...And Justice for All (album), Critical reception, Accolades
After years of refusing to release music videos, Metallica released its first for "One". The video was controversial among fans, who had valued the band's apparent opposition to MTV and other forms of mainstream music. Slant Magazine ranked it number 48 on their list of the "100 Greatest Music Videos", saying that Metallica "evoke a revolution of the soul far more devastating than that presented in the original text". The guitar solo was ranked number seven in Guitar World's compilation of the "100 Greatest Guitar Solos" of all time. Additionally, heavy metal website Noisecreep classed the song ninth among the "10 Best '80s Metal Songs".


...And Justice for All (album), Commercial performance
Although Metallica's music was considered unappealing for mainstream radio, ... And Justice for All was highly successful in the US. It became Metallica's best-selling album upon release, peaking at number six on the Billboard 200, where it charted for 83 weeks. More than 8,000,000 copies have been sold in the United States since 1991, when Nielsen SoundScan began tracking sales. It was certified platinum nine weeks after it was released in stores, and 1.7 million copies were sold in the US by the end of 1988.


...And Justice for All (album), Commercial performance
Since its release, the album has scanned more than 8 million copies in the US and, according to MTV's Chris Harris, "helped cement [Metallica's] status as a rock and roll force to be reckoned with". Classic Rock explained that with this album, Metallica received substantial media exposure, becoming a multi-platinum act by 1990. The group broke through on radio in early 1989 with "One", which was released as the third single from the record. According to Billboard, the accompanying Damaged Justice Tour evolved the band into arena headliners, while significant airplay was garnered by "One" and by the group's first music video.


...And Justice for All (album), Commercial performance
... And Justice for All achieved similar chart success outside the United States. It topped the charts in Finland, peaked within the top 5 on the charts in Germany, Sweden, and the United Kingdom, and remained on the UK chart for six weeks. The album managed to peak in the top 10 on the Norwegian and Swiss album charts. It was less successful in Spain, Mexico, and France, where it peaked at number 92 on the former chart, number 130 on the latter, and number 64 in Spain. ...


...And Justice for All (album), Commercial performance
And Justice for All received a three times platinum certification from Music Canada for shipping 300,000 copies, a platinum certification from IFPI Finland for having a shipment of little over 50,000 copies, and was certified gold by the Bundesverband Musikindustrie (BVMI) for shipments of 250,000 copies. It was awarded gold by the British Phonographic Industry in 2013 for shipping 100,000 copies in the UK. ... And Justice for All was surpassed commercially by the band's following album, Metallica (1991).


...And Justice for All (album), Live performances
Guitarist Kirk Hammett noted that the length of the songs was problematic for fans and for the band: "Touring behind it, we realized that the general consensus was that songs were too fucking long. One day after we played "Justice" and got off the stage one of us said, 'we're never fucking playing that song again.'" Nevertheless, "One" quickly became a permanent fixture in the band's setlist. When performed live, the opening war sound is lengthened from seventeen seconds to approximately two minutes. At the song's conclusion, the stage turns pitch-black and fire erupts from around the stage. The live performance is characterized as a "musical and visual highlight" by Rolling Stone journalist Denise Sheppard. Other songs from ... And Justice for All that have frequently been performed are "Blackened" and "Harvester of Sorrow", which were often featured during the album's promotional Damaged Justice Tour.


...And Justice for All (album), Live performances
Metallica played the title track in the opening show of the Sick of the Studio '07 tour, for the first time since October 1989, and made it a set-fixture for the remainder of that tour. A statue of Lady Justice is commonly placed on the scene, to be torn down as the song approaches its conclusion. "Eye of the Beholder" has not been played live since 1989; one such performance appears on Metallica's live extended play Six Feet Down Under.


...And Justice for All (album), Live performances
In 2009, "The Shortest Straw" returned to the setlist during the World Magnetic Tour after a 12-year absence, and has been sporadically performed since. "Dyers Eve" debuted live in 2004, sixteen years after it was recorded, during the Madly in Anger with the World Tour at The Forum in Inglewood, California. "To Live Is to Die" premiered at the band's 30th-anniversary concert in 2011 at The Fillmore in San Francisco. "The Frayed Ends of Sanity", the last song on the album to be performed live, debuted live in Helsinki on the Metallica By Request tour in 2014, although the band had previously played segments during solos, impromptu jams, or in a "Justice" medley.


...And Justice for All (album), Track listing
All lyrics were written by James Hetfield, except for the spoken word section of "To Live Is to Die", posthumously attributed to Cliff Burton as it was adapted from four lines Burton authored. The bonus tracks on the digital re-release were recorded live at the Seattle Coliseum, Seattle, Washington on August 29 and 30, 1989, and later appeared on the live album Live Shit: Binge & Purge (1993).


...And Justice for All (album), Track listing, 2018 deluxe box set
In 2018, the album was remastered and reissued in a limited edition deluxe box set with an expanded track listing and bonus content. The deluxe edition set includes the original album on vinyl and CD, with eleven CDs of live tracks, home demo recordings, B-sides, rough mixes, and radio edits recorded from 1986 to 1989, and four DVDs of unreleased footage of the band.


...And Justice for All (album), Certifications
* Sales figures based on certification alone.^ Shipments figures based on certification alone. Sales+streaming figures based on certification alone.


...And Justice for All (film)
... And Justice for All is a 1979 American courtroom drama neo noir film directed by Norman Jewison and starring Al Pacino, Jack Warden and John Forsythe. Lee Strasberg, Jeffrey Tambor, Christine Lahti, Craig T. Nelson and Thomas Waites appear in supporting roles. The Oscar-nominated screenplay was written by Valerie Curtin and Barry Levinson.


...And Justice for All (film)
The film includes a well-known scene in which Pacino's character yells, "You're out of order! You're out of order! The whole trial is out of order! They're out of order!" It was filmed in Baltimore, including the courthouse area. It received two Academy Award nominations: Best Leading Actor (Pacino) and Best Original Screenplay (Curtin and Levinson).


...And Justice for All (film), Plot
Arthur Kirkland, a Baltimore defense attorney, is in jail on a contempt of court charge after punching Judge Henry T. Fleming while arguing the case of Jeff McCullaugh. McCullagh was stopped for a minor traffic offense, then mistaken for a killer of the same name, and has already spent a year and a half in jail without being guilty of a crime. Fleming has repeatedly stymied Arthur's efforts to have the case reviewed. Although there is strong new evidence that McCullagh is innocent, Fleming refuses to consider his appeal due to its late submission, so he remains in prison. Arthur then starts a new case, defending Ralph Agee; he's been arrested for a small crime and becomes a victim of the legal system.


...And Justice for All (film), Plot
Arthur pays regular visits to his grandfather Sam, in a nursing home, who is progressively becoming senile. It is revealed that Arthur was abandoned by his parents at a young age, and it was Sam who raised him and put him through law school. Arthur Kirkland also begins a romance with a legal ethics committee member, Gail Packer.


...And Justice for All (film), Plot
Kirkland has a friendly relationship with Judge Francis Rayford, who takes him on a hair-raising ride in his personal helicopter. Rayford laughs in amusement, as he tests how far he can possibly fly before running out of fuel; meanwhile, Arthur is terrified and begs him to land. Rayford, a Korean War veteran, is borderline suicidal and keeps a rifle in his chambers at the courthouse and an M1911 pistol in his shoulder holster at all times. He even eats his lunch on a ledge outside his office window, four stories up.


...And Justice for All (film), Plot
One day, unexpectedly, Kirkland is requested to defend Judge Fleming, who has been accused of brutally assaulting and raping a young woman. As the two loathe each other, Fleming feels that having the person who publicly hates him argue his innocence will be to his advantage. Fleming blackmails Kirkland with an old violation of lawyer-client confidentiality, for which Kirkland will likely be disbarred if it were to come to light.


...And Justice for All (film), Plot
Kirkland's friend and partner, Jay Porter, is also unstable. He feels guilt for gaining acquittals for defendants who were truly guilty of violent crimes. Porter shows up drunk at Arthur's apartment, after one of his (guilty) clients kills two kids following his acquittal. After a violent breakdown inside the courthouse – wherein he ends up throwing dinner plates at everybody in the hallway – Porter is taken to a hospital. Before leaving in the ambulance, Kirkland asks another partner, Warren Fresnell, to handle transgender Ralph Agee's court hearing in his absence. Kirkland gives Fresnell a corrected version of Agee's probation report and stresses that it must be shown to the judge so that Agee will receive probation, rather than serve jail time.


...And Justice for All (film), Plot
Unfortunately, Fresnell shows up late and forgets to give the judge the corrected version, causing Agee to be sentenced to jail time. Arthur is livid and attacks Fresnell's car. When Fresnell argues that Agee's trial was nothing but "nickels and dimes" and beneath him, Arthur reminds him that "they're people!" He then reveals that 30 minutes after he was sentenced, Agee committed suicide, hanging himself. Meanwhile, Jeff McCullaugh, who's been sexually and physically assaulted by other inmates, finally snaps and takes two hostages. Kirkland pleads with him to surrender, promising to get him out, but a police sniper shoots and kills McCullaugh when he moves in front of a window.


...And Justice for All (film), Plot
A clearly disturbed Kirkland takes on Judge Fleming's case. He tries to talk the prosecuting attorney, Frank Bowers, into throwing the case out but Bowers, who recognizes the prestige that convicting a judge would earn him, refuses to back down. Kirkland meets with another client, Carl Travers, who offers photographs proving that Fleming engaged in BDSM acts with a prostitute. Gail Packer warns Kirkland not to betray a client, revealing that the ethics committee has been keeping their eye on him ever since the contempt of court incident. Arthur shows the pictures to Fleming, who freely admits he is guilty of the rape.


...And Justice for All (film), Plot
As the trial opens, Fleming, while looking at the victim, makes a casual remark to Kirkland that he "wouldn't mind seeing her again sometime." Kirkland's face indicates his disgust. In his opening statement, Kirkland begins by mocking Bowers' case while speculating on the ultimate objective of the American legal system. He appears to be making a strong case to exonerate Fleming – but then, unexpectedly, he bursts out that the prosecution is not going to get Fleming, because he is going to get him and declares that his client is guilty.


...And Justice for All (film), Plot
Judge Rayford yells that Kirkland is "out of order," to which Kirkland retorts, "You're out of order! You're out of order! The whole trial is out of order! They're out of order!" Kirkland is dragged out of the courtroom, venting his rage all the way and condemning Fleming for his and the legal system's abuse of the law. As the courtroom spectators cheer for Kirkland – including Gail Packer – Fleming sits down in defeat, and a fed-up Rayford storms out.


...And Justice for All (film), Plot
In the end, Arthur sits on the courthouse's steps, knowing his antics will probably cost him his career in law. An apparently uncured Jay Porter passes by, and tips his wig to Kirkland in a greeting, leaving him sitting on the steps in utter disbelief.


...And Justice for All (film), Production
The film was filmed in Baltimore, including the courthouse area, the Washington Monument of the Mount Vernon district, and Fort McHenry. Pacino practiced the "You're out of order!" scene 26 times at the building ledge.


...And Justice for All (film), Release
The film premiered as the closing night gala presentation at the Toronto International Film Festival on September 15, 1979.


...And Justice for All (film), Reception
... And Justice for All opened to critical acclaim and box office success. Produced on a modest budget of $4 million, it grossed over $33.3 million in North America, making it the 24th highest-grossing film of 1979. The film received mostly positive reviews from critics, earning an 81% rating on review aggregator Rotten Tomatoes based on 31 reviews. Brian W. Fairbanks in the book The Late Show called the film's screenplay "overly contrived", despite Pacino's "trademark" phrase in the courtroom.


...And Justice for All (film), Reception
Zagat gave the film 23 of 30 possible points overall; the quality of acting a score of 26 of 30, and story and production 22 each, where 20 to 25 represents "very good to excellent"; 26 to 30 "extraordinary to perfection". The Empire magazine called it a "solid but slightly clichéd courtroom drama" and rated it three stars out of five.


...And Justice for All (film), Reception
Kirkland's opening courtroom statement near the film's ending, as well as his subsequent outburst "You're out of order! You're out of order! The whole trial is out of order! They're out of order!" (commonly misquoted as "I'm out of order?! You're out of order! This whole courtroom is out of order! "), has been often discussed: Filmsite named the ending one of the Best Film Speeches and Monologues. MSN Canada noted that the whole phrase is one of the top 10 "misquoted movie lines".


...And Justice for All (film), Reception
The film received two Academy Award nominations. Al Pacino was nominated for Best Actor, and Valerie Curtin and Barry Levinson were nominated for Best Original Screenplay. Pacino was also nominated for a Golden Globe for his performance.


...And Justice for All (film), In popular culture
The line "You're out of order! You're out of order! The whole trial is out of order! They're out of order!" has been parodied many times in popular media. It is also echoed in Pacino's speech in the film "Scent of a Woman".


...And Justice for All (film), In popular culture
Homer Simpson's bedroom rant to Marge in The Simpsons episode "Secrets of a Successful Marriage" is a parody mishmash of four popular films: ... And Justice for All, A Few Good Men, Patton, and Chinatown. He says: "Look, Marge, you don't know what it's like. I'm the one out there every day putting his ass on the line. And I'm not out of order! You're out of order. The whole freaking system is out of order. You want the truth? You want the truth?! You can't handle the truth! 'Cause when you reach over and put your hand into a pile of goo that was your best friend's face, you'll know what to do! Forget it, Marge, it's Chinatown!"


...And Justice for All (film), In popular culture
Patrick Jane says in The Mentalist Season 2 Episode 19 " Blood Money " You're out of order! This whole trial's out of order!


...And Justice for All (film), In popular culture
Joey Tribbiani says in Friends season 1 episode 6 "The One with the Butt": "Can you believe this? Al Pacino! This guy is the reason I became an actor. I'm out of order? You're out of order! This whole courtroom's out of order!"


...And Justice for All (film), In popular culture
The Character Howard Wolowitz in the American sitcom "The Big Bang Theory" does an imitation of Pacino in the season 6 episode 23 "The Love Spell Potential": "You're playing 'D&D'!, You're playing 'D&D'!. This whole APARTMENT is playing 'D&D'!"


...And Justice for All (song)
"... And Justice for All" is a song by American heavy metal band Metallica. It was released as a promotional single in 1988. The song is the second track on their album of the same name.


...And Justice for All (song), Music and lyrics
"... And Justice for All" is a long, complex progressive metal composition based on an aggressive riff and a drum pattern by Lars Ulrich. Music critic Cosmo Lee said that it is "a linkage of blocks" rather than "a progressive opus", because "the song is mid-paced and very playable. None of the riffs are that technical."


...And Justice for All (song), Music and lyrics
The song title is the last four words of the Pledge of Allegiance. The lyrics refers to the act of social injustice, in which "Lady Justice" is "raped". Especially during the chorus, "Pulling your strings, justice is done" as the ultimate symbol of a miscarried justice.


...And Justice for All (song), Touring complications
Due to its complexity, the song was initially only performed live by the band during their 1988 Damaged Justice world tour in support of the album, only making setlists again nineteen years later during the Sick of the Studio tour in 2007. However, it is said that the song was played once in 1997 at the Playboy Mansion, with the members swearing to never play it again. As lead guitarist Kirk Hammett would later say in SoWhat! magazine, "'Justice' was a bit much for me. I couldn't stand watching the front row start to yawn by the eighth or ninth minute." Also, when played live the intro of the song is played as a recording due to the intro requiring 3 guitars.


...And Justice for All (song), Touring complications
During the Madly in Anger with the World and Escape from the Studio '06 tours, Metallica would often tease the fans by playing parts of the song, with Hetfield usually saying nobody wants to hear the song. It remained to be seen whether Metallica would ever play the song in its entirety, or play it on a medley, which was the case during the Wherever We May Roam/Nowhere Else to Roam Tours in 1991–1993. Then on June 28, 2007, Metallica played "... And Justice for All" in its entirety for the first time since October 1989, nearly 18 years before, in Lisbon, Portugal on the first show of the Sick of the Studio '07 tour.


...And Justice for All (song), Touring complications
It was played on their headlining set at the new Wembley Stadium on July 8, on July 10 at Valle Hovin in Norway, at Stockholms Stadion on July 12, at the Helsinki Olympic Stadium on July 15, at Luzhniki Stadium in Moscow, Russia on July 18, at Skonto Stadium in Riga, Latvia on July 20, Parco Nord in Bologna, Italy on July 22, Dublin, Ireland on August 20, at Reading Festival August 24, Reading Boston on January 18, and recently at their performances such as KFMA day at the Pima County Fairgrounds in Tucson, Arizona on May 16, 2008, at the Pengrowth Saddledome in Calgary, AB on December 4, 2008, at the Prudential Center in Newark, NJ on January 31, 2009, at The O2 arena in London on March 28, 2009, and on June 7 at Foro Sol in Mexico City, all four on the World Magnetic Tour and at The Fillmore as part of the 30 Years of Metallica event on December 9, 2011, and on August 17, 2012, in Edmonton, AB.


...And Justice for All (song), Touring complications
A live performance of the complete song appears on the DVD Orgullo, Pasión y Gloria, recorded in Mexico City during the World Magnetic Tour. Though it was featured from the late 2000s to early 2010s, the song hasn't appeared live since mid 2014.


...And Justice for All (song), Video games
The song is featured in the Metallica 3-Pack that is downloadable content for the music video game Rock Band 3. It was made available to download on March 1, 2011 in an updated version for use in Rock Band 3 Pro mode which takes advantage of the use of a real guitar / bass guitar, along with standard MIDI-compatible electronic drum kits in addition to vocals.


...And Mother Makes Five
... And Mother Makes Five is a British sitcom that aired on ITV from 1 May 1974 to 11 February 1976. Starring Wendy Craig, it is the sequel of ... And Mother Makes Three and aired for four series. ... And Mother Makes Five was written by Richard Waring, Brian Cooke and Johnnie Mortimer. Wendy Craig also wrote thirteen of the episodes under the pseudonym Jonathan Marr, including the whole of Series two. It was made for the ITV network by Thames Television.


...And Mother Makes Five, Background
This sitcom was the follow-up to ... And Mother Makes Three, which had finished in June 1973. The final series had seen Sally Harrison, a widowed mother of two sons, marrying the antique bookseller, David Redway, the divorced father of one daughter. The two families then became one. The two sitcoms had almost exactly the same cast, although Miriam Mann had been replaced by Maxine Gordon in the role of Jane Redway.


...And Mother Makes Five, Plot
... And Mother Makes Five is basically the same as ... And Mother Makes Three with domestic problems being the centre of the programme. The children are now older, but as troublesome as before. There are new characters in the form of Joss and Monica Spicer, and Mrs Fletcher.


...And Mother Makes Three
... And Mother Makes Three is a British sitcom shown on ITV from 27 April 1971 to 27 June 1973. Starring Wendy Craig, it was written by Peter Buchanan, Peter Robinson, Richard Waring and Carla Lane. ... And Mother Makes Three was made for the ITV network by Thames Television.


...And Mother Makes Three, Plot
Newly widowed mother Sally Harrison is trying to hold down a job as an assistant to Mr Campbell, a veterinarian. Her children are Simon and Peter, and her aunt Flo lives with them and tries to help. In Series 3 Mr Campbell moves to Scotland and the vet premises is taken over by divorcee David Redway, an antique bookseller who has a daughter, Jane. David and Sally fall in love.


...And Mother Makes Three, DVD releases
All four series have been released on DVD in the United Kingdom (Region 2) by Network DVD. A 4-disc set of the complete series has also been released.


...And Mother Makes Three, ...And Mother Makes Five
In the fourth series of ... And Mother Makes Three Sally Harrison marries David Redway, leading to a sequel called ... And Mother Makes Five.


...And No One Else Wanted to Play
... And No One Else Wanted to Play is the first full-length album from Canadian punk band SNFU. The album was engineered by David Ferguson, recorded at Track Record Studios in Hollywood, California, US in December 1984, and released by BYO Records in 1985.


...And No One Else Wanted to Play
The album was well received at the time of its release, hailed in punk circuits as "[o]ne of the best Canadian releases in a long time." Thereafter it remained an influential hardcore punk record and helped establish the skate punk subgenre. Writing for AllMusic, critic Paul Henderson called the album "[a] must for devoted fans of the genre and a worthy introduction to early-'80s hardcore for the uninitiated."


...And No One Else Wanted to Play, Background and recording
SNFU formed in November 1981, but recorded only demo and compilation material in their first three years together. They first became associated with BYO Records in July 1983 when they shared a short Canadian tour with Youth Brigade, the American punk band the members of which ran the label. BYO offered SNFU a spot on their forthcoming compilation album Something to Believe In, due for release in early 1984. SNFU recorded the song "Victims of the Womanizer" at Mid Ocean Studios in Winnipeg in November 1983 for the compilation. When the track received much positive attention, BYO signed SNFU to a record deal.


...And No One Else Wanted to Play, Background and recording
In December 1984, SNFU traveled from their home of Edmonton to Track Record Studios in the Hollywood neighborhood of Los Angeles, California to record what would become their debut album. The trip proved difficult. Travel from Canada to Los Angeles was fraught with complications, as both bassist Jimmy Schmitz and guitarist Marc Belke were denied entry at various points. The group eventually succeeded in crossing the border, however, and sessions began.


...And No One Else Wanted to Play, Background and recording
The American thrash metal band Slayer was working on their Hell Awaits album at Track Record while SNFU was recording, and the two bands shared the studio. Dave Ferguson engineered the sessions, and Shawn Stern of BYO and Youth Brigade acted as the unofficial producer. The production credit was later given to SNFU and BYO. The group also took several extended breaks from recording to perform concerts in Arizona and California, their first US shows.


...And No One Else Wanted to Play, Background and recording
While the songs that appear on the record were written between 1982 and 1984, much of the material was new at the time of recording. The new songs were faster and more aggressive than their previous material, and the songs represented a change in their musical direction. The title ... And No One Else Wanted to Play was taken from the chorus of the album's lead track, "Broken Toy".


...And No One Else Wanted to Play, Release
The band played several Canadian shows in early 1985 prior to the promotional tour in support of ... And No One Else Wanted to Play. Drummer Evan C. "Tadpole" Jones had begun to suffer from exhaustion during the recording sessions, and he and Schmitz left the band after a show in late May. The new lineup assembled for the North American tour in support of the album included drummer Jon Card and bassist Dave Bacon.


...And No One Else Wanted to Play, Release
The album was ultimately released in mid-1985, and the original version contained 15 tracks. Some later vinyl pressings and cassette issues of the album included a 16th track, a cover of Warren Zevon's "Poor Poor Pitiful Me". This track was recorded by Dave Mockford in 1986 while Card and Bacon were in the band, and was first issued on the It Came From the Pit compilation album.


...And No One Else Wanted to Play, Artwork
The initial release of the 12-inch LP featured a copyrighted image by Diane Arbus entitled Child with Toy Hand Grenade in Central Park, NYC. (1962). As the band was not granted permission to use the image, they were forced to issue subsequent pressings with replacement cover art.


...And No One Else Wanted to Play, Artwork
For the following pressing, the band had an artist draw the boy with the hand grenade in place of the photo. This effort was much too close to the original to be safe from potential lawsuits, so two further versions were created. Hastily assembled in time for the band's supporting tour, the first replacement cover featured a family sporting rifles. The final and widest-issued version (shown above) featured a Christmas massacre scene, which includes a thickly veiled allusion to the original Child with Toy Hand Grenade in Central Park.


...And No One Else Wanted to Play, Artwork
A total of four different covers were used for various pressings of the album.


...And No One Else Wanted to Play, Reception
SNFU biographer Chris Walter describes the early reviews of the album in underground punk sources as "uniformly good." In a review for Maximumrocknroll, noted artist Pushead praised the album's "[r]igorous energy pushing the limits of power with knocking flurry and extreme excitement" and called the album "a scorcher."


...And No One Else Wanted to Play, Reception
The album remained influential in hardcore punk circuits thereafter. Writing for AllMusic, Paul Henderson praised the band's mix of the "anger and rebellion" common to hardcore punk bands alongside its "wry sense of humor and warped but goofy subject matter" unique to the genre. Henderson awarded the album four out of five stars.


...And No One Else Wanted to Play, Reception
The album was also influential outside of the underground hardcore punk community. In February 2000, it ranked 56th on Chart Magazine's Top 100 Greatest Canadian Albums of All Time.


...And No One Else Wanted to Play, Track listing
All tracks are written by Ken Chinn and Marc Belke except where noted.


...And Now Miguel
... And Now Miguel is a novel by Joseph Krumgold that won the Newbery Medal for excellence in American children's literature in 1954. It deals with the life of Miguel Chavez, a 12-year-old Hispanic-American shepherd from New Mexico. It is also the title of a 1953 documentary directed by Krumgold. In 1966, a feature film adaptation was directed by James B. Clark and starred Pat Cardi.


...And Now Miguel, Plot summary
Miguel Chavez has dreamed of visiting the Sangre de Cristo Mountains since he was very little. This summer, he is going to work hard and pray until his father and grandfather realize that he is ready to take the trip with the rest of the older men.


...And Now Miguel, Plot summary
His prayers are granted, though ironically – when his older brother is drafted his father needs an extra body and grudgingly allows Miguel to accompany them. Miguel is miserable with the manner in which his wish has been granted, and confesses to his brother what he prayed for. His brother explains that he had been praying to leave New Mexico and see more of the world – while he is not happy about being drafted, he fatalistically accepts that it is the only way he is likely to be able to fulfill his dream. The brothers resolve to allow God to work freely for the rest of their lives, and not bother God with petty requests.


...And Now Miguel, Illustrations
The book was illustrated by artist Jean Charlot, described as "the greatest artist ever to devote himself regularly to the field of children's books". The New York Herald Tribune reviewer gave credit to Charlot: "Fully half of our pleasure in the book lay in the superb Charlot drawings."


...And Once Again
And Once Again is a 2010 Indian drama film directed by Amol Palekar. The film stars Antara Mali, Rajat Kapoor and Rituparna Sengupta in lead roles. For the role of the monk, Antara Mali shaved her head.


...And Once Again, Critical reception
Sify rated the film 2.5 out of 5, criticising the story and pointing out "A film about loss, [like this one], succeeds only when it leaves the audience with a sense of loss and longing." Preeti Arora rated the film 2 out of 5. The Times of India rated the film 2.5 out of 5, stating as "And Once Again is a desire to make something different from the run-of-the-mill stuff." Tushar Joshi from Republik City News rated the film 1.5 out of 5.


...And Once Again, Trivia
The characters Rishi and Manu played by Rajat Kapoor and Rituparna Sengupta are names taken from the Bollywood actor Manu Rishi Chadha. The name of the characters in this film are the acronym of the actor Manu Rishi Chadha.


...And Other Officials
... And Other Officials (Russian: ...И другие официальные лица) is a 1976 Soviet drama film directed by Semyon Aranovich.


...And Other Officials, Plot
A trade agreement between a Western oil company and Soviet industrialists may not take place. The head of the western delegation suddenly began to demand the replacement of a representative of the USSR.


...And Out Come the Wolves
... And Out Come the Wolves is the third studio album by American punk rock band Rancid. It was released on August 22, 1995, through Epitaph Records. Rancid's popularity and catchy songs made them the subject of a major label bidding war (hence the title, ... And Out Come the Wolves taken from a poem in Jim Carroll's The Basketball Diaries) that ended with the band staying on Epitaph.


...And Out Come the Wolves
With a sound heavily influenced by ska, which called to mind Tim Armstrong and Matt Freeman's past in Operation Ivy, Rancid became one of the few bands of the mid-to late-1990s boom in punk rock to retain much of its original fanbase. In terms of record sales and certifications, ... And Out Come the Wolves is a popular album in the United States. It produced three hit singles: "Roots Radicals", "Time Bomb" and "Ruby Soho", that earned Rancid its heaviest airplay on MTV and radio stations to date. All the singles charted on Modern Rock Tracks. ... And Out Come the Wolves was certified gold by the RIAA on January 22, 1996. It was certified platinum on September 23, 2004.


...And Out Come the Wolves
Along with Bad Religion's Stranger than Fiction, Green Day's Dookie and The Offspring's Smash, ... And Out Come the Wolves helped revive mainstream interest in punk rock in the mid-1990s, signaled the initial rise of mainstream punk rock, and proved to be successful for the band. To coincide with its 20th anniversary, Rancid performed the album live in its entirety on their 2015–2016 Honor Is All We Know world tour.


...And Out Come the Wolves, Background
Rancid formed in Albany, California, in 1991. They signed to Epitaph Records (founded by Bad Religion guitarist Brett Gurewitz) in 1992 and released their eponymous debut album, Rancid, a year later to rave reviews. While Rancid was already writing another album, Green Day's Billie Joe Armstrong, one of the band's friends, joined them to co-write the song "Radio". This led to him playing a live show with the band, and Rancid frontman Tim Armstrong eventually asked him to become a member of the band, but he decided to continue playing in Green Day.


...And Out Come the Wolves, Background
Armstrong had previously asked Lars Frederiksen to be Rancid's second guitarist, but he turned down the request. After Billie Joe declined, Frederiksen changed his mind and decided to join the band. Rancid's second album, Let's Go, was released in 1994 to unexpected success and acclaim. After the release of Green Day's Dookie and The Offspring's Smash later that year, Rancid was pursued by several major labels, including Madonna's Maverick Records, but eventually turned them down. They decided to stay on Epitaph and soon began recording a follow-up album.


...And Out Come the Wolves, Recording and production
... And Out Come the Wolves was recorded mainly between February and May 1995. The recording took place at not only Fantasy Studios in Berkeley, California (where Let's Go was recorded), but also at the famous Electric Lady Studios (built by Jimi Hendrix) in New York City. This was the first time Rancid recorded an album at more than one studio.


...And Out Come the Wolves, Recording and production
Rather than having the band's previous producer Brett Gurewitz, Jerry Finn was appointed to produce the album. Gurewitz would eventually start working with the band again, beginning with 2000's Rancid.


...And Out Come the Wolves, Release, reception and legacy
... And Out Come the Wolves was released on August 22, 1995, and peaked at number 45 on the Billboard 200 album chart. Five months after its release, the album was certified gold.


...And Out Come the Wolves, Release, reception and legacy
The album received positive reviews, Stephen Thomas Erlewine of AllMusic described the album as having "classic moments of revivalist punk". Erlewine praised the music and claims the album "doesn't mark an isolationist retreat into didactic, defiantly underground punk rock". The album received a rating of four and a half out of five stars, while "Time Bomb," "Ruby Soho" and "Roots Radicals" earned Rancid its heaviest airplay on MTV and radio stations to date. In 2005, ... And Out Come the Wolves was ranked number 368 in Rock Hard magazine's book of The 500 Greatest Rock & Metal Albums of All Time. BuzzFeed included the album at number 14 on their "36 Pop Punk Albums You Need To Hear Before You F——ing Die" list.


...And Out Come the Wolves, Release, reception and legacy
On May 21, 2021, it was announced that Lavasock Records is releasing a tribute album titled ... And Out Come the Lawsuits featuring Link 80, Sarchasm, Omnigone, Flying Raccoon Suit, Little Debbie & The Crusaders and Stay Wild.


...And Out Come the Wolves, Release, reception and legacy
Professional wrestler Dori Prange came up with her in-ring name, Ruby Riott, from the song "Ruby Soho". Prange lost the rights to the name after her release from the WWE in June 2021 however thanks to Lars Frederiksen, who hosts a wrestling podcast, she now wrestles under the name of Ruby Soho.


...And Out Come the Wolves, Artwork
The cover art is a tribute to Minor Threat, a landmark hardcore punk band, that originally used the image of Alec MacKaye (brother of the band's lead singer Ian MacKaye) with his head on his knees on steps of the Wilson Center steps on their eponymous debut EP.


...And Out Come the Wolves, Track listing
All tracks are written by Tim Armstrong, Matt Freeman and Lars Frederiksen, except where noted.


...And See That's the Thing
... And See That's the Thing (stylized as #AndSeeThatsTheThing) is the first extended play by American hip hop recording artist Dej Loaf. It was released exclusively to digital media outlets on July 31, 2015 by Columbia Records.


...And See That's the Thing, Critical reception
The album has received good reviews with Sidney Madden of XXL Magazine saying she shows growth and versatility on the album. Robert Christgau from Vice gave the record a "B+", writing that it "begins with three rather joyful tracks—electric-celeste grindin' pledge 'Desire' to burbling-synth grindin' saga 'Been on My Grind' to—finally, some fun—Big Sean transactional-sex deal 'Back Up.' Then that killjoy Future starts nosing around, and I mean literally, in her pussy, which is as joyful as that one gets. And then comes two pieces of theoretical product".


...And Seven Nights
... And Seven Nights is an album by the blues musician John Lee Hooker. It was recorded in London in 1964 and released by the Verve Folkways label the following year. Hooker plays with the British band the Groundhogs; the album was re-released with the title Hooker and the Hogs and with overdubbed horns as On the Waterfront.


...And Seven Nights, Reception
AllMusic reviewer Bruce Eder stated: "The sound is raw, tight, and raunchy, some of the best band-backed recordings of Hooker's career. He's notoriously difficult to play support for because of the spontaneity of his work, but these guys keep up and then some, adding engaging flourishes and grace notes. Hooker is in excellent voice, and his material is as strong as any album in his output, rough, dark, and moody".


...And Six Dark Hours Pass
... And Six Dark Hours Pass is an LP by the American industrial band ATelecine, released in 2010 by Dais Records.


...And Six Dark Hours Pass
It was recorded and mixed at the Gayblade and NTBH Sounds, and limited to 500 hand-numbered copies.


...And Soul It Goes
And... Soul It Goes is the debut album by French rock band Century, released in 1986 by the label Clever. The song "Lover Why" reached the first place in France's music charts for seven weeks. In Brazil, the song was featured in the soundtrack for the soap opera Ti Ti Ti, as the theme for the characters Gaby and Pedro. The single "Jane" reached the #35 position in France.


...And Soul It Goes
The other singles "Gone with the Winner" and "Self Destruction"  did not enter any musical charts, but "Gone with the Winner" was used in the soundtrack for another soap opera, Hipertensão.


...And Star Power
... And Star Power is the fourth studio album by American indie rock duo Foxygen, released October 14, 2014 through Jagjaguwar. It is a double album that follows a loose concept around the eponymous fictional band Star Power.


...And Star Power
Unlike their previous full-length, the album was recorded almost entirely at home and in various locations in Los Angeles, such as the Chateau Marmont and Beverly Hills Hotel.


...And Then I Wrote
... And Then I Wrote is the debut studio album by country singer Willie Nelson, recorded during August and September 1962 and released through Liberty Records.


...And Then I Wrote
Despite Nelson's fruitless efforts to succeed with his recording releases with D Records, and after trying with other labels as a singer, he sold several of his original written songs to other artists. After his composition "Family Bible" became a hit for Claude Gray in 1960, he moved to Nashville, where he was signed by Pamper Music as a songwriter. Several of his songs became hits for other artists, including Faron Young ("Hello Walls"); Ray Price ("Night Life") and Patsy Cline ("Crazy").


...And Then I Wrote
Fueled by the success of his songwriting, he was signed by Liberty Records. During August, Nelson  started recording his first album, produced by Joe Allison. The single releases of the album "Touch Me" and "The Part Where I Cry" were recorded on that day in Nashville, Tennessee, while it was completed during September in the recording facilities of the label in Los Angeles, California. The single "Touch Me" became Nelson's second top ten, reaching number 7 on Billboard's Hot Country Singles.


...And Then I Wrote, Background
In 1958, Nelson released two records under a contract with Pappy Daily of D Records, "Man With the Blues"/"The Storm Has Just Begun" and "What a Way to Live"/"Misery Mansion". While working for D Records and singing in nightclubs, Nelson was hired by guitar instructor Paul Buskirk to teach in his school. He sold to Buskirk his original songs "Family Bible" for US$50, and "Night Life" for US$150. "Family Bible" turned into a hit for Claude Gray in 1960.


...And Then I Wrote, Background
Nelson moved to Nashville in 1960, but no label signed him. Most of his demos were rejected. Nelson was later signed as a songwriter to Pamper Music with the help of Hank Cochran, who worked for the publishing company owned by Ray Price and Hal Smith. Faron Young recorded Nelson's "Hello Walls", and after Ray Price recorded Nelson's "Night Life", and his previous bassist Johnny Paycheck quit, Nelson joined Price's touring band as a bass player.


...And Then I Wrote, Background
While playing with Price and the Cherokee Cowboys, other of his original songs became hits for other artists, including "Funny How Time Slips Away" (Billy Walker), "Pretty Paper" (Roy Orbison), and, most famously, "Crazy" by Patsy Cline. Nelson signed with Liberty Records and was recording by August 1961 at Quonset Hut Studio.


...And Then I Wrote, Background
As Nelson later recalled, Cochran was instrumental in getting him signed: "Hank had convinced Liberty's A&R man for country music, Joe Allison, that I was the next big thing...Allison knew that there wasn't any way I was gonna change my singing style - and that was fine by him. He understood me. He just wanted me to sing my own songs in my own way."


...And Then I Wrote, Recording and composition
In his 2015 autobiography, Nelson insists that he composed "Crazy", "Night Life", "Funny How Time Slips Away", "Mr. Record Man", "I Gotta Get Drunk" and "The Party's Over" in one songwriting jag while living in Houston before finally moving to Nashville: "Within an astounding short period of time – a week or two – I'd written a suite of songs that reflected my real-life situation. I knew these songs were damn good, but at the same time, I didn't know what to do with them."


...And Then I Wrote, Recording and composition
Nelson unconsciously borrowed the first few notes of "Crazy" from the Floyd Tillman song "I Gotta Have My Baby Back." "Hello Walls" was written after Nelson had been hired by Pamper Music. Initially collaborating with Hank Cochran, he was nervous at first, realizing "this was creativity on demand," and later recalling:


...And Then I Wrote, Recording and composition
First few days found me a little uneasy. I had my guitar, a pencil, and a blank notebook. Hank might throw out an idea, hoping it might spark something in me. When that didn't work, he might tell me a joke, or I might tell him one, hoping that joking would lead to some kind of song. It didn't... And one afternoon, after we had just sat around throwing the bull, he said, "I'm going to the office to make a few calls. You work on something by yourself."


...And Then I Wrote, Recording and composition
By the time Cochran had returned from his phone call Nelson had written "Hello Walls" and sang it for him. "It's worth a fuckin' fortune," Cochran responded, adding, "Willie, my friend, you just wrote a hit."


...And Then I Wrote, Recording and composition
The recording sessions for his first album release, ... And Then I Wrote, began in the Nashville studios of Liberty Records. Nelson recorded on August 22–23, starting during the night and lasting until the morning of the following day. Dissatisfied with the results, Allison moved the sessions to the studios of the label in Los Angeles, California, where Nelson was joined by three other stellar guitarists - session leader Billy Strange, Roy Nichols from the Maddox Brothers and Rose, and Johnny Western, who had worked with Johnny Cash.


...And Then I Wrote, Recording and composition
During two sessions on September 11–12, Nelson recorded "Crazy", "Darkness on the Face of the Earth", "Three Days", "Funny How Times Slips Away", "Mr. Record Man" and "Hello Walls". B. J. Baker led the vocal chorus that attempted to back Nelson, but the singer's idiosyncratic style gave them problems, as recounted by Nelson biographer Joe Nick Patoski: "The singers got lost trying to follow Willie's lead vocals until Joe Allison put up some baffles between Willie and the singers so they couldn't hear one another. To stay on the beat, the singers followed Johnny Western's direction."


...And Then I Wrote, Recording and composition
The liner notes of the album were written by local DJ Charlie Williams, by request of Allison. The album's biggest hit was "Touch Me," a sad blues done in a slow drag with the rough edges smoothed out by harmony singers and a cool instrumental arrangement that reached the Top 10 and earned Nelson a place on jukeboxes throughput the United States.


...And Then I Wrote, Recording and composition
It was during the recording of "Mr. Record Man" that Nelson met his second wife Shirley Collie, with whom he would soon record the duet "Willingly", a Cochran composition.


...And Then I Wrote, Release
The record was released in September 1962. "Touch Me" was released as a single, becoming Nelson's second top ten single, reaching No. 7 on Billboard's Hot Country Singles chart. Billboard wrote a review about the single, describing it as an "interesting country-styled tune" with "good" lyrics. AllMusic rated the album with four stars out of five.


...And Then I Wrote, Track listing
All tracks are written by Willie Nelson, except where noted.


...And Then Take You to a Place Where Jars Are Kept
... And Then Take You to a Place Where Jars Are Kept is the second album and the third release by the Norwegian stoner rock band Thulsa Doom, released in early 2003. It was the last with lead singer Papa Doom.


...And Then There Were Three...
... And Then There Were Three... (stylised in all lowercase) is the ninth studio album by the English rock band Genesis. It was released in March 1978 by Charisma Records and is their first recorded as a trio of singer/drummer Phil Collins, keyboardist Tony Banks, and bassist/guitarist Mike Rutherford following the departure of guitarist Steve Hackett. The album marked a change in the band's sound, mixing elements of their progressive rock roots with shorter material, and Collins contributing to more of the group's songwriting.


...And Then There Were Three...
The album received mixed reviews from critics, but reached No. 3 on the UK Albums Chart and No. 14 on the US Billboard 200. The lead single "Follow You Follow Me" became their highest charting at that point, reaching No. 7 in the UK and No. 23 in the US. The album was certified platinum by the Recording Industry Association of America (RIAA) in 1988 for selling one million copies in the US. To further promote it, Genesis toured worldwide with their new live guitarist Daryl Stuermer. The album was remixed in 2007 as part of the Genesis 1976–1982 box set in 5.1 surround sound and a new stereo mix by Nick Davis.


...And Then There Were Three..., Production, Background
In July 1977, the Genesis line-up of drummer and vocalist Phil Collins, keyboardist Tony Banks, bassist Mike Rutherford, guitarist Steve Hackett, and touring drummer Chester Thompson completed their tour in support of their eighth studio album, Wind & Wuthering. The band proceeded to edit and mix their second live album, Seconds Out, in August 1977, during which time Hackett left the band as he wished to pursue a solo career. He had enjoyed producing his first solo album Voyage of the Acolyte, disliked musical compromises in Genesis and felt more comfortable working as a solo artist.


...And Then There Were Three..., Production, Background
Since Genesis had now played Madison Square Garden, Hackett felt the group had run out of things to do. Hackett's departure was not made public until 8 October, when Collins, Banks, and Rutherford were promoting Seconds Out (and had finished working on ... And Then There Were Three...).


...And Then There Were Three..., Production, Background
The trio were confident they could carry on, as they had formed the backbone of several Genesis classics, including the "Apocalypse in 9/8" section of "Supper's Ready", the instrumental part of "The Cinema Show" and the basics of A Trick of the Tail (written while Hackett was working on his first solo album). Thus, they did not hire any additional or replacement members, with the three members handling most instrumental duties in the studio from this point on.


...And Then There Were Three..., Production, Writing and recording
Rehearsals began at Shepperton Studios for around six weeks. In September 1977, the remaining three members returned to Relight Studios in Hilvarenbeek, Netherlands to write and record their new album, the same venue as used for the Wind & Wuthering album. The group wished to record in a new location, but they could not find a studio that fit their needs and did not wish to travel too far from England. Rutherford wished to remain in London, but noted recording abroad was their "one tax concession".


...And Then There Were Three..., Production, Writing and recording
Joining the group was audio engineer and co-producer David Hentschel who had worked on the band's past two albums. Genesis also shared production duties and are credited on the album's sleeve. According to Rutherford, the material was recorded in two weeks. The band considered auditioning new guitarists or utilising a studio guitarist for the album, but Rutherford felt confident enough in his skills to take on the lead guitar parts himself, feeling he would enjoy the challenge of doing so.


...And Then There Were Three..., Production, Writing and recording
Banks noticed recording as a three-member band was an easier and more pleasurable experience than before as each member had a clearly defined role, which reduced the risk of personnel clashes along the way. Rutherford became aware that with three members, the basic tracks came across as sparse and not so easy to understand until the overdubs were recorded on top of them. Following the recording, the group mixed the album at Trident Studios in London.


...And Then There Were Three..., Production, Writing and recording
Banks and Rutherford remained the more dominant songwriters with four and three songs written by them respectively, one from Banks and Collins, and three tracks written by all three members. Collins had settled down with his wife and two children in South Ealing, meaning he did not find much time to bring new compositions to the sessions. Rutherford later said he was impressed the group wrote "Follow You Follow Me", as they had had difficulty writing songs that worked within a 3–4 minute framework.


...And Then There Were Three..., Production, Writing and recording
The majority of the album was formed of pre-written songs, not ones developed from jams and improvisations. Collins later thought the album lacked "rich, jazzy pieces" like "Los Endos" from A Trick of the Tail with its merge of rhythm and melody, but could not contribute such ideas as it was difficult to play the drums in his flat in Ealing with his wife and two children. The group were still growing in popularity in the United States and did not have a hit single, which Banks later admitted was a struggling point for them. The original album track order swapped "Undertow" with "Many Too Many" and "Scenes from a Night's Dream", before it was changed as the band felt it flowed better.


...And Then There Were Three..., Production, Sleeve design
As with their past three studio albums, the album cover and packaging was designed by Storm Thorgerson and Aubrey Powell of Hipgnosis. Thorgerson later said the cover was "trying to tell a story by the traces left by the light trails". The photograph was shot using time-lapse to represent the "comings and goings" in the album's lyrics, and over the change in personnel.


...And Then There Were Three..., Composition
The album marked a change in the band's sound, moving from their progressive rock roots towards shorter, more concise songs. The motivation for this was to be able to put more musical ideas on an album, and to act as a response to the punk rock and new wave scenes, where short and concise songs were standard. This decision made Collins realise it gave off the impression that the band were aiming to become "a singles band", but maintained the material remained "fundamentally the same". Rutherford in particular wanted to forge his own style and not copy Hackett's distinctive guitar tones, so the album was more dominated by Banks' keyboards, with sparser and simpler guitar parts.


...And Then There Were Three..., Composition, Side one
"Down and Out", one of the three tracks written collectively, was written during the band's rehearsals. Thompson found its more complex time signature difficult to reproduce on stage at first as Collins could not explain the riff and rhythm which Rutherford noted merely "added to the confusion". Collins wrote the lyrics, which concern American record labels who drop artists when they are no longer in fashion; the chorus is spoken from the artists's view and the verses from the label.


...And Then There Were Three..., Composition, Side one
The band had originally planned to develop and arrange Banks's song "Undertow" further, but its basic track of guitar, drums and piano, coupled with its simple chorus, was strong enough to keep as it was. Banks plays a Yamaha electric grand piano on the track which also incorporates voice loops made by the band that were kept "low-key and subtle" in the final mix. Banks had written a two-minute introduction to the song, but recalled disagreement from the other members as there were enough keyboard parts on the album. The section was reworked and used as a part of "From the Undertow", a track on Banks's first solo album A Curious Feeling (1979).


...And Then There Were Three..., Composition, Side one
The lyrics to "Ballad of Big" were written by Collins. The introduction contains a wobbly guitar effect created by Rutherford whereby he rubbed his guitar strings with pieces of metal, giving it a "slightly Eastern strain". The end of the track has Banks and himself duelling between the Yamaha electric piano and his Roland guitar synthesiser. For "Snowbound", Collins originally recorded his drum part at a considerably faster pace before the group decided to slow them down in order to fit the style of the song.


...And Then There Were Three..., Composition, Side one
Collins and Rutherford described it as a romantic song, with its lyrics about a man who wears a snowman outfit to hide from people but while inside, becomes paranoid and finds he cannot get out. While Banks was writing "Burning Rope", he decided to shorten the track rather than stretch its arrangements into an extended piece as he wished to avoid repeating himself and drawing comparisons to his ten-minute "One for the Vine" from Wind & Wuthering. It features a lead guitar solo from Rutherford that he found was a challenge to produce in the wake of Hackett's departure, but was pleased with the final result and called it his best on the album.


...And Then There Were Three..., Composition, Side two
The original title to "Deep in the Motherlode" was "Heavy". Rutherford uses a bottleneck slide guitar which he was inexperienced with at first to the point of placing it "on the wrong hand". "Many Too Many" features more lead guitar work from Rutherford, who felt less confident about his playing compared to the months after the album's release and had practised further. Once the basic tracks had been put down, the group were still unsure on how to finish the song and sought more arrangements to complete it, including a string sound Banks played on a Moog synthesiser.


...And Then There Were Three..., Composition, Side two
At one point, they considered using orchestral instruments for the track but they never tried it. Banks, who penned the song's lyrics, recalled an issue Collins had with singing the word "mama" in the chorus, something which Banks had to reassure him that he could sing it. "Scenes from a Night's Dream" is based on a childhood dream, itself inspired by the cartoon strip character Little Nemo which Collins had bought a book on for his brother.


...And Then There Were Three..., Composition, Side two
The song developed from a musical idea from Banks who wrote the first draft of its lyrics, but he gave up halfway through as he felt they were unsuitable. The band instead settled on a set of lyrics that Collins offered during down time while mixing at Trident Studios that brought in a different melody and more harmonies.


...And Then There Were Three..., Composition, Side two
"Say It's Alright Joe", written by Rutherford and the penultimate track recorded for the album, is a torch song about an alcoholic who goes into a drunken stupor. The guitarist intended the track to be a "piss-take on the Dean Martin 'set 'em up Joe' alcoholic style'", but thought it was not going to work until Banks added his keyboard overdubs and the band started mixing the track, at which point it "came to life". The introduction to "The Lady Lies" was meant to have a "strippers feel to it. Hence the title".


...And Then There Were Three..., Composition, Side two
Genesis deliberately planned to close the album on a "lighter note" as a contrast to a heavier track, so they placed "Follow You Follow Me" at the end, the album's only track written during the rehearsal stage and went through numerous guises before the group settled on a three-minute song. Hentschel was dismissive of the song, but prepared an initial mix and presented it to the staff at Atlantic Records, who recognised it as a potential hit single for the band. The song was remixed and included on the album. The lyrics were written by Rutherford and were inspired by his wife. He later said it was the easiest set of lyrics he had written, spending "about ten minutes" on it.


...And Then There Were Three..., Release
... And Then There Were Three... was released in the UK on 31 March 1978 and in the US on 28 March on Atlantic Records. It reached No. 3 on the UK Albums Chart during a 32-week stay on the chart and No. 14 on the US Billboard 200. The album continued to sell, and was certified gold by the Recording Industry Association of America on 31 May 1978 for 500,000 copies sold in the US. It reached platinum status on 11 February 1988 for selling one million copies. The album was considered a commercial breakthrough for Genesis, as it brought in sufficiently large audiences to be able to make a profit from touring, which before then had always run at a loss.


...And Then There Were Three..., Release
Genesis released two singles from ... And Then There Were Three.... The lead single, "Follow You Follow Me", became their most successful since their formation, peaking at No. 7 in the UK.


...And Then There Were Three..., Release, Reissues
A digitally remastered version was released on CD in 1994 on Virgin in Europe and Atlantic in the US and Canada. A SACD / DVD double disc set (including new 5.1 and Stereo mixes) was released on 2 April 2007. It was released in the US and Canada as part of the Genesis 1976–1982 box set. This includes the album in remixed stereo and surround sound, and related video tracks. The only exception is the track "Say It's Alright Joe", which was not remixed because the band was unable to locate the multitrack recordings.


...And Then There Were Three..., Critical reception
In an April 1978 review for Melody Maker, reporter Chris Welch praised the album as "strong, confident" that is "as good as any they have made in the band's post-Gabriel years". Welch noted the songs have "a sense of purpose" and come with "a remarkably powerful sound", and picked "Ballad of Big" as his favourite track. A review in The Town Talk praised the group for filling the gap Hackett left "confidently" and picks "Down and Out" as claim of their survival.


...And Then There Were Three..., Critical reception
The rest of the album is "a tapestry of imaginary landscapes filled with the struggling mythic heroes that Genesis has learned to depict so well". Gary Mullinax for The Morning News thought the album sounded little different to Wind & Wuthering and noted the dominance of Banks's keyboards over Rutherford's guitars, with "the same dreamy wall-of-sound music with the same high-pitched vocals" from Collins. He concluded that Genesis succeed at points on the album but thought many songs on it fail to go anywhere, "blending into one another like some sort of hip musak".


...And Then There Were Three..., Critical reception
Charley Walters, writing in Circus, said that despite the exits of Gabriel and Hackett, Genesis have sacrificed "neither direction nor quality". The album, he thought, has "hard, almost ominous" tracks like "Down and Out" and "softer, more melodic" ones like "Say It's Alright Joe", all of which create "a magical, mystical sound that sets them apart from the numerous similar but usually inferior European art-rock ensembles".


...And Then There Were Three..., Critical reception
He names Banks as the one of the trio most responsible for their sound with his "rich" arrangements complemented by Rutherford's restrained guitar work which is "more felt than heard" which worked well to his praise on "Burning Rope". Walters, however, thought Collins's vocals has shortcomings that lacks expansion or breathtaking moments, though is a drummer who can still be melodic.


...And Then There Were Three..., Critical reception
Other reviewers were more critical of the album, including Jon Pareles and Village Voice critic Robert Christgau, who said that "without lead guitarist Steve Hackett, the band loses its last remaining focal point; the rest is double-tracking. Hence a sound as mushy as the dread Moody Blues, with fewer excuses." In Crawdaddy, Michael Bloom found Banks's sounding arrangements and keyboard sounds poor, saying they tend to "practically vanish" and "slip through your fingers".


...And Then There Were Three..., Critical reception
He also declared Rutherford's lead guitar playing as "unbearably clumsy" compared to Hackett but remains a "rare bassist" whose 12-string guitar playing reminded the reviewer of Rutherford on Trespass (1970) and the surrounding period in the band's history. Bloom picked out "The Lady Lies" as Banks's strongest contribution both musically and lyrically, comparing the composition and lyrical message to "One for the Vine" on Wind & Wuthering, and also highlighted "Deep in the Motherlode" as a strong track, but found Collins's singing "uniformly insipid" and concluded that the album is "less of a disappointment than an interminable frustration". In his review for Rolling Stone, he said Hackett's "wonderful orchestral guitar playing, which once governed his subtle use of effects, has unfortunately evaporated in the baldness of his new material", while concluding that "this contemptible opus is but the palest shadow of the group's earlier accomplishments."


...And Then There Were Three..., Critical reception
Retrospective appraisals have also been mixed. In The Rolling Stone Album Guide, J. D. Considine deemed it "a genuine pop breakthrough" that "does hone the playing so that there's less empty flash and wasted energy", while MusicHound Rock (1996) said it "put Genesis on the radio with 'Follow You, Follow Me' but lacked the meaty songcraft and ambitious arrangements of its predecessors".


...And Then There Were Three..., Tour
Genesis embarked on the ... And Then There Were Three... Tour between March and December 1978, including nearly 100 shows covering Europe, the US and Japan, with only a single UK show at Knebworth Park on 24 June. The US dates were important as they would allow the band to recoup touring costs, which were running at around $25,000 a day.


...And Then There Were Three..., Tour
The group needed an additional touring member to cover all the material, but Rutherford only wanted to play lead guitar on the new songs from ... And Then There Were Three... and return to bass and twelve-string for everything else. The successful applicant would have to play bass on the new material and cover Hackett's old lead parts. They first approached Weather Report's Alphonso Johnson, but he was primarily a bassist and his style did not fit in with the rest of the band. Johnson suggested instead that they consider jazz-fusion guitarist Daryl Stuermer, who was already a Genesis fan. He tried out an audition in New York, playing bass on "Down and Out" and lead guitar on "Squonk" (from A Trick of the Tail) and was immediately hired.


...And Then There Were Three..., Tour
"The Fountain of Salmacis", the closing track from 1971's Nursery Cryme was reintroduced into the live set, so Stuermer could take a song with a distinctive Hackett solo and put his own stamp on it. "Say It's Alright Joe" was performed with Collins in character wearing a raincoat and using Banks' keyboards as a makeshift bar. The tour had several breaks so the band could have time with their family at home. Collins later said the tour was "an end of an era" and thought the group did not need to play live as much in the future.


...And Then There Were Three..., Track listing
Genesis recorded two additional songs that were left off the album, and released as B-sides.


...And Then There Were Three..., Personnel
Credits are adapted from the album's 1978 and 2007 liner notes.


...And Then We Saw Land
... And Then We Saw Land is the English band Tunng's fourth album, released in March 2010.


...And Then You Shoot Your Cousin
... And Then You Shoot Your Cousin is the eleventh studio album by American hip hop band The Roots. The album was released on May 19, 2014, by Def Jam Recordings.


...And Then You Shoot Your Cousin
According to Black Thought, the album is conceptual like the previous one, but unlike Undun, ... And Then You Shoot Your Cousin features several characters in this story, not just one. Black Thought described the album as a satirical look at violence in hip hop and American society overall.


...And Then You Shoot Your Cousin, Release and promotion
In July 2012, Questlove said on his Twitter account that the title of The Roots' next album would have the initials &TYSYC and that it was being recorded, with a different sound to expect than from Undun. In the November 12, 2012 issue of The New Yorker, Questlove revealed that the album is tentatively named & Then You Shoot Your Cousin. In a June 2013 interview with Fuse TV, Questlove said he would prefer to release an album in the first quarter of the year, and that he also had other projects he was working on.


...And Then You Shoot Your Cousin, Release and promotion
In February 2014, in an interview with XXL, Black Thought said that the album would be a concept album in the spirit of Undun. He describes the work as a satire of hip-hop stereotypes featuring several different characters. On April 7, 2014, DJ Kast One premiered their first single from the album, "When the People Cheer", on Hot 97.


...And Then You Shoot Your Cousin, Artwork
The album's artwork is a painting called Pittsburgh Memory by North Carolina-born painter Romare Bearden.


...And Then You Shoot Your Cousin, Critical reception
... And Then You Shoot Your Cousin was met with generally positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 70, based on 26 reviews. Andy Kellman of AllMusic felt that it may be the most challenging album from The Roots because of its experimental elements and variety of guest vocalists. Christopher R. Weingarten of Rolling Stone likened it to a hip hop version of Nine Inch Nail's 1994 album The Downward Spiral because of its downbeat, existential theme.


...And Then You Shoot Your Cousin, Critical reception
Omar Burgess of HipHopDX said that although the music is occasionally discordant, it is also "depressingly good, which makes it a bit of a confusing product in a Hip Hop landscape bifurcated by Golden Era romanticists and the turnt-up set." Robert Christgau wrote in Cuepoint that it is more consistent musically than Undun and is "a touching, upsetting meditation in which a sketchy gangsta wannabe embodies the limits of all striving."


...And Then You Shoot Your Cousin, Critical reception
Evan Rytlewski of The A.V. Club said, "With their 11th effort, The Roots have managed yet another album individualistic like little else in hip-hop, but unlike their best work this one's more interested in scholastic provocation than genuine pathos." Jesse Cataldo of Slant Magazine said, "A depiction of disorder and chaos, ... the album's approach [integrates] neatly into an overall sense of claustrophobic dread." Reed Jackson of XXL said, "The Roots have not only proven once again that they are one of hip-hop's most consistent acts, but also one of the genre's most important." Hilary Saunders of Paste said, "The Roots prove their mastery of mixing high and low culture for diverse audiences. It's a headier album, but one rife with significance."


...And Then You Shoot Your Cousin, Commercial performance
The album debuted at number 11 on the Billboard 200 chart, with first-week sales of 19,786 copies in the United States. In its second week the album sold 5,856 more copies bringing its total album sales to 25,642.


...And Then You'll Beg
And Then You'll Beg is the fourth studio album by Canadian technical death metal band Cryptopsy. It is the first album with guitarist Alex Auburn, and the last album with vocalist Mike DiSalvo and guitarist Jon Levasseur, until Levasseur returned in 2011. "Back to the Worms" was the only track from Ungentle Exhumation that was not re-recorded for the debut album Blasphemy Made Flesh. The album starts with a sample from the movie The Matrix.


...And They Shall Take Up Serpents
... And They Shall Take Up Serpents is the second studio album by American heavy metal band Byzantine. It was released on July 12, 2005.


...And Time Begins
... And Time Begins is the debut studio album by American death metal band Decrepit Birth. It was released on October 7, 2003 through Unique Leader Records. Compared to their later albums, this album displays a more brutal sound and is more akin to Disgorge and Suffocation.


...And We Drive
... And We Drive is an album by Side Walk Slam, released in 2003 by Tooth & Nail Records.


...And We Drive, Critical reception
Exclaim! called the album "an admirable achievement for such a young group, Side Walk Slam seem poised to take back the crown from pop punk's ailing kings."


...And You Will Know Us by the Trail of Dead
... And You Will Know Us by the Trail of Dead (often abbreviated as Trail of Dead, or T.o.D., which reads as "death" in German) are an American alternative rock band from Austin, Texas, formed in 1994. The chief members of the band are Jason Reece and Conrad Keely (formerly Conrad Sobsamai). The two alternate between drumming, guitar and lead vocals, both on recordings and live shows. The band is known for their wild, energetic concerts. Their tenth studio album, X: The Godless Void and Other Stories, was released on January 17, 2020.


...And You Will Know Us by the Trail of Dead, History, Formation
Keely and Reece have been friends since their youth, and originally in Hawaii. They each formed their first bands in Olympia, Washington, where Keely studied at The Evergreen State College. Keely, a songwriter and bassist named James Olsen and a guitarist (Paul Westmoreland) started a band in the early 1990s. The band was called varied things before settling on "Benedict Gehlen" (named after a monk laid to rest in the St. Martin's Abby in Olympia). That went on in various names and forms until 1993.


...And You Will Know Us by the Trail of Dead, History, Formation
Soon after, Keely became involved in a group called Nancyville, while Reece went on to play drums with Honeybucket and then queercore band Mukilteo Fairies (the name is a play on words, referencing the ferry boat that travels between Mukilteo and Clinton, Washington). Eventually, Keely and Reece moved to Austin, Texas. The two started playing as a duo under the moniker "You Will Know Us by the Trail of Dead." The band expanded eventually to include guitarist Kevin Allen and bassist Neil Busch. They then officially lengthened their name to ... And You Will Know Us by the Trail of Dead. Keely's girlfriend from Olympia, Deanne Rowley (later Deanne McAdams), briefly played with them as a live back-up guitarist.


...And You Will Know Us by the Trail of Dead, History, Formation
According to the band's website, their name is taken from an ancient Mayan ritual chant which showed a similarity to an ancient Egyptian chant. They have also stated that this is a joke.


...And You Will Know Us by the Trail of Dead, History, Rise and success (1995–2006)
In 1995, Trail of Dead issued their first release, a song titled "Novena Without Faith" on a cassette-only compilation titled Austin Live Houses, followed by another self-titled four-song cassette on Golden Hour. In January 1998, they released a self-titled full-length on Trance Syndicate.


...And You Will Know Us by the Trail of Dead, History, Rise and success (1995–2006)
Trail of Dead soon joined Merge Records after the Trance Syndicate label folded. The band released Madonna on Merge in late 1999 and toured the U.S., opening for labelmates Superchunk to promote it. They signed to Interscope Records and released the Relative Ways EP in 2001.


...And You Will Know Us by the Trail of Dead, History, Rise and success (1995–2006)
In early 2002, Trail of Dead released Source Tags & Codes, which received wide acclaim, including a 10/10 rating from Pitchfork Media, later saying it is "one of indie rock's truly epic albums". Their following tour was chronicled by Rolling Stone, with Andrew Dansby commenting on their group dynamic as a "post-punk Voltron, that just might be the most exciting unit working today."


...And You Will Know Us by the Trail of Dead, History, Rise and success (1995–2006)
A follow-up EP to Source Tags & Codes was released in April 2003, titled The Secret of Elena's Tomb. The EP contained the electronic track "Intelligence" which featured and was co-written by Tyler Jacobson from A Roman Scandal, Reece's other band.


...And You Will Know Us by the Trail of Dead, History, Rise and success (1995–2006)
In July 2004, it was announced that Neil Busch had been removed from the band and Danny Wood would be taking his place on bass. Second drummer/percussionist Doni Schroader also joined the band around this time. Trail of Dead released Worlds Apart on January 25, 2005. Music videos were filmed for singles "And the Rest Will Follow" and "Caterwaul". The band also added live keyboardist David Longoria to their touring lineup. Now a six-piece, the band toured heavily on the album, with its trademark explosive live performances and a two-drummer attack.


...And You Will Know Us by the Trail of Dead, History, Rise and success (1995–2006)
Opening for part of this tour was Longoria's band The Black, which featured Longoria on vocals and guitarist Alan Schaefer, with the rest of TOD filling out the group. The band's fifth album, So Divided, was released on November 14, 2006. Clay Morris replaced Longoria as live keyboardist, and eventually became a full-time member.


...And You Will Know Us by the Trail of Dead, History, Post-Interscope era (2007–present)
In late summer of 2007, Trail of Dead once again toured Europe, this time with drummer Aaron Ford replacing Doni Schroader. Danny Wood was absent from these performances, having quietly left the band. He would eventually be replaced by Jay Leo Phillips. The band provided the soundtrack to the 2007 film Hell on Wheels, a documentary about the formation of Roller Derby in Austin, Texas. After their overseas tour ended on March 15, 2007, Trail of Dead returned to the studio to begin recording their sixth record. In October, they supported the virtual band Dethklok on an Adult Swim college tour. In that same month, the band became independent after leaving Interscope Records due to a lack of support.


...And You Will Know Us by the Trail of Dead, History, Post-Interscope era (2007–present)
In early 2008, Trail of Dead went back into the studio without a record contract. Using their own capital, they filmed their recording experiences and released them on YouTube. On October 21, they released an EP, resembling an "album teaser", titled Festival Thyme on Richter Scale Records. On February 17, 2009, a 13-track album, The Century of Self was released. In September 2010, Keely posted news of an upcoming album 2011 release, produced by Chris "Frenchie" Smith, with an accompanying comic book. Smith is also set to re-mix their debut eponymous album.


...And You Will Know Us by the Trail of Dead, History, Post-Interscope era (2007–present)
On November 10, 2010, the band announced that their seventh album, Tao of the Dead, would be released in North America on February 8, 2011. It was also revealed that the band had stripped down to a core four-piece, and that Jay Phillips, Clay Morris and longtime guitarist Kevin Allen had been removed from the lineup. Circumstances of these departures are currently unknown. Aaron Ford recorded all of the drums for Tao of the Dead, but then left the band.


...And You Will Know Us by the Trail of Dead, History, Post-Interscope era (2007–present)
The band performed live on Late Night with Jimmy Fallon on February 7, 2011, debuting bassist Autry Fulbright II (from Reece side project Midnight Masses) and drummer/guitarist Jamie Miller, of the band theSTART. On February 17, 2011, it was announced that Reece would guest host Toby Ryan's radio show on Austin's KROX-FM (101X).


...And You Will Know Us by the Trail of Dead, History, Post-Interscope era (2007–present)
In 2012, the band recorded material for a new album in Hanover, Germany again with producer Frenchie Smith and engineer Mirko Hofmann. On August 22, the band announced their eighth studio album, Lost Songs, and released a song entitled "Up To Infinity", which was dedicated to Pussy Riot. Cover art was revealed on September 6, 2012. On September 25, they released "Catatonic" through Spotify.


...And You Will Know Us by the Trail of Dead, History, Post-Interscope era (2007–present)
In May 2013, the band announced a forthcoming EP Tao of the Dead Part III via Twitter. Using PledgeMusic, they were taking pre-orders for special editions of the EP. In February 2014, the band announced a limited U.S. tour focused on playing music from Source Tags and Codes and plans to record their next album, a sequel to Tao of the Dead, in the spring and summer of 2014. In April 2014, they released the album Live at Rockpalast 2009. In August 2014, the band announced their ninth album, IX, using an online jigsaw puzzle.


...And You Will Know Us by the Trail of Dead, History, Post-Interscope era (2007–present)
Pitchfork suggested "the arrival at a crossroads" for the band with the album. After a subsequent tour the band, Keely moved to Cambodia and released his debut solo album, Original Machines, in 2016. In November 2017, the band announced a European tour to celebrate the 20 year anniversary of the release of their debut album, Madonna, performing the album in full.


...And You Will Know Us by the Trail of Dead, History, Post-Interscope era (2007–present)
On November 14, 2019, the band released "Don't Look Down," the first single from their tenth album, X: The Godless Void and Other Stories. The second single, "The Godless Void", was released on December 6, 2019.


...And You Will Know Us by the Trail of Dead, Musical style and influences
The band cites their influences to include Fugazi, Melvins, Bikini Kill, Bauhaus, Echo and the Bunnymen, KARP, Unwound, Sonic Youth, Led Zeppelin, Rush, Genesis, Pink Floyd, Public Enemy, Yes, Johann Sebastian Bach and Vivaldi.


...And You Will Know Us by the Trail of Dead, Discography
"Let It Dive" from Worlds Apart was featured on EA Sports' MVP Baseball 2005


...And You Will Know Us by the Trail of Dead (album)
... And You Will Know Us by the Trail of Dead was the first full-length release from rock band ... And You Will Know Us by the Trail of Dead. It was released on January 20, 1998, by Trance Syndicate.


...And a Happy New Year
... And a Happy New Year is a Christmas EP by the band The Maine. On December 4, 2008, the EP was announce for release. The EP was free for those that pre-ordered the deluxe edition of the band's debut album, Can't Stop Won't Stop. In addition, "Santa Stole My Girlfriend" was made available for streaming on the group's PureVolume account, while "Ho Ho Hopefully" was made available for streaming through the band's Myspace profile. The EP was made available for streaming on December 7 and was released on December 9 by Fearless Records.


...And a Happy New Year, Track listing
All lyrics are written by John O'Callaghan; all music is composed by The Maine.


...And a Little Pleasure
... And a Little Pleasure is an album by saxophonist J. R. Monterose and pianist Tommy Flanagan. It was recorded and originally released in 1981, and was reissued on CD as A Little Pleasure in 1989.


...And a Little Pleasure, Recording and music
The album was recorded on April 6 and 7, 1981, in New York City. It was Monterose's recording debut playing the soprano saxophone. The miking was close, so his breathing is clearly audible.


...And a Little Pleasure, Recording and music
There are two original compositions on the album: "Pain and Suffering... And a Little Pleasure", in 3/4 time, and "Vinnie's Pad". The latter, as well as "Con Alma", are up-tempo performances. "Theme for Ernie", "A Nightingale Sang in Berkeley Square", and others are ballads.


...And a Little Pleasure, Releases
Uptown Records released the album in 1981. In 1989, Reservoir Records reissued it on CD, with the title A Little Pleasure.


...And a Time to Dance
... And a Time to Dance is a 1983 EP by Los Lobos. It was co-produced by T-Bone Burnett and Steve Berlin (not yet a full-time member of the band) and was the band's first release on Slash Records. The EP brought the band its first wide acclaim. It was voted best EP of the year in the Village Voice's influential Pazz & Jop critics poll. Critic Robert Christgau gave the record an "A-" in his Consumer Guide, calling it "good old rock and roll East L.A. style." Trouser Press raved about "a spicy romp (in two languages) back and forth across musical borders few can traverse with such ease," while Rolling Stone called it "an infectious dance record that deserves to be heard by rock fans."


...And a Time to Dance
The track "Anselma" won the first Grammy Award for Best Mexican-American Performance. The album was mixed and recorded entirely digitally.


...And the Ambulance Died in His Arms
... And the Ambulance Died in His Arms was an album recorded live during Coil's performance at All Tomorrow's Parties on 4 April 2003. This album was the last planned release by Coil before the death of John Balance. When the release was announced, Peter noted that Balance had already selected the title.


...And the Ambulance Died in His Arms, Background
A version of "Triple Sun Introduction" and "Triple Sons and the One You Bury" using the audio from this performance was reworked and released on The Ape of Naples.


...And the Ambulance Died in His Arms, Background
"A Slip in the Marylebone Road" is a true story about John Balance being mugged and losing his "precious green notebook."


...And the Ambulance Died in His Arms, Background
"The Dreamer is Still Asleep – The Somnambulist in an Ambulance" is one of the more improvised live recordings of Coil's performances. The song is a version of "The Dreamer is Still Asleep" from Musick To Play In The Dark Vol. 1.


...And the Bag's in the River
"... And the Bag's in the River" is the third episode of the first season of the American television drama series Breaking Bad. Written by Vince Gilligan and directed by Adam Bernstein, it aired on AMC in the United States and Canada on February 10, 2008.


...And the Bag's in the River, Plot
Walt and Jesse clean up the bloody remains of Emilio while Krazy-8 regains consciousness in the basement. While talking with Walt, Krazy-8 reveals that Jesse told him and Emilio about Walt's personal life. Walt then confronts Jesse, in the middle of getting high off meth, who berates him for not living up to his end of the bargain on the two and drives off. Meanwhile, Skyler tells Marie that she is working on a new short story with a stoner character in it, and she asks her about marijuana. Marie assumes that Skyler thinks Walt Jr. is smoking pot, but Skyler insists that she was just talking about her story. Marie asks Hank to scare Walt Jr. straight, leading him to bring Walt Jr. to a motel to show how meth has corroded the teeth of a prostitute.


...And the Bag's in the River, Plot
Walt phones Skyler to apologize for being late, falsely claiming that he's working over at the car wash. Skyler informs Walt that she knows he quit his job there two weeks previously and angrily tells him to not come home. Walt weighs the pros and cons of killing Krazy-8, then collapses on the basement floor while bringing him a sandwich, shattering the plate. After he regains consciousness, Walt tells Krazy-8 he has lung cancer. After engaging in conversation with Krazy-8 and seemingly forming a bond with him, Walt decides to let him go free.


...And the Bag's in the River, Plot
Walt goes to get the key to the bike lock which is holding Krazy-8 captive. However, he realizes that there is a large shard missing from the broken plate, indicating that Krazy-8 obtained it while he was unconscious and plans to use it as a weapon. Walt reluctantly garrotes Krazy-8 with the bike lock while he stabs backward into Walt's leg with the broken plate. Walt goes back home to find Skyler sitting on the bed, crying. He says he has something to tell her.


...And the Bag's in the River, Plot
Meanwhile, Hank and several DEA agents discover the cook site in the desert along with Krazy-8's car. Inside the car they find the small bag of crystal meth cooked by Walt. The family of Native Americans shares the lab mask the young girl found in the previous episode.


...And the Bag's in the River, Production
The episode was written by Vince Gilligan, and directed by Adam Bernstein; it aired on AMC in the United States and Canada on February 10, 2008.


...And the Bag's in the River, Critical reception
The episode received critical acclaim. Seth Amitin of IGN gave the episode a rating of 8.9 out of 10 commenting: "If you put every episode of every TV show in existence and rolled it up into one giant ball, we doubt you'd come out with anything as intense as that one minute of television where Walt killed Crazy-8." Donna Bowman of The A.V. Club gave the episode an "A-", saying: "All the heavy stuff I loved so much and described above -- yet this was also an episode full of hilarious lines."


...And the Bag's in the River, Critical reception
In 2019, The Ringer ranked "... And the Bag's in the River" as the 10th best out of the 62 total Breaking Bad episodes.


...And the Bag's in the River, Title meaning
The episode title is a part of a line from the 1957 film Sweet Smell of Success, in which a character reports that he resolved an issue. It means that Walt kills Krazy-8.


...And the Bag's in the River, Title meaning
J.J. Hunsecker: "That means you've got a plan. Can you deliver? "Sidney Falco: "Tonight, before you go to bed. The cat's in the bag and the bag's in the river."


...And the Battle Begun
... And the Battle Begun is an album by the Rx Bandits. It is the band's first album released by Matt Embree's label Mash Down Babylon. The album was released in stores on October 10, 2006, but was first made available in late June both directly from the band whilst on their 2006 summer tour and online via their website.


...And the Battle Begun
The album was originally slated to be released in late 2005 via Drive-Thru Records, but for reasons known only to the band and the label, they decided to part ways, despite the contract stating that one more album was due to the label. The album was eventually pushed back to May 2006 and later to October 2006 due to unspecified issues between the label and band. However, by the summer of 2006, both sides had cleared up any disputes, freeing up the album.


...And the Battle Begun
Like The Resignation, the rhythm section was recorded live for ... And The Battle Begun. Overdubs were done in various studios, one of which was Embree's.


...And the Battle Begun
... And The Battle Begun also featured the second and final appearance of saxophone player and backup vocalist Steve Borth, who had been with the band since after the release of Progress and had recorded with the band for The Resignation. Borth, according to the RX Bandits website, left the band to pursue his own musical career, which includes his band Satori. He officially departed the band mid-tour on June 28, 2006, his final performance being in New York City at the Bowery Ballroom the previous day.


...And the Battle Begun, Critical reception
The Sacramento News & Review wrote that the album "challenges your ears in the best way possible, with shifting time signatures, wildly varying moods and general chaotic genius. Countless experimental bands mine similar 'anything goes, so long as its good' territory, but rarely has this boundary-pushing been so refreshing."


...And the Circus Leaves Town
... And the Circus Leaves Town is the fourth and final studio album by American stoner rock band Kyuss, released on July 11, 1995, nearly a year before their breakup. Drummer Alfredo Hernández (Yawning Man) replaces Brant Bjork, who left Kyuss in 1993. The album features a tighter and more straightforward sound, both in songwriting and production, than the band's preceding efforts. The album was not as commercially or critically successful as the previous Blues for the Red Sun and Welcome to Sky Valley.


...And the Circus Leaves Town
Critic Dean Brown attributes this partly to a lack of promotion and the band's breakup, but also notes that the album "deserves to be cherished as much as the two molten hot records that came right before it." A video was released for "One Inch Man", the album's only official single.


...And the Circus Leaves Town, Notes
The song "Catamaran" is a cover of a song originally recorded by drummer Alfredo Hernandez' previous band Yawning Man.


...And the Circus Leaves Town, Notes
Hidden track "Day One" was originally released in Germany as part of the "Demon Cleaner" extended CD single under the title "Day One (To Dave and Krist)". It was dedicated to the remaining Nirvana members Dave Grohl and Krist Novoselic, after Kurt Cobain's suicide.


...And the Circus Leaves Town, Notes
The song "Hurricane" is featured in the 2006 video game, Need for Speed: Carbon. An early recording of the song, as well as "El Rodeo," was released on the "Demon Cleaner" single in 1994.


...And the Circus Leaves Town, Notes
The idea for the album's cover came up when John Garcia, together with Scott Reeder's wife, went on a trip to Bombay Beach. They discovered the place submerged in water due to fluctuations of sea level. Once they came back they told Josh and Scott about it and a photo that was later taken there eventually became the album cover.


...And the Circus Leaves Town, Reception
The album received a positive review in Tharunka, an Australian student publication in August 1995. The review described the lead single, One Inch Man, as "unrepresentative" of the album's sound. Two of the tracks, Jumbo Blimp Jumbo and Catamaran were compared favorably to Black Sabbath and Sonic Youth, respectively and the reviewer noted, "What is admirable here too is singwriter/guitarist Josh's seeming ability to formulate brilliantly executed songs, despite the regular adoption of atypical song-writing structures."


...And the Ever Expanding Universe
... And the Ever Expanding Universe is the third studio album by Canadian indie rock band The Most Serene Republic, released on July 14, 2009. The album title, track listing, and release date were all revealed by the band through their Arts & Crafts label on April 20, 2009. The album was produced and mixed by David Newfeld who also cowrites and performs on the release.


...And the Family Telephone
... And the Family Telephone is the third full-length album by Maryland-based indie folk band Page France. It was released May 8, 2007, on Suicide Squeeze Records.


...And the Native Hipsters
... And the Native Hipsters was an English experimental group formed in London, England in 1979. Centred on the nucleus of musicians William Wilding and Blatt (Nanette Greenblatt), they are best known for their 1980 single, "There Goes Concorde Again", which attracted the attention of BBC Radio 1 DJ John Peel, and reached number five on the UK Independent Charts. The song was listed by New Musical Express in their "NME Writers 100 Best Indie Singles Ever" in 1992.


...And the Native Hipsters
AllMusic called the Native Hipsters "[o]ne of the more bizarre groups" from the late-1970s and early-1980s.


...And the Native Hipsters, Biography
... And the Native Hipsters was a London-based duo of musicians William Wilding from Romford England, and Blatt (Nanette Greenblatt) from Cape Town, South Africa. They had previously worked together as the Wildings, and then the Patterns with Robert Cubitt and Tom Fawcett. The Patterns became the Native Hipsters in 1979 when they recorded "There Goes Concorde Again", a 6:45 minute song featuring Blatt repeating with "childlike enthusiasm" the refrain "Ooh, look, there goes Concorde again", with reference to sightings of the famed "silverbird". AllMusic described the song as a "formless composition" with "perfectly-devoid-of-skill vocals, a wobbly funhouse synth, the occasional guitar pling, and not much bass".


...And the Native Hipsters, Biography
"There Goes Concorde Again" was a home recording that was privately released by the group as a single in a limited edition of 500 copies. Each disc had its label hand-stamped by the group, and the sleeves were cut from advertising posters (including one of Kevin Keegan, an English footballer), making each cover virtually unique. They sent the records to Rough Trade, an independent record shop in London, and about a month later BBC Radio 1 DJ John Peel picked up a copy and began playing the song extensively on his radio program.


...And the Native Hipsters, Biography
Soon the group had an order for another 1,000 copies, and then a further 4,000. The song entered the UK Independent Charts in August 1980, where it remained for ten weeks, peaking at number five. Wilding received an offer from producer Tony Visconti to re-record the song, but turned it down for fear of it becoming "too commercial". The song was later listed by New Musical Express in their "NME Writers 100 Best Indie Singles Ever" in 1992.


...And the Native Hipsters, Biography
In 1982 the Native Hipsters released a four-track EP, "Tenderly Hurt Me" which was well received by the music press. Over the next few years the group performed live several times, including opening for Bauhaus, and recorded a number of songs with the help of various musicians, including guitarist Lester Square from The Monochrome Set, and Annie Whitehead, a session trombonist. By the mid-1980s the group had stopped recording, but interest in them was revived in 2001 when Rough Trade included "There Goes Concorde Again" in a box set, Rough Trade Shops – 25 Years.


...And the Native Hipsters, Biography
This prompted Wilding to release two CDs, There Goes Concorde Again... (2001) and Songs to Protest About (2006) containing their singles, previously unreleased songs and new material. Interest in the Native Hipsters was renewed again in 2009 when a compilation set, Kats Karavan: The History of John Peel on the Radio included "There Goes Concorde Again". Rock music critic Peter Paphides said in a review of the album that ... And the Native Hipsters was one of the artists always associated with John Peel.


...And the Native Hipsters, Biography
William Wilding went on to perform as comedy act Woody Bop Muddy.


...And the Native Hipsters, Discography, Compilation appearances
The following compilations each include one track by ... And the Native Hipsters, "There Goes Concorde Again".


...And the Rest Will Follow
... And the Rest Will Follow is the fifth studio album by American rock band, Project 86, released on September 27, 2005 by Tooth & Nail Records.


...And the Saga Continues
... And the Saga Continues was a Canadian hardcore punk rock band from Montreal, Quebec.


...And the Saga Continues, History
The founding members of ... And the Saga Continues were Jonah Aspler on bass, Truffle Simmons on guitar, Matt "The Fridge" Dillitzer on drums, and Chris Ross on vocals. Aspler and Simmons had previously played together in late 90s seminal Quebec punk band All the Answers, alongside other musicians Chris Snelgrove and Mike Sokolyk. Simmons eventually left All the Answers to begin another band, One Step Away, with Dillitzer and Ross. When Aspler later joined One Step Away, the band changed its name to ... And the Saga Continues, shifting its approach to a faster and more aggressive hardcore sound.