Contemporary anthropological research believes that culture has a certain personality. It often chooses one kind of temperament or combines several related temperaments, and infuses this kind of choice arbitrarily into every aspect of social life, especially in academic and artistic fields. This theory of cultural temperament provides a new idea and reference for the study of Chinese aesthetics. If we expand our vision from aesthetics to the category of aesthetic culture and assume that Chinese aesthetic culture has a special temperament, the exploration and identification of the type, structure, cause, background and so on of this temperament will undoubtedly expand a new academic domain.
Which of the following refers to the new academic frontier in the text?
The cultural roots of Chinese aesthetics