Unlike a short story or a novel, the form of a screenplay is based around dialogue, rather than prose or description. The big rule in screenwriting is: you are writing visually. Movies are a series of images, so the images in your screenplay should be striking and engaging.  Another big rule is: Every paragraph of action lines should be four lines or less. This means that the descriptions about what each character is wearing or how they are acting in a scene should be no more than three lines. Use the least amount of words possible describing action or setting and let the dialogue do the "talking."  Character backstory and motivations should come from a character’s actions and dialogue, as opposed to the descriptions. The best screenwriters keep their action description to two lines per paragraph throughout most of the script. But there should still be a lot of description through the power of the dialogue. Keep all writing in the present tense. This keeps things moving forward in your screenplay, which is really what your screenplay should be doing: moving action and character forward. Like everything, there are exceptions to this rule of three description lines or less per scene of text. For example, the screenplay for the 2011 film “All is Lost”, written by J.C. Candor and starring Robert Redford, only has about 4-5 full pages of dialogue in the entire script. The majority of the main character’s actions are shown through long sections of description of the character’s actions. These types of screenplays are rare though, and difficult to do well. Screenplays are formatted differently than other types of writing. The format of a screenplay is very specific and can involve a lot of tabbing and hitting Enter if you are working in a word processing document. You can use software that does the formatting for you, such as Final Draft, Scrivener, and Movie Magic. You can also access basic versions of screenplay formatting programs for free online. Take note of elements of a screenplay format, including:  The...

How would you rephrase that briefly using Indonesian?
Kenalilah bentuk skenario. Biasakan diri pada format skenario. Lihatlah contoh beberapa skenario. Lihatlah judul bagian pada contoh skenario di atas. Tulislah deskripsi latar dan karakternya. Perhatikan dialog pada contoh skenario. Perhatikan kegunaan deskripsi atau perintah laku pada dialog. Perhatikan bagaimana skenario berpindah dari satu adegan ke adegan lain. Perhatikan catatan lain pada jenis pengambilan gambar yang berbeda, seperti close up atau tracking shot.