
Passage: Zhang Qiang: "The 'face-changing' stunt in Sichuan Opera has been privately taught to foreign countries by individual actors, and has now spread to Japan, Singapore, Germany and other places. The main artistic value of Sichuan Opera lies in face-changing, and revealing the secret of face-changing is equivalent to ruining the artistic life of Sichuan Opera." Li Ming: "Even if foreigners learn to change their faces, it will not affect the survival and value of the traditional art of Sichuan Opera. The intangible cultural heritage can only be inherited and developed when it opens its doors, goes to the public, and integrates into modern life."
Question: Which of the followings, if true, best supports Li Ming's point of view?
A. A.Foreigners learn Sichuan Opera because of their admiration for the art of face-changing, which will promote the spread of Sichuan Opera and encourage Sichuan Opera to create new stunts.
B. B.Many foreigners learn to perform Peking Opera, but this does not harm the image of Peking Opera as the quintessence of China.
C. C.The result of the rumors about face-changing technology is that the art of Sichuan Opera has changed.
D. D.In 1987, the Ministry of Culture listed Sichuan Opera's face-changing art as a second-level state secret, which is the only state secret in the Chinese theater industry.
Answer: