11-Ketoprogesterone
11-Ketoprogesterone (brand name Ketogestin; former developmental code names Bio 66, U-1258), or 11-oxoprogesterone, also known as pregn-4-ene-3,11,20-trione, is a pregnane steroid related to cortisone (11-keto-17α,21-dihydroxyprogesterone) that was formerly used in veterinary medicine in the treatment of bovine ketosis. It was synthesized in 1940. The steroid has profound effects on carbohydrate metabolism and possesses activities associated with adrenal cortex hormones like cortisone. However, it is non-toxic even in high dosages, suggesting that it lacks conventional glucocorticoid activity, and it does not possess mineralocorticoid activity, unlike other adrenocortical hormones. 11-Ketoprogesterone may act through membrane glucocorticoid receptors.


11-Ketoprogesterone
11-Ketoprogesterone is reportedly devoid of androgenic, estrogenic, and progestogenic activity. 11β-Hydroxyprogesterone has also been reported to be devoid of progestogenic activity, but has subsequently been reported to possess about 1% of the progestogenic activity of progesterone. A halogenated derivative of 11-ketoprogesterone, 9α-bromo-11-ketoprogesterone, possesses relatively high progestogenic activity. Similarly to 11α-hydroxyprogesterone and 11β-hydroxyprogesterone, 11-ketoprogesterone is reported to act as an inhibitor of the enzyme 11β-hydroxysteroid dehydrogenase. It has also been found to act as a weak negative allosteric modulator of the GABAA receptor.


11-Ketotestosterone
11-Ketotestosterone (11-KT) is an oxidized form of testosterone that contains a keto group at the C11 position. It is related to adrenosterone, an androgen found in trace quantities in humans. In fish, 11-ketotestosterone functions as the endogenous androgenic sex hormone. In midshipman fish, 11-ketotestosterone is not present in females or Type II Males — Type II Males reach sexual maturation later, are less territorial, and have higher testosterone than Type I Males.


11-Ketotestosterone
In mammals, 11-ketotestosterone has similar potency to testosterone as an androgen, and has been identified as an important adrenal androgen. However, unlike Testosterone, it is very weakly anabolic and mostly prevents muscle breakdown as opposed to promoting muscle growth. It is synthesized from 11β-hydroxyandrostenedione and, to a lesser extent, 11-ketoandrostenedione (adrenosterone). 11-Ketoandrostenedione has notably been sold online as an androgen prohormone, usually under the name 11-oxoandrostenedione (11-OXO).


11-M, para que nadie lo olvide
11-M, para que nadie lo olvide (English: 11-M, never forget) was a Spanish TV mini-series which was aired in Telecinco in 2011. Two episodes were broadcast.


11-M, para que nadie lo olvide
The mini-series narrates how the 2004 Madrid train bombings were planned and unfolded.


11-Nor-9-carboxy-THC
11-Nor-9-carboxy-Δ9-tetrahydrocannabinol (11-COOH-THC or THC-COOH), often referred to as 11-nor-9-carboxy-THC or THC-11- oic acid, is the main secondary metabolite of tetrahydrocannabinol (THC) which is formed in the body after cannabis is consumed.


11-Nor-9-carboxy-THC, Metabolism and detection
11-COOH-THC is formed in the body by oxidation of the active metabolite 11-hydroxy-THC (11-OH-THC)  by liver enzymes. It is then metabolized further by conjugation with glucuronide, forming a water-soluble congener which can be more easily excreted by the body.


11-Nor-9-carboxy-THC, Metabolism and detection
11-COOH-THC has a long half-life in the body of up to several days (or even weeks in very heavy users), making it the main metabolite tested for blood or urine testing for cannabis use. More selective tests are able to distinguish between 11-OH-THC and 11-COOH-THC, which can help determine how recently cannabis was consumed; if only 11-COOH-THC is present then cannabis was used some time ago and any impairment in cognitive ability or motor function will have dissipated, whereas if both 11-OH-THC and 11-COOH-THC are present then cannabis was consumed more recently and motor impairment may still be present.


11-Nor-9-carboxy-THC, Metabolism and detection
Some jurisdictions where cannabis use is decriminalized or permitted under some circumstances use such tests when determining whether drivers were legally intoxicated and therefore unfit to drive, with the comparative levels of THC, 11-OH-THC and 11-COOH-THC being used to derive a "blood cannabis level" analogous to the blood alcohol level used in prosecuting impaired drivers.


11-Nor-9-carboxy-THC, Metabolism and detection
On the other hand, in jurisdictions where cannabis is completely illegal, any detectable levels of 11-COOH-THC may be deemed to constitute driving while intoxicated, even though this approach has been criticized as tantamount to prohibition of "driving whilst being a recent user of cannabis" regardless of the presence or absence of any actual impairment that might impact driving performance.


11-Nor-9-carboxy-THC, Effects
While 11-COOH-THC does not have any psychoactive effects in its own right, it may still have a role in the analgesic and anti-inflammatory effects of cannabis, and has also been shown to moderate the effects of THC itself which may help explain the difference in subjective effects seen between occasional and regular users of cannabis.


11-Nor-9-carboxy-THC, Legal status, Australia
11-COOH-THC is a Schedule 8 prohibited substance in Western Australia under the Poisons Standard (July 2016). A schedule 8 substance is a controlled Drug – Substances which should be available for use but require restriction of manufacture, supply, distribution, possession and use to reduce abuse, misuse and physical or psychological dependence.


11-Nor-9-carboxy-THC, Legal status, United States
Because 11-COOH-THC is substantially similar to the Schedule I controlled substance THC, possession or sale of 11-COOH-THC could be subject to prosecution under the Federal Analog Act.


11-cell
In mathematics, the 11-cell (or hendecachoron) is a self-dual abstract regular 4-polytope (four-dimensional polytope). Its 11 cells are hemi-icosahedral, {3,5}/2. It has 11 vertices, 55 edges and 55 faces. It has Schläfli symbol {(3,5)/2,3} or {{3,5}5,3}.


11-cell
It has symmetry order 660, computed as the product of the number of cells (11) and the symmetry of each cell (60). The symmetry structure is the abstract group projective special linear group L2(11).


11-cell
It was discovered in 1977 by Branko Grünbaum, who constructed it by pasting hemi-icosahedra together, three at each edge, until the shape closed up. It was independently discovered by H. S. M. Coxeter in 1984, who studied its structure and symmetry in greater depth.


11-cell, Related polytopes
The abstract 11-cell contains the same number of vertices and edges as the 10-dimensional 10-simplex, and contains 1/3 of its 165 faces. Thus it can be drawn as a regular figure in 11-space, although then its hemi-icosahedral cells are skew; that is, each cell is not contained within a flat 3-dimensional subspace.


11-cis-retinol dehydrogenase
11-cis-retinol dehydrogenase (EC , RDH5 (gene)) is an enzyme with systematic name 11-cis-retinol:NAD+ oxidoreductase. This enzyme catalyses the following chemical reaction


11-cis-retinol dehydrogenase
This enzyme from retinal pigment epithelium, catalyses the reduction of 11-cis-retinol to 11-cis-retinal.


11-cis-retinyl-palmitate hydrolase
In enzymology, a 11-cis-retinyl-palmitate hydrolase (EC ) is an enzyme that catalyzes the chemical reaction


11-cis-retinyl-palmitate hydrolase
Thus, the two substrates of this enzyme are 11-cis-retinyl palmitate and H2O, whereas its two products are 11-cis-retinol and palmitate.


11-cis-retinyl-palmitate hydrolase
This enzyme belongs to the family of hydrolases, specifically those acting on carboxylic ester bonds. The systematic name of this enzyme class is 11-cis-retinyl-palmitate acylhydrolase. Other names in common use include 11-cis-retinol palmitate esterase, and RPH. This enzyme participates in retinol metabolism. This enzyme has at least one effector, Bile salt.


11-inch gun M1877
The 11-inch gun M1877 was a Russian 280 mm (11 in) coastal, fortress and siege gun that was used in the Russo-Japanese War and World War I.


11-inch gun M1877, History
The M1877 was first designed and produced by the Obukhov State Plant in Saint Petersburg and was fairly conventional for its time and most nations had similar guns with similar roles such as the French Canon de 240 L Mle 1884 or British BL 10 inch gun Mk I – IV.


11-inch gun M1877, Design
The M1877 was a short barreled breech-loading gun. The barrel was a typical built-up gun of the period with reinforcing hoops which was built from cast iron and steel. The gun had an early form of Krupp horizontal sliding-block breech and it fired separate-loading, bagged charges and projectiles.


11-inch gun M1877, Design, Coastal Defense
In the coastal defense role, the M1877 was mounted on a garrison mount which sat on a concrete slab behind a parapet. The mount consisted of a rectangular steel firing platform with a pivot at the front and two wheels at the front and rear to give 120° of traverse. The recoil system for the M1877 consisted of a U shaped gun cradle which held the trunnioned barrel and a slightly inclined firing platform with a hydro-gravity recoil system.


11-inch gun M1877, Design, Coastal Defense
When the gun fired the hydraulic buffers under the rear slowed the recoil of the cradle which slid up a set of inclined rails on the firing platform and then returned the gun to position by the combined action of the buffers and gravity. Due to its limited angle of elevation 20°, the M1877 was a low-angle direct fire weapon instead of a high-angle indirect-fire coastal defense mortar like many of its contemporaries.


11-inch gun M1877, Design, Fortress & Siege Gun
In the fortress and siege gun roles, the M1877 used the same type of garrison mount as in the coastal defense role. Due to their weight, the guns were not designed to be mobile. After a string of Russian defeats in the first two years of the war, a number of M1877's were captured by the Germans. In 1916 the Germans transferred four M1877's to the Western Front where they were assigned to heavy artillery battalions of the army. Details of their employment are unknown and all are believed to have been withdrawn before 1918.


11-inch gun M1877, Design, Fortress & Siege Gun
However, since they didn't have very good range and they weren't capable of high angle fire they may have been used in their original coastal defense role instead of in a siege artillery role. In German service the guns had better range due to more efficient smokeless powder and more aerodynamic German projectiles.


11-inch mortar M1877
The 11-inch mortar M1877 was a Russian 280 mm (11 in) coastal and fortress mortar that was used in the Russo-Japanese War and World War I.


11-inch mortar M1877, History
The M1877 was first designed and produced by the Obukhov State Plant in Saint Petersburg and was fairly conventional for its time and most nations had similar guns with similar roles such as the French Mortier de 270 mm modèle 1889 or the US 12-inch coast defense mortar.


11-inch mortar M1877, Design
The M1877 was a short barreled breech-loading mortar. The barrel was a typical built-up gun of the period with reinforcing hoops which was built from cast iron and steel. The mortar had an early form of Krupp horizontal sliding-block breech and it fired separate-loading, bagged charges and projectiles. There were also two other similar 203 mm (8 in) and 229 mm (9 in) mortars that were also designed in 1877.


11-inch mortar M1877, Design, Coastal Defense
In the coastal defense role, the M1877's theory of operation was that a low-velocity mortar firing a large shell at a high-angle was more likely to destroy an enemy ship by penetrating its thin deck armor than a high-velocity low-angle naval gun attempting to penetrate its thicker belt armor. The downside was that high-angle indirect fire was harder to aim correctly so more mortars would be needed to defend an area from attack. However, if the area was constrained by geography like a port at the mouth of a river the navigation channels could be measured ahead of time and firing ranges calculated. A complicating factor was as naval artillery progressed their size and range soon eclipsed the mortar's range.


11-inch mortar M1877, Design, Coastal Defense
In the coastal defense role, the M1877 was mounted on a garrison mount which sat on a concrete slab behind a parapet. The mount consisted of a rectangular steel firing platform with a pivot at the front and two wheels at the rear to give 360° of traverse. The recoil system for the M1877 consisted of a U shaped gun cradle which held the trunnioned barrel and a slightly inclined firing platform with a hydro-gravity recoil system.


11-inch mortar M1877, Design, Coastal Defense
When the gun fired the hydraulic buffer at the front slowed the recoil of the cradle which slid up a set of inclined rails on the firing platform and then returned the gun to position by the combined action of the buffers and gravity. These garrison mounts were used in both the coastal defense and fortress gun roles.


11-inch mortar M1877, Design, Fortress Gun
In addition to its coastal defense role, the M1877 was also used as a fortress gun on the same type of mounts as in the coastal role. The M1877's were not designed to be mobile and it would have needed to be disassembled, moved on site and then reassembled before use. Due to a string of Russian defeats in the first two years of the war, it is possible the Germans may have captured a number of them but what use they made of them is unknown. However, the Germans did make use of captured 8-inch M1877 mortars and 11-inch M1877 guns on the Western Front.


11-inch mortar M1877, Photo Gallery
A front view of the mount and its recoil mechanism at Suomenlinna.


11-inch mortar M1877, Photo Gallery
The 11-inch M1877 shared the same mount as this 9-inch M1877.


11.22.63
11.22.63 is an American science fiction thriller miniseries based on the 2011 novel 11/22/63 by Stephen King, and consisting of eight episodes. The series is executive-produced by J. J. Abrams, King, Bridget Carpenter and Bryan Burk, and produced by James Franco, who also starred in the main role. It premiered on Hulu on February 15, 2016, and was received positively by critics.


11.22.63, Premise
Jake Epping (James Franco), a recently divorced English teacher from Lisbon, Maine, is presented with the chance to travel back in time to 1960 by his long-time friend Al Templeton (Chris Cooper). He is persuaded into going in an attempt to prevent the assassination of United States President John F. Kennedy on November 22, 1963; however, he becomes attached to the life he makes in the past, which could be the mission's undoing. He must find a way to secretly gather information about people and events leading up to the assassination while also creating and maintaining a new life to avoid suspicion.


11.22.63, Production, Development
In August 2011, before the novel's release, it was announced that Jonathan Demme had attached himself to write, produce, and direct a film adaptation of 11/22/63 with King serving as executive producer. However, in December 2012, Demme announced that he had withdrawn from the project, after disagreeing with King over what to include in the script.


11.22.63, Production, Development
On April 26, 2013, it was reported that Warner Bros. Television and J. J. Abrams' Bad Robot Productions were in negotiations for the rights to adapt the novel as a TV series or miniseries. On September 22, 2014, it was announced that a TV series based on the novel was picked up by Hulu. Carol Spier would be a production designer. The first trailer for the series was released on November 19, 2015.


11.22.63, Production, Development
When asked about developing a sequel series, King stated, "I'd love to revisit Jake and Sadie, and also revisit the rabbit hole that dumps people into the past, but sometimes it's best not to go back for a second helping."


11.22.63, Production, Casting
James Franco was chosen to star as the character of Jake Epping. After reading the novel, Franco contacted King about the rights to adapt it to film only to be told that Abrams had already acquired them. Franco wrote an essay about the book for Vice, which was noticed by Abrams, and tweeted about his disappointment at not getting the film rights, which was noticed by Bridget Carpenter. Soon after, they offered him the lead role. He accepted the role under the condition that he would be able to direct part of the series. Sarah Gadon was cast for the role of Sadie Dunhill. She was interested in the role in part because it gave her the opportunity to work with Abrams.


11.22.63, Production, Filming
Filming began on June 9, 2015, in Hespeler, Ontario. Filming during June 2015 also took place in Guelph, Ontario, as well as in Ayr, Ontario, at the Queen's Tavern, Hamilton, Ontario, and in Knowles Restaurant in Dunnville, Ontario during September 2015. In early October, the production moved to Dallas to film exterior locations at Dealey Plaza. During this time, the filming of various scenes during rush hour caused bumper to bumper traffic in the surrounding streets.


11.22.63, Reception
The show has garnered positive reviews from most critics. Based on 64 reviews, the show carries an 83% "certified fresh" rating, with an average percentage of 7.19/10, on review aggregator website Rotten Tomatoes where the consensus states: "Though the execution feels almost as dated as the period it represents, 11.22.63 gradually reveals a compelling, well-performed series of events." On Metacritic, the show has a rating of 69 out of 100, based on 35 reviews, signifying "generally positive reviews".


11.22.63, Reception
Jack Moore of GQ commented that "the show is moody and supernatural, while somehow also remaining grounded and full of heart", and lauded Franco as the show's standout, saying "what Franco gives is a vanity-free, indulgence-free performance that feels like the work of an Old Hollywood legend. It's earnest and full-hearted." Alan Sepinwall also acclaimed Franco, stating "Franco's a revelation as Jake. He's an immensely talented actor and he's got the star quality you need to carry something this crazy, and this long."


11.22.63, Reception
Vicki Hyman of the Newark Star-Ledger praised the performances of Franco and Gadon, writing: "Their stirring romance carries with it the same whiff of doom as Epping's visits to Dealey Plaza, and gives what could be merely an interesting and handsomely-made take on the conspiracy thriller genre more texture and depth, resonating across the ages." Hank Stuever of The Washington Post wrote that "King's work doesn't always happily travel through the portal connecting the page to the TV screen, but Hulu scores with an impressively stout-hearted, eight-part adaptation of 11/22/63."


11.22.63, Reception
On the other hand, Jeff Jensen of Entertainment Weekly had a more mixed reaction and criticized Franco's performance, calling it "low-watt" and "disinterested". He wrote "11.22.63 reaches some thoughtful, moving conclusions, but oh, what could have been with a more engaged star. If only there were a time machine to fix that mistake." Caroline Framke of Vox describes Franco's performance as inconsistent from scene to scene, but also that the show itself creates even more ambiguity with his character.


11.22.63, Reception
She wrote "While he's technically old enough to portray 37-year-old Jake, Franco certainly doesn't read as anywhere close to 37, or the world-weariness Jake's supposed to exhibit"  Slate author Willa Paskin believes though Franco is well known and well accomplished, he can't seem to get the "average guy" act right for this series.


11.22.63, Home media
11.22.63 was released on DVD and Blu-ray on August 9, 2016 in Region 1. The release includes all eight episodes, as well as a special feature titled "When the Future Fights Back", where King, Abrams, Carpenter and Franco talk about elements of the production that turned King's novel into an event series.


11.35mm Schouboe
The 11.35 mm Schouboe or .45 Schouboe was an experimental centerfire pistol cartridge produced in 1902, used by the Schouboe Automatic Pistol. The lightweight bullet was a steel jacketed wooden plug with an aluminum disk protecting the base. Muzzle velocity was 1600 feet per second. Accuracy was poor, and the blowback pistol chambered for this cartridge was unsuccessful.


11.3×36mmR
The 11.3×36mmR (commonly referred to as "11mm Montenegrin") is a rimmed carbine and revolver cartridge developed by Austria-Hungary. Though originally designed for the Früwirth repeating carbine, it was also used with the Gasser M1870 revolver. The caliber was widespread throughout the Balkans due to the Montenegrin Pattern Revolvers.


11.3×36mmR
Although this cartridge is no longer manufactured, enthusiasts reproduce them using slightly modified 7.62×54mmR brass cut down to the length of the original; using various types of mostly cast bullets.


11.6
11.6 is a 2013 French film directed by Philippe Godeau and starring François Cluzet, Bouli Lanners, Corinne Masiero and Juana Acosta. 11.6 premiered on 3 April 2013 in France, and on 21 April in North America, at the City of Lights, City of Angels film festival.


11.6, Plot
Based on Alice Géraud-Arfi's book Toni 11,6 : Histoire du convoyeur, the film tells the real-life story of criminal Toni Musulin who pulls off one of the largest heists in France's history without the aid of firearms.


11.6, Reception
11.6 has grossed $2.5 million in worldwide theatrical box office, against a production budget of $9.5 million. Bouli Lanners received a nomination for Best Supporting Actor at the 4th Magritte Awards.


11/11/11 (film)
11/11/11 is a 2011 horror film directed by Keith Allan and starring Jon Briddell, Erin Coker, and Hayden Byerly. It is The Asylum's "mockbuster" equivalent to Darren Lynn Bousman's 11-11-11. It is also a knockoff of The Omen.


11/11/11 (film), Premise
Jack and Melissa Vales become increasingly frightened as their young son, Nathan, expresses violent and bizarre behavior; what the couple soon learn is that their son's upcoming birthday of November 11, the Apocalypse will occur and Nathan is the gateway.


11/12/13: Live in Melbourne
11/12/13: Live in Melbourne is a live album by Kieran Kane and Kevin Welch, recorded at The Continental, Melbourne, Australia on November 12–13, 1999. They played unaccompanied, using acoustic guitars and mandolin. Most of the songs are original compositions either written or co-written by Kane or Welch. The two exceptions are covers of John Hiatt's "Train to Birmingham" and Hank Williams' "Ramblin' Man."


11/12/13: Live in Melbourne, Critical reception
Richie Unterberger of AllMusic writes, "There's an informal, playing-before-friends feel to the performances, on tunes that are mostly good-natured and easygoing."


11/12/13: Live in Melbourne, Critical reception
The review at No Depression concludes with, "Both singers are probably better presented on their own discs, but 11/12/13 allows for a worthy examination of two fine artists in a rare, no-pressure setting. Think of it as a pair of cool guys trading off playing songs for you in your living room, and it comes out a winner."


11/12/13: Live in Melbourne, Critical reception
Robert Wooldridge of Country Standard Time begins his review with, "Recorded on November 12th and 13th, 1999 (thus the title), this live acoustic set is reminiscent of the VH1 Storytellers performance by Johnny Cash and Willie Nelson-two singer/songwriters with their guitars trading off songs."


11/22/63
11/22/63 is a novel by Stephen King about a time traveller who attempts to prevent the assassination of United States President John F. Kennedy, which occurred on November 22, 1963 (the novel's titular date). It is the 60th book published by Stephen King, his 49th novel and the 42nd under his own name. The novel was announced on King's official site on March 2, 2011. A short excerpt was released online on June 1, 2011, and another excerpt was published in the October 28, 2011, issue of Entertainment Weekly.


11/22/63
The novel was published on November 8, 2011 and quickly became a number-one bestseller. It stayed on The New York Times Best Seller list for 16 weeks. 11/22/63 won the 2011 Los Angeles Times Book Prize for Best Mystery/Thriller and the 2012 International Thriller Writers Award for Best Novel, and was nominated for the 2012 British Fantasy Award for Best Novel and the 2012 Locus Award for Best Science Fiction Novel.


11/22/63
The novel required considerable research to accurately portray the late 1950s and early 1960s. King commented on the amount of research it required, saying "I've never tried to write anything like this before. It was really strange at first, like breaking in a new pair of shoes."


11/22/63
The novel was adapted into a Hulu television series in 2016, 11.22.63.


11/22/63, Background
According to King, the idea for the novel first came to him in 1971, before the release of his first novel, Carrie (1974). He was going to title it Split Track. However, he felt a historical novel required more research than he was willing to do at the time and greater literary talent than he possessed. Like his novel Under the Dome (2009), he abandoned the project, returning to the story later in life.


11/22/63, Background
King first talked publicly about the idea in Marvel Spotlight issue The Dark Tower (January 27, 2007), prior to the beginning of the ongoing comic book adaptation of his Dark Tower series. In a piece in the magazine titled "An Open Letter from Stephen King", he writes about possible original ideas for comics:


11/22/63, Background
I'd like to tell a time-travel story where this guy finds a diner that connects to 1958... you always go back to the same day. So one day he goes back and just stays. Leaves his 2007 life behind. His goal? To get up to November 22, 1963, and stop Lee Harvey Oswald. He does, and he's convinced he's just FIXED THE WORLD. But when he goes back to '07, the world's a nuclear slag-heap. Not good to fool with Father Time. So then he has to go back again and stop himself..... only he's taken on a fatal dose of radiation, so it's a race against time.


11/22/63, Background
Commenting on the book as historical fiction, King said: "This might be a book where we really have a chance to get an audience who's not my ordinary audience. Instead of people who read horror stories, people who read The Help or People of the Book might like this book".


11/22/63, Background
King and longtime researcher Russ Dorr prepared for the novel by reading many historical documents and newspaper archives from the period, looking at clothing and appliance ads, sports scores, and television listings. The book contains detailed minutiae such as the 1958 price of a pint of root beer (10 cents) or a haircut (40 cents).


11/22/63, Background
King and Dorr traveled to Dallas, where they visited Oswald's apartment building (now a private residence), found the home of Gen. Edwin Walker (a target of an assassination attempt by Oswald), and had a private tour of the Sixth Floor Museum in the Texas School Book Depository. King studied various conspiracy theories, ultimately coming to the conclusion that Oswald acted alone. King met with historian Doris Kearns Goodwin, an assistant to Lyndon B. Johnson and the author of books about several presidents, and used some of her ideas of worst-case political scenarios that might occur in the absence of Kennedy's assassination.


11/22/63, Publication
The trade hardcover edition features a dust jacket that is a faux newspaper front page, with the front of the jacket featuring an article recounting the real historical event of Kennedy's assassination, and the back featuring an alternative history article speaking of the event as just a failed assassination attempt that Kennedy survives unscathed. The newspaper headlines were written by Stephen King. In addition to the regular trade edition, Scribner produced a signed limited edition of 1,000 copies, 850 of which were made available for sale beginning on November 8, 2011 (ISBN 978-1-4516-6385-3). This edition features a different dust jacket, exclusive chapter-heading photos, and a DVD. Due to a website problem on November 8, most copies remained unsold and a drawing ran from November 10 to 11 to sell the remaining copies.


11/22/63, Publication
There was also a limited edition of 700 published in the United Kingdom. It was a slipcased hardcover with deluxe binding, photographic endpapers, and a facsimile signature, and included a DVD.


11/22/63, Publication
On July 24, 2012, Gallery Books published a trade paperback edition of the novel (ISBN 978-1451627299), which contains an additional "book club kit", featuring an interview with Stephen King about 11/22/63, a set of discussion questions, and a period playlist with King's commentary and recipes.


11/22/63, Plot
Jake Epping is a recently divorced high school English teacher in Lisbon Falls, Maine, earning extra money teaching a GED class. Epping gives an assignment to his adult students, asking them to write about a day that changed their lives. One of the students, a janitor named Harry Dunning, submits an assignment describing the night his alcoholic father murdered his mother and siblings with a hammer and injured Harry, causing him to have a permanent brain injury; the story emotionally affects Jake, and the two become friends after Harry earns his GED.


11/22/63, Plot
Two years later, in June 2011, Jake stops by a local diner and speaks with the proprietor, Al Templeton, who asks Jake to meet him at his diner the next day. When Jake arrives, he is shocked to see that Al seems to have aged years since the previous day. Al explains that he is dying and that his appearance is attributable to his having time traveled and lived for years in the past. Al's method of time travel is a time portal he discovered in his diner's pantry, which he used to transport himself to 1958.


11/22/63, Plot
Doubting Al's story at first, Jake travels through the portal, where he encounters an addled wino whom Al has dubbed the "Yellow Card Man" due to the color of a card on the man's hat. Jake spends an hour in 1958 before returning to the present, after which Al explains that he's figured out the basics of how the portal functions:


11/22/63, Plot
Al reveals that after discovering the portal, he'd concocted a plan to change the past by preventing John F. Kennedy's assassination, hoping that doing so would change history for the better, as he attributed many bad things that happened in the world to events that would not have occurred had JFK lived. He spent four years in the past after entering the portal the previous night, traveling to Dallas, Texas, to track Lee Harvey Oswald, plotting to kill the would-be assassin during his attempted murder of General Edwin Walker.


11/22/63, Plot
His delay was due to the fact that he wanted to be absolutely sure that Oswald was a killer and would act alone. Al developed cancer, so he had to give up his mission, knowing he would not live long enough to complete it. He recruits a reluctant Jake to complete the task instead.


11/22/63, Plot
As an experiment, Jake travels back to 1958 to Derry, Maine, to save Harry's family, who will be killed by his father, Frank Dunning, on Halloween night. Despite many obstacles, he succeeds in saving all but one of Harry's siblings, then returns to 2011 hopeful he improved Harry's life, only to learn his actions led to Harry dying in Vietnam. While Jake is still trying to process this information, Al commits suicide, forcing Jake to act immediately, before the death becomes known and the diner sealed.


11/22/63, Plot
With no preparation, Jake re-enters the portal and discovers that the "Yellow Card Man" has cut his own throat, and the yellow card is now black. He ignores it and goes to Derry to kill Frank ahead of Frank's murderous rampage. After resolving one of Al's other missions—preventing a hunter from accidentally shooting a little girl—Jake makes his way, first to Florida, then to the small Dallas-area town of Jodie to wait for Oswald's arrival.


11/22/63, Plot
Jake spends years establishing his identity in the late 1950s and early 1960s, but comes to suspect history "harmonizes"—he keeps coming into contact with people of the same name, with similar events. He suspects saving one life may result in another person dying in their stead, for example. While in Dallas, he meets librarian Sadie Dunhill; the two begin a relationship. Their relationship becomes strained as Sadie is suspicious of Jake's use of anachronistic colloquialisms and song lyrics. However, Jake rescues her from a near-fatal overdose as well as an assault by her ex-husband Johnny Clayton. After successfully predicting the outcome of the Cuban Missile Crisis, he eventually tells her he is from the future.


11/22/63, Plot
Before this, Jake actively stalks Oswald, renting apartments near those of the Oswalds. He begins to wonder if Oswald's only friend in Dallas, George de Mohrenschildt, may somehow be involved in the assassination, and thus hesitates to kill Oswald ahead of time. He thinks de Mohrenschildt is a CIA resource who is supposed to keep an eye on Oswald, but may also be egging Oswald on to kill first General Walker, then JFK. Jake resolves to wait until the Walker attempted assassination before killing Oswald. However, he is unable to learn certain facts and is prevented from accessing several opportunities to kill Oswald.


11/22/63, Plot
Finally, November 22, 1963, arrives. Jake reaches Oswald's sniper's nest at the Texas School Book Depository mere moments before Kennedy's motorcade drives through Dealey Plaza. Nevertheless, he successfully prevents Oswald from shooting Kennedy. In a rage, Oswald fires at Jake. The shot misses and mortally wounds Sadie, now Jake's fiancée, who had come to help him. The noise of the confrontation draws the attention of the United States Secret Service and police, who fire through the window and kill Oswald. Sadie dies in Jake's arms.


11/22/63, Plot
Jake immediately becomes a national hero and is personally thanked by President Kennedy and his wife. Distraught over Sadie's death, Jake resolves to return to 2011 and back to 1958 in order to repeat his journey and save both Sadie and Kennedy. The FBI arranges Jake's disappearance from the public eye and helps him leave Dallas by bus late on the night of November 22. After he returns to New England, he learns that on November 25 a massive earthquake in Los Angeles has killed thousands. Jake realizes that it is a direct result of his actions.


11/22/63, Plot
When he gets to the portal, the Yellow Card Man has been replaced by Zack Lang, a respectable-looking man with a Green Card. Zack explains that traveling through the portal does not change the past, but creates multiple "time strings," stretching the bonds of reality. Guarding it is difficult because the men dispatched to do so must keep myriad realities in their minds at all times (the cards function as a form of radiation detector: a green card indicates the agent is healthy, but as they deteriorate, the card changes to yellow, then to orange, and finally to black).


11/22/63, Plot
The process is so stressful that it drives most agents to mental illness, alcoholism, and eventually suicide, like Kyle, the previous agent (Kyle was actually the alcoholic "Yellow Card Man" from the beginning of the story). Zack begs Jake to set things right again, or reality itself will cease to exist. He instructs Jake to return to 2011 and witness the damage his interference has caused history.


11/22/63, Plot
When Jake steps back through the portal, he sees Lisbon Falls is now in ruins, partially because Vermont Yankee "went China Syndrome" in 1999, spreading radiation across New England and southern Quebec. Furthermore, there continue to be frequent, massive earthquakes everywhere due to the interference in history. Jake meets a familiar-looking man who turns out to be Harry Dunning, whose life he saved long ago. No longer a janitor with a brain injury, he is a Vietnam vet who was paralyzed during the war and now uses a wheelchair.


11/22/63, Plot
Harry tells Jake a concise and disturbing history of the world between 1963 and 2011. John F. Kennedy went on to narrowly win a second term but was unable to bring about the Civil Rights Act of 1964 as Lyndon B. Johnson had. This led to increased racial tensions and riots in the U.S., especially after the assassination of Martin Luther King Jr. (in Chicago by FBI Agent Dwight Holly in this timeline).


11/22/63, Plot
Kennedy also refused to commit to action in Vietnam outside of stationing U.S. soldiers in Saigon, but his successor, George Wallace, reversed this course and used nuclear weapons on Hanoi in response to the fall of Saigon in 1967. This and other incidents led to more instability all over the world, including frequent use of nuclear weapons by terrorists and a nuclear exchange between India and Pakistan in the early 1970s. The Soviet Union experiences a total financial collapse in the early 1980s.


11/22/63, Plot
Jake quickly returns to 1958 and finds Zack much worse for wear. He tells Jake he must now go back to 2011 (since all of Jake's changes are now undone) and ensure the portal is closed. Instead, Jake goes to a hotel and contemplates returning to Texas and Sadie. Ultimately, he returns to his own time, having made no major changes this time. Looking up old records on the Internet, Jake learns that Sadie survived the attack by her ex-husband, which she had only survived before by his rescuing her; this time with the assistance of mutual friends Deacon Simmons and Ellen Dockerty.


11/22/63, Plot
Jake goes back to Jodie, where Sadie is in her 80s and is being honored by the town with a celebration. In this timeline, Sadie has no memory of Jake, but she experiences deja vu when he speaks to her. The two share a dance.


11/22/63, Plot, Alternate ending
Stephen King published an alternate ending on his official website on January 24, 2012, in which Jake finds a November 2011 news article where Sadie has turned 80. She had married a man named Trevor Anderson, with whom she has five children, eleven grandchildren, and six great-grandchildren. This ending was changed to the published version at the suggestion of King's son, writer Joe Hill.


11/22/63, Characters, Historical
Other historical characters depicted in the book include President John F. Kennedy and First Lady Jacqueline Kennedy, who offer their gratitude to Jake during telephone calls following the assassination attempt. In the alternative timeline after the failed assassination, Kennedy is re-elected in 1964 and dies in 1983. George Wallace, Curtis LeMay and Hubert Humphrey occupy the Oval Office after Kennedy finishes his second term; Ronald Reagan defeats Humphrey in the 1976 election. Hillary Clinton is President when Jake discovers the dystopia of 2011. Legendary Texas musician Doug Sahm is portrayed as a young man playing with his band at the wedding reception for Deke and Mimi in 1961.


11/22/63, Critical reception
The reviews for 11/22/63 were generally positive, with The New York Times selecting the novel as one of its top five fiction books of the year and the Las Vegas Review-Journal calling it King's "best novel in more than a decade". The review aggregate site Metacritic judged 30 out of 36 reviews as positive, with four mixed and two negative. Book Marks reported 46% of critics gave the book a "rave" review, while 31% and 8% expressed "positive" and "mixed" impressions. As of 2019, on social cataloging website Goodreads the book had a score of 4.31/5 from 385,526 ratings.


11/22/63, Critical reception
NPR book critic Alan Cheuse found no fault with the structure, commenting: "I wouldn't have [King] change a single page." USA Today gave the novel four out of four stars, noting the novel retains the suspenseful tension of King's earlier works but is not of the same genre. "[The novel] is not typical Stephen King." Janet Maslin of The New York Times also commented on the genre change and pacing but felt the writer has built the narrative tightly enough for the reader to suspend disbelief. "The pages of '11/22/63' fly by, filled with immediacy, pathos and suspense.


11/22/63, Critical reception
It takes great brazenness to go anywhere near this subject matter. But it takes great skill to make this story even remotely credible. Mr. King makes it all look easy, which is surely his book's fanciest trick." The review in the Houston Chronicle called the novel "one of King's best books in a long time" but "overlong", noting: "As is usually the case with King's longer books, there's a lot of self-indulgent fat in 11/22/63 that could have been trimmed."


11/22/63, Critical reception
The review in the Bangor Daily News commented that the novel "[is] another winner", but provided no critical review of the plot construction. Lev Grossman, in reviewing the novel for Time, called the novel "the work of a master craftsman" but commented that "the wires go slack from time to time" and the book wanders from genre to genre, particularly in the middle.


11/22/63, Critical reception
More pointedly, Los Angeles Times book critic David Ulin called the novel "a misguided effort in story and writing"; Ulin's primary criticism is the conceit of the story, which requires the reader to follow two plotlines simultaneously – historical fiction built upon the Kennedy assassination as well as the tale of a time traveling English teacher – which adds a page load to the novel that Ulin found excessive.


11/22/63, Adaptation
On September 22, 2014, it was announced that a TV series based on the novel was picked up by Hulu. James Franco was chosen to star as the character of Jake Epping. The series premiered on President's Day, February 15, 2016, and was met with mostly positive reviews.


11/3/00 – Boise, Idaho
11/3/00 – Boise, Idaho is a two-disc live album and the seventieth in a series of 72 live bootlegs released by the American alternative rock band Pearl Jam from the band's 2000 Binaural Tour. It was released along with the other official bootlegs from the second North American leg of the tour on March 27, 2001.


11/3/00 – Boise, Idaho, Overview
The album was recorded on November 3, 2000, in Nampa, Idaho at the Idaho Center. The show features a particularly intense version of "Better Man". It was selected by the band as one of 18 "Ape/Man" shows from the tour, which, according to bassist Jeff Ament, were shows the band found "really exciting." Allmusic gave it two and a half out of a possible five stars. "Go" from this show appears on the Touring Band 2000 DVD.


11/30/93 – Las Vegas, Nevada
11/30/93 – Las Vegas, Nevada is a live album and the first in a series of archival official bootleg releases by the American alternative rock band Pearl Jam, made available in MP3 format at the band's official download website in 2006. The bootleg was recorded at the first of two nights at the Aladdin Theatre for the Performing Arts in Paradise, Nevada.


11/30/93 – Las Vegas, Nevada, Overview
The show, which took place on November 30, 1993, at the Aladdin Theatre for the Performing Arts in Paradise, Nevada, is from the first leg of the band's tour for its second album, Vs., but also features some material off of the band's third album, Vitalogy, including the live premiere of "Tremor Christ". The second encore featured two songs by the band Green River, guested on by former members Mark Arm and Steve Turner, both now of Mudhoney. Guitarist Stone Gossard and bassist Jeff Ament are both former members of Green River.


11/30/93 – Las Vegas, Nevada, Overview
Chuck Treece filled in on drums for Green River drummer Alex Vincent. The band performed the songs "Swallow My Pride" and "Ain't Nothing to Do" before leaving the stage. The bootleg does not include the version of "My Way", performed with Elvis impersonator Terry Presley, which had previously been released on the band's 1995 fan club Christmas single. The version of "Swallow My Pride" from this show appears on the same fan club single.


11/5
11/5 was an American hip hop group from the Hunters Point section of San Francisco, California whose members were Maine-O, Hennessy and Taydatay, they were signed to Dogday Records, and were active from 1994 to 2001.


11/5, Biography
The Bay Area-based trio first appeared in 1994 on Primo's album Stickin' to the Script on the song "Killa". Shortly after, they would release their debut album, Fiendin' 4 tha Funk. The album sold little outside the Bay Area and only made it to #76 on the Billboard's Top R&B/Hip-Hop Albums chart. The following year, they released a follow-up entitled A-1 Yola, which would fare much better on the charts, making it to #33 on the Top R&B/Hip-Hop Albums chart and #22 on the Top Heatseekers. After A-1 Yola, two more albums were released, 1999's The Overdose and 2001's After the Drama, as well as two compilations, before disbanding in 2001.


11/6 12/10
11/6 12/10 is the debut studio album by electronic duo Tarwater, released in September 30, 1996 by Kitty-Yo.


11/6/00 – Seattle, Washington
11/6/00 – Seattle, Washington is a three-disc live album and the seventy-second and final in a long series of live bootlegs that the American alternative rock band Pearl Jam released from the band's 2000 Binaural Tour. It was released along with the other official bootlegs from the second North American leg of the tour on March 27, 2001.


11/6/00 – Seattle, Washington, Overview
The album was recorded on November 6, 2000, in Seattle, Washington at KeyArena. This was the band's last show of its three-leg 2000 tour. The band performed at this show for over three hours, playing most of its hits along with selected cover songs such as "The Kids Are Alright" and "Baba O'Riley" by The Who, one of Pearl Jam's biggest musical influences. This show also featured the North American tour's first performance of "Alive", which had been purposely omitted from all shows on the tour.


11/6/00 – Seattle, Washington, Overview
This show was selected by the band as one of 18 "Ape/Man" shows from the tour, which, according to bassist Jeff Ament, were shows the band found "really exciting." Allmusic called the show an "essential live document," and gave it four and a half out of a possible five stars. Allmusic staff writer Douglas Siwek said that "by the time they hit their hometown of Seattle in November 2000, it was obvious that the band was truly in sync musically." It debuted at number 98 on the Billboard 200 album chart and was the highest charting official bootleg out of the entire series. "Leatherman", "Better Man", "Nothingman", "Nothing as It Seems", and "Rearviewmirror" from this show appear on the Touring Band 2000 DVD.


11/9 (American Horror Story)
"11/9" is the fourth episode of the seventh season of the anthology television series American Horror Story. It aired on September 26, 2017, on the cable network FX. The episode was written by John J. Gray, and directed by Gwyneth Horder-Payton. Adina Porter was nominated for the Primetime Emmy Award for Outstanding Supporting Actress in a Limited Series or Movie for this episode.


11/9 (American Horror Story), Plot, November 2016
At the local polling place for the election, Ivy with her wife Ally, Winter and her friends, Dr. Vincent, the Wiltons, Beverly Hope, her cameraman R.J., and Beverly's rival Serena Belinda cast their vote. Kai carries Gary, whose hand appears recently amputated, to the polling booths. After both he and Kai vote for Trump, Gary emerges from the booth and raises his freshly severed stump in exclamation.


11/9 (American Horror Story), Plot, November 2016
The day after the election, Harrison, a fitness trainer at a gym, is maltreated by his boss Vincenzo "Vinny" Ravoli. He then returns home and discovers from a despondent Meadow that the bank has foreclosed on their house. The next day, Harrison's frequent client Kai consoles him after he divulges his financial dilemma. In the midst of more verbal abuse by Vinny, Harrison is urged by Kai to stand up for himself and pins Vinny under barbells, crushing his chest before killing him with a dumbbell to the head. Meadow catches Harrison and Kai dismembering Vinny's body. Harrison introduces Kai to Meadow as "someone to believe in".


11/9 (American Horror Story), Plot, December 2016
Kai turns his attention to Beverly, who was sent to a psychiatric rehabilitation center thirty days earlier for attacking a teenager after being humiliated in her live broadcasts by male hecklers. Kai finds her slashing the tires of Bob Thompson's car, after the latter trimmed her reports in favor of Serena's. Kai outlines his plan for world domination and offers her "equal power". To convince the reporter, Kai and the Wiltons murder Serena and her cameraman Cole. Beverly confronts them at his house, but she declares her allegiance to Kai's cult afterwards as well as R.J., allowing the reporter to republish her live broadcast on Vinny's murder.


11/9 (American Horror Story), Plot, November 2016
On Election night, Ivy handcuffs Gary in the grocery's basement with the help of Winter after he groped her during the Donald Trump and Hillary Clinton presidential rally earlier that day. Ivy's retaliation costs Gary his chance to vote in the election. Upon discovering his sister's involvement with Ivy, Kai finds Gary in the basement and offers him a hacksaw to sever his chained hand, leading to the events at the beginning of the episode.


11/9 (American Horror Story), Reception
"11/9" was watched by 2.13 million people during its original broadcast, and gained a 1.1 ratings share among adults aged 18–49.


11/9 (American Horror Story), Reception
The episode has been critically acclaimed. On the review aggregator Rotten Tomatoes, "11/9" holds a 100% approval rating, based on 16 reviews with an average rating of 8.19 out of 10.


11/9 (American Horror Story), Reception
Tony Sokol of Den of Geek gave the episode a 4 out of 5, saying "The episode may not be enough to convert new fans to American Horror Story: Cult, but to those preaching to the choir, the Kool-Aid is refreshing." He particularly praised the presence and the development of Peters' Kai Anderson; but also Lourd's performance as Winter, describing her as a "master mind manipulator".


11/9 (American Horror Story), Reception
Kat Rosenfield from Entertainment Weekly gave the episode a B+, and appreciated that it was a break from the character of Ally and her "hysterical screaming breakdowns". Moreover, she praised Adina Porter and her acting skills, saying "she's the best thing to happen to this cast since we lost La Lange"." Vulture's Brian Moylan gave the episode a 4 out of 5, indicating a positive review. Like Rosenfield, he praised Adina Porter, calling her a "genius", but also the plot twist of the third act of the episode.


11/9 (American Horror Story), Reception
Matt Fowler of IGN gave the episode a 8.3 out of 10, with a positive review. He said "[this episode] revealed crucial backstory and a fun twist that could greatly alter the story going forward. It was staged nicely, separated into three acts—with the third providing a new element that helps add texture to the entire season. It was also fun to watch the "cult" of Cult actually form, and to see some of the side characters be real(ish) people outside of the facade they put on for the sake of Ally and Ivy."


110 (number)
110 (one hundred [and] ten) is the natural number following 109 and preceding 111.


110 (number), In mathematics
110 is a sphenic number and a pronic number. Following the prime quadruplet (101, 103, 107, 109), at 110, the Mertens function reaches a low of −5.


110 (number), In mathematics
110 is the sum of three consecutive squares, 110=52+62+72{\displaystyle 110=5^{2}+6^{2}+7^{2}}.


110 (number), In mathematics
RSA-110 is one of the RSA numbers, large semiprimes that are part of the RSA Factoring Challenge.


110 (number), In mathematics
In base 10, the number 110 is a Harshad number and a self number.


110 (number), In sports
Olympic male track and field athletics run 110 metre hurdles. (Female athletes run the 100 metre hurdles instead.)


110 (number), In sports
The International 110, or the 110, is a one-design racing sailboat designed in 1939 by C. Raymond Hunt.


110 BC
Year 110 BC was a year of the pre-Julian Roman calendar. At the time it was known as the Year of the Consulship of Rufus and Albinus (or, less frequently, year 644 Ab urbe condita) and the First Year of Yuanfeng. The denomination 110 BC for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years.


110 East 42nd Street
110 East 42nd Street, also known as the Bowery Savings Bank Building, is an 18-story office building in Midtown Manhattan, New York City. It is located on the south side of 42nd Street, across from Grand Central Terminal to the north, and between the Pershing Square Building to the west and the Chanin Building to the east. 110 East 42nd Street is named for the Bowery Savings Bank, who had erected the building as a new branch structure to supplement its original Bowery building.


110 East 42nd Street
110 East 42nd Street was designed in the Italian Romanesque Revival style by York and Sawyer, with William Louis Ayres as the partner in charge. It was erected within "Terminal City", a collection of buildings located above the underground tracks surrounding Grand Central, and makes use of real-estate air rights above the tracks. The building is located directly above the New York City Subway's Grand Central–42nd Street station.


110 East 42nd Street
110 East 42nd Street, as well as the adjacent Pershing Square Building, were built on the site of the Grand Union Hotel. Construction started in 1921 and was completed in 1923, and an addition was added between 1931 and 1933. 110 East 42nd Street continues to be used as a bank and office building. Its facade and lobby were made New York City designated landmarks in 1996.


110 East 42nd Street, Site
110 East 42nd Street is in the Midtown and Murray Hill neighborhoods of Manhattan in New York City. It is bounded by 42nd Street to the north and 41st Street to the south, in the middle of the city block between Park Avenue to the west and Lexington Avenue to the east. The "L"-shaped land lot occupies 25,613 square feet (2,379.5 m2), with a frontage of 154.5 feet (47.1 m) on 42nd Street and a depth of 197.5 feet (60.2 m).


110 East 42nd Street, Site
On the same block, the Pershing Square Building is to the west and the Chanin Building is to the east. Other nearby buildings include the Grand Hyatt New York hotel to the north, the Chrysler Building to the northeast, the Socony–Mobil Building to the east, and 101 Park Avenue to the south.


110 East 42nd Street, Site
The completion of the underground Grand Central Terminal in 1913 resulted in the rapid development of Terminal City, the area around Grand Central, as well as a corresponding increase in real-estate prices. Among these were the New York Central Building at 47th Street and Park Avenue, as well as the Grand Central Palace across 42nd Street from the present 110 East 42nd Street. By 1920, the area had become what The New York Times called "a great civic centre".


110 East 42nd Street, Design
The building was designed in the Italian Romanesque Revival style by the firm of York & Sawyer. The design shares many elements with the Pershing Square Building directly to the west, which was also co-designed by York & Sawyer.


110 East 42nd Street, Design, Form
York and Sawyer's original plans for 110 East 42nd Street called for a four-story-tall banking room, topped by thirteen office floors, to extend the width of the block between 41st and 42nd Streets. A hip-roofed penthouse on top of the office floors would bring the building's height to 18 floors. The building has a frontage of 104 feet (32 m) on 42nd Street and extends 198 feet (60 m) to the back of the lot at 41st Street.


110 East 42nd Street, Design, Form
As it was not a freestanding structure, 110 East 42nd Street deviated from traditional bank building designs, including that of the original main branch at Bowery and Grand Street. Most significantly, it did not resemble a "modified Greek temple" as earlier bank buildings had. The building was instead designed in the Italian Romanesque Revival style, The Italian Romanesque design provided consistency to the facade, since the Pershing Square Building to the west was designed in a similar manner. York & Sawyer's ultimate design emphasized the juxtaposition of office and banking concerns in the building, which are stacked one above the other.


110 East 42nd Street, Design, Facade
The facade is divided into three vertical sections: the base, tower, and upper stories. The facade contains elements such as arcades, and cornices with corbelling. A variety of materials and colors are used for the building's individual elements, including colonettes made of pink granite; spandrels made of green marble; and a roof with red tiling. The facade elements are also decorated with representations of figures such as  "birds, beasts, fantastic mythological creatures [and] human forms".


110 East 42nd Street, Design, Facade
The 42nd Street facade is largely made of Ohio sandstone. On the 42nd Street side, there are also columns and colonettes made of pink granite; tiled wall copings; and spandrels made of green marble. The 41st Street facade is made of sandstone on the first floor, and buff-colored bonded brick above it. At the bottom of both facades is a water table made of granite, which is 3 feet (0.91 m) higher on the eastern part of the building, due to the area's topography sloping downward to the east.


110 East 42nd Street, Design, Facade, Base
On the four-story base facing 42nd Street to the north, there is a large round-arched entrance taking up most of the facade, with detailed archivolts running on the underside of the archway. The large ground-floor arch leads to the giant banking room inside. A short flight of stairs leads to a set of doors, above which is a large window that fills the rest of the arch opening. There are voussoirs running along the top of the arch, with a carved motif located within every other voissoir. A pair of rose windows, small circular apertures, are located at the fourth floor flanking the top of the arch. An architectural arcade with arched openings runs along the fifth floor facade.


110 East 42nd Street, Design, Facade, Base
To the west of the main archway (on the right side as seen from 42nd Street), a small arch provides access to the office tower's entrance vestibule, the elevator lobby, and the Grand Central–42nd Street subway station. The entrance contains a semicircular tympanum above the doorway, with a geometric pattern, as well as embossed surrounds on either side of the doorway. The words "The Bowery Savings Bank Building" are inscribed on top of the tympanum, and the building's address is fully spelled out on the bottom of the tympanum. Above this archway are two pairs of windows, one each at the third and fourth floors. The third floor includes two rectangular windows and the fourth floor contains two arched grilles in place of window openings.


110 East 42nd Street, Design, Facade, Base
To the east (left) is the six-story "Chapel" annex completed in 1933. The lower two floors contain a three-arched arcade with two granite columns. The rectangular third-floor windows and arched fourth-floor windows are similar to those on the west side of the facade. Above the first- and second-floor arcade, there are four carved motifs, located at even intervals, as well as an inscription "A Mutual Institution Chartered 1834 To Serve Those Who Save". There is an architectural arcade running across the 5th story facade.


110 East 42nd Street, Design, Facade, Base
The facade of the base on 41st Street, to the south, is similar in that it also contains a large archivolted arch with a set of doors below a large window. However, the doors on the 41st Street facade are located in a three-faced structure that projects slightly. Flanking the arch are three architectural bays, two to the west (left) and one to the east (right) of the arch. These bays each contain two rectangular windows on the second floor, two arched windows on the third floor, and a rose window on the fourth floor. A driveway leading to an underground parking garage is located on the first floor underneath the leftmost bay.


110 East 42nd Street, Design, Facade, Tower
On the 42nd Street side above the four-story base, the 5th through 13th floors are articulated with vertical piers and window spandrels. The piers divide the facade into five architectural bays: four bays above the main banking entrance in the center, and one bay above the office-building entrance on the west (right) side. Each bay contains two windows on each floor. Horizontal cornices with corbeling are located above the 14th and 17th floors. There is an architectural arcade running across the 5th story facade, as well as another arcade running across the 15th and 16th stories.


110 East 42nd Street, Design, Facade, Tower
The 17th story contains round-arched window openings while the 18th story consists of four windows that each contain three panes. On the 17th floor, at the top of 110 East 42nd Street's tower section, are tiled copings. At the 42nd Street facade, a flagpole extends from the center of the tower section at the fifth floor, directly above the center of the archway.


110 East 42nd Street, Design, Facade, Tower
On the 41st Street side, the facade rises nine stories from ground level, with a cornice at the top of this section. Above the ninth floor, the building contains a 22-foot (6.7 m) setback, and the tower rises behind this setback to the 17th story. The 41st Street side is also articulated with vertical piers and window spandrels. It also contains five architectural bays, with each bay containing two windows per floor.


110 East 42nd Street, Design, First-floor interior
The first floor consists of three sections: an elevator vestibule on the west, a banking room on the center, and the smaller "Chapel" section to the east. The massive first-floor banking room measures 80 feet (24 m) wide and 197.5 feet (60.2 m) long with a 65-foot-tall (20 m) ceiling. It was described by The New York Times as one of the largest banking rooms in a New York City bank. The banking room utilizes marble, limestone, sandstone and bronze screens to create a space reminiscent of a basilica. The annex and banking rooms use a mixture of materials on the walls and columns: according to the Landmarks Preservation Commission, these include ashlar as well as "marble, limestone, sandstone, imitation stone, and plaster". Various other motifs also adorn the walls, ceiling, and columns.


110 East 42nd Street, Design, First-floor interior
The banking room can be entered from five places: the main 41st and 42nd Street archways to the south and north, respectively; an entrance to the office building's vestibule to the northeast; and two doorways leading to the passenger- and freight-elevator lobbies to the west. The marble tellers' counter, 50 inches (130 cm) high, is in the middle of the banking room. The floor is made of marble tile patterns, and a wooden staircase at the northeastern corner of the banking room leads to the basement.


110 East 42nd Street, Design, First-floor interior
The ceiling above the banking room is supported by steel trusses that run across the vault. Six major trusses run perpendicular to the walls and are supported by twelve corbels, while smaller trusses run diagonally between alternating corbels. The ceiling is coated with six layers of materials, giving it the appearance of "minor wooden beams and coffering". Six chandeliers hang from the ceiling at the locations where the diagonal trusses cross each other.


110 East 42nd Street, Design, First-floor interior
The "Chapel" annex is located to the east of the banking room's northern section, connected via two large rectangular openings cut through the party wall on the eastern side of the banking room. The design is similar to that of the banking room, with limestone and sandstone walls. A second floor loggia overlooks the northern end of the annex's first floor, and below that is a set of double doors leading to the central arch of the arcade along 42nd Street. Two chandeliers and a painted rhombus pattern are located on the flat ceiling, while a patterned frieze runs near the top of the wall.


110 East 42nd Street, Design, First-floor interior
The space to the west of the main banking room measures 20 feet (6.1 m) wide and 197.5 feet (60.2 m) long. It includes an entrance vestibule, as well as a lobby containing passenger and freight elevators. The vestibule, located to the north and facing 42nd Street, contains a ceiling with three vaults. It includes a staircase to the New York City Subway's Grand Central–42nd Street station, serving the 4, 5, 6, <6>, 7, <7>, and S trains, along its western side. To the south is the elevator lobby, which contains decorative floor tiling and six painted ceiling vaults, similar in design to the main banking room. The elevator doors contain bronze panels with various embossed motifs.


110 East 42nd Street, History
In 1913, the Dual Contracts were signed by the Interborough Rapid Transit Company (IRT) and the Brooklyn–Manhattan Transit Corporation (BMT), two companies who operated parts of the present New York City Subway. A set of platforms at Grand Central, now serving the IRT Lexington Avenue Line (4, 5, 6, and <6> trains), was to be built diagonally under the building site as part of the agreement. At the time, the site under the proposed station was occupied by Grand Union Hotel, which was condemned via eminent domain in February 1914.


110 East 42nd Street, History
The condemnation proceedings for the hotel cost $3.5 million (equal to $65 million in 2019). To pay the station's construction cost, the Public Service Commission approved the construction of a 25-story building above the station. By May 1915, the building site had been excavated for the construction of the building. Despite the passage of the 1916 Zoning Resolution, which required architectural setbacks to provide light to the streets below, the building plans conformed with the older zoning codes, which did not require setbacks.


110 East 42nd Street, History
Though the IRT Lexington Avenue Line's 42nd Street station opened in 1918, the site above the station was not developed as planned. The Transit Commission attempted to sell the building site in May 1920 for $2.8 million (equal to $27.5 million in 2019), but no one placed a bid. Then in July 1920, a realty consortium headed by investor Henry Mandel offered $2.9 million for the hotel (equal to $28.5 million in 2019), a proposal that was accepted. The value of the land at the future building site was extremely valuable; by 1923, the Rider's Guide to New York City referred to the blocks of East 42nd Street between Park and Fifth Avenues as "Little Wall Street".


110 East 42nd Street, History, Planning and construction
The Bowery Savings Bank, then located at the Bowery and Grand Street in lower Manhattan, was among the parties who were seeking to add an uptown location, and in September 1920 its trustees unanimously agreed to look for an uptown site. The trustees soon found a site on 42nd Street, but a standalone bank building could not be built there, as it was deemed too costly. As such, the bank trustees created a building committee to start planning for the building in December 1920.


110 East 42nd Street, History, Planning and construction
In January 1921, Mandel sold the Bowery Savings Bank the eastern half of the Grand Union Hotel site, which would be developed into an office building called 110 East 42nd Street. As per the purchase agreement between the bank and the corporation, the structures were to contain interlocking structures, including what was believed to be the city's tallest party wall separating two buildings. York and Sawyer, designers of several bank buildings in the eastern United States, had been hired to devise plans for the new Savings Bank at the site of the Grand Union Hotel.


110 East 42nd Street, History, Planning and construction
The lead architect on the project was William Louis Ayres. The plans were filed with the New York City Department of Buildings in April 1921. Excavations had started in February 1921 in advance of the plans' approval, and that June, the building committee recommended to start construction immediately. Construction on the building officially commenced that July with a groundbreaking ceremony.


110 East 42nd Street, History, Planning and construction
By the time the new branch opened in 1923, there were 155,000 people with accounts at the Bowery Savings Bank. The bank had seen $1.5 million in deposits (equivalent to $22,784,180 in 2020) "on one day recently", compared to the $2,020 deposited on the original branch's opening day in 1834 (equivalent to $52,365 in 2020).


110 East 42nd Street, History, Planning and construction
Just prior to 110 East 42nd's opening in June 1923, $202 million of deposits held by the Bowery Savings Bank (equal to $2.4 billion in 2019) was moved from the original branch to the new branch, using 14 armored cars guarded by 100 heavily armed policemen. However, the bank retained its original offices on Bowery. Upon the opening of 110 East 42nd, the branch had total deposits of $177 million (equal to $2.1 billion in 2019).


110 East 42nd Street, History, Planning and construction
There were 2,500 new accounts opened at the 110 East 42nd branch on the first day in office, and 33,803 new accounts in the nine months afterward, with total deposits at the 110 East 42nd branch increasing by $25 million in that time period (equal to $296.6 million in 2019). The presence of the new Bowery Savings Bank branch and of brokerage firms on 42nd Street bolstered its reputation as a "Little Wall Street".


110 East 42nd Street, History, Planning and construction
Some alterations were made to the main building in 1927, including the installation of a clock, bronze display cases, and revolving doors outside the 42nd Street entrance. A six-story addition to the east, which came to be called "The Chapel", was proposed in March 1931. Louis Ayres designed the addition while Marc Eidlitz & Son, Inc. erected the structure. The Chapel annex was completed by 1933.


110 East 42nd Street, History, Later use
The fifth floor facade's marble colonettes were replaced with granite ones in 1951, and the annex's windows and entrance were redesigned in 1956. A plaque was erected outside 110 East 42nd Street in 1957, designating it as a point of interest and an unofficial "landmark". The screen above the 42nd Street archway were replaced with a glass window in 1962.


110 East 42nd Street, History, Later use
A year after the Bowery Savings Bank was acquired by H. F. Ahmanson & Co. in 1991, the building's ownership was jointly transferred to Ahmanson and a limited partnership, who owned the building as a condominium. Greenpoint Bank took over the banking spaces in 1995, after having bought many of Ahmanson's branches. The building was designated an official New York City landmark in 1996. SL Green bought the building in March 1998 and subsequently renovated the lobby as well as replaced the elevators.


110 East 42nd Street, History, Later use
The ground-floor banking room was converted to a Cipriani restaurant and upscale event space, with Cipriani finalizing the deal for the new location in January 1999. At the same time, with the renovation and revival of Grand Central in the late 1990s, large tenants began occupying 110 East 42nd's office space.


110 East 42nd Street, History, Later use
The areas immediately surrounding Grand Central, including 110 East 42nd, had 1.8 million square feet (170,000 m2) of air rights above the terminal and its rail yards. This allowed for the construction of developments with that maximum floor area above Grand Central. In 2014, some of 110 East 42nd's unused air rights were passed to One Vanderbilt, a 1,401-foot-tall (427 m) skyscraper being built a block to the west.


110 East 42nd Street, Critical reception
The fifth edition of the AIA Guide to New York City referred to 110 East 42nd Street as "one of the great spaces of New York." According to a 1928 piece in Architectural Forum magazine, the building was "a castle in the clouds brought to earth, and the ticket of admission is only a stiff little deposit book." A 1986 article in the Canadian newspaper The Globe and Mail said that 110 East 42nd Street "flaunts the power of New York money. Stupendously lavish, marbled and pillared and bronzed and tiled, it still has elegant Art Deco banking tables where you can write out cheques with an Art Deco ballpoint."


110 East Washington Street
110 East Washington Street is a high rise in Indianapolis, Indiana. The building, which is now the "110 Condos", was originally built in 1921–1922 as the main office for National City Bank. This bank (which was not related to the National City Bank of Cleveland, Ohio) closed during the Roosevelt Bank Holiday of 1933, was found to be insolvent, and did not reopen. The building later became the home of The Morris Plan Savings and Loan, which had a much smaller office on North Delaware Street.


110 East Washington Street
The same fate, however, befell the Morris Plan years later in the late 1980s, when it, too, was found to have irregularities by the federal regulators and was forced into a purchase by Summit Bank of Fort Wayne, only to be purchased by INB (Indiana National Bank), which was soon thereafter itself purchased by the National Bank of Detroit (NBD).


110 East Washington Street
The offices of the bank were closed, but the banking floor (now the Adobo Grill space) stayed open until being merged with NBD's branch at Jefferson Plaza. Soon after the building closed in 1994, the contents were auctioned and it sat vacant until 2001 when The Indianapolis Star reported that the building was being converted into condos.


110 East Washington Street
The reasons for the long vacancy were the lack of financial interest in condos and vacant office space downtown in the 1990s, combined with a complex ownership situation in which the bank owned part of the land and several heirs to an earlier property owner owned the rest. It took lengthy negotiation to get the land ownership resolved.


110 East Washington Street
Construction of condos in the vacant space started in 2001, and the first owners occupied the newly renovated building in 2002. At present the building is fully occupied with a mix of mostly owners with some renters. Adobo Grill, an upscale Mexican restaurant and tequila bar occupies the first and second floors.


110 Grant Apartments
110 Grant Apartments is a 303-ft (101 m) tall skyscraper in Minneapolis, Minnesota. It was constructed from 1983–1985 and has 34 floors. It is the 28th tallest building in Minneapolis.


110 Herculis
110 Herculis (abbreviated to 110 Her) is a star in the northern constellation of Hercules. Its apparent magnitude is 4.19, and it can be faintly seen with the naked eye, according to the Bortle scale. Based on parallax estimates made by the Hipparcos spacecraft, the star is located fairly close, about 62.7 light-years (19.21 parsecs) away.


110 Herculis
110 Herculis has a spectrum matching that of an F-type main-sequence star. It is about 1.4 to 1.7 times more massive than the Sun, and about two times wider than the Sun. Its effective temperature is about 6400 K. An infrared excess has been detected, indicating the presence of a circumstellar disk.


110 Herculis
110 Herculis is the 17th-brightest star in the constellation. It is located in the sky about halfway between Rasalague in Ophiuchus and Albireo in Cygnus, offset a trifle west. 110 Herculis, along with its apparent neighbors 111 Herculis, 112 Herculis, and 113 Herculis lie close to the eastern edge of the constellation of Hercules.


110 Karat
110 Karat is the fifth studio album by Swiss singer Luca Hänni. It is scheduled to be released on 9 October 2020 by Muve Recordings. The album marks Hänni's first album to be primarily recorded in German.


110 Karat, Singles
"Nebenbei" was released as the lead single from the album on 20 December 2019. The song peaked at number sixty-four on the Swiss Singles Chart. "Nie mehr allein" was released as the second single from the album on 6 March 2020. "Diamant" was released as the third single from the album on 22 May 2020. The song peaked at number sixty-five on the Swiss Singles Chart.


110 Livingston Street
110 Livingston Street is a Beaux Arts-style building located in Downtown Brooklyn, New York City, New York, United States.


110 Livingston Street, History
The building was designed by the architectural firm McKim, Mead & White, and was built in 1926 to serve as the headquarters for the Elks organization, including amenities such as a pool, banquet hall, and bowling alleys. The building has a limestone and terra cotta facade, with Renaissance-revival style features including balustrades, egg-and-dart ornamentation, and Corinthian columns.


110 Livingston Street, History
In 1940, the building was converted to serve as the New York City Board of Education headquarters. Over decades of use by the Board of Education, the building became known for the entrenched bureaucracy and dysfunction of its occupants, and Michael Cooper of The New York Times stated that the building's name eventually came to symbolize the failings of the New York City school system, as "more than a location or a shorthand name for the institution it housed, the city's Board of Education. It symbolized a state of mind, a failed system that was at once imperious and impervious."


110 Livingston Street, History
In 2003, the City of New York sold the building to Two Trees Management, a primary developer of the DUMBO neighborhood, for development as luxury residential apartments, as part of development efforts taking place throughout Downtown Brooklyn. Several floors were added to the structure, and the courtyard was decorated with a trompe-l'œil mural of architectural features by muralist Richard Haas. The interior lobby space, including a coffered ceiling, has been restored by the architecture firm Beyer Blinder Belle, and a historic theater space on the ground floor is intended to be used by ISSUE Project Room, a local arts organization.


110 Lydia
Lydia (minor planet designation: 110 Lydia) is a large belt asteroid with an M-type spectrum, and thus may be metallic in composition, consisting primarily of nickel-iron. It was discovered by French astronomer Alphonse Borrelly on 19 April 1870 and was named for Lydia, the Asia Minor country populated by Phrygians. The Lydia family of asteroids is named after it.


110 Lydia
Observations made during 1958–1959 at the McDonald Observatory and in 1969 at the Kitt Peak National Observatory found an uneven light curve with a period of 10.9267 hours. In the late 1990s, a network of astronomers worldwide used light curves to derive spin states and shape models of 10 new asteroids, including (110) Lydia. They obtained a period of 10.92580 hours, with the brightness varying by no more than 0.2 in magnitude.


110 Lydia
In the Tholen classification system, it is categorized as an M-type asteroid, while the Bus asteroid taxonomy system lists it as an Xk asteroid. Absorption features in the near infrared are attributed to low-iron, low-calcium orthopyroxene minerals. Water content on the surface is estimated at 0.14–0.27 by mass fraction (wt%). Measurements of the thermal inertia of 110 Lydia give a value between 70 and 200 J·m−2·K−1·s−1/2, compared to 50 for lunar regolith and 400 for coarse sand in an atmosphere. It is a likely interloper in the Padua family of minor planets that share similar dynamic properties.


110 N. Main Street
110 N. Main Street is an office tower located in downtown Dayton, Ohio, United States. The building is 328 ft (100 m) tall and has 20 floors.


110 N. Main Street
Opening in 1989 as Citizens Federal Centre, the building was later named Fifth Third Center before Fifth Third Bank moved to the One Dayton Centre in 2009. In 2011, Premier Health Partners acquired the building for $6.19 million. It is currently their headquarters.


110 North Wacker
110 North Wacker, also known as the Bank of America Tower, is a 57-floor skyscraper currently under construction in Chicago located at 110 North Wacker Drive. It was developed by the Howard Hughes Corporation and Riverside Investment & Development. It was designed by Goettsch Partners with construction by Clark Construction. A topping-out ceremony was held in September 2019 and the building is expected to open in the fall of 2020.


110 North Wacker
With a height of 816.83 feet (248.97 m) and containing 57 stories, it is the tallest all-commercial building in Chicago since Two Prudential Plaza in 1990. Bank of America has committed to leasing 500,000 square feet (46,000 m2) of office space in the building. Perkins Coie has also signed a lease to the building.


110 North Wacker, Construction
The address was previously the site of the GGP building, which was constructed in 1958 and served as the headquarters of Morton Salt until 1990, after which it was the headquarters of General Growth Properties (GGP) starting in 1997. The Howard Hughes Corporation and Riverside Investment & Development purchased the site in 2014, and plans for a new building were announced in early 2017, being approved by the Chicago Plan Commission in March and again in revised form in December.


110 North Wacker, Construction
In 2017 GGP agreed to leave the premises starting in early 2018. In August 2017 the Illinois Historic Preservation Agency found that the GGP building was eligible for the National Register of Historic Places, which resulted in the United States Army Corps of Engineers giving public notice that demolition of the building would constitute an "adverse effect" on the surroundings. This required a period for public comments and could have jeopardized the future of the development. It was ultimately decided that some of the facade of the GGP building would be incorporated into the base of the new building, and the GGP building was demolished beginning in January 2018.


110 North Wacker, Construction
Barges were used extensively in the construction of the new building, much of which also took place on the lower levels of the multi-level Wacker Drive. An ordinance requiring open air for a riverwalk would have rendered the project uneconomical if interpreted literally, so the building was allowed to overhang the riverwalk by 55 feet (17 m).


110 Plaza
110 Plaza, also known as the Commonwealth Building or the 110 Tower Building, is a 266 feet (81 m) modernist office building in downtown San Diego, Civic / Core Neighborhood. The address of the building is 110 West A Street, San Diego, CA 92101 and is bordered by Front Street, A Street, 1st Avenue, and Ash Street.


110 Plaza
When the building opened in 1971, it was the first all-glass high rise in San Diego. The 18-story building has a bronze plate-glass exterior and can be identified by the Commonwealth Financial Network sign located on the top of the north and west-facing sides.


110 Plaza
The building is currently owned by Forester Properties, Inc. It was acquired for $80 million, or about $245 per square foot, in September 2011. Cushman & Wakefield handle the leasing for the property.


110 Plaza, History
110 Plaza opened on September 14, 1971. Construction was completed in less than a year at a cost of $14 million. Built originally by the Bank of California, the building gained fame as a landmark consisting of 142,000 square feet of bronze plate glass. News articles of the day suggested the all-glass building might be an inviting target for “social dissidents”, but the concern was unfounded. One of the outstanding features of the building, and still remarkable today, is the 32 tons of granite in the building header. Quarried in Quebec, Canada, the granite was shipped to Querceto, Italy where it was cut and polished. A longshoreman’s strike stranded the granite in Central America, and it had to be flown to Los Angeles and trucked to San Diego in order to complete the building.


110 Plaza, History
The building was topped by an “executive dining room”, featuring cuisine by the former executive chef of the Westgate Hotel. The average number of lunch patrons, consisting of bank executives and their guests, was 18. Menu selections included such delicacies as “Green Turtle Soup Au Sherry” ($1.00) and  “Frog Legs Sauté Provençale” ($3.25).


110 Plaza, History
The building introduced the world's first fully automatic banking machine. Located outside the building entrance, this predecessor of today's ATM performed innovative functions such as cash deposits and withdrawals, bank payments and transfers between accounts. Customer accessed the machine using their Master Charge card and a personal code.


110 Propositions for France
110 Propositions for France (French: 110 Propositions pour la France) was the Socialist Party's program for the 1981 presidential election during which the Socialist Party's candidate, François Mitterrand, was elected by 51.76% of the people. This program influenced significantly the policies enacted during Mitterrand's two terms (1981–88 and 1988–95).


110 Propositions for France, Propositions, Employment: Social Growth by Control of Economics
The social and economic program was dominated by Keynesian measures.


110 Squadron (Israel)
The 110 Squadron of the Israeli Air Force, also known as the Knights of The North Squadron, was an F-16C fighter squadron based at Ramat David Airbase. The squadron was deactivated in 2017.


110 Squadron SAAF
110 Squadron is a territorial reserve squadron of the South African Air Force. The squadron operations include VIP transport, coastal reconnaissance flights, command and control in crime prevention operations in conjunction with the South African Police and South African Army. The squadron is based at AFB Ysterplaat.


110 Sul station
110 Sul is a Brasília Metro station on Orange and Green lines. It was opened on 16 September 2020 and added to the already operating section of the line, from Central to Terminal Samambaia and Terminal Ceilândia. It is located between 108 Sul and 112 Sul.


110 Tower
110 Tower, formerly known as AutoNation Tower, is a 410.1 feet (125.0 m) modernist office building in downtown Fort Lauderdale, Florida. The building was one of the first modern high-rise office buildings constructed in the city, and became part of the city's sprawling skyline. The building has a baltic-brown granite clad and glass exterior, it currently stands as the third tallest building in Ft. Lauderdale's skyline, and also the tallest office building.


110 Tower
110 Tower is located adjacent to the Broward County Courthouse and the Broward county jail in Fort Lauderdale's Justice District along 6th Street. It is across the street from the new 27 story Broward County Courthouse Building that will begin construction in October 2011.


110 Tower
In October 2005, Hurricane Wilma struck South Florida and damaged the building's facade, including several windows. The most notable damage was the removal of the blue neon lighting that lined the top of the building which was blown off by high winds. The lighting was replaced in 2010 with LED lights that allow the building lines to be highlighted with multiple colors. In September 2010, the building's master tenant, AutoNation, moved out of the building when its lease expired, leaving the building half empty.


110 Tower
With the building half empty the owners, Genesis Capital Partners XI, Ltd., took the opportunity to substantially renovate the building. In October 2010, 110 Tower began undergoing the substantial $31 million renovation of the building's heating, ventilation, and air conditioning systems as well as the renovation of the common areas and exterior. Most floors were gutted to the slab, enabling the owners to replace obsolete electrical systems, HVAC, and water systems with modern, sustainable technologies.


110 Tower
These improvements enabled the building to earn the Energy Star Rating in September 2011, as well as being awarded the LEED EB Gold designation by the U.S. Green Building Council that year. Also in 2011, 110 Tower was named LEED E.B. Gold Building of the Year by the South Florida chapter of the U.S.G.B.C., and the city of Fort Lauderdale recognized 110 Tower's sustainable efforts by naming Thursday, September 7, 2011, as 110 Tower Day. The future of the South Side of Downtown Fort Lauderdale is improved substantially with renovation of 110 Tower, the construction of the new Broward County Courthouse, and the planned addition of surface rail along 6th Street that will serving the downtown and waterfront areas of Fort Lauderdale.


110 Virginis
110 Virginis is a star in the zodiac constellation Virgo, located 195 light-years away from the Sun. It is visible to the naked eye as an orange-hued star with an apparent visual magnitude of 4.40. The star is moving closer to the Earth with a heliocentric radial velocity of −16 km/s.


110 Virginis
The stellar classification of 110 Virginis is K0.5 IIIb Fe–0.5, indicating that this is an evolved giant star with a mild underabundance of iron in its spectrum. At the age of 4.5 billion years old, it belongs to a sub-category of giants called the red clump, which means it is on the horizontal branch and is generating energy through the helium fusion at its core. Compared to the Sun, it has 167% of the mass but has expanded to 11 times the size. The enlarged photosphere has an effective temperature of 4,664 K and is radiating 76 times the Sun's luminosity.


110 West 7th Building
The 110 West 7th Building is a commercial high-rise building in Tulsa, Oklahoma. The building rises 388 feet (118 m), making it the 7th-tallest building in the city, and the 12th-tallest building in the U.S. state of Oklahoma. It currently stands as the 3rd-tallest International Style skyscraper in the city, behind the BOK Tower and the Bank of America Center. The building, with its black and white grid exterior floodlighted at night, is a Tulsa landmark.


110 West 7th Building, History
The building was completed in 1971. It was originally constructed to serve as the world headquarters of Cities Service Oil and Gas Corp., when it moved its headquarters from the famous Cities Service Building in New York City. At one point, the building had 2,300 employees, with transferees from New York, Bartlesville, and Philadelphia. During that time, the company was Tulsa's largest private employer.


110 West 7th Building, History
In 1980, Cities Service commenced a new 52-story headquarters in downtown Tulsa that was intended to become Oklahoma's tallest building. However, as Cities Service and the Citgo brand underwent a series of corporate transformations—first being sold to Occidental Petroleum Corporation, then to Southland Corporation, and ultimately to Petróleos de Venezuela—the company's needs changed. Cities Service eventually moved its headquarters out of downtown Tulsa, first to a tower in south Tulsa, then ultimately leaving Tulsa and moving the headquarters to Houston in 2004. The planned replacement tower was topped off at 17 stories and now serves as headquarters for ONEOK, Inc. Over time, Occidental also reduced its occupancy at 110 West 7th, leaving it underutilized. Subsequent ownership performed upgrades and the building now serves as a general-purpose office tower.


110 West 7th Building, Architecture
The building was constructed in the International Style that matured after World War II. The style is characterized by a square or rectangular footprint, a cubic "extruded rectangle" form, windows running in broken horizontal rows to form a grid, and façade angles set at 90 degrees. The building rises 388 feet (118 m) and comprises 28 floors. It is served by 11 elevators.


110 West 7th Building, Notable tenants
Occidental Petroleum Corporation (Oxy), a California-based oil and gas exploration and production company, has Oklahoma offices in the building. The company is the largest oil producer in Texas and the largest natural gas producer in California.


110 and 112 Harley Street
110 and 112 Harley Street are grade II listed terraced town houses in Harley Street, in the City of Westminster, London. The houses were of the "first rate" class, built around 1777 as part of the Portland Estate (now the Howard de Walden Estate), probably by John White and the plasterer Thomas Collins who were associated with Sir William Chambers.


110 block
A 110 block is a type of punch-down block used to terminate runs of on-premises wiring in a structured cabling system. The designation 110 is also used to describe a type of insulation displacement contact (IDC) connector used to terminate twisted pair cables, which uses a punch-down tool similar to the type used for the older 66 block.


110 block, Usage, Telephone distribution
Early residential telephone systems used simple screw terminals to join cables to sockets in a tree topology. These screw-terminal blocks have been slowly replaced by 110 blocks and connectors. Modern homes usually have phone service entering the house to a single 110 block, whence it is distributed by on-premises wiring to outlet boxes throughout the home in star topology. At the outlet box, cables are attached to ports with insulation-displacement contacts (IDCs), and those ports fit into special faceplates.


110 block, Usage, Telephone distribution
In commercial settings, this style of home run or star topology wiring was already in use on 66 blocks in telecom closets and switchrooms. The 110 block has been slowly replacing the 66 block, especially for data communications usage.


110 block, Usage, Computer networks
The 110 style insulation-displacement connection is often used at both ends of Networking cables such as Category 5, Category 5e, Category 6, and Category 6e cables which run through buildings, as shown in the image. In switch rooms, 110 blocks are often built into the backs of patch panels to terminate cable runs. At the other end, 110 connections may be used with keystone modules that are attached to wall plates. 110 blocks are preferred over 66 blocks in high-speed networks because they introduce less crosstalk and many are certified for use in Category 5, Category 6 and Category 6a wiring systems.


110 block, Usage, Computer networks
Individual Category 5e and better-rated 8P8C jacks (keystone and patch panel) with IDC connectors commonly use the same punchdown 'teeth' dimensions and tools as a full size 110 block.


110 block, Advantages
110 style blocks allow a much higher density of terminations in a given space than older style termination blocks (66 style or wire wrap) because of their stacking capability. Some 110 blocks meet specifications for higher bandwidth data protocols such as Category 5 and higher.


110 block, Problems
During regular usage, small pieces of insulation can become stuck inside the 110 block contacts; this renders that given pair unreliable or unusable, until the pieces are removed. A tool known as a spudger can be used to remove excess insulation pieces. The wire hook which comes with many punch down tools can also be used to remove wire pieces.


110 block, Problems
A new wire inserted over an existing insulation remnant may be unreliable, as the 110 IDC was designed to hold only a single wire per contact.


110 block, Problems
For testing it is more difficult to reliably connect to a working circuit on a 110 block than on older style blocks. The circuit must be broken, or insulation displacing contacts may be used on jumper wires. Repeated use of insulation displacing contacts may lead to a difficult-to-locate broken or intermittently-failing jumper wire.


110 film
110 is a cartridge-based film format used in still photography. It was introduced by Kodak in 1972. 110 is essentially a miniaturized version of Kodak's earlier 126 film format. Each frame is 13 mm × 17 mm (0.51 in × 0.67 in), with one registration hole. Cartridges with 12, 20, or 24 frames are available on-line. Production variations sometimes have allowed for an additional image.


110 film
The film is fully housed in a plastic cartridge, which also registers the image when the film is advanced. There is a continuous backing paper, and the frame number is visible through a window at the rear of the cartridge. The film does not need to be rewound and is very simple to load and unload. The film is usually pre-exposed with frame lines and numbers, a feature intended to make it easier and more efficient for photofinishers to print.


110 film
Unlike later competing formats, such as disc and APS film, processed 110 negatives are returned in strips, without the original cartridge.


110 film, History
The 110 cartridge was introduced by Kodak in 1972 with Kodak Pocket Instamatic cameras with Kodachrome-X, Ektachrome-X, Kodacolor II, and Verichrome Pan film. The new pocket-sized cameras became immediately popular, and soon displaced competing subminiature cameras, such as the Minolta 16 series, from the market. The 110 film width is 16 mm. A four frame strip measures 111 mm.


110 film, History
The 16 mm film width allowed Kodachrome film in 110 size to be processed on the existing processing machines that processed movie films in the Standard 8 mm film and 16 mm film sizes.


110 film, History
Fujifilm stopped manufacturing 110 format film in September 2009. Lomography re-commenced 110 film production in 2011. As of mid-2021, they offer 110 Black and White, Color Negative, and Color Slide (Peacock) films, among others.


110 film, History
Estes Industries has long marketed several model rockets, the most notable being the Astrocam, with a simple 110 camera in the nose; the shutter is triggered when the nose cone separates from the rocket body.


110 film, History
Tyco (in their Spy Tech line of toys) made two toy spy cameras in the early 1990s  that utilized 110 film, called the Hidden Camera and Reese's Camera. The Reese's Camera natively looked like a Reese's candy box, while the Hidden Camera came with a removable cardboard cover sleeve with small cutouts for the trigger button and front lens that made it resemble a Good & Plenty candy box. The Hidden Camera had a periscope-like attachment that used a mirror for taking pictures around corners or behind objects. The Hidden Camera's shape and size is similar to that of the Minox B.