theme of elegy written in a country churchyard by thomas gray
Elegy Written in a Country Churchyard The poem is an elegy in name but not in form; it employs a style similar to that of contemporary odes, but it embodies a meditation on death, and remembrance after death. The poem argues that the remembrance can be good and bad, and the narrator finds comfort in pondering the lives of the obscure rustics buried in the churchyard. The two versions of the poem, Stanzas and Elegy, approach death differently; the first contains a stoic response to death, but the final version contains an epitaph which serves to repress the narrator's fear of dying. With its discussion of, and focus on, the obscure and the known, the poem has possible political ramifications, but it does not make any definite claims on politics to be more universal in its approach to life and death.
John Hampden Thomas Gray's poem "Elegy Written in a Country Churchyard" refers to the heroism of Hampden in the stanza: "Some village-Hampden, that with dauntless breast / The little tyrant of his fields withstood;/ Some mute inglorious Milton here may rest, / Cromwell guiltless of his country's blood."[19]
The Contrast (play) Setting: New York City, New York
Eubie Blake If I'd known I was going to live this long, I would have taken better care of myself.
Hail Mary Based on the greeting of the archangel Gabriel to the Virgin Mary in the Gospel of Luke, the prayer takes different forms in various traditions. It has often been set to music.
Haunted Mansion In the Foyer, the deep, resonant voice of an invisible spirit (Paul Frees) sets the tone of the attraction with a short opening monologue, accompanied by a funeral dirge variation of Grim Grinning Ghosts.