who painted the nine compartments in the ceiling of the banqueting house whitehall palace in england
Banqueting House, Whitehall James I, for whom the Banqueting House was created, died in 1625 and was succeeded by his son, Charles I. The accession of Charles I heralded a new era in the cultural history of England. The new King was a great patron of the arts—he added to the Royal Collection and encouraged the great painters of Europe to come to England. In 1623 he visited Spain where he was impressed by Titian, Rubens, and Velázquez.[17] It became his ambition to find a comparable painter for his own court. Rubens while in England as a diplomat was asked to design and paint the Banqueting House ceiling which was sketched in London but completed at his studio in Antwerp due to the scale of the job. The subject, commissioned by the King, was the glorification of his father, titled The Apotheosis of James I, and was an allegory of his own birth.[18] To the King's chagrin Rubens took his knighthood and decamped back to Antwerp, leaving Anthony van Dyck, lured not only with a knighthood but also a pension and a house, to remain in England as the court painter.[18] The panels for the ceiling were all painted in Rubens' atelier in Antwerp and sent to London by ship. Inigo Jones later designed another double-cube room at Wilton House, to display Van Dyck's portraits of the aristocratic Pembroke family.
En plein air Artists have long painted outdoors, but in the mid-19th century, working in natural light became particularly important to the Barbizon school, Hudson River School, and Impressionists.
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