when was the parthenon in nashville tennessee built
Parthenon (Nashville) The Parthenon in Centennial Park, Nashville, Tennessee is a full-scale replica of the original Parthenon in Athens. It was designed by Confederate veteran William Crawford Smith and built in 1897 as part of the Tennessee Centennial Exposition.
Parthenon The Parthenon (/ˈpɑːrθəˌnɒn, -nən/; Ancient Greek: Παρθενών; Greek: Παρθενώνας, Parthenónas) is a former temple,[4][5] on the Athenian Acropolis, Greece, dedicated to the goddess Athena, whom the people of Athens considered their patron. Construction began in 447 BC when the Athenian Empire was at the peak of its power. It was completed in 438 BC although decoration of the building continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered the zenith of the Doric order. Its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an enduring symbol of Ancient Greece, Athenian democracy and Western civilization,[6] and one of the world's greatest cultural monuments. To the Athenians who built it, the Parthenon and other Periclean monuments of the Acropolis, were seen fundamentally as a celebration of Hellenic victory over the Persian invaders and as a thanksgiving to the gods for that victory.[7] The Greek Ministry of Culture is currently carrying out a programme of selective restoration and reconstruction to ensure the stability of the partially ruined structure.[8]
Paris Peace Accords
Parthenon The Parthenon is a peripteral octastyle Doric temple with Ionic architectural features. It stands on a platform or stylobate of three steps. In common with other Greek temples, it is of post and lintel construction and is surrounded by columns ("peripteral") carrying an entablature. There are eight columns at either end ("octastyle") and seventeen on the sides. There is a double row of columns at either end. The colonnade surrounds an inner masonry structure, the cella, which is divided into two compartments. At either end of the building the gable is finished with a triangular pediment originally occupied by sculpted figures. The columns are of the Doric order, with simple capitals, fluted shafts and no bases. Above the architrave of the entablature is a frieze of carved pictorial panels (metopes), separated by formal architectural triglyphs, typical of the Doric order. Around the cella and across the lintels of the inner columns runs a continuous sculptured frieze in low relief. This element of the architecture is Ionic in style rather than Doric.[53]