&PROUD, &PROUD Photo
In 2014, Vietnamese photographer Maika Elan's work "The Pink Choice" was exhibited. Elan's work was one of the winners in the World Press Photo 2013. The 2015 edition showed "Continuum" from Malaysian photographer kG Krishnan on Kuala Lumpur transgender women. The 2016 edition showcased work from Vlad Sohkin, titled "Being Gay in Papua New Guinea"


&Run
"&Run" (pronounced "and run") is the seventh single by American indie pop band, Sir Sly. The song is the fourth single off of the band's second album, Don't You Worry, Honey. The single was released on December 7, 2017 through Interscope Records. The song was also featured in the soundtrack for FIFA 18.


&Run, Music video
The music video for the track was released on December 7, 2017. The video features the band going through daily life preparing for the shooting of a music video, and examining sights for the video.


&TD Theatre
&TD Theatre  (Croatian: Teatar &TD), alternatively spelled ITD, is a theatre in Zagreb, Croatia. It is regarded as one of the three most important experimental Zagreb theatres in recent times, alongside Exit Theatre and Zagreb Youth Theatre. Many Croatian actors performed here, in addition to world famous individuals such as Eugène Ionesco, Dario Fo and Jiří Menzel. Its artistic directors and chairmen included Miro Gavran and Vjeran Zuppa.


&Twice
&Twice (pronounced "and Twice") is the second Japanese studio album (third overall) by South Korean girl group Twice. It was released by Warner Music Japan on November 19, 2019. It features previously released singles "Happy Happy" and "Breakthrough", and the title track, "Fake & True". The group went on a tour in Japan to promote the album. A repackaged edition of the album, containing the new song "Swing", was released on February 5, 2020.


&Twice, Background and release
On September 6, 2019 through their website, it was announced that Twice would release their second Japanese album. The title track "Fake & True" was pre-released as a digital single on October 18, along with the accompanying music video.


&Twice, Background and release
A repackage was released on February 5, 2020, adding a new song titled "Swing" along with a new version of the "Fake & True" music video called "The Truth Game".


&Twice, Promotion
"Fake & True" was first performed during Twice World Tour 2019–2020 "Twicelights"'s Japanese leg, which began on October 23, 2019 in Sapporo. It was also performed on Music Station on Music Station 2 Hour Special episode on November 22, 2019.


&Twice, Commercial performance
&Twice debuted at number 1 on the daily ranking of Oricon Albums Chart with 80,563 copies sold, and topped the weekly Oricon Albums Chart with 124,197 copies sold. On Oricon Digital Album Chart, it debuted at number 5 with 1,912 download count. It also debuted atop the Billboard Japan Hot Albums chart, making it the group's third album to do so. Billboard Japan recorded 133,163 copies sold and 1,903 downloads of the album.


&flix
&flix is an English movie channel from Zee Entertainment Enterprises that launched on June 3rd, 2018. by replacing Zee Studio.


&flix, History
Due to poor rating of Zee Studio Zee Entertainment Enterprises rebranded the channel as &Flix.


&flix, Programming
Zeel made an exclusive distribution deal with Sony Pictures before the launch . &Flix also shows movies from Walt Disney Studios Paramount Pictures and Universal Pictures.


&moshik
&moshik, formerly &samhoud places, was a fine-dining restaurant in Amsterdam, Netherlands. The restaurant was awarded two Michelin stars for 2013. However it owed this rating to the past performance of its head chef as the restaurant was opened too briefly for a thorough review. In November 2013, the restaurant was again awarded two stars, this time under their own power. It closed down in May 2020 when the COVID-19 pandemic crisis forced it into bankruptcy.


&moshik
The head chef of &moshik was Moshik Roth, one of the leading molecular chefs in the Netherlands. The restaurant was the successor of 't Brouwerskolkje in Overveen.


&moshik
&moshik was a cooperation between Israeli chef Moshik Roth and entrepreneur Salem Samhoud. They created an up scale restaurant on the so-called "Oosterdokseiland". In the new building, the restaurant comprised a lounge and restaurant over two floors. Mid January 2018 the restaurant changed name to &moshik to avoid confusion with other companies in the "&samhoud group".


&pictures
& Pictures is a Hindi satellite movie channel in India based in Mumbai. The channel is owned by Zee Entertainment Enterprises. It is the first channel of Zee Entertainment Enterprises under the new brand &.


&pizza
&pizza (pronounced "And Pizza") is an American fast casual pizza restaurant chain, with 36 locations in Washington, D.C., Maryland, Virginia, New York, New Jersey, Pennsylvania, Florida, and Massachusetts. The restaurant sells personal and customizable oblong-shaped pizzas. They tailor each location to its neighborhood, with local artists designing the interiors. Some locations serve beer, wine, and cocktails.


&pizza, History
&pizza was founded by Michael Lastoria and Steve Salis, with the first shop opening in July 2012 on H Street in Northeast, Washington, D.C. Salis served as CEO from inception-2015. Currently, Lastoria serves as CEO and creative director. In 2016, the restaurant received a $25 million investment from AVALT, to expand into New York City, opening its first location there in June 2017. In July 2017, &pizza and the bakery Milk Bar announced a joint venture, to open in Harvard Square in Cambridge, Massachusetts. In October 2017, &pizza announced funding from RSE Ventures.


&pizza, History
The restaurant has advocated in Congress for a $15 minimum wage by 2023.


&pizza, Reception
The Washington Post called the restaurant "the pizza shop for the 21st century", describing it as "Chipotle for pizza". It was named best pizza in the Washington City Paper Best of D.C. in 2017; was #12 on the Restaurant Business 2017 Future 50 list of fastest-growing small concept restaurants; and was on the Fast Company World's Most Innovative Companies 2018 list.


&pizza, Marketing
Since 2015, the restaurant has held an annual Pi Day tradition, where they hold weddings in their pizza shops, offering free pizza, cake, alcohol, officiants and photography. In 2018, &pizza hosted over a dozen weddings at locations in DC, Baltimore, New York, and Philadelphia. For employees who want it, the restaurant pays for them to get a tattoo of its ampersand logo. The advocacy group Our Harvard Square has criticized &pizza for encouraging tattoos of its logo on employees and for referring to employees as "tribe members".


&privé HD
& Privé HD is an Indian pay television channel that was launched on 24 September 2017. The channel broadcasts English movies.


'01 (Richard Müller album)
Released in 2001,'01 is the seventh solo album by the Slovak singer Richard Müller. Müller wrote most of the lyrics and, due to the death of his favourite composer Jaro Filip, Müller also composed half of the music. The album was critically well received, and placed at number 9 in the Czech musicserver.cz's list of the 25 best Czech and Slovak albums of the decade.


'01 (Richard Müller album), Track listing
12th track of album is 1:09 excerpt of early version of Planý poplach duše song sung by song composer Jaro Filip.


'03 Bonnie & Clyde
"'03 Bonnie & Clyde" is a song recorded by American rapper Jay-Z featuring his then-girlfriend, American singer Beyoncé Knowles. It was composed by Shawn Carter, Kanye West, Prince Nelson, Tupac Shakur, Darryl Harper, Ricky Rouse and Tyrone Wrice for Jay-Z's seventh studio album The Blueprint 2: The Gift & The Curse (2002). The song was released as the album's lead single on October 10, 2002. A R&B song, "'03 Bonnie & Clyde" sampled its beat from American rapper Tupac Shakur's 1996 song "Me and My Girlfriend", paraphrasing its chorus, and was inspired by the crime film Bonnie and Clyde. The instrumentation is based on programmed drums, bass instruments, and a flamenco guitar.


'03 Bonnie & Clyde
"'03 Bonnie & Clyde" was generally received with favorable reviews by music critics, who complimented the combination of Jay-Z's and Beyoncé's musical styles, their collaboration and the song's production. The single reached number four on the Billboard Hot 100, becoming Jay-Z's second top ten single and Beyoncé's first as a solo artist. It charted at number two in the United Kingdom and peaked in the top twenty in other European territories. "'03 Bonnie & Clyde" was certified gold by the Recording Industry Association of America (RIAA) and platinum by the Australian Recording Industry Association (ARIA).


'03 Bonnie & Clyde
The accompanying music video was directed by Chris Robinson, and features Jay-Z and Beyoncé playing a modern-day version of the 1920s bank robbers Clyde Barrow and Bonnie Parker. It was nominated for Best Hip-Hop Video at the 2003 MTV Video Music Awards. "'03 Bonnie & Clyde" spawned a feud with American recording artist Toni Braxton, who had also sampled "Me and My Girlfriend" in her 2002 song "Me & My Boyfriend". She accused West and Jay-Z of stealing the idea of using the song as a sample, which was later denied by both of them. "'03 Bonnie & Clyde" was performed by Jay-Z and Beyoncé on several television shows and was later included on the set list of their concert performances and tours, most notably on their co-headlining On the Run and On the Run II tours.


'03 Bonnie & Clyde, Production and release
"'03 Bonnie & Clyde" marked the first collaboration between rapper Jay-Z and R&B singer Beyoncé Knowles. While listening to Shakur's The Don Killuminati: The 7 Day Theory, producer Kanye West suggested that American rapper Tupac Shakur's song "Me and My Girlfriend" would make a good sample to use on Jay-Z's duet with Knowles. West told MTV News that Jay-Z had asked him on the telephone for a duet for him and Knowles: "We got this joint, it has to be the best beat you ever made." He continued:


'03 Bonnie & Clyde, Production and release
So I went home and called my dog, E Base, who plays a lot of instruments up at Baseline [studio] for me and [producer] Just Blaze. [ E] came through. I programmed the drums in 10 minutes, and then he played all the different parts. This version is all live bass, live guitars, [live] chords on it. I brought it to Hov that night, he heard it, he thought of the video treatment before he thought of the rap. He just knew it was gonna be the one.


'03 Bonnie & Clyde, Production and release
Tensions arose during the conception of "'03 Bonnie & Clyde" over the sampling of "Me and My Girlfriend". Senior Vice President of A&R Tina Davis commented on the issue, "We only had one day to clear the [Tupac Shakur] sample [from 'Me and my Girlfriend'] that was used on ''03 Bonnie and Clyde' last year with Jay-Z and Knowles [Beyoncé]. We were back and forth with Afeni Shakur all day until we got the clearance. And then it's a hit."


'03 Bonnie & Clyde, Production and release
"'03 Bonnie & Clyde" was released on October 10, 2002, as the lead single from Jay-Z's album The Blueprint²: The Gift & the Curse. Knowles later included the song as a bonus track on international editions of her 2003 debut solo album Dangerously in Love. In 2003, Now That's What I Call Music! included "'03 Bonnie & Clyde" as the opening track of the 12th volume of the US release and the fifteenth track of the 54th volume of the UK release.


'03 Bonnie & Clyde, Production and release
The song's release was the first indication of Jay-Z's and Knowles' romantic status, spawning rumors about a burgeoning relationship. Their relationship was not made public until Jay-Z featured on Knowles' songs "Crazy In Love" (2003) and "Déjà Vu" (2006). The latter's release also marked the debut of the solo career of Knowles, leaving Destiny's Child on hiatus.


'03 Bonnie & Clyde, Composition
"'03 Bonnie & Clyde" features drums and live instrumentation such as bass instruments and guitar chords. It also consists of a beat sampled from "Me and My Girlfriend". The song was inspired by the 1967 American crime film Bonnie and Clyde as Jay-Z and Beyoncé proclaim themselves as the current version of the criminal duo. Ethan Brown of New York magazine noted that its patina of flamenco guitar was reminiscent of that in Jay-Z's 2001 collaboration with R. Kelly on "Fiesta." Beyoncé mimics the hook of "Me and My Girlfriend" on the chorus as she sings, "Down to ride to the very end, me and my boyfriend".


'03 Bonnie & Clyde, Composition
Some lyrics sung by Beyoncé were sampled from "If I Was Your Girlfriend" by American recording artist Prince. On the second verse, Jay-Z references the relationship between Bobby Brown and Whitney Houston, and the American television comedy-drama series Sex and the City as he raps: "She riiides wit' me / The new Bobby and Whitney / Only time we don't speak is during 'Sex and the City' / Put us together, how they gon' stop both of us? / When I'm off track, Mommy is keeping me focused". The verse then continues: "Let's lock this down like it's supposed to be/ The new '03 Bonnie and Clyde, Hov and B".


'03 Bonnie & Clyde, Critical reception
"'03 Bonnie & Clyde" was received favorably by critics, who commended the use of different samples, and commented on the relationship between Jay-Z and Beyoncé. Chris Ryan of Spin magazine described "'03 Bonnie & Clyde" as a highlight on The Blueprint 2: The Gift & the Curse, stating that it consists of "a house party in a crib as big as the Georgia Dome." John Bush from AllMusic included the song as a highlight on the album, further describing it as "a slick R&B crossover with Beyoncé Knowles".


'03 Bonnie & Clyde, Critical reception
Marc L. Hill of PopMatters viewed it as the "obligatory radio song" of the album. Awarding the song a rating of eight out of ten possible points, Dele Fadele of NME complimented it as "a cool duet" between Jay-Z and Beyoncé. John Robinson of the same publication wrote that as the couple describe their life, it's not all "Lexus and sipping Cris". He added, "A similarly relaxed production makes for a behind-the-diamante-net-curtains classic".


'03 Bonnie & Clyde, Critical reception
Ethan Brown of New York magazine named "'03 Bonnie & Clyde" as a follow-up to the previous "Bonnie & Clyde Part II" by Jay-Z featuring rapper Foxy Brown. Erik Parker, music editor of Vibe magazine, was divided on the song's sample, writing that it was "tasteless but well-executed", and complimented West's production as "impeccable". Margena A. Christian of Jet magazine praised Jay-Z's and Beyoncé's collaboration, favoring the former's "dropping lyrics" and the latter's "cooing silky vocals".


'03 Bonnie & Clyde, Critical reception
Chuck Taylor of Billboard magazine wrote that though it was unclear at the time whether the couple were together or not, but they created good music together. Taylor praised the song's ability to showcase what each artist does best: Jay-Z "spitting" verses of praise, and Beyoncé's sweets coos and hooks. Taylor noted that the sampled acoustic guitar "added spice to the track, setting it up for future success". In a more negative review, Nathan Rabin of The A.V. Club described the song as "terrible" and different from the other songs on The Blueprint 2: The Gift & The Curse.


'03 Bonnie & Clyde, Critical reception
Rap-Up credited "'03 Bonnie & Clyde" for giving Beyoncé a "little street-credit". The staff members of Vibe magazine placed the song at number two on a list of the best Bonnie and Clyde inspired songs. On a list of the 10 Best Jay-Z Songs, Dean Silfenv of AOL placed "'03 Bonnie & Clyde" at number six. Popjustice listed "'03 Bonnie & Clyde" at number 66 on its list of the best singles of 2003. It was nominated for the Best Collaboration at the 2003 BET Awards, but lost to Snoop Dogg's song "Beautiful". In a 2013 list of Jay-Z's 20 Biggest Billboard Hits, "'03 Bonnie & Clyde" was ranked at number 6. Elijah Watson and Erika Ramirez of Billboard magazine noted that the song proved the couple was "unstoppable from jump".


'03 Bonnie & Clyde, Chart performance
"'03 Bonnie & Clyde" reached the top ten on music charts in six European countries. It peaked at number six on the Norway Singles Chart and on the Danish Singles Chart, number eight on the Italian Singles Chart, and topped the Swiss Singles Charts. In Canada, the song peaked at number four and became Jay-Z's highest charting single until it was surpassed by his 2009 Alicia Keys-assisted song "Empire State of Mind", which peaked at number three. In the United Kingdom, "'03 Bonnie & Clyde" peaked at number two on the UK Singles Chart.


'03 Bonnie & Clyde, Chart performance
At the time, it became his highest charting single in Britain since "Hard Knock Life (Ghetto Anthem)" achieved the same feat in November 1998. It peaked at number four on the New Zealand Singles Chart, becoming his highest charting single in that territory. The song also became Jay-Z's highest charting single in Australia, where it peaked at number two. "'03 Bonnie & Clyde" was certified platinum by the Australian Recording Industry Association (ARIA), denoting shipment of 70,000 copies.


'03 Bonnie & Clyde, Chart performance
"'03 Bonnie & Clyde" broke into the top five of the Billboard Hot 100 at number four; it became the highest-charting single that references the famous bank robbers Bonnie and Clyde. The record was previously held by Georgie Fame's 1967 single "The Ballad of Bonnie and Clyde." Following the performance of "'03 Bonnie & Clyde" on Saturday Night Live (SNL) on November 2, 2002, its radio audience increased by 12%, allowing the song to advance into the top ten of the US Hot R&B/Hip-Hop Songs chart, at number seven.


'03 Bonnie & Clyde, Chart performance
This gave Jay-Z his 12th top 10 single, tying him with rapper P. Diddy, who had the same number of top 10 singles on that chart. "'03 Bonnie & Clyde" was his first top 10 since his 2001 single "Girls, Girls, Girls". It was certified gold by the Recording Industry Association of America (RIAA), denoting sales of 500,000 copies. The song sold over 1 million copies in US.


'03 Bonnie & Clyde, Music video
Chris Robinson directed the song's accompanying music video and filmed in Mexico, during October 2002. June Ambrose was hired as the personal stylist, and Johnathon Schaech and Lance Reddick appear in the video as the police officers on their tail. Jay-Z and Beyoncé play a modern-day version of the 1930s bank robbers Clyde Barrow and Bonnie Parker. The video is loosely based on the American 1993 romance crime film True Romance, which stars Christian Slater and Patricia Arquette as two lovers on the run from cocaine dealers.


'03 Bonnie & Clyde, Music video
The choreography used in the clip suggests a relationship beyond screen, as Jay-Z wraps his arm around Beyoncé while singing his part of the chorus. The video also marked a departure for the "clean-cut Beyoncé" and created a symbiotic relationship between her and Jay-Z, allowing them to exchange audiences. The video was premiered on MTV on November 8, 2002.


'03 Bonnie & Clyde, Music video
The music video begins as police officers and Reddick discuss the criminal duo and ways to catch them. As the song begins, Jay-Z is seen driving a gunmetal grey Aston Martin while Beyoncé sits in the passenger seat. As they drive through the sepia sands of Mexico, clips of the police from the beginning of the video are cut into the scene. As Jay-Z and Beyoncé pull over to a hotel, they cover the car to avoid notice from the police.


'03 Bonnie & Clyde, Music video
As Beyoncé and Jay-Z count money in the bedroom, the police discover their hiding place and go upstairs only to find that the two have fled the scene in their car. Scenes of Beyoncé and Jay-Z at a Mexican bar are inter-cut with scenes of an intimate time in a phone-booth; behind the phone booth, spray-painted onto a wall is a tribute to Tupac Shakur. The duo again elude the police who are following one step behind.


'03 Bonnie & Clyde, Music video
After Beyoncé performs her verse in an empty pool, the police form a blockade on the highway in an attempt to catch her and Jay-Z, only to be stumped again as two gas station attendant decoys are found driving the car. The video ends as Beyoncé and Jay-Z light a bonfire on the beach and drive away in a different car.


'03 Bonnie & Clyde, Music video
Corey Moss of MTV News noted that the end of the video does not reveal how the "real" Bonnie and Clyde met their end. The story continues in the 2004 video for Jay-Z's song "99 Problems". The music video for "'03 Bonnie & Clyde" was nominated for Best Hip-Hop Video at the 2003 MTV Video Music Awards. In the official top 20 countdown of Jay-Z music videos, MTV UK listed the clip at number 10.


'03 Bonnie & Clyde, Controversy
On October 8, 2002, Toni Braxton and her team released a statement claiming that Jay-Z's song "'03 Bonnie & Clyde" had stolen Braxton's idea to sample the 1996 Tupac Shakur song "Me and My Girlfriend". Braxton sampled Shakur's song on the track "Me & My Boyfriend", included on Braxton's album, More Than a Woman (2002). In a call to a New York radio station, hosted by Wendy Williams, Braxton stated that "Jay-Z and Beyoncé are messing with my money. They're trying to steal my mojo". Braxton said her song was recorded over the summer of 2002, and alleged that Jay-Z only decided to do "'03 Bonnie & Clyde" after she played her version of the song for Def Jam Recordings.


'03 Bonnie & Clyde, Controversy
Kanye West responded to Braxton's claim in an interview for MTV News, "I had no idea about Toni Braxton's [song]. She can't act like ain't nobody ever heard 'Me and My Girlfriend' before. People hear the song all the time. I can [understand her complaint] if it [was] an original song." West defended the song's sample, stating that the idea came to him after listening to a friend's Makaveli album one night. Roc-A-Fella Records' Co-CEO Damon Dash responded to Braxton's claims:


'03 Bonnie & Clyde, Controversy
Jay is a talented dude. I don't think he would steal anything intentionally. It's an ill coincidence, and things happen for a reason. We'll see what happens behind it... I read it in the paper, and Jay and I were talking about it this morning and it was a little funny. I know he didn't intentionally make the same record she made. I don't think he even heard it. [ My] reaction is, 'Sorry, it wasn't intentional.' Jay makes records and puts them out. This [sh--] is music. It's just music. We don't sit around and have a blueprint to [f---] anybody's life up. The music business has been good to us. I'm not getting into any beef or nothing over music.


'03 Bonnie & Clyde, Controversy
Speaking for MTV News, Jay-Z responded to Braxton's claims: "I wouldn't want to take it from her. I don't even think like that. My first thought would be, 'Maybe I could call her up, maybe I could get on that record.' The most obvious [explanation] is it's neither one of our records. It's not like you made an original idea. She's not in hip-hop, but it happens in hip-hop often. We go to sample the same thing and my record came out first. I'm sorry. What can I do?" He went on saying that if he had known they were both planning to sample the same Tupac song, he would have arranged a duet with her.


'03 Bonnie & Clyde, Live performances
On November 2, 2002, Jay-Z and Beyoncé performed the song together at Saturday Night Live (SNL). Later, on November 21, 2002 they appeared on MTV's TRL for Spankin' New Music Week where they also performed the song. In 2009, Beyoncé performed an abbreviated version of "'03 Bonnie & Clyde" during her I Am... Yours revue, held at the Encore Las Vegas Theatre in July and August. The song was later included on the 2009 live album I Am... Yours: An Intimate Performance at Wynn Las Vegas which was chronicling the revue.


'03 Bonnie & Clyde, Live performances
In August 2011, Beyoncé performed "'03 Bonnie & Clyde" again during her revue 4 Intimate Nights with Beyoncé and included the song on the DVD Live at Roseland: Elements of 4 released in November 2011. During the concerts, Beyoncé announced the song by saying, "It's 2002... I started to feel a little lonely till one day...". "'03 Bonnie & Clyde" was included on Jay-Z's live album Live in Brooklyn released on October 11, 2012 after he performed the song during eight shows in Brooklyn. In 2013, Jay-Z included the song on the set list of his Legends of the Summer Stadium Tour.


'03 Bonnie & Clyde, Live performances
"'03 Bonnie & Clyde" was part of the set list of Beyoncé and Jay-Z's co-headlining On the Run Tour (2014) where the shows were opened with the performance of the song. A black-and-white video was shown on the screen accompanied by sirens as the duo appeared onstage surrounded by smoke. They started performing the song with Beyoncé wearing a see-through fishnet mask and Jay-Z wearing black sunglasses, a star-speckled shirt, black jacket and gold chains. The song was in line with the show's overall criminalistic theme. d /54


'03 Bonnie & Clyde, Credits and personnel
Adapted from The Blueprint²: The Gift & the Curse's liner notes.


'03 Bonnie & Clyde, Charts and certifications, Certifications
^ Shipments figures based on certification alone. Sales+streaming figures based on certification alone.


'38 – Vienna Before the Fall
'38 – Vienna Before the Fall (German: 38 – Auch das war Wien) is a 1987 Austrian-West German co-produced drama film directed by Wolfgang Glück. It was nominated for the Academy Award for Best Foreign Language Film at the 59th Academy Awards. The German title is literally translated as '38 - That, too, was Vienna', but it is also known in English as '38 - Vienna Before the Fall. It is set in Vienna in 1937–1938 at the time of the Anschluss.


'39
"'39" is a song by British rock band Queen. Composed by lead guitarist Brian May, it is the fifth track on their fourth studio album A Night at the Opera. The song was also the B-side to "You're My Best Friend".


'39
The song relates the tale of a group of space explorers who embark on what is, from their perspective, a year-long voyage. Upon their return, however, they realise that a hundred years have passed, because of the time dilation effect in Einstein's special theory of relativity, and the loved ones they left behind are now all dead or aged.


'39, Recording
May sings lead vocal on the studio recording of the song, one of his few lead vocals on Queen recordings.


'39, Recording
May had asked bassist John Deacon to play double bass as a joke but a couple of days later he found Deacon in the studio with the instrument, and he had already learned to play it.


'39, Recording
May had been working on his thesis in astrophysics, but eventually abandoned his studies to pursue his career with Queen. In 2006, he resumed his studies and eventually completed his thesis, titled A Survey of Radial Velocities in the Zodiacal Dust Cloud, and received his PhD in 2008.


'39, Recording
Since Queen had named their albums A Night at the Opera and A Day at the Races after two of the Marx Brothers' most popular films, surviving brother Groucho Marx invited Queen to visit him at his Los Angeles home in March 1977 (five months before he died). The band thanked him, and performed "'39" a cappella.


'39, Recording
The song is the 39th album track released by the band when counting each album track from the debut album onwards.


'39, Live performances
The song was a live favourite throughout the 1970s, often being used a singalong in concert. It was first performed in Edinburgh in September 1976 and remained in setlists until December 1979, although the song was briefly performed in 1984. Instead of May singing the lead vocals live, Mercury did. The Guardian later commented that live performances of the song were played as "a raucous, rollicking sea shanty."


'39, Live performances
The song is featured on the live album Live Killers.


'39, Live performances
George Michael performed "'39" at the Freddie Mercury Tribute Concert in April 1992. Michael cited this song as his favourite Queen song, claiming he used to busk it on the London Underground.


'39, Live performances
Recently, Queen have included the song on the setlists of their Queen + Adam Lambert tours in 2012 & 2014-2015 featuring Adam Lambert & both Queen + Paul Rodgers Tours, which were Queen + Paul Rodgers Tour & Rock the Cosmos featuring Paul Rodgers; as on the album, it is sung by May.


'39, Comments
I felt a little like that about my home at the time, having been away and seen this vastly different world of rock music which was totally different from the way I was brought up. People may not generally admit it but I think that when most people write songs there is more than one level to them – they'll be about one thing on the surface, but underneath they're probably trying, maybe even unconsciously, to say something about their own life, their own experience – and in nearly all my stuff, there is a personal feeling.


'39, Personnel
Information is taken from the album's Liner Notes except where noted


'40s Junction
'40s Junction is a commercial-free music channel on the Sirius XM Radio platform, broadcasting on channel 73; as well as Dish Network channel 6073. The channel mainly airs big band, swing, and hit parade music from 1936 to 1949, with occasional songs from the early-1950s. Until May 7, 2015, the station was known as '40s on 4, with programming being broadcast on channel 4, as part of the "Decades" line-up of stations. It was later rechanneled to be nearer to stations featuring similar genres of music, such as jazz and standards. During its first four months on Ch. 73, the station was known simply as '40s. The station was rebranded as 40s Junction on August 13, 2015.


'40s Junction
The 40s Junction name, and the station's longtime nickname, "The Savoy Express", refer to the passenger train−travel common in the 1940s. The name also lends reference to the popular 1941 jazz song Chattanooga Choo Choo. The original "Station Master" (Program Director) for the channel was Marlin Taylor, with Bob Moke serving as Music Director. Both have since departed, and the channel is currently programmed by Human Newman. The "voice" of the channel is Lou Brutus, who models his announcing style after that of Bing Crosby staff announcer, Ken Carpenter. In keeping with the railroad theme, the station's logo now features a train itself.


'40s Junction, History
Climb aboard the Savoy Express for a trip to yesterday and the sound of swing. Revel in the heyday of the big bands and the hits of the '40s. All aboard, Track 4!


'40s Junction, History
Hep Cats and Swingeroos, here comes the Savoy Express. Crooners serenade, and harmony groups join forces with orchestras to play everything in 'the book'. From Benny Goodman and Bing Crosby, to Doris Day and Count Basie, hear the hits from the '40s and beyond.


'40s Junction, History
Similar to other XM "Decades" stations, prior to the 2008 merger with Sirius, the '40s channel was initially programmed to recreate the feeling of the '40s era.


'40s Junction, History
This was accomplished by broadcasting big band/swing music; recreated newscasts in which fictional reporter "Ed Baxter", voiced by Bill Schmalfeldt, would report on the day's top stories in a year from 1936 to 1949, as if they were current now; countdowns of the top 3 hit songs from the current week in a year from 1936 to 1949; World War II–era, patriotic songs; Spike Jones's joke novelty recordings; along with such features as the Record Museum, which played tracks from any year between 1920 and 1935. During Academy Award season, director Bob Moke would regularly introduce and play all of the Academy Award nominated songs for a particular year between 1936 and 1949.


'40s Junction, History
From November 16 through December 25, 2009, '40s on 4 would be preempted for Holiday Traditions, a seasonal program devoted to popular Christmas music from the 1940s to the 1960s. In 2010, the channel was again preempted for Holiday Traditions, this time starting November 15, and extending through January 1, 2011. The following year, 'Holiday Traditions appeared on its own channel (147), from November 14, 2011 to January 2, 2012.


'40s Junction, History
Previously featured programs included Harmony Square, a 1-hour presentation of barbershop music that aired on Sunday afternoons and evenings; Big Band Jump, a syndicated weekly program, hosted by Don Kennedy, that specialized in Big Band music and the stories behind it; and a weekly program devoted to vintage, Bing Crosby radio shows, such as Philco Radio Time and Kraft Music Hall.


'40s Junction, History
The channel was also used for XM's annual pop-music chronology, IT, from 2002 to 2007. From August 2011 to August 2013, Jonathan Schwartz, formerly of XM's High Standards and Siriusly Sinatra stations, was heard daily on '40s on 4, playing a mixture of classic and contemporary pop standards recordings.


'40s Junction, History
From March 26 to June 25, 2014, '40s on 4 was temporarily replaced by the Billy Joel Channel. This change was ill-received by many of the station's fans; many of whom cancelled their subscriptions or demanded refunds from Sirius XM as a result.


'40s Junction, History
Channel 4 was occupied by Pitbull's Globalization Radio when the '40s channel moved to Channel 73.


'40s Junction, History
While known as "40s", the station logo featured the previous logo, but the on 4 text was removed.


'40s Junction, Internet Player
The Internet player can be adjusted to play faster music (i.e. Swing), or slower music (i.e., Traditional Pop). [source?]


'43 Group (art collective)
The '43 Group was a 20th-century modern art school established in August 1943 in Colombo, Sri Lanka (then British Ceylon).


'43 Group (art collective)
The group was essentially an association of like-minded artists who had broken away from the Ceylon Society of Arts, led by photographer and critic Lionel Wendt, and originally included nine painters as key members (listed alphabetically): Geoffrey Beling, George Claessen, Aubrey Collette, Justin Daraniyagala, Richard Gabriel, George Keyt, Ivan Peries, Harry Pieris (the first and only Secretary of the Group), and the Ver. Manjusri Thero,


'43 Group (art collective)
The group were influenced by Charles Freegrove Winzer, to whom Keyt and Beling had been pupils.


'43 Group (art collective)
The paintings of the group constituted a historic break in Sri Lankan and, more generally, South Asian tradition. Art historian Jagath Weerasinghe wrote that the most significant achievement of the 43 Group was their localization of European modernist trends into a distinctively Sri Lankan modernist art.


'43 Group (art collective)
Lester James Peries became a later associate of the group.


'43 Group (art collective)
The Group also promoted Kandyan dance and other Sri Lankan dance forms.


'47 (brand)
'47 is a privately held American clothing brand founded in 1947 by twin Italian immigrant brothers, Henry and Arthur D'Angelo. '47 maintains licenses to create headwear, apparel and accessories for the Major League Baseball, National Basketball Association, National Hockey League, National Football League, Big Bash League, Minor League Baseball, Major League Lacrosse, National Rugby League and over 900 college institutions in the United States.


'47 (brand)
In 2014, '47 became an official licensed on-field partner for four teams in the Cape Cod Baseball League. In 2015, '47 expanded their portfolio with a USSF and Major League Soccer partnership deal. In the same year, they clinched the rights to produce caps for MLB on-field postseason celebrations until 2019 and secured a license to create merchandise for Major Baseball League International (MLBI). In 2013, they reported an estimated $230 Million in revenue.


'47 (brand), Rebranding
In 2010, Twins Enterprise changed its name to '47 Brand. In 2015, they dropped the "brand" in "'47 Brand."


'47 (brand), Rebranding
The company is still occasionally referred to as "'47 Brand" or "Twins Enterprise" in various publications.


'47 (brand), The Founders
Arthur and Henry D'Angelo, identical twin brothers, were born in Orsogna, Italy in 1926. They came to the United States in 1938 at age twelve and soon began selling various items, including Boston Red Sox pennants on the streets near Fenway Park where the Boston Red Sox play. In 1977, Arthur's oldest son, Robert, joined the business. In the next nine years, Arthur's three other sons (Mark, David, Steven) joined as well. Henry D'Angelo died from cancer in 1987.


'47 (brand), The Founders
On September 21, 2013, the Red Sox and Mayor Thomas Menino honored Arthur D'Angelo by naming a street near Fenway Park after him, "Arthur's Way" and had him throw the first pitch. Arthur D'Angelo remains president of '47, with his four sons in leadership positions: Steven D'Angelo, Robert D'Angelo, David D'Angelo and Mark D'Angelo.


'47 (brand), Locations
In 1965, the D'Angelo brothers purchased a 2,000 sq.ft. retail space on Yawkey Way to sell Red Sox souvenirs. They now own and operate the official pro-shop at 19 Jersey Street across from Fenway Park: The Red Sox Team Store. On game days, the store operates within stadium confines and is open to ticketed patrons two hours before game time, throughout the game, and thirty minutes after the last pitch. The store opens at 9am daily. The company headquarters is located in Westwood, MA. In addition, they have a 200,000 sq.ft. warehouse in Brockton, MA.


'47 (brand), Organizations
In 2015, '47 created headwear, accessories and apparel for the Black Fives Foundation, a 501(c)3 organization that preserves the history of basketball pre-racial integration. This venture marked the first ever sports licensed retail deal with a not-for-profit organization.


'47 (magazine)
'47 was an American magazine first published in the year 1947. It changed its name with the calendar and remained '48 until its demise in 1948. Because its title changed with the year, it is indexed in libraries by its subtitle, The Magazine of the Year.


'47 (magazine)
'47 was a publication owned by hundreds of the best writers and artists of the day –owners who were also contributors. It was headed by Clifton Fadiman and among the writers who signed on were Roy Chapman Andrews, Roger Butterfield, Ilka Chase, Walter Van Tilburg Clark, Laura Z. Hobson, Howard Lindsay and Walter Lippmann. Included were John McNulty, Andy Rooney, Christopher Morley, Ogden Nash and S. J. Perelman. There were Upton Sinclair, John Steinbeck and Irving Wallace. The graphic artists Karsh and Marsh, Gropper, and Virgil Partch signed on.


'47 (magazine)
The magazine, on both pulp and coated paper, about the size of Reader's Digest and Coronet, told of the changing times and of the new world coming. Readers in the forty-eight states learned about the territory of Alaska. FM broadcasting was going to give the air waves back to the listeners. Dr. Kinsey had some interesting news. John Gunther named all the white males who ran America. Social Security, a decade old, was reviewed. Rheumatic fever was a major killer of children. Nathaniel Benchley ventured “Up in Benchley’s Room” and Albert Einstein recommended a few science books. Painter Jack Levine was hailed as a new young talent. A short story by Ralph Ellison, soon to be part of his new novel “Invisible Man,” appeared. Tasteful nudes and mildly funny cartoons were not eschewed.


'47 (magazine)
'47 was more expensive than some other magazines of its time. It cost 35 cents a copy at the newsstand, at a time when the weekly Saturday Evening Post cost 10 cents a copy (raised to 15 cents as of the November 15, 1947, issue).


'47 (magazine)
The magazine's run was not fully successful. Around September 1947, the magazine sent a postcard to subscribers, stating that until then, the magazine had "let everybody down" and been "flat, dull, ordinary". The postcard went on to inform readers that "[p]eople have been fired, ideas and departments shelved", and that they would soon receive a '47 which the editors could send out "(for the first time) with confidence and some pride".


'47 (magazine)
Early in 1948, the magazine began to run advertising. Nevertheless, in May of that year, '48 wound up laying off its circulation department and then going to court for approval of a reorganization under the National Bankruptcy Act. According to Time magazine, despite the talents of its owner-contributors, The Magazine of the Year "had bought too much bottom-drawer stuff, because it could not afford the prices other magazines paid for top-drawer pieces". The Magazine of the Year came to an end with the June 1948 issue, after having published sixteen issues; at the time publisher Walter Ross ended publication, the magazine was $150,000 in debt after having cost its investors $700,000.


'48 (novel)
'48 is a 1996 alternative history  novel by British horror author James Herbert. The book follows an American pilot stranded in a dystopian London after Adolf Hitler, moments before being completely defeated, uses a biological weapon in the shape of V-2 missiles, that mostly wipes out the human race.


'48 (novel), Plot summary
The story follows an American pilot, Hoke, who lives alone in the streets, constantly hidden and on the run from a gang of diseased and terminal Blackshirts, afflicted with the 'Slow Death', who attempt to capture him to use his blood to save their leader, Lord Hubble, via a blood transfusion.


'48 (novel), Plot summary
Desperate to capture Hoke as his life draws nearer to its end, Hubble sends his entire force out to capture the American pilot. Hoke escapes thanks to the aid of three fellow 'ABneg' survivors – two women and a German navigator, shot down over Britain long ago.


'48 (novel), Plot summary
Hoke, being used to three years alone, detests his saviours and, corrupted by propaganda, is almost unable to contain himself in the presence of the German even though the war has long since ended.


'48 (novel), Disease
With the V-2 missiles came two types of the same disease. First is the Blood Death which kills the subject instantly in a gruesome way. The arteries become blocked and explode, the skin splits and blood pours from every orifice. The Slow Death has the same climax but takes longer to work, up to years, and weakens the subject, blackens their fingers and hands and bruises their body internally. Victims of the Slow Death are generally much weaker and slower to react than the AB negs, however some individuals (such as McGruder, Hubble's bodyguard) seem less prone to its debilitating effects.


'48 Smallholders Party
The '48 Smallholders Party (Hungarian: 48-as Kisgazda Párt, 48KGP) was a political party in Hungary during the early 1920s.


'48 Smallholders Party, History
The party first contested national elections in 1922, winning two seats in the parliamentary elections that year.


'48 Smallholders Party, History
After 1922 the party did not contest any further elections.


'49–'17
'49–'17 is a 1917 American silent western film directed by Ruth Ann Baldwin and starring Joseph W. Girard, Leo Pierson and William J. Dyer.


'49–'17, Plot
The film opens on Judge Brand and his secretary, Tom Reeves, lounging in their office as the Judge reminisces about his life in the Old West. Brand tells Tom about how he and his partner, Adams, participated in the Gold Rush. Brand and Adams had both fallen in love with a woman, though Adams had eventually won her affection and the two were married and had a child. This state of affairs did not last long however, as Adams' wife eventually left him for another man, taking the child with her.


'49–'17, Plot
Not long after, Brand and Adams struck it rich, however Adams' wife never came back. Brand concludes the story by asking Tom to go out west to repopulate and rebuild the town Brand and Adams had lived in, Nugget Notch. Both so that Brand can relive some of his earlier days, and to potentially find Adams' child, and the heir to his fortune.


'49–'17, Plot
Tom does not initially find success in his search for potential occupants of Nugget Notch, but eventually hears about a struggling exposition troupe themed around the Old West, run by a man named J. Gordon Castle. Among this troupe is an innocent woman called Peggy Babbot, along with her parents Pa and Ma Babbot. However, Peggy is constantly watched by a mysterious Mr. Jim Rayner. Tom proposes Judge Brand's idea to Mr. Castle, who agrees. On the way to Nugget Notch, Rayner threatens Pa Bobbet not to let Tom near Peggy, Pa begrudgingly obliges. Tom also writes to Judge Brand that he has assembled a population to live in Nugget Notch, but tells Brand that Rayner seems untrustworthy.


'49–'17, Plot
Upon arrival at Nugget Notch, the troupe begins renovating the town and preparing for Judge Brand's arrival. When the Judge finally arrives, he remarks that the townsfolk are not quite as rough and hardy as the authentic 49ers used to be, but he seems to settle in well. It is then that Raynor learns that the Judge came west partially to find the heir to Adams' fortune, which Rayner takes an interest in.


'49–'17, Plot
That night, at a banquet held to celebrate Judge Brand's arrival, Brand recognizes a necklace Peggy is wearing and it is revealed that Peggy is in fact Adams' daughter and heiress, with her real name being Lorena Adams. After the banquet, Peggy/Lorena informs Tom and the Judge that Raynor is threatening to have Pa Bobbet killed unless he can give Raynor $1,000 by the next day. Tom decides to confront Raynor and tells him not to harm Peggy.


'49–'17, Plot
Late in the night, Tom is kidnapped and blindfolded by Raynor, who lowers him via rope into a rock formation outside of town. The Judge notices that Tom is gone, and along with a man from the village go to find Tom. However, this was unnecessary as Tom was led out of the rocks by a friendly wolf. They then realize that there is, in fact, still gold in the rock formation. So the men set up a claim.


'49–'17, Plot
The next day, as Tom and the Judge are talking, some of the townsfolk inform the two that Rayner has stolen all of the money, guns, and horses from the town during the night. It is then that Raynor himself appears and demands that the men hand over their pocket money at gunpoint. Raynor then kidnaps Peggy and makes a run for it. However, Judge Brand remembers a shortcut which allows him and Tom to ambush and capture Raynor using a rope.


'49–'17, Plot
The town decides to put Rayner on trial. During the proceedings it is revealed that Raynor was the man Adams' wife left Adams for, that Raynor had once been Pa Bobbet's partner and had used the death of a man Raynor had tried to steal from as blackmail against Bobbet for many years, and that Peggy was Pa Bobbet's real daughter all along. However, while all this is going on Rayner manages to undo his bindings, shoot Tom in the arm, and escape once again. But, at the last second, he falls off of his horse and is recaptured. The film ends with Judge Brand, Tom, and Peggy sitting together happily.


'50s on 5
The '50s on 5 (or just The '50s) is a commercial-free, satellite radio station on Sirius XM Radio channel 5, as well as on Dish Network channel 6005.


'50s on 5
From 2001 to 2008, the Program Director for XM's The '50s on 5 was Ken Smith, and its Music Director was Matt "the Cat" Baldassarri. Both men were dismissed from the channel in October 2008 following XM's merger with former rival Sirius. On November 12, 2008, The '50s on 5 was added to the Sirius platform, replacing the Sirius Gold channel.


'50s on 5
Similar to the other decades-themed channels, The '50s on 5 attempts to recreate the feel of 1950s radio. It uses similar DJ habits, jingles, period slang, and news updates. The channel was also used for XM's annual Pop Music music chronology, IT. However, unlike most satellite radio stations which play songs solely from a specific decade, the lineup of songs on The '50s on 5 is mostly from 1954 to 1963, a decade that spans from the start of the rock and roll era to immediately before the British Invasion. 40s Junction carries the early 1950s playlist alongside the late 30s and 40s music.


'50s on 5
In early 2014, Sirius removed the disc jockeys from The '50s on 5, and also from '90s on 9, in an apparent cost-cutting move. Pat St. John was one of the dismissed DJs.


'50s on 5
As of 2020, 50s on 5 carries some limited hosted programming, including a show by Pat Boone, In the Key of Neil with Neil Sedaka, and the terrestrially syndicated Cool Bobby B's Doo Wop Stop. and The Pink And Black Days with Alex Ward.


'50s progression
The '50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, the doo-wop progression and the "ice cream changes") is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is: I–vi–IV–V. For example, in C major: C–Am–F–G. As the name implies, it was common in the 1950s and early 1960s and is particularly associated with doo-wop.


'50s progression
The first song to use the sequence extensively might have been "Blue Moon", written in 1933 by Richard Rodgers, and first released, with lyrics by Lorenz Hart, in 1934.


'50s progression, Theory
In Western classical music during the common practice period, chord progressions are used to structure a musical composition. The destination of a chord progression is known as a cadence, or two chords that signify the end or prolongation of a musical phrase. The most conclusive and resolving cadences return to the tonic or I chord; following the circle of fifths, the most suitable chord to precede the I chord is a V chord. This particular cadence, V–I, is known as an authentic cadence.


'50s progression, Theory
However, since a I–V–I progression is repetitive and skips most of the circle of fifths, it is common practice to precede the dominant chord with a suitable predominant chord, such as a IV chord or a ii chord (in major), in order to maintain interest. In this case, the 50s progression uses a IV chord, resulting in the ubiquitous I–IV–V–I progression.


'50s progression, Theory
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass voice descends in major or minor thirds from the I chord to the vi chord to the IV chord.


'50s progression, Variations
As with any other chord progression, there are many possible variations, for example turning the dominant or V into a V7, or repeated I–vi progression followed by a single IV–V progression. A very common variation is having ii substitute for the subdominant, IV, creating the progression I–vi–ii–V (a variant of the circle progression) and thus the ii–V–I turnaround.


'50s progression, Variations
Variations include switching the vi and the IV chord to create I–IV–vi–V, as is used in "More Than a Feeling" by Boston and "She Drives Me Crazy" by Fine Young Cannibals. This is also similar to the I–V–vi–IV progression.


'50s progression, Variations
The harmonic rhythm, or the pace at which the chords occur, may be varied including two beats (half-measure) per chord, four (full measure or bar), eight (two measures), and eight beats per chord except for IV and V(7) which get four each.


'50s progression, Variations
"Sleep Walk" by Santo & Johnny uses a similar progression, with the IV replaced by its parallel minor iv for an overall progression of I–vi–iv–V.


'50s progression, Examples in popular music
This is a partial list of recorded songs containing the '50s progression. The list does not include songs containing the progression for very short, irrelevant sections of the songs, nor does it include remade recordings of songs by other artists.


'50s progression, Examples in classical music
Instances of the I–vi–IV–V progression date back to the 17th century, for example, the ostinato bass line of Dieterich Buxtehude's setting of Psalm 42, Quem admodum desiderat cervus, BuxWV 92:


'50s progression, Examples in classical music
The progression is found frequently in works by Mozart. At the end of the slow movement of his Piano Concerto No. 24, K. 491, the progression is spelled out in arpeggios played by the bassoon:


'50s progression, Examples in classical music
The opening of his Piano Concerto No. 22, K. 482 extends the progression in a particularly subtle way, making use of suspensions:


'50s progression, Examples in classical music
Eric Blom (1935, p. 227) hears this passage as "the height of cunning contrivance resulting in what is apparently quite simple and obvious, but what could have occurred to nobody else."


'51 Dons
'51 Dons is a 2014 documentary film directed by Ron Luscinski and written by Luscinski, Tom Davis and Danny Llewelyn. Narrated by Johnny Mathis, it covers the 1951 San Francisco Dons football team and its unique stand against racism. The team, including future NFL players and Pro Football Hall of Fame inductees Bob St. Clair and Gino Marchetti, declined an invitation to play in the Orange Bowl that would have required them to leave their African-American players Ollie Matson and Burl Toler home. This act was one of the contributing factors that led to the end of organized football at the University of San Francisco. The university's athletic news director, Pete Rozelle, went on to become the commissioner of the NFL, where he reshaped American football.


'51 Dons, Synopsis
In 1951, future Pro Football Hall of Famers Gino Marchetti, Bob St. Clair and Ollie Matson powered the University of San Francisco Dons to a 9–0 record. As one of the nation's top teams, USF seemed assured of their first-ever bowl bid  and a payout that would save their cash-strapped program. The Dons were invited to Miami under one condition: They take the field without their two African American stars, Matson and Burl Toler. The Dons refused. By choosing not to play, they set a precedent of racial equality more than a decade before the Civil Rights Movement. The Dons' stand against racism is recognized by contemporary African-American studies scholars Dr. Harry Edwards and Martin Luther King Jr.'s speech writer, Dr. Clarence Benjamin Jones, as evidence of sports acting as an engine for social justice in America. Both men state this case in the film.


'51 Dons, Production
Filming began in late 2013. There were over 40 interviews filmed. Filming locations included in and around the University of San Francisco campus, Kezar Stadium, California Memorial Stadium on the Cal Berkeley campus, Carmel-by-the-sea and the Greater Los Angeles area.


'51 Dons, Production
The surviving members of the 1951 Dons team who appear on camera include Bob St. Clair, Ralph Thomas (American football), Dick Columbini and Bill Henneberry. Several former NFL stars such as Rosey Grier, Gene Washington, Jamie Williams and Toi Cook are featured as well. In addition, many of Matson and Toler's children and grandchildren appear.


'51 Dons, Production
This is the only film Johnny Mathis has chosen to narrate. Mathis has personal ties to the story, as he was a close friend of Ollie Matson while a track athlete at San Francisco's Washington High. Mathis later sang at Matson's wedding.


'51 Dons, Reception
'51 Dons premiered on ESPN on Sunday, February 9, 2014, in primetime to a strong critical reaction. It subsequently aired 12 times nationally in the U.S. on ESPN Networks  and three times throughout Canada on TSN. To date, the film has been seen by over one million viewers.


'51 Dons, Reception
ESPN senior director, programming & acquisitions, Doug White said, "ESPN is proud to have '51 Dons as part of our annual Black History Month programming. The film displays the team's solidarity as they support two of their own, forgoing an opportunity to play in a bowl game and the monetary value of a championship."


'60s Vibrations
'60s Vibrations was a commercial-free music channel on Sirius Satellite Radio channel 6 and Dish Network channel 6006 that plays all-60’s and some early '70s music. Unlike its counterpart at XM Satellite Radio, The 60s on 6, it was not exactly decade-specific; rather, its musical focus was on the years 1964-69, a period in which the British Invasion, the Motown explosion, and other creative forces transformed the pop music landscape. SIRIUS Gold carried the early '60s playlist with the '50s music. The playlist also included select titles from the early '70s and some from the earlier '60s.


'60s Vibrations
Core artists include the Beatles, the Beach Boys, the Temptations, the Rolling Stones, Diana Ross and the Supremes, Creedence Clearwater Revival, Marvin Gaye, Tommy James and the Shondells, and Simon and Garfunkel. There were daily segments devoted to British Invasion music ("Tea and Crumpets"), surf music ("Surf's Up"), and bubblegum music ("Bubblegum").


'60s Vibrations
Since August 2005, '60s Vibrations had been the radio home of legendary New York deejay "Cousin Brucie" Morrow, who signed with Sirius after his former station, WCBS-FM, switched from its former, longtime oldies format to "Jack FM". He hosted two weekly shows on the channel: "Wednesdays with the Cuz" (Wednesdays 5-9 pm ET), and "Cousin Brucie's Saturday Night Party" (Saturdays 8 pm-midnight ET), playing music from the 1960s and 1970s.


'60s Vibrations
The channel was replaced by XM's 60s on 6 channel effective November 12, 2008. The Cousin Brucie programming has moved to the '50s channel.


'60s on 6
The '60s on 6 (or just The '60s) is a commercial-free, satellite radio station on the Sirius XM Radio platform. It plays music from the 1960s. Airing on XM since 2001, the channel became available to Sirius subscribers replacing '60s Vibrations on November 12, 2008, following the merger of the two companies. The station currently broadcasts on channel 6 of both services, as well as on Dish Network channel 6006.


'60s on 6
Like the other decades channels, The '60s on 6 works to recreate the feel of 1960s radio. They use similar DJs, classic PAMS jingles, period slang, and news updates. The channel was also used for XM's annual rock and roll hits music chronology, IT.


'60s on 6
The logo features a Peace sign for the zero in its logo.


'60s on 6
As of 2008, The '60s on 6 was the fifth most listened to station on the XM service, with a cume of 581,300 listeners per week, according to Arbitron analysis.


'60s on 6, Post Sirius XM merger
With the merger of many Sirius XM channels on November 12, 2008, there were some changes to 60s on 6. The channel's playlist, which had once exceeded 3,000 songs was sliced to emphasize Top 10 hits more, with most of the lower-charting tracks as well as many of the crossover and novelty hits of the era removed and abandoned from the rotation. Pat Clarke, who helmed the channel since the 2004 departure of  Program Director and channel creator, Cleveland Wheeler, was dismissed along with another disk jockey, Marty "with the Party" Thompson.


'60s on 6, Post Sirius XM merger
Phlash Phelps and Terry "Motormouth" Young were spared, and "Broadway" Bill Lee and Mike Kelly joined the airstaff. Lee eventually moved to the '70s on 7 channel. Cousin Brucie began a live Saturday all-request show. Wolfman Jack was moved into an early afternoon block, and was eventually eliminated altogether, along with other channel fixtures such as the Sonic Sound Salute, Sweet Sixteen Music Machine countdown, and Chickenman.


'60s on 6, Post Sirius XM merger
The classic PAMS jingles were edited to remove references to XM Radio, or jingles not referencing XM were used. In the summer of 2009, PAMS produced a new set of jingles based on its Series 31, "Music Explosion" for the channel.


'60s on 6, Post Sirius XM merger
Prior to the merger, it was the only XM channel to not change its zero in the logo, since it has always been a peace sign. All decades channels changed logos, whereas this channel, along with the '40s on 4 and the '70s on 7 are updated logos from their predecessors. The current logo for The '60s on 6 is the same, but "The" is phased out on the left, and adds the "on 6" info at the right.


'64–'95
'64–'95 is the third studio album by Lemon Jelly. The concept album contains tracks that take samples from songs recorded between the years 1964 and 1995. The number that precedes the song title denotes from which year the sample is taken.


'64–'95
The album is rather different from their previous two releases in that it has a darker sound and is influenced by more modern sounding music. To avoid confusion over the matter, the band included a sticker on the sleeve stating, "This is our new album, it's not like our old album."


'64–'95
A hidden track, "Yes! ", appears before track 1 on the special edition CD version of the album. This is a short additional spoken word sample featuring the same voice which appears on the first track, "It Was...". A DVD version of the album was also released, with animated videos for each track.


'64–'95
The inclusion of the sample of "Horrorshow" by the Scars, a group that was at the time considered to be rather obscure, sparked a renewed interest in the Scottish post-punkers and helped to reunite some members of the band. This resulted in the group being able to release their long out-of-print album Author! Author! on CD—member Fred Deakin was a fan of the group in his adolescence.


'65 Love Affair
"'65 Love Affair" is a song performed by Paul Davis on his album Cool Night.


'65 Love Affair, Background
This song marked Davis's second single release upon his departure from Bang Records to Arista, the first being "Cool Night". The style of "'65 Love Affair" was reminiscent of such blue-eyed soul groups as Hall & Oates, a vein that Davis had not explored before. Davis had originally titled the song "'55 Love Affair", but Arista felt that some modernization was needed to target an audience whose teenage years had occurred in the 1960s, including Davis himself. As Arista pointed out, Davis was only 7 years old in 1955, too young for a "love affair", but was 17 years old in 1965, perfect for the song.


'65 Love Affair, Background
Davis's previous hits had been country-oriented or ballads. The format change to pop proved to be quite marketable. "'65 Love Affair" and "Cool Night", which were recorded at the same time, ranked first and third in terms of his Hot 100 peaks ("I Go Crazy" ranked second). In spite of this popular success, Davis was so disgusted with the commercialized result that he opted out of his contract with Arista and signed with Razor & Tie Record Company, a label on which Davis never charted on the Hot 100.


'65 Love Affair, Music video
The music video is composed entirely of news archives from the year 1965, including footage of then US President Lyndon Johnson, the Vietnam War, and the Watts riots.


'65 Love Affair, Chart performance
Released in 1982, "'65 Love Affair" hit #6 for two weeks on the Billboard Hot 100 in May 1982. It spent 20 weeks on the chart, and on the Billboard Year-End Hot 100 chart, it placed at #39, and on Cashbox's chart at #60.


'68 (album)
'68 is a compilation album by Robert Wyatt. It is composed of previously unreleased demos Wyatt recorded in 1968 at the end of a tour Soft Machine did with the Jimi Hendrix Experience in the United States. It was released by Cuneiform Records in 2013.


'68 (album)
After the tour, the Experience had given Wyatt access to their recording studios after hours, and he recorded these demos there. Hendrix played bass guitar on one of the recordings, "Slow Walkin' Talk". Some of the tracks were later reworked and used on several Soft Machine and Matching Mole albums.


'68 (album), Reception
Writing at AllMusic, Thom Jurek said Cuneiform Records has "delivered a Holy Grail" with this album, considering that some of the recordings were believed lost, or not to have been made at all. He said that the cleaning and remastering has produced an "excellent" sound, and he described the compilation as "All killer, no filler".


'68 (album), Reception
In a review in PopMatters, Maria Schurr called '68 "especially edifying to Soft Machine die-hards", and a "great ... lost musical treasure". Rolling Stone called the album "By far one of the year’s best releases".


'68 (album), Track listing
All tracks are written by Robert Wyatt, except where noted.


'68 (band)
'68 is an American noise punk duo from Atlanta, Georgia. Formed in 2013 by guitarist and vocalist Josh Scogin—formerly of the hardcore punk band the Chariot—and drummer Michael McClellan, the band currently comprises Scogin and drummer Nikko Yamada.


'68 (band), History
Josh Scogin's former band, the Chariot, played their final show in November 2013. Just over a week later, Scogin teased an announcement with a countdown timer on the website theyare68.com; when the timer ended in December 2013, Scogin revealed that he had formed a new band named '68 and posted a two-song EP titled Midnight for sale online.


'68 (band), History
The title of the EP and its two songs—"Three Is a Crowd" and "Third Time Is a Charm"—are significant to Scogin; the use of the number three in the song titles represents the third act of his life following his stints in Norma Jean and the Chariot, and Scogin also explained that three represents "that thought process of continuing on in my head: 'Three's a charm,' oh, this is gonna be great or 'three's a crowd,' like we should've stuck with the Chariot." The initial pressing of Midnight sold out in less than one day; independent record label No Sleep Records re-released it with new artwork on 1 April 2014.


'68 (band), History
'68 toured in April and May 2014, opening for Chiodos, Emarosa, Our Last Night, and Hands Like Houses, and in May 2014 announced their signing to Good Fight Music and eOne Music to release their debut album In Humor and Sadness, which was released two months later on 8 July 2014. To promote the album, '68 released "Track Two: e" on YouTube as a pair videos that had to be played in unison in order to hear the song correctly.


'68 (band), History
Scogin said of releasing the song this way: "[S]omeone will have one computer and invite a friend over that has another computer, they will spend several minutes struggling and laughing at trying to sync up the two videos perfectly." The song "Track One: R" was also available for online streaming ahead of the album's release, and in August, '68 released a music video for "Track One: R" directed by former Norma Jean and Underoath member Daniel Davison. The band's first tour in support of In Humor and Sadness featured Listener (whose vocalist Dan Smith previously guested on the Chariot's 2010 album, Long Live) and Homeless Gospel Choir.


'68 (band), History
Scogin and McClellan entered the studio in January 2016 to work on their second album, and a few months later posted a demo from the then-upcoming album to YouTube on 14 March 2016. The album, Two Parts Viper, was released over a year later on 2 June 2017.


'68 (band), History
A few months after the release of Two Parts Viper, McClellan was revealed to have parted ways with Scogin. During the tour, Nikko Yamada replaced McClellan as the band's new drummer.


'68 (band), History
In September 2020, the band released their second EP, Love Is Ain't Dead.


'68 (band), History
In January 2021, they announced their third album, Give One Take One, which was released on March 26. They are currently touring with Korn and Staind.


'68 (comic book)
'68 is a monthly comic book series created by writer Mark Kidwell, and published by Image Comics about a zombie apocalypse set in 1968 during the Vietnam War and the peace movement against the war. The stories follow the survivors, both military and civilian, in both Vietnam and the United States.


'68 (comic book)
The series is marketed as various limited series for each story or one-shots. The origin of the comic dates back to 2006 when the comic simply titled '68 was published. The ongoing series started in April 2011 and the original 2006 issue was republished in October of that year as the Encore Edition.


'68 (comic book), Publication history, '68
'68 is a four-issue mini-series covering the period of February 13 and 14, 1968, at the start of the zombie outbreak in Vietnam and the United States. The story follows a unit of US soldiers who are under siege at a firebase by the zombie hordes.


'68 (comic book), Publication history, Scars
'68: Scars is a four-issue mini-series covering the period from February 14 to February 18, 1968. The story follows the defense of Tan Son Nhat International Airport in Saigon by US troops against a combined force of both VC soldiers and zombies. Also included is the story of a group of US soldiers trying to survive on the Mekong river and the parents of one of the main characters back in the United States who are trapped in the now overrun New York City.


'68 (comic book), Publication history, Jungle Jim
'68: Jungle Jim is a four-issue mini-series covering the period from March 27 to March 29, 1968. The story originally started in the one-shot issue Jungle Jim. It follows a United States Marine who is waging his personal war against both the VC and the zombie hordes in the jungles far west of Da Nang, on the border with Laos. He also makes attempts to save a group of orphaned children and missionaries who are being held by a group of rogue Viet Cong.


'68 (comic book), Publication history, Rule of War
'68: Rule of War is a four-issue mini-series published in early 2014.


'68 (comic book), Publication history, Homefront
'68: Homefront is a four-issue mini-series published in late 2014. It consists of 2 unrelated story arcs of 2 issues each. The first one called "Peece and Love" and the second one "Dodgers".


'68 (comic book), Publication history, Last Rites
'68: Last Rites is a four-issue mini-series that began publishing in July 2015.


'68 (comic book), Publication history, One-shots
Six one-shots have been published so far: 68 (December 2006), 68: Hardship (November 2011), 68: Jungle Jim (December 2011) 68: Hallowed Ground (November 2013), 68: Bad Sign (2015) and 68: Jungle Jim: Guts 'N Glory (March 2015).


'68 (comic book), Collected editions
The various series have been collected in the following trade paperbacks.


'68 (film)
'68 is a 1988 drama film directed by Steven Kovacs. The film follows a full year of a Hungarian family living in San Francisco in 1968.


'68 (film), Plot
The father escaped the Soviet invasion of Budapest and now runs a Hungarian restaurant that is not doing well financially. The younger of his two sons is gay and struggling with coming out. His dad disowns him when he finally does. The older son is involved in the counterculture, gets kicked out of college, buys a motorcycle, starts dating a Maoist, and is also disowned by his father. The older of the sons runs afoul of an outlaw motorcycle club; the younger of the two sons gets drafted but is rejected because of his homosexuality. The older one joins his younger brother in a gay rights protest.


'68 (film), Plot
Major events of the year such as the assassination of Martin Luther King and the assassination of Robert F. Kennedy are interspersed throughout the plot and depicted in the film using stock footage


'68 (film), Release and reception
'68 was first shown at the AFI Los Angeles International Film Festival during March 11–26, 1987. The film was then regionally released on May 6, 1988. The film was also shown at the  Deauville Film Festival in September 1988 in which Steven Kovacs was nominated for the Critics' Award. Time Out says "Kovacs' episodic attempt to evoke the trippy, dippy and momentous days of '68... finally peters out in a bathetic happy resolution of sorts."


'68 Comeback
'68 Comeback is an American garage rock band formed in Memphis, Tennessee in 1992 by singer, songwriter, and musicologist, Jeffrey Evans. For the purposes of the band, Jeffrey Evans is frequently billed as either "Monsieur Evans" or "Monsieur Jeffrey Evans." The group contains a revolving cast of musicians, the only constant member being Evans himself.


'68 Comeback, History
The initial '68 Comeback lineup consisted of Monsieur Evans on vocals, guitar, and blues harp; Jack Taylor of the Monster Truck Five and Darin Lin Wood of the Red Devils on guitar; ex-Gloryhole member, Dan Brown, on bass; and Peggy O'Neil, formerly of The Gories, on drums. With this lineup the band released a number of well-received 7" singles and then began the first leg of a 60-day, 42-city U.S. tour. The tour immediately ran into problems when drummer Peggy O'Neil was unable to perform, leaving the band without a drummer in the midst of a cross-country tour. This position was eventually filled by then-Compulsive Gamblers and future Oblivians frontman Greg Cartwright.


'68 Comeback, History
With the success of their first tour under their belt, the band re-entered the studio, completing their first EP, Paper Boy Blues, in 1993, and their first album, Mr. Downchild, in 1994. The band continued its rigorous release schedule, issuing a number of 7" before heading back into the studio, this time with Walter Daniels and backed by former stand-in drummer Greg Cartwright's Oblivians for what would eventually become the Walter Daniels Plays With Monsieur Jeffrey Evans & The Oblivians At Melissa's Garage" EP, later re-released with additional tracks as "Melissa's Garage Revisited."


'68 Comeback, History
In 1998, following a number of personnel changes, the band released the 21-track double LP, A Bridge Too Fuckin' Far. The album was dedicated to original guitarist Jack Taylor who had recently died of a drug overdose. This album was followed in 1999 by Love Always Wins, an album primarily of cover songs which is widely considered to be the band's most accessible album to date.


'68 Comeback, History
The 2000s saw '68 Comeback on hiatus as Monsieur Evans pursued a solo career, releasing albums with the C.C. Riders, the Porch Ghouls, and eventually reuniting with Walter Daniels and ex-Oblivian, Jack Yarber, in the band South Filthy.


'69 Newport
'69 Newport is a 7" vinyl EP record by the influential ska-core band Operation Ivy. The 7" was composed of "Hedgecore" and "Left Behind", both of which were recorded at 924 Gilman Street in 1987. '69 Newport was unofficially released in March 1993 under the label Very Small Records. 5,029 were initially pressed on black vinyl. The song "Hedgecore" is a song about the local pastime in Berkeley which involves diving into and destroying bushes.


'70s on 7
'70s on 7 (or just The '70s) is a commercial-free, satellite radio channel on Sirius XM Radio channel 7 and Dish Network channel 6007 (channel 099-07 on Dish's Hopper DVR units). It plays pop, rock, soul and disco music from the 1970s, mostly hits. Prior to XM’s merger with Sirius, Arbitron reported that '70s on 7 was the fourth most listened to channel, with a cume of 667,400 listeners per week. As part of the Sirius/XM merger on November 12, 2008, The '70s was merged with Sirius' Totally '70s and took its current name.


'70s on 7
Much like the other decades channels, '70s on 7 attempts to recreate the feel of 1970s radio. It uses similar DJ techniques, jingles, 1970s slang, and news updates. Kid Kelly formerly, of WHTZ New York, programs the channel with Human Numan, a long time contemporary hit radio personality. Creative imaging is produced by producer Mitch Todd who oversees all producers and production on the music channels and the marketing division. Due to being commercial-free, it does not recreate any sponsor spots. The channel was also used for XM's annual pop music chronology, IT.


'70s on 7
The original XM "70s on 7" channel made a strong effort to reproduce the smooth, velvety 1970s FM sound rather than the chatty "morning drive" sound that Sirius favored. After the XM-Sirius merger the "morning drive" sound became the "official" sound of the 1970s channel. The channel features the unique "Jukebox of Dynamite" (formerly the "Jukebox of Cheese"), when an alleged listener selects a "cheesy" song for the segment such as "Seasons in the Sun", "Theme from Billy Jack", "Run Joey Run" or "Billy Don't Be A Hero".


'70s on 7
70s on 7 also uses bumpers that parody TV shows and commercial jingles from the 70s, and also has its own parodies of movie scenes, known as "director's cuts".


'70s on 7
The station's logo currently has a flower as the zero. Prior to 2015, the station's logo featured a disco ball as the zero. The internet version can be biased to play only disco and soul.


'71 (film)
'71 is a 2014 British historical action thriller film written by Gregory Burke and directed by Yann Demange (in his feature directorial debut). Set in Northern Ireland, it stars Jack O'Connell, Sean Harris, David Wilmot, Richard Dormer, Paul Anderson and Charlie Murphy, and tells the fictional story of a British soldier who becomes separated from his unit during a riot in Belfast at the height of the Troubles in 1971. Filming began on location in Blackburn, Lancashire, in April 2013 and continued in Sheffield, Leeds, and Liverpool. The film was funded by the British Film Institute, Film4, Creative Scotland and Screen Yorkshire. The film had its premiere in the competition section of the 64th Berlin International Film Festival, held in February 2014. The film was praised, particularly for O'Connell's performance and Demange's direction.


'71 (film), Plot
Gary Hook, a new recruit to the British Army, is sent to Belfast in 1971 during the early years of the Troubles. Under the leadership of the inexperienced Second Lieutenant Armitage, his platoon is deployed to a volatile area where Irish Catholics (largely Republicans) and Ulster Protestants (largely Loyalists) live side by side. The unit provides support for the Royal Ulster Constabulary as it inspects homes for firearms, shocking Hook with their rough treatment of Catholic civilians. A crowd gathers to protest and provoke the British troops who, though heavily armed, can only respond by trying to hold the crowd back.


'71 (film), Plot
One soldier is hit by a rock and drops his L1A1 rifle to the ground. In the confusion, a young boy seizes it and runs off through the mob. Hook and another soldier, Thompson, pursue him. As the crowd's protest escalates, the soldiers and police pull out, leaving the two soldiers behind. Hook and Thompson are severely beaten and disarmed by a mob, until a sympathetic woman manages to calm things down. However, Thompson is suddenly shot dead at point-blank range by the Provisional IRA gunman Paul Haggerty. Hook flees through streets and back alleys and hides in an outhouse until dark.


'71 (film), Plot
A Protestant youngster brings Hook to a local pub that serves as a front for Loyalists. There, Hook glimpses at a Loyalist group in a back room constructing a bomb under the guidance of Sergeant Lewis, a member of the Military Reaction Force (MRF), the British Army's covert counter-insurgency unit. Hook steps outside the pub just before an enormous explosion destroys the building, killing or injuring many of those inside, including the young boy who brought him there. Unaware that the Loyalist bombers have blown themselves up accidentally, the Provisional IRA and Official IRA factions accuse each other of being responsible for the bombing.


'71 (film), Plot
Two Catholics, Eamon and his daughter Brigid, discover Hook as he lies in a street unconscious and injured by shrapnel. They take him to their home in the Divis Flats. Eamon, a former army medic, stitches Hook's wounds.


'71 (film), Plot
Despite the Provisional IRA having recently taken control of the area from the OIRA, Eamon contacts senior OIRA officer Boyle for help, expecting a more humane solution than the Provisional IRA faction would allow. Boyle, less radical and violent than the younger Provisional IRA members, tells Captain Browning, leader of the local MRF section, of Hook's whereabouts and asks in return that Browning kill James Quinn, a key leader of the younger Provisional IRA faction.


'71 (film), Plot
Quinn and his squad have been tailing Boyle since the pub explosion and saw him visit Eamon's flat without knowing why he was there. Sensing danger, Hook flees the flat, taking a Ka-Bar style knife he finds in a bag. Hook then eludes Quinn's men but, unable to evade Haggerty, stabs and kills him.


'71 (film), Plot
Quinn's group captures Hook and takes him to a hideout. Quinn orders Sean, the young boy who in the early neighborhood persecution had hesitated to kill Hook, to murder him. When Sean hesitates, Quinn prepares to execute Hook, only to leave when Browning's group arrives. Sergeant Lewis of Browning's group shoots Sean, to Hook's horror. Lewis then attempts to strangle Hook to prevent him from informing others about the bomb.


'71 (film), Plot
As Lieutenant Armitage and his men enter in support of Browning, Armitage sees Lewis' attempt to kill Hook. Sean, having survived the first shot, raises himself and shoots Lewis dead, before being shot again, this time by Armitage, finally killing him. Browning finds Quinn, and rather than arresting him, tells him Boyle wants him dead, then lets him go. As Quinn leaves, Browning tells him he will be in touch soon, and he expects him to be helpful.


'71 (film), Plot
Hook is returned to his barracks. Later, despite a formal complaint by Armitage, the commanding officer dismisses the incident involving Hook, Lewis, and Sean as 'a confused situation' that merits no further inquiry. Hook returns to Britain and reunites with his younger brother.


'71 (film), Reception
Rotten Tomatoes, a review aggregator, reports that 96% of 138 surveyed critics have given the film a positive review; the average rating is 7.80/10. The website's critical consensus reads: "Powerfully directed and acted, '71 stays true to its fact-based origins while remaining as gripping as any solidly crafted action thriller." On Metacritic it has a score of 83 out of 100 based on 33 reviews, indicating "universal acclaim".


'71 (film), Reception
Writing for the Los Angeles Times, Kenneth Turan called '71 "a tense thriller from Britain that so adroitly joins physical intensity, emotional authenticity and political acuity that you may find yourself forgetting to take a breath." Manohla Dargis of The New York Times singled out Jack O'Connell for praise, saying, "Mr. O'Connell runs away with '71, in which his character's every emotional, psychological and physical hurdle makes for kinetic cinema."


'71 (film), Reception
The Hollywood Reporter critic Leslie Felperin noted of Yann Demange's direction, "A big part of [Demange's] achievement resides in the casting of such a veteran crew of character actors in the first place, but credit is due for coaxing such subtle performances." Jonathan Romney in Film Comment praised the originality of the film, "a rare hybrid between hard-nosed realism, on the cusp of a quasi-documentary style, and genre thriller-adventure", while criticising the opening and closing scenes as conventional.


'71 (film), Reception, Accolades
'71 won Best Director at the 2014 British Independent Film Awards, after receiving nine nominations.


'71 (film), Reception, Accolades
The National Board of Review named '71 one of the top 10 independent films of 2015.


'71 Er Ma Jononi
'71 Er Ma Jononi is a 2014 Bangladeshi drama film directed by Shah Alam Kiron, and starring Nipun Akter. The film is centered on the 1971 Bangladesh War of Independence. Chitralekha Guho was awarded Best Supporting Actress at the 39th Bangladesh National Film Awards.


'74 Jailbreak
'74 Jailbreak is an EP by Australian rock band AC/DC, released in 1984. It is composed of five tracks that had previously been released only in Australia. Despite the EP's title, the song "Jailbreak" was actually recorded in 1976 and was originally released that year on the Australian version of the Dirty Deeds Done Dirt Cheap album. The EP's four other tracks were originally released on the Australian version of the band's debut album, High Voltage, recorded in 1974 and released early the following year.


'74 Jailbreak
The song "Jailbreak" was released as a single with accompanying music video at the same time as the EP. ' 74 Jailbreak was re-released worldwide in 2003 as part of the AC/DC Remasters series.


'74 Jailbreak, Track listing
All tracks are written by Bon Scott, Malcolm Young and Angus Young, except where noted.


'74–'75
"'74–'75" is a song by American band the Connells from their fifth studio album, Ring. The acoustic ballad was released as the third single from the album in 1993, but it did not chart in the United States. It would later become a European hit for the band in 1995, peaking atop the Norwegian and Swedish singles charts and reaching the top five in the Flanders region of Belgium, Denmark, France, Iceland, and Switzerland.


'74–'75
In the song the singer nostalgically reflects on the passing of time and how people he used to know have changed now. The music video, directed by Mark Pellington, features students from Needham B. Broughton High School's Class of 1975 and compares the photographs from their yearbook, with how they look and have aged since then. Since the Connells never had a hit again, they are widely seen as a one-hit wonder.


'74–'75, Critical reception
James Masterton described "'74–'75" as a "gently strummed song" in his weekly UK chart commentary in Dotmusic. A reviewer from Music Week rated it three out of five, adding, "Commercially alternative with a capital C, this laid-back, rootsy, countrified single drifts through the ears pretty agreably. Expect a positive response from nostalgic radio programmers." Rob Ross of Popdose called it "emotionally-charged and poignant". American magazine Trouser Press described it as "so sweet [it] borders on cloying".


'74–'75, Chart performance
"'74-'75" became a big hit in Europe in 1995, particularly in Sweden and Norway, where it topped the singles charts, as well as in Belgium, Denmark, France, Iceland, and Switzerland, reaching the top 5 in these regions. It ended 1995 as Europe's 23rd-best-performing song, climbing to No. 8 on the Eurochart Hot 100. In addition, it was their only top-20 hit in the United Kingdom, where it peaked at No. 14 in August 1995, and it also became a success in Germany, where it peaked at No. 7 and remained on the airplay charts for 57 weeks. In March 1996, the single re-appeared on the UK Singles Chart at No. 21. Following the songs's success, the Connells embarked on a European tour with Def Leppard.


'74–'75, Music video
The accompanying music video for the song was directed by Mark Pellington. It was shot at Needham B. Broughton High School in the band's hometown Raleigh, North Carolina in 1993, and features members of the Class of 1975, juxtaposing yearbook pictures with footage of the same people as they appeared in 1993. On November 14, 2015, to mark the 40th anniversary of the 1974–1975 class, a remixed video of the song was released, showing the class members as they looked 22 years after the original video was released.


'74–'75, Credits and personnel
Credits are lifted from the European maxi-CD single and the Ring album booklet.


'74–'75, Charts and certifications, Certifications
^ Shipments figures based on certification alone. Sales+streaming figures based on certification alone.


'74–'75, Influence
Fran Healy of Scottish band Travis has said that he wrote "Writing to Reach You" while listening to "'74–'75" on the radio.


'76 (comics)
'76 is an eight-issue 2007 comic book limited series published by Image Comics, and written by B. Clay Moore and Seth Peck, and illustrated by Ed Tadem and Tigh Walker. Each issue of the mini-series, both set in the year 1976, focus on separate, ongoing storylines; one story takes place in New York City, and the other in Los Angeles. Both are crime dramas, drawn in monochrome and the series draws heavily upon 1970s 'street' culture. The series has been reviewed as not so much "a flip-book" but instead "more like a drive-in double feature".


'76 (comics), Plot
As previously mentioned, both stories, while set on opposing US coasts, are both crime dramas set in the 1970s. While the cover art for each issue is in full color, the actual stories are in monochrome (black and white).


'76 (comics), Plot, New York City: "Jackie Karma"
Jackie Karma tells the tale of 1960s-era street fighters Jackie Karma and Marcus King, as they come out of retirement in 1976 New York City, to tackle the threat of an old enemy who's returned to the scene. "Jackie Karma will probably read more like a smarter exploitation flick," says Moore. "Although the climax of the story would probably be beyond most B-movie budgets of the day."


'76 (comics), Plot, New York City: "Jackie Karma"
Moore notes that the idea for the series came from John Siuntres (who hosts a comics-influenced podcast called Word Balloon), who suggested that he tackle the 1970s street-action genre. "The idea of Jackie came from my observation that a lot of kung fu heroes in the 1970s were anything but Asian," Moore said. Enter the Dragon, with its international cast of fighters, being a prime example.


'76 (comics), Plot, New York City: "Jackie Karma"
In an interview, Moore notes that '76 is not glossy 1970s satire or a Chuck Norris movie, and that Jackie Karma would kick Chuck Norris' ass in a heartbeat, and not think twice."


'76 (comics), Plot, Los Angeles: "Cool"
Cool is the story of Pete Walker and Leon Campbell, best friends who initially served in Vietnam together, and became bounty hunters when they returned to the United States. They are hired to find Cherry Baum, an exotic dancer with a suitcase full of drug money. Cherry’s boyfriend was killed in a drug deal and Cherry made off with the cash, unaware of how many people are looking for her.


'76 (comics), Plot, Los Angeles: "Cool"
Seth Peck noted that he had wanted to create a "kick-ass crime story without playing off of the 1970s clichés like disco and pet rocks", Peck explains. “Most of the characters in Cool wouldn't look out of place walking around the Los Angeles of today. Fashion is cyclical and drugs never really went away." Peck jokingly notes that while his story differs from Moore's in that the kung-fu element is missing, it is nevertheless a "timeless story about midgets, strippers, and cocaine ... very Shakespearean stuff. While he agrees that his story has elements of Elmore Leonard's stories, Peck notes that he was also influenced by the film contributions of Quentin Tarantino, The French Connection film, the music of Steely Dan and the works of Marcel Proust.


'76 (comics), Plot, Los Angeles: "Cool"
Peck further notes that when the discussion came up to do the series, he specifically wanted to use Walker. "Tigh has incredible instincts," notes Peck. "He really reads the script and visualizes it. The little details he adds, the depth he creates with his environments, it's phenomenal. His characters really "act", their facial expressions, their body language, it's all so dead-on perfect."


'76 (comics), Plot, Los Angeles: "Cool"
In a podcast interview with Moore, Peck agrees that the story is not kitsch, and is more of a celebration of the 1970s, and not pandering to the cultural period.


'76 (comics), Influences
Moore and Peck both credit the comic books of the 1970s as heavily influencing their view and execution of the series. Moore notes that the stories from Marvel were writer-driven, reflecting "America's restlessness and uncertainty about the future, but they also took full advantage of all the groovy pop culture obsessions of the day, from Kung-Fu to karate to horror". Conversely, Moore notes how DC was moving away from that into action stories for all ages.


'76 (comics), Influences
Peck also notes a love the comics of the era. He notes that his favorite superheroes of the period were Black Panther, Iron Fist, and Power Man, all of whom, he notes, were products of that era. Despite that, Cool "doesn't have much in common with any of those books, and it has zero superheroes in it. It's closer to Taxi Driver by way of Elmore Leonard."


'76 (comics), Influences
Moore notes that while they had initially planned to start the series closer to the start of the decade, there was something about '76 "that resonates. The Bicentennial, the beginning of the recovery from Watergate, a period of national soul-searching as the dreams of the 1960s crashed and burned, and an explosion of exploitation pop culture, (like) movies, television, comics, magazines that we knew we wanted to tap into.” Moore specifically notes these influences ran the gamut from Bruce Lee to Gordon Parks to Tavares to Deadly Hands of Kung Fu to Richard Dragon, Kung Fu Fighter.


'76 (comics), Influences
Moore singles out Tadem's work in recreating the cityscapes of period New York City, calling them beautifully hand-drawn. "Ed understands the value of environments, which is growing more and more rare in comics these days." Moore further notes that Tadem is "absolutely fearless with a brush, has nailed the character designs, (and) nails the storytelling".


'76 (comics), Influences
Moore notes that they decided to add pages to the comic listing the sports games and songs playing during the period so as to provide a backdrop and soundtrack of sorts to the stories. Peck notes this as well, pointing out that one of his characters, Peter Walker, uses the alias of "Edmund Fitzgerald", an homage to the Gordon Lightfoot song, The Wreck of the Edmund Fitzgerald, which turns into a running joke, as the mob figures chasing after him ask around town for the whereabouts of "Edmund Fitzgerald". Moore states that making comics is "very much like making movies with no budget limitations", and notes that "this comic is the movie I would make if I could."


'76 (comics), Reception
Ain't It Cool News calls '76 a "great comic honoring an age of cinema that is refreshing to see revived in graphic storytelling format". It further notes that the while the "cartoony" aspects are balanced by maintaining a realism that avoids making the story too topical and light.


'76 (comics), Reception
The podcast Around Comics notes that '76 offers "insight into the Double Feature style comic that breaks out the bell bottoms and muscle cars", further noting that the feel to each artist's handling of the period cities is "spot-on".


'76 (comics), Reception
Dustin Christian, of For the Love of Comics notes, "if you aren't reading '76, you should be."


'76 (film)
'76, formerly Lions of '76, is a 2016 Nigerian historical fiction drama film directed by Izu Ojukwu and produced by Adonaijah Owiriwa and Izu Ojukwu. It stars Ramsey Nouah, Chidi Mokeme, Rita Dominic, and Ibinabo Fiberesima.


'76 (film)
Set six years after the civil war, a young officer from the Middle Belt gets into a romantic relationship with an O-level student from the South-eastern region. However, their relationship is strained by constant military postings. The soldier gets accused of being involved in the unsuccessful 1976 military coup and assassination of General Murtala Mohammed, and the heavily pregnant wife gets entangled in an emotional dilemma.


'76 (film)
The historical account in '76 went through a seven-month approval period at the Nigerian Military before filming started. The film, which is set in the 1970s, was shot in Ibadan, Oyo. The film, which was shot on 16-millimeter film with an Arriflex 416 camera, was in production for about five years.


'76 (film), Plot summary
Set six years after the civil war, a young officer from the Middle Belt, Joseph Dewa, gets into a romantic relationship with an O-level student, Suzanne, from the South-eastern region. However, their relationship is strained by constant military postings and Suzanne's family who constantly complained of not wanting to have anything to do with Joseph's people.


'76 (film), Plot summary
In a series of events that followed and betrayal of trust from Joseph's friend, Gomos, Joseph gets accused of being involved in the unsuccessful 1976 military coup and assassination of General Murtala Mohammed. His release will be based on his innocence by producing his Identity Card, which he could not do.


'76 (film), Plot summary
Suzanne goes through a lot of emotional pains, coupled with the delivery of a baby girl, as she does everything she can to prove her husband's innocence.


'76 (film), Production
Ojukwu always had fantasies about making military movies, so much that he followed many coup stories. When the '76 project came along, he had to do a lot more readings and research, and also consult scholars on the crucial aspects of the story, to ensure historical accuracy; over a year was spent on the pre-production stage of the film. The historical account of '76 had the support of the Nigerian Military, as the script went through a seven-month investigation and approval period before filming started.


'76 (film), Production
The military also assigned personnel to train the actors and guide the military aspect of the film. During the film's development, the director tried to minimize violence as he wanted people to focus on the story and not get distracted or pissed off by gory images. Eight period cars of the 1970s were refurbished to be used in the film.


'76 (film), Production
Filming took place mainly at Mokola Barracks, Ibadan, Oyo. The film was shot using Arriflex 416 Super 16 cameras; It was initially meant to be shot on 35mm film, but the ground glass of one of the cameras to be used got damaged. As a result, the director opted to shoot on 16mm film instead. The film stock used for filming, along with other equipment used for production, were subsidized by the Nigerian Film Corporation. After over four months on set, Principal photography was concluded during July 2012.


'76 (film), Release
A teaser trailer was released to the public on 20 November 2012 The release was initially slated for 4 October 2013, but it was pushed back indefinitely due to delayed post production. A first official trailer for the film was released on 14 November 2014. The film was selected to premiere at the Toronto International film Festival during September 2016, and at the BFI London Film Festival. The film was released on 25 November 2016.


'76 (film), Themes
Izu Ojukwu stated that "it's a story told from a dual point of view—from the soldier's patriotic perspective and from that of the officer's wives." Ojukwu also made it clear that the film paid homage to the strength of soldiers' wives: "As far as I'm concerned, the wives are the real soldiers.... They are the ones who suffer from whatever decisions their husbands make—whether on the battlefield or within their office complexes."