original wizard of oz was it in color
The Wizard of Oz (1939 film) In his book The Wonderful Wizard of Oz, Baum describes Kansas as being "in shades of gray". Further, Dorothy lived inside a farmhouse which had its paint blistered and washed away by the weather, giving it an air of grayness. The house and property were situated in the middle of a sweeping prairie where the grass was burnt gray by harsh sun. Aunt Em and Uncle Henry were "gray with age". Effectively, the use of monochrome sepia tones for the Kansas sequences was a stylistic choice that evoked the dull and gray countryside.[citation needed] Much attention was given to the use of color in the production, with the MGM production crew favoring some hues over others. Consequently, it took the studio's art department almost a week to settle on the final shade of yellow used for the yellow brick road.[22]
Frank Morgan Frank Morgan (born Francis Phillip Wuppermann; June 1, 1890 â€“ September 18, 1949) was an American character actor.[1] He is best known as a Metro-Goldwyn-Mayer contract player and as the titular character in The Wizard of Oz .
The Wizard of Oz (1939 film) Suddenly the house falls to the ground and all is quiet. As Dorothy opens the door the film changes to technicolor – she and Toto have arrived in Munchkinland, part of the Land of Oz. Glinda the Good Witch of the North and the Munchkins welcome her as their heroine – the house has landed on and killed the Wicked Witch of the East, leaving only her feet poking out from under. In the middle of the celebration, the Wicked Witch of the West arrives in a ball of smoke and fire to claim her sister's ruby slippers, but Glinda transports them onto Dorothy's feet before the witch can get them. The witch swears revenge on Dorothy for her sister's death. Glinda tells Dorothy to follow the yellow brick road to the Emerald City, where the Wizard of Oz might be able to help her get back home to Kansas.
The Wizard of Oz (1939 film) Notable for its use of Technicolor, fantasy storytelling, musical score, and memorable characters, it has become an icon of American popular culture. It was nominated for six Academy Awards, including Best Picture, but lost to Gone with the Wind. It did win in two other categories, including Best Original Song for "Over the Rainbow" and Best Original Score by Herbert Stothart. While the film was considered a critical success upon release in August 1939, it failed to generate profit for MGM, earning only $3,017,000 on a $2,777,000 budget, which made it MGM's most expensive production to date.[3][8][9]