For the protection of film culture, museums, archives, libraries, audio-visual materials and private collections all share part of the protection functions. It'seems that everyone is scrambling to protect the film cultural heritage, but it actually reflects the fragmented trend of the protection work. Each agency protects a little bit. There is a lack of communication and communication between organizations and a lack of unified management based on the dimension of protection. This kind of fragmented protection is very inefficient, because the lack of communication will inevitably lead to confusion about the wealth of the protected object, resulting in some protected objects in an unprotected state. The dispersion of protected objects greatly increases the difficulty of rational use of heritage, and the significance and value of protection will be greatly reduced.
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Communication is the way to solve the fragmentation of film culture protection