what genre of music is lord of the rings
Music of The Lord of the Rings film series The score uses a neo-romantic, 19-century style and structure, derived from Shore's desire to have the music sounding antiquated, but he nevertheless married it to modern and at times avant-garde techniques including atonal sections, unusual instrumental choices and orchestral set-ups, aleatoric writing, sprechstimme voices and syncopated rhythms, as well as borrowing from eastern scales, medieval styles of music, contemporary film music idioms for specific setpieces, classical idioms for some of the music of the Shire, new-age and contemporary idioms for the end-credits songs, etc. However, he insisted on staying away from electronic or synthesized music.
One Ring One ring to rule them all, one ring to find them,One ring to bring them all and in the darkness bind them.
Lana Del Rey Associated with several styles, Del Rey's music has been tagged broadly as dream pop[170][171] or baroque pop[172][173][174] linked to various forms of rock,[175][176] indie music,[177] and trip hop,[178][179][180][181] and often touching on styles such as hip hop,[182] trap music,[183] and psychedelic rock on particular releases.[184] Of Born to Die, indie music journal Drowned in Sound wrote, "She likes that whole hip hop thing though, has this whole swagger thing going that not many girls like her got", adding that it sounded like a poppier Bond soundtrack.[185]
The Beatles Originating as a skiffle group, the Beatles quickly embraced 1950s rock and roll and helped pioneer the Merseybeat genre,[361] and their repertoire ultimately expanded to include a broad variety of pop music.[362] Reflecting the range of styles they explored, Lennon said of Beatles for Sale, "You could call our new one a Beatles country-and-western LP",[363] while Gould credits Rubber Soul as "the instrument by which legions of folk-music enthusiasts were coaxed into the camp of pop".[364]