the famous musician in emperor akbar's court
Tansen Tansen (c. 1500 – 1586), also referred to as Tan Sen or Ramtanu, was a prominent figure of North Indian (Hindustani) classical music.[3] Born in a Hindu family, he learned and perfected his art in the northwest region of modern Madhya Pradesh. He began his career and spent most of his adult life in the court and patronage of the Hindu king of Rewa (princely state), Raja Ramchandra Singh (r.1555–1592), where Tansen's musical abilities and studies gained widespread fame.[3] This reputation brought him to the attention of the Mughal Emperor Akbar, who sent messengers to Raja Ramchandra Singh, requesting Tansen to join the musicians at the Mughal court. Tansen did not want to go, encouraged him to gain wider audience, and sent him along with gifts to Akbar. In 1562, about the age of 60, the Vaishnava[4] musician Tansen joined the Akbar court, and his performances became a subject of many court historians.[3]
Philip Pope Philip R. J. Pope is a British composer and actor. He was educated at Downside School and New College, Oxford.[1]
U. Srinivas Srinivas was born 28 February 1969, in Palakollu in Andhra Pradesh.[8] At the age of five, he picked up his father U. Satyanarayana's mandolin, after he heard it being played at a concert he attended with his father.[9] Upon realizing the talent of his son, his father, who had studied classical music, bought him a new mandolin,[9] and started teaching him. Guitarist Vasu Rao, introduced seven-year-old Srinivas to western music in 1976.[10] Soon, Satyanarayana's guru, Rudraraju Subbaraju, (disciple of Chembai Vaidyanatha Bhagavathar) who had also taught Srinivas' father and Vasu Rao, recognized the astounding potential in the child Srinivas and started teaching him.[10] Since Rudraraju Subbaraju did not know how to play the mandolin, he would just sing pieces from the Carnatic classical repertoire, and U. Srinivas, all of six, would play them on the mandolin, thus developing a phenomenal style of playing entirely his own, and astonishingly, on an instrument that had never been played in the rigorous and difficult Carnatic style before. Soon, the family moved to Chennai, the mecca of Carnatic music, where most Carnatic musicians live.[11] When Srinivas gave his first performance it led to him being compared to the world's greatest prodigies: "Some of you have heard or read about exceptionally gifted children, our own Mandolin Srinivas, Sir Yehudi Menuhin, Beethoven, Sir Isaac Newton, Picasso, Madam Curie, the list is endless."[12]
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