well as the show itself. The title sequence is deliberately shorter than most other episodes, poking fun at shows like Lost as well as the Sci-Fi Channel itself, which had shortened SG-1's Season 9 opening but changed it back after fans demanded it.


200 (Stargate SG-1), Cultural references
When Martin learns that his main actor has backed out of the movie, the SG-1 team offers various suggestions for how to replace him or work around his non-availability—a reference to Michael Shanks's absence from the sixth season of Stargate SG-1. Anderson himself also pokes fun at the ending of the eighth-season episode "Moebius", which was intended to be the series finale before the ninth season was announced. The final scene of "200", which features interviews with the Wormhole X-Treme cast, was added as an afterthought, and contains comments from the real cast which were used out of context as an inside joke.


200 (Stargate SG-1), Cultural references
The episode also riffs on other science fiction shows. Early in the episode, Dr. Jackson asks why anyone would make a movie version of a TV series that lasted only three episodes—Teal'c responds that it had strong DVD sales. This is a reference to the series Firefly, which Fox executives decided to cancel after airing only three episodes (although 14 episodes had been filmed, and 11 of them were actually aired—8 more after the cancellation announcement had been made). The high number of DVDs of these episodes that sold afterwards justified making a feature film based on the series, Serenity.


200 (Stargate SG-1), Cultural references
(Firefly is again referenced when Lloyd refuses to use footage from the Wormhole X-Treme series for the movie, saying that "it's a movie, not a clip show." This is an allusion to Joss Whedon's insistence that the movie Serenity would not use footage from the original series because it is "not a clip show".) In addition, one of the sequences is a parody of the original Star Trek series, with SG-1 standing in for the crew of the Enterprise. Brad Wright, the co-creator of the series, fills in as the engineer Montgomery Scott.


200 (Stargate SG-1), Cultural references
The episode also pokes good-humored fun at the series Farscape, including its habit of inventing swear words. The Farscape sequence itself is an in-joke, since the Stargate: SG-1 actors Ben Browder and Claudia Black had both starred in the earlier series (and indeed Black reprises her original role of Aeryn Sun, though Browder plays a different character, Stark, while Michael Shanks portrays Browder's Farscape character, John Crichton). Several other shows and movies are parodied, including The Wizard of Oz (the story is re-told with the members of the SG-1 team as the adventurers in Oz. The writers based the parody on a fan painting they had hanging in their office). The episode also makes fun of 24's "ticking clock of jeopardy", and an entire sequence is enacted with all the characters played by marionettes, in the style of Thunderbirds and Team America: World Police.


200 (Stargate SG-1), Reception
The episode won the 2007 Constellation Award for Best Overall 2006 Science Fiction Film or Television Script, and was nominated for the 2007 Hugo Award for Best Dramatic Presentation, Short Form. Richard Dean Anderson also won a SyFy Genre Award for his guest appearance in the episode.


200 (Stargate SG-1), Reception
The episode was generally well received. IGN declared the episode "one of the smartest and funniest hours of television to grace the small screen yet this season." They went on to applaud the decision not only to parody other works but the show itself. Maureen Ryan of the Chicago Tribune agreed, but also noted that "you don't need to be a longtime fan of the long-running program to enjoy its jibes at sci-fi clichés or expedient writing." Eclipse Magazine noted that although the episode was "not a work of comic genius", "200" was the best comedy episode of the series.


200 (Stargate SG-1), Reception
The highly publicized debut of the episode garnered a 1.9 average household rating, a 36% jump from the previous episode, and the first episode of the tenth season to reach or exceed the previous season's rating of 1.8; Stargate SG-1 at that point was averaging about 3.3 million viewers per regular episode in the United States.


200 (Stargate SG-1), Reception, Cancellation
Shortly after this episode was aired, Gateworld announced that the Sci-Fi Channel had decided to not renew Stargate SG-1 for the coming year. The Channel later confirmed this decision, at the same time announcing that Stargate Atlantis had been picked up for another season.


200 (Stargate SG-1), Reception, Cancellation
Many fans denounced Gateworld's cancellation announcement, both the timing of it (apparently it had been made while the cast and crew were celebrating the episode's airing)—and the decision itself, on the ground that, while ratings were not as high as they had been in previous seasons, the series was still drawing an audience of a respectable size. (For example, it had a season average of 2 million viewers in Australia, half of them in the 18–49 demographic.)


200 (Stargate SG-1), Reception, Cancellation
Sci Fi responded that the cancellation decision had not been based on ratings so much as a feeling the series had run its course. Some of the main characters in SG-1 re-appear later in episodes of Atlantis and Universe and in the direct-to-DVD sequel films, Stargate: The Ark of Truth and Stargate: Continuum.


200 (number)
200 (two hundred) is the natural number following 199 and preceding 201.


200 (number)
200 is an abundant number, as 265, the sum of its proper divisors, is greater than itself.


200 (number)
The number appears in the Padovan sequence, preceded by 86, 114, 151 (it is the sum of the first two of these).


200 (number)
The sum of Euler's totient function φ(x) over the first twenty-five integers is 200.


200 (number)
200 is the smallest base 10 unprimeable number – it cannot be turned into a prime number by changing just one of its digits to any other digit. It is also a Harshad number.


200 Aldersgate
200 Aldersgate is a 434,005 sq ft office building in the City of London.


200 Aldersgate
Proposed in 1983, designed by the architects Fitzroy Robinson & Partners, and built in 1991-92, the building was the headquarters of legal firm Clifford Chance before it moved to Canary Wharf. It was extensively redeveloped by Helical Bar in 2010, in conjunction with architects Morey Smith. The refurbishment included two large new reception and lobby areas, a cycle store for 220 bicycles with shower and changing facilities and, on the first floor, a new business lounge and café linking the two parts of the building.


200 Aldersgate
In 2013, 200 Aldersgate was purchased by AshbyCapital, a real estate investment advisory firm, which sold the property to Samsung SRA in 2018.


200 Aldersgate
200 Aldersgate is recognisable by the neon artworks in its front windows. Measuring 2.5m in diameter, 'Revolution - in two parts' by Rob and Nick Carter, was commissioned by 200 Aldersgate in 2010.


200 Aldersgate
200 Aldersgate is also known as one of three landmarks forming Stand Up To Cancer's London 3 Peaks Challenge. In 2014, 400 participants in the first ever challenge scaled The Gherkin and Heron Tower, before abseiling 56 metres down the outside of 200 Aldersgate.


200 Amsterdam
200 Amsterdam is a residential skyscraper at the intersection of Amsterdam Avenue and 69th Street on the Upper West Side in Manhattan, New York City. The lot was formerly occupied by the Lincoln Square Synagogue. Upon completion, the tower will contain 112 condominiums.


200 Amsterdam
The building stands as the tallest building on the Upper West Side after topping out at 51 stories in August 2019. 50 West 66th Street will be taller if completed as planned in 2021. Buildings of comparable size exist within a thousand feet to the south and east, including Tower 67 and the Park Millennium, which stand 49 and 47 stories tall, respectively. However, in February 2020, a state judge ruled that several upper floors would have to be removed due zoning violations. In March 2021, the ruling was overruled on appeal.


200 Amsterdam, History, Planning
The site, formerly a synagogue constructed in 1971, was purchased by the developers for $275 million in October 2015. The building's design was officially unveiled in June 2016 and permits for the development were filed two months later in September 2016. Despite the project's initial lot spanning just 10,800 square feet (1,000 m2), the developers expanded the zoning lot to over 100,000 square feet (9,300 m2) by purchasing the development rights from parking lots at the neighboring Lincoln Towers. This allowed the project to aggregate floor area limits and build a much larger project upon the small site.


200 Amsterdam, History, Opposition and legal challenges
In May 2017, two community groups began the first organized opposition to the tower's development, claiming that the building's zoning lot was illegal and could not encompass the additional development rights from the Lincoln Towers. Local New York City Council member Helen Rosenthal and Manhattan Borough President Gale Brewer endorsed the effort and a formal challenge was filed with the New York City Department of Buildings on May 15. In June, the Department of Buildings halted new permit issuance for the site until the challenge could be reviewed and ruled on.


200 Amsterdam, History, Opposition and legal challenges
At the end of June, the Department of Buildings filed a "Notice to Revoke" against the developers, meaning that the permit would be revoked unless the developers responded and solved issues that the Department had identified. Two weeks later, the Department ruled that the challenge had merit and rescinded the development's permit until the zoning lot was changed to comply with the law. By the end of September, the developers had responded to the Department of Building's concerns and demonstrated conformance with the law without changing the scope of the project.


200 Amsterdam, History, Opposition and legal challenges
The development received new construction permits on September 27, allowing the developers to begin excavation and foundation work for the building. However, in November the two community groups filed an appeal with the Board of Standards and Appeals, part of the New York City Office of Administrative Trials and Hearings, again challenging the legality of the development's zoning lot.


200 Amsterdam, History, Opposition and legal challenges
In February 2018, the local Community Board 7 noted its displeasure with the building, although legally the board had no power to stop or alter the development. On March 9, the assistant general counsel of the Department of Buildings sent a letter to the Board of Standards and Appeals which acknowledged that the permits issued for the development was "based on an incorrect interpretation of the Zoning Resolution." In July the Board of Standards and Appeals voted 3-1 to uphold the development's permit after which a community group moved to sue the Board in court.


200 Amsterdam, History, Financing, construction, and continuing legal challenges
At the end of September, the project's crane was installed. Shortly after installation, the Department of Buildings ordered work to stop at the site until the developer installed sidewalk sheds to protect pedestrians from potential falling debris from the crane. Despite progress on the construction, a lawsuit in the New York Supreme Court was filed by the Municipal Art Society in October to appeal the Board of Standards and Appeals' decision from July. Several prominent local politicians including New York State Assembly members Linda Rosenthal and Richard N. Gottfried as well as Congressman Jerry Nadler supported the lawsuit.


200 Amsterdam, History, Financing, construction, and continuing legal challenges
In November, Sumitomo Mitsui Trust Bank provided a $425.8 million loan to finance construction of the development.


200 Amsterdam, History, Financing, construction, and continuing legal challenges
The New York Supreme Court ruled in March 2019 that the Board of Standards and Appeals had improperly applied the law and ordered the Board to review the project again. However, the court stopped short of revoking the development's permits which allowed construction to continue. Another motion for a temporary restraining order, which would have stopped work on the site, was denied in early April. A request for a preliminary injunction at the end of April was also denied, allowing construction to progress while the Board of Standards and Appeals reviewed the zoning challenge. By that time, the building had reached roughly 25 stories in height. At the end of June 2019, the Board of Standards and Appeals reaffirmed the building's permits after construction had reached the 40th floor.


200 Amsterdam, History, Financing, construction, and continuing legal challenges
At the end of July 2019, the Municipal Art Society filed another lawsuit in Manhattan Supreme Court to appeal the decision and attempt to stop the building's development, again alleging that the Board had improperly applied the zoning law when approving the building's permits. The building topped-out the following month, though work on the crown and facade proceeded through late 2019.


200 Amsterdam, History, 2020 permit revocation
On February 17, 2020, New York Supreme Court Justice W. Franc Perry ruled that the existing permit for 200 Amsterdam had been issued, as reported by Gothamist, "based on a 39-sided 'gerrymandered lot' that abused zoning protocol", and was therefore issued in error by the Department of Buildings, which was ordered to revoke the permit. The ruling necessitates that "potentially 20 or more" newly constructed floors be removed. On March 3, 2021 major media outlets reported the finding of the lower courts had been overruled on appeal with no modifications required. The final ruling was seen as having implications for over twenty other such properties in the city constructed involving similar interpretations of zoning laws.


200 BC
Year 200 BC was a year of the pre-Julian Roman calendar. At the time it was known as the Year of the Consulship of Maximus and Cotta (or, less frequently, year 554 Ab urbe condita). The denomination 200 BC for this year has been used since the     early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years.


200 Cartas
200 Cartas (released worldwide as Looking for María Sánchez) is an independent Puerto Rican film, written and directed by Bruno Irizarry, starring Lin-Manuel Miranda, Jaime Camil, Dayanara Torres, Monica Steuer and Mayra Matos Pérez.


200 Cartas, Synopsis
Struggling nuyorican comic book artist Raúl (Lin-Manuel Miranda) meets a woman named María Sánchez (Mayra Matos Pérez), who's visiting from Puerto Rico, at a bar in New York City and immediately falls in love with her. After the two part their ways and María returns to Puerto Rico, Raúl seeks his friend and coworker Juan (Jaime Camil) to help him find her. They both travel to Puerto Rico to search for María Sánchez, only to find that there are two hundred women with that same name in the phone book.


200 Cartas, Synopsis
During their search, Yolanda (Dayanara Torres) meets Raúl and Juan and offers to help them find Raúl's love of his life. Raúl then comes up with writing 200 letters addressed to each María Sánchez found in the phone book and personally contacting or meeting the ones who respond, in hopes to find the one he met in New York City.


200 Cartas, Production
Filmed over 17 days in New York and Puerto Rico, the movie grossed an estimated $1 million after its release in June 2013 in New York City, its World Premieres Film Festival showing in the Philippines in July 2013 and its premiere in Puerto Rico in September 2013.


200 Central Park South
200 Central Park South is a Modern-style building on the south side of Central Park in New York City, atthe corner of 7th Avenue and Central Park South (59th Street). It is most notable for its curving facade, banded by balconies. Its exterior is beige brick and glass. It is across from a major pedestrian and vehicle entrance into Central Park, known as the "Merchant's Gate". This full service building was completed in 1963 by Bernard Spitzer and Melvin Lipman. It was designed by Wechsler & Schimenti.


200 Central Park South, Design
The building contains a curved facade and is lined with terraces that taper in, then curve, and taper out as they wrap around the two faces of the building. The curved base gives views of Central Park to more apartments. Spitzer reportedly got the idea for the curve from the curve drawn by a pencil thrown in frustration. Its tapered balconies have been said to give it a Barcelona feel. The base rises 21 stories, while its tower is set back, and brings it up 14 more floors.


200 Central Park South, Design
As of 2016 it is a full-service residential co-op apartment building. This Midtown West building currently has 309 apartments spanning 34 floors. Amenities for its residents include a roof deck, elevator operators, maid service, valet, garage, and concierge. In 2016, it is rated as the #2 co-op building in Midtown, and #13 in Manhattan, according to CityRealty.


200 Central Park South, Design
The building’s design was explained by Robert A. M. Stern, Thomas Mellins and David Fishman in their book, New York 1960 as "a kind of aggressive, self-referential Modernism that had hitherto been largely absent from Manhattan." Horsley asserts it resembles the Fontainebleau Hotel (1954), in Miami, designed by Morris Lapidus.


200 Central Park South, Design
The building sits across Seventh Avenue from the New York Athletic Club, to the east. It is also near Alwyn Court to the southeast, the Saint Thomas Choir School to the south, and 220 Central Park South to the west.


200 Cigarettes
200 Cigarettes is a 1999 American comedy film directed by Risa Bramon Garcia and written by Shana Larsen. The film follows multiple characters in New York City on New Year's Eve 1981. The film stars an ensemble cast consisting of Ben Affleck, Casey Affleck, Dave Chappelle, Guillermo Díaz, Angela Featherstone, Janeane Garofalo, Gaby Hoffmann, Kate Hudson, Courtney Love, Jay Mohr, Martha Plimpton, Christina Ricci and Paul Rudd. The film also features a cameo by Elvis Costello, as well as paintings by Sally Davies.


200 Cigarettes, Plot
The film follows various plot arcs all occurring on New Year's Eve of 1981. Monica (Martha Plimpton) is throwing a big New Year's bash and is desperately afraid no one will attend. Early on the only person to have arrived is her friend Hillary (Catherine Kellner). As she tries to convince Hillary to stay, various other groupings of individuals are shown making their way to the celebration.


200 Cigarettes, Plot
The film follows several characters as they spend New Year's Eve in New York City before eventually showing up at Monica's party.


200 Cigarettes, Plot
The party guests are: Monica's cousin Val (Christina Ricci) and her friend Stephie (Gaby Hoffmann), teens from Ronkonkoma who get lost in the seedy Alphabet City section of the borough and wander into a punk club where they meet Dave (Guillermo Díaz) and Tom (Casey Affleck), who have a "package" they need to deliver; ditsy and awkward Cindy (Kate Hudson), who is on a dinner date with the paranoid Jack (Jay Mohr); Lucy (Courtney Love)  and her best friend Kevin (Paul Rudd), who are struggling with the sexual tension between them; Kevin's feminist ex-girlfriend Ellie (Janeane Garofalo), who walks in on Kevin and Lucy making out in a restroom stall; a dim-witted and flirtatious bartender (Ben Affleck); competitive friends Bridget (Nicole Ari Parker) and Caitlyn (Angela Featherstone) who attempt to ditch Bridget's boyfriend Eric (Brian McCardie), (who is also Monica's ex-boyfriend); and the eccentric cab driver (Dave Chappelle) who takes them all around town throughout the evening in his disco-themed taxi.


200 Cigarettes, Plot
Eventually, all the characters find their way to the party, although in the meantime Monica has passed out after drowning her sorrows in alcohol. She wakes up the next morning to find many unrecognizable people on her floor, including Stephie who tells her what a big hit her party was. Monica is thrilled, even though she missed it all, especially when she finds out that Elvis Costello showed up. The final montage shows Polaroids of the party, narrated by the disco cabbie, mostly featuring the unlikely romances from the party and the unconscious Monica being propped up by her party guests.


200 Cigarettes, Release
The film received generally negative reviews and grossed $6.8 million in the United States before video release.


200 Cigarettes, Release
On Rotten Tomatoes the film has an approval rating of 30% based on 63 reviews. On Metacritic the film has a score of 33% based on reviews from 26 critics, indicating "Generally unfavorable reviews",


200 Cigarettes, Release
Todd McCarthy of Variety magazine called the film "dismally unfunny" and questions "if any director could have surmounted the script’s limitations" and of the acting performances he says "only Garofalo and Ben Affleck manage to project any wit that cracks through the prevailing humorlessness."


200 Cigarettes, Release
Mick LaSalle of the San Francisco Chronicle gave it a positive review, saying "200 Cigarettes doesn't have a bad scene or a false note. The picture is a succession of pointed little moments, nicely written by Shana Larsen and acted with comic assurance and sensitivity."


200 DKK (1997)
Danmarks Nationalbank issued a 200 kroner bank note on 10 March 1997 – updated on 9 April 2003 – out of print as of 19 October 2010.


200 DKK (1997)
The Danish 200 kroner bill (DKK200) is a denomination of Danish currency. Danish actress Johanne Luise Heiberg is featured on the front side of the bill, while a lion from the apse of Viborg Cathedral is featured on the reverse side. The current version of this bill came into circulation on 9 April 2003.


200 DKK (1997)
The face of the banknote has a portrait of Johanne Luise Heiberg (22 November 1812 to 21 December 1890). She was one of the greatest Danish actresses of the 19th century and took the Royal Theatre in Copenhagen by storm on countless occasions. Her autobiography Et liv genoplevet i erindringen (A Life Relived in Memory) is a major literary work from the Danish golden age.


200 DKK (1997)
The motif on the reverse of the 200 kroner banknote is a lion from the apse of Viborg Cathedral.


200 DKK (1997)
9 April 2003 the Danish national bank improved the security features with a hologram of a lion, the Roman numeral "CC," and the number "200." When the note is tilted the "CC" grows larger.


200 Dynamene
Dynamene (minor planet designation: 200 Dynamene) is a large dark main-belt asteroid that was discovered by German-American astronomer Christian Heinrich Friedrich Peters on July 27, 1879, in Clinton, New York. The name derives from Dynamene, one of the fifty Nereids in Greek mythology. Based upon its spectrum, 200 Dynamene is classified as a C-type asteroid, indicating that it probably has a primitive composition similar to the carbonaceous chondrite meteorites. The spectra of the asteroid displays evidence of aqueous alteration.


200 Dynamene
Photometric observations of this asteroid at the Organ Mesa Observatory in Las Cruces, New Mexico in 2011 gave a light curve with a period of 37.394 ± 0.002 hours and a brightness variation of 0.10 ± 0.01 in magnitude. The curve is asymmetrical with four uneven minima and maxima.


200 Dynamene
Occultation data from October 9, 2006 using 15 chords shows the asteroid is about 130 km in diameter.


200 Halla Ho
200 Halla Ho is a 2021 Indian Hindi-language crime thriller film directed by Sarthak Dasgupta and Alok Batra (in his directorial debut) with production by Yoodlee films. The film is based on the real life incident in which 200 Dalit women lynched Akku Yadav, a gangster, robber, serial rapist, and killer in an open court in Nagpur in 2004. It was digitally released on 20 August 2021 on ZEE5.


200 Halla Ho, Plot
Akku Yadav is a mobster, who gang rapes, murders, robs and terrorizes 300 families without any fear of law, for a period of 15 years. He takes special interest in using the rape threat to break and humiliate the Dalit community. He allegedly rapes over 40 women and children, gets arrested 14 times but is never sentenced, therefore he has no fear of law and randomly picks up any woman he fancies - irrespective of their age. The police refuse to help the Dalits and go on to sell out the complainants to Akku.


200 Halla Ho, Plot
His reign of terror continues till he meets his nemesis in a young and educated Dalit girl - Usha Narayane. She files a FIR against Akku, and when cornered by him and his gang, threatens to burn them down. This inspires the villagers to revolt against Akku and file 40 FIRs, however when all their hopes of getting justice vanish, the women of the basti decide to take matters into their own hands and make a fitting example out of Akku.


200 Halla Ho, Reception
Arushi Jain of The Indian Express gave the film a mixed review and stated, "Though a torpid screenplay fails the subject of the movie, veteran actor Amol Palekar stays committed to the character of a retired Dalit judge. He brings some profundity to a film that lacks depth." Archika Khurana of The Times of India gave the film 3 out of 5 stars and stated, "If you like non-fiction films based on true stories, this drama definitely deserves a watch in order to comprehend the grief and suffering that those women must have endured."


200 Halla Ho, Reception
R.M. Vijayakar of India West gave the film a mixed review and stated, "This film may not be a must-watch in the way it is made, but it is certainly not a waste of resources and audience time like Yoodlee’s social thriller past excesses." Mumbai Live gave the film a mixed review and stated, "The movie leaves a lasting impact on your mind and one wonders that no matter how much we talk about equality, there are certain sects that are still struggling to get the respect they deserve." Shantanu Ray Chaudhuri of The Free Press Journal gave the film 3 out of 5 stars and stated, "If only it did not wear its activism, its social agenda, on its sleeves, it would have been more than the polemic tract it often feels like."


200 Halla Ho, Reception
Saibal Chatterjee of NDTV gave the film 3.5 out of 5 stars and stated, "Drawing strength from a slew of quietly efficient performances, the director parlays the material into an impactful tale of crime and punishment that transcends genre limitations." News 18 praised its "decent" production values, tone, pacing, "powerful" performances and "dramatic" direction.


200 Liberty Street
200 Liberty Street, formerly known as One World Financial Center, is a skyscraper in Lower Manhattan, New York City.


200 Liberty Street
It is located at 200 Liberty Street between South End Avenue and West Street. It was built in 1985 as part of the World Financial Center complex. It is a 40-story building reaching the height of 577 feet (176 m). It has a leasable area of 1,628,000 square feet (151,200 m2). Similarly to other WFC buildings it has a unique roof which is a truncated square pyramid. It is connected to the rest of the complex by a skybridge over Liberty Street.


200 Liberty Street
The building is located across the street from the World Trade Center site and was significantly damaged in the September 11 attacks. The initial dust cloud and other explosions shattered many windows, heavily damaging nearby Winter Garden Atrium and other buildings of the World Financial Center complex. It was closed for several months and reopened in 2002 after extensive restoration.


200 Liberty Street
It was renamed 200 Liberty Street when the rest of the complex became Brookfield Place in 2014.


200 M.P.H.
200 M.P.H. (1968) is the seventh stand-up comedy album by Bill Cosby, and his ninth album overall. It was recorded live at Harrah's, Lake Tahoe, Nevada and released by Warner Bros. Records.


200 M.P.H., Background
In 1967, Bill Cosby bought a Shelby Cobra Super Snake CSX 3303 from his friend, company founder Carroll Shelby. The car was a 1965 Cobra Competition roadster, retained by Shelby American as a PR car and then modified with the addition of two superchargers and a Ford C-6 automatic gearbox. Only two such cars were built; one was retained by Shelby and the other was sold to Cosby. Side two of this album (side one on the cassette release) is a single routine that focuses on Cosby's love of sports cars and his brief ownership of the Super Snake.


200 M.P.H., Background
The title, "200 M.P.H. ", refers to Shelby's boast about the car's top speed; however, Cosby became so unnerved during a test drive that he returned it immediately afterward. Shelby American sold the car to S and C Motors in San Francisco, who in turn sold it to a customer named Tony Maxey. Maxey destroyed the CSX 3303 by driving over a cliff and into the Pacific Ocean; he died from his injuries a few days later. Brian Angliss purchased the vehicle and subsequently restored it. He plans to auction the car off.


200 M.P.H., Background
In a late-night talk show appearance, Cosby briefly re-told this story and said that he had heard that Jimmy Webb (of "MacArthur Park" fame) eventually ended up with his Cobra.


200 M.P.H., Background
While the majority of Cosby's Warner Bros. standup albums were regularly re-released on LP, and eventually issued on CD in April 1998, 200 M.P.H. was not reissued on vinyl (although it was available on cassette in the '80s). It did not see a CD release until 2005, mainly due to controversy over the main sketch's punchline: Afraid that the car was so powerful and hard to control that it would be lethal to the driver, Cosby decided to return it, saying, "Take the keys and this car, it's all paid for, and you give it to George Wallace." Wallace was a well-known pro-segregationist, and was campaigning for the presidency of the United States at the time this album was recorded.


200 MPH (song)
"200 MPH" is a song by Puerto Rican rapper Bad Bunny featuring American DJ Diplo. The song was released through Rimas Entertainment on December 24, 2018 as the seventh single from his debut studio album, X 100pre (2018).


200 MPH (song), Music video
The video for "200 MPH" was released on April 27, 2019 on Bad Bunny's YouTube channel. As of June 2019, the music video for the song has received over 20 million views.


200 Market
200 Market, also known as the Black Box, is a 19-story high-rise commercial office building in downtown Portland, Oregon, United States. It was completed in 1973 and certified LEED Platinum in 2010. It was the first multi-tenant building in the U.S. to be LEED Gold-certified, in 2006.


200 Market
The building has 18 floors for tenants and a total of 400,000 square feet (37,000 m2) with 19,000 square feet (1,800 m2) per floor.


200 Meters
200 Meters (Arabic: 200 متر) is a 2020 feature film written and directed by Palestinian director Ameen Nayfeh. The film premiered at the 77th Venice International Film Festival in September 2020, where it won the BNL People's Choice Audience Award as part of the Venice Days competition. It was selected as the Jordanian entry for the Best International Feature Film at the 93rd Academy Awards, but it was not nominated. It won the ICFT UNESCO Gandhi Medal at 51st International Film Festival of India in January 2021.


200 Meters, Plot
The film revolves around a family in the Palestinian city of Tulkarm,  separated by the Israeli wall, and the efforts of the father who tries to visit his son on the other side of the wall.


200 Meters, Production
The film was shot in Tulkarm in the West Bank in 2019,.


200 Meters, Release
200 Meters premiered at the 77th Venice International Film Festival in September 2020. It is scheduled to be shown at the El Gouna Film Festival in October 2020. It was screened at 51st International Film Festival of India under ICFT UNESCO Gandhi Medal in January 2021.


200 Miles of Buenos Aires
The 200 Miles of Buenos Aires was a non-championship race sports car event held in Autódromo Oscar Alfredo Gálvez, Buenos Aires, Argentina. The race was held on January 18, 1970, after the 1000 km Buenos Aires race (11 January).


200 Miles of Buenos Aires
The race, which did not grant championship points, was won by Andrea De Adamich and Piers Courage driving an Alfa Romeo 33. 2nd and 3rd were a Porsche 908/02 and the works Matra MS630/650.


200 Miles of Buenos Aires, Official results
Class winners in bold. Cars failing to complete 70% of the winner's distance marked as Not Classified (NC).


200 Million Thousand
200 Million Thousand is the fifth studio album by garage punk band Black Lips. The album was recorded in August 2008 and released on February 24, 2009 in the United States and March 16 in Europe. The first single, "Short Fuse" was released on March 9, 2009.


200 Million Thousand, Track listing
"Again & Again" is a cover version of an Iggy Pop song, published under his real name (Jim Osterberg), and originally recorded with his first band The Iguanas in 1965.


200 More Miles: Live Performances 1985–1994
200 More Miles: Live Performances 1985–1994 is a 1995 album by the Canadian alt-country band Cowboy Junkies.


200 More Miles: Live Performances 1985–1994
The album is a compilation of live performances by the band, dating from the band's earliest years as a local independent band in Toronto to their 1990s tours as international rock stars.


200 More Miles: Live Performances 1985–1994, Track listing
All tracks are written by Michael Timmins, except where noted.


200 Motels
200 Motels is a 1971 surreal musical film written and directed by Frank Zappa and Tony Palmer, and featuring music by Zappa. An international co-production of United States and the United Kingdom, the film stars the Mothers of Invention, Theodore Bikel and Ringo Starr.


200 Motels
A soundtrack album was released in the same year, with a slightly different selection of music.


200 Motels, Plot
The film attempts to portray the craziness of life on the road as a rock musician, and as such consists of a series of unconnected nonsense vignettes interspersed with concert footage of the Mothers of Invention. Ostensibly, while on tour The Mothers of Invention go crazy in the small fictional town of Centerville ("a real nice place to raise your kids up"), wander around, and get beaten up in "Redneck Eats", a cowboy bar.


200 Motels, Plot
In an animated interlude passed off as a "dental hygiene movie", bassist "Jeff", tired of playing what he refers to as "Zappa's comedy music", is persuaded by his bad conscience to quit the group, as did his real-life counterpart Jeff Simmons. Simmons was replaced by Martin Lickert (who was Starr's chauffeur) for the film. Almost every scene is drenched with video special effects (double and triple exposures, solarisation, false color, speed changes, etc.) which were innovative in 1971. The film has been dubbed a "surrealistic documentary".


200 Motels, Production
Principal scenes of 200 Motels, including the Royal Philharmonic Orchestra, were filmed in a week at Pinewood Studios outside London, and featured The Mothers of Invention, The Royal Philharmonic Orchestra, Ringo Starr, Theodore Bikel, and Keith Moon. Tensions between Zappa and several cast and crew members arose before and during shooting. However, director Tony Palmer (on his 2009 reissue of 200 Motels) claims that all elements of the script derived from Zappa's trunk's worth of material were completed during production. It was the first feature film photographed on videotape and transferred to 35 mm film utilizing a Technicolor film printer utilized by the BBC.


200 Motels, Release and reception
United Artists' press kit for the film stated "For the audience that already knows and appreciates THE MOTHERS, [it] will provide a logical extension of our concerts and recordings." The film premiere was shown at Doheny Plaza Theater in Hollywood, California to mixed reviews. 200 Motels currently holds a 57% rating on Rotten Tomatoes based on seven reviews. Roger Ebert gave the film three stars out of four, saying that the film; "is a joyous, fanatic, slightly weird experiment in the uses of the color videotape process", and also stating; "It assaults the mind with everything on hand".


200 Motels, Soundtrack
The soundtrack to 200 Motels was released by United Artists Records on October 4, 1971, and features a combination of rock and jazz songs, orchestral music and comedic spoken dialogue. The rock and comedy songs "Mystery Roach", "Lonesome Cowboy Burt", "Daddy, Daddy, Daddy", "What Will This Evening Bring Me This Morning" and "Magic Fingers", and the finale "Strictly Genteel", which mixes orchestral and rock elements, were noted as highlights of the album by reviewer Richie Unterberger.


200 Motels, Soundtrack
The score relied extensively on orchestral music, and Zappa's dissatisfaction with the classical music world intensified when a concert, scheduled at the Royal Albert Hall after filming, was canceled because a representative of the venue found some of the lyrics obscene. In 1975, he lost a lawsuit against the Royal Albert Hall for breach of contract. When "Penis Dimension" was played to the judge, Mr Justice Mocatta, he responded "Have I got to listen to this?". The UK première was not until 29 October 2013, almost 20 years after Zappa's death.


200 Motels, Soundtrack
200 Motels charted at #59 on the Billboard 200. The album was not released on compact disc until 1997, as a result of a licensing deal between Rykodisc (at the time the licensee for all of Zappa's other albums from the Zappa Family Trust (ZFT), numbering over 60 titles) and MGM allowing them to re-release numerous rare movie-musical soundtracks on CD.


200 Motels, Soundtrack
With the addition of this title, Ryko was finally able to offer the complete catalog of official Zappa recordings, as numerous legal proceedings both during Zappa's lifetime and afterwards failed to cede ownership of the rights and tapes to ZFT. That 2-CD edition, now out of print, contained extensive liner notes and artwork as well as a small poster for the film, as well as bonus tracks consisting of radio promos for the film and the single edit of the song "Magic Fingers".


200 Motels, Soundtrack
Though many Zappa fans consider this album a key recording of the period, it was deemed by some music critics to be a peripheral album. AllMusic's Richie Unterberger critiqued what he referred to as the "growing tendency to deploy the smutty, cheap humor that would soon dominate much of Zappa's work", but said that "Those who like his late-'60s/early-'70s work [...] will probably like this fine".


200 Motels, Legacy
After 200 Motels, the band went on tour; the live album Just Another Band From L.A.  included the 20-minute track "Billy the Mountain", Zappa's satire on rock opera set in Southern California. This track was representative of the band's theatrical performances in which songs were used to build up sketches based on 200 Motels scenes as well as new situations often portraying the band members' sexual encounters on the road.


200 Motels (soundtrack)
The 200 Motels soundtrack to Frank Zappa's film 200 Motels was released by United Artists Records in 1971. Like the film, the album covers a loose storyline about The Mothers of Invention going crazy in the small town of Centerville and bassist Jeff quitting the group, as did his real life counterpart, Jeff Simmons, who left the group before the film began shooting and was replaced by actor Martin Lickert for the film.


200 Motels (soundtrack)
The album peaked at No. 59 on the Billboard 200, though reviewers deemed it a peripheral part of Zappa's catalog.


200 Motels (soundtrack), Music and lyrics
The rock and comedy songs "Mystery Roach", "Lonesome Cowboy Burt", "Daddy, Daddy, Daddy", "What Will This Evening Bring Me This Morning" and "Magic Fingers", and the finale "Strictly Genteel", which mixes orchestral and rock elements, were noted as highlights of the album by reviewer Richie Unterberger. François Couture, a reviewer for Allmusic, said that "Mystery Roach" contains multiple meanings, all of which have a connection to lyrical subject matter in Zappa's discography.


200 Motels (soundtrack), Music and lyrics
These include the freshwater fish, as the Mothers of Invention live album Fillmore East - June 1971 contained a song referring to the mud shark, a cannabis cigarette butt, which causes the character Jeff to go crazy within the context of the film's storyline, and a combed roll hairstyle, which connects the song lyrically to "Jelly Roll Gumdrop", a song from Cruising with Ruben & the Jets.


200 Motels (soundtrack), Music and lyrics
The version featured on the album is different from the version featured in the film, as it is missing small electric guitar solos by Zappa, and was not scripted as part of the film in its electric arrangement, having originally been written in three separate, unused acoustic blues-oriented arrangements. The song was not performed live.


200 Motels (soundtrack), Music and lyrics
"Dance of the Rock & Roll Interviewers" is an orchestral piece originally intended to be paired with "Touring Can Make You Crazy" as part of an early scene in which the band arrives in Centerville and is greeted by music journalists, but only part of the sequence, depicting a mannequin of Zappa being torn apart by the journalists, appeared in the final film, due to timing and budget restraints, and the "Touring Can Make You Crazy" sequence was not shot and does not appear in the film. Regarding "Touring", Couture writes that "The long double-bass notes and the overall dark atmosphere and slow tempo suggest a tiring trip."


200 Motels (soundtrack), Music and lyrics
The album features five segments which form the suite "This Town Is A Sealed Tuna Sandwich": a prologue, the "Tuna Fish Promenade", "Dance of the Just Plain Folks", a reprise of the main melody, and the conclusion "The Sealed Tuna Bolero". Only the final bolero was featured in the film. The "Tuna Sandwich" suite was scripted as being proceeded by the sequence and composition "Centerville". "Would You Like A Snack?" is a vocal version of Zappa's composition "Holiday in Berlin", which reappears throughout the album and film in different arrangements, including the "Semi-Fraudulent/Direct-From-Hollywood Overture". The lyrics of "Would You Like A Snack?" are similar to the theater piece on Zappa's live album Ahead of Their Time. Zappa earlier recorded an unrelated song of the same name, which features members of the Mothers of Invention and Jefferson Airplane singer Grace Slick.


200 Motels (soundtrack), Music and lyrics
"Redneck Eats" begins and ends with spoken dialogue featuring the character Lonesome Cowboy Burt (played by Jimmy Carl Black) heckling the orchestra, which is performing an Igor Stravinsky and Edgard Varese-influenced composition. "Janet's Big Dance Number" is about one of the film's two groupie characters and features "Slow piano chords [...] played over sustained contrabass notes. The choir enters late in the piece, picking up the Stravinskian melody sketched by the chords."


200 Motels (soundtrack), Music and lyrics
"Lucy's Seduction of a Bored Violinist", follows the other groupie character, and features "a soft melody, followed by a rhythm break and a tympany roll" and a faster reprise of the "Janet" melody. The album pairs "Lucy" with the film's "Postlude", which appears during the ending credits, and is played on a harpsichord.


200 Motels (soundtrack), Music and lyrics
The second half of the album begins with the suite "Dental Hygiene Dilemma", which begins with "I'm Stealing The Towels", for which the corresponding film sequence was scripted and partially shot, before it was determined that the footage was unusable, and the sequence was cut. The main part of the suite, "Dental Hygiene Dilemma", appeared in the film as an animated cartoon by Charles Swenson, who later directed the film Down and Dirty Duck with Mothers of Invention band members and 200 Motels stars Mark Volman and Howard Kaylan.


200 Motels (soundtrack), Music and lyrics
The main part of the suite, "Dental Hygiene Dilemma" incorporates elements of rock band, orchestra and spoken dialogue, and depicts Jeff smoking a marijuana cigarette which had been dipped in Don Preston's "foamy liquids" and imagining Donovan appearing to him on a wall-mounted television as his "good conscience" and asking him not to steal the towels, while Studebacher Hoch appears to him as his evil conscience, "dressed as Jim Pons", and convinces Jeff to quit the Mothers of Invention, start his own hard rock band and play music like Grand Funk Railroad or Black Sabbath.


200 Motels (soundtrack), Music and lyrics
In real life, Simmons started his own blues rock band after leaving Zappa's band, and released the album Lucille Has Messed My Mind Up for Straight Records, which Zappa produced. In "Dilemma", Volman exclaims "We got to get him back to normal before Zappa finds out and steals it and makes him do it in the movie!"


200 Motels (soundtrack), Music and lyrics
"A Nun Suit Painted on Some Old Boxes" is the first part of a suite for soprano voice, chorus, and orchestra called "I Have Seen the Pleated Gazelle". The suite criticizes organized religion and references dental floss, connecting the suite to Zappa's later song "Montana", appearing on the album Over-Nite Sensation. In the film, "A Nun Suit" precedes the "Dental Hygiene Dilemma" cartoon, but is placed before the rock song "Magic Fingers" on this album, removing the context of the line "Want to watch a dental hygiene movie?" The "Gazelle" suite continues with "Motorhead's Midnight Ranch", "Dew on the Newts We Got" and "The Lad Searches the Night for His Newts", for which the corresponding film sequence was only partially shot.


200 Motels (soundtrack), Release and reception
200 Motels charted at No. 59 on the Billboard 200. The album was released on compact disc in 1997 in correlation with a theatrical reissue of the film. The CD edition contained extensive liner notes and artwork, a small poster for the film, and bonus tracks consisting of radio promos for the film and the single edit of the song "Magic Fingers".


200 Motels (soundtrack), Release and reception
The album was deemed to be a peripheral album in Zappa's catalog by music critics. Allmusic's Richie Unterberger critiqued what he referred to as the "growing tendency to deploy the smutty, cheap humor that would soon dominate much of Zappa's work" but said that "Those who like his late-'60s/early-'70s work [...] will probably like this fine".


200 Peachtree
200 Peachtree is a mixed-use retail center in downtown Atlanta, Georgia designed by Philip T. Shutze and Starrett & van Vleck. Built in 1927 as the flagship department store for Davison's, the last department store in the building closed in 2003. The building later underwent an extensive renovation in the 2010s.


200 Peachtree, History
The idea for a large Davison's department store in downtown Atlanta was first put forth by Macy's soon after their acquisition of the Davison's brand in 1925. The cost for the building was estimated at $6 million. On April 25 of that year, Macy's signed a contract with Asa G. Candler, Inc. for them to build the large brick building on Peachtree Street, between Ellis Street and the Henry Grady Hotel. The location had previously been the site of the Leyden House, a historic home that was demolished in 1913.


200 Peachtree, History
Atlanta-based architect Philip T. Shutze designed the building along with Starrett & van Vleck, a New York-based architecture firm that specialized in department stores. The store officially opened to the public on March 21, 1927. Upon its completion, it was the largest department store in the southern United States. In 1948, a five-story addition was added to the rear of the store, which also provided an additional entrance on Carnegie Way. In 1963, the building underwent a multimillion-dollar renovation, including the construction of a 700-car parking garage adjacent to the building.


200 Peachtree, History
In 1985, the store dropped the Davison's name and was rebranded as Macy's. This store, the last major department store in downtown Atlanta, closed in 2003. In 2007, the Atlanta Preservation Center placed it on their list of "most endangered" historic places. In 2010, the Atlanta Development Authority authorized a $12 million mezzanine loan from the New Markets Tax Credit Program to convert the building to a mixed-use retail and event venue. In 2015, the site was rebranded as Southern Exchange at 200 Peachtree. In 2018, several tenants filed a lawsuit against the building's owners, citing unsafe conditions and intimidation tactics used by the owners.


200 Po Vstrechnoy
200 Po Vstrechnoy (Cyrillic: 200 По Встречной; translation: "200 [km/h] Against the Traffic", pronounced [ˈdvʲestɪ pɐfˈstrʲet͡ɕnɐj]) is the debut studio album by Russian duo t.A.T.u. It was released by Neformat Records and Universal Music Russia on 21 May 2001 in Russia, Ukraine, and Poland, and was re-released by Universal Music Russia worldwide on 23 June 2003. A re-released version featured new tracks and a new artwork, which was released on 15 February 2002.


200 Po Vstrechnoy
Created by manager and producer Ivan Shapovalov after the success of members Yulia Volkova and Lena Katina in the band Neposedy, the group managed to sign a deal with Universal Music Russia to produce their first album. It was recorded between 1999 and 2000, and was produced and co-composed by Shapovalov.


200 Po Vstrechnoy
Musically, 200 Po Vstrechnoy is an electronic album that incorporates elements of pop rock, and lyrically focuses on themes of love, teenage sex, and lesbianism. Upon its release, the album received mixed reaction from critics and the public; majority of the criticism was aimed at the lyrical content and the image, whilst some highlighted the singles as some of their best work. Commercially, it was a success in Eastern Europe, which sold over one million units as recognised by the International Federation of the Phonographic Industry (IFPI). Three singles were promoted from the album; "Ya Soshla s Uma", "Nas Ne Dogonyat", and "30 Minut". The group commenced their concert tour of the same name as the album in early 2001 and finished in November that same year.


200 Po Vstrechnoy, Background and composition
t.A.T.u. members Yulia Volkova and Elena Katina had originally worked for the Russian children musical group Neposedi, but Volkova was dismissed due to volatile behaviour. Katina was also accused by Russian journalism of bad behaviour, and left not long after. Russian music manager Ivan Shapovalov held a casting call for a solo singer to be managed by him, and selected Katina out of several other girls. Him and his ex-wife, Elena Kiper, then decided to create and manage a duo, and selected Volkova as the second act to the group.


200 Po Vstrechnoy, Background and composition
They signed to their Russian label Neformat Records, and eventually scouted to look for another label; they signed a deal with Universal Music Russia in early 2000. They begun recording the album after finishing the track "Ya Soshla s Uma" in 1999, and finished recording it during mid-2000. The album was produced solely by Shapovalov, whilst the album was composed and written by: Aleksandr Vulikh, Valeriy Polienko, Kiper, Sergio Galoyan, Roman Ryabtsev, Anna Karasyova, and Vadim Stepantsov.


200 Po Vstrechnoy, Background and composition
Musically, 200 Po Vstrechnoy is an electronic album that incorporates elements of pop rock. According to Edmond J Coleman and Theo Sandfort, who wrote the book Sexuality and Gender in Postcommunist Eastern Europe and Russia (2005), they noticed that majority of the album's content, particularly "Ya Soshla s Uma" and "Nas Ne Dogonyat", were influenced by techno music; both Coleman and Sandfort believed the sound was influenced by the techno revolution in the late 1990s. The album focuses on themes such as love, teenage sex, and lesbianism.


200 Po Vstrechnoy, Release
200 Po Vstrechnoy was released by Neformat and Universal Music Russia in Russia, Ukraine, Czech Republic and Poland regions on 21 May 2001. The album contains nine tracks in both physical and digital formats, with three bonus remixes, and has an cover sleeve that is displays as of a criminal case dossier, with biographies of the girls, fingerprints and partial lyrics in the liner booklet; some versions only issued a four-page booklet. A cassette tape was distributed by Neformat in the Ukraine, which features the nine original tracks but two remixes instead of three.


200 Po Vstrechnoy, Release
On 15 February 2002, after beginning work on English-language material, Universal Music Russia re-released the album that featured a new track titled "Klouny", and a remix for the songs "30 Minut" and "Malchik-Gey". This version included a new artwork and booklet information with illustrations of a clown that reflected the track "Klouny" ("Klouny" is the Russian word to the English word "Clowns"). After the success of their album 200 km/h in the Wrong Lane in 2002, Universal Music Russia distributed the album in other parts of Europe, Japan and Taiwan on 21 September 2003.


200 Po Vstrechnoy, Release
To promote the album, three singles were released. The first single was Ya Soshla S Uma", released on 19 December 2000; the song later gained the English-language version "All The Things She Said". It was a critical success in Europe; In early 2001, Universal Music Group hosted a poll for the audience to vote on which song was the best from 200 Po Vstrechnoy; as a result, "Ya Soshla s Uma" came first place. The single won the MTV Video Music Award for the Russian entry of 2000.


200 Po Vstrechnoy, Release
In 2001, "Ya Soshla S Uma" won the 100 Pound Hit awarded by Hit FM Russia; they performed the song that same night. As of January 2010, "Ya Soshla s Uma" sold over 50,000 units, and over 200,000 illegal copies. The second single was "Nas Ne Dogonyat", released in 2001. The title of the track was included on the 2006 Russian Dictionary of Modern Quotes (Slovar sovremennykh tsitat). The third and final single was "30 Minut"; it was released as an airplay track, and featured an accompanying music video that was directed by Shapovalov.


200 Po Vstrechnoy, Reception
Drago Bonacich from American music publication AllMusic selected "Ya Soshla s Uma", "Nas Ne Dagonyat", and "30 Minut" amongst some of the band's best work. However, the album's critical reviews were generally shaded by the success, yet controversial period of their single "Ya Soshla s Uma", alongside its English version "All The Things She Said"; according to Bonacich, the single was one of the most heavily rotated tracks throughout MTV Europe during its release. The Russian version, prior to the release of "All The Things She Said" at the end of 2002, also received strong attention on MTV throughout the Western world. However, an editor from The Telegraph commented that reviews in Russia were generally favourable and "catapult[ed] the duo to local stardom."


200 Po Vstrechnoy, Reception
Commercially, 200 Po Vstrechnoy was a success in Eastern Europe. On 22 July 2002, it debuted at number 23 on the Polish Music Charts, one of the highest debuts on that week end. It rose to number 11 the following week, and reached the top ten during its third week. After five weeks, it reached the top spot, making t.A.T.u. the first Russian act to do so.


200 Po Vstrechnoy, Reception
On 14 October, it was certified gold by the Polish Society of the Phonographic Industry (ZPAV) for shipments of 10,000 units; it lasted a total of 39 weeks in the chart, and was certified Platinum by the ZPAV for shipments of 20,000 units. Despite the album not entering any record charts in Japan, it was certified Million by the Recording Industry Association of Japan (RIAJ) for shipments of one million units. It was certified Platinum by the International Federation of the Phonographic Industry (IFPI) for sales of one million units in Europe, making t.A.T.u.


200 Po Vstrechnoy, Reception
the first group to achieve a Platinum certification on two separate bilingual language albums; the other being the English language adaption 200 km/h in the Wrong Lane (2002). They also received the distinction to be the first Eastern European act to achieve a Platinum award; both Volkova and Katina attended the awarding in Moscow, Russia.


200 Po Vstrechnoy, Reception
In Russia, there were no prominent music charts at the time of the album's release; despite this, it sold 500,000 units inside a two-month period. By the end of the 2001, it sold approximately 850,000 units, which was described by an editor at The Telegraph as "an astonishing number in a country where piracy is estimated to account for some 95 per cent of all sales...". As of August 2016, the album has sold over one million copies in Russia, and has been illegally purchased more than four million units, making it the group's highest selling Russian-language album and one of the highest selling albums in that region.


200 Po Vstrechnoy, Promotion
To promote the album, t.A.T.u. commenced their Russian concert tour that used the album's title as its official promotional campaign. The girls prepared in 2000 where they wanted the choreography "precise", to a point where one segment featured the girls stripping off their clothes; this was scrapped from the original plan. The group performed all over Russia and visited the Ukraine, all between February to November 2001. After the re-release of the album, the group extended the tour in regions such as Germany, Czech Republic, and Poland, amongst other destinations.


200 Po Vstrechnoy, Promotion
In July 2015, the group uploaded an official unreleased teaser of their single "Ya Soshla s Uma" to their YouTube channel to commemorate the singles 15th anniversary; with its release date on 19 December, it remained unreleased. However, between June–August 2016, the group uploaded unreleased footage and remixed versions of their singles "Ya Soshla s Uma", "Nas Ne Dogoynat", and "30 Minut".


200 Po Vstrechnoy, Credits and personnel
Credits adapted from the CD liner notes of 200 Po Vstrechnoy;


200 Pounds Beauty
200 Pounds Beauty (Korean: 미녀는 괴로워; RR: Minyeoneun Goerowo; "Beauty is painful") is a 2006 South Korean musical romantic comedy film written and directed by Kim Yong-hwa. It is based on the Japanese manga Kanna's Big Success! (カンナさん大成功です!, Kanna-san Daiseikou Desu!) by Yumiko Suzuki about an overweight ghost singer who undergoes intensive plastic surgery to become a pop sensation.


200 Pounds Beauty
The film was a critical and commercial success. It was the third best-selling domestic film of 2006 with 6,619,498 admissions nationwide, grossing US$42,013,016. 200 Pounds Beauty also received several awards and nominations, including Best Actress for Kim Ah-joong at the 2007 Grand Bell Awards.


200 Pounds Beauty, Plot
Hanna Kang is an overweight phone sex part-timer and a ghost singer for Ammy, a famous pop singer who actually lip syncs her songs instead of singing live. Hanna has a crush on Sang-jun, a director whose arrogant father owns the record company Ammy is signed to. One day, Hanna receives an outfit from Sang-jun with a note to wear it to his birthday party. However, it actually came from Ammy, who wears the same outfit just to humiliate Hanna.


200 Pounds Beauty, Plot
While crying in the restroom, Hanna overhears Sang-jun telling Ammy that even though they are just using Hanna for her voice, they must be kind to her so she will not abandon them. Heartbroken, Hanna attempts suicide but is interrupted by a phone call from one of her phone sex regulars, a top plastic surgeon, and persuades him to perform extensive plastic surgery on her.


200 Pounds Beauty, Plot
After a year of seclusion while recovering from the surgery and weight loss, Hanna is so incredibly beautiful and slender that even her best friend Jung-min cannot recognize her at first. With Jung-min's help, Hanna creates a new identity for herself as a Korean-American from California named Jenny. After re-auditioning to be Ammy's secret vocalist, she earns her own recording contract instead. Meanwhile, Ammy fears her own secret in being unable to sing will be exposed if the release of her second album is delayed.


200 Pounds Beauty, Plot
She desperately tries to find Hanna by spending time with Hanna's father who is in hospital due to Alzheimer's, but Sang-jun orders her to give up her search, threatening to terminate her contract if she does not stop. After many encounters with Jenny, they both realize that Jenny is actually Hanna.


200 Pounds Beauty, Plot
Jenny's debut single "Maria" becomes a hit and at the release party, Ammy brings Hanna's father in an attempt to blow her cover. Desperate to keep her true identity a secret, Hanna ignores her father, infuriating Jung-min with her indifference. After the party, Sang-jun tells Hanna he knows her true identity. He cannot forgive her for lying to him but says he will conduct her concert scheduled the next day. Hanna confesses her love for him and reveals she got plastic surgery in order to make him love her back. After realizing how worthless she was to him even as Jenny, Hanna tearfully refuses to have anything to do with him.


200 Pounds Beauty, Plot
Before the concert, Ammy threatens to reveal Hanna's deception unless Sang-jun cancels the concert. Though his father agrees, Sang-jun stands up to them and refuses, and encourages a distraught Hanna to do this concert, not for her fans or the record company but for herself. Before performing, Hanna apologizes to Jung-min for her earlier behavior. She coldly rejects her apology, rebuking Hanna for the way she treated her own father.


200 Pounds Beauty, Plot
At the concert, Hanna tearfully confesses to the large crowd her story of being a ghost singer to an ungrateful Ammy while she was overweight, going into a year of seclusion to heal from the changes from the surgery and abandoning everything that is dear to her, including her best friend and father, for her career. Sang-jun plays a tape of the old, obese Hanna, singing. Hanna remarks that the person on the video is the real her. The crowd are moved by her sincere confession and praise her for showing her true identity.


200 Pounds Beauty, Plot
Hanna reconciles with her father and Jung-min. She drops the stage-name Jenny and re-releases a CD with her own name, Hanna, and becomes a highly successful music artist. Sang-jun realizes the very thing about her that had always drawn him to her was Hanna's innocence, and continues to promote her in hopes of pursuing a relationship with her.


200 Pounds Beauty, Plot
During the post-credits, Jung-min also asks to get extensive plastic surgery from the surgeon.


200 Pounds Beauty, Soundtrack
The soundtrack album was released by KM Culture and SBS Contents Hub on December 13, 2006.


200 Pounds Beauty, Soundtrack
The title track is a cover of the Blondie song "Maria," sung in Korean by the film's star, Kim Ah-joong.


200 Pounds Beauty, Soundtrack
Director Kim Yong-hwa has been friends with music director Lee Jae-hak since their college days. Lee is a member of the modern rock band Loveholic, which is also featured in the soundtrack.


200 Press
200 Press is the sixth solo EP by English musician James Blake. Blake played all the instruments and produced the record. It was released on 1-800-Dinosaur on 8 December 2014. The name of the album (and the name of the title track) are a reference to the fact that only 200 copies of the vinyl edition would be pressed.


200 Press, Composition
200 Press contains further experimentation by Blake. He most notably used a sample of Andre 3000's verse from Devin the Dude's "What a Job".


200 Press, Composition
The final track, "Words That We Both Know" is a poem set to disjointed piano.


200 Press, Reception
The album received general acclaim from critics, mainly praising Blake's continued exploration and inventiveness. Consequence of Sound praised Blake for this, saying "... it’s refreshing to see Blake immerse himself in experimentation."


200 Press, Reception
AbsolutePunk gave the album an 8.5/10, stating "The music contained on 200 Press is some of the most forward thinking stuff James Blake has done yet".


200 Public Square
200 Public Square is a skyscraper in Cleveland, Ohio. The building, located on Public Square in Downtown Cleveland, reaches 45 stories and 658 feet (201 m) with 1.2 million square feet (110,000 m2) of office space. It is the third-tallest building in Cleveland and fourth-tallest in the state of Ohio. The building opened in 1985 as the headquarters for Standard Oil of Ohio or Sohio, and was known as the Sohio Building or Standard Oil building.


200 Public Square
After British Petroleum (BP) rebranded Sohio as BP in the early 1990s, the building was often called the BP America Building, BP America Tower, BP Tower, or BP Building, and those earlier names are still regularly used even after BP moved its North American headquarters to Chicago in 1998. It was officially renamed 200 Public Square in 2005 and since 2010, has been Cleveland's regional headquarters for Huntington Bancshares.


200 Public Square, Sohio
In November 1981, Standard Oil of Ohio (Sohio) announced plans to build a skyscraper on Public Square. Initially, it was supposed to surpass the Terminal Tower in height, but city officials insisted that the Tower remain the city's tallest building. The BP Building was designed by Hellmuth, Obata and Kassabaum in the postmodern style and angled to be parallel to both Euclid and Superior avenues.


200 Public Square, Sohio
Construction began in 1982 with the demolition of two Cleveland landmarks, the Burnham and Root Cuyahoga Building (1892) and the 16-story George B. Post Williamson Building (1900). The new structure was completed in 1985 and was officially opened in 1987 as the BP America Tower, when British Petroleum purchased the remaining 45% of Sohio and merged its North American holdings to form BP America, Inc., headquartered in the new building.


200 Public Square, BP America, Inc.
Claes Oldenburg's Free Stamp sculpture was commissioned by Alton Whitehouse and other Sohio executives to stand in front of the tower, but BP officials did not appreciate it, and donated the sculpture to the City of Cleveland. After some modifications, the city installed it in Willard Park, next to Cleveland City Hall.


200 Public Square, BP America, Inc.
Before the Key Tower was built, the BP Building was the second-most prominent skyscraper in the city, often photographed with the adjacent Terminal Tower as a twin emblem of Cleveland. It contains 36 elevators, 10 escalators, 3 fountains, 1 waterfall, 1,500 plants, and several works of art.


200 Public Square, BP America, Inc.
When BP purchased Chicago-based Amoco in 1998, the company said it would move its headquarters from Cleveland to Chicago. The building was purchased by the Chicago-based EQ Office in 1996 for $144 million, which in turn sold it to Harbor Group International in June 2005 for $141.25 million. Harbor Group worked with Electra Real Estate (TASE: ELTR) to purchase the building. The building was subsequently renamed 200 Public Square. Most Clevelanders and the Harbor Group still recognize it as the BP Tower, although many still refer to it as the Sohio Building.


200 Public Square, Huntington Bank
In June 2011, Huntington Bank placed its corporate logo at the top of the building. The bank moved its regional headquarters to the tower from the Huntington Bank Building that September. Harbor Group International put the building up for sale in June 2011.


200 Queen Street
200 Queen Street, also known as 200Q and previously known as ACI House, is an office building in Melbourne. It is located at the north-east corner of Queen Street and Little Bourke Street.


200 Queen Street
Around 130 metres in height, it has 32 full floors, plus two smaller floors atop that. It was the first high rise development in Melbourne by the Australian development firm, Grocon. The building was sold for $39 million in 1998 and again in 2003 for $78 million.


200 Queen Street
200 Queen Street was briefly featured in the Australian movie The Castle.


200 Queen Street, Occupants
Occupants of the building include Aickin Chambers, Chancery Chambers, Melbourne Business Lawyers Pty Ltd, SV Partners and the Melbourne office of Australian Government Solicitor.


200 Series Shinkansen
The 200 series (200系) was a Shinkansen high-speed train type introduced by Japanese National Railways (JNR) for the Tohoku Shinkansen and Joetsu Shinkansen high-speed rail lines in Japan, and operated by East Japan Railway Company (JR East) until 2013. They actually predated the 100 series trains, having been built between 1980 and 1986. It was one of the two recipients of the 23rd Laurel Prize presented by the Japan Railfan Club, the first Shinkansen type to receive that award. The last remaining sets were retired from regular service in March 2013, and were completely withdrawn from service in April 2013.


200 Series Shinkansen, Design
The 200 Series Shinkansen trains resembled the earlier 0 series trains in styling (some later units had the pointed 'shark nose' of the 100 series), but were lighter and more powerful, since these two lines are mountain routes and have steeper gradients. These lines are also prone to snowfall and the trains had small snowplows fitted, as well as protection of equipment against snow.


200 Series Shinkansen, Design
They were originally painted in ivory with a green window band and lower bodyside band, but a number of sets were refurbished and painted into a white-upper/dark blue-lower scheme with new wrap-around cab windows from 1999.


200 Series Shinkansen, Design
The first units were capable of 210 km/h (130 mph) but later ones can do 240 km/h (150 mph), and four were converted to be capable of 275 km/h (171 mph). Some units were also modified with retractable couplers in the nose for coupling with Yamagata Shinkansen Tsubasa and Akita Shinkansen Komachi Mini-shinkansen sets, but these are no longer in service. In addition, some of the later 200 series shinkansen trains were fitted with double-deck cars, which had semi-open standard-class compartments on the lower deck and green class (first class) seating on the upper deck. These too have been removed from service.


200 Series Shinkansen, Design
Withdrawal of the earlier units began in 1997, and the last remaining unrefurbished set was withdrawn in May 2007.


200 Series Shinkansen, Variants
Since their introduction in 1982, the 200 series sets have been operated in a number of different formations as described below.


200 Series Shinkansen, Variants, E sets (1982–1993)
12-car sets for Tōhoku Shinkansen Yamabiko and Aoba services, and for Jōetsu Shinkansen Asahi and Toki services. These had a maximum speed of 210 km/h, and remained in service until early 1993.


200 Series Shinkansen, Variants, F sets (1983–2007)
12-car 200-1000 series sets with a maximum speed of 240 km/h (150 mph) which were introduced in November 1983.


200 Series Shinkansen, Variants, F sets (1983–2007)
From March 1990, four selected 12-car F sets (F90–F93, formerly F54, F59, F14, F16) were upgraded allowing them to run at a maximum of 275 km/h (171 mph) on a small number of down Asahi services. 275 km/h (171 mph) services were discontinued on the Jōetsu Shinkansen from 1998, with the introduction of E2 series trains, and the F90 sets were subsequently used interchangeably with other 240 km/h (150 mph) F sets.


200 Series Shinkansen, Variants, F sets (1983–2007)
Some F sets are similar to the H sets in that the driving trailer cars were built with a pointed nose, just like the latter. These trains however, feature a solid green line unlike the H sets, where they have two green lines, one thick and one thin, separated by a thin white section near the bottom.


200 Series Shinkansen, Variants, F sets (1983–2007), Formations
The 12-car F sets were formed as follows, with car 1 at the Tokyo end. Car 11 was a Green (first class) car, and car 9 had a buffet counter.


200 Series Shinkansen, Variants, F sets (1983–2007), Formations
Cars 2, 4, 10, and 12 were each fitted with one cross-arm pantograph. (3, 5, 7, and 9 for sets F90-93)


200 Series Shinkansen, Variants, F sets (1983–2007), Set F80
One F set, F17, was specially modified at Sendai Depot between August 1997 and January 1998 for use on additional Nagano Shinkansen Asama services in February 1998 during the 1998 Winter Olympics held in Nagano. The train was renumbered F80, and modifications included ability to operate on both 25 kV AC 50 Hz and 60 Hz overhead power supplies, weight-saving measures to comply with the 16 tonne axle load restriction, and additional control equipment to cope with the 30‰ gradient of the Nagano Shinkansen. Maximum speed was limited to 210 km/h when operating on the Nagano Shinkansen.


200 Series Shinkansen, Variants, F sets (1983–2007), Set F80
Seats in the end cars, cars 1 and 12, were replaced with E2 series-style seats to reduce weight.


200 Series Shinkansen, Variants, F sets (1983–2007), Set F80
The train was formed as follows, with car 1 at the Tokyo end. Car 11 was a Green (first class) car, and car 9 had a buffet counter.


200 Series Shinkansen, Variants, F sets (1983–2007), Set F80
Cars 2, 4, 8, and 10 were each fitted with one cross-arm pantograph.


200 Series Shinkansen, Variants, F sets (1983–2007), Set F80
After February 1998, set F80 was used interchangeably with other F sets, and remained in operation until 2004.


200 Series Shinkansen, Variants, G sets (1987–1999)
10-car, and later 8-car, sets formed from the earlier 12-car E sets, with a maximum speed of 210 km/h. These entered service from 18 April 1987.


200 Series Shinkansen, Variants, G sets (1987–1999), Formations
Cars 2, 4, 6, and 8 were equipped with cross-arm pantographs. Some sets had an "Mpk" car (numbered 225-400) in place of the 237 buffet car for car 11.


200 Series Shinkansen, Variants, H sets (1990–2005)
Six 13-car and later 16-car sets (H1–H6) with a maximum speed of 240 km/h for use on Yamabiko (nicknamed Super Yamabiko) services, incorporating two bilevel Green cars (cars 9 and 10) These sets entered service from 23 June 1990.


200 Series Shinkansen, Variants, H sets (1990–2005)
Regular operations using 16-car H sets ended from the start of the revised timetable on 13 March 2004, but sets H4 and H5 were reinstated as 12-car sets from the summer of 2004 for seasonal use with their Green cars removed. These two sets survived until mid-2005.


200 Series Shinkansen, Variants, H sets (1990–2005), Formations
Cars 2, 4, 8, 12, and 14 were each fitted with one cross-arm pantograph.


200 Series Shinkansen, Variants, H sets (1990–2005), Formations
The 12-car H sets (H4 & H5) were formed as follows.


200 Series Shinkansen, Variants, H sets (1990–2005), Formations
Cars 2, 4, 6, 8, and 10 were each fitted with one cross-arm pantograph.


200 Series Shinkansen, Variants, K sets (1992–2013)
8-car and later 10-car sets with a maximum speed of 240 km/h modified with nose-end couplers to operate in conjunction with 400 series Yamagata Shinkansen sets and E3 series Akita Shinkansen sets.


200 Series Shinkansen, Variants, K sets (1992–2013)
The remaining sets in use on the Tōhoku Shinkansen were withdrawn from 19 November 2011, but 200 series sets continued to be used on the Jōetsu Shinkansen. The last remaining sets were withdrawn from regular service by the start of the revised timetable on 16 March 2013.


200 Series Shinkansen, Special event train services, Tohoku Shinkansen 25th anniversary
On 23 June 2007, 10-car set K47 was used for a special Yamabiko 931 service from Omiya to Morioka to mark the 25th anniversary of the opening of the Tohoku Shinkansen. Set K47 was specially repainted back into its original ivory and green livery for this event.


200 Series Shinkansen, Special event train services, Tohoku Shinkansen 30th anniversary
On 23 June 2012, 10-car set K47 was used for a special Yamabiko 235 service from Omiya to Morioka to mark the 30th anniversary of the opening of the Tohoku Shinkansen.


200 Series Shinkansen, Special event train services, Joetsu Shinkansen 30th anniversary
On 17 November 2012, 10-car set K47 was used for a special Joetsu Shinkansen 30th Anniversary (上越新幹線開業30周年号」, Jōetsu Shinkansen Kaigyō 30-shūnen-gō) service, running as Toki 395, from Omiya to Niigata.


200 Series Shinkansen, Special event train services, Sayonara 200 series Yamabiko
On 30 March 2013, 10-car set K47 was used for a special Sayonara 200 series Yamabiko (さよなら２００系やまびこ号) train operated from Morioka to Tokyo, following the withdrawal of 200 series trains from regular scheduled services on 16 March.


200 Series Shinkansen, Special event train services, Arigato 200 series
On 13 April 2013, a special Arigato 200 series (ありがとう２００系号) service ran from Sendai to Ueno in Tokyo.


200 Series Shinkansen, Special event train services, Sayonara 200 series
On 14 April 2013, 10-car set K47 was used for two final Sayonara 200 series (さよなら２００系号) services from Niigata to Tokyo and from Omiya to Niigata, marking the last public operation of the 200 series trains.


200 Series Shinkansen, Derailment
A refurbished 200 series train (set K25 on the Toki 325 service) derailed on the Jōetsu Shinkansen line while travelling at a speed of approximately 200 km/h between Nagaoka Station and Urasa Station on 23 October 2004 during the 2004 Chūetsu earthquake. Eight of the ten cars were derailed. This was the first derailment of a Shinkansen train in service. None of the 155 passengers on board was injured. Set K25 was officially withdrawn on 25 March 2005.


200 Series Shinkansen, Preserved examples
Preserved car 221-1 at Sendai General Shinkansen Depot in July 2006


200 Series Shinkansen, Preserved examples
Five cars of former set F30 stored at Sendai General Shinkansen Depot in January 2003


200 Series Shinkansen, Preserved examples
Car 249-5 of former set H5 stored at Sendai General Shinkansen Depot in July 2008


200 Series Shinkansen, Preserved examples
Preserved 200 series cars next to Nagareyama Onsen Station in Hokkaido in August 2011


200 Series Shinkansen, Preserved examples
Preserved car 222-35 at the Railway Museum in Saitama in January 2015


200 Series Shinkansen, Preserved examples
Preserved car 221-1510 outside the Niigata City Niitsu Railway Museum in August 2014


200 South Tryon
200 South Tryon is a 299 feet (91 m) tall skyscraper in Charlotte, North Carolina. It was completed in 1961 and has 18 floors. It is the 19th tallest building in the city. Gerald D. Hines Interestspurchased what was then called the BB&T Building in December 1998 and began a renovation process that added another floor which was completed in 2001. and in the process was upgraded to contain all Class B office space.


200 South Tryon
When completed as the NCNB Building, the building stood as the first glass high-rise in North Carolina. The NCNB Building and the George Cutter Building across the street may have been the state's first Miesian glass and steel skyscrapers. Both buildings were based on the Lever House building in New York City.


200 South Tryon
The Commercial National Bank Building, completed in 1912 and 12 stories tall, once stood on the site.


200 South Wacker Drive
200 South Wacker Drive is a high-rise office building located in Chicago, Illinois. Construction of the building began in 1979 and was completed in 1981. Harry Weese Associates designed the building, which has 41 stories and stands at a height of 500 ft (152m), making it the 92nd tallest building in Chicago.


200 Squadron (Israel)
The 200 Squadron of the Israeli Air Force, also known as the UAV Squadron, is an IAI Heron squadron based at Palmachim Airbase.


200 Vesey Street
200 Vesey Street, formerly known as Three World Financial Center and also known as American Express Tower, is a skyscraper in Lower Manhattan, New York City. Located on West Street between Liberty Street and Vesey Street, the 739-foot (225 m) building is the tallest in the Brookfield Place complex (formerly known as the World Financial Center). It is similar in design to 225 Liberty Street (formerly Two World Financial Center), except that it is capped by a solid pyramid whereas 225 Liberty is capped by a dome.


200 Vesey Street, Description
The building is an example of postmodern architecture, as designed by Cesar Pelli & Associates, and contains over 2.1 million square feet (195,000 m2) of rentable office area. It connects to the rest of the World Financial Center complex through a courtyard leading to the Winter Garden, a dramatic glass-and-steel public space with a 120 ft (37 m) vaulted ceiling under which there is an assortment of trees and plants, including sixteen 40 ft (12 m) palm trees from the Mojave Desert. It is notably similar in design to One Canada Square in London's Canary Wharf development. Canary Wharf was, like the World Financial Center, a project by Canadian developers Olympia & York, and One Canada Square was designed by the same principal architect.


200 Vesey Street, Description
Due to its status as the tallest tower in the complex, the building was subject to scathing criticism at the time of its construction. In 1985, the New York Times published an article lambasting the tower. ‟Not too long ago, it was possible to gaze all the way from mid-Manhattan to the skies over the harbor. Now, that vista has been pierced by the American Express tower being built in the World Financial Center at Battery Park City. At the moment, the skyscraper resembles a gigantic, upended, rectilinear fish skeleton. As construction proceeds, however, and the floors fill in, there will be a solid wall where there was once a generous slice of sky."


200 Vesey Street, Description
Three World Financial Center was severely damaged by the falling debris when the World Trade Center towers collapsed on September 11, 2001. The building's southeast corner took heavy structural damage, though the effects were not enough to create a threat of collapse. The building had to be closed for repairs from September 11, 2001 until May 2002 as a result of damage sustained in the terrorist attacks.


200 Vesey Street, Description
3 World Financial Center is today the world headquarters of American Express, and was once World Headquarters of Lehman Brothers Holdings Inc. It was renamed 200 Vesey Street when the rest of the complex became Brookfield Place in 2014.


200 West Madison
200 West Madison is a skyscraper in Chicago, Illinois. The building rises 599 feet (182 m) in the Chicago Loop. It contains 45 floors, and was completed in 1982. 200 West Madison currently stands as the 52nd-tallest building in the city. The architectural firm who designed the building was Skidmore, Owings & Merrill, the same firm who designed Chicago's Willis Tower and John Hancock Center and the Burj Khalifa in Dubai.


200 West Madison
The building was designed with a "sawtooth edge," and incorporates six corners onto the southeast face of the building. Thus, the building has nine corner offices on most of its floors. Originally named "Madison Plaza," the building was proposed to have a twin tower located on the lot situated south of the tower. However, plans for a second tower were ultimately abandoned. Six years later, in 1988, the Miglin-Beitler Skyneedle was proposed for construction on the same lot, adjacent to 200 West Madison. Plans called for 125-story tower that was to rise 2,000 ft (610 m). However, that plan was also eventually cancelled. The lot is now the site of a parking garage.


200 West Madison
200 West Madison is the location of "Dawn Shadows," a famous black metal sculpture created by Louise Berliawsky Nevelson. The sculpture was brought to the plaza in 1983.


200 West Madison, Tenants
United Airlines previously maintained a ticketing office in this building.


200 West Street
200 West Street is the global headquarters of the Goldman Sachs investment banking firm in the Battery Park City neighborhood of Manhattan in New York City. The building is a 749-foot-tall (228 m), 44-story building located on West Street, between Vesey and Murray Streets in Lower Manhattan. It is adjacent to Brookfield Place and the Conrad Hotel, the Verizon Building, and the World Trade Center. It is the only office building in Battery Park City north of Brookfield Place.


200 West Street
The skyscraper was designed by Henry N. Cobb of Pei Cobb Freed & Partners, with Adamson Associates Architects. Construction commenced in 2005 after New York City and state government officials gave Goldman Sachs large subsidies to fund the project. There were several incidents during construction, including a falling load that paralyzed an architect as well as a falling pane of glass. Workers started moving into 200 West Street in late 2009 and the project was completed the next year at a cost of $2.1 billion. The building received a Leadership in Energy and Environmental Design (LEED) gold certification.


200 West Street, Design
200 West Street is in the Battery Park City neighborhood of Manhattan in New York City. The building is on the western side of West Street between Murray Street to the north and Vesey Street to the south. It is adjacent to the Conrad Hotel to the west. 200 West Street is directly across from 200 Vesey Street and 250 Vesey Street, both within Brookfield Place (formerly the World Financial Center), to the south. Other nearby buildings include One World Trade Center to the southeast, the Verizon Building to the east, and 111 Murray Street to the northeast. 200 West Street is Battery Park City's only office building north of Brookfield Place.


200 West Street, Design
200 West Street was designed by Henry N. Cobb of Pei Cobb Freed & Partners, with Adamson Associates Architects, for investment bank Goldman Sachs. Numerous other firms were hired to design various aspects of the building. According to Goldman Sachs' real estate executive Timur Galen, a variety of new and experienced companies was chosen to highlight each company's different skill sets. The main contractor was the Tishman Construction Corporation. According to The New York Times, 200 West Street is 43 stories and 739 feet (225 m) high, while according to Emporis, it is 44 stories and 749 feet (228 m) high. The building contains about 2,100,000 square feet (200,000 m2) of interior space.


200 West Street, Design, Form and facade
200 West Street contains a bulky base and a slab-like tower. The southern end of the building is within a zoning lot that prevents that portion of the structure from rising above 140 feet (43 m). The building contains three setbacks on higher floors.


200 West Street, Design, Form and facade
The facade is made of glass and stainless steel. The western facade, facing the Hudson River, contains a curve. The curved western facade was a result of zoning restrictions, which mandated that a sightline of the Hudson River from the World Financial Center had to be preserved. Cobb convinced Goldman Sachs officials that a curve would allow the office space to be arranged more efficiently, in contrast with a diagonal slice. In addition, the facade contains incisions that parallel the angles of Murray Street to the north and Vesey Street to the south.


200 West Street, Design, Features
The interior superstructure was designed by Guy Nordenson and Associates. At the base of the building, the columns are arranged in a 40-by-60-foot (12 by 18 m) grid. To create an open space for all of the trading floors, the building was developed with large trusses and fewer columns. In the upper stories, the columns around the perimeter are spaced 20 feet (6.1 m) apart at their centers. The southern facade has diagonal beams that extend several stories high, creating an outrigger frame.


200 West Street, Design, Features, Base
Between the building and the Conrad New York hotel to its west is a covered pedestrian walkway. The covered walkway is nicknamed "Goldman Alley", though it is officially named the North End Way. The alley measures 30 feet (9.1 m) wide and contains numerous stores and restaurants. The walkway already existed before the building's construction, but as part of the building's construction, it received a slanted 11,000-square-foot (1,000 m2) glass and metal canopy designed by Preston Scott Cohen. In 2012, Michael Kimmelman of The New York Times characterized the space as "one of the best new works of architecture in New York".


200 West Street, Design, Features, Base
The elevators are clustered in the north portion of the building. The elevator bank is connected to the main entrance, at West and Vesey Street, by a walkway measuring approximately 400 feet (120 m) long. On one wall of the walkway, artist Julie Mehretu created a $5 million, 80 by 23 feet (24 by 7 m) mural for the entrance lobby. The other wall contains windows that measure 20 feet (6.1 m) high. There are six large trading floors for Goldman Sachs at the building's base. Each trading floor could fit a thousand employees.


200 West Street, Design, Features, Upper stories
On the 10th through 12th stories, there is an employee amenity space with cafes, a fitness center, and conference space. The amenity space is connected by a three-story staircase and contains an 11th-floor sky lobby. The GS Exchange, a 54,000-square-foot (5,000 m2) gym, contains men's and women's steam rooms. The fitness space was designed by Architecture Research Office. The employee cafeteria was designed by Office dA and contains an undulating ceiling with curved lines. Also included in the building is a 350-seat auditorium, which was designed by SHoP Architects and has an exterior clad in bronze panels.


200 West Street, Design, Features, Upper stories
Above the base are 29 office stories for Goldman Sachs and three executive stories at the top. When the building opened, window-facing offices were largely reserved for Goldman Sachs' "elite partners", while the managing directors directly under their management had interior offices without windows. The private offices are divided by glass partitions, and the wooden desks were designed by Skidmore, Owings & Merrill. The office floors are covered with carpeting. The top floors were designed by KPMB Architects in a manner similar to an executive office. The top offices contain conference and dining rooms as well as an outdoor terrace.


200 West Street, Design, Features, Environmental features
200 West Street was designed with several environmentally friendly features, such as plumbing with low-flow fixtures, carpets with low chemical levels, and a green roof. The low-flow plumbing fixtures, as well as a system to collect storm runoff, can save 11 million U.S. gallons (42,000,000 l; 9,200,000 imp gal) of water annually. All of the building's carpet padding and wood are recycled as are 90 percent of the concrete and 85 percent of carpet material. The building is also equipped with an "ice farm" with five chillers and 92 storage tanks, which store ice at night, when energy costs are lower than in the daytime. The building also features an environmentally friendly raised floor air system.


200 West Street, Design, Features, Environmental features
The building's environmental features allow 200 West Street to reduce its annual energy consumption by 6.5 million kilowatts (8,700,000 hp) and reduce its carbon dioxide emissions by 2,900 metric tons (2,900 long tons; 3,200 short tons) a year. By including these features, the building received a Leadership in Energy and Environmental Design (LEED) gold certification.


200 West Street, History
Prior to the completion of 200 West Street, the New York City headquarters of banking firm Goldman Sachs were previously at 85 Broad Street, while the firm's main trading floor was at One New York Plaza. The company also had space at 32 Old Slip. After the World Trade Center was destroyed during the September 11 attacks in 2001, numerous large companies in Lower Manhattan left the area or threatened to leave.


200 West Street, History, Planning
During the early 2000s, Goldman Sachs started planning a new headquarters before the leases at its existing buildings expired in the late 2000s. The bank originally planned to relocate traders to the under-construction 30 Hudson Street in Jersey City, New Jersey, just across the Hudson River from Battery Park City. However, these plans were canceled after traders expressed their opposition. In December 2003, The Wall Street Journal announced that Goldman Sachs was considering erecting a headquarters in Battery Park City near the World Trade Center site.


200 West Street, History, Planning
The New York Daily News reported that the firm had specifically identified a parking lot on West Street between Murray and Vesey Streets, just northwest of the World Trade Center site. Local business leaders praised the project as a benefit for the neighborhood, which was still being negatively affected by the aftermath of the September 11 attacks.


200 West Street, History, Planning
Goldman Sachs sought subsidies and tax exemptions from the New York state and city governments before committing to the West Street headquarters. By April 2004, Goldman Sachs had hired Pei Cobb Freed & Partners to construct a 40-story tower with a curved facade that met the environmental standards required within Battery Park City. In August 2004, the Battery Park City Authority designated Goldman Sachs as the developer of the West Street site. A dispute arose in late 2004 when New York governor George Pataki proposed rebuilding the nearby section of West Street as a tunnel underneath the World Financial Center.


200 West Street, History, Planning
Goldman Sachs objected that the northern portal would be directly in front of the entrance to its headquarters. As a result of the dispute, Goldman Sachs abandoned plans for its West Street headquarters in April 2005. The state government quickly canceled plans for the West Street tunnel, but Goldman Sachs continued to look for additional sites.


200 West Street, History, Planning
In August 2005, Goldman Sachs agreed to develop the West Street site. City and state officials offered additional subsidies to cover the projected $2 billion cost, prompting objections to the size of the subsidies, As a concession, the city agreed to narrow West Street's bike lane and sidewalk so anti-vehicle bollards could be installed. Goldman Sachs CEO Henry Paulson also received a money-back guarantee from the city and state governments, which would impose penalties on the governments if they could not create a plan to secure the area around the World Trade Center.


200 West Street, History, Planning
Later that month, a state board approved $115 million in tax breaks and cash grants, as well as $1.65 billion in Liberty Bonds to help cover the building's construction cost. The Battery Park City Authority also agreed to lease the site to Goldman Sachs the same month. The bond financing was enacted that September. Political leaders subsequently said they would not offer such incentives to other projects in Lower Manhattan.


200 West Street, History, Construction
A groundbreaking ceremony for the Goldman Sachs headquarters at 200 West Street occurred on November 29, 2005. In developing the building, Goldman Sachs pledged $3.5 million toward the construction of a New York Public Library branch at North End Avenue and Murray Street, a block west of the new headquarters. Goldman Sachs acquired the adjacent Embassy Suites hotel to the west in 2006, which gave the company more control over the surrounding site.


200 West Street, History, Construction
Shortly after construction commenced, Manhattan Community Board 1 passed a resolution mandating that Goldman Sachs devise a plan to reduce the impact of for-hire "black cars" idling around the new headquarters. The project involved hundreds of workers, many from other states. Throughout the construction of the Goldman Sachs headquarters, the company made few public comments about its new building. As David W. Dunlap wrote for The New York Times in 2008: "Only by accident has the building been in the news at all."