11 Short Stories of Pain & Glory, Background
"4-15-13" pays homage to the victims of the Boston Marathon Bombing, most of whom the band grew to know personally after visits to their hospital rooms in the aftermath. "Since that day, we felt like not taking the challenge to write a song about what we all went through would be taking the coward's way out. We put more importance on writing that piece of music than anything we've ever done, because if you're going to touch that day, it has to be done right. We went through so many emotions with that whole experience, as did everyone in Boston. It changed the city forever," Casey said. Tim Brennan said of the album "we've stayed true to what the band is and has always been. And we're still expanding on our sound and lyrical content."


11 Short Stories of Pain & Glory, Background
In a December 2, 2016 video, Ken Casey discussed the reasons behind the band covering "You'll Never Walk Alone". "As you may know, opiate overdoses are an epidemic in America now particularly in (the Boston) area. I've been to thirty wakes in two years, three this week, one being my cousin, Al's lost a brother in law. It's hit home close to us. I was leaving one of the wakes and this song came on and as I was listening to the lyrics it summed up exactly how I was feeling. Sad, but knowing there is hope. You never have to be alone. I hope you like our version" Casey said.


11 Short Stories of Pain & Glory, Background
The album is also the first since 2003's Blackout to not feature bagpipe player Scruffy Wallace who left the band in 2015. While not an official member, Lee Forshner plays bagpipes on the album and also serves as the band's touring bagpipe player.


11 Somerset
11 Somerset is a Canadian children's television series that airs in French on Télé-Québec and in English on A-Channel.


11 Somerset
It focuses on Laurie Lamera (Jessica Malka) and Oliver Marsan (Jamieson Boulanger), two teenagers who investigate paranormal phenomena. It also stars Kathleen Mackey as Laurie's sidekick Lucy Mercer.


11 Somerset
The show has been adapted into a point-and-click computer adventure game (linked to from www.gamershood.com) containing 13 adventures where players must find and use tools, clues, and technology to solve increasingly difficult puzzles.


11 Somerset, Episode List
Note: Episode synopsizes translated from French source using google translate.


11 Somerset, Episode List
"One night, in the bedroom mirror, Laurence emerging ghost of his father. She then tries to contact a specialist in paranormal phenomena but rather is the knowledge of the latter's son, Olivier.


11 Somerset, Episode List
"Paul Lamera worked before his death, on a revolutionary technology prototype that arouses desires. Helen and John Lamera Marsan help police investigate the circumstances of the violent death of Paul.


11 Somerset, Episode List
"Olivier is on holiday in the country with his uncle. He sees Luke, his childhood friend and meets a lonely man who predicted terrible disasters. That night, Luke's mother dies, burned in a lightning flash. When other incomprehensible disaster erupt, terror seizes all the villagers like wildfire.


11 Somerset, Episode List
"One morning at school, Laurence discovers her friend Lucy, lying on the ground suffering from uncontrolled agitations. The students and some teachers suspect Mark Antony, young albino boy, to be possessed by the devil. Those who have been in contact with him were taken shortly after convulsions and lost consciousness. Overcoming fears, Laurence defends Mark Antony.


11 Somerset, Episode List
"Since Anthony has accepted a new job as a night watchman at the university, it is not the same. Under questioning by Olivier, he finally confesses that dark apparitions haunt the corridors. He learned soon after his predecessor attended the same phenomena and that he left his post before losing reason.


11 Somerset, Episode List
"Laurence, Lucie and Thanh want to get together with girls and decided to camp in the forest. But the weekend starts badly: an object fell from the sky, crashed near their tent in a deafening roar. They are determined to enjoy their getaway all costs and rise the camp.


11 Somerset, Episode List
"Laurence accompanies Helen Abitibi where Martine Lacombe, esoteric painter, made his paintings, drawing sets copper mines abandoned. Helen and Laurence leave with Martine visit the mines. Or an earthquake occurs, causing landslides. Here captive in an underground room where bubbling lake with orange highlights.


11 Somerset, Episode List
"Laurence Olivier and Lucie spend the weekend in a camp of observation to monitor the passage of a satellite built by the father of Laurence. Looking towards the stars, Laurence quickly falls to earth when worrying spectra arise near them. An invisible attack livestock and game and some animals, head or legs least roam the forest.


11 Somerset, Episode List
"An inexplicable failure of the computer system suddenly paralyzes the Museum of Civilization and locks Olivier and visitors in a showroom. Voices from the grave resound between the walls and the Companions of Oliver felt a growing anxiety ...


11 Somerset, Episode List
"Laurence Héliatech back to the laboratory of his father, meet Dr. Vidal, a former colleague of Paul Lamera. The enigmatic philosopher researcher immortality and discreetly puts an unknown object to Laurence. Georges Vidal died overnight. But a few hours later in the morgue, his body revives and ran down the track of his old acquaintances.


11 Somerset, Episode List
"A village girl drowned in mysterious circumstances. A few hours later, Olivier, who trains in the same lake, suffered a leg burn. The next day, the burn Olivier spread and triggers high fever. We discover the same day on the beach, dozens of stranded fish. Some voices to incriminate the legendary lake monster.


11 Somerset, Episode List
"A young boy hit by a car, is collected at the Manoir du Val. Upon waking, the child has no memory of his identity. However, it seems to remember certain events that took place in these enclosed spaces, long before his birth.


11 Somerset, Episode List
"An ancient statue unearthed at an archeological dig site in the boreal forest. John, called to the scene to authenticate the artifact comes with Olivier. The nature around them suddenly breaks loose: glowing sky, cut communications, electrical appliances down.


11 Squadron (Belgium)
11 Squadron is a training squadron of the Belgian Air Component, deployed at Cazaux Air Base in France, in the scope of the Advanced Jet Training School (AJeTS).


11 Squadron (Belgium), History, First World War, Origins
The 11ème Escadrille de Chasse was created March 1, 1918, at Les Moëres aerodrome near Veurne. As the third dedicated fighter squadron of the Aviation Militaire Belge, next to 9ème Escadrille and 10ème Escadrille, it was part of Belgium's first fighter wing, the Groupe de Chasse. The new unit used an insignia that was adopted from Willy Coppens's personal insignia with his consent. The Cocotte is a two dimensional representation of an origami Chicken, and was painted in white on the airplanes. The squadron was equipped with castoff Sopwith Camels from 1ère Escadrille de Chasse as well as a few Hanriot-Dupont 1s, and under command of Commander Paul Hiernaux.


11 Squadron (Belgium), History, First World War, Operations
11ème Escadrille de Chasse became operational as a fighter squadron, capable of being included in combined Allied operations, on May 28, 1918. The new escadrille scored its first victory on September 27, 1918. In its short operational career, the squadron claimed twelve wins and was credited with seven verified aerial victories. In turn, it suffered two pilots KIA and one pilot WIA. Its success coincided with the September 1918 Belgian Army advance. To support this advance, 11ème Escadrille moved to Moerkerke near the Dutch border on October 30, 1918


11 Squadron (Belgium), History, Between the wars
After the armistice, 11 Squadron participated in the occupation of Germany. It operated from Bochum until July 5, 1919, when it was recalled to Sint-Agatha-Berchem, in the outskirts of Brussels, where it is disbanded in August 1919. In March 1920, 11 Squadron was recreated at Sint-Agatha-Berchem, with the same squadron number, insignia and aircraft, augmented by Fokker D-VII aircraft, yielded by the Germans as compensation for damages during World War I. Lieutenant Albert Massaux took command of the squadron. In the following months, the squadron moved up and down to Wilrijk, before returning to Bochum on July 9, 1920. During their stay there, 11 Squadron transformed to Airco DH.4. On January 5, 1922, 11 Squadron moved to Bierset for the first time, only to move to Schaffen at the start of 1923. It was disbanded a second time on February 19, 1923.


11 Squadron (Belgium), History, Between the wars
In 1935, the squadrons at Bierset were re-organised into 9 and 11 Squadrons of the 5th Group of the 1st Aeronautical Regiment. Initially still equipped with Bréguet XIX, they soon received the Belgian Renard R 31 monoplane. Their mission changed from bombardment to observation. As from 1938, the “Sioux” symbol appeared on the aircraft. On 11 Squadron aircraft the "Sioux" was surrounded by a red circle. The squadron motto was "Tenacity".


11 Squadron (Belgium), History, Second World War
Just before the outbreak of World War II, 11 Squadron was assigned to 6th Group under command of Commander Dumonceau, while 9 Squadron remained in the 5th Group. To improve mobility and the possibility of deployed operations, each group comprised a maintenance squadron, a field train of about 25 vehicles, and an anti-aircraft unit of 40mm Bofors guns.


11 Squadron (Belgium), History, Second World War
Commanded by Captain Henri de la Lindi, 11 Squadron took an active part in the 18 days campaign. On the morning of the May 10, 11 Squadron rejoined its diversion airfield at Hannut, few hours before Bierset was bombarded by Dornier 17's of the Luftwaffe. 11 Squadron was one of three squadrons that continued to fight until the surrender on May 28, 1940. Both "Sioux" squadrons (9 and 11) combined executed 54 combat missions, for a loss of three pilots and 11 aircraft.


11 Squadron (Belgium), History, Cold War
After World War II, 11 Squadron was resurrected as a night fighter squadron of 1st Fighter Wing at Beauvechain Air Base on April 25, 1951. It was equipped with de Havilland Mosquito NFXXXs, and the squadron insignia was a grey bat on a yellow triangle. As from the summer of 1952, it entered the jet age by slowly transforming to Gloster Meteor NFXI. The squadron only gained operational status on that type on September 10, 1956. On December 17, 1957, 11 Squadron received as first non-Canadian squadron, its initial batch of CF-100 Canuck. It was disbanded again at Beauvechain on November 3, 1960.


11 Squadron (Belgium), Training squadron, Sint Truiden
In 1971, a thorough revision of the Air Force training system called for the creation of new training squadrons. Re -created on May 14, 11 Squadron became part of the “Perfectioning Center” at Brustem (Sint Truiden), together with 7 and 9 Squadrons. Its initial mission was to provide Instrument Flight Training to the student pilots on Lockheed T-33. This aircraft was to be retired from service on August 23, 1979.


11 Squadron (Belgium), Training squadron, Sint Truiden
The first delivery of its successor, the Dassault Alpha-Jet took place on December 7, 1978, and as of 1979 the students started training on this aircraft. The mission of 11 Squadron was now to provide Initial Operational Training (IOT), combining simulated air-to-air combat and air-to-ground tactics. 11 Squadron continued to be based at Brustem until the move to Beauvechain.


11 Squadron (Belgium), Training squadron, Beauvechain
On November 19, 1996, all training units were moved to Beauvechain, a former air defense base, to become 1st Wing. A few years later, in 2000, the Alpha-Jet received an extensive avionics update. The Inertial Reference System updated by GPS, combined with a Head-up display provided the possibility to simulate tactics used on the F-16.


11 Squadron (Belgium), Training squadron, Beauvechain
On August 30, 2001, a further re-organisation of the training squadrons lead to an expansion of 11 Squadron's mission. It took over the Advanced Flying Training (AFT) from 7 Squadron. During the AFT, students having finished on the SF260 took their first steps on a jet aircraft, and graduated as pilots after succeeding. Afterwards, they stayed in 11 Squadron to complete the IOT.


11 Squadron (Belgium), Training squadron, Cazaux
In the scope of a European training programme, the Advanced Jet Training School (AJeTS), 11 Squadron moved to Base Aérienne 120 at Cazaux in France on September 14, 2005. Transfer of the aircraft had begun as from 2004. The Belgian, updated, Alpha-Jets are operated alongside the French, non-updated, aircraft to provide the first taste of operational flying to Belgian and French students alike. Students and instructors fly out of a unit, combining the insignia and traditions of the Belgian 11 Squadron and the French SPA73 and SPA78 to form the Escadron de Chasse 2/8 "Nice". After the move of the complete fleet, the AFT mission was fulfilled, also in the scope of AJeTS, by the Ecole de l'Aviation de Chasse at Base Aèrienne 705 at Tours.


11 Squadron SAAF
11 Squadron  was a World War II squadron of the South African Air Force. It was created in South Africa in 1939 and served in East Africa until 1941 as an army cooperation and reconnaissance squadron. It was re-formed in 1944 as a fighter bomber squadron and served in Italy until 1945 when it returned to Egypt and was disbanded on conclusion of the war on 30 October 1945. It was re-activated in 1974, flying Cessna 185s as an army liaison squadron until 1991 when it disbanded for the final time.


11 Squadron SAAF, History
11 Squadron served in two periods during World War II, in East Africa and again later in Egypt and Italy. It was formed on 11 December 1939 at Waterkloof Flying Station equipped with 24 Hawker Hartbees in an army co-operation role, moving to Kenya in May 1940. The squadron received its first Fairey Battle in June 1940 and by 19 August all of the Hartbees aircraft had been replaced by Fairey Battles deployed from Archers Post in Kenya. It served in a reconnaissance and army cooperation role in Italian Somaliland and Ethiopia until June 1941 when its aircraft were transferred to 15 Squadron and 11 Squadron was disbanded.


11 Squadron SAAF, History
The squadron was re-formed on 29 June 1944 at Almaza in Egypt flying Mk. VB and Mk.VC Spitfires in the role of fighter squadron. It was moved to Edku in July 1944 and to Perugia in Italy in September 1944 – where it exchanged the Spitfires for Curtiss Kittyhawk Mk. IVs as part of the Desert Air Force. In Italy, the squadron was part of No.8 (S.A.A.F.) Wing responsible for ground-attack and fighter-bomber sweeps in support of the armies in Italy until the end of the war.


11 Squadron SAAF, History
In August 1945 the squadron received Spitfire Mk.IXs and was transferred back to Egypt, where it remained until being disbanded on 30 October 1945.


11 Squadron SAAF, History
It was resurrected in January 1974 as a liaison and army cooperation squadron equipped with Cessna 185s and based at Potchefstroom Air Base. It was finally disbanded in 1991.


11 Stanwix Street
11 Stanwix Street, formerly known as Westinghouse Tower, is one of the major distinctive and recognizable features of Downtown Pittsburgh, Pennsylvania, USA. The tower was originally built and named for the Westinghouse Corporation; in 1999 that company went through a restructuring and moved its headquarters to its longtime research park in the suburb of Monroeville, before expansions in their operations necessitated a move to a larger suburban complex in Cranberry Township. As of June 2009, the building tenants are IBM, the Allegheny Conference on Community Development, the advertising firm Brunner, and the local headquarters of KeyCorp.


11 Stanwix Street
11 Stanwix Street was completed on November 24, 1969, and has 23 floors. It rises 355 feet (108 meters) above Downtown Pittsburgh and is located along the Monongahela River. A ten-story building that once served as the city's main post was previously located on this site.


11 Tracks of Whack
11 Tracks of Whack is the first solo album by Steely Dan Co-founder Walter Becker, released in 1994. It was his third collaboration since 1980 with Steely Dan partner Donald Fagen, who produced the album, after Becker produced Fagen's Kamakiriad (1993), and Becker and Fagen played on Rosie Vela's debut album Zazu (1986).


11 Tracks of Whack, Track listing
All songs written and composed by Walter Becker except "Cringemaker" which was co-written by Dean Parks. Horn and rhythm arrangements were written by Donald Fagen.


11 Transistor
11 Transistor is the debut album by the band Lazlo Bane, which was released on the Almo Sounds label in early 1997.


11 Transistor, Overview
According to Lazlo Bane's frontman Chad Fischer most of the record was done on 16 tracks with very few effects with all the songwriting done on an acoustic guitar into a little dictaphone. He also said that the idea was to work with as little as possible and make it sound the best it could, just like old transistor radios.


11 Transistor, Overview
The album was recorded through 1995 and 1996 with the input from various musicians to the songwriting and recording. They include Chad Fischer's fellow School of Fish band members Josh Clayton-Felt and Josh Freese, Wire Train's Kevin Hunter and Anders Rundblad, Lyle Workman of the Bourgeois Tagg and the most notable being Colin Hay who provides guitar and vocals for Lazlo Bane's version of Men at Work's "Overkill".


11 Transistor, Overview
11 Transistor features all the songs from the band's previous release, Short Style EP.


11 Transistor, Release and promotion
Lazlo Bane was initially signed to an indie label Fish of Death Records and released the song "Buttercup" as a single on vinyl backed with "Overkill".


11 Transistor, Release and promotion
After signing with Almo Sounds "Buttercup" was included on various promo compilations, including 1996 album titled Swagalicious, which was compiled of the tracks from artists signed to Almo Sounds, Geffen Records, DreamWorks Records and Outpost Recordings. "Overkill" was shifted to the A-side and released as single in some territories in 1997 and 1998, while "I'll Do Everything" was released as promo single in 1997.


11 Transistor, Release and promotion
Music video for "Overkill" featuring Colin Hay was also released.


11 Transistor, Release and promotion
The band went on tour in support of the album later in 1997.


11 Transistor, Release and promotion
Originally released on CD and cassette the album was unavailable digitally until 2020 when it was made available on streaming services and in digital download format. In support of the digital reissue Chad Fischer released a video of the new solo version of the album's opening track "I'll Do Everything".


11 Transistor, Reception
The album received positive reviews upon release with critics praising the songs "I'll Do Everything" and "Overkill" the most.


11 Transistor, Reception
Before the release of the album "I'll Do Everything" was named the Song of the Month by Los Angeles' radio KROQ-FM.


11 Transistor, Reception
In the review for the Miami New Times, Steven Almond described the album having "great hooks, slinky beats, quirky lyrics" noting, that "the band's playful spirit is best captured on the exuberant opener "I'll Do Everything"". He also called the ballads "dependably entrancing, built around Fischer's mournful melodies and spiced with just enough rhythmic muscle to keep the proceedings from turning maudlin".


11 Transistor, Reception
Sandra Schulman of the Sun-Sentinel described the album as having "crafting hooky, melodic, slightly quirky pop songs" and also said that "many of these tracks have a rough edge".


11 Transistor, Reception
Daily Herald's Adam Webb Teen called the album a "stunning debut" and said that Chad Fischer "combines crafty, peppy pop riffs with his mellowing rough-around-the-edges voice. It's a voice that fits perfectly with each song".


11 Transistor, Reception
In the review for the Lollipop Magazine Sheril Stanford said that "11 Transistor is 99 and 44/100ths percent pure good times" and called a cover of Men at Work's "Overkill" "a truly outstanding track".


11 Transistor, Reception
On-line magazine babysue rated the album 4 out of 6 stars and described the music as "lush and full of great vocal harmonies" with the songs being "truly catchy tunes" noting "standaout tracks: "Flea Market Girl," "Buttercup," "Sleep," and "Overkill".


11 Transistor, Reception
A review at ocolly.com described the album as "The quasi-Beatles sound [that] comes together beautifully".


11 Transistor, Reception
DeadJournalist of the tsururadio.com called "Overkill" "One of my favorite cover songs of all-time".


11 U.S.C. § 1113 – Rejection of Collective Bargaining Agreements
11 U.S.C. , “Rejection of Collective Bargaining Agreements,” codifies under what circumstances collective bargaining agreements may be rejected in a Chapter 11 Bankruptcy. When a company seeks to reject or modify a collective bargaining agreement under Chapter 11 of the U.S. Bankruptcy Code, Bankruptcy Code §1113, entitled Rejection of Collective Bargaining Agreements, clarifies the circumstances under which such agreements may be rejected. Section 1113(b) and (c) generally require the following steps:


11 U.S.C. § 1113 – Rejection of Collective Bargaining Agreements
The balance of equities clearly favors the rejection of the collective bargaining agreement.


11 U.S.C. § 1113 – Rejection of Collective Bargaining Agreements, History
Congress enacted Section 1113 favoring voluntary solutions in response to NLRB v. Bildisco & Bildisco 465 U.S. 513 (1984) where the Supreme Court concluded that a debtor could reject a collective bargaining agreement without engaging in collective bargaining and that such unilateral alterations by a debtor would not violate the National Labor Relations Act (NLRA) 29 U.S.C. .


11 U.S.C. § 1113 – Rejection of Collective Bargaining Agreements, Explanation
However, even with §1113, rejection of a collective bargaining agreement is allowed under this specific procedure.


11 U.S.C. § 1113 – Rejection of Collective Bargaining Agreements, Explanation
Once in bankruptcy, a debtor may file a motion to reject the collective bargaining agreement any time, provided that the debtor first fulfills its obligation to make a proposal to the union regarding "necessary" modifications to the collective bargaining agreement, provides the union with relevant information necessary to evaluate the proposal, and makes a good-faith effort to meet and confer with the union regarding the proposal.


11 U.S.C. § 1113 – Rejection of Collective Bargaining Agreements, Procedure
The court must schedule a hearing within 14 days following the filing of a motion to reject the collective bargaining agreement, but this may be extended. The court is required to rule on any motion for rejection within 30 days after the commencement of a hearing unless otherwise agreed by the parties.


11 U.S.C. § 1113 – Rejection of Collective Bargaining Agreements, Procedure
Until court approval of the rejection of the collective bargaining agreement, the debtor must comply with all of its provisions. If the court does not issue a timely ruling, the debtor may terminate or alter the provisions of the agreement pending court action. 11 U.S.C. (d)(2).


11 U.S.C. § 1113 – Rejection of Collective Bargaining Agreements, Procedure
The court also may authorize the debtor to implement "interim changes in the terms, conditions, wages, benefits or work rules provided by a collective bargaining agreement" if those changes are "essential to the continuation of the debtor's business or in order to avoid irreparable damage to the estate." 11 U.S.C. §§1113(d), (e) and (f).


11 U.S.C. § 1113 – Rejection of Collective Bargaining Agreements, Procedure
The debtor's rejection of the collective bargaining agreement does not terminate the debtor's duty to bargain with the union under the NLRA. Even if a bankruptcy court permits the debtor to reject the entire collective bargaining agreement, the debtor may unilaterally implement only those changes in employment contracts contained in its §1113 proposal to modify the agreement.


11 U.S.C. § 1113 – Rejection of Collective Bargaining Agreements, Procedure
Terms and conditions unaffected by the debtor's §1113 proposal may not be changed unilaterally without exhausting the NLRA's bargaining requirements.


11 U.S.C. § 1113 – Rejection of Collective Bargaining Agreements, Law
Under the NLRA, the employer may unilaterally change working conditions after reaching a legitimate impasse in bargaining, and may then implement only those changes that were reasonably contemplated within the proposals that the union had rejected in good faith bargaining.


11 U.S.C. § 1113 – Rejection of Collective Bargaining Agreements, Law
Courts have recognized the employees' right to strike in situations where debtors have obtained court orders rejecting collective bargaining agreements under §1113, except that an arbitration agreement may be enforced via injunction where the underlying collective bargaining agreement has a mandatory grievance arbitration procedure and the strike is triggered by issues subject to this mandatory arbitration procedure.


11 U.S.C. § 1113 – Rejection of Collective Bargaining Agreements, Law
A debtor must propose only "those necessary modifications in the employees' benefits and protections that are necessary to permit the reorganization of the debtor ..." §1113(b)(1)(A).


11 U.S.C. § 1113 – Rejection of Collective Bargaining Agreements, Law
The legislative history of §1113 strongly suggests that "necessary" should not be equated with "essential" or bare minimum. See Truck Drivers Local 807 IBT v. Carey Transp. Inc. 816 F.2d 82, 88–90 (2nd Cir. 1987).


11 U.S.C. § 1113 – Rejection of Collective Bargaining Agreements, Law
Finally, where the debtor's collective bargaining agreement contains a successorship clause and a buyer may be waiting in the wings, the debtor may seek to have the collective bargaining agreement voluntarily modified or rejected before the sale of assets is consummated.


11 U.S.C. § 1113 – Rejection of Collective Bargaining Agreements, Law
The asset buyer may wish to consider insisting on relief from any such obligation, especially if the purchaser intends to continue operations as a successor under the NLRA. Even in bankruptcy, a company will remain bound by the terms of its collective bargaining agreement unless and until it obtains relief pursuant to the procedures set forth above.


11 Uhr 20
11 Uhr 20 is a German crime television miniseries in three episodes, each having a length of about 60 minutes. It was written by Herbert Reinecker, directed by Wolfgang Becker and produced by Helmut Ringelmann. The episodes were shown in colour on the ZDF channel in January 1970.


11 Uhr 20, Plot
A married couple, the Wassems, are having a vacation in Turkey. One day they find a dead man in their car. Soon after this Mrs. Wassem dies in a car crash. The widowed Thomas Wassem, suspected of murder by the police, sets out to investigate the case on his own. The quest takes him to Tunisia, to find the real culprit.


11 Ursae Minoris
11 Ursae Minoris is a single star located approximately 410 light years away in the northern circumpolar constellation of Ursa Minor. The star is visible to the naked eye as a faint, orange-hued star with an apparent visual magnitude of 5.15. It is moving closer to the Earth with a heliocentric radial velocity of −17.5 km/s.


11 Ursae Minoris
This is an aging K-type giant star with a stellar classification of K4 III. It is 1.2 billion years old with twice the mass of the Sun. As a consequence of exhausting the hydrogen at its core, the star has expanded to 28 times the Sun's radius. It is radiating 258 times the luminosity of the Sun from its swollen photosphere at an effective temperature of 4,358 K.


11 Ursae Minoris
11 Ursae Minoris is sometimes named Pherkard or Pherkad Minor, the later name to distinguish it from Pherkad (Major) which is γ Ursae minoris. It has also been designated as γ1 Ursae minoris, in which case the brighter Pherkad is called γ2 Ursae minoris, but these names are rarely used. 11 Ursae Minoris is the Flamsteed designation.


11 Ursae Minoris
11 Ursae minoris has a detected planet discovered in August 2009.


11 Ursae Minoris, Planetary system
11 Ursae minoris b was discovered during a radial velocity survey of 62 K type Red giant stars using the 2m Alfred Jensch telescope of the Thuringian State Observatory in Germany.


11 Ursae Minoris b
11 Ursae Minoris b is an extrasolar planet which orbits the K-type giant star 11 Ursae Minoris, located approximately 390 light years away in the constellation Ursa Minor. This planet has a minimum mass of 10.5 MJ. Since inclination is not known, the actual mass is unknown. This planet may actually be a brown dwarf if a true mass is over 13 times that of Jupiter. This planet takes 17 months to orbit the star at the average distance of 1.54 AU in a circular orbit. This superjovian planet was detected by radial velocity method on August 12, 2009.


11 West 54th Street
11 West 54th Street (also 9 West 54th Street and the James J. Goodwin Residence) is a commercial building in the Midtown Manhattan neighborhood of New York City. It is along 54th Street's northern sidewalk between Fifth Avenue and Sixth Avenue. The four-and-a-half-story building was designed by McKim, Mead & White in the Georgian Revival style and was constructed between 1896 and 1898 as a private residence. It is one of five consecutive townhouses erected along the same city block during the 1890s, the others being 5, 7, 13 and 15 West 54th Street.


11 West 54th Street
The building is designed as a double house, with a larger unit at 11 West 54th Street to the west, as well as a smaller unit at 9 West 54th Street to the east. The facade is made of rusticated blocks of limestone on the first story, as well as Flemish bond brick on the upper stories. Businessman James Junius Goodwin and his wife Josephine lived at the main unit at number 11 with his family and rented number 9.


11 West 54th Street
The house initially served as the second residence for James Goodwin, who lived primarily in Connecticut. James Goodwin died in 1915, and Josephine continued to live in the house until 1939, after which it was used briefly by the Inter-America House and the Museum of Modern Art The house was sold to Parsonage Point Realty Company in 1944 and leased to the Rhodes Preparatory School, which bought the building in 1949. The house was then sold in 1979 to the United States Trust Company, which renovated the structure. The New York City Landmarks Preservation Commission designated the house as an official landmark in 1981, and it was added to the National Register of Historic Places in 1990 as part of the 5–15 West 54th Street Residences historic district.


11 West 54th Street, Site
11 West 54th Street is in the Midtown Manhattan neighborhood of New York City. It is along the northern sidewalk of 54th Street between Fifth Avenue and Sixth Avenue, with an alternate address of 9 West 54th Street. The land lot is rectangular and covers 5,000 square feet (460 m2), with a frontage of 50 feet (15 m) on 54th Street and a depth of 100.42 feet (30.61 m).


11 West 54th Street, Site
The building is the center of five consecutive townhouses erected along the same city block, with 5 West 54th Street and 7 West 54th Street to its east, as well as 13 and 15 West 54th Street to its west. The five townhouses are adjoined by the Rockefeller Apartments to the west, The Peninsula New York and the St. Regis New York hotels to the northeast, the University Club of New York and 689 Fifth Avenue to the east, the William H. Moore House and Saint Thomas Church to the southeast, and the Museum of Modern Art to the south.


11 West 54th Street, Site
Fifth Avenue between 42nd Street and Central Park South (59th Street) was relatively undeveloped through the late 19th century. The surrounding area was once part of the common lands of the city of New York. The Commissioners' Plan of 1811 established Manhattan's street grid with lots measuring 100 feet (30 m) deep and 25 feet (7.6 m) wide. Upscale residences were constructed around Fifth Avenue following the American Civil War.


11 West 54th Street, Site
The two-block stretch of West and East 54th Street from Madison Avenue to Sixth Avenue, bisected by Fifth Avenue, was developed with the houses of prominent figures such as William Henry Moore, John R. Platt, and John D. Rockefeller Sr. The sites of the five houses at 5–15 West 54th Street, along with the University Club, were formerly occupied by St. Luke's Hospital, which moved out during 1896.


11 West 54th Street, Design
The houses at 5–15 West 54th Street, all developed in the late 1890s for wealthy clients, were designed as a cohesive grouping, unlike other residences in the neighborhood. According to The New York Times, the houses form the sole remaining "real strip of mansions" in Midtown Manhattan. The houses at 5, 7, 9–11, and 13 and 15 West 54th Street all had different architects. The double unit at 9 and 11 West 54th Street was designed by McKim, Mead & White in the Georgian Revival style.


11 West 54th Street, Design
11 West 54th Street was partly modeled on the third Harrison Gray Otis House in Boston. The ornamental steelwork was manufactured by the Prince & Kinkel Iron Works. Russell Sturgis, writing for Architectural Record in 1900, described the house as two structures with their "facades forced into one". Sturgis considered the facade of number 9 as being "subordinate" to number 11, even though the details of both units otherwise harmonized with each other.


11 West 54th Street, Design, Facade
The building is four and a half stories tall and five bays wide. The basement and first floor are clad with rusticated blocks of limestone, while the three upper floors are clad with brick. The building was designed with number 11 as the main residence, taking up the westernmost three bays, and number 9 as a secondary residence, taking up the easternmost two bays. Nevertheless, the entire facade was designed to be largely symmetrical. Along the street facade, the house is set behind an iron railing and a depressed areaway.


11 West 54th Street, Design, Facade
From the ground level, a low stoop with four steps leads to the entrance to number 11, at the center of the facade. In front of the main entrance is a portico supported by two fluted columns designed in the Ionic style. The columns are topped by Scamozzi-style capitals, which support a carved panel with a cartouche at its center. A cornice with modillions runs above the portico. Under the portico is a pair of wood-and-glass doors inside a stone doorway frame topped by a keystone.


11 West 54th Street, Design, Facade
The rightmost bay also has an entrance, which leads to number 9 and is simpler in design than the main entrance. The rightmost entrance lacks a portico and has fluted pilasters rather than a simple doorway frame, but it contains similar modillioned cornice and double wood-and-glass doors to the main entrance. The other three ground-story bays consist of recessed six-over-six windows with stone voussoirs and paneled keystones. Above the first floor is a band course with fret designs.


11 West 54th Street, Design, Facade
The second story has five windows with six-over-nine panes. Above each second-story window is a lintel and modillioned stone cornice supported by foliated brackets. In front of each second-story window is a balcony with an iron railing. The center window (corresponding to the portico) and the rightmost window (corresponding to the secondary entrance) have larger balconies than the three other bays. These balconies are designed as oblong rhombuses with rosettes in their centers. The third and fourth floors each have five windows with six-over-six panes, above which are splayed stone lintels.


11 West 54th Street, Design, Facade
On the third floor, the center window has a balcony similar to those on the second floor, while the other windows have simple limestone sills. Below the fourth floor is a stone string course that doubles as the sill for the fourth-story windows. Above the fourth floor is a modillioned cornice, above which is a stone balustrade. The attic has a slate mansard roof with five dormer windows that contain hip roofs. The mansard roof also has three brick chimneys.


11 West 54th Street, Design, Interior
The building contains about 22,500 square feet (2,090 m2) spread across two units. According to a real estate listing, the house had 11 master bedrooms, 11 staff bedrooms, 12 fireplaces, skylighted staircases, and a wood-paneled entrance foyer. The stairs had carved acorns, the entrance and stair landings had decorative pillars, and the ceiling had plaster moldings. When the house was built, number 9 was designed in what was then considered a Federal Revival or Classical Revival design. Number 9 had a variety of furniture, ranging from 19th century designs to contemporary Herter Brothers furniture, as well as an Oriental rug and potted plants.


11 West 54th Street, Design, Interior
Originally, the first floor of number 9 had the reception hall in the front and a dining room in the rear. The first floor of number 11 had a vestibule and a study in the front, a stair hall in the center, and a kitchen and servants' dining room in the rear.


11 West 54th Street, Design, Interior
The second floor of number 9 had a living room in the front and a library in the rear, while the second floor of number 11 had a living room in the front, a hall and reception room in the center, and an octagonal dining room in the rear. Number 11 had a walk-in safe for silver next to the dining room, with a wood-paneled closet door concealing the steel entrance into the safe. Number 11's second floor had a high ceiling and a fireplace, as well as large mirrors and fireplace mantels. In both units, the second floor's large windows were designed to face MoMA's rear garden. In both residential units, the third floor contained numerous bedrooms.


11 West 54th Street, Design, Interior
Both units were internally connected on the second floor in 1943. After an early 1980s renovation, the reception hall was clad in wood paneling while the second floor dining room was restored. The United States Trust Company, the occupant at the time of the 1980s renovation, reproduced many of the original decorations and added a rear annex. After the US Trust renovation, the house's interior had marble fireplace mantels, gilded bronze lights, and walls with red paper or green silk damask. At the rear of the house, a tellers' station was installed in a former servants' area. A 17-foot-deep (5.2 m) bank vault with a security booth and bulletproof windows was constructed.


11 West 54th Street, History, Residence
In 1896, with the relocation of St. Luke's Hospital from Midtown to Morningside Heights, Manhattan, the hospital's former site on the northern side of 54th Street west of Fifth Avenue became available for development. The University Club, whose construction commenced the same year, was the first structure to be built on the former hospital plot. In February 1896, Josephine Goodwin, wife of James Junius Goodwin, acquired a plot on 54th Street about 225 feet (69 m) west of Fifth Avenue.


11 West 54th Street, History, Residence
James J. Goodwin was a prominent Connecticut businessman and railroad director who had a business partnership with his cousin, financier J. P. Morgan. McKim, Mead & White was commissioned to design a house on the site. The architects filed plans for the house with the New York City Department of Buildings in July 1896, with the house projected to cost $90,000, although the building was classified in blueprints as being a pair of residences. The Goodwin house was the first of the five structures at 5–15 West 54th Street to be developed.


11 West 54th Street, History, Residence
The house was completed in 1898. Initially, James and Josephine Goodwin occupied the main unit at number 11 and leased out the secondary unit at number 9. The Goodwins maintained a house in Hartford, Connecticut, where James spent most of his time. James was also a member of several clubs in New York, including the Union Club, Century Association, and Metropolitan Club. James died in 1915 and left all of his estate to Josephine and their three sons. After James's death, Josephine continued to live at 11 West 54th Street.


11 West 54th Street, History, Residence
The surrounding neighborhood rapidly became a commercial zone after World War I, and many neighboring townhouses were converted to commercial use, but the Goodwin family retained the house. Their son Walter lived at the house briefly from 1921 to 1922. The Goodwin residence was used for events as well. In 1924, the dean of Lincoln Cathedral in England hosted a lecture to raise money to repair the damaged church, and in 1932, the house hosted a lecture on the importance of Christian missionary work in Japan.


11 West 54th Street, History, Residence
Number 9 was leased to a variety of residents. One of the families that occupied the house was Mr. and Mrs. Elijah P. Smith. By 1915, it was the home of William S. Bryant, who oversaw the execution of Charles Becker, a policeman found guilty of murdering gambler Herman Rosenthal. In 1921, Josephine Goodwin leased the house to Francis de Ruyter Wissman and his wife. Bulletins of New York City social life indicated that the Wissmans were active in social life and that they were still residents of 9 West 54th Street in 1930. Josephine Goodwin died in 1939 and left most of the estate to her three sons. The windows had been boarded up by 1940.


11 West 54th Street, History, Later use
The house was acquired in 1941 by the Inter-America House, a Latin American cultural organization. The organization used the house for events such as a reception for the Mexican consul general, an event honoring Latin American Red Cross workers, and an event honoring Latin American women on a goodwill tour of the United States. In November 1943, MoMA opened a photography annex on the first floor of number 9 and the second floor of both units. A hole was cut in the second-floor wall to connect the units. At the time, Philip Goodwin was still recorded as the owner. The next year, the Parsonage Point Realty Company bought the house. The Rhodes Preparatory School leased both units for ten years in November 1944 and moved into the house. The school outright purchased the building in 1949. Many of the original decorative details were removed by the school.


11 West 54th Street, History, Later use
The Rhodes School sold the house in 1979 to the United States Trust Company, a bank, for use as its own headquarters. The bank had considered moving its headquarters into several other structures, including buildings on wide avenues as well as new structures, before deciding upon the Goodwin mansion for its architecture. The bank hired Haines Lundberg Waehler to restore 9–11 West 54th Street largely to its original design. US Trust spent $5 million to ensure as much of the original detail as possible would be preserved or adapted to the bank's use.


11 West 54th Street, History, Later use
Materials were refurbished or replaced largely to the original specifications, and the bank invited James Goodwin's grandson Sage Goodwin to ask him about his childhood recollections of the house's design. Bank consultant David G. De Long said that original drawings were also used to restore the space. The architects even used scraps of original wallpaper to recreate the original wall designs and textures. A small annex in the rear was built for bank tellers.


11 West 54th Street, History, Later use
The New York City Landmarks Preservation Commission designated the five houses at 5–15 West 54th Street as city landmarks, including the Goodwin residence, on February 3, 1981. The Committee for the Preservation of West 54th and West 55th Streets had pushed for the landmark designation. At the time, the five houses were in various states of preservation: although 9–11 West 54th Street was being restored, the twin houses at 13 and 15 West 54th Street had been proposed for demolition.


11 West 54th Street, History, Later use
The New York Landmarks Conservancy granted the US Trust Company its 1981 Chairman's Award for preserving the house in the renovation. On January 4, 1990, the building was added to the National Register of Historic Places as part of the Residences at 5–15 West 54th Street historic district. US Trust expanded its space into 13 and 15 West 54th Street, demolishing a wall separating the two pairs of residences, in the late 20th century.


11 West 54th Street, History, Later use
During the 2000s, US Trust became part of Charles Schwab and subsequently Bank of America. In 2009, Bank of America sold the building for $29.4 million. The buyers, DLJ Real Estate Capital Partners and J.D. Carlisle, left it vacant, as they wanted to assemble other land lots nearby. The owners placed the property for sale in 2015. 11 West 54th Street and an adjacent office building at 10 West 55th Street was sold for $75 million in 2019 to the Wilf family, whose offices were at the adjacent 13 and 15 West 54th Street. Family member Orin Wilf, who led Skyline Partners, said at the time that he was unsure what he planned to do with the building. The Wilf family obtained a $91 million mortgage on the houses soon afterward.


11 Westferry Circus
11 Westferry Circus is an office building located on the upper level of Westferry Circus, Canary Wharf development in London, United Kingdom. Reader's Digest owned and occupied the building until 1999, when the company sold the building and leased space in it from the new owner. The building was designed by a consortium of architectural firms.


11 Years Later
"11 Years Later" is the first episode of the ninth season of the American sitcom Will & Grace. The episode was first broadcast on September 28, 2017, on NBC, and was watched by 10.2 million people during its original broadcast. It was written by David Kohan and Max Mutchnick, and directed by James Burrows. Airing over 11 years after the original series finale, the episode's intro scene effectively retcons many of the events of the finale out of existence as a daydream Karen experiences.


11 Years Later, Plot
At Will's apartment, Karen awakens from a dream in which Will and Grace married their partners, and had children who married each other. Will and Grace explain that they have no children, that they are both separated from their partners, and that Grace is staying at Will's apartment temporarily while she finalizes her divorce.


11 Years Later, Plot
Will writes an angry letter to Steve Sandoval, a congressman gutting the Environmental Protection Agency, but to whom Will is also secretly attracted. Jack uses his connections to get himself and Will invited to an event held by Sandoval at the White House Rose Garden. Will and Sandoval meet; they flirt with each other, and Sandoval instructs a page to take Will on a tour of the West Wing.


11 Years Later, Plot
Meanwhile, Karen uses her friendship with Melania Trump to get Grace's interior design studio hired to redecorate the Oval Office. Though Grace opposes Trump politically, she accepts the high-paying job. She travels to the White House, where she encounters Will at Sandoval's event. Their hypocritical motivations for being in Washington are exposed, and they have an argument that devolves into a pillow fight in the Oval Office.


11 Years Later, Plot
Back in New York, Grace decides to move out of Will's apartment. Will convinces her to stay, and they reconcile with the agreement that they will keep politics out of their relationship. Karen admonishes Grace for rejecting the opportunity to decorate the Oval Office, but Grace responds that she made one change: a "Make America Gay Again" hat left on top of the President's chair.


11 Years Later, Ratings and reception
"11 Years Later" was watched by 10.2 million people during its original broadcast, and gained a 3.0 ratings share among adults aged 18–49.


11 Years Later, Ratings and reception
Kendall Williams of Den of Geek gave the episode a 3 out of 5, saying, "The episode doesn’t venture from its usual shenanigans and social commentary about people and causes that matter. It’s no mistake that the season premiere refers to the current occupant in The White House, and then temporarily relocates the main characters to D.C. to act out their personal and political prejudices." She also mentioned that "some of the intended jokes and jabs didn't hit their mark with me", despite enjoying the chemistry between the leading actors.


11 Years Later, Ratings and reception
However, she still gave some positive thoughts about the episode, saying "Nothing significant has changed on the show, which is a good thing. Viewers would be disoriented if presented with unrealistic scenarios that might come across as forced or angry in order for the writers to prove a point." Justin Kirkland from Entertainment Weekly gave the episode an A−. He particularly praised the political message of the episode, saying, "Will & Grace is the best political vehicle when it’s being absolutely ridiculous, which is why it doesn’t take long to come back together."


11 Years Later, Ratings and reception
He also enjoyed the characters' dynamics and relationships, especially between Will and Grace. He also acknowledged that the episode alone was not capable of solving the "whole last season" and its ending. However, he completed this point by saying, "If Will and Grace proved two things, it’s that we have bigger fish to fry, and that sometimes the best way to fight the fight is with something familiar."


11 Years Later, Ratings and reception
Jonathan Bernstein from The Daily Telegraph gave the episode a 2 out of 5, with a mixed to negative review. He said, "If you’re an American comedy in 2017 with ambitions to take on the current administration, you’re automatically at the tail-end of a very, very long and angry queue. You should spend your time sharpening your claws and your teeth for the kill. In this episode, Will & Grace did the exact opposite." He felt that the main plot of the premiere was contrived, and "entirely bereft of depth or character development."


11 Years Later, Ratings and reception
However, he noticed the attempts of the episode to appear relevant, despite being "a broad, blowsy old-fashioned show." Finally, he mentioned that he would give another chance to the season, as the premiere does not "immediately doom the entire comeback." Vulture's Brian Moylan gave the episode the episode a 3 out of 5, with a mixed review, saying, "From stem to stern, this episode is like one long exhale for the pent-up liberals who have been glued to outrage Twitter and mainlining Rachel Maddow since the election."


11 Years Later, Ratings and reception
He also acknowledged that the episode "isn’t long enough to contain everything", especially the introduction of Tony, and was saddened that the political message ended up being personal. He concluded his review by saying, "Although it's like going back in a time machine, it’s a past I certainly won’t mind visiting for the next few months — or at least until Trump gets impeached."


11 listopada
11 listopada (lit. '11 November') is a 2008 Polish war film directed by Kamil Kulczycki and Urszula Szałata. The film presents a series of events which led to the first execution of civilians in occupied Poland.


11 listopada, Plot
11 listopada is set shortly before and at the beginning of World War II. It tells the story of a group of Scouts from Zielonka, a small town near Warsaw, who, finding themselves unable to come to terms with the German occupation, decided to continue in secret their scouting activity. One night, on the eve of 11 November 1939 (Polish Independence Day), they put up in the streets of the town 15 hand-made posters with the text of Rota (The Oath), a poem and an anthem by Maria Konopnicka. In the gloomy reality of the German occupation this act was supposed to express hope. Perhaps they were dreaming of a moment of hesitation from a passer-by, rising hearts, a kind smile at this manifestation of national solidarity.


11 mm caliber
This is a list of firearm cartridges which have bullets in the 11 millimetres (0.43 in) to 11.99 millimetres (0.472 in) caliber range.


11 o'clock number
11 o'clock number is a theatre term for a big, show-stopping song that occurs late in the second act of a two-act musical, in which a major character, often the protagonist, comes to an important realization. Examples include "So Long Dearie" from Hello, Dolly!, "Rose's Turn" from Gypsy, and "Work the Wound" from Passing Strange. It was so named because in the days when musical performances would start at 8:30 p.m., this song would occur around 11:00 p.m.


11 o'clock number
Among the theatre community, there is some debate as to the characteristics of an 11 o'clock number. It often signifies a moment of revelation or change in heart of a lead character, although there are exceptions to this. The 11 o'clock number is also differentiated from the finale in that it is not the final number in the show, but even this is not considered a requirement by some commenters. Broadway producer Jack Viertel defines an 11 o'clock number as "a final star turn".


11 o'clock number
Other notable 11 o'clock numbers include "Sit Down, You're Rockin' the Boat" from Guys and Dolls, "Memory" from Cats, "Brotherhood of Man" from How to Succeed in Business Without Really Trying, “For Good” from Wicked, "Gimme Gimme" from Thoroughly Modern Millie, "Another National Anthem" from Assassins, "The American Dream" from Miss Saigon, "Goodbye" from "Catch Me If You Can", "I'm Here" from The Color Purple, and "Always Starting Over" from If/Then.


11 points in the Negev
11 points in the Negev (Hebrew: 11 הנקודות or אחת-עשרה הנקודות, Akhat-Esre HaNekudot) refers to a Jewish Agency plan for establishing eleven settlements in the Negev in 1946, prior to the partition of Palestine and the establishment of the State of Israel.


11 points in the Negev, History
A plan to establish eleven "points" of Jewish settlement in the Negev was devised in order to assure a Jewish presence in the area prior to the partition of Palestine. This followed the publication of the Morrison-Grady partition proposal, in which the Negev was to be part of an Arab state. Together, the Jewish National Fund, the Jewish Agency, the Haganah and the Mekorot water company launched a drive to settle the Negev and hopefully have the Negev included as part of a Jewish state.


11 points in the Negev, History
On the night of October 5–6, after the Yom Kippur fast, the settlers, including members of  Kibbutz Ruhama and Gvulot, set up camp at eleven pre-determined locations in the Negev. The eleven settlements were (in alphabetic order):


11 points in the Negev, Legacy and commemoration
Today a museum celebrating the eleven points is located in Revivim. In 1996 Israel Post released a stamp celebrating the fiftieth anniversary of their settlement.


11'09"01 September 11
11'09"01 September 11 is a 2002 international film composed of 11 contributions from different filmmakers, each from a different country. Each gave their own vision of the events in New York City during the September 11 attacks, in a short film of 11 minutes, 9 seconds, and one frame. The original concept and production of the film was by French producer Alain Brigand. It has been released internationally with several different titles, depending on the language. It is listed in the Internet Movie Database as 11'09"01 - September 11, while in French, it is known as 11 minutes 9 secondes 1 image and in Persian as 11-e-Septambr.


11'09"01 September 11, Plot
Eleven episodes of eleven different directors on the tragedy of September 11, 2001, each lasting 11 minutes, 9 seconds, and 1 frame: 11'09"01.


11'09"01 September 11, Plot, Episode # 01: " Iran"
The news of the September 11, 2001 attacks reaches an Afghan refugee camp, where bricks are produced to build new shelters, in view of the attacks promised by the United States. Here a young teacher tries to explain to her young students what happened and to make them respect a minute of silence in honor of the victims. Attempts, however, fail one after another. Finally, the teacher finds herself having to impose the minute of silence on the children near a chimney (the most similar to a skyscraper).


11'09"01 September 11, Plot, Episode # 02: " France"
New York, September 11, 2001: a young French photographer  deaf-mute is a guest of her fiancé, a tourist guide for the disabled who is about to bring a group to visit the Twin Towers. After she tried to explain to him that a story "at a distance" like theirs has no chance of succeeding, he tries to leave a message to the computer before leaving explaining that only a miracle can keep them together. At that moment he returns home covered in dust, miraculously escaping the attack.


11'09"01 September 11, Plot, Episode # 03: " Egypt"
New York, September 10, 2001: director Yusuf Shahin is finalizing the filming of a film at the World Trade Center, but is sent away with his crew in a decisive manner by a policeman because he has no authorization to stay there. Two days later, Shahin presented himself at a press conference, but said he was upset by the attacks and asked to be able to postpone it, triggering the reaction of a journalist.


11'09"01 September 11, Plot, Episode # 03: " Egypt"
While he is on the cliff in front of the house, the ghost of a young American soldier appears to him, who died in the attack on multinational forces in Lebanon in 1983. The soldier reveals to Shahin that he is the only one who can see him, because he is the only one who can hear and understand what is going on around.


11'09"01 September 11, Plot, Episode # 03: " Egypt"
The two face a "journey" that leads them to analyze the roots of the clash between the United States and the Arab world, starting from the house of the young Arab who was the executor material of the attack. After observing his preparation, Shahin discusses with his parents, who say they are proud of what he has done and go on to complain of the constant violence suffered by the Palestinians by Israel.


11'09"01 September 11, Plot, Episode # 03: " Egypt"
The soldier reacts by saying that, although he understands the attacks against the soldiers, it is still not right to shoot in the pile. The director counters by showing the list of victims of US military interventions and wars after the Second World War, not justifying the violence but complaining about the United States' inability to understand that the legitimate defense of their principles often goes through the destruction of other countries .


11'09"01 September 11, Plot, Episode # 03: " Egypt"
Their path ends at Arlington National Cemetery, where Shahin finds his girlfriend and the young soldier's father, who turns out to be the policeman who drove him away from the Twin Towers and with whom he reconciles. Shortly thereafter, the phantom of the attacker appears, who resolutely reproaches the director for appearing too good with that soldier. Shahin replies that both are victims of human stupidity, but the attacker responds by reiterating his position once again and showing he does not want to understand, leaving the director stunned by his uncompromising words.


11'09"01 September 11, Plot, Episode # 04: " Bosnia-Herzegovina"
Despite the attacks in New York, a girl from Srebrenica considers it appropriate to celebrate the monthly demonstration anyway, in memory of the massacre of the local population by Bosnian Serb soldiers, which took place on July 11, 1995.


11'09"01 September 11, Plot, Episode # 05: " Burkina Faso"
Ouagadougou, September 2001: Adamà is a boy who is forced to leave school and work as a newsboy in order to be able to pay for medicines to his sick mother. Two weeks after the attacks, Adamà sees a man very similar to Osama bin Laden and decides to capture him with the help of his friends, in order to claim the size of 25 million pending on his boss. The boys decide to use that money to treat Adamà's mother and, potentially, many other sick people in the country, as well as not to say anything to the adults, to prevent them from wasting the money of the size.


11'09"01 September 11, Plot, Episode # 05: " Burkina Faso"
The boys steal the camera of one of their parents and start to follow "Osama bin Laden" to a clearing where, every day, he goes to pray. The five therefore devise a plan to capture him in that clearing, but "bin Laden" does not show up that day. The boys try to capture him at the hotel, but they discover that the man is now going to the airport, where they are stopped by the policeman before they could enter. In the end, the boys decide to sell the camera and give Adamà the money, so he can look after his mother and go back to school.


11'09"01 September 11, Plot, Episode # 06: " United Kingdom"
Pablo, a Chilean refugee in London, writes a letter to the families of the victims of the September 11 attacks, reminding them of "his" September 11: Chilean coup of 1973, when the general Augusto Pinochet implemented a coup d'état (backed by the US) against Salvador Allende, democratically elected president in 1970. Pablo narrates in his letter of US involvement in financing of right-wing and subversive groups, up to the coup, and of the violence and torture suffered by him and his countrymen.


11'09"01 September 11, Plot, Episode # 06: " United Kingdom"
Forced to first five years in prison and then into exile, he declares that he can no longer return to Chile because his family and children are now born and raised in the United Kingdom. Pablo concludes his letter with the hope that, as he will unite in the memory of the victims of September 11, 2001, so they will join him in memory of the victims of September 11, 1973.


11'09"01 September 11, Plot, Episode # 07: " Mexico"
Black screen. Background noises and rumors of everyday life, suddenly interrupted by the screams of the witnesses of the crash of  flight AA11 against the North Tower of the World Trade Center. While the black screen is occasionally interrupted by the repertoire images of the attacks, the voices of the announcements on television, the screams of the victims, the explosions of the planes, the calls made by the victims and their relatives overlap. The sound stops and you can see the two towers collapse without sound.


11'09"01 September 11, Plot, Episode # 07: " Mexico"
The background voices start again on a background of violins, while the screen gradually changes from black to white. Two writings appear (one in  Arabic characters and one in  Latin characters) of the same meaning: "Does God's light guide us or blind us?" The sentences finally disappear in a blinding light.


11'09"01 September 11, Plot, Episode # 08: " Israel"
A suicide attack shakes Tel Aviv. Soldiers, policemen and doctors for various, long minutes try to coordinate the operations of security and rescue. A journalist and her crew arrive at the scene and try in every way to obtain information from the police forces present, obtaining only peremptory invitations to clear the area. At one point, the director tells the journalist that she won't go on the air and she reacts first by protesting, then starting to rattle off various historical events that took place all on September 11.


11'09"01 September 11, Plot, Episode # 08: " Israel"
While the journalist insists on carrying out her service, the voice of the director is heard in the background telling her that something very serious happened in New York, to the point of explicitly saying "remember this date, September 11th, because it is a date that nobody more will forget ". Faced with the further (but now unintelligible) protests of the journalist, the director replies "I'm not talking to you about September 11th of '44 or '97, I'm talking about September 11th today".


11'09"01 September 11, Plot, Episode # 09: " India"
A Pakistani woman has not heard from her son  Salman since the day of the attacks on the  Twin Towers. CIA and  FBI repeatedly question her, since they believe the young man, of Muslim faith, could be linked to the attacks. In particular, they ask many questions about why he did not show up for work that day and why, despite having decided to pursue a medical career and leave the police academy, he still held the latter's card.


11'09"01 September 11, Plot, Episode # 09: " India"
While the woman does not resign herself to the disappearance of her son, the media begin to report the news of her involvement in the attack, which does nothing but exacerbate the isolation in which the woman and the family have fallen. Only after six months, the boy's remains are identified among those found among the rubble and the truth is re-established: it turns out that the young man died while he was helping at the site of the attacks. During the funeral, the mother denounces the climate of suspicion that has been created against her family and against the Muslim community in the United States.


11'09"01 September 11, Plot, Episode # 10: " United States of America"
An elder spends his life alone in an apartment overshadowed by the Twin Towers. The widowed man vents his loneliness by talking to his late wife as if she were still alive and cultivating her flower pot, withered by the lack of light. The collapse of the Towers finally allows the light to flood the apartment and suddenly revitalizes the flowers. The elder, happy for what happened, tries to show the vase to his wife, but the light "reveals" the illusion in which he lived until then. Between tears, he regrets that his wife is not there to finally see the vase bloom again.


11'09"01 September 11, Plot, Episode # 11: " Japan"
Japan, August 1945. Yoichi, a soldier returned from the front suffering from  post-traumatic disorder, behaves like a  snake, to the dismay of his parents and his wife. His family tries to convince him to return to the "human" state, but without success. The other villagers begin to look at them with suspicion and fear, but this does not prevent Yoichi's wife from having an extra-marital relationship.


11'09"01 September 11, Plot, Episode # 11: " Japan"
While the wife and her lover talk about the traumatic experiences that the soldier must have suffered, of the  new type of bomb used in the  bombing of Hiroshima and the forthcoming end of the war, the situation worsens: Yoichi swallows a  mouse under the horrified eyes of his mother, who decides to chase him away. In the following days, the villagers suffer the loss of various animals and everyone blames the mad soldier. It is thus decided to organize a search operation to find it, but without success. Meanwhile, a  flashback clarifies the reason for the soldier's behavior: hiding behind a boulder after a violent battle, Yoichi is beaten by a fellow soldier who asks him why he does not take part in this "holy war".


11'09"01 September 11, Plot, Episode # 11: " Japan"
During the hunt, Yoichi's wife accidentally finds her husband drinking water from a river and asks him "do you dislike being a man so much?" Yoichi, in response, crawls away ignoring his wife. Finally, a snake is shown above a river stone, while the inscription in  Japanese "Holy wars do not exist" appears.


11'09"01 September 11, Awards
At the 2002 Venice Film Festival, the film received the UNESCO Award and Ken Loach's segment was the winner of the FIPRESCI Prize for Best Short Film.


11,000 Clicks
11,000 Clicks is a DVD release from the musical group Moloko, and their final release other than the compilation album Catalogue. It was recorded at Brixton Academy in London and also contains a documentary titled "Ed's Film" filmed by Eddie Stevens which contains footage shot by the band both backstage and on location.


11-11-11 (film)
11-11-11 is a 2011 supernatural horror film written and directed by Darren Lynn Bousman. The film is set at 11:11 on the 11th day of the 11th month and concerns an entity from another world that enters the earthly realm through Heaven's 11th gate. The film was released in 17 theaters domestically on November 11, 2011. It was distributed by Epic Pictures Group in North America, though most of its revenues were generated from foreign showings.


11-11-11 (film), Plot
The film starts with a dream sequence depicting Sarah and David Crone being trapped and ultimately dying in their burning home at 11:11.


11-11-11 (film), Plot
Joseph Crone wakes in his hotel room at 11:11 AM on November 7, 2011. His manager, Grant, arrives and urges Joseph to write his next novel after telling him that his previous book sold over 5 million copies. Joseph begins writing about how after his wife and son died, he lost all faith in a higher power and God, and writes "God is dead, or maybe he was never alive."


11-11-11 (film), Plot
On November 8, 2011, Joseph attends his support group meeting where Sadie is telling her story. Outside, Sadie tells Joseph that he should speak up, calling him good with words. As Joseph departs, Sadie gives him a notebook. Joseph is then immediately in a car accident. At the hospital, he has an MRI scan and the doctors reveal to him that he is perfectly healthy and uninjured while the other driver was killed in the crash. Joseph tells Sadie that he feels that he has no purpose and prays for God to kill him every day. He then examines his watch and sees that it stopped exactly at 11:11. That night, Joseph gets a call from his estranged brother, Samuel, who is living in Spain with their father, Richard. Samuel tells Joseph that their father is dying.


11-11-11 (film), Plot
On November 9, 2011, Joseph goes to Barcelona, Spain, to visit his father. There, Joseph meets with Samuel, who uses a wheelchair. Samuel urges Joseph to put aside his hatred for the church and asks Joseph to stay the night. Later Samuel tells Joseph that his congregation dwindled away, and asks him to try to get some of his fans to follow his church.


11-11-11 (film), Plot
In Samuel's study, the local housekeeper Ana demands that Samuel show Joseph the video de los demonios. Ana shows Joseph a security video taken on November 3 that depicts the faint outline of what appears to be a demon at 11:11 PM. Joseph tells Samuel that he's been seeing the number 11-11 frequently in the past few days. Joseph then goes to talk to Ana and finds a diary, only titled El Libro de Ana. When confronted about it, Ana tells Joseph that it's the gospel according to her. That night, Joseph reads that people who frequently see the number 11-11 have been "Activated". Joseph then saves Samuel, who is being strangled by demon-like creatures.


11-11-11 (film), Plot
On November 10, 2011, at a meeting of Samuel's congregation, a man named Javier brandishes a gun at Samuel, dropping a camera in the process. Joseph disarms Javier, who runs off. Joseph and Samuel then visit the cemetery where their mother, Lauren, is buried. Joseph points out that Samuel's birthday and Lauren's death both took place on November 11. Joseph tells Samuel that the attack the night before, Joseph's accident, David's death, and the apparitions all occurred at 11:11 on the clock. Samuel urges Joseph to not look for meaning where there is none.


11-11-11 (film), Plot
Joseph then goes to find a shop to develop the photos on Javier's camera, and they tell Joseph that the photos will be developed the next day. Joseph goes to an Occult Book Shop where the keeper reads a passage from a book, detailing that on November 11, 2011, a sacrifice will be made that will "destroy faith and the Serpent will rise". Joseph becomes convinced that Samuel is a prophet to save the church and that on November 11, 2011, at 11:11, Samuel will be sacrificed by these demons for the devil to rise.


11-11-11 (film), Plot
On November 11, 2011, Joseph finds that Sadie has arrived in Barcelona. Joseph and Sadie are cornered in a maze by Javier, who brandishes the gun at Joseph before fleeing. When Joseph and Sadie return to the house, they find that Richard has died. Joseph breaks into Javier's home, and finds Samuel's photos in a diary with the word SACRIFICIO scrawled on its pages, along with 11-11-11. Javier finds Joseph and shoots him.


11-11-11 (film), Plot
Joseph comes to that night, calls Sadie, and tells her to get the photos that were developed as he runs back to the house. He finds Samuel, who urges Joseph to save the notebooks that chronicle the church's history. Joseph and Samuel, with the notebooks, are cornered by the demonic beings in the house, and they take Samuel at 11:02PM. Joseph attempts to find and rescue Samuel as Sadie gets the photos. Joseph finds Samuel, suspended in the air, surrounded by the beings. A sinkhole opens, causing Joseph to fall away from rescue. Joseph manages to crawl out of the sinkhole as one of the creatures readies a blade to stab Samuel. Joseph steps in the path of the blade exactly at 11:11, and the beings disappear.


11-11-11 (film), Plot
Sadie, looking through the photos, burns them all. Joseph and Samuel lie out in the rain as Joseph begins to die. Samuel tells Joseph that 11-11 was not a window opening, but one closing, and that the end of the world could only be stopped then. Joseph finds the notebooks and reads one that Samuel wrote, depicting his own death. Samuel stands, collects the notebooks, and leaves Joseph to die after revealing that the beings were, in fact, angels and that he was the devil that needed to be stopped. A new religion will start, and Joseph's, Samuel's, Sadie's, Grant's, and Ana's books will become the new gospels.


11-11-11 (film), Plot
Some time later, a large church is filled with Samuel's followers, each bearing a book titled The Book of Joseph.


11-11-11 (film), Reception
Review aggregator Rotten Tomatoes gives the film a 7% approval rating based on 14 reviews, with an average rating of 3.71/10. Metacritic reports a score of 26/100 based on 5 critics, indicating "generally unfavorable reviews".


11-11: En mi cuadra nada cuadra
11-11: En mi cuadra nada cuadra (English title: 11-11: In my block nothing matches) is a Mexican youth telenovela on Nickelodeon Latin America starring Patricio Gallardo, Alberich Bormann and Thali García with Kevin Aponte and Karla Cervantes as the antagonists.


11-11: Memories Retold
11-11 Memories Retold is a narrative adventure video game set during World War I. It was released on 9 November 2018, two days before the centennial of the armistice. It is co-developed by DigixArt and Aardman Animations, and published by Bandai Namco Entertainment.


11-11: Memories Retold
One of the game's main features is its visual style, inspired by impressionist art.


11-11: Memories Retold, Synopsis
The game allows the player to play as two characters during World War I: Canadian photographer named Harry Lambert and German engineer Kurt Waldner. Both engage in the war for different reasons. Harry is attracted by the glory and the desire to seduce his childhood friend, so he decides to follow a major in search of a new war photographer. Kurt working as an engineer, learns on the radio that his son's unit is missing, and decides to join the German military to find him.


11-11: Memories Retold, Gameplay
11-11 Memories Retold takes place from a third-person perspective with the ability to choose between the two protagonists either at the beginning of the chapter, or freely in the middle during certain parts. Each character advances in the story with his own tools:


11-11: Memories Retold, Gameplay
The game allows the player to control a cat and a pigeon during certain sequences.


11-11: Memories Retold, Development
The game started development when DigixArt met people from Aardman at Games for Change Europe 2016. The developers said that they wanted to convey moments of humanity between the two sides. The art style for the game was based on a short film that Aardman created for the Imperial War Museum called Flight of the Stories. The short used 3D objects with a stylized impressionist style. Aardman said that they also tried styles that were influenced by WWI, such as Futurism and Cubism. However, Aardman did not want a game that seemed low-poly, so they switched to an impressionist style. J. M. W. Turner, Claude Monet, and Alexander Peterhof were the artists that Aardman credited with inspiring the game's style.


11-11: Memories Retold, Reception
11-11: Memories Retold received "generally favourable reviews" for PlayStation 4 and Xbox One, and "mixed or average reviews" for Windows on Metacritic. Critics praised the writing and voicing of the characters.


11-20-79
11-20-79 is the only studio album from American R&B artist Mona Lisa, released on June 11, 1996, on Island Records. It is named after her date of birth.


11-20-79, Release and reception
The album peaked at thirty-eight on the R&B Albums chart.


11-Aminoundecanoic acid
11-Aminoundecanoic acid is an organic compound with the formula H2N(CH2)10CO2H. This white solid is classified as an amine and a fatty acid. 11-Aminoundecanoic acid is a precursor to Nylon-11.


11-Aminoundecanoic acid, Production
As practiced by Arkema, 11-aminoundecanoic acid is prepared industrially from undecylenic acid, which is derived from castor oil. The synthesis proceeds in four separate reactions:


11-Aminoundecanoic acid, Production
Crude castor oil consists of about 80% triglycerides, from the ricinoleic acid, itself representing about 90% of the oil. It is quantitatively transesterified with methanol to methyl ricinoleat (the methyl ester of ricinoleic acid) in the presence of the basic sodium methoxide at 80 °C within 1 h reaction time in a stirred reactor. At the end of the reaction, the resulting glycerol separates and the liquid methyl ester is washed with water to remove residual glycerol.


11-Aminoundecanoic acid, Production
Methylricinoleat is evaporated at 250 °C, mixed with hot steam (600 °C) in a 1:1 ratio and decomposed in a cracking furnace at 400 - 575 ° C at a retention time of about 10 seconds into its cleavage products heptanal and methyl undecenoate. The cleavage of the aliphatic chain occurs in this variant of the steam cracking selectively between the hydroxymethylene and the allyl-methylene group. Besides heptanal and methyl undecenoate, a mixture of methyl esters of saturated and unsaturated C18-carboxylic acids is obtained. This mixture is known under the trade name Esterol® and is used as a lubricant additive.


11-Aminoundecanoic acid, Production
The hydrolysis of the methyl ester with sodium hydroxide proceeds at 25 °C within 30 min with quantitative yield. After acidification with hydrochloric acid, solid 10-undecenoic acid (undecylenic acid) is obtained.


11-Aminoundecanoic acid, Production
The undecenoic acid is dissolved in toluene and, in the presence of the radical initiator benzoyl peroxide (BPO), gaseous hydrogen bromide is added, in contrary to the Markovnikov rule ("anti-Markovnikov"). When cooled to 0 °C, the fast and highly exothermic reaction produces 11-bromoundecanoic acid in 95% yield - the Markownikov product 10-bromoundecanoic acid is produced in small quantities as a by-product. Toluene and unreacted hydrogen bromide are extracted under reduced pressure and resused.


11-Aminoundecanoic acid, Production
11-Bromodecanoic acid is mixed at 30 °C with a large excess of 40% aqueous ammonia solution. When the reaction is complete, water is added and the mixture is heated to 100 °C to remove the excess ammonia.


11-Aminoundecanoic acid, Production
The acid can be recrystallized from water. For further purification, the hydrochloride of 11-aminoundecanoic acid, which is available by acidification with hydrochloric acid, can be recrystallized from a methanol/ethyl acetate mixture.


11-Aminoundecanoic acid, Properties
11-aminoundecanoic acid is a white crystalline and odourless solid with low solubility in water.


11-Aminoundecanoic acid, Use
By acylation of 11-aminoundecanoic acid with chloroacetyl chloride, chloroacetylamino-11-undecanoic acid can be produced, which acts as a fungicide and insecticide.


11-Aminoundecanoic acid, Use
N-acyl derivatives of 11-aminoundecanoic acid in the form of oligomeric amides have remarkable properties as gelling agents for water and organic solvents.


11-Aminoundecanoic acid, Use, Monomer for polyamide 11
By far the most important application of 11-aminoundecanoic acid is its use as a monomer for polyamide 11 (also: nylon-11). Wallace Carothers, the inventor of polyamide (nylon 66), is said to have polymerized 11-aminoundecanoic acid as early as 1931.


11-Aminoundecanoic acid, Use, Monomer for polyamide 11
Although polyamide 11 is derived from a renewable raw material (i.e. biobased), it is not biodegradable. Nevertheless, it has the most advantageous ecological profile of comparable thermoplastics. Due to its excellent toughness at low temperatures, polyamide 11 can be used at temperatures as low as -70 °C. Its relatively non-polar molecular structure due to the low frequency of amide bonds in the molecule results in low moisture absorption compared to polyamide 6 or polyamide 66. In addition, polyamide 11 has very good chemical stability, e.g. against hydrocarbons, low density, good thermal stability, weather resistance and is easy to process.


11-Dehydrocorticosterone
11-Dehydrocorticosterone (11-DHC), also known as 11-oxocorticosterone or 17-deoxycortisone, as well as 21-hydroxypregn-4-ene-3,11,20-trione, is a naturally occurring, endogenous corticosteroid related to cortisone and corticosterone. It is a potent mineralocorticoid, with generally greater such activity than that of corticosterone.


11-Dehydroprogesterone
11-Dehydroprogesterone, also known as pregna-4,11-diene-3,20-dione, is a steroidal progestin that was never marketed. It was found to be 2- to 3-fold as potent as progesterone as a progestogen in animal bioassays, although other studies found them to be equivalent in potency. 11-Dehydroprogesterone has been studied in women. It was discovered in the 1930s or 1940s and was one of the earliest synthetic progestogens.


11-Dehydrothromboxane B2
11-Dehydrothromboxane B2 (or 11-dehydro-TXB2) is produced from the breakdown of thromboxane A2. It is released by activated platelets and urine levels of 11-dehydro-TXB2 can be used to monitor the response to aspirin therapy when used to prevent heart disease and in diseases where platelet activation is prominent.


11-Deoxycorticosterone
11-Deoxycorticosterone (DOC), or simply deoxycorticosterone, also known as 21-hydroxyprogesterone, as well as desoxycortone (INN), deoxycortone, and cortexone, is a steroid hormone produced by the adrenal gland that possesses mineralocorticoid activity and acts as a precursor to aldosterone. It is an active (Na+-retaining) mineralocorticoid. As its names indicate, 11-deoxycorticosterone can be understood as the 21-hydroxy-variant of progesterone or as the 11-deoxy-variant of corticosterone.


11-Deoxycorticosterone, Biological activity
DOC is a potent mineralocorticoid but is virtually devoid of glucocorticoid activity. However, 11β-hydroxylation of DOC produces corticosterone and confers glucocorticoid activity, along with 10-fold reduced mineralocorticoid activity. In addition to its mineralocorticoid activity, DOC has been found to possess one-third to one-tenth the potency of progesterone as a progestogen when administered systematically to rabbits. However, it has no such activity when applied directly to the uterine mucosa of mice. The discrepancy may be related to the fact that DOC can be converted into progesterone in vivo.


11-Deoxycorticosterone, Biological role
DOC is a precursor molecule for the production of aldosterone. The major pathway for aldosterone production is in the adrenal glomerulosa zone of the adrenal gland. It is not a major secretory hormone. It is produced from progesterone by 21β-hydroxylase and is converted to corticosterone by 11β-hydroxylase. Corticosterone is then converted to aldosterone by aldosterone synthase.


11-Deoxycorticosterone, Biological role
Most of the DOC is secreted by the zona fasciculata of the adrenal cortex which also secretes cortisol, and a small amount by the zona glomerulosa, which secretes aldosterone. DOC stimulates the collecting tubules (the tubules which branch together to feed the bladder)  to continue to excrete potassium in much the same way that aldosterone does but not like aldosterone in the end of the looped tubules (distal). At the same time it is not nearly so rigorous at retaining sodium as aldosterone, more than 20 times less.


11-Deoxycorticosterone, Biological role
DOC accounts for only 1% of the sodium retention normally  In addition to its inherent lack of vigor there is an escape mechanism controlled by an unknown non steroid hormone  which overrides DOC's sodium conserving power after a few days just as aldosterone is overridden also. This hormone may be the peptide hormone kallikrein, which is augmented by DOC and suppressed by aldosterone. If sodium becomes very high, DOC also increases urine flow.


11-Deoxycorticosterone, Biological role
DOC has about 1/20 of the sodium retaining power of aldosterone, and is said to be as little as one per cent of aldosterone at high water intakes. Since DOC has about 1/5 the potassium excreting power of aldosterone, it probably must have aldosterone's help if the serum potassium content becomes too high. DOC's injections do not cause much additional potassium excretion when sodium intake is low. This is probably because aldosterone is already stimulating potassium outflow. When sodium is low DOC probably would not have to be present, but when sodium rises aldosterone declines considerably, and DOC probably tends to take over.


11-Deoxycorticosterone, Biological role
DOC has a similar feedback with respect to potassium as aldosterone. A rise in serum potassium causes a rise in DOC secretion. However, sodium has little effect, and what effect it does have is direct. Angiotensin (the blood pressure hormone) has little effect on DOC, but DOC causes a rapid fall in renin, and therefore angiotensin I, the precursor of angiotensin II. Therefore, DOC must be indirectly inhibiting aldosterone since aldosterone depends on angiotensin II. Sodium, and therefore blood volume, is difficult to regulate internally.


11-Deoxycorticosterone, Biological role
That is, when a large dose of sodium threatens the body with high blood pressure, it cannot be resolved by transferring sodium to the intracellular (inside the cell) space. The red cells would have been possible, but that would not change the blood volume. Potassium, on the other hand, can be moved into the large intracellular space, and apparently it is by DOC in rabbits. Thus, a problem in high blood potassium can be resolved somewhat without jettisoning too much of what is sometimes a dangerously scarce mineral that can not be pumped actively independently from sodium.


11-Deoxycorticosterone, Biological role
It is imperative to keep total potassium adequate because a deficiency causes the heart to lose force. Movement of potassium into the cells would intensify the sodium problem somewhat because when potassium moves into the cell, a somewhat smaller amount of sodium moves out. Thus, it is desirable to resolve the blood pressure problem as much as possible by the fall in renin above, therefore avoiding loss of sodium, which was usually in very short supply on the African savannas where human ancestors probably evolved.


11-Deoxycorticosterone, Biological role
The resemblance of the pattern of the electromotive forces produced by DOC in the kidney tubules to normal potassium intake, and the total dissimilarity of their shape as produced by potassium deficient tubules, would tend to support the above view. The above attributes are consistent with a hormone which is relied upon to unload both excess sodium and potassium. DOC's action in augmenting kallikrein, the peptide hormone thought to be the sodium "escape hormone," and aldosterone's action in suppressing it, is also supportive of the above concept.


11-Deoxycorticosterone, Biological role
ACTH has more effect on DOC than it does on aldosterone. This may be to give the immune system control over the electrolyte regulation during diarrhea since during dehydration, aldosterone virtually disappears  even though renin and angiotensin rise high. It is because aldosterone disappears that potassium supplements are very dangerous during dehydration and must not be attempted until at least one hour after rehydration so the hormones can reach the nucleus.


11-Deoxycorticosterone, Biological role
DOC's primary purpose is to regulate electrolytes. However, it has other effects, such as to remove potassium from leucocytes  and muscle, depress glycogen formation  and to stimulate copper containing lysyl oxidase enzyme  and connective tissue,  which attributes may be used by the body to help survive during potassium wasting intestinal diseases.


11-Deoxycorticosterone, Biological role
The greater efficiency of DOC in permitting sodium excretion (or perhaps it should be expressed as inefficiency at retention) must be partly through morphological changes in the kidney cells because escape from DOC's sodium retention takes several days to materialize, and when it does, these cells are much more efficient at unloading sodium if sodium is then added than cells accustomed to a prior low intake. Thus, paradoxically, a low salt intake should be protective against loss of sodium in perspiration.


11-Deoxycorticosterone, Biological role
Progesterone prevents some of the loss of potassium by DOC.


11-Deoxycortisol
11-Deoxycortisol, also known as cortodoxone (INN), cortexolone as well as 17α,21-dihydroxyprogesterone or 17α,21-dihydroxypregn-4-ene-3,20-dione, is an endogenous glucocorticoid steroid hormone, and a metabolic intermediate towards cortisol. It was first described by Tadeusz Reichstein in 1938 as Substance S, thus has also been referred to as Reichstein's Substance S or Compound S.


11-Deoxycortisol, Function
11-Deoxycortisol acts as a glucocorticoid, though is less potent than cortisol.


11-Deoxycortisol, Function
11-Deoxycortisol is synthesized from 17α-hydroxyprogesterone by 21-hydroxylase and is converted to cortisol by 11β-hydroxylase.


11-Deoxycortisol, Function
11-Deoxycortisol in mammals has limited biological activity and mainly acts as metabolic intermediate within the glucocorticoid pathway, leading to cortisol. In sea lamprey, a member of the agnathans that evolved more than 500 million years ago, 11-deoxycortisol is the major and final glucocorticoid, with mineralocorticoid activity. 11-deoxycortisol also takes part, by binding to specific corticosteroid receptors, in intestinal osmoregulation in sea lamprey at metamorphosis, during which they develop seawater tolerance before downstream migration. Sea lamprey do not have 11β-hydroxylase enzyme (CYP11B1) that converts 11-deoxycortisol to cortisol and 11-deoxycorticosterone to corticosterone in mammals. This indicates that a complex and highly specific corticosteroid signaling pathway evolved at least 500 million years ago with the arrival of the earliest vertebrate. The absence of cortisol and corticosterone in sea lampreys suggests that the 11β-hydroxylase enzyme may not have been present early in vertebrate evolution.


11-Deoxycortisol, Clinical significance
11-Deoxycortisol in mammals has limited glucocorticoid activity, but it is the direct precursor of the major mammalian glucocorticoid, cortisol. As a result, the level of 11-deoxycortisol is measured to diagnose impaired cortisol synthesis, to find out the enzyme deficiency that causes impairment along the pathway to cortisol, and to differentiate adrenal disorders.


11-Deoxycortisol, Clinical significance
In 11β-hydroxylase deficiency, 11-deoxycortisol and 11-deoxycorticosterone levels increase, andexcess of 11-deoxycorticosterone leads to mineralocorticoid-based hypertension (as opposed to 21-hydroxylase deficiency, in which patients have low blood pressure from a lack of mineralocorticoids). In 11β-hydroxylase deficiency, 11-deoxycortisol can also be converted to androstenedione in a pathway that could explain the increase in androstenedione levels this condition.


11-Deoxycortisol, History
In 1934, biochemist Tadeus Reichstein, working in Switzerland, began research on extracts from animal adrenal glands in order to isolate physiologically active compounds. He was publishing results of his findings along the way. By 1944, he already isolated and elucidated the chemical structure of 29 pure substances. He was assigning names that consisted of the word "Substance" and a letter from the Latin alphabet to the newly found substances. In 1938, he has published an article about "Substance R" and "Substance S" describing their chemical structures and properties. The Substance S since about 1955 became known as 11-Deoxycortisol.


11-Deoxycortisol, History
In the 1930s and 1940s clinicians were discovering many uses for the newly discovered hormones, however, only minute quantities could be extracted from animal organs. Chemists were looking for production of these hormones on a larger industrial scale.


11-Deoxycortisol, History
In 1949, American research chemist Percy Lavon Julian, in looking for ways to produce cortisone, announced the synthesis of the Compound S, from the cheap and readily available pregnenolone (synthesized from the soybean oil sterol stigmasterol).


11-Deoxycortisol, History
On April 5, 1952, biochemist Durey Peterson and microbiologist Herbert Murray at Upjohn, published the first report of a breakthrough fermentation process for the microbial 11α-oxygenation of steroids (e.g. progesterone) in a single step by common molds of the order Mucorales. 11α-oxygenation of Compound S produces 11α-hydrocortisone, which can be chemically oxidized to cortisone, or converted by further chemical steps to 11β-hydrocortisone (cortisol).


11-Eicosenoic acid
11-Eicosenoic acid, also called gondoic acid, is a monounsaturated omega-9 fatty acid found in a variety of plant oils and nuts; in particular jojoba oil. It is one of a number of eicosenoic acids.


11-Hydroxy-Delta-8-THC
11-Hydroxy-Delta-8-tetrahydrocannabinol (11-OH-Δ8-THC, alternatively numbered as 7-OH-Δ6-THC) is an active metabolite of Delta-8-THC (Δ8-THC), the less predominant psychoactive component of cannabis. It retains psychoactive effects in animal studies with higher potency than Δ8-THC but lower potency than 11-OH-Δ9-THC. Historically it has been of limited interest due to the low proportion of Δ8-THC relative to Δ9-THC in cannabis, but with widespread legitimate use of semi-synthetic Δ8-THC in jurisdictions where Δ9-THC remains illegal, 11-OH-Δ8-THC is now an important metabolite for distinguishing between use of legal Δ8-THC and illegal Δ9-THC.


11-Hydroxy-THC
11-Hydroxy-Δ9-tetrahydrocannabinol (11-OH-Δ9-THC, alternatively numbered as 7-OH-Δ1-THC), usually referred to as 11-hydroxy-THC, is the main active metabolite of tetrahydrocannabinol (THC), which is formed in the body after decarboxylated cannabis is consumed.


11-Hydroxy-THC
Fresh cannabis  contains tetrahydrocannabinolic acid (THCA), which is converted into THC after heating and then metabolized by the body into 11-hydroxy-THC and then into 11-nor-9-carboxy-THC; both compounds can be glucuronidated and mainly excreted into urine. Both compounds, along with THC, are assayed in blood tests.


11-Hydroxy-THC
11-hydroxy-THC has a similar psychoactive effect as THC, but with a slower onset of effect.


11-Hydroxycannabinol
11-Hydroxycannabinol (11-OH-CBN) is the main active metabolite of cannabinol (CBN), one of the active components of cannabis, and has also been isolated from cannabis itself. It is more potent than CBN itself, acting as an agonist of CB1 with around the same potency as THC, but is a weak antagonist at CB2.


11-Hydroxyhexahydrocannabinol
11-Hydroxyhexahydrocannabinol (11-OH-9β-HHC, alternatively numbered as 7-OH-HHC) is a minor active metabolite of tetrahydrocannabinol, and also a metabolite of the trace cannabinoid hexahydrocannabinol, but is also known as a synthetic cannabinoid related to the potent compound HU-243.


11-Ketoandrosterone, Function
11-Ketoandrosterone is an androgen. Androgens are sex hormones that stimulate or control the development and maintenance of male characteristics in vertebrates by binding to androgen receptors. However, the potency of 11-ketoandrosterone as an agonist of androgen receptors is not known as of 2020.


11-Ketoandrosterone, Structure
11-Ketoandrosterone belongs to a group of 11-oxyandrogens, i.e. 11-oxygenated (oxygen atom on C11 position forms a ketone group) 19-carbon steroids. 11-oxyandrogens are potent and clinically relevant agonists of the androgen receptors. Potency of 11-ketotestosterone, an 11-oxyandrogen, is similar to that of testosterone. 11-ketotestosterone, derived from 11β-hydroxyandrostenedione, may serve as the main androgen for healthy women.


11-Ketoandrosterone, Clinical relevance
11-Ketoandrosterone is a metabolite that may be biosynthesized within the androgen backdoor pathway, a metabolic pathway for androgen synthesis that bypasses testosterone as an intermediate product.


11-Ketoandrosterone, Clinical relevance
SRD5A2 catalyzes the 5α-reduction of 11-ketotestosterone that terminates at 11-ketoandrosterone, but only causes a small amount of 11-ketotestosterone inactivation. However, since the metabolism of the glucocorticoid cortisol also produces 11-ketocholosterone, 11-ketoandrosterone may be considered as a more specific urinary marker for the production of 11-ketotestosterone.


11-Ketodihydrotestosterone
11-Ketodihydrotestosterone (11-KDHT), also known as 5α-androstan-17β-ol-3,11-dione, is an endogenous, naturally occurring steroid and androgen prohormone that is produced primarily, if not exclusively, in the adrenal glands. It is closely related to 11β-hydroxyandrostenedione (11β-KA4), adrenosterone (11-ketoandrostenedione; 11-KA4), and 11-ketotestosterone (11-KT), which are also produced in the adrenal glands.