when did love and hip hop new york start
Love & Hip Hop: New York Love & Hip Hop: New York (originally known as simply Love & Hip Hop) is the original installment of the Love & Hip Hop reality television franchise on VH1. The series premiered on March 6, 2011, and chronicles the lives of several people in New York City (and nearby areas, including New Jersey, and Yonkers), involved with hip hop music. The show features appearances from notable figures associated with East Coast hip hop. Its success has produced the spin-offs Love & Hip Hop: Atlanta, Chrissy & Mr. Jones, Love & Hip Hop: Hollywood, K. Michelle: My Life, Stevie J & Joseline: Go Hollywood, Leave It To Stevie and Love & Hip Hop: Miami.
Hip hop Keith "Cowboy" Wiggins, a member of Grandmaster Flash and the Furious Five, has been credited with coining the term[24] in 1978 while teasing a friend who had just joined the US Army by scat singing the made-up words "hip/hop/hip/hop" in a way that mimicked the rhythmic cadence of marching soldiers. Cowboy later worked the "hip hop" cadence into his stage performance.[25][26] The group frequently performed with disco artists who would refer to this new type of music by calling them "hip hoppers". The name was originally meant as a sign of disrespect, but soon came to identify this new music and culture.
WQHT Towards the end of 1992 and early 1993, Hot 97 dropped to "dead last among New York's three pop stations."[2]:336 In response, Emmis named Judy Ellis its General Manager (a position in which she served until 2003) and WQHT started to add more R&B and hip-hop product. The station started a gradual two-year change towards an Urban-oriented rhythmic top 40 format.[2]:320, 334â€“336
DJ Kool Herc Clive Campbell (born April 16, 1955[3]), better known by his stage name DJ Kool Herc, is a Jamaican–American DJ who is credited with helping originate hip hop music in the early–1970s in The Bronx, New York City. Known as the "Founder of Hip-Hop" and "Father of Hip-Hop", Campbell began playing hard funk records of the sort typified by James Brown as an alternative both to the violent gang culture of the Bronx and to the nascent popularity of disco in the 1970s. Campbell began to isolate the instrumental portion of the record, which emphasized the drum beat—the "break"—and switch from one break to another.