Perhaps because of the deep influence of agricultural civilization, Chinese classical art has always been entangled with a sensitivity to flowers and plants. Lin Huiyin said: cherishing flowers, understanding flowers too oriental, intimate with nature, with the meticulous nature of human nature is the mood of oriental tradition. We all memorize:  The young shoots of reeds are grey,The white dew looks like frost;The lady who is so-called that person,Is at another side of the river. But not everyone knows that the so-called Reed is the Reed we are familiar with. In fact, the world in the Book of songs is not far away. The folk songs of the pre-Qin period are almost inseparable from plants, wind, rain, crops, and the sound of vegetation
that the plants and flowers in the Book of songs have also become a discipline, attracting generations of scholars to study and textual research. The song is almost inseparable from plants, wind and rain, crops and trees
The Book of songs provides rich materials for the study of ancient scholars