cut with a kitchen knife dada through the last weimar beer belly cultural epoch of germany (1919)
Hannah Höch Dada as a movement was inherently political in nature. Dada artists often used political satires to address the issues of the time. They attempted to push art to the limits of humanity and to convey the chaos in post-war (World War I, which did not yet have this title) Germany. "Many of Höch's overtly political photomontages caricatured the pretended socialism of the new republic and linked female liberation with leftist political revolution" (Lavin).[19] Perhaps Höch's most well known piece Cut with the Kitchen Knife Dada through the Beer-Belly of the Weimar Republic symbolizes her cutting through the patriarchal society. The piece is a direct criticism of the failed attempt at democracy imposed by the Weimar Republic. Cut with the Kitchen Knife is "an explosive agglomeration of cut-up images, bang in the middle of the most well-known photograph of the seminal First International Dada Fair in 1920" (Hudson).[16] This photomontage is an excellent example of a piece that combines these three central themes in Höch's works: androgyny, the "New Woman" and political discourse. It combines images of political leaders with sports stars, mechanized images of the city, and Dada artists.
Babylon Babylon (
Margaret Wolfe Hungerford Molly Bawn contains Hungerford's most famous idiom:
Paris Peace Accords