(If There Was) Any Other Way, Background and release
This US version features a different audio mix from the Canadian single version and the album version: reverb has been applied throughout (most noticeably to Dion's vocal track), the guitars have been rebalanced so that they are less audible in some places in the song and more prominent in others, the drum track features "rimshot" effects during the chorus, additional synthesizer lines have been overdubbed onto the existing keyboard track (most noticeably in the bar before the instrumental break), and the fadeout has been slightly extended in length. It was also used in the American music video of the song that year. Additionally "(If There Was) Any Other Way" was remixed by Daniel Abraham, a French record producer living in New York. His dance remixes appeared on a promotional US single.


(If There Was) Any Other Way, Background and release
"(If There Was) Any Other Way" was also released as a single in selected European countries, Australia, and Japan in June 1991.


(If There Was) Any Other Way, Critical reception
AllMusic's senior editor Stephen Thomas Erlewine picked the song as an album standout along with "Where Does My Heart Beat Now". Larry Flick from Billboard noted that Dion "continues to soar" with a "spirited, up-tempo" song. He complimented the "crystalline production and shimmering backup vocal support combined with a passionate lead performance". Dave Sholin from the Gavin Report wrote about the song: "Nothing like witnessing the growth and development of a genuine artist. Celine definitely falls into that category, capturing the hearts of Americans the way she's been doing in her native Canada for the past several years.


(If There Was) Any Other Way, Critical reception
Switching from torch song to snappy rhythm affords listeners an opportunity to hear another side of this wonderful talent". Music & Media noted that "talented Canadian chanteuse enters the Whitney Houston racket" and described it as "satisfying AC pop." Christopher Smith from TalkAboutPopMusic described it as a "pop-soft rock mid tempo number".


(If There Was) Any Other Way, Commercial performance
In Canada "(If There Was) Any Other Way" entered the RPM Top Singles chart on 31 March 1990 and peaked at number twenty-three on 9 June 1990. The song also entered the RPM Adult Contemporary chart on 24 March 1990 and reached number twelve there. In the United States "(If There Was) Any Other Way" debuted on the Billboard Hot 100 chart, dated 6 April 1991, and peaked at number thirty-five on 1 June 1991. The track also entered Billboard's Adult Contemporary chart dated 30 March 1991, reaching number eight.


(If There Was) Any Other Way, Music video
There were two music videos made for the song. The first one was directed by Derek Case and released in March 1990 for the Canadian market. The second one was filmed for the US market in Los Angeles, California, and Vancouver, British Columbia, Canada. It was directed by Dominic Orlando and premiered in March 1991. The two videos were included separately on Dion's 1991 home video Unison, depending on the Canadian or US release.


(If There Was) Any Other Way, Live performances
Dion performed "(If There Was) Any Other Way" on a few Canadian television shows in 1990. She also sang it on the Canadian/US variety show, Super Dave and performed it in Norway in 1991. It was included in her Unison Tour as well.


(If You Can't Sing It) You'll Have to Swing It (Mr. Paganini)
"(If You Can't Sing It) You'll Have to Swing It (Mr. Paganini)" is a song written by Sam Coslow that is strongly associated with Ella Fitzgerald.


(If You Can't Sing It) You'll Have to Swing It (Mr. Paganini)
It was first recorded by Fitzgerald on 29 October 1936 and became one of her signature songs. It was a firm fixture of her live performances, providing a springboard for her scat singing.


(If You Can't Sing It) You'll Have to Swing It (Mr. Paganini)
On the 2007 tribute album We All Love Ella: Celebrating the First Lady of Song recorded to mark Fitzgerald's 90th birthday, it was performed by Chaka Kahn and Natalie Cole. Cole and Patti Austin performed the song at the tribute concert to Fitzgerald on June 6, 2007.


(If You Let Me Make Love to You Then) Why Can't I Touch You?
"(If You Let Me Make Love To You Then) Why Can't I Touch You?" is a song written by Charles Courtney and Peter Link. The song came from the musical, Salvation.


(If You Let Me Make Love to You Then) Why Can't I Touch You?, Ronnie Dyson recording
In 1970, "(If You Let Me Make Love to You Then) Why Can't I Touch You?" was recorded by Ronnie Dyson. The song reached #8 on the Billboard Hot 100 and #9 on the R&B chart. The song also peaked at number 68 in Australia. The song appeared on Dyson's debut album of the same name.


(If You're Not in It for Love) I'm Outta Here!
"(If You're Not in It for Love) I'm Outta Here!" is a song co-written and recorded by Canadian country music singer Shania Twain. It was released in November 1995 as the fourth single from her album The Woman in Me. The song was written by Mutt Lange and Twain. The song became Twain's second number-one hit at country radio, and the first single to be promoted with three different mixes worldwide to cater to international genre demand. It spent two weeks at the top of the chart in February 1996. The song was also her breakthrough hit in Australia. "(If You're Not in It for Love) I'm Outta Here!" was later included on Twain's 2004 Greatest Hits package, and has been performed on all of her tours. In 1997, the eurodance group Real McCoy covered "I'm Outta Here! ".


(If You're Not in It for Love) I'm Outta Here!, Music video
The music video for "I'm Outta Here!" was shot in New York City and directed by Steven Goldmann. It was filmed on November 4, 1995, and released 11 days later. The video is radically different from Twain's previous videos, and its pop rock feel and sex appeal engendered into most of Twain's subsequent videos.


(If You're Not in It for Love) I'm Outta Here!, Music video
The video begins with a shot of Twain standing behind a blue light in front of a man sitting on a chair. She walks up to the man, who stands up and flips over his chair, meanwhile, the video cuts to a slow-motion shot of people dancing in a club and a shot of Twain walking up to a microphone in front of her and surrounded by many people playing drums. It cuts back to Twain trying to sit on the chair, when the man kicks it away for her to fall on the floor.


(If You're Not in It for Love) I'm Outta Here!, Music video
But the next shot of them is them laughing and pushing away as people start to come over. In the subsequent shots, intercut with shots of Twain performing alone without the drums, Twain and several others drumming near a window, and Twain on a balcony, friends grab the microphone off of Twain and engage in a karaoke session with her, male stereotypes try to turn on Twain near the microphone, Twain teaches people a dance routine, people play air guitar with fake guitars, and Twain plays along to the drummers. In the final shot, Twain walks out of the building alone.


(If You're Not in It for Love) I'm Outta Here!, Music video
Three versions of the video were released; the 'Album Version' for country music video channels, the 'Mutt Lange Remix' for Australia and the 'Dance Remix' for Canadian pop channels. The 'Album Version' video is available on Twain's DVD The Platinum Collection, while the 'Mutt Lange Mix' video is available on iTunes, VEVO and YouTube. The video won the Video of the Year Award at the 1996 Canadian Country Music Awards.


(If You're Not in It for Love) I'm Outta Here!, Music video
On video-sharing website YouTube, the video is one of Twain's least-viewed videos on the platform, with only 2.8 million views as of February 2021.


(If You're Not in It for Love) I'm Outta Here!, Live performances
During Shania's Come On Over Tour and Up! Tour, the song was performed as the last main song of the setlist before returning to the stage for her encores. Each of the cities Twain visited on both tours, she would invite a local school Marching Band drum line to join her on stage. Twain would also play the drums along as well on stage.


(If You're Not in It for Love) I'm Outta Here!, Live performances
At the end of the song on the Come On Over Tour, Twain leads the drummers into a drum roll, which leads into a grand finale, including Twain standing on top of a big drum, while an electric lap steel guitar solo plays, before disappearing into it as fireworks and confetti erupt from the stage. On the Up! Tour, she again leads the drummers in joining in a big drum roll which lets off the fireworks with Twain disappearing after the song ends. The song has also been performed during her Vegas residency and her Rock This Country tour as the last song before the encore.


(If You're Not in It for Love) I'm Outta Here!, Chart performance
"I'm Outta Here!" debuted at number 69 on the US Billboard Hot Country Singles & Tracks chart the week of November 18, 1995. It spent 20 weeks on the chart and peaked at number one on February 3, 1996, where it remained for two weeks. This would give Twain her second number-one single, second Top 10 single, and fourth consecutive Top 20 single. The song also topped the Country Singles Sales chart for one week. "I'm Outta Here!" was Twain's second single on the Billboard Hot 100, where it bowed at number 74; it reached number 43 in sales.


(If You're Not in It for Love) I'm Outta Here!, Chart performance
Internationally, "I'm Outta Here!" became Twain's first hit, as well as first chart appearance at all, when it made the Top 5 in Australia. It debuted on November 24, 1996, at number 37. It climbed to number five on January 26, 1997, where it remained for two weeks. It spent a total of 22 weeks on the chart.


(If You're Not in It for Love) I'm Outta Here!, Real McCoy version
In 1997, the German Eurodance/Pop project, Real McCoy released "(If You're Not in It for Love) I'm Outta Here!" as the third and final single from their album "One More Time". It peaked at 102 on the US Hot Dance Club Songs.


(If You're Wondering If I Want You To) I Want You To
"(If You're Wondering If I Want You To) I Want You To" is a song by American alternative rock/power pop band Weezer. It was released as the first single from the band's seventh studio album Raditude. Initially scheduled to be released to American rock radio on August 25, 2009, the official release of the single to radio was moved up to August 18. The single debuted at number 21 on the Billboard Rock Songs Chart, and in the same position on the Alternative Songs chart. The music video features Odette Yustman. The song was first played live on August 23, 2009 in Toronto, Ontario at the Molson Amphitheatre. The main riff of this song bears a similarity to the main riff of The Jam song "Town Called Malice".


(If You're Wondering If I Want You To) I Want You To, Reception
"If You're Wondering If I Want You To (I Want You To)" has received positive reviews from Billboard Magazine and Allmusic


(If You're Wondering If I Want You To) I Want You To, Reception
The song reached number 36 in the Triple J Hottest 100, 2009.


(If You're Wondering If I Want You To) I Want You To, Music video
The music video was released on October 23. Directed by Marc Webb, the music video revolves around the members of the band living a normal life until a beautiful lady played by Odette Yustman comes to the town. Her callousness and disregard leads to multiple band members being injured while trying to impress her, leaving only frontman Rivers Cuomo unhurt, though upon seeing his injured bandmates, Cuomo rejects the woman, to their approval.


(If You're Wondering If I Want You To) I Want You To, Music video
"Marc Webb has created a kind of '50s small town for us to live in," Cuomo told MTV, "And basically it's just populated by the four members of Weezer. So we're just hanging out, driving around, filling up our trucks with gasoline. Basically being guys, and that's what Weezerville is like."


(If You're Wondering If I Want You To) I Want You To, Music video
"The idea of the video is really simple: It's a town that's made up of clones of Weezer. There are multiple versions of Brian [Bell] and Patrick [Wilson] and Scott [Shriner] and Rivers, and they're just going about their business, until one day, this woman shows up," Webb continued. "And after that, everything basically goes to hell."


(If You're Wondering If I Want You To) I Want You To, Chart performance
On the week ending September 12, 2009, (If You're Wondering If I Want You To) I Want You To" debuted on the Billboard Hot 100 at number 82. It fell off the following week, but on the week ending November 21, 2009 (the same week that their album Raditude debuted at number 7 on the Billboard 200), it re-entered at number 81. On the Alternative Rock Chart, it peaked at number 2 in its eighth week and stayed there for 12 consecutive weeks behind Muse's "Uprising". It is Weezer's longest charting song on the Billboard Alternative Rock Chart to date.


(In My) Solitude
"(In My) Solitude" is a 1934 composition by Duke Ellington, with lyrics by Eddie DeLange and Irving Mills. It has been recorded numerous times and is considered a jazz standard.


(In My) Solitude
Ellington reported that he composed it in a recording studio in 20 minutes, as his orchestra had arrived with three pieces to record and required another. It is in D♭ major and has an AABA form (although "the IV chord in measure 3 is replaced by a II7 the second time"). According to Ellington, the title was suggested by trumpeter Arthur Whetsel. An AllMusic writer describes the composition as "at once optimistic in its tone but somber in its pace, conflicted with the emotions of bitter loneliness and fond remembrance". The mood is set "in the very first phrase of the melody, with its ascent to the leading tone of the scale falling just short of the tonic, and in the seemingly unremarkable chord progressions that nevertheless manage to transform harmonic resolution into wistful resignation".


(In My) Solitude
The first recording of the song was by Ellington on January 10, 1934. His second version, from September of the same year, reached No. 2 on the charts in 1935. The Mills Blue Rhythm Band's rendition reached No. 8 that year. "Solitude" was recorded at least 28 times between 1934 and 1942. Vocalist Billie Holiday recorded the song several times in the 1940s and 1950s, "with the world-weariness of the words matching to an almost disturbing degree her late-career persona". One of her renditions was added to the Grammy Hall of Fame in 2021. Writing in 2012, Ted Gioia commented that "For the most part, 'Solitude' serves as a tribute piece nowadays, often played in an overly respectful manner that captures more the sound than the spirit of [Ellington]".


(In) Exile
[ In] Exile is the third full-length studio album by Australian rock band After the Fall, released through Roadrunner Records on 28 August 2009. The album was produced, engineered and mixed by Richard Stolz.


(In) Exile
In 2008, the band gave fans the opportunity to hear numerous demos from the album through their MySpace blog whilst they were recording. After previously releasing their albums through major record labels, the band decided to release independently. They moved from Festival Mushroom to release their first album on Roadrunner Records (Australia). It was recorded at multiple locations, including a country house in Victoria, Gumstead, Sing Sing Studios, Pete's Ranch, 301 and Paradise. "Break Me" was the first song released, made available through the band's website for free download in 2008. The band opted to not release the song through traditional methods. The first single from the album was "Digital Age", which was released to the iTunes Store on 12 June 2009. A limited edition was released through JB Hi-Fi featuring two bonus tracks: "All Together Now" and "Home".


(In) Exile
The band played two shows prior to the album's release in July 2009, one each in Melbourne and Sydney. They are scheduled to undertake a national tour alongside Calling All Cars in support of the album.


(In)Visible Dialogues
(In)visible Dialogues was an art project realized at the Royal Academy of Fine Arts in Stockholm in 2011. It was initiated by artist Per Huttner and biochemist Elias Arnér. The project was transgressing the boundaries of exhibition, publication and lectures in order to stimulate dialogues between art and science. The project was a sequel to the project Begrepp – En samling from 1992 and drew on Hüttner's experiences from projects like I am a Curator and Democracy and Desire.


(In)Visible Dialogues
(In)Visible Dialogues was installed in three interconnected rooms. In the first, there were 120 fluorescent chairs facing a blank wall. On the back of each chair a copy of the project's catalogue had been nailed and officially signed by a Professor from Karolinska Institutet and approved for publication, following local academic protocol. Each chair was an authorized copy of Jonas Bohlin's Concrete from 1980 that had been customized by the design group Åbäke.


(In)Visible Dialogues
The two flanking side rooms remained empty apart from a solitary lectern painted in the same color as the chairs and which was connected to speakers that emitted music and sounds composed by participating sound artists Andy Cox and Richard Allalouf, Natalia Kamia, Samon Takahashi, Ebbot Lundberg and Yan Jun who interpreted a text written by Hüttner and Arnér on the importance and difficulty of dialogues between art and science. A new sound piece was played back each week. Lundberg's contribution, There's Only One of Us Here was released in 2012 – his first solo album in a 25-year career.


(In)Visible Dialogues
At 2pm, every Sunday in March 2011, a dialogue took place. The dialogues were devised so that a member of the scientific community dialogued with a member of the world of visual art. The audience could not see the two dialoguing people, who could not see each other either.


(In)Visible Dialogues, Dialogue schedule
Predrag Petrovic, M.D. Ph.D., Department of Clinical Neuroscience, Karolinska Institutet, Stockholm


(In)Visible Dialogues, Dialogue schedule
A Constructed World, Artists, Jacqueline Riva MFA and Geoff Lowe Ph.D., Ecole Supérieure des Beaux-Arts d'Angers, Angers


(In)Visible Dialogues, Dialogue schedule
Sandra Masur, Ph.D, Professor, Mount Sinai School of Medicine, Department of Ophthalmology, New York City


(In)Visible Dialogues, Dialogue schedule
Laurent Devèze, Philosopher, Art Critic and Director of École Régional de Beaux Arts, Besançon


(In)Visible Dialogues, Dialogue schedule
27 March 2011 – Probing the Boundaries of the Mind


(In)Visible Dialogues, Dialogue schedule
Veronique Wiesinger, Curator and director for Alberto and Annette Giacometti Foundation, Paris


(In)Visible Dialogues, Dialogue schedule
Hugo Lagercrantz, MD PhD, Professor, Karolinska Institutet, Astrid Lindgren Children's Hospital, Stockholm


(Is This the Way to) Amarillo
"(Is This The Way To) Amarillo" is a song written by Neil Sedaka and Howard Greenfield. It is about a man traveling to Amarillo, Texas, to find his girlfriend Marie.


(Is This the Way to) Amarillo
Written by two Americans with a strong country-western lyrical theme, the song was first released in Europe, where it has become much more popular than in the composers' native country, with a big-band/orchestral pop arrangement sung by Tony Christie. Christie's version was a major hit in Europe and a modest success in his native United Kingdom upon its release, then became even more popular in the mid-2000s when the song was reissued. As Christie's version failed to make a major impact in the U.S., Sedaka released his own recording of the song in 1977, which narrowly missed the top 40 but was an easy listening hit in the U.S. and Canada.


(Is This the Way to) Amarillo, Background
The song is based on a syncopated rhythm Sedaka borrowed from "Hitchin' a Ride" by Vanity Fare. The song was originally to be titled "Is This the Way to Pensacola" referring to Pensacola, Florida, but Sedaka felt that Amarillo worked better than Pensacola.


(Is This the Way to) Amarillo, Tony Christie version
The song was recorded by Tony Christie and released in the UK in November 1971, initially reaching number 18 in the UK Singles Chart. However, it was a substantially bigger hit at that time across Continental Europe, notably in Germany and Spain, where it made number one. In the U.S., however, Christie's record stalled at #121 on the Bubbling Under the Hot 100. Following the re-issue of Christie's version in 2005 in aid of the charity Comic Relief, promoted with a video featuring comedian Peter Kay, the song gained even greater prominence, reaching number 1 in the UK.


(Is This the Way to) Amarillo, Tony Christie version
In 2006, the song was played at the World Cup Final in Berlin and was also played by the Central Band of the Royal British Legion on Centre Court at Wimbledon before the start of the Men's Singles final.


(Is This the Way to) Amarillo, Neil Sedaka version
In the United States, Neil Sedaka, the writer of the song and a man who had recently returned to prominence as a pop singer in the mid-1970s after a decade of relative obscurity, recorded his own version of the song, released under a shortened title of "Amarillo". Sedaka's version of "Amarillo" got to number 44 on the U.S. Billboard Hot 100 and number four on the Adult Contemporary chart in 1977; in Canada, Sedaka reached number two on the Adult Contemporary chart.


(Is This the Way to) Amarillo, Tony Christie featuring Peter Kay version
In 2002, Tony Christie's version was used in the Channel 4 sitcom Phoenix Nights. The song was then re-released on March 14, 2005, to raise money for Comic Relief. The video features Peter Kay, Tony Christie and other celebrities, including William Roache, Anne Kirkbride, Jim Bowen, Ronnie Corbett, Michael Parkinson and Geoffrey Hayes.


(Is This the Way to) Amarillo, Tony Christie featuring Peter Kay version, Music video
In the accompanying video, Peter Kay mimed the song accompanied by various celebrities including Brian May, Roger Taylor, Shakin' Stevens, Shaun Ryder, Bez, Paddy McGuinness, Michael Parkinson, Heather Mills, Danny Baker, Ronnie Corbett, Mr Blobby, Jim Bowen, Jimmy Savile, look-alikes of Mahatma Gandhi and Cliff Richard (the same lookalike appears in the Phoenix Nights spin-off Max and Paddy's Road to Nowhere), William Roache, Anne Kirkbride, Sally Lindsay, Bernie Clifton, Keith Harris and Orville the Duck, Sooty, Sweep, Geoffrey Hayes and Bungle as well as Tony Christie himself.


(Is This the Way to) Amarillo, Tony Christie featuring Peter Kay version, Music video
In the first few cameos, Max and Paddy from Peter Kay's Phoenix Nights and its spin-off appear together, arguing and eventually fighting in the Granada studios' corridor. This is one of many appearances of characters from Kay's TV series, including Paddy's tennis playing cell mate Cliff from Max and Paddy's Road to Nowhere, and both a football team for people with dwarfism and Brian Potter from Phoenix Nights. The video consists almost entirely of Kay walking towards the camera flanked by different pairings of the celebrities, in front of increasingly bizarre and unlikely backgrounds.


(Is This the Way to) Amarillo, Tony Christie featuring Peter Kay version, Music video
From 2012 onwards any repeat airing of the music video on television is now a re-edited version which takes out the appearance of Savile. In October 2012, a series of revelations showed Savile to be a prolific repeated child sex offender, thus his appearance in the video which helped raise funds for disadvantaged children in Africa and the UK was edited out for future broadcasts.


(Is This the Way to) Amarillo, Tony Christie featuring Peter Kay version, Music video
The re-edited version is mainly the same as the original except the short 15-second scene with Savile who joined Peter Kay and actress Sally Lindsay is now re-edited to show Lindsay and Kay only, with a slowed down and repeated showing of Lindsay on her own next to Kay to fill the gap left by the absence of Savile, thus eliminating Savile from the 15-second section. The original version remains on YouTube.


(Is This the Way to) Amarillo, Tony Christie featuring Peter Kay version, Music video, Big Night In version
On April 23, 2020, BBC One broadcast The Big Night In, a telethon to support those affected by the COVID-19 pandemic.


(Is This the Way to) Amarillo, Tony Christie featuring Peter Kay version, Music video, Big Night In version
As part of the running order, Peter Kay created an updated version of the music video. The video featured updated performances from Kay and Tony Christie, combined with repeated footage from the 2005 music video and submissions from key workers such as fire-fighters, NHS staff and social care workers.


(Is This the Way to) Amarillo, Tony Christie featuring Peter Kay version, Chart performance
This time around, the song peaked at number one on the UK Singles Chart, and remained there for seven weeks before finally being knocked off by "Lonely" by Akon. It went on to become the UK's best-selling single of 2005. During its success, the song was credited in chart rundowns and other media appearances to "Tony Christie featuring Peter Kay". However, Kay does not appear on the record, since it is a re-issue of the original version and not a re-recording.


(Is This the Way to) Amarillo, Tony Christie featuring Peter Kay version, Chart performance
Having sold 1.2 million copies by the end of 2009, "(Is This the Way to) Amarillo" was the fourth best-selling single of the 2000s in the UK, behind "Anything Is Possible"/"Evergreen" by Will Young, "Unchained Melody" by Gareth Gates, and "It Wasn't Me" by Shaggy featuring Rikrok. As of March 2017, it has sold 1.28 million copies.


(Is This the Way to) Amarillo, Is This the Way to Armadillo
Is This the Way to Armadillo is a spoof video of the song "Is This the Way to Amarillo" produced by the Royal Dragoon Guards stationed in Iraq at Al-Faw towards the end of their 6-month deployment there. The video was emailed so frequently on May 13, 2005, it crashed a server at the Ministry of Defence. According to the Evening Standard, the crashing of the server caused systems to go down at various British military establishments, and the MoD was forced to issue instructions to delete all instances of the video.


(Is This the Way to) Amarillo, Is This the Way to Armadillo
The "Peter Kay" character is credited as "Lucky Pierre", an obscure sexual reference.


(Is This the Way to) Amarillo, Is This the Way to Armadillo, Spin-offs
The video became so popular that servicemen from other countries from around the world created their own versions:


(Is This the Way to) Amarillo, Other cover versions
Dutch singer Albert West covered the song in 1988. After the successful re-release of the song in the UK, Tony Christie re-recorded it with the Hermes House Band; this version charted in Germany in 2005. There is also a version by the Les Humphries Singers and a version in German by Roberto Blanco. There is also a 1971 version on the MGM label (K 14360) by a band called English House, produced by Terry Slater. The A-side was "Music Is the Voice of Love" composed by Terry Slater and Phil Everly.


(Is This the Way to) Amarillo, Other cover versions
The song has also been covered in Czech as "Kvítek mandragory" by Helena Vondráčková and as "Napis Na Dverich" by Jiri Hromadka. The Finnish version, "Amarillo", with lyrics by Pertti Reponen, was first recorded by Johnny Liebkind in 1972, then by Kari Tapio in 1979 and most recently by Danny (Ilkka Lipsanen) in 1987; the latter made the song a staple of Finnish pop music. Other artists to have recorded the song include Daniel O'Donnell and James Last.


(Is This the Way to) Amarillo, Parody versions
In 2003, Gala Bingo ran a series of adverts with a jingle based on the tune of "Is This The Way to Amarillo? ".


(Is This the Way to) Amarillo, Parody versions
In April 2020, British comedian Paddy McGuinness tweeted a video of him singing a parody version referring to Dominic Cummings, special political adviser to British Prime Minister Boris Johnson, breaking the rules of the UK's COVID-19 pandemic lockdown rules when he travelled from his home in London to his father's home in Durham, later taking a day trip to Barnard Castle. The lyrics of the song were changed to "Is this the way to Barnard Castle? Where sweet Mary waits for me.”


(Is This the Way to) Amarillo, Usage in football
Ever since the mid-1990s, the song has been adopted as an unofficial anthem of Scottish football club Falkirk FC. It is played over the stadium sound system in celebration whenever Falkirk scores a goal, and at the start and end of all matches. Christie also wrote "(Is This the Way to) The World Cup" to Amarillo" in 2006 to support the England football team at the 2006 FIFA World Cup but later came to regret doing it calling it "crap".


(Is This the Way to) The World Cup
"(Is This the Way to) The World Cup" is a 2006 single by Tony Christie with lyrics written by Ian Stringer and George Webley and published by Tug Records. It was released as a version of Christie's successful "Is This the Way to Amarillo" single and created as a version to support the England national football team at the 2006 FIFA World Cup. The song reached a peak of 8 in the UK Singles Charts, remaining in the charts for 5 weeks.


(Is This the Way to) The World Cup, Creation
In 2005, Christie had a hit with a Comic Relief re-release of "Amarillo" with Peter Kay that reached number 1 on the UK singles charts for 7 weeks in a row. The BBC Three Counties Radio presenters Ian Stringer and George Webley wrote alternate lyrics to Amarillo to support England at the World Cup, which the song predicts England will win. Christie was convinced to record the song using those lyrics by the BBC Radio 1 presenter Chris Moyles. The music video for it was filmed at Barnet F.C. 's Underhill Stadium in London.


(Is This the Way to) The World Cup, Creation
Christie initially said about it: "It's got a nice summery feel about it and people seem to like it" and the BBC commissioned him to review other 2006 World Cup songs competing with him. The Manchester Evening News said about "Is This the Way to The World Cup" that: "It's that cheesy, it's a classic". Like with "Amarillo" the year before, the profits for the single went to charity, specifically SportsAid.


(Is This the Way to) The World Cup, Creation
Christie later came to regret performing the song, stating in a 2010 interview that it was "dreadful" and said he would "...never ever do it again because it was crap".


(Is This the Way to) The World Cup, Charts
"(Is This the Way to) The World Cup" entered the UK singles charts at number 11. The following week it reached its peak of 8 in the charts before dropping three consecutive weeks after to 11, 24 and 30 before exiting the charts after five weeks.


(Iso)eugenol O-methyltransferase
In enzymology, a (iso)eugenol O-methyltransferase (EC ) is an enzyme that catalyzes the chemical reaction


(Iso)eugenol O-methyltransferase
Thus, the two substrates of this enzyme are S-adenosyl methionine and isoeugenol, whereas its two products are S-adenosylhomocysteine and isomethyleugenol.


(Iso)eugenol O-methyltransferase
This enzyme belongs to the family of transferases, specifically those transferring one-carbon group methyltransferases. The systematic name of this enzyme class is S-adenosyl-L-methionine:isoeugenol O-methyltransferase.


(It Happens) Sometimes
"(It Happens) Sometimes" is a song produced and recorded by David Guetta under the alias Jack Back, released as a single on 14 October 2018. Guetta had returned to using the Jack Back alias in September 2018. The song was inspired by Bessie Jones' recording of her 1960 song "Sometimes" (and in turn inspired Moby's 1998 single "Honey"), but features new lyrics. The track was not included on Guetta's 2018 Jack Back mixtape or album 7.


(It Happens) Sometimes
The single became Guetta's twelfth number one (and his second under the Jack Back alias) on Billboard's Dance Club Songs chart, reaching the summit in its 1 December 2018 issue.


(It's All Down to) Goodnight Vienna
"(It's All Down to) Goodnight Vienna" is a song written by John Lennon, and released by Ringo Starr as the opening title track to his 1974 album Goodnight Vienna. A brief reprise (in which Ringo thanks the band and addresses the listener) closes the album. Released as the third single, this version is a medley combination of the two. The single was released in the US on 2 June 1975.


(It's All Down to) Goodnight Vienna
The title song features Lennon on opening count-in and piano, and Billy Preston on clavinet; and the reprise features Lennon's intro, 'OK, with gusto, boys, with gusto! '.


(It's All Down to) Goodnight Vienna, Composition and Lyrics
Written during Lennon's so-called "Lost Weekend" with May Pang, the lyrics depict the pair hanging out with cohorts (including Starr, Harry Nilsson and Keith Moon) in Los Angeles. The term "Goodnight Vienna" is English slang meaning "it's all over", and the slang term "bohunk" is a mildly derogatory term for an immigrant of Bohemian descent.


(It's All Down to) Goodnight Vienna, Composition and Lyrics
This was the second of five Lennon songs to be offered for inclusion on Starr's solo albums, (the others being "I'm the Greatest" from Ringo, "Cookin' (in the Kitchen of Love)" from Ringo's Rotogravure, and two unreleased songs intended for Stop and Smell the Roses).


(It's All Down to) Goodnight Vienna, Reception
Billboard called "(It's All Down to) Goodnight Vienna" a "good, upbeat sing-along type song," saying that the lyrics were "fun" and the instrumentals were "strong."


(It's All Down to) Goodnight Vienna, Reception
Billboard also reviewed the B-side of the single, "Oo-Wee", calling it a "strong, rhythm oriented song...with some good horn riffs and an interesting piano solo."


(It's Always Gonna Be) Someday
"(It's Always Gonna Be) Someday" is a song co-written and recorded by American country music artist Holly Dunn. It was released in November 1988 as the second single from the album Across the Rio Grande. The song reached #11 on the Billboard Hot Country Singles & Tracks chart. The song was written by Dunn, Tom Shapiro and Chris Waters.


(It's Gonna Be a) Lonely Christmas
"(It's Gonna Be a) Lonely Christmas" is a Christmas song recorded by The Orioles in 1948. It was their second hit (following "It's Too Soon to Know"), reaching position #8 on Billboard’s Juke Box charts in December 1948, and #5 the following Christmas.


(It's Just) The Way That You Love Me
"(It's Just) The Way That You Love Me" is a song recorded by American singer Paula Abdul for her debut album Forever Your Girl (1988). Written and produced solely by producer Oliver Leiber, the song was originally released in its remix form as the second single from the album on August 2, 1988, by Virgin to minor success in the States.


(It's Just) The Way That You Love Me
Following the breakthrough success of her next three singles, the song was re-released on September 15, 1989, under its original version to commercial success, becoming Abdul's fourth consecutive top three entry on the Billboard Hot 100 and to date, tying with "Straight Up" as her longest charting performance on the chart. The song, however, did not replicate the same success in the UK where it managed to peak at number seventy-four on the UK Singles Chart, thus becoming her lowest charting single in the region to date.


(It's Just) The Way That You Love Me, Composition
The song is performed in the key of D♯ minor with a tempo of 120 beats per minute. Abdul's vocals span from A♯3 to D♯5.


(It's Just) The Way That You Love Me, Chart performance
In June 1988, Forever Your Girl was released, along with the follow-up single "The Way That You Love Me". Virgin and Abdul's producers felt that it was necessary to remix the song for its single release, hence the addition of (It's Just) to the song's title; also, Karyn White's "The Way You Love Me" was out at this time, thus helping to avoid confusion among consumers. The song failed to attract much attention, despite its dance-pop remix. The song stalled at #88 on the Billboard Hot 100 but reached the top 10 of Billboard's R&B chart.


(It's Just) The Way That You Love Me, Chart performance
In the UK, "The Way That You Love Me" was also Abdul's second single release, following "Knocked Out" in 1988. It failed to chart in the Top 100, although after the success of "Straight Up", "Forever Your Girl" and the re-release of "Knocked Out" in 1989, this song was also rereleased but it was not a success. It charted at #86 on 25 November 1989, going on to peak at #74 the following week, becoming Abdul's least successful single in the UK.


(It's Just) The Way That You Love Me, Chart performance
In the autumn of 1989 in the US, "The Way That You Love Me" was re-released in its original edit. This time, it became a huge success, peaking at #3 on the Billboard Hot 100. But it peaked one spot higher at #2 on the Radio & Records CHR/Pop Airplay Chart on December 2, 1989, blocked from the top by Milli Vanilli's "Blame It on the Rain". It was subsequently included as the demonstration song on several Casio keyboards (e.g. CT-670 ToneBank Keyboard).


(It's Just) The Way That You Love Me, Music video
The song's video was Abdul's first with director David Fincher in July 1988, who would later direct her most successful videos. It consisted of Abdul dancing and singing with male dancers at a photo shoot, while expensive product shots were flashed in and out. It also featured Abdul's first tap dancing sequence, which she would use again in her videos for "Straight Up", "Opposites Attract", and "Forever Your Girl".


(It's Just) The Way That You Love Me, Music video
A new video was made in August 1989 with the same director and theme for the single's rerelease. It consisted of less dancing and more interaction between Abdul and her material world.


(It's No) Sin
"(It's No) Sin" is a 1951 popular song with music by George Hoven and lyrics by Chester R. Shull. This song should not be confused with "It's a Sin", another popular song of the same era.


(It's No) Sin, First recordings
Popular recordings of the song were made by The Four Aces and Eddy Howard:


(It's No) Sin, First recordings
The recording by Eddy Howard was released by Mercury Records as catalog number 5711. It first reached the Billboard chart on September 14, 1951, and lasted 23 weeks on the chart, peaking at number 1.


(It's No) Sin, First recordings
The recording by The Four Aces was released by Victoria Records as catalog number 101. It first reached the Billboard chart on September 7, 1951, and lasted 22 weeks on the chart, peaking at number 4. This was The Four Aces' first charting record and led to their receiving a contract with a major company, Decca.


(It's Not War) Just the End of Love
"(It's Not War) Just the End of Love" is a song by Manic Street Preachers and was released as the lead single from their tenth album Postcards From a Young Man.


(It's Not War) Just the End of Love
The song was made Record of the Week on BBC Radio 2 and added to the BBC Radio 2, BBC 6 Music and XFM playlists.


(It's Not War) Just the End of Love, Music video
The music video, directed by Alex Smith, was premiered on GMTV on 26 August 2010. It is set in a 1970s chess tournament and stars actor Michael Sheen, who portrays an American chess master (although playing with a Welsh flag), opposite a Soviet chess master portrayed by actress Anna Friel. The entire video unfolds in slight slow motion. The match is interrupted when the two mount the chess table and kiss passionately (coinciding with the guitar solo) as the studio audience looks on aghast.


(It's Not War) Just the End of Love, Reception
The single was enthusiastically received by BBC Wales' James McLaren, who stated "Well I like it, I really do. It's got a theatrical pop verve to it. A sweeping string-laden hook, classic Bradders growly verse and a widdly solo in the middle eight. The melody is simple but delivered with classic Manics panache." This Is Fake DIY described it: "It's simple, it's catchy and it's enjoyable, and will have many casual radio listeners rifling through their back catalogue to discover what they've been missing all these years."


(It's Not War) Just the End of Love, Reception
The NME commented that it had "nostalgia...but also an unmistakable sense of vitality and urgency". In an early review of the album, the NME described the track as "quite literally the daftest, campest, most outlandish stadium pop song the Manics have ever put their minds to. But in a really excellent way, with one of those choruses you only need to hear once to remember forever." The Fly called it a "brilliant start" to the album, saying that it "sets out its grandiose stall from the off as James Dean Bradfield's FM-friendly riff gives way to a warm orchestral flourish".


(It's Not War) Just the End of Love, Reception
The single entered the UK Charts at #28, making "(It's Not War) Just the End of Love" their lowest charting single since "Life Becoming a Landslide" (1994). It was the band's last Top 40 hit single.


(It's a) Long Lonely Highway
"(It's a) Long Lonely Highway" is a song written by Doc Pomus and Mort Shuman and originally recorded and released by Elvis Presley. It reached number 44 in francophone Belgium in 1965.


(It's a) Long Lonely Highway, Composition
The song was written by Doc Pomus and Mort Shuman.


(It's a) Long Lonely Highway, Recording and release
Elvis Presley recorded the song on May 27, 1963, at RCA's Studio B, Nashville. The recording session featured Grady Martin, Harold Bradley, Jerry Kennedy and Scotty Moore on guitar, Bob Moore on bass, and D. J. Fontana and Buddy Harman on drums, Floyd Cramer on piano, and Boots Randolph on saxophone, vibes and shakers. Additional vocals were provided by Millie Kirkham and The Jordanaires.


(It's a) Long Lonely Highway, Recording and release
This song was intended for a 1963 studio album, but the album was abandoned. So the song was eventually included as a bonus on the Kissin' Cousins soundtrack album released in April 1964, becoming its highlight and helping it sell 300,000 copies.


(It's a) Long Lonely Highway, Recording and release
On August 10, 1965, an alternate take (recorded on the same say as the album version) was released as the B-side to "I'm Yours".


(It) Feels So Good
"(It) Feels So Good" is a song by Aerosmith frontman Steven Tyler. Written by Tyler and Marti Frederiksen, it features background vocals from American recording artist Nicole Scherzinger. It premiered on Ryan Seacrest's radio show on KIIS-FM in Los Angeles on May 9, 2011 and released digitally via iTunes and Amazon MP3 on May 10, 2011.


(It) Feels So Good, Background
Originally titled "Oxygen", the track was written in 2002 throughout the making of Aerosmith's 'career-spanning compilation' O Yeah! Ultimate Aerosmith Hits and is in a similar vein to pop-orientated efforts such as Just Push Play. The band instead opted to record "Girls of Summer" and "Lay It Down". Tyler subsequently recorded a demo of the song, which later leaked to the Internet.


(It) Feels So Good, Background
The cover photo was captured  by Steve Erle. The logo used can be found on much of Tyler's clothing range (e.g. jackets, shirts, etc. ), while the font is a similar style to that of the Aerosmith logo.


(It) Feels So Good, Music video
The music video for the song was directed by Ray Kay. Kay, in the past has directed videos for Britney Spears, Lady Gaga, Melanie C, Justin Bieber and Adam Lambert. Filming took place in April 2011 and the world premiere took place on Thursday, May 12, 2011 on American Idol where Tyler was a member of the judging panel alongside Jennifer Lopez and Randy Jackson. It features Nicole Scherzinger, who also provides backing vocals.


(It) Feels So Good, Music video
Tyler performed the song in 2011 in Las Vegas, Nevada with Nicole Scherzinger on backing vocals and fellow Idol judge Randy Jackson playing bass guitar.


(It) Feels So Good, Cover versions
Tribute Mega Stars made an album with a cover of the song, an instrumental mix, an a cappella mix, a drums and vocals mix, and a mix with no drums.


(It) Feels So Good, Chart performance
"(It) Feels So Good" made its debut on the Billboard Hot 100 at number 35, the highest-charting song by any member of Aerosmith since 2001's "Jaded". It also debuted at number 24 on Hot Digital Songs, with 77,000 downloads. As of July 15, 2011, the song has sold 197,000 copies.


(Jo)Style
[ Jo]Style is a Japanese adult video (AV) director who has supervised more than 300 productions during his career.


(Jo)Style, Life and career
[ Jo]Style began his profession directing AV at the Waap Entertainment studio which also fostered the careers of Alala Kurosawa, KINGDOM and K*WEST. At Waap, he continued the bukkake-themed Dream Shower series which had been initiated by Kurosawa in 1998, starting with Volume 37 in January 2002. He also became well known for directing two other series at Waap, "Semen by Female Teacher" (ザーメンby女教師) and "The Condominium of the Big Breast Wife" (巨乳マンション).


(Jo)Style, Life and career
When the new studio, S1 No. 1 Style, was founded in November 2004, [Jo]Style directed Akane Mochida in her debut video New Face, one of the first set of eleven videos released by the company on November 11, 2004. He continued directing at S1, compiling a record of more than 75 videos for the studio by late 2011.


(Jo)Style, Life and career
[ Jo]Style was one of 14 directors invited to compete in the 3rd D-1 Climax Awards competition sponsored by the Dogma studio in 2007. His entry was the S&M video Egoistic Love - Blind Woman's Desire To Be Humiliated (Egoistic Love 被虐願望、美しき盲目の女) (D1-309) co -starring Azusa Ito and Nana Saeki. He had also directed a number of videos for Moodyz over the years and at the 2008 Moodyz Awards ceremony, he received the 4th Place Award for Best Director. For the 2008 AV Grand Prix competition he directed the 3-hour video MADONNA BOOTCAMP ELITE [AVGL-025], the nominated entry of the Madonna studio.


(Jo)Style, Life and career
Over the course of his career, [Jo]Style has directed a number of notable AV Idols including Akiho Yoshizawa, Kaede Matsushima, Maria Ozawa, Mihiro, Rio, An Nanba, Hotaru Akane, Yuma Asami, Riko Tachibana, Sora Aoi and Nao Oikawa.


(Just Like) Romeo and Juliet
"(Just Like) Romeo and Juliet" is a 1964 hit single by the Reflections, their recording of a composition by Bob Hamilton and Freddie Gorman.


(Just Like) Romeo and Juliet, Background
Ed Wingate, owner of the newly formed Detroit-based Golden World Records, had signed the Reflections on the basis of the group's regional success with the single "You Said Goodbye" on the local Kay-Ko label. Songwriter Freddie Gorman, who had been recruited by Golden World from Motown, would recall that he considered his recent composition "(Just Like) Romeo and Juliet" as "tailor made" for the doo-wop-styled Reflections "because it had a pop feel, as opposed to the R&B thing they were doing." However Reflections' lead singer Tony Micale recalls that none of the group responded positively to the song when Gorman first sang it for them: "It just didn't sound like much with [Gorman] just playing a little piano backup".


(Just Like) Romeo and Juliet, Background
The Reflections recorded the vocal for the track several weeks later at the RCA recording studio in Chicago. According to Micale, the group's members still regarded the song as somewhat of a joke. While running through the song prior to the recording session they ad-libbed a falsetto "doo-doo-doot" hook line as irreverent mimicry of Gorman's vocal style when he'd pitched them the song. The group was surprised when Gorman added that line to the song's vocal arrangement. The instrumental track for "(Just Like) Romeo and Juliet" had been recorded at United Sound Systems in Detroit.


(Just Like) Romeo and Juliet, Background
Micale would recall that when the group's members first heard that instrumental track through the [RCA] studio monitors "we were just blown away... Some of the Motown [session musicians] were playing on it, and the sound was just amazing. Besides our vocals, the only thing added at that point were [the] 'doo-doo-doot's that we had come up with, and hand claps".


(Just Like) Romeo and Juliet, Chart history
First aired on CKLW in Windsor ON in February 1964, the single topped the hit parade of CKLW, as well as those of Detroit radio stations WJBK and WKNR in March 1964. "(Just Like) Romeo and Juliet" made its national chart debut on the Billboard Hot 100 dated April 11, 1964, ranked at #86 and rose to a Hot 100 peak of #6 on the chart dated May 30, 1964. In New Zealand, the song reached #5.


(Just Like) Romeo and Juliet, Mental As Anything's version
(Just Like) Romeo and Juliet" was recorded by Australian band Mental As Anything, released in 1980 and it reached #27 on the Kent Music Report.


(Just Like) Starting Over
"(Just Like) Starting Over" is a song written and performed by John Lennon from the 1980 album, Double Fantasy. It was released as a single on 24 October 1980 in the United Kingdom, with Yoko Ono's "Kiss Kiss Kiss" as the B-side. It reached number one in both the US and UK after Lennon was murdered on 8 December 1980. It was Lennon's final single released in his lifetime.


(Just Like) Starting Over, Single
"(Just Like) Starting Over" was the first single released from Double Fantasy and the first new recording Lennon had released since he left the music industry in 1975. It was chosen by Lennon not because he felt it was the best track on the album, but because it was the most appropriate following his five-year absence from the recording industry. He referred to it during production as the "Elvis/Orbison" track, as he "tongue in cheek" impersonated their vocal styles; at the start of the 2010 "Stripped Down" version of the song, Lennon says "this one's for Gene, and Eddie, and Elvis... and Buddy."


(Just Like) Starting Over, Composition
Although its origins were in unfinished demo compositions like "Don't Be Crazy" and "My Life", it was one of the last songs to be completed in time for the Double Fantasy sessions. "We didn't hear it until the last day of rehearsal," producer Jack Douglas said in 2005. Lennon finished the song while on holiday in Bermuda, and recorded it at The Hit Factory in New York City just weeks later. The song was originally titled "Starting Over"; however, "(Just Like)" was added prior to its release because of its similarity to Dolly Parton's "Starting Over Again" which had topped the Country Charts earlier in the year.


(Just Like) Starting Over, Composition
While commercial releases of the song (original 45rpm singles, LP's and Compact Discs) run a length of three minutes and 54 seconds, a promotional 12" vinyl single originally issued to radio stations features a longer fadeout, officially running at four minutes 17 seconds.


(Just Like) Starting Over, Composition
Musicologist Walter Everett noted melodic similarities between a portion of the song and the Beach Boys' 1964 single "Don't Worry Baby".


(Just Like) Starting Over, Recording
Lennon recorded "(Just Like) Starting Over" on 9 August 1980 at The Hit Factory. The track was mixed at the Record Plant on 25–26 September 1980.


(Just Like) Starting Over, Reception
Billboard Magazine considered "(Just Like) Starting Over" to be an "uptempo, fresh sounding rocker," praising the "irresistible melody and lyric line," the "exceptional rhythm unit" as well as Lennon's vocal performance.


(Just Like) Starting Over, Reception
In 2013, Billboard Magazine ranked it as the 62nd biggest hit of all time on the Billboard Hot 100 charts.


(Just Like) Starting Over, Charts
The song is Lennon's biggest solo hit in the United States, staying at number 1 for five weeks. Before Lennon was shot in New York City on 8 December 1980, the single had reached number 6 on the US charts. It reached number 1 for the week ending 27 December. Billboard ranked it at the No. 4 song for 1981. In the UK it had peaked at number 8 in the charts and had fallen to position number 21 before Lennon's death propelled it to number 1.


(Just Like) Starting Over, Charts
It was overtaken to the Christmas Number One Single rank by the St Winifred's School Choir's "There's No One Quite Like Grandma," finishing at number 2 on that list. The song also reached number 1 on the Cashbox Top 100. By 6 January 1981, there were three Lennon songs in the UK top 5, a feat that remained unequalled for 35 years when Justin Bieber managed to accomplish this in January 2016.


(Just Like) Starting Over, Charts
The Flaming Lips recorded a version for the benefit album Instant Karma: The Amnesty International Campaign to Save Darfur.


(Just Like) Starting Over, Charts
On 8 October 2010, in honor of what would have been his 70th birthday the following day, iTunes released remastered albums, iTunes LPs, and a free track, the 2010 remix of "(Just Like) Starting Over".


(Just Like) Starting Over, Certifications
* Sales figures based on certification alone.^ Shipments figures based on certification alone.


(KDO)-lipid IVA 3-deoxy-D-manno-octulosonic acid transferase
(KDO)-lipid IVA 3-deoxy-D-manno-octulosonic acid transferase (EC , KDO transferase, waaA (gene), kdtA (gene), Kdo transferase, 3-deoxy-D-manno-oct-2-ulosonic acid transferase, 3-deoxy-manno-octulosonic acid transferase) is an enzyme with systematic name CMP-3-deoxy-D-manno-oct-2-ulosonate:(KDO)-lipid IVA 3-deoxy-D-manno-oct-2-ulosonate transferase. This enzyme catalyses the following chemical reaction


(KDO)-lipid IVA 3-deoxy-D-manno-octulosonic acid transferase
The bifunctional enzyme from Escherichia coli transfers two 3-deoxy-D-manno-oct-2-ulosonate residues to lipid IVA.


(KDO)2-lipid IVA (2-8) 3-deoxy-D-manno-octulosonic acid transferase
(KDO)2-lipid IVA (2-8) 3-deoxy-D-manno-octulosonic acid transferase (EC , KDO transferase, waaA (gene), kdtA (gene), 3-deoxy-D-manno-oct-2-ulosonic acid transferase, 3-deoxy-manno-octulosonic acid transferase) is an enzyme with systematic name CMP-3-deoxy-D-manno-oct-2-ulosonate:(KDO)2-lipid IVA 3-deoxy-D-manno-oct-2-ulosonate transferase ((2->8) glycosidic bond-forming). This enzyme catalyses the following chemical reaction


(KDO)2-lipid IVA (2-8) 3-deoxy-D-manno-octulosonic acid transferase
The enzymes from Chlamydia transfer three or more 3-deoxy-D-manno-oct-2-ulosonate residues and generate genus-specific epitopes.


(KDO)3-lipid IVA (2-4) 3-deoxy-D-manno-octulosonic acid transferase
(KDO)3-lipid IVA (2-4) 3-deoxy-D-manno-octulosonic acid transferase (EC , KDO transferase, waaA (gene), kdtA (gene), 3-deoxy-D-manno-oct-2-ulosonic acid transferase, 3-deoxy-manno-octulosonic acid transferase) is an enzyme with systematic name CMP-3-deoxy-D-manno-oct-2-ulosonate:(KDO)3-lipid IVA 3-deoxy-D-manno-oct-2-ulosonate transferase ((2->4) glycosidic bond-forming). This enzyme catalyses the following chemical reaction


(KDO)3-lipid IVA (2-4) 3-deoxy-D-manno-octulosonic acid transferase
The enzyme from Chlamydia psittaci transfers four KDO residues to lipid A, forming a branched tetrasaccharide.


(Keep Feeling) Fascination
"(Keep Feeling) Fascination" is a 1983 song by the British synthpop group The Human League. It was composed by Jo Callis and Philip Oakey, and produced by Martin Rushent (which would be the last song he produced for the band for seven years).


(Keep Feeling) Fascination
The song features vocals from four of the band members, including lead singer Philip Oakey, female co-vocalists Susan Ann Sulley and Joanne Catherall, and a rare vocal role from keyboardist and guitarist Jo Callis.


(Keep Feeling) Fascination
The single was designated 'Red' on the Human League's short-lived, self-imposed labelling system of 'Blue' for pop songs and 'Red' for dance tracks.


(Keep Feeling) Fascination, Chart performance and certifications
The single was released in the UK on 11 April 1983 as a non-album single, and went to number 2 in the UK Singles Chart. It was incorporated into the band's EP Fascination!. Released in the US a month after the UK release, the single reached number 1 on the US Hot Dance Music/Club Play chart (their first single to do so) and number 8 on the US Billboard Hot 100 that summer. The EP Fascination! contained two versions of "(Keep Feeling) Fascination"; the extended mix and an improvisation, both different from the single version. These were also the tracks featured on the 12" issue in the UK.


(Keep Feeling) Fascination, Chart performance and certifications
The 7" issue featured a new instrumental track on the B-side, Total Panic.


(Keep Feeling) Fascination, Music video
The video for "(Keep Feeling) Fascination" was filmed in a semi-derelict area of Newham, London which was due for demolition and redevelopment as part of the widescale redevelopment of Docklands and East London which took place in the early 1980s. The video begins with an aerial view of an orange "you are here" dot on a street map, which is revealed as an actual giant orange dot on the ground as the camera zooms in.


(Keep Feeling) Fascination, Music video
The dot highlights a single house on the apex of two streets, and the camera passes through a set of window curtains to show the band playing the song inside. The entire room is painted grey, as are the band's instruments and microphones. During the song's bridge, two boys are shown kicking a ball around in the street outside. Both the ball and one boy's clothes turn orange when they enter the dot; when he kicks the ball back, it returns to its original colour. As the song ends, the camera retreats from the room and zooms back out into the sky, the view changing back to the original map.


(Keep Feeling) Fascination, Music video
Unusually for Human League videos to this point, the band are all seen playing instruments as if it were a live performance. Philip Oakey said in 1983:


(Keep Feeling) Fascination, Music video
"The aim of the video is to show that we're a group who play music together ... This should help us in America where they believe we are a manufactured item mainly because we've never been live on TV there."


(Keep Feeling) Fascination, Music video
Both the house (which was ) and surrounding area (Junction of 1st Avenue and 3rd Avenue) encompassed by the orange dot were completely painted orange, including a nearby Austin 1800 car. The video was conceived and directed by Steve Barron, who directed most of the Human League's early 1980s music videos. The band's scenes were all filmed in a studio; Susan Ann Sulley says that the house was still occupied by a family during the painting and filming of the external scenes. The house remained orange until being demolished in mid-1983.


(Kissed You) Good Night
"(Kissed You) Good Night" is a song recorded by the American country music group Gloriana. Written by group member Tom Gossin with Josh Kear, it was released in October 2011 as the second single from the band's album A Thousand Miles Left Behind. It is also the first single release with new only female lead Rachel Reinert.


(Kissed You) Good Night, Content
Gloriana member Tom Gossin co-wrote the song with Josh Kear, who also wrote the band's debut single "Wild at Heart". Gossin based the duet around a conversation between two girls that he overheard at a restaurant. After one of them said, "Girl, that is his job to make the first move! ", Gossin said, "My ears perk up, and I was listening because I wanted to know what they had to say about it. They were like, ‘It is always the guy’s job. Just push her up against the wall and do it!’ That became like the first [idea] that I had when I wrote with Josh."


(Kissed You) Good Night, Critical reception
Matt Bjorke of Roughstock rated it four stars out of five, saying that "It’s an effective telling of how a first kiss can be a nervous affair but in the end it is those nervous moments that make life worth living." Giving it four-and-a-half stars out of five, Billy Dukes of Taste of Country wrote that "there are fewer layers to get through to enjoy the song" and compared it favorably to Lady Antebellum.


(Kissed You) Good Night, Music video
TK McKamy directed the song's music video, which was released in January 2012. It features actors Megan Park and Tyler Hilton, and was shot in Franklin, Tennessee.


(Kissed You) Good Night, Charts and certifications
Gloriana was presented with their Platinum plaques for '(Kissed You) Good Night' for surpassing 1 million singles sold at their first fan club party in Nashville, TN on June 6, 2013.


(Kom så ska vi) Leva livet
"(Kom så ska vi) Leva livet" is a song written by Per Gessle and Mats "MP" Persson, recorded by Gyllene Tider and released as a single on 29 April 1981.


(Kom så ska vi) Leva livet
It peaked at number 13 on the Swedish Singles Chart. The song also charted Svensktoppen for eight weeks between 31 May and 22 November 1981, peaking at second position.


(Last Night We Were) The Delicious Wolves
(Last Night We Were) The Delicious Wolves is an album by Canadian artist Hawksley Workman, released in 2001 by Isadora Records/Universal Music and re-released for the UK by Ba Da Bing!. It was produced and recorded by Workman at his 'Hawksleytown' studio, with additional recording, mixing & mastering by Joao Carvalho at Umbrella Sound.


(Last Night We Were) The Delicious Wolves
Features performances by Sarah Slean (background vocals on tracks 7 & 10) and Sarah McElcheran (trumpet).


(Last Night) I Didn't Get to Sleep at All
"(Last Night) I Didn't Get to Sleep at All" is a song written by Tony Macaulay and performed by The 5th Dimension with instrumental backing from L.A. session musicians from the Wrecking Crew. In the United States, the song reached #2 on the adult contemporary chart, #8 on the Billboard Hot 100 chart, and #28 on the R&B chart in 1972. The song appeared on the band's album Individually and Collectively, produced by Bones Howe and arranged by Bill Holman. It became the group's sixth and final platinum record. In Canada, it spent a week at #6 on the RPM 100 in July 1972.


(Last Night) I Didn't Get to Sleep at All
Tony Macaulay began work on the song while in Tokyo for the World Popular Song Festival of 1972. He met fellow attendees the Carpenters and was inspired to write a song emulating their hit "We've Only Just Begun" (Macaulay: "I liked the feel of that, the shuffle feel of it"). Macaulay recalls that due to changing time zones "I was awake all night and sleeping all day [in Tokyo]. So I just got up in the night and I wrote it". Although he was having sleepless nights in Tokyo, it was the melody rather than the lyrics that he wrote there. The lyrics were completed after Macaulay's return to London "in a taxi stuck in a traffic jam ... in about an hour going from one side of London to another".


(Last Night) I Didn't Get to Sleep at All
Macaulay sent a demo of the song to the Carpenters. "They said they loved it and they'd do it. [ Later] I got a phone call about 2 o'clock in the morning that woke me up (they hadn't figured out the time change between here and America). They said 'Oh, we can't record it because it mentions sleeping pills and they are drugs and we don't mention drugs.' So I got up in the middle of the night and rewrote the last verse without the sleeping pills." However, Macaulay was not happy with the change to the lyric, so when Bones Howe contacted him the next week, Macaulay pitched "(Last Night)..." for the 5th Dimension, who recorded it with the sleeping pill reference intact.


(Last Night) I Didn't Get to Sleep at All
The lead vocals on the 5th Dimension’s recording are performed by Marilyn McCoo.


(Last Night) I Heard You Crying in Your Sleep
"(Last Night) I Heard You Crying in Your Sleep" is a song written and recorded by Hank Williams on MGM Records. It was released as the B-side of "Move It on Over" in 1947.


(Last Night) I Heard You Crying in Your Sleep, Background
Hank Williams recorded "(Last Night) I Heard You Crying in Your Sleep" at his first MGM recording session after releasing a few sides with Sterling Records. Despite its bouncy tempo, the song contains somber lyrics about a heartbroken man who has come to realize that the woman he loves has never loved him.


(Last Night) I Heard You Crying in Your Sleep, Background
Making the song even sadder is the forgiving tone of the narrator ("I know you tried your best to love me," "I love you so much I want you happy"), and its simple language is as good an illustration as any of the profound simplicity of Williams' love songs.


(Last Night) I Heard You Crying in Your Sleep, Background
An embryonic version of the song exists as a lyric sheet in the Alabama Department of Archives and History with words quite dissimilar to the finished recording, suggesting that songwriting wasn't quite the spontaneous act that Williams later made it out to be in interviews; in 1952 he declared to Pathfinder, "People don't write music. It's given to you; you sit there and wait and it comes to you. If a song takes longer than thirty minutes or an hour, I usually throw it away.


(Last Night) I Heard You Crying in Your Sleep, Background
Williams recorded the song on April 21, 1947 at Castle Studio in Nashville with Fred Rose producing the session. Williams recorded the song during his first session with MGM on April 21, 1947. The band was composed by part of Red Foley's backing, including Zeke and Zeb Turner (guitar), Brownie Raynolds (bass), Tommy Jackson (fiddle) and Smokey Lohman (steel guitar).


(Lay Your Head on My) Pillow
"(Lay Your Head on My) Pillow" is a song by American R&B group Tony! Toni! Toné!. It was released by Mercury and Polygram Records on January 11, 1994, as the third single from their 1993 album Sons of Soul. The midtempo love ballad was written and produced by the group and recorded at Paradise Recording Studio in Sacramento, California.


(Lay Your Head on My) Pillow
"(Lay Your Head on My) Pillow" charted at number 31 on the Billboard Hot 100 and at number four on the Hot R&B Singles. It was promoted with a music video wherein the group appeared nude; they conceived it as their response to criticism of male artists for sexually objectifying women in music videos


(Lay Your Head on My) Pillow, Music and lyrics
Tony! Toni! Toné! recorded the song for their third album Sons of Soul, which was recorded and released in 1993. The song was produced and written by the group—drummer Timothy Christian Riley, guitarist D'wayne Wiggins, and bassist Raphael Wiggins.


(Lay Your Head on My) Pillow, Music and lyrics
A midtempo love ballad, "(Lay Your Head on My) Pillow" features tender, seductive lyrics. The group incorporated country-influenced pedal steel guitar in the song after a country band had used it at Paradise Recording Studio, where they recorded the song. Gil Griffin of The Washington Post writes that the song is informed by "the sensual moods of Barry White and Isaac Hayes".


(Lay Your Head on My) Pillow, Music video
A music video for the song was released in February 1994. It featured the group members, along with several supporting actors, appearing nude. Members of the video crew were reported to have "giggled a lot" during the 14-hour shoot. It was reshot after BET, MTV, and other cable outlets requested them to minimize the nudity for airplay. D'wayne Wiggins explained the concept as their response to criticism of male artists for sexually objectifying women in music videos, calling their video "sort of a role-reversal thing".


(Lay Your Head on My) Pillow, Music video
He said in an interview for The Atlanta Journal-Constitution that he received the most "giggles ... because I went first, which I had to do because I was the one leading everybody on to do it nude. It's not like it's nudity just for nudity's sake, but we didn't want to do another la-de-da video. It's like 14 or 15 people are together in a room and different people are shown without clothes at different times."


(Lay Your Head on My) Pillow, Personnel
Credits are adapted from the single's 7-inch pressing (Wing #858260-7).


(Le) Poisson Rouge
(Le) Poisson Rouge (often referred to as LPR) is a music venue and multimedia art cabaret in New York City founded in 2008 by Justin Kantor and David Handler on the former site of the Village Gate at 158 Bleecker Street. The performance space was designed and engineered by John Storyk/WSDG. It has become known for its focus on artistry, bringing contemporary classical music into the club setting, and offering a variety of set ups so that a seated classical performance can be followed by a standing set by a rock band or a DJ. Responding to a performance of Olivier Messiaen's Quartet for the End of Time featuring pianist Bruce Brubaker at LPR, The Wall Street Journal reported: "The crowd – many of whom wouldn't even have known who Messiaen was – sat in rapt silence, and roared their approval at the end."


(Le) Poisson Rouge
Kantor and Handler, both graduates of Manhattan School of Music, founded LPR with the stated desire of creating a venue that would foster the fusion of "popular and art cultures" in music, film, theater, dance, and fine art.


(Le) Poisson Rouge
The venue is home to a myriad variety of genres focusing on classical, new music, avant garde music, indie rock, and jazz, but also playing host to readings, comedy, film, DJs, parties, theater, and burlesque.


(Le) Poisson Rouge
A number of live albums have been recorded at (Le) Poisson Rouge, including an improvised album by J. Spaceman and Kid Millions and Grand Valley State University's New Music Ensemble recording of Terry Riley's In C.


(Let Me Be Your) Teddy Bear
"(Let Me Be Your) Teddy Bear" is a popular song first recorded by Elvis Presley in 1957 for the soundtrack of his second motion picture, Loving You, during which Presley performs the song on screen. It was written by Kal Mann and Bernie Lowe and published in 1957 by Gladys Music.


(Let Me Be Your) Teddy Bear, Presley single
The song was a U.S. No. 1 hit for during the summer of 1957, staying at No. 1 for seven weeks, the third of the four Presley had that year. "(Let Me Be Your) Teddy Bear" would also hit No. 1 on the R&B Best Sellers List, becoming his fourth No. 1 on that chart. The song also reached No. 1 on the country charts for a single week.


(Let Me Be Your) Teddy Bear, Cover versions
The song was used in Full House and in the Disney special D-TV Romancin'.


(Let's Get Together) One Last Time
"(Let's Get Together) One Last Time" is a song written by Billy Sherrill and George Richey, and recorded by American country music artist Tammy Wynette. It was released in January 1977 as the first single from the album Let's Get Together.


(Let's Get Together) One Last Time, Background and reception
"Let's Get Together" was first recorded in December 1976 at the Columbia Recording Studio in Nashville, Tennessee. Additional tracks were recorded during this session, which would ultimately become part of Wynette's studio album Let's Get Together. The session was produced by Billy Sherrill.


(Let's Get Together) One Last Time, Background and reception
The song reached number 6 on the Billboard Hot Country Singles chart. It released on her studio album Let's Get Together.


(Life May Be) A Big Insanity
"(Live May Be) A Big Insanity" is a 1990 pop song performed by German singer Sandra, written by Michael Cretu and Klaus Hirschburger, and produced by Cretu. It was released in spring 1990 as the second single from Sandra's fourth studio album, Paintings in Yellow. The single became only a moderate hit in Germany and France.


(Life May Be) A Big Insanity
The music video for the song was directed by Howard Greenhalgh. The clip was released on Sandra's VHS video compilation 18 Greatest Hits in 1992 and the 2003 DVD The Complete History.


(Like A) Nightmare
"(Like A) Nightmare" is a 1964 single recorded by The Andantes for the V.I.P. (Motown) label. Written and composed by Motown's main production team Holland–Dozier–Holland, it became the second and last official single by the session group from the company.


(Like A) Nightmare
The song's narrator tells off her lover, saying how it hurt her to find he's been unfaithful to her.


(Like A) Nightmare
Although this is the only single credited to the group, it was actually their second single; their previous single "Too Hurt to Cry, Too Much in Love to Say Goodbye" was credited to "the Darnells". The Andantes, as one of the label's main session groups, sang background vocals for numerous Motown acts, and used to "sweeten" the sound of others. The group was apparently promised by the company that they would be allowed to record a few singles, but this single was the only one credited to the group.


(Like A) Nightmare
Furthermore, the group was not even allowed to front either side of either single. Former Challengers III lead, and future Marvelette, Ann Bogan leads both sides of this single. (Marvelette Gladys Horton, whom Bogan later replaced, was main lead on the previous single's A-side; Lamont Dozier, of Holland–Dozier–Holland, lead its B-side.) Motown did little to promote the single and it was quickly withdrawn, and thus did not chart. The group would continue to back the labels acts in the studio until the labels move to Los Angeles in 1972.


(Like A) Nightmare
The Andantes would back Bogan again on the Marvelettes' 1968 single "I'm Gonna Hold On as Long as I Can". By the time the Marvelettes disbanded at the end of the decade, the Andantes had, including their singles as well, backed all three Marvelettes lead singers on 16 singles (and several more recordings).


(Lil) Green Patch
(Lil) Green Patch was a Facebook application developed by Ashish Dixit and David King  that simulated a small garden on a Facebook user's profile. By tending their and their friends' gardens, the Facebook users were able to raise money for The Nature Conservancy to save the rainforest. In September 2008, it was rated as the number one application on Facebook, ahead of Texas HoldEm Poker. In April 2009, it had slid to a sixth-place ranking.


(Lil) Green Patch
(Lil) Green Patch became unavailable to users on June 10, 2010, following a decision by new owners Playdom to discontinue the application.


(Lil) Green Patch, Popularity and area of rainforest saved
In the first quarter of 2008, (Lil) Green Patch users raised over $15,000 in donations, which was enough to save more than 13,600,000 square feet (1.26 km2) of rainforest. The application was then among the 15 most popular Facebook applications, with 350,000 active users. In June 2008, it was one of the top ten most installed applications, with more than 5,217,180 installations and 521,718 active users a day. By October 2008, the app had raised $91,000 for The Nature Conservancy. By December 2008, the number of users was reported at 6.3 million, and the application was ranked as one of the five most popular Facebook applications. The area of Costa Rican rainforest that had been saved at that time was up to 70 million square feet.


(Lil) Green Patch, Popularity and area of rainforest saved
In its final accounting, Causes.com, the independent charity clearinghouse for Facebook apps that processed its donations, reported that (Lil) Green Patch had generated $210,261 in contributions for The Nature Conservancy. As of December 2010, it remained the all-time top recruiter for this charity, with nearly 1,200 users, more than double the next largest contributor.


(Lil) Green Patch, Controversy
Playdom acquired the independent Green Patch team in November 2009. While Green Patch benefited from the huge increase in Facebook members going on concurrently, many of these new Facebook users were unfamiliar with independent organizations such as Causes.com used to provide accountability for charitable contributions, but hyper aware of similar scams common elsewhere on the web. As a result, the accuracy of Green Patch's charity donation were widely questioned in blog comments.


(Lil) Green Patch, Controversy
Another source of controversy swirled about the amount of the donations relative to the size of the user population. Despite an average donation per contribution ratio exceeding $175 per contributor, some detractors disparaged the game by claiming total donations amounted to just pennies per user.


(Lil) Green Patch, Dissolution
Rumors, speculation and controversy also surround the surprise cancellation of the still popular (Lil) Green Patch just 6 months after Playdom acquired the Green Patch team and the month immediately prior to the announcement of  Playdom's acquisition by Disney. Playdom also announced they were canceling all other games from the GreenPatch except (Lil) Farm Life.


(Lil) Green Patch, Dissolution
Also during the time between the rapid rise of (Lil) Green Patch and its subsequent acquisition and eventual cancellation, competitor Zynga initiated trade secrets lawsuits against  Green Patch, Playdom and 22 other rivals. These lawsuits were settled subsequent to Disney's acquisition of Playdom.


(Lil) Green Patch, Inspiration for a New Genre
(Lil) Green Patch has been described as the "granddaddy of green Facebook apps" and its game play and art style have inspired many other similar applications.


(Loneliness Made Me Realize) It's You That I Need
"(Loneliness Made Me Realize) It's You That I Need" is a 1963 song that became a 1967 hit single recorded by the Temptations for the Gordy (Motown) label, produced and co-written by Norman Whitfield. Billboard described the single as a "groovy rocker" that "is loaded with excitement and another top vocal workout."


(Loneliness Made Me Realize) It's You That I Need, Background
As the song's narrator, Temptations lead singer David Ruffin tells his former love that since they broke up he can only think of her and no one else, and since he can't find someone else to love he has an unbearable loneliness in his heart. This is one of the rare pre-1968 singles to feature the group members singing all lead vocals at one point, as the other members, Eddie Kendricks, Melvin Franklin, Paul Williams, and Otis Williams, each have a solo spot out front on the last verse.


(Loneliness Made Me Realize) It's You That I Need, Background
Issued with the Otis Williams-led "Don't Send Me Away" as its B-side, "It's You That I Need" was the fourth and final single from the group's 1967 album The Temptations with a Lot o' Soul. The single would be the last one with all group members singing lead until "Cloud Nine". It would also be the last single in which lyricist Eddie Holland would be teamed with Norman Whitfield, who would now be partnered with Barrett Strong for the next five years creating the group's material. Holland, who originally recorded the song (for the Motown label) as an unreleased track back in 1963, was also a member of the production team of H-D-H, who had become dissatisfied with both their pay and the working atmosphere at Motown, and the trio left the label in early 1968.


(Loneliness Made Me Realize) It's You That I Need, Chart performance
"(Loneliness Made Me Realize) It's You That I Need" is one of the small handful of pre-psychedelic era songs the group recorded that had more than two members singing lead at one point, and the only one that charted. It peaked on the Billboard Hot 100 singles chart at number 14 and the Billboard R&B chart at number 3.


(Love Is) The Tender Trap
"(Love Is) The Tender Trap" is a popular song composed by Jimmy Van Heusen, with lyrics by Sammy Cahn.


(Love Is) The Tender Trap
It was written for the 1955 film The Tender Trap, where it was introduced by Debbie Reynolds and Frank Sinatra, who each sing the song separately. It was nominated for the Academy Award for Best Original Song, but lost to "Love Is a Many-Splendored Thing" from the film of the same name.


(Love Is) The Tender Trap
A version by Frank Sinatra became a major hit in the United Kingdom, peaking at no. 2 in February 1956. It reached no. 7 in the US charts.


(Love Is) Thicker Than Water
"(Love Is) Thicker Than Water" is a song performed by Andy Gibb, released in September 1977 as the second and final single from his debut album, Flowing Rivers. The song was his second single that topped the US Billboard Hot 100. It was mainly written by Barry Gibb, with help from Andy Gibb. The B-side of this song was "Words and Music" in the US, but "Flowing Rivers" in the UK. It became a gold record.


(Love Is) Thicker Than Water
Billboard magazine describes the song as "a midtempo ballad that changes pace from a lushly romantic and soft [Andy] Gibb vocal to an uptempo instrumental drive. Plenty of melody and another catchy hook".


(Love Is) Thicker Than Water, Writing and recording
"(Love Is) Thicker Than Water" was written by Barry Gibb in Bermuda with Andy Gibb credited as co-writer. Andy Gibb later revealed writing a song with Barry:


(Love Is) Thicker Than Water, Writing and recording
I did one song with Barry, 'Thicker Than Water' which I thought was good", Gibb explains, "Even though it says on the credits 'B. & A. Gibb', it is really Barry's song - it is very hard to write with Barry, but he said, 'Help me think of a great title'. That was a period where Barry was thinking of titles first and seeing how they would inspire him to write a song. I said, 'How about Thicker Than Water?' I did not say 'Love Is' just 'Thicker Than Water', he said 'That's great!' and then he came up with 'Love is higher than a mountain' and he just went on from there, but the title was totally my idea.


(Love Is) Thicker Than Water, Writing and recording
"(Love Is) Thicker than Water" was recorded in October 1976 at the Criteria Studios in Miami, Florida, during the same time as "I Just Want to Be Your Everything". On the two tracks, Joe Walsh of Eagles played guitar. The song was certified Gold in the United States on 16 February 1978 as Robert Stigwood  presented Gibb with his first gold record at the Roxy in Los Angeles.


(Love Is) Thicker Than Water, Writing and recording
Billboard Magazine reviewed the song concluding that it has "plenty of melody and another catchy hook."


(Love Is) Thicker Than Water, Aftermath
As evidence of the Gibb brothers' U.S. chart domination in 1978, atop the March 4, 1978 Hot 100 the Bee Gees' "Stayin' Alive" was displaced by this song, which in turn was displaced two weeks later by the Bee Gees' "Night Fever", which in turn was displaced eight weeks later by Yvonne Elliman's "If I Can't Have You". Since Barry Gibb had a hand in writing all four of these songs, he became the only person in history to write four consecutive US number-one singles, a feat unmatched to this day. The song was released in February 1978 in Netherlands.


(Love Is) Thicker Than Water, Aftermath
On October 7, 1977 Andy performed the song, and "I Just Want to Be Your Everything", on The Midnight Special.


(Love Moves in) Mysterious Ways
"(Love Moves in) Mysterious Ways" is a song by British singer-songwriter Julia Fordham, from her 1991 album Swept. The song was released as a single in 1992 and reached number 19 in the UK Singles Chart, becoming her highest charting single there. It features in the 1991 film The Butcher's Wife, starring Demi Moore and Jeff Daniels.


(Love Moves in) Mysterious Ways
The song became a popular pop-standard in the Philippines when it was reintroduced by Filipino singer Nina in 2005.


(Love Moves in) Mysterious Ways, Background
The song was first offered to Linda Ronstadt, but she turned it down so it was then introduced to Fordham.


(Love Moves in) Mysterious Ways, Performances
In 2014, Fordham performed it live for her two Valentine concerts entitled "Love Moves..." in the Philippines.


(Love Moves in) Mysterious Ways, Cover versions, Nina version
"Love Moves in Mysterious Ways" is the first single from Filipino singer Nina's third album Nina Live!. It was released in February 2005 by Warner Music, along with the live album. The song was part of the Nina Live! recording session on 30 January 2005 at the PHI Resto and Bar, Metrowalk in Pasig. The song is considered to be one of the main reasons why Nina Live! became a success, which was certified Diamond by the Philippine Association of the Record Industry.


(Love Moves in) Mysterious Ways, Cover versions, Nina version
Internationally, the song was released as a digital download through Rhino Records.


(Love Moves in) Mysterious Ways, Cover versions, Nina version
The music video for "Love Moves in Mysterious Ways" was recorded during the Nina Live! recording sessions, which was directed by Marla Ancheta. No studio version was recorded for release. The video features Nina performing live with The Essence band. Fans and audience surround her, while she sings the song to them.


(Love) Compared with You
"(Love) Compared with You" is a song by the British rock band Steve Harley & Cockney Rebel, released in 1976 as the third and final single from the band's fifth studio album Love's a Prima Donna. Released as a single in America only, the song was written and produced by Harley.


(Love) Compared with You, Background
Following the UK Top 50 entry of Love's a Prima Donna's second single, "(I Believe) Love's a Prima Donna", plans were made for "(Love) Compared with You" to be released as the third single in the UK. However, EMI Records decided to cancel the release at the last minute. Although the UK release was scrapped, EMI chose to release the song as the album's only single in America.


(Love) Compared with You, Background
Like the Love's a Prima Donna album, the song was recorded at Abbey Road Studios, sometime between June–September 1976. English violinist Wilfred Gibson, who contributed to choir and orchestral arrangements on the album, scored the string section for the track. Speaking to Melody Maker's Harvey Kubernik in February 1977, Harley spoke of the song, revealing: ""(Love) Compared with You" is the first out-and-out love song I've written. I'd been trying for three years."


(Love) Compared with You, Background
In 2010, Harley supported the Children in Need charity by auctioning a personal mini-concert at the winning bidder's home, as well as a signed guitar and a lavish dinner. A German fan won the auction with the bid of $15,000. In December that year, it was revealed that Harley was set to travel to the fan's home to play their requested song, which was "(Love) Compared with You".


(Love) Compared with You, Release
"(Love) Compared with You" was released by EMI Records on 7" vinyl in America only. The B-side, "Too Much Tenderness", was written and produced by Harley, and also taken from Love's a Prima Donna. For its release as a single, "(Love) Compared with You" was cut down by almost a minute. A promotional edition of the single was also released, which placed the A-side on both sides of the vinyl; one in stereo and one in mono. Neither release featured a picture sleeve, but used a generic one instead.


(Love) Compared with You, Release
Following its original release on the Love's a Prima Donna album, and as a single, the song has also appeared on a number of Steve Harley & Cockney Rebel compilations including 1987's Greatest Hits, 1998's More Than Somewhat – The Very Best of Steve Harley, 1999's The Cream of Steve Harley & Cockney Rebel, and 2006's The Cockney Rebel – A Steve Harley Anthology.


(Love) Compared with You, Promotion
The song has been performed live during Harley and the band's concerts over the years. As a result, live versions of the song have been recorded and released. A version appeared on the band's 1977 live album Face to Face: A Live Recording, while an acoustic version later appeared on Harley's 1999 album Stripped to the Bare Bones.


(Love) Compared with You, Critical reception
Upon release, Paul Phillips of National RockStar magazine reviewed Love's a Prima Donna and highlighted "(Love) Compared with You" and "Carry Me Again" as "two tracks which work, not because they are simple songs, but because they are simply presented". Geoff Barton of Sounds described the song as "balladic" and highlighted the "lovely line "Like a waterfall you tingle me with your love"". He added: "This one comes across extremely well, building into an all-encompassing entity and ending with the tear-jerking lines "I love you - I'm in love with you" echoing away into the distance".


(Love) Compared with You, Critical reception
American magazine Billboard listed the album under the "Pop" section of their "Recommended LPs". The review highlighted the song, along with the title track, as the album's best cuts. In a 1976 issue of the EMI Records Weekly News magazine Music Talk, Rex Anderson compared the song with the title track: ""(Love) Compared with You" is the first real highpoint of the album and possibly one of the best things Steve has written to date. It contrasts with all his other work in that it is romantic and dreamy. It is a love hymn with beautifully gentle acoustic guitar, piano, and strings. Later in the review, Anderson also praised Tony Rivers for his vocal arrangements on the song and title track.


(Love) Compared with You, Critical reception
In a retrospective review, Donald A. Guarisco of AllMusic commented that the song was one of "Harley's finest songs". He described it as "a delicately orchestrated love ballad that manages to be touching and heartfelt without lapsing into sappy sentimentality". Guarisco spoke of the song again in a review of the 1987 Greatest Hits compilation, noting it was a "delicate, subtly orchestrated tune where Harley drops his yen for surrealistic lyrics to communicate in direct and elegantly romantic terms".


(Love) Compared with You, Critical reception
In 1977, Geoff Barton of Sounds reviewed the Face to Face: A Live Recording album, commenting: ""(Love) Compared with You" follows admirably in the footsteps of "The Best Years of Our Lives", together with the irresistible line "Like a waterfall you tingle me with your love"."


(Love) Compared with You, 2020 re-recording
In 2020, Harley released a new recording of the song as the opening track on his sixth solo studio album Uncovered. This version, re-titled "Compared with You (Your Eyes Don't Seem to Age)", features a newly-written third verse, replacing the original's repeat of the first verse. Harley revealed to BBC Radio 2's Johnnie Walker in 2020: "I've sung the song [live] many hundreds of times since 1976 [and] every time I'm thinking 'Why are you repeating [the first] verse? Why didn't you write a third verse? Were you lazy? Were you out of words?' 45 years later and I thought the song deserved an update."


(Là) Où je pars
(Là) où je pars is the first solo album recorded by French singer Emmanuel Moire. It was first released on 13 November 2006, then on 21 May 2007 in its second version. Four tracks from the album were released as singles – "Le Sourire", "Ça me fait du bien", "Là où je pars" and "Si c'était ça la vie", but they were only available digitally and on airplay (except "Le Sourire", which was released as CD single and peak at number seven in France).


(Là) Où je pars
The album achieved some success : it debuted at a peak of number eight on the French albums chart and totaled 70 weeks in the top 200. In Belgium (Wallonia), it started at number 71 on 25 November 2006 and reached number 34 seven weeks later, and fell off the top 100 after 18 weeks. The album passed almost unnoticed in Switzerland where it was ranked low for a sole week.


(Mama) He Treats Your Daughter Mean
"(Mama) He Treats Your Daughter Mean" is a song written by Johnny Wallace and Herbert J. Lance and recorded by Ruth Brown in 1952. It was Brown's third number-one record on the US Billboard R&B chart and her first pop chart hit. Brown re-recorded the song in 1962, when it made number 99 on the US pop chart.


(Mama) He Treats Your Daughter Mean, Song Background
According to Atlantic Records producer Herb Abramson, Lance wrote the song with his friend Wallace (the brother of the boxer Coley Wallace) after the pair had heard a blues singer on the street in Atlanta, Georgia, singing a mournful song that included the title in its lyrics. The song they heard may have been "One Dime Blues", sung by Blind Lemon Jefferson in the 1920s,  which in the lyrics had the line "Mama, don't treat your daughter mean," and recorded by Blind Willie McTell in 1949. Ruth Brown initially disliked the song but was persuaded by Lance and Wallace to record it in December 1952, after Abramson had speeded up its tempo.


(Margie's At) The Lincoln Park Inn
"(Margie's At) The Lincoln Park Inn" is a song made famous by country music singer Bobby Bare. Written by Tom T. Hall, the song became a major hit for Bare in the spring of 1969, peaking at No. 4 on Billboard magazine's Hot Country Singles chart.


(Margie's At) The Lincoln Park Inn, Song plot
The song is told first-person style through the eyes of a family man, who describes everyday domestic life in the verses of his song. However, this is all background, as the main subject of the song is about his recent adulterous relationship with a woman named Margie. The two, as the song's title implies, had a sexual liaison at a motel called the Lincoln Park Inn.


(Margie's At) The Lincoln Park Inn, Song plot
The protagonist regrets his affair, and states that he has made a promise not to cheat anymore. However, he still harbors deep temptation for Margie ("I know why she's there/I've been there before"), and — still having her telephone number — knows full well that she is often a client at the inn and is probably there as he speaks.


(Margie's At) The Lincoln Park Inn, Cover versions
In addition to Bare and Hall, "The Lincoln Park Inn" (as the song is sometimes known) has also been recorded by country performers Johnny Darrell, Johnny Duncan, Jimmy C. Newman, Ray Price, The Statler Brothers, Cal Smith, Mel Tillis, and Jack White.


(Marie's the Name) His Latest Flame
"(Marie's the Name) His Latest Flame" is a song recorded in a hit version by Elvis Presley and published by Elvis Presley Music in 1961. It was written by Doc Pomus and Mort Shuman and first recorded by Del Shannon on the album Runaway With Del Shannon, which was released in June 1961.


(Marie's the Name) His Latest Flame, Elvis Presley recording
The more successful and well-known recording by Elvis Presley was released in August 1961. The relatively intense tune, featuring a Bo Diddley beat, performed well on both pop and easy listening stations, reaching No. 4 on the Billboard Hot 100, and No. 2 on the Easy Listening chart, based (at the time) on the Top 100. However, the single's Hot 100 chart run was atypical of a Top Ten hit. In the autumn of 1961 it shot from 22 to 4, then dropped to 10, then 26, all within the space of four weeks. The single (a double A-side with "Little Sister", as in the States) spent four weeks at No. 1 on the UK Singles Chart — one of Presley's nine UK chart-toppers between 1960 and 1962.


(Marie's the Name) His Latest Flame, Personnel
Recorded in RCA Studio B, Nashville, Tennessee, June 26, 1961


(Marie's the Name) His Latest Flame, Cover versions
Several cover versions of this song have been recorded. These include a version by alternative-rock band The Smiths (as part of a live medley with their song - already heavily derivative of Presley's original - "Rusholme Ruffians", which can be found on the album Rank), punk band Misfits, the heavy-metal band Scorpions and Italian alternative-rock band Verdena, as well as Brian May. El Vez released a single, changing the name slightly to "Maria's the Name (of His Latest Flame)". The riff is also quoted in "Don't Play Your Rock'n'Roll to Me" by Smokie.


(Marie's the Name) His Latest Flame, Cover versions
It was also covered by home-recording artist R. Stevie Moore on his 1984 album Everything. In 1987 Marco T released a Spanish rendition in Colombia. Also covered by underground L.A. band "easter", featuring members of the early punk scene with Danny Dean and Mike Ness on guitar, Chad Carrier on bass and Korky on drums, and featured on their Greatest Hits CD released in 2008, but changing the song title to "Latest Flame".


(Marie's the Name) His Latest Flame, Cover versions
Country/Americana artist JD Myers recorded it featuring James Burton on guitar, in 1997, on the Asylum Records album Like A Train. The album never was officially released, but the song appears on the compilation album JD Myers, available on the artist's website. DJ and promo copies of the original album featuring Burton can also be found on that website. The closest cover to Elvis' version of this song was recorded in England on the Embassy Records label in November 1961 by singer Ray Pilgrim, who recorded under the name Bobby Stevens for the label.


(Mary) Terri De la Peña
(Mary) Terri de la Peña (born 1947) is a Mexican American writer of novels, short stories and essays. Her works have addressed lesbian sexuality, nature, and Chicana community. De la Peña was 45 years old when her first book, Margins, was published.


(Mesitylene)molybdenum tricarbonyl
(Mesitylene)molybdenum tricarbonyl is an organomolybdenum compound derived from the aromatic compound mesitylene (1,3,5-trimethylbenzene) and molybdenum carbonyl. It exists as pale yellow crystals, which are soluble in organic solvents but decompose when in solution. It has been examined as a catalyst and reagent.


(Mesitylene)molybdenum tricarbonyl, Synthesis
(Mesitylene)molybdenum tricarbonyl arises from the reaction of molybdenum hexacarbonyl with hot mesitylene:


(Mesitylene)molybdenum tricarbonyl, Synthesis
It can also be synthesized, with good yields by displacement of pyridine ligands of the trispyridine complex Mo(CO)3(pyridine)3 in the presence of Lewis acids. This reaction proceeds at lower temperatures of the compound than the direct method


(Mesitylene)molybdenum tricarbonyl, Structure and properties
The mesitylene group is bonded to the molybdenum centre through delocalized π - electron ring. The aromaticity of the ligand is indicated by its ability to undergo Friedel-Crafts reactions, e.g. with acetyl chloride. Such reactions are slower on the tricarbonyl(mesitylene)molybdenum than benzene, which suggests that the electron density contributes to the bonding to the molybdenum.


(Mesitylene)molybdenum tricarbonyl, Structure and properties
The tricarbonyl(mesitylene)molybdenum complex adopts a near C3v symmetry with the three carbonyl groups occupying an eclipsed arrangement relative to the three methyl groups. The mesityl group is η6 to the molybdenum central metal atom, which lies 0.009 Å away from the ring centre and the methyl groups on the benzene are bent out of plane by 0.035 Å due to steric interaction with the carbonyl groups.


(Mesitylene)molybdenum tricarbonyl, Reactions
The arene can be displaced by the trimethylphosphite via a SN2 type mechanism to give the fac-tricarbonyltris(trimethyl phosphite)molybdenum.