when did the beatles perform at shea stadium
The Beatles at Shea Stadium The Beatles at Shea Stadium is a fifty-minute-long documentary of the Beatles' 15 August 1965, concert at Shea Stadium in New York City, the highlight of the group's 1965 tour. The documentary was produced by Ed Sullivan (under his Sullivan Productions banner), NEMS Enterprises (which owns the 1965 copyright), and the Beatles company Subafilms. The project, placed under the direction of manager of production operations M. Clay Adams, was filmed by a large crew led by cinematographer Andrew Laszlo. Fourteen cameras were used to capture the euphoria and mass hysteria that was Beatlemania in America in 1965. The documentary first aired on BBC1 on 1 March 1966.[1] In West Germany, it aired on 2 August that year.[2] It aired in the United States on ABC on 10 January 1967.[3][4]
The Beatles in the United States An estimated four thousand Beatles' fans were present on 7 February 1964 as Pan Am Flight 101 left Heathrow Airport.[1] Among the passengers were the Beatles, on their first trip to the United States as a band, with their entourage of photographers and journalists, and Phil Spector.[24] When the group arrived at New York's newly renamed John F. Kennedy Airport, they were greeted by a second large crowd, with Beatles fans again estimated to number four thousand, and journalists, two hundred.[25] From having so many people packed in a little space, a few people in the crowd got injured. The airport had not previously experienced such a large crowd.[26]
The Ballad of John and Yoko The song was recorded without George Harrison (who was on holiday) and Ringo Starr (who was filming The Magic Christian).[11][12] In Barry Miles' biography, McCartney recalls that Lennon had a sudden inspiration for the song and had suggested that the two of them should record it immediately, without waiting for the other Beatles to return.[11] Reflecting this somewhat unusual situation, the session recordings include the following exchange:
The Beatles Originating as a skiffle group, the Beatles quickly embraced 1950s rock and roll and helped pioneer the Merseybeat genre,[361] and their repertoire ultimately expanded to include a broad variety of pop music.[362] Reflecting the range of styles they explored, Lennon said of Beatles for Sale, "You could call our new one a Beatles country-and-western LP",[363] while Gould credits Rubber Soul as "the instrument by which legions of folk-music enthusiasts were coaxed into the camp of pop".[364]