when did beauty and the beast come out on broadway
Beauty and the Beast (musical) After completing tryouts in Houston, Beauty and the Beast premiered on Broadway on April 18, 1994, starring Susan Egan and Terrence Mann as the eponymous Belle and Beast, respectively. The musical opened to mixed reviews from theatre critics, but was a massive commercial success and well received by audiences. Beauty ran on Broadway for 5,461 performances for thirteen years (1994 - 2007)[2], becoming Broadway's tenth longest-running production in history. The musical has grossed more than $1.4 billion worldwide and played in thirteen countries and 115 cities.[citation needed] It has also become a popular choice for high school productions.[3]
Dear Evan Hansen The musical opened on Broadway at the Music Box Theatre in December 2016, after its world premiere at the Arena Stage in Washington, DC, in July 2015 and an Off-Broadway production in March to May 2016.
Beauty and the Beast (1991 film) After the success of Snow White and the Seven Dwarfs in 1937, Walt Disney sought out other stories to adapt into feature films, with Beauty and the Beast being among the stories he considered.[12][29] Attempts to develop the Beauty and the Beast story into a film were made in the 1930s and 1950s, but were ultimately given up because it "proved to be a challenge" for the story team.[12] Peter M. Nichols states Disney may later have been discouraged by Jean Cocteau having already done his 1946 version.[30]
Beauty and the Beast (2017 film) When released in 1991, Beauty and the Beast, marked a turning point for Walt Disney Pictures by appealing to millions of fans with its Oscar-winning musical score by lyricist Howard Ashman and composer Alan Menken. In Bill Condon's opinion, that original score was the key reason he agreed to direct a live-action version of the movie. "That score had more to reveal", he says, "You look at the songs and there's not a clunker in the group. In fact, Frank Rich described it as the best Broadway musical of 1991. The animated version was already darker and more modern than the previous Disney fairytales. Take that vision, put it into a new medium, make it a radical reinvention, something not just for the stage because it's not just being literal, now other elements come into play. It's not just having real actors do it".[45]