what is an example of a counterculture in sociology
Counterculture A counterculture (also written counter-culture) is a subculture whose values and norms of behavior differ substantially from those of mainstream society, often in opposition to mainstream cultural mores.[1][2] A countercultural movement expresses the ethos and aspirations of a specific population during a well-defined era. When oppositional forces reach critical mass, countercultures can trigger dramatic cultural changes. Prominent examples of countercultures in Europe and North America include Romanticism (1790–1840), Bohemianism (1850–1910), the more fragmentary counterculture of the Beat Generation (1944–1964), followed by the globalized counterculture of the 1960s (1964–1974), usually associated with the hippie subculture [3] and the diversified Punk subculture of the 1980s.
Sociology At the turn of the 20th century the first generation of German sociologists formally introduced methodological anti-positivism, proposing that research should concentrate on human cultural norms, values, symbols, and social processes viewed from a resolutely subjective perspective. Max Weber argued that sociology may be loosely described as a science as it is able to identify causal relationships of human "social action"—especially among "ideal types", or hypothetical simplifications of complex social phenomena.[50] As a non-positivist, however, Weber sought relationships that are not as "historical, invariant, or generalisable"[51] as those pursued by natural scientists. Fellow German sociologist, Ferdinand Tönnies, theorized on two crucial abstract concepts with his work on "Gemeinschaft and Gesellschaft" (lit. community and society). Tönnies marked a sharp line between the realm of concepts and the reality of social action: the first must be treated axiomatically and in a deductive way ("pure sociology"), whereas the second empirically and inductively ("applied sociology").[52]
Economic nationalism While the coining of the term "
Social space The way 'migration, seen as a metaphor, is everywhere' in postmodernity - 'we are migrants and perhaps hybrids, in but not of any situation in which we find ourselves'[16] - is rooted in the postmodern forms of production of social space.