George Arliss

George Arliss (born Augustus George Andrews; 10 April 1868 – 5 February 1946) was an English actor, author, playwright, and filmmaker who found success in the United States. He was the first British actor to win an Academy Award – which he won for his performance as Victorian-era British prime minister Benjamin Disraeli in "Disraeli" (1929) – as well as the earliest-born actor to win the honour. He specialized in successful biopics, such as "Disraeli", "Voltaire" (1933), and "Cardinal Richelieu" (1935), as well as light comedies, which included "The Millionaire" (1931) and "A Successful Calamity" (1932).
His career ranged from being a star of the legitimate theatre, then silent films, then sound films.
Early life.
Arliss was born in London and commonly listed as George Augustus Andrews. His relatives referred to him as Uncle Gus. He was educated at Harrow School and started work in the publishing office of his father, William Joseph Arliss Andrews, but left at age 18 to go on the stage.
Career.
Arliss began his theatre career in the British provinces in 1887 and by 1900 was playing London's West End in supporting roles. He embarked for a tour of America in 1901 in Mrs. Patrick Campbell's troupe, intending to remain in the United States only for the length of the tour.
Arliss stayed for twenty years, making his Broadway debut in "Magda" (1902). He eventually became a star in 1908 in "The Devil". Producer George Tyler commissioned Louis Napoleon Parker in 1911 to write a play specifically tailored for Arliss, and the actor toured in "Disraeli" for five years, eventually becoming closely identified with the 19th-century British prime minister.
Writing in "Vanity Fair" in 1919, he outlined his plan for a nonprofit called the Theatre Annex, which would allow new plays to be tested under special conditions.
He began his film career with "The Devil" (1921), followed by "Disraeli" and four other silent films. Today, only "The Devil", "Disraeli", "$20 a Week", and "The Green Goddess" (1923), based on the hit stage play in which he had starred, are known to have survived. He remade both "The Green Goddess" and "Disraeli" in sound in 1929 (and won the Best Actor Academy Award for "Disraeli"), converting successfully at the age of 61 from a star of the legitimate theatre, and then silent films, to sound films.
Arliss made 10 sound films exclusively for Warner Bros. under a contract that gave the star an unusual amount of creative control for the time. Curiously, his casting of actors and rewriting of scripts were privileges granted him by the studio that are not even mentioned in his contract. One of these films, "The Man Who Played God" (1932), was Bette Davis's first leading role. Until the end of Davis's life, she credited Arliss for personally insisting upon her as his leading lady and giving her a chance to show her abilities. The two also co-starred in "The Working Man" in 1933.
Arliss built a production unit at Warners' both in front of and behind the cameras. Maude T. Howell, his stage manager, became an assistant producer and was one of the few female film executives in Hollywood at that time. After his first three films, Arliss approved John Adolfi, a capable Warners director who was open to collaboration with him. Adolfi soon was regarded as a successful director of the critically and financially acclaimed Arliss films. Arliss preferred to use the same reliable actors, such as Ivan Simpson (who was also a sculptor) and Charles Evans. He had an eye for discovering unknown talent, such as James Cagney, Randolph Scott and Dick Powell. Despite his extensive involvement in the planning and production of his films, Arliss claimed credit only for acting.
After having worked closely with Warners' production chief, Darryl F. Zanuck, Arliss left the studio when Zanuck resigned in April 1933 and set up 20th Century Pictures. A month later Adolfi died suddenly. Zanuck quickly signed Arliss to make new films at 20th Century, prompting Warners' to complain to the Motion Picture Academy of Arts and Sciences that Zanuck had "stolen" their star. 
He often appeared with his wife Florence Arliss. Florence (or "Flo", as George called her) starred both on stage and in films, both silent and sound, with her husband and almost always played his character's spouse. However, that did not prevent Arliss from using another actress when Flo was not right for a role. Also, Flo turned down roles that George wanted her to play in some films.
Arliss is best remembered primarily for his witty series of historical biopics, such as "Alexander Hamilton" (1931), "Voltaire" (1933), "The House of Rothschild" (1934), "The Iron Duke" (1934), and "Cardinal Richelieu" (1935). However, he also had a series of domestic comedies such as "The Millionaire" (1931, "A Successful Calamity" (1932), "The Working Man" (1933), and "The Last Gentleman" (1934). 
In 1934, British film goers named Arliss their favourite male star.
Arliss was approaching 70 when he completed the British-made "Doctor Syn" in 1937. He and Flo returned to America later that year to visit old friends, including famed astronomer Edwin Hubble in California. Producer-director Cecil B. DeMille arranged for the Arlisses to re-enact their roles in "Disraeli" on Lux Radio Theatre, DeMille's popular radio show, in January 1938. The occasion was heralded as "a new page in radio history". George and Flo subsequently appeared on Lux in radio adaptations of "The Man Who Played God" in March 1938 and in "Cardinal Richelieu" in January 1939, which was apparently their final dramatic appearance anywhere. Returning to their home in London in April 1939, the onset of the Second World War prevented their return to America during Arliss's remaining years. The only taint of scandal involved charges by the British Government in September 1941 that Arliss had not complied with a recent requirement to report bank accounts he maintained in the U.S. and Canada (similar charges were also brought against actor-playwright Noël Coward around the same time). Both men claimed ignorance of the new law, but they were fined and publicly humiliated by the experience.
Personal life.
On 14 September 1899, Arliss married Florence Arliss (née Florence Kate Montgomery Smith) (1870–1950), to whom he was married until his death. (Leslie Arliss, who became a prolific producer-director for Gainsborough Pictures, is erroneously referred to as their son in some reference works.)
Arliss was a prominent anti-vivisectionist who founded the National Anti-Vivisection Society of Chicago. He was president of the Episcopal Actors' Guild of America from 1921 to 1938.
He was a strict vegetarian, stating that "I eat nothing I can pat". Arliss walked four miles each day and took interest in aerobics.
In retirement Arliss settled at Pangbourne in Berkshire. Film producer Darryl F. Zanuck tried to interest him in returning to Hollywood to star in "The Pied Piper" in 1942. Instead, Arliss lived out the Luftwaffe's Blitz on London and died in Maida Hill in London of a bronchial ailment on 5 February 1946, aged 77. His gravestone spurns his success in the performing arts in favor of the one achievement of which he was apparently most proud: an honorary Master of Arts degree he received from Columbia University in 1919.
Legacy.
Arliss wrote the autobiography "Up the Years from Bloomsbury" in 1927.
He has a star on the Hollywood Walk of Fame at 6648-1/2 Hollywood Boulevard. He was a member of the American Theater Hall of Fame.
Filmography.
The 1931 short film "Impressions of Disraeli" was made in England for the Tory Party and was introduced by Stanley Baldwin. The film is extant.