100 (2019 film), Production
In June 2017, producer S. Michael Rayappan of Global Infotainment announced that he would work together on a project with actor Atharvaa, which would be directed by Sam Anton. However, the failure of Rayappan's Anbanavan Asaradhavan Adangadhavan put him in a financially difficult position, and he subsequently withdrew from the project. In a turn of events, production house Auraa Cinemas took over the project, with Hansika Motwani joining the team to play the lead actress in December 2017.


100 (2019 film), Production
Portraying a police officer for the first time, Atharvaa underwent stunt training for the role. Tamil YouTube personalities Eruma Saani Harija and Eruma Saani Vijay also worked on the film, as did Radharavi, Mime Gopi and Yogi Babu. The film's shoot was completed in July 2018, with the team announcing that only one further song sequence was left to be shot.


100 (2019 film), Soundtrack
The soundtrack was composed by Sam C. S., collaborating with the director for the first time. All lyrics are written by Madhan Karky, and the audio rights are secured by Sa Re Ga Ma.


100 (2019 film), Critical reception
The Times of India rated 2 out of 5 stars stating "100 is an ambitious cop film with a not-so-bad story and almost convincing protagonist, but is marred by a far-stretched screenplay". Sify rated 2.75 out of 5 stars stating "Director Sam Anton’s 100 is a passable cop action entertainer which works mainly because of the engaging second half". The Hindu stated "Tamil filmmakers are in their ‘woke’ phase right now and what better than sexual harassment cases, which have been making headlines every other day?


100 (2019 film), Critical reception
Filmmakers tend to normalise sexual assault by reducing it to a narrative device, and end up harassing the audience. The latest entrant being 100". IndiaGlitz rated 2.8 out of 5 stars stating "Go for this new take on cop work with  good performances by the cast and some interesting twists and turns". Cinema Express rated 2.5 out of 5 stars stating "Despite pacing issues and innumerable subplots, 100 is effectively wrapped up with minimal loose ends, and there's an overall sense of satisfaction at the end of 141 minutes".


100 (2019 film), Critical reception
Firstpost rated 2.2 out of 5 stars stating "The first half of the film is just a built up for a long-drawn-out climax. If Anton had made the film from an engaging script and treated it as a realistic, investigative thriller without any over the top heroism, it would have worked". The Indian Express rated 2 out of 5 stars stating "Sam Anton takes too many cinematic liberties with 100, giving us an unrealistic twist that one can’t easily buy". The satellite rights for the film Colors Tamil


100 (30 Rock)
"100" is a double episode of the American television comedy series 30 Rock, comprising the 20th and 21st episodes of the fifth season, and the 100th and 101st episodes overall of the series. It was written by Jack Burditt and the show's executive producers Robert Carlock and Tina Fey, who is also the series' creator, head writer, and star. The episode originally aired on NBC in the United States on April 21, 2011. Commemorating the 100th episode of the series, this episode was one hour long and included a multitude of guest stars including Michael Keaton, Tom Hanks, Rachel Dratch, Will Forte, Brian Williams, among others.


100 (30 Rock)
In the episode, Liz Lemon (Tina Fey) faces news of cancellation for TGS from Hank Hooper after the departure of Tracy Jordan (Tracy Morgan) brought in terrible ratings. Jack Donaghy (Alec Baldwin) promises Hank the return of Tracy and asks for one more chance for TGS to prove itself with its 100th episode. Meanwhile, a gas leak in the building leads to hallucinations among the characters, such as Jack's imaginings of alternate versions of himself visiting him. In a subplot, Jenna Maroney (Jane Krakowski) considers becoming a mother after a joke she made to Kenneth Parcell (Jack McBrayer) five years earlier.


100 (30 Rock), Plot
Hank Hooper (Ken Howard), CEO of the fictional NBC parent Kabletown, informs Liz Lemon (Tina Fey) and Jack Donaghy (Alec Baldwin) of his decision to cancel TGS in the absence of Tracy Jordan (Tracy Morgan). Jack supports Liz, informing Hank that Tracy is returning and convincing him to reconsider the cancellation until after their upcoming hundredth episode. Meanwhile, Kenneth Parcell (Jack McBrayer) suggests to Jenna Maroney (Jane Krakowski) that she'd make a great mother, which causes her to have a hysterical pregnancy in order to augment her career.


100 (30 Rock), Plot
Tom the janitor (Michael Keaton) discovers a gas leak that is seeping into the ventilation system of TGS, necessitating the evacuation of all personnel and delaying production of the 100th episode. While repairing the gas leak, Tom inadvertently breaks the ventilation system on the 52nd floor causing Jack to hallucinate that he is visited by an alternate reality version of himself. Alternate Jack declares that he fired Liz because she was holding him back, and that without her he had made his way to the top of GE. As a consequence, Jack meets with Liz and severs their relationship.


100 (30 Rock), Plot
Liz is then approached by her ex-boyfriend Dennis (Dean Winters), whom she had apparently called while under the influence of the gas in an attempt to rekindle their relationship. Liz rejects Dennis, who subsequently realizes that he needs to sabotage the ventilation system again in order to get her back.


100 (30 Rock), Plot
Elsewhere, Tracy goes on multiple morning television shows in an attempt to sabotage the respect he has earned. Unfortunately, his attempts fail, as not only do the hosts interpret his crude behavior as artistic expression, but he also manages to save a man from drowning. Tracy discusses the problem with Jenna, and the two realize the only way he could ruin his public image is to shoot someone. Tracy convinces Kenneth to volunteer as his shooting victim on the roof of the building.


100 (30 Rock), Plot
As the gas spreads, Jack is visited by two more versions of himself - a past version who agrees with his original alternate version, and a future version who claims that he needs Liz to distract him from his blind ambition, and that he will be much happier if he doesn't fire her. He warns Jack that Liz is about to sign a lease with Dennis, which will lead to them getting married and living in Jacksonville, Florida.


100 (30 Rock), Plot
Jack finds Liz and prevents her from signing the lease. Meanwhile, Tom repairs the sabotaged gas line and Dennis is escorted out. Liz then tells Jack that she saw Kenneth and Tracy heading for the roof with a gun. Jenna joins them, and the group runs into Hank Hooper on the way, who pitches Jenna a daytime talk show, which causes her hysterical pregnancy to suddenly vanish in light of this new opportunity. They reach the roof just in time to prevent Tracy from shooting Kenneth, and Jack advises Tracy that the best way to lose respect as an actor is to return to television, giving a speech alluding to events from Baldwin's own career.


100 (30 Rock), Plot
Jack, Liz, Tracy, Jenna, and Kenneth make it back to the TGS set, where Liz discovers that the entire show was written under the influence of the gas and is essentially worthless. She breaks the gas line once again, and with Hooper and the entire studio audience affected by the gas, the show is a hit, and Hooper renews it for "a billion more episodes". Liz and Jack apologize to each other and toast their friendship with imaginary champagne. Tom Hanks, upon seeing Tracy back on TV while watching the episode at home, calls George Clooney (who does not appear) on a red phone and tells him to have Tracy removed from the "official A-list".


100 (30 Rock), Reception
According to the Nielsen Media Research, this episode of 30 Rock was watched by 4.60 million households in its original American broadcast—with 4.80 million watching the first half-hour and 4.44 million watching the last half hour. It earned a 2.2 rating/6 share in the 18–49 demographic. This means that it was seen by 2.2 percent of all 18- to 49-year-olds, and 6 percent of all 18- to 49-year-olds watching television at the time of the broadcast.


100 (30 Rock), Reception
"100" received positive reviews. The A.V. Club gave the episode a B- grade, praising the characterisation but criticising some of the more implausible plot elements (such as the gas leak and Jenna's sudden yearning for children).


100 (Criminal Minds)
"100" is the ninth episode of the fifth season of the American police procedural crime drama television series Criminal Minds, and is the 100th episode of the series overall.


100 (Criminal Minds), Plot
In the beginning, the BAU team members are being interviewed individually by Section Chief Erin Strauss (Jayne Atkinson) for an internal investigation concerning Unit Chief Aaron Hotchner (Thomas Gibson). George Foyet a.k.a. "The Reaper" (C. Thomas Howell) had been corresponding with Karl Arnold while the latter was in prison. The team discovers Foyet became dependent on medications after he'd stabbed himself repeatedly. When a pharmacist explains to JJ (A. J. Cook) that one allergy medication could be replaced with another, JJ figures out there must be certain medications that Foyet takes that cannot be substituted.


100 (Criminal Minds), Plot
After discovering where the letters originated, Reid (Matthew Gray Gubler) starts to create anagrams for "The Reaper" to figure out the alias Foyet may be using, and he comes up with the name "Peter Rhea." Narrowing down the addresses on the letters along with the name and the probable name Foyet would use to pick up his medication, the team thinks they've pinpointed Foyet's location. They surround the apartment and knock on the door, but when there is no answer, the team goes in.


100 (Criminal Minds), Plot
There is a large stack of mail near the door that indicates Foyet hasn't been around in awhile. Garcia (Kirsten Vangsness) takes a look at the laptop in the home and discovers Foyet had set up an internet alert for Peter Rhea, which meant he would be alerted when anyone did a search on the name. In the home, there are also photos of Sam Kassmeyer (D. B. Sweeney), the U.S. Marshal assigned to protect Hotch's ex-wife, Haley (Meredith Monroe), and son, Jack (Cade Owens).


100 (Criminal Minds), Plot
The team goes to the safe house, and they find Sam Kassmeyer seriously injured, shot by Foyet. Sam apologizes to Hotch, and it is revealed that Foyet had stolen Sam's cell phone and repeatedly called random numbers on the speed dial until he reached Haley. On the phone, he pretended to be a marshal and detailed to a terrified Haley that both Kassmeyer and Hotch were dead, so Haley and the new marshal needed to meet at her home. The mortally wounded Sam Kassmeyer dies in the ambulance on the way to the hospital.


100 (Criminal Minds), Plot
Meanwhile, Hotch calls Foyet on his cell phone and threatens him repeatedly. Foyet responds that Haley looks good with dark hair. Haley, believing Foyet is the new marshal assigned to protect her and Jack, lets him into the house. During a frantic drive to his own house, Hotch calls Haley and speaks with Foyet. Foyet tells Haley how her ex-husband broke their deal by still trying to track him down. Therefore, he has to kill Hotch's family in retaliation. Hotch informs Jack that he needs to help his dad work the case, and so Jack goes upstairs. Haley tells Hotch he needs to tell his son how they met so Jack would still believe in love. Foyet shoots her three times as Hotch and the rest of the team listen on the phone.


100 (Criminal Minds), Plot
Hotch arrives at his house, enters, and discovers bloody footprints leading up the stairs. He finds Haley's body lying on the floor and sees a figure hiding behind the curtains. Hotch empties a clip into the hidden figure, who turns out to be Foyet wearing a bullet-proof vest. Foyet falls to the floor and the two men fight. Hotch beats Foyet to death, even after Foyet surrenders. The rest of the team arrives.


100 (Criminal Minds), Plot
Morgan (Shemar Moore), Prentiss (Paget Brewster) and Rossi (Joe Mantegna) check upstairs and find Hotch still beating Foyet, causing Morgan to have to pull Hotch away from Foyet. Hotch goes to check on Jack, who had helped his dad work the case by hiding in a chest – their secret plan designed to protect Jack. At the end of the internal investigation, the panel rules that Agent Hotchner's actions were acceptable under the circumstances.


100 (Criminal Minds), Production
The writer of this episode, Bo Crese, is actually an acronym used in the credits of "100". It is an acronym formed from the first letter of the name of every writer who contributed to the script: Breen Frazier, Oanh Ly, Chris Mundy, Rick Dunkle, Erica Messer, Simon Mirren and Edward Allen Bernero. This was used because each writer wrote a section of the episode. In an early draft of the script for this episode, Hotchner was written to kill George Foyet with his own knife. However, Edward Allen Bernero and Thomas Gibson believed the scene would be more powerful if Hotch used his bare hands.


100 (Criminal Minds), Production
Speaking about the 100th episode, showrunner Edward Allen Bernero said he wanted to revisit a question that was raised in the pilot of Criminal Minds


100 (Criminal Minds), Production
"There's a question raised in the pilot episode of whether you can spend your time hunting monsters and not become a monster. We wanted to revisit that question 100 episodes later and see if the answer changed. Hotch does something that makes you wonder what's happened to everybody [since the start]."


100 (Criminal Minds), Reception, Ratings
The episode aired on CBS on November 25, 2009. Upon initial release, it was viewed by 13.61 million people and it also garnered a 3.2 Nielsen rating. "100" was also the week's third most watched drama and ranked tenth on the list of most watched television programmes overall.


100 (Criminal Minds), Reception, Critical response
"100" was met with positive reviews. The episode has received an average score of 7.3 out of 10 in IMDb.


100 (Criminal Minds), Reception, Critical response
Anthony Ocasio from Screen Rant gave the episode a positive review, saying that it "had me sitting on the edge of my seat the entire way" and said the scene with the Reaper, Haley and Jack was "the most intense thing I’ve seen all year". CliqueClack praised Gibson's performance, saying that it "was a stunning performance by Gibson that cements his legacy as a top-tier actor".


100 (DC Comics)
The 100, The 10, and The 1,000 are fictional organized crime groups appearing in comic books published by DC Comics. The 100 debuted in Superman's Girl Friend Lois Lane #105 (October 1970) and were created by Robert Kanigher and Ross Andru. The 1,000 debuted in Booster Gold #2 (March 1986) and were created by Dan Jurgens. The 10 debuted in Superman #665 (September 2007) and were created by Kurt Busiek and Rick Leonardi.


100 (DC Comics)
The 100 made their live-action debut in the television series Black Lightning. Additionally, Blackguard of the 1,000 appeared in the DC Extended Universe film The Suicide Squad (2021), portrayed by Pete Davidson.


100 (DC Comics), Fictional team history, The 100
The 100, formerly known as El Ciento (the one hundred), was founded by 71 men and women from all over Europe who came together in Aragon, Spain in the year 1462, and named themselves El Ciento in order to honor their 29 dead allies. The surviving members of El Ciento combined various scientific, arcane and alchemical methods of life extension in order to render themselves immortal. At a later point in time, they were driven out of Aragon by the Spanish Inquisition, but by then they had granted themselves vastly extended lifespans.


100 (DC Comics), Fictional team history, The 100
They later discovered that the only way they could stay alive was to own the land they lived on and to feed off the despair and negative emotions of the human tenants on their lands; they also learned how to become immaterial and possess human bodies. Though most members of El Ciento feed off human suffering, some few have been able to survive by feeding on positive emotions. The immortal known as Ra's al Ghul considers El Ciento to be a threat to his plans.


100 (DC Comics), Fictional team history, The 100
A member of El Ciento later established himself in Metropolis's Southside, an area which would later be known as Suicide Slum. The 100 held a firm grip on the city's criminal underworld for years, indulging in crimes such as drug trafficking and racketeering. They later seem to have spread across the country with branches operating in other cities. They have also made enemies of many heroes, including Rose and Thorn (whose father they murdered), Halo (whom they murdered as well as her parents), and Superman himself. As the 100, they fought foes like Black Lightning at the behest of the Metropolis section leader Tobias Whale.


100 (DC Comics), Fictional team history, The 10
A story in Superman #665 shows that during Superman's early years in Metropolis, there was a smaller organization called the 10, with ties to Intergang. According to Black Lightning: Year One #4 (April 2009), they have no ties to the 100 but may have ties to the 1,000.


100 (DC Comics), Fictional team history, The 1,000
The Director of the 1,000 was a U.S. senator named Henry Ballard who shepherded the organization's new direction and goals. Under the Director, the 100 changed its name to the 1,000, where it is attempting to expand their reach to even the Oval Office with Henry Ballard as the presidential candidate. This plan, however, was thwarted and the 1,000 became the 100 again upon retreating into the shadows. As the 1,000 they fought Booster Gold.


100 (EP)
100 is the first EP of Christian hip hop artist KB, released on March 4, 2014.


100 (EP), Reception, Commercial performance
The EP debuted at number 22 on the Billboard 200 with first-week sales of 14,000 copies.


100 (EP), Reception, Critical reception
David Jeffries from allmusic gave the EP a 3.5 out of 5 praising the overall album-like quality. Michael Weaver of Jesusfreakhideout gave the EP a 3 out of 5 saying: "While it's great to see KB back in the mix, it's also a bit disappointing to see him not reach his full potential. "100" and "Undefeated" offer some enjoyment, with "Kamikaze" also being a decent track, but the other half of the EP may leave you scratching your head. There are a couple of tracks worth grabbing, but more than anything, this EP has me wondering what KB may have in store for his next full-length record. Hopefully it's more Weight & Glory and less 100 EP".


100 (Fear the Walking Dead)
"100" is the fourth episode of the third season of the post-apocalyptic horror television series Fear the Walking Dead, which aired on AMC on June 18, 2017.


100 (Fear the Walking Dead)
The title is the number of people Daniel has killed by the end of the episode.


100 (Fear the Walking Dead)
This episode marks Lisandra Tena's first appearance as Lola Guerrero who plays a prominent role this season, this episode is also the first to be spoken mainly in Spanish.


100 (Fear the Walking Dead), Plot
Through flashbacks, Daniel had survived the fire and escaped into Tijuana, where he was saved from death by a band of refugees headed by Efrain Morales, who consoles Daniel's grief for losing Ofelia. While fending off Walkers, Daniel falls into the sewers leading to the Gonzalez Dam, where he is spared death by Lola Guerrero, one of Dante's workers. Daniel's military expertise has him made one of Dante's operatives, and he betrays Efrain and later tortures him – but Lola exposes her complicity in water thefts to stop it. Strand is also awaiting execution, and offers to take Daniel to Ofelia at the hotel. Although Daniel helps execute one of Lola's workers, rather than kill Lola he kills Dante and his bodyguards, handing the dam over to Lola.


100 (Fear the Walking Dead), Reception
"100", received positive reviews from critics. On Rotten Tomatoes, "100" garnered a 75% rating, with an average score of 7.5/10 based on 8 reviews.


100 (Fear the Walking Dead), Reception
Matt Fowler of IGN gave "100" a 9/10 rating, stating; ""100" felt fresh and immediate and for the first time, even though it only focused in on one main character, Fear the Walking Dead felt wholly like its own unique endeavor. The same universe as the original series, sure, but with vitally different perspectives, angles, and objectives. It kind of answered that recurring question "Why have another Walking Dead show?" as Daniel was constantly saved while also constantly being placed in situations where he was called upon to do harm to innocent people. People who he even owned a great debt to. It was stunning and Ruben Blades was mesmerizing."


100 (Fear the Walking Dead), Reception, Ratings
"100" was seen by 2.40 million viewers in the United States on its original air date, below the previous episodes rating of 2.50 million.


100 (Glee)
"100" is the twelfth episode of the fifth season of the American musical television series Glee, and the special one-hundredth episode of the show. Written by series co-creators Ryan Murphy, Brad Falchuk and Ian Brennan, and directed by Paris Barclay, it aired on Fox in the United States on March 18, 2014. This is a two-part episode, with the second part airing on March 25, 2014, and features the apparent end of New Directions after the club is shut down by principal Sue Sylvester (Jane Lynch). Many graduates of the glee club return, as do special guest stars Kristin Chenoweth as April Rhodes and Gwyneth Paltrow as Holly Holliday.


100 (Glee), Plot
Rachel Berry (Lea Michele), Kurt Hummel (Chris Colfer), Santana Lopez (Naya Rivera), Mercedes Jones (Amber Riley), Quinn Fabray (Dianna Agron), Noah "Puck" Puckerman (Mark Salling), Brittany S. Pierce (Heather Morris) and Mike Chang (Harry Shum, Jr.) return to Lima for the glee club's last week. For their 100th assignment, glee club director Will Schuester (Matthew Morrison) asks old and new members alike to sing remixed versions of their favorite songs, and announces he has invited April Rhodes (Kristin Chenoweth) to join them. Will and April then lead the students in a performance of "Raise Your Glass".


100 (Glee), Plot
Puck plans to rekindle his relationship with Quinn, only to find out she's dating Biff McIntosh (Chace Crawford), an arrogant billionaire, and has been hiding her past from him. Quinn, Santana and Brittany later perform "Toxic", but Brittany feels her dancing was not up to par, and feels she's lost her creative streak since learning she's a mathematical genius. Meanwhile, Rachel and Mercedes begin feuding over who is more successful, and decide to settle their dispute through a "diva-off", in which they perform "Defying Gravity" alongside Kurt, and leave it to the others to vote for who was better.


100 (Glee), Plot
Will and April remind Principal Sue Sylvester (Jane Lynch) that April's charity foundation owns the auditorium, which means the glee club could move to the auditorium and rely on the foundation's funding to move forward, but Sue reveals that Will has already blown most of the money on costumes and scenery, and April's assets have been frozen, meaning glee club is still over.


100 (Glee), Plot
Santana cheers up Brittany through a performance of "Valerie", backed up by Mike and Jake Puckerman (Jacob Artist). Puck then serenades Quinn with "Keep Holding On" and encourages her not to be ashamed for her past. Quinn tells Biff the truth, including that she has a daughter with Puck. He is infuriated and insults her, causing Puck to beat him up and throw him into the dumpster. Biff then breaks up with Quinn and returns to Yale.


100 (Glee), Plot
During the diva-off voting, Santana humiliates Rachel, who is consoled by Mercedes. They reaffirm their friendship and gleefully accept that the votes are tied. They are soon joined by Holly Holliday (Gwyneth Paltrow), who was invited by April, and convinces the glee club to sing something new, leading for a rendition of "Happy". Puck and Quinn develop a relationship, and Brittany declares her love for Santana, though Santana is reluctant to date her again after their painful break-up.


100 (Glee), Plot
Will reunites Rachel, Kurt, Santana, Mercedes, Artie, Tina, Puck, Quinn, Brittany and Mike in the auditorium and thanks them for being part of his life. April and Holly, who had been watching from the sidelines, realize how important glee club is to Will and decide to team up to save it.


100 (Glee), Production
The 100th episode of Glee started production on December 19, 2013, the second-to-last day of filming in 2013, and resumed in January 2014. The episode had completed filming by January 29, 2014, when director Paris Barclay posted a number of tweets with photos from the final day of shooting. Barclay was responsible for the first part of the episode, scheduled to air on March 18, 2014; the second part, which is set to air a week later, was directed by series co-creator Brad Falchuk.


100 (Glee), Production
The show made a list of thirty songs that had previously been performed on the show, and invited fans to vote on which ones should appear in the 100th episode in a promotion called "Gleek's Choice" that was run at the end of November 2013. At least ten of these, which were not immediately announced, were set to be featured in this episode, though not necessarily sung by the same artists as before. The list of thirteen songs that was eventually released in late February 2014 for what turned out to be a two-part 100th episode contained eight songs from the original thirty-song list, not ten.


100 (Glee), Production
A number of former main characters on the show have returned for this two-part episode. These include Yale student Quinn Fabray (Dianna Agron), MIT student Brittany Pierce (Heather Morris), Noah "Puck" Puckerman (Mark Salling), who was last seen riding off to join the military, UCLA student and aspiring singer Mercedes Jones (Amber Riley), and Joffrey Ballet School student Mike Chang (Harry Shum, Jr.).


100 (Glee), Production
Two characters played by special guest stars return as well: April Rhodes (Kristin Chenoweth), who went to Broadway to star in an original musical that won at least one Tony award, and substitute teacher Holly Holliday (Gwyneth Paltrow). A recurring character in this episode is cheerleader Becky Jackson (Lauren Potter). There is a new character appearing in the episode who is a potential Yale "love interest" for Quinn: Biff McIntosh, played by Chace Crawford.


100 (Glee), Production
An album, Glee: The Music, Celebrating 100 Episodes was released with thirteen songs on it, featuring music from both this episode and the next one (its second part). The full album was released on March 25, 2014, but the six songs from this episode were made available a week early on the day the episode aired.


100 (Glee), Production
Five of the songs are new covers of songs that have previously appeared on Glee: the Mark Ronson and Amy Winehouse version of "Valerie" performed by Naya Rivera and Morris; Pink's "Raise Your Glass" sung by Chenoweth and Morrison; "Toxic" by Britney Spears, performed by Rivera, Morris, and Agron; "Defying Gravity" from the musical Wicked, featuring Lea Michele, Chris Colfer, and Riley; and Avril Lavigne's "Keep Holding On" sung by Salling. The sixth song, "Happy" by Pharrell Williams, which is new to the show, features Paltrow, Chenoweth, Morrison, Riley, and Darren Criss.


100 (Glee), Reception, Critical response
Suzanne Davis of TV Fanatic gave the episode a 3.5 out of 5 giving generally positive reviews, praising Gwyneth Paltrow's performance in "Happy" and Salling's version of "Keep Holding On" describing it "incredibly superior to the original" but gave a negative review of "Raise Your Glass" saying it had "so much auto-tune and very inappropriate for high school students".


100 (Glee), Reception, Critical response
Jerome Wetzel of Blog Critics gave the episode a negative review


100 (Glee), Reception, Critical response
“100″ has great character moments, amid lots of story flaws and inconsistencies, and an overall weak lineup of musical numbers. What should be a celebrated milestone for the show ends up as another disappointing, mediocre let down. This is only part one of a two-parter, but it seems unlikely the next hour will redeem this one. I really hope I’m not writing the same thing about the series finale fifteen months or so from now.


100 (Glee), Reception, Critical response
Laura Frances of Screen Crave gave the episode an 8.5 out of 10, saying "Despite the cheesy scenes between Puck and Quinn, and Santana and Brittany, “100″ was filled with great performances, sass and warmth. It was great to see the former Glee kids back singing and dancing and bickering. However, this also reminds us of how great Glee use [sic] to be. That’s not necessarily a good thing."


100 (Glee), Reception, Critical response
Lauren Hoffman of Vulture gave the episode a 3 out of 5,


100 (Glee), Reception, Critical response
It would seem that the end of last week’s episode wasn’t all bluster – and forgive me for assuming it might have been, And while it’s sad for everyone that glee club has been defunded, especially in the “end of an era” sense, it’s arguably most difficult for the kids who will still be left at McKinley when it’s over, with no choir room as a safe haven.


100 (Glee), Reception, Critical response
She mainly gave negative reviews on April Rhodes and Holly Holiday feeling that they had no real purpose. Hoffman did comment positively on Kurt Hummel performance of “Defying Gravity,” saying "not just because he got to finally prove that he’d intentionally tanked the high note all those years ago. Rachel and Mercedes needed to prove something in the choir room; Kurt didn’t. Good for him." and she also gave positive feedback on the Quinn and Puck storyline and the return of Heather Morris saying she was the "True MVP" of the episode.


100 (SuperM song)
"100" is a single by South Korean supergroup SuperM. It was released on August 14, 2020, through SM Entertainment and Capitol Records, as the first pre-release single from the group's debut studio album, Super One, which is set for release on September 25, 2020.


100 (SuperM song), Composition and lyrics
"100" was described as a track with a fast base line and dynamic rhythms that expresses SuperM's unique and powerful energy. The song was co-written and co-produced by SuperM member Mark.


100 (SuperM song), Composition and lyrics
Critics have described it as an anthemic dubstep-inspired track with big, techno-style beats and an aggressive, thumping bass line that wraps around staccato-style raps and a slinky melody. In terms of musical notation, the song is composed in the key of G major, with a tempo of 115 beats per minute and is three minutes and twenty six seconds long.


100 (SuperM song), Live performances
On August 20, 2020 the group made their American morning TV debut on Good Morning America performing the song. SuperM also performed the song on Music Station on August 21. On August 29, SuperM performed "100" at a-nation online 2020.


100 (The Game song)
"100" is a song by American rapper The Game featuring Canadian rapper Drake. The song is the first single from The Game's sixth studio album, The Documentary 2. The song was premiered by DJ Envy on Power 105.1 on June 25, 2015. The title refers to speaking the truth, or "keeping it 100". The main theme of the song is how fame can erode trust among friends. It contains a sample of "Feel the Fire" by Peabo Bryson.


100 (The Game song), Critical reception
Upon release, "100" received critical acclaim from music critics. Rap-Up called the beat "soulful", and added that Drake "holds down the hook". Zach Rydenlund of Complex noted that the song is "a bit slower", but "has the potential to be a hit". Latifah Muhammad of BET wrote that the instrumental "definitely something special". Stereogum's Tom Breihan also gave a positive review to the song describing it as "warm" and "soulful".


100 (The Game song), Music video
The Game and Drake were already shooting the music video in Compton, California weeks before the song was released. The video premiered on Vevo on July 30, 2015.


100 (The Game song), Commercial performance
Upon its radio release, "100" was the most added song on both urban contemporary and rhythmic contemporary radio of the week. The song peaked at number 82 on the Billboard Hot 100 and charted for 10 weeks. The song also peaked at number 25 on the Hot R&B/Hip-Hop Songs chart, remaining there for 18 weeks. "100" also received some chart success in Canada where it has peaked at number 63 on the Canadian Hot 100, mixed & mastered Steve B, making it Game's second highest-charting single on the chart after "My Life" which peaked at number 42 in 2008.


100 (album)
100 is the fourth studio album by Andy Stochansky. It was produced by Goo Goo Dolls front-man Johnny Rzeznik.


100 (album), Track listing
This 2000s indie rock album–related article is a stub. You can help Wikipedia by .


100 (audio drama)
100 is a Big Finish Productions audio drama based on the long-running British science fiction television series Doctor Who. It consists of four one-part stories by different authors, rather than the usual multi-part serial, all involving the number 100 in some way. All episodes feature the Sixth Doctor as played by Colin Baker and Evelyn Smythe played by Maggie Stables.


100 (audio drama), Continuity
In the final story, The Doctor visits various aspects in Big Finish's Doctor Who range. These include the Fifth Doctor with Peri and Erimem, the Seventh Doctor with Ace and Hex, the Eighth Doctor with Charley, C'rizz and Lucie, the Bernice Summerfield adventures, and the Unbound stories. The Doctor says he has already met his next incarnation, possibly a reference to The Sirens of Time.


100 (audio drama), Cast notes
Will Thorp also appeared in the 2006 television episodes The Impossible Planet and The Satan Pit as Toby Zed.


100 (audio drama), Story notes
The Sixth Doctor and Evelyn break the fourth wall in episode 4, "100 Days of the Doctor"


100 (emergency telephone number)
1-0-0, also written 100, is an emergency telephone number in several countries. It is used to contact the police in Afghanistan, Nepal, Israel, Turkey, and Palestine. In Iraq, 1-0-0 is the number for emergencies, while in Mongolia it is used for infectious disease. The number is used for hazards in Chile, for domestic violence and child welfare in Peru, and for human rights in Brazil. In Haiti, 1-0-0 is the number for assistance with HIV, while in Belgium it is used for ambulance or fire.


100 (emergency telephone number)
While 1-0-0 works as an emergency number in Greece and India, both countries have begun transitioning to 1-1-2. Following the integration of emergency phone numbers in India, 1-1-2 replaces helplines for police (1-0-0), fire (1-0-1), and women (1-0-9-0).


100 (play)
100 is a play produced by the theatrical company "TheImaginaryBody" for the Edinburgh Festival Fringe. It first appeared at the 2002 festival, where it won a Fringe First Award for 'innovation in theatre and outstanding new production'. Since then, it has played at a variety of venues around the world, including the Soho Theatre in London and the du Maurier Theatre in Toronto.


100 (play), Plot summary
The play centers on the afterlives of four characters who, finding themselves in a mysterious 'Void', are informed by the equally enigmatic Guide that they must choose one memory from their lives in which to spend eternity. The remainder of the play follows their individual memories and searches for self-knowledge. Although heralded at the time as new, the premise of the play is, in fact, quite similar to that of Japanese director Hirokazu Koreeda's 1998 film 'After Life', in which the concept was less stylized.


100 56 TK
100 56 TK or 100 TK ("100 mm, 56 length caliber, turret gun") is a Finnish stationary coastal artillery gun that utilizes the tank turret from the Soviet T-55 tank with its 100 mm D-10 tank gun. 100 56 TK was the main light weapon of the Finnish coastal artillery and complemented the medium gun 130 TK in the coastal artillery role until its decommissioning in 2012.


100 56 TK, Background
After World War II the primary fixed light coastal guns in Finland were older heavy anti-aircraft guns on fortification mounts that were obsolete in air defence duties and had been transferred to coastal artillery, primarily 76 ItK 16 V and 76 ItK 31 ss. These guns were inadequate for their role in firepower, range and survivability. The idea of using tank turrets as coastal guns was first raised regarding Charioteer and Comet turrets. In 1966 yliluutnantti Juhani Niska submitted a proposal to use modified 100 mm T-54 tank turret as coastal gun.


100 56 TK, Background
The proposal compared also Swedish 75 mm Bofors turret gun and 76 ItK 31 ss as other possibilities. 100 mm T-54 turret was considered the most suitable solution, and after a T-54 turret was tested in Katajaluoto it was decided to purchase 56 T-55 turrets from Soviet Union and modify them as 100 56 TK coastal gun. As a cost-saving measure the turrets were ordered without stabilisers. This decision was later criticised the Finnish Army, since while stabilisers are not needed in a fixed fortification, the Finnish Armoured Brigade could have used them as spare parts.


100 56 TK, Design
The total barrel length of the 100 TK is 5,608 millimetres (221 in). The maximum range is about 18 kilometres (11 mi). The sustained fire rate is 6 rounds per minute and the muzzle velocity is 880 metres per second (2,900 ft/s) with HE-FRAG shells. The breech block weighs 63.4 kilograms (140 lb). The breech mechanism is semi-automatic and the gun is loaded manually. Guns were modified for a higher maximum elevation and necessary equipment for indirect fire was added.


100 56 TK, Design
Since the turrets were intended for coastal fortifications the turret insides were coated with asbestos-cork mixture to prevent moisture from condensing into gun position. Messaging, electric and ventilation systems were left mostly intact. A fully automatic loading system would have taken too much space, and simple counterweight operated shell hoisting mechanism was developed to transfer ammunition up to the turret.


100 56 TK, Operation and modifications
The first battery was built in 1968–1969. After these batteries were built in 14 sea fortresses, each one equipped with 4 such turrets. The Russians, who had been informed by this program, seemed surprised. At first only gun positions were built, but since the 1970s a second construction phase began to create integrated positions with command- and storage facilities and to improve air- and close defence positions. One turret was built on a wooden platform for testing and training purposes.


100 56 TK, Operation and modifications
In the 1980s planning for a major maintenance and modernization program began. The largest modifications were the electrical system in the turrets and the gun periscope. New periscopes were ordered from Yugoslavia, but the break-up of the nation and the resulting Yugoslav wars caused delays. The guns were equipped with gun computers and laser range-finders, and some of the turrets also with night-vision systems. The electrical systems were replaced using western components and the guns and gun positions were overhauled. Externally the most visible change was new thermal insulation dome on top the turrets that also gives them a more rock-like appearance for camouflage.


100 56 TK, Operation and modifications
The ammunition for the guns has not fulfilled all the expectation. The most serious shortcoming was the lack of dedicated anti-ship shells. In addition to normal tank gun ammunition and air burst shells with mechanical time-delay fuse, semi-armour piercing shells from Riga class frigates (Finnish Navy had two such ships) were available. As attempts to purchase suitable munitions from Russia did not succeed, it was also considered to purchase them from China. However, in the end a domestic development work began in the beginning of the 1990s on shells suitable for naval engagements.


100 56 TK, Decommissioning
Most 100 TK batteries were deactivated in 2006–2007 because of closure of the coastal forts due to budgetary reasons as well as the obsolescence of the stationary coastal artillery. The second phase of the deactivation was completed in 2012 after the last live firings in Upinniemi. Most of the turrets have since been transported away for scrapping or resale. The 100 TK battery in Kuivasaari will be preserved as a museum battery.


100 Acres of Sycamore
100 Acres of Sycamore is the third studio album by Irish singer-songwriter Fionn Regan, released on 8 August 2011 on Heavenly Records. Unlike Regan's previous album, The Shadow of an Empire, which featured mostly rock and roll songs, the album foregrounds an acoustic aesthetic, similar to that of his debut, The End of History (2006).


100 Acres of Sycamore
Recorded in seven days, 100 Acres of Sycamore features a prominent string section throughout, and features backing vocal contributions from The Staves on the track, "North Star Lover".


100 Acres of Sycamore, Background and recording
Upon meeting actress Anna Friel in Benicassim, in 2010, Regan subsequently began writing 100 Acres of Sycamore whilst staying at her home in Deià, Majorca. Regarding the album's composition, Regan noted, "It was very fast, sometimes when you’re a writer it's like that, lightning strikes, the stars align for whatever reason. [ ...] The songs were very fast, they flew like liquid gold."


100 Acres of Sycamore, Background and recording
The album was recorded to tape using analogue methods, with Regan noting, "I just love the sound of it, I love the process. I love the idea that there's a master tape. It's a very potent thing." Regan and producer Sean Read recorded using the same console that The White Stripes used to record their fourth studio album, Elephant.


100 Acres of Sycamore, Writing and composition
Much of the album's material was written in Deià, Majorca, with Regan stating, "I think if you could bottle a bit of the atmosphere and put it into the record, it's there. In saying that, I think it's spliced with walking in the woods in Ireland. Regarding his time in Deia, Regan noted, "That probably had most impact on the writing of the record. It’s sort of a place that’s laced with magic, it has the quality of a book, everything there feels like a dreamlike overtone to it. So a lot of the writing on the record and the way it sounds is my impression or whatever way that wove its way into the writing and it came back out in the record."


100 Acres of Sycamore, Writing and composition
Regarding the stylistc differences between 100 Acres of Sycamore and his previous album, The Shadow of an Empire, Regan noted, "The last album was kind of like a chrysalis and this is the butterfly. I think sometimes that everyone has to remember that you don't get 'this' without 'that'. This album wouldn't have happened without the last record. The second one wouldn't have happened without the first one. I think sometimes after the first record there might have been a feeling that, because I was on to a good thing, to just repeat it but I wasn't interested in that. It's very important for me to do what feels right at the time." Regan also noted, "My previous record, The Shadow Of An Empire was me looking out of a window at the world. With this one, it’s a clear look in."


100 Acres of Sycamore, Writing and composition
Regan describes the track, "Sow Mare Bitch Vixen" as "a celebration of the femme fatale."


100 Aquarii
100 Aquarii is a star in the zodiac constellation of Aquarius. The designation is from the star catalogue of English astronomer John Flamsteed, first published in 1712. It is near the lower limit of visibility to the naked eye, appearing as a dim, yellow-white hued star with an apparent visual magnitude of 6.24. The heliocentric radial velocity is poorly constrained, but the star appears to be moving closer to the Earth at the rate of around −8 km/s.


100 Aquarii
This is an ordinary F-type main-sequence star with a stellar classification of F0 V. The star has a high rate of spin, showing a projected rotational velocity of 123 km/s. It has 1.8 times the mass of the Sun and 2.5 times the Sun's radius. The star is radiating 16 times the luminosity of the Sun from its photosphere at an effective temperature of 7,063 K.


100 Avenue, Edmonton
100 Avenue is a major arterial road in west Edmonton, Alberta, Canada.


100 Avenue, Edmonton
The road starts as Stony Plain Road (Alberta Highway 16A), and as it approaches Anthony Henday Drive it separates into westbound and eastbound one-way streets. The westbound lanes occupy the 101 Avenue alignment, keeping the name Stony Plain Road, while the eastbound street becomes 100 Avenue. 100 Avenue passes through a commercial area, through the major intersection of 170 Street and Mayfield Road, before becoming its own two-way street at 163 Street; it is also known as John and Zita Rosen Way between 178 Street and 170 Street. It passes by MacEwan University Centre for the Arts Campus before arterial 149 Street, which can be used to get back on Stony Plain Road if one were on the way to downtown.


100 Avenue, Edmonton, Neighbourhoods
List of neighbourhoods 100 Avenue runs through, in order from west to east:


100 Avenue, Edmonton, Major intersections
This is a list of major intersections, starting at the west end of 100 Avenue. The entire route is in Edmonton.


100 Avenue, Edmonton, Other segments
100 Avenue is an important street in Downtown Edmonton, beginning at 102 Street near Edmonton House. It continues westward and eventually merges into Jasper Avenue at 121 Street.


100 Años (song)
"100 Años" (transl. "100 Years") is a song written and recorded by American musical duo Ha*Ash and American singer Prince Royce. It was released on October 13, 2017 as the first of the single from their fifth studio album 30 de Febrero (2017). The song then included on their live album Ha*Ash: En Vivo (2019). It was written by Ashley Grace, Hanna Nicole, Geoffrey Rojas, Erika Ender and Andy Clay.


100 Años (song), Background and release
"100 Años" was written by Ashley Grace, Hanna Nicole, Geoffrey Rojas, Erika Ender and Andy Clay and produced by Hanna Nicole and Matt Rad. The band started working on the song during the 1F Hecho Realidad Tour. It was confirmed the single to be the first single from the album in September 2017 in Mexico. The song went to Latin radio stations in early October.


100 Años (song), Music video
A music video for "100 Años" was released on October 20, 2017. It was directed by Pablo Croce. The video was filmed in Hollywood Beach. As of October 2019, the video has over 120 million views on YouTube.


100 Años (song), Music video
The second video for "100 Años", recorded live for the live album Ha*Ash: En Vivo, was released on December 6, 2019. The video was filmed in Auditorio Nacional, Mexico City.


100 Años (song), Commercial performance
The track peaked at number 50 in the Latin Pop Songs and at number 24 in the Latin Airplay charts in the United States. In Mexico, the song peaked at number one on the Mexican Singles Chart, and Monitor Latino. On February 14, 2018 the song was certified gold in México. On May 23, 2018 the song was certified Platinum in México. On June 23, 2018, it was announced that "100 Años" had been certified Doble Platinum in Perú. On November 11, 2018 "100 Años" was certified platinum+gold in México. In July 2019, the songs was certified as double platinum in Mexico.


100 Años (song), Live performances
Ha*Ash performed "100 años" for the first time at "The Voice Spain" in December 2017. On February 24, 2018, the duo appeared on Festival Viña del Mar, and also performed "100 Años". Also in August 2018, the duo appeared on the Mexican Kid Choice Awards and performed the single.


100 Años de Mariachi
100 años de mariachi is title of a studio album released by Spanish performer Plácido Domingo. It was released on October 5, 1999, by EMI Latin. Domingo was awarded the Best Mexican-American/Tejano Music Performance at the 42nd Grammy Awards.


100 BC
Year 100 BC was a year of the pre-Julian Roman calendar. At the time it was known as the Year of the Consulship of Marius and Flaccus (or, less frequently, year 654 Ab urbe condita) and the First Year of Tianhan. The denomination 100 BC for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years.


100 Best Australian Albums
The 100 Best Australian Albums (a.k.a. One Hundred Best Australian Albums) is a compendium of rock and pop albums of the past 50 years as compiled by music journalists Toby Creswell, Craig Mathieson and John O'Donnell. The book was published on 25 October 2010 by Hardie Grant Books (Prahran, Victoria). Sony Music has released a five CD compilation to support the book.


100 Best Australian Albums
According to O'Donnell, "It wouldn't be a good list if it didn't polarise people and we hope that this list will. We also hope that it will get people sitting around comparing their favourites and discovering or re-discovering these great albums and others." The compendium was updated in November 2017 with ten additional entries, The 110 Best Australian Albums.


100 Best Australian Albums, Background, About the authors
Creswell wrote his first article on rock & roll for Nation Review in 1972. He subsequently wrote articles about all aspects of popular culture and music for RAM (Rock Australia Magazine), Billboard, Roadrunner and other national and international magazines and newspapers. He has worked for MTV and a variety of television programs as a writer and presenter. In 1985 he became editor of the Australian edition of Rolling Stone and two years later was in a partnership which took over the franchise. He continued to edit Rolling Stone until September 1992. He was a founding editor of Juice Magazine.


100 Best Australian Albums, Background, About the authors
Mathieson is also a journalist, known for his work with Rolling Stone, Juice Magazine, The Age and The Sydney Morning Herald, as well as for his book Hi Fi Days (1996), a biography of three leading Australian bands, Silverchair, Spiderbait and You Am I.


100 Best Australian Albums, Background, About the authors
O'Donnell started out as a freelance writer, worked as Music Editor at Rolling Stone, before leaving to co-found and edit Juice Magazine. In 1994 O'Donnell created the Murmur label for Sony Music Australia and went on to sign successful artists, including Silverchair, Ammonia, Jebediah, and Something for Kate. He later worked for Sony at the corporate level before leaving for EMI Australia in 2002. O'Donnell was the CEO of EMI in the Oceania region from 2002 until September 2008. O'Donnell is also active in a number of industry bodies such as ARIA and PPCA.


100 Best Australian Albums, Background, Writing process
In July 2009, O'Donnell and some of his friends discussed their selections for the best Australian albums. He decided a book on the topic was required and contacted fellow journalists, Creswell and Mathieson, to pitch the idea to publishers with Hardie Grant being chosen. Over the latter part of 2009, the trio revisited numerous albums, O'Donnell estimates he listened to 450–500. After four months of trimming their lists, the authors divided up the descriptions of each entry according to personal experiences with Mathieson focusing on post-1980s, Creswell on 1960s and 1970s and O'Donnell providing the overview.


100 Best Australian Albums, Albums
The updated list follows. New albums, which were added in the November 2017 edition, are shown with a bracketed bold asterisk [* ]:


100 Best Companies to Work For
The 100 Best Companies to Work For is an annual list published by Fortune magazine that ranks U.S. companies based on employee happiness and perks. Like the Fortune 500, the list includes both public and private companies. The list was first published in 1998. Cisco Systems received No. 1 placement in the most recent 2021 ranking, followed by Salesforce, Hilton Worldwide and Wegmans Food Markets.


100 Best Companies to Work For, Methodology
To compile the list, Fortune partners with the Great Place to Work Institute to survey a random group of employees from each company. A company's score is based on the "Trust Index Employee Survey" and the "Culture Audit."


100 Best Companies to Work For, Methodology
According to the magazine, the Trust Index "asks questions related to employees' attitudes about management's credibility, overall job satisfaction, and camaraderie." The Culture Audit includes "detailed questions about pay and benefit programs and a series of open-ended questions about hiring practices, methods of internal communication, training, recognition programs, and diversity efforts."


100 Best Companies to Work For, Results
Google (part of Alphabet) has been ranked first on the list eight times, since the company's first appearance on the list in 2006. Since then, 2018 was the first year the company was not on the list. Additionally, Wegmans, SAS Institute, W. L. Gore, REI, Goldman Sachs, TDIndustries, Publix, Four Seasons, Whole Foods, The Container Store, Cisco, Marriott, Genentech and Nordstrom have all have been on the list at least 17 times.


100 Best Companies to Work For, Results
In 2011, finance professor Alex Edmans published a paper in the Journal of Financial Economics showing that the 100 Best Companies to Work For outperformed their peers in total shareholder returns by 2.1-3.5% from 1984-2009.


100 Best Workplaces in Europe
100 Best Workplaces in Europe is a ranking of the 100 workplaces in Europe performed each year by the Financial Times, in partnership with Great Place to Work. The list is based on employee surveys and a review of the company's culture. Two thirds of the total score is from employee responses to a 57 question survey on the culture of the company. The rest of the score is based on demographics, pay, benefits, culture, and community involvement.


100 Best Workplaces in Europe
The 2007 survey winner was the car manufacturer Ferrari of Italy.


100 Beste Plakate
The association 100 Beste Plakate (transl. 100 Best Posters) e.V. is an interest group for graphics, design and the graphic arts in Germany, Austria and Switzerland. The association was founded with the aim of promoting, awarding and strengthening the public awareness of the high design quality of the poster medium.


100 Beste Plakate, History
The 100 Beste Plakate (100 Best Posters) association emerged from the competition Die besten Plakate des Jahres, which was founded in 1966. In 2001, the newly established association took over the organization and realignment of the contest. In the spirit of the European ideal, the contest was expanded to all German-language posters, thus integrating artists from Austria and Switzerland.


100 Beste Plakate, History
Professional associations cooperating with the association are DesignAustria, Alliance Graphique Internationale, the International Council of Graphic Design Associations, the BDG Berufsverband der Deutschen Kommunikationsdesigner e.V. and the AGD. Founding members included Klaus Staeck, Helmut Brade and Volker Pfüller.


100 Beste Plakate, Contest
The association organizes a contest annually for the DACH countries. Poster designers, artists, students and printers are invited to submit the best works of the past year. It is also possible for poster clients to nominate them. An annually changing jury of graphic designers selects the 100 best from the submitted posters, which are subsequently awarded and exhibited.


100 Beste Plakate, Contest
The book 100 Beste Plakate / 100 Best Posters is published to accompany the competition every year.


100 Beste Plakate, Exhibitions
The award-winning posters are presented to the public in Berlin (Kulturforum am Potsdamer Platz), Essen, Nuremberg, Lucerne, Zürich and the MAK – Museum of Applied Arts, Vienna as well as other changing locations in multi-week exhibitions. The posters are included in the collections of the Deutsches Plakat Museum (Folkwang Museum) Essen and the MAK.


100 Biggest Weather Moments
100 Biggest Weather Moments is a 2007 five-part miniseries on The Weather Channel, that premiered on Sunday, April 15, and aired nightly through Thursday, April 19, the biggest documentary effort in The Weather Channel's 25-year history.


100 Biggest Weather Moments
The series is hosted by Harry Connick, Jr. and counts down the top weather-related events with commentary from various celebrities. The collection of weather moments is the work of more than 120 meteorologists.


100 Biggest Weather Moments
A 2nd version of it premiered on June 14, 2020.


100 Biggest Weather Moments, Promotion
Previews of the miniseries were shown at a virtual "weather island" created by The Weather Channel, in the virtual world Second Life. The Weather Channel wanted to test the effectiveness of advertising in online communities. According to AP, the station looked at it as an opportunity, and hoped that by getting in early, it could become an established leader in that environment.


100 Biggest Weather Moments, Promotion
The Weather Channel donated $75,000 to Musicians' Village, to date the biggest home-rebuilding project in New Orleans after Hurricane Katrina. Connick and saxophonist Branford Marsalis came up with the idea for the village in 2005, in partnership with Habitat for Humanity. The Weather Channel also ran public service announcements about the Musicians' Village.


100 Biggest Weather Moments, Promotion
The TV Guide Channel, as part of its shows Watch This and 411, featured interviews with participants of the miniseries. The TV Guide had placements of The Weather Channel's logo, and the TV Guide website hosted 100 Biggest Weather Moments banner ads.


100 Bishopsgate
100 Bishopsgate consists of two mixed-use buildings in central London. The buildings are situated on the eastern edge of the City of London financial district.


100 Bishopsgate
Building 1 on the site is a 40-storey tower comprising five floors of 44,000 sq ft (4,100 m2) each and 32 office floors of between 19,000–25,000 sq ft (1,800–2,300 m2). Building 2 is a seven-storey structure that was developed behind a retained façade, and houses restaurant and office floors of 8,000 sq ft (740 m2) each.


100 Bishopsgate
The developer was The 100 Bishopsgate Partnership, a joint-venture between Brookfield Office Properties (87.5%) and Great Portland Estates (12.5%).


100 Bishopsgate, Site history
Along Bishopsgate, the 100 Bishopsgate site spans between St Ethelburga's Church and Camomile Street, with Clerks Lane (or Clarks Lane) separating two portions. In 1993 the IRA exploded a large bomb in Bishopsgate, 7 metres from St Ethelburga's Church. A number of surrounding buildings were badly damaged. A new building on the site was constructed, numbered 58, which included a public house, the Magpie and Punch Bowl which had operated at that location since 1839. The site was again renumbering to 86 Bishopsgate, and included a new public house, City House. Subsequently, the buildings between St Ethelburga's and Camomile Street were demolished to make way for 100 Bishopsgate.


100 Bishopsgate, Planning and design
A planning application was submitted by Great Portland Estates in September 2006 for the redevelopment of a site located at 61 St. Mary Axe, 80-86 Bishopsgate, 88-90 Bishopsgate, 12-20 Camomile Street, 15-16 St. Helen's Place and 33-35 St. Mary Axe. The scheme proposes a mixed-used development comprising two buildings of forty and seven storeys respectively.


100 Bishopsgate, Planning and design
The main tower (Building 1) would be formed of five podium floors, each of 44,000 sq ft (4,100 m2; 0.41 ha), and 32 tower floors, each of 19,000–25,000 sq ft (1,800–2,300 m2; 0.18–0.23 ha). The form of the lower part of the tower is designed to resolve the complex geometries of the site; thus the lower floors are shaped as parallelograms and the upper floors are shaped as rectangles.


100 Bishopsgate, Planning and design
The secondary building (Building 2) would be formed of seven storeys of 8,000 sq ft (740 m2) each, providing restaurant and office space.


100 Bishopsgate, Planning and design
A new public space of 0.5 acres (2,000 m2) is situated in the middle of the site.


100 Bishopsgate, Planning and design
The application was approved on 28 May 2008. In July 2011 the proposed height was increased by seven metres (23 ft) to 172 metres (564 ft).


100 Bishopsgate, Construction
Demolition of the buildings and infrastructure formerly on the site commenced in May 2011 and was completed later that year. The demolition work was complicated by the existence of six power substations on the site which needed to be kept operational until they could be bypassed.


100 Bishopsgate, Construction
In May 2015, it was reported that building company T Clarke had agreed a revised contract for 100 Bishopsgate, with on-site activities scheduled to start in April 2016. Ground engineering work began on the foundations to prepare the project for construction.


100 Bishopsgate, Ownership and tenants
The developer is The 100 Bishopsgate Partnership, a joint-venture between Brookfield Office Properties (87.5%) and Great Portland Estates (12.5%).


100 Bishopsgate, Ownership and tenants
In April 2010 Brookfield paid £43m for a 50% stake in the project. In October 2012 Great Portland Estates sold 37.5% of its 50% interest to Brookfield for £47.2 million leaving it with a 12.5% interest.


100 Bishopsgate, Ownership and tenants
In November 2015 Brookfield announced that they had let the first seven floors (250,000 sq. ft.) to the Royal Bank of Canada.


100 Black Coffins
"100 Black Coffins" is a song by American rapper Rick Ross, taken from the soundtrack to Quentin Tarantino's film Django Unchained. It was produced during filming by actor and R&B singer Jamie Foxx, who also plays the lead role of Django in the film.


100 Black Coffins
It peaked at #100 in Germany and #69 in France, becoming one of Ross' most successful singles in Germany and his most successful single in France.


100 Black Men of America
100 Black Men of America is a men's civic organization and service club whose stated goal is to educate and empower African-American children and teens. As of 2009 the organization has 110 chapters and more than 10,000 members in different cities in the United States and throughout the world. The organization's mission statement is "to improve the quality of life within our communities and enhance educational and economic opportunities for all African Americans."


100 Black Men of America
The organization’s mottos "real men giving real time" and "what they see is what they’ll be" describe the organization's goals of providing positive role models and leaders to guide the next generation of African Americans and other youth. The members are predominantly African-American professionals, businessmen, civic leaders and administrators, educators, and other occupations.


100 Black Men of America, History
The initial idea for 100 Black Men of America was conceived in New York in 1963 by a group of African American professionals who wanted to improve the quality of life and economic opportunities for the black community by fostering better education and youth development. Elements of the organization’s creed that date from this era (“e.g. no member shall be without transportation, no member shall be without legal representation, etc.”) provide some insight into the challenges faced by many African American organizations during the height of the Civil Rights Movement of the early 1960s. Some of the early members were David Dinkins and Jackie Robinson.


100 Black Men of America, History
By 1976 a separate chapter was formed in New Jersey and before 1987 other chapters formed in mostly major U.S. cities. Between 1983 and 1986 these chapters held several national conferences with the aim of forming a more official national organization. On May 27, 1987, 100 Black Men of America, Inc. held its first national conference in Atlanta, Georgia, with businessman Nathaniel Goldstien as its first president and chairman of the board.


100 Black Men of America, History
In 1994, the organization established the Collegiate 100 as an auxiliary to its chapters throughout the nation. The Collegiate 100 is composed of only young men actively enrolled in college. The Collegiate 100 members provide support for the chapters as well as receive mentoring from chapter members.


100 Black Men of America, History
In 2010, the organization established an auxiliary for young professional men known as the Emerging 100. The Emerging 100 focuses on recruitment and engagement of men between the ages of 22 and 35. Atlanta was the first city to establish an Emerging 100 auxiliary.


100 Black Men of America, Organization and membership
100 Black Men consists of over 98 local chapters (each named after their respective region, e.g., 100 Black Men of New York, 100 Black Men of Atlanta, etc.) 100 Black Men of America is the overarching organization that provides a national governing structure, charters new chapters, and provides for inter-chapter coordination. 100 Black Men is a non-profit 501 c3 organization and has no political or religious affiliations or ties.


100 Black Men of America, Organization and membership
Membership procedures vary by chapter; generally speaking members can apply to a local chapter at specific times of the year. Candidates are screened and then interviewed by a panel to ensure that individuals have the character and standing to serve as community role models and youth mentors. Members generally refer to the organization simply as “The 100.”


100 Black Men of America, Programs
100 Black Men has five principal program areas: Mentoring, Education, Health and Wellness, Economic Development and Leadership Development. As of 2017, 100 Black Men has more than 100,000 students enrolled in its mentoring and outreach programs. The organization also have some 36 chapters of the Collegiate 100 at colleges and universities throughout the nation.


100 Black Men of America, Some notable developments
In 2015, the 100 Black Men of America became an active partner of the Celebration Bowl held in Atlanta, GA.


100 Black Men of America, Some notable developments
In 2009, several leaders of the organization were interviewed by CNN’s T.J. Holmes to discuss their views on President Barack Obama’s first 100 days as US president. 100 Black Men’s Health and Wellness programs were the subject of a news story feature by CNN’s Dr. Sanjay Gupta About how former Surgeon General David Satcher is leading a charge to promote healthy eating among African American youth. CNN also featured a video article on 100 Black Men of Atlanta’s youth “Robotics Team” that is competing on a national and international level.


100 Black Men of America, Some notable developments
According to an August 27, 2007, article in the Pittsburgh Post-Gazette, 100 Black Men of Western Pennsylvania teamed up with Carnegie Mellon University to provide a 14-week summer program for teenagers to learn about computer science. During the program, which was free to participants, the teenagers learned the basics of computer science, information technology, and the World Wide Web. This is the seventh summer that this program has taken place.


100 Black Men of America, Some notable developments
According to a July 9, 2006, article in The New York Times, the 100 Black Men of Long Island Development Group purchased a building that takes up an entire city block. The building used to be a bus terminal. The organization has proposed converting the building into affordable housing, and housing for people with disabilities. Questions about the organization's ability to fund such a project have been raised, however.


100 Black Men of America, Some notable developments
According to a May 24, 2004, article in the San Francisco Chronicle, the Bay Area (San Francisco) chapter signed a pledge not to accept funding from tobacco companies.


100 Blacks in Law Enforcement Who Care
100 Blacks In Law Enforcement That Care (or 100 Blacks) is an American New York City-based advocacy group which focuses on fighting injustices between the African American community and their interactions with the New York City Police Department (NYPD). This internal relations advocacy group speaks out against police brutality, racial profiling and police misconduct. They are composed of active duty and retired employees from within the department. They also support the black community with financial, educational and legal support.


100 Blacks in Law Enforcement Who Care, History
Based in New York City and founded by two black police officers Eric Adams and Noel Leader in 1995, this organization was created to address relations between the NYPD and the African American community. The NYPD administration has yet to acknowledge or authorize this group yet as of 2018 it remains active. In 2013, Adams stepped down as executive director to become the first African American borough president of Brooklyn. Most members are retired from their law enforcement agencies while remaining members of 100 Blacks.


100 Blacks in Law Enforcement Who Care, Mission
As stated on the organization's website, their mission is as follows:


100 Blacks in Law Enforcement Who Care, Relationship with NYPD
While 100 Blacks is not recognized by the NYPD, they continue to work to advance their mission. In 2002, the New York Civil Liberties Union, 100 Blacks and the Latino Officers Association wrote to Police Commissioner Raymond Kelly and Hector Gonzalez, the chairman of the Civilian Complaint Review Board (CCRB), to address allegations of misconduct involving 120 officers during January 2000 and June 2001. In addition there were further backlogs from 1998 to 1999 on reports of 18 additional police conduct complaints. CCRB data indicated that most cases of misconduct remained open at the department resulting from long delays from the NYPD. The reason stems from the police department disbanding the unit within the Advocate's office which prosecutes cases referred to the NYPD sustained by the CCRB.


100 Blacks in Law Enforcement Who Care, Relationship with NYPD
Further discord between the 100 Blacks and the NYPD came to a head in 2003 when the advocate organization took the NYPD to federal court alleging the NYPD violated their rights by illegal wiretapping and biased investigations. 100 Blacks alleged the NYPD subpoenaed Verizon requesting certain telephone numbers. The case was later thrown out by the judge who stated the allegations were "baseless" and the suit was "totally miscast".


100 Blacks in Law Enforcement Who Care, Relationship with NYPD
In 2014, members of 100 Blacks held a vigil for Rafael Ramos and Wenjian Liu, who were shot while sitting in their police cars.


100 Blacks in Law Enforcement Who Care, Current Activities
In 2016, 100 Blacks teamed up with NYPD officer Edwin Raymond to combat quota based policing which requires officers to meet numerical goals for summons given and arrests made each month. The lawsuit made against the department by Raymond and 11 other officers said the department "violated a 2010 state ban against quotas and the 14th amendment which outlaws racial discrimination". They continue to support those who feel wronged by the NYPD, offering legal and financial advice.


100 Block of West Broadway Historic District
The 100 Block of West Broadway Historic District is a nationally recognized historic district located in Council Bluffs, Iowa, United States. It was listed on the National Register of Historic Places in 2002. At the time of its nomination the district consisted of 30 resources, including 22 contributing buildings, and eight non-contributing buildings. The linear district on the east side of the central business district is the north side of Broadway. Developed between mid-1850s and 1928, it is the only section of the street that has maintained its historical integrity. The buildings are one to three stories tall with commercial space on the main floor. While many are vernacular commercial structures, others are the various revival styles of Victorian architecture.


100 Bloody Acres
100 Bloody Acres is a 2012 Australian horror comedy film directed and written by brothers Colin and Cameron Cairnes. Damon Herriman and Angus Sampson star as opportunistic, rural fertiliser manufacturers who resort to using human remains for their business. It premiered at the Melbourne International Film Festival on 4 August 2012, and it was released in the United States on 28 June 2013.


100 Bloody Acres, Plot
Reg and Lindsay Morgan own and operate a small blood and bone fertiliser business in South Australia. While making local deliveries and the occasional roadkill pick up, Reg encounters the crash site of a van, the driver dead inside. Recovering the body from the crash, he puts it in the back of his own truck. Making his way back to the brothers' plant, Reg is delayed again, this time by three tourists stuck on the side of the road: Sophie, a young woman; James, Sophie's boyfriend; and Wes, James' friend, with whom Sophie is having an affair. Reg takes an instant attraction to Sophie, and, against his better judgement, allows the three to ride with him.


100 Bloody Acres, Plot
Wes and James ride in the back of the truck with the hidden corpse, and Sophie rides up front with Reg. Sophie gets to know Reg, while James tells Wes that he plans to marry Sophie. The pair soon discover the corpse and fear for their lives. Sophie starts to find things in common with Reg, but Reg's anxiety gets the better of him. This unnerves Sophie, and, as soon as the truck arrives at the plant, Reg detains her. Lindsay arrives and demands to know what is going on.


100 Bloody Acres, Plot
Reg suggests that they can grind the people into fertiliser, and Lindsay berates him for his lack of planning for such a bold crime. Ultimately, Lindsay agrees to Reg's idea, and it is revealed that the pair have ground humans in the past: in order to create a new formula for their fertiliser, the pair ground a group of charity volunteers who crashed and died in a nearby road accident.


100 Bloody Acres, Plot
Wes and James are soon detained with Sophie, and the trio watch as Reg and Lindsay grind the driver. At the last minute, Reg becomes convinced that the man is still alive and tries to save him, to no avail. When Wes cuts himself loose and escapes, Lindsay pursues him. Sophie takes advantage of the situation and attempts to seduce Reg, much to James' chagrin. Reg catches on to the ruse and exposes Sophie's infidelity with Wes, further angering James. Lindsay soon returns with Wes, acquiring the body of a local police officer along the way.


100 Bloody Acres, Plot
Reg now begins to have serious second thoughts about the pair's actions. When Nancy, their elderly neighbour, surprises the brothers with a visit, Lindsay stuffs Reg in a car boot with Wes, cutting off Wes' hand in the process. Reg and Wes work together to escape, and Reg enters the house alone to confront his brother.


100 Bloody Acres, Plot
Reg overhears Lindsay tell Nancy that Reg has moved away, perhaps permanently. As Reg gathers his courage, Lindsay and Nancy begin to have sex. Severely disturbed, Reg decides instead to stealthily steal Lindsay's keys. As he is about to take them, Wes stumbles into the house, looking for his missing hand. In a fit of rage, Lindsay kills Wes and Nancy, and Reg flees with the keys.


100 Bloody Acres, Plot
James and Sophie panic when they hear the gunshots, but Sophie decides to return to the farm when she hears Reg call out to her; James angrily breaks up with Sophie as she leaves. After a brief struggle, Lindsay overpowers and ties up Reg. As Lindsay prepares Reg for grinding, Sophie returns and distracts Lindsay. Reg is able to pull him in to the grinder, killing him; afterward, Sophie and Reg share a momentary attraction. In a post credits scene, James hysterically runs onto the road and is killed by a reckless driver.


100 Bloody Acres, Production
Producer Julie Ryan met the Cairnes brothers at the Australian Film Commission's IndiVision Lab in 2008, and her company Cyan Films, became attached to the project just prior to the Cairnes brothers winning the Horror-Thriller category for scriptwriting at the 2010 Slamdance Writing Competition. The film was funded by Screen Australia, South Australian Film Corporation, Film Victoria and the Melbourne International Film Festival Premiere Fund. In January 2012, production for the film started in Adelaide, South Australia.


100 Bloody Acres, Release
The film premiered at the Melbourne International Film Festival in August 2012. It was then an Official Selection at the 2013 Brussels International Fantastic Film Festival, and released in the US 28 June 2013.


100 Bloody Acres, Reception
Rotten Tomatoes, a review aggregator, reports that 79% of 38 surveyed critics gave the film a positive review; the average rating was 6.48/10. Metacritic rated it 63/100. Matt Zoller Seitz of RogerEbert.com called it "the best low-budget horror comedy since Shaun of the Dead, and one of the most assured first features in ages." Jeannette Catsoulis of The New York Times wrote that film lacks originality but "has its own hick charm, mostly because of performers who never overplay their hands." Mark Olsen of the Los Angeles Times called it a "giddy, delightful gross-out horror-comedy mash-up".


100 Bloody Acres, Reception
Drew Hunt of the Chicago Reader wrote, "Though entertaining enough as a genre exercise, the film is too simplistic to transcend its base concept." Megan Lehmann of The Hollywood Reporter called it an "off-the-wall Australian splatter-comedy" with "lively performances" and "a shrewdly structured screenplay". Richard Kuipers of Variety called it "a gory and funny riff on the trusty standby of city kids being menaced by rural types". Kwenton Bellette of Twitch Film wrote that it "stand out from most horrors; it plays with convention and molds it into a sick and twisted form."


100 Books by August Derleth
100 Books by August Derleth is a bibliography of books by American author August Derleth. It was released in 1962 by Arkham House in an edition of 1,225 copies. Approximately 200 copies of the edition were bound in pictorial boards for libraries (the edition in boards was issued without dustwrapper). The foreword is by Donald Wandrei.


100 Books by August Derleth
The book includes two plates, one a frontispiece of Derleth in his office, the other of Derleth with his children, Walden William and April Rose. There is also an illustration reproducing a mock certificate awarding Derleth the degree of "Doctor of Philosophy in Mythos" to Derleth, from Miskatonic University.


100 Broken Windows
100 Broken Windows is the second studio album by Scottish rock band Idlewild, released on 9 May 2000. While touring in support of their debut studio album Hope Is Important (1998), the band wrote and recorded its follow-up in stages. Sessions were done between May and November 1999 at a variety of studios: Air in London, Jacob's in Surrey, Rockfield in Wales, and Electrical Audio, Chicago. Initial recording with Bob Weston resulted in unremarkable material, by which point they switched to working with producer Dave Eringa. Described as an indie punk album, 100 Broken Windows has been compared to R.E.M. and Hüsker Dü.


100 Broken Windows
A tour of the United Kingdom preceded the release of the album's lead single "Little Discourage" on 20 September 1999. Idlewild closed the year with a tour of the United States; in March and April 2000, they went on a stint of the UK. "Actually It's Darkness" was released as a single on 27 March 2000 during the latter trek. They toured Europe with Muse prior to the release of the "These Wooden Ideas" single on 12 June 2000. Various festival appearances followed, till later in the year when the band went on a tour of the UK. "Roseability" was released as a single on 16 October 2000, which was promoted with a few supporting shows for Placebo.


100 Broken Windows
100 Broken Windows received generally favourable reviews from music critics, some of whom praised the songwriting and progress from their previous album. The album charted at number six in Scotland, and number 15 in the UK. It would later be certified gold in the UK. All of the songs appeared on the Scottish and UK Singles Charts, with "Little Discourage" charting the highest in Scotland at number 12, and "Actually It's Darkness" charting the highest in the UK at number 23. 100 Broken Windows appeared on a overlooked albums from the year list by Spin, and a Scottish albums of the decade list by The Skinny.


100 Broken Windows, Background and production
Idlewild released their debut studio album Hope Is Important in October 1998. It peaked at number 53 in the UK, while all of its four singles appeared on the UK Singles Chart, with "When I Argue I See Shapes" reaching the highest at number 24. The band wrote and recorded their next album in sections during their 120-date promotional tour for Hope Is Important. While writing the album, he revisited Scottish folk music that he had grew up listening to prior to discarding it for nosier forms of music, as well as American rock. Between May and November 1999, recording sessions were held at Air Studios in London, Jacob's Studio in Surrey, Rockfield Studios in Wales, and Electrical Audio in Chicago, Illinois.


100 Broken Windows, Background and production
Woomble had been enamored with bands such as June of 44 and Slint; Idlewild contacted Bob Weston and sent him some demos. Weston, who liked the demos, went to London to work with the band. Woomble said they had worked on a few tracks, "but they were just so weird, and we weren't ready for that". The band wanted direction, which they felt they were unable to due to Weston taking more of an engineer role instead of a producer. As their label Food Records disliked those songs, the band set about working with Dave Eringa, who had finished working with the Manic Street Preachers at Rockfield, and travelled to Jacob's to meet Idlewild.


100 Broken Windows, Background and production
Woomble said they didn't want to be viewed as "just as a rowdy night out for teenagers"; with the creation of "Little Discourage" and "Roseability", the band had a newfound confidence. They visited Weston in Chicago to finish working on some tracks. Eringa revisited the material the band had done during their first session with Weston, and had them re-sing some vocal sections. Weston recorded "Listen to What You've Got", "Rusty", and "The Bronze Medal, while Eringa produced the remaining tracks, and did additional recording for "The Bronze Medal". They were assisted by John Bailey, Matt Ollivier, Lee Butler, and Willie Deans. All recordings were by mixed by Eringa at CaVa Studios in Glasgow in December 1999, except for "Rusty", which was mixed by Weston in Chicago.


100 Broken Windows, Composition and lyrics
Musically, the sound of 100 Broken Windows has been described as indie punk, and was compared to 1980s alternative acts, such as R.E.M. and Hüsker Dü. Woomble said the Smiths served as a big influence on the album. The album saw Woomble sing in his own accent, in contrast to the previous releases where he leaned towards a more American vocal. Rich Huges of The Line of Best Fit said the band got the "mix perfect between their REM-influenced literary rock and their punk past". Woomble said the lyrics reference subject matter such as postmodernism, the Scottish mountains, crofting, and Gertrude Stein. He said the band were improving as songwriters, "but not so much for the album to lose its raw edges".


100 Broken Windows, Composition and lyrics
100 Broken Windows opens with "Little Discourage", a track that beings with a Nirvana-esque guitar part. Its call-and-response chorus section contains touches of new wave keyboards. It was one of the first songs written for the album, and initially sounded closer to "You're the Voice" (1986) by John Farnham. They subsequently changed the song; its lyrics were intentionally vague, spurred on by the opening line, which Woomble had written on its own at the top of his notebook.


100 Broken Windows, Composition and lyrics
"These Wooden Ideas" is critical of the music industry, and was compared to Murmur (1983)-era R.E.M. The band borrowed a keyboard and guitar from Teenage Fanclub for the song as they were recording in another room at Rockfield. "Roseability" is an alternative rock track; Woomble said he was inspired by a poem by Gertrude Stein. When working on a song, Woomble wanted to play along to it to come up with potential lyrics, to which Eringa said he'd "give him an idea track". The song "Idea Track" was subsequently named after this, and deals with optimism.


100 Broken Windows, Composition and lyrics
Guitarist Rod Jones said it was the band's first attempting at writing a track while at a studio. The chorus sections came about as Woomble was unable to settle on a melody that he enjoyed, so Eringa combined all six existing vocal takes into one. The bridge section features a violin performance from Jones, as they had found the instrument while at Jacob's.


100 Broken Windows, Composition and lyrics
"Let Me Sleep (Next to the Mirror)" is a mid-tempo song that recalls the early work of the Smashing Pumpkins. "Listen to What You've Got" evoked the work of the Pixies, which Woomble attributed to the American underground rock they liked. As the song was done in Chicago with Weston, Jones was able to use Steve Albini's Travis Bean and IVP guitars to give it "that buzzsaw guitar sound". "Actually It's Darkness" opens with a post-punk keyboard part, before switching into Oi!-era guitar riff, with a piano-centred bridge section.


100 Broken Windows, Composition and lyrics
One of its lines, "shed a shade of shyness" was taken from a live review about Woomble, which he felt "link[ed] together public and personal opinion". "Rusty" featured guitar riffs in the style of Fugazi, which were inspired by Shellac's 1000 Hurts (2000), and also played on the Travis Bean and IVP guitars. During one weekend, Eringa was working as a sound engineer for a Manic Street Preachers show; Idlewild got drunk in the studio, attempting to cover "Save Tonight" (1997) by Eagle-Eye Cherry, and wrote "Mistake Pageant" in the process. The album ends with the ballad "The Bronze Medal", which recalled "All Apologies" (1993) by Nirvana.


100 Broken Windows, Release
In September 1999, the band embarked on a tour of the UK. Coinciding with this, "Little Discourage" was released as a single on 20 September 1999. Two versions were released on CD: the first with "A Tone" and "Broken Windows", while the second included "1990 Nightime", and a live version of "You Don't Have the Heart". The music video for "Little Discourage" was directed by James and Alex. After this, they went on a headlining tour of the United States throughout the following month. On 13 January 2000, 100 Broken Windows was announced for released in three months' time. In March and April 2000, the band toured across the UK; Jeremy Mills of Peeps into Fairyland served as the band's touring guitarist for the trek.


100 Broken Windows, Release
"Actually It's Darkness" was released as a single on 27 March 2000. Two versions were released on CD: the first with "Meet Me at the Harbour" and "West Haven", while the second featured "Forgot to Follow", and a cover of "It'll Take a Long Time" (1972) by Sandy Denny. The music video for "Actually It's Darkness" was directed by James and Alex. 100 Broken Windows was released on 10 April 2000 by Food Records. The album's booklet includes a black-and-white map of Outer Hebrides. It was promoted with an instore performance at the HMV shop in Edinburgh, a one-off gig that was broadcast on Japanese TV, as well as appearances on Later... with Jools Holland and Top of the Pops.


100 Broken Windows, Release
They then embarked on a tour of Europe with Muse in May 2000, leading up to the single release of "These Wooden Ideas" on 12 June 2000. Two versions were released on CD: the first with "There's Glory in Your Story" and a cover of "When the Ship Comes In" (1964) by Bob Dylan, while the second included an acoustic version of "Actually It's Darkness", and a cover of "Rescue" (1980) by Echo & the Bunnymen. The music video for "These Wooden Ideas" was directed by James and Alex. The band played a handful of instore performances at Virgin Megastores, prior to appearances at the Glastonbury, T in the Park, Witnness, T on the Fringe and Reading and Leeds Festivals.


100 Broken Windows, Release
In between of these shows, Jones accompanied Graham Coxon on his solo tour of the UK in July 2000. In October 2000, the band went on another tour of the UK, which coincided with the release of single "Roseability" on 16 October 2000. Two versions were released on CD: the first with "Thousand", a remix of "Rusty", and the music video for "Roseability" (directed by Grant Gee), while the second featured a live version of "I've Only Just Begun", and a radio session version of "Self Healer". Following this, the band supported Placebo for a handful of shows. 100 Broken Windows was released in the US on 13 March 2001.


100 Broken Windows, Release
100 Broken Windows was played in full in December 2008 at King Tut's Wah Wah Hut in Glasgow as part of a series of shows where the band performed all of their albums. It was released as a two-CD package with Hope Is Important in 2002, and then with their third studio album The Remote Part in 2011. A 10th anniversary two-CD version of 100 Broken Windows was released in 2010, with B-sides, demos, and radio session versions. The band performed the album in its entirety again, in 2010 in Edinburgh.


100 Broken Windows, Release
"Roseability", "These Wooden Ideas", "Let Me Sleep (Next to the Mirror)", and "Little Discourage" were included on the band's first compilation album, Scottish Fiction: Best of 1997–2007 (2007), alongside the music videos for all of the album's singles. "Roseability", "Actually It's Darkness", "Idea Track", "Little Discourage", and the remix of "Rusty" were included on the band's third compilation album, The Collection (2010).


100 Broken Windows, Reception, Original reviews
100 Broken Windows was met with generally favorable reviews from music critics. Entertainment Weekly writer Brian M. Raftery said Woomble's voice was "backed by rousing punk guitars and a ceaseless energy. The results are flashes of beauty and menace, often [...] in one song." Octavio Hernandez of La Opinión said it was an "energetic recording", with Woomble's " brilliant voice and a rhythmic skeleton of great flavor". Spin's Jon Dolan wrote that the album was an "astounding follow-up" to Hope Is Important. The staff at NME said melody is "now paramount over velocity, the rough edges of reckless spontaneity smoothed by the high-gloss patina of responsible coherence". They noted that the album "gracefully enacts the sort of awkward, jarring progression another band would take several albums to complete."


100 Broken Windows, Reception, Original reviews
Keith Gwillim of Stylus write that the band made music that is "all bluster and belligerence on the surface, but goes much deeper", showcasing that they were capable of "stealing from the past and making it your own". Pitchfork joint reviewers Beatty & Garrett expected a repeat of Hope Is Important and were "completely [...] surprise[d]" as it had "[n]o more screeching. No more punk-guitar chaos. No more uncomfortable strain." They added that the "chord progressions are crisp and the hooks immediate." In The Rolling Stone Album Guide, Chris Ryan wrote that the band "grows up and gets smart", greatly "step[ping] up in song-writing quality, as melody takes precedence over noise". AllMusic reviewer MacKenzie Wilson noted that the band "scale back a bit" on the album, while showing they had "grown up".


100 Broken Windows, Reception, Retrospective reviews
The List writer Camilla Pia said the album was "slightly out of step with the modern world and yet meant so much to those who ‘got it'". Record Collector reviewer Jamie Atkins wrote that the album went on to be the band's "finest moment", with several of the tracks displaying a "new maturity to their songwriting without sacrificing the abrasiveness that made their earlier records so exciting". BBC Music's Mike Diver saw the album as a "game-changer" that "stamped Idlewild's identity as a highly literate, immensely able outfit whose melodies had evolved into true earworms".


100 Broken Windows, Reception, Retrospective reviews
Dan Bean of The Press wrote that the album has "dated little" since its release, with "Little Discourage" "setting the pace and style of the album". The Skinny's PJ Meiklem noted that a few of tracks had "all the melodic clues" that would be expanded upon with their next album The Remote Part. He added that ten years removed from its release, 100 Broken Windows was "still a powerful record".


100 Broken Windows, Reception, Commercial performance and accolades
100 Broken Windows peaked at number six in Scotland, and number 15 in the UK. "Little Discourage" charted at number 12 in Scotland, and number 24 in the UK. "Actually It's Darkness" charted at number 14 in Scotland, and number 23 in the UK. "These Wooden Ideas" charted at number 18 in Scotland, and number 32 in the UK. "Roseability" charted at number 25 in Scotland, and number 38 in the UK. 100 Broken Windows was certified gold by the British Phonographic Industry (BPI). By July 2003, it has sold 35,000 copies in the US.


100 Broken Windows, Reception, Commercial performance and accolades
Spin ranked it at number one on their list of overlooked albums from the year. The Skinny ranked the album as number one on their Scottish Albums of the Decade list. Kerrang! included it on their list of Seven Amazing British Rock Albums From A Golden Era between 1999 and 2002.


100 Bucks
100 Bucks is a 2012 Namibian short film directed by Oshosheni Hiveluah and co–produced by Cecil Moller and Mutaleni Nadimi. The film focused an urban story of the journey of a 100-Namibia Dollar-note that passes from hands of wealth to hands of need and through thieving hands.


100 Bucks
The film received positive reviews and won several awards at international film festivals. The film won the Audience Choice Award at the 2012 Namibia Film and Theatre Awards. In 2011, Oshosheni received the Focus Features Africa First program Prize for 100 Bucks. 100 Bucks also won the 2012 Namibian Theatre and Film Audience Choice award. 100 Bucks was screened in London by the non-profit organization AfricAvenir Windhoek as well as in New York in 2012 at the African Diaspora International Film Festival (ADIFF).


100 Bullets
100 Bullets is an American comic book published by DC Comics under its Vertigo imprint. Written by Brian Azzarello and illustrated by Eduardo Risso, the comic book ran for 100 issues and won the Eisner Award and Harvey Award.


100 Bullets, Style
Both the writing and artwork in 100 Bullets exemplifies the noir and pulp genres of popular modern fiction. Consistent with noir convention, most of the characters are deeply flawed. As is also common in pulp and noir genres, 100 Bullets frequently portrays stylized and graphic violence.


100 Bullets, Style
100 Bullets is notable for creator Brian Azzarello's realistic use of regional and local accents, as well as the frequent use of slang and oblique, metaphorical language in his characters' dialogue.


100 Bullets, Style
Initially presented as a series of self-contained episodic stories, 100 Bullets developed into a sprawling crime saga in which all the characters and events were connected.


100 Bullets, Plot
The core concept of 100 Bullets is based on the question of people willing to act on the desire of violent revenge if given the means, opportunity, and a reasonable chance to succeed. Many of the first issues involve the mysterious Agent Graves approaching someone who has been a victim of a terrible wrong. Graves gives them the opportunity to take revenge by providing a handgun, 100 bullets, and documentation about the primary target responsible for their woes. He informs the candidate the bullets are completely untraceable by any law enforcement investigation, and as soon as they are found at any crime scene, investigations will immediately cease.


100 Bullets, Plot
Although all the revenge murders enabled by Agent Graves are presented as justifiable, the candidates are neither rewarded nor punished for accepting the offer other than their own personal satisfaction. Several people decline, but others who accept find varied success or failure. The attaché and Graves' "games" are later revealed to be only a minor part of a much broader story.


100 Bullets, Plot
Agent Graves is the leader of a group known as The Minutemen, a group of seven men (plus one "Agent") who serve as the enforcers and police of a clandestine organization known as The Trust. The Trust was originally formed by the heads of 13 powerful European families who controlled much of the Old World's combined wealth and industry. The Trust made an offer to the kings of Europe by which they would leave the continent and their considerable influence and holdings, in exchange for complete autonomy in the still unclaimed portion of the New World.


100 Bullets, Plot
When England ignored this proposition and colonized the Roanoke Island late in the 16th century, the Minutemen were formed. The original Minutemen, seven vicious killers, eradicated the colony and all of its inhabitants, leaving behind only the cryptic message "Croatoa" as a warning, reclaiming the land for the Trust. Since this time, the Minutemen's charge has been to protect the 13 Houses of the Trust, serving as their force against outside threats and more frequently as police of the internal conflicts between the Trust families themselves. The groups' interactions are often facilitated by a person holding the title "Warlord" for the Trust, who serves as the Houses' liaison to the Minutemen.


100 Bullets, Plot
Sometime in the late 20th century, the Minutemen were betrayed by the Trust and disbanded after Agent Graves refused to reenact "The Greatest Crime in the History of Mankind" (a re-expansion of the borders of the Trust). The Minutemen retaliated with the assassination of a hooded figure in Atlantic City, and they were then sent into hiding. Most of the Minutemen of that time were "deactivated" by Graves. These former Minutemen had their memories repressed for their own protection and were returned to "normal" lives. These events occurred prior (presumably some years) to the beginning of 100 Bullets.