The Cecilian Choir and Sinfonia rose to the occasion in splendid fashion last Friday, and delivered a scintillating concert full of festive Baroque favourites to launch Christmas music-making from the Music department. Excerpts from Part One of Handel’s Messiah were combined with instrumental concerti by Vivaldi, with four out of the five soloists being drawn from the School of BioSciences – second-year oboist and National Youth Orchestra member Jonathan Butten, second-year singing Scholarship students Charlotte Webb and Ruth Webster, and Senior Lecturer in BioSciences, oboist Dan Lloyd. Vivaldi’s Double Oboe Concerto had a crisp vigour, and Elina Hakanen‘s performance of Winter with the Sinfonia combined moments of drama with expressive lyricism in a sure-footed and musically articulate performance.

The Cecilian Choir were in rousing form in the Handel choruses, aided by the Sinfonia, directed from the department’s new harpsichord by Your Loyal Correspondent, and the enthusiastic audience even rose to its feet for the concluding ‘Hallelujah Chorus.’

Bravo to everyone involved; the festivities continue this Saturday as the Symphony Orchestra and Chorus come together in music by Vaughan Williams, Shostakovich and Sibelius – details here.

In rehearsal yesterday, the String Sinfonia as it prepares for its first concert of the year next month. The players were working on sections of Handel’s Messiah, as well as Vivaldi’s ‘Winter’ with soloist Elina Hakanen, developing some of those rigorous and dramatic tutti sections alongside the more lyrical central movement. The group is also preparing Vivaldi’s Double Oboe Concerto with soloists second-year Jonathan Butten and lecturer in BioSciences, Dan Lloyd (pictured).

The concert on Friday 4 December opens the Christmas season in Colyer-Fergusson with some sparkling music of the Baroque; details here, come and launch the festive period with us and some popular musical favourites. Several of the University’s singing Music Scholars had the opportunity to learn from one of the country’s leading singers last week, in a masterclass with Dame Anne Evans.

Dame Anne put several singers through their paces, in arias by Mozart and Handel and a piece by Cole Porter, sharing tricks of the trade in front of the audience in the Colyer-Fergusson Hall; as she said, later that evening when appearing In Conversation, ”If you can sing Mozart, you can sing anything.”

Later on, she talked about her career on the national and international stage, looking in particular at her performances at Bayreuth under the baton of Daniel Barenboim, taking the audience from her first professional engagements through the various stages of her career, accompanied by some extremely rare recordings and footage of her in the role of Brunnhilde in scenes from Götterdämmerung.

When asked what her secret was to preparing herself before performances of the epic Wagnerian role, she answered candidly: ”A large bowl of pasta two hours before the performance, and bananas in the interval.” Asked about advice for young singers starting out: ”Start with Mozart,” and ”In auditions, always sing pieces that you are really comfortable with.”

Performers, in order: Kathryn Cox, Philippa Hardimann, Olivia Potter, Vicky Newell, Paris Noble, Marina Ivanova and Steph Richardson, accompanied by Deputy Director of Music, Dan Harding:

Images © Matt Wilson / University of Kent

It’s been a busy week with All Things Choral – the University Chorus continues its exploration of Orff and Handel, the Chamber Choir engages with Tavener and Finzi, and the first rehearsal for this year’s Cecilian Choir sees them getting to grips with Britten’s Ceremony of Carols.

And cake and biscuits…

Confused ? Check out all that’s been happening on the choral blog, Cantus Firmus, where you can listen to some of the pieces and see photos of cake. And biscuits too…

With rehearsals for the University Concert Band and Big Band having begun last Wednesday, and those for the Symphony Orchestra last Thursday, it’s all choral this week – the University Chorus starts rehearsing this evening, and the Chamber Choir tomorrow night, whilst Sing! starts rehearsing this Thursday. Tonight, we’ll be getting to grips with Handel’s Coronation Anthem The King Shall Rejoice and Orff’s riotous Carmina Burana with the Chorus – both pieces will feature in the Grand Gala concert which will officially launch the new music building at the inaugural concert in December (details online here).

7.30pm this evening, Grimond Lecture Theatre II; open to staff and students of the University without audition, and auditioned external members as usual – see you then!

And to whet your appetites, here’s Seiji Ozawa and the Berlin Philharmonic in a performance from 1989…

N.B. For those interested in Sing! – it starts on Thursday, Rutherford Music Room, 6pm. Be there… Many thanks to everyone who came along to the Gulbenkian Theatre at lunchtime, and joined in to sing Handel and raise money for this year’s Children in Need appeal.

The Yellow Bear turned up and conducted the massed ranks of visitors and musicians in a rousing rendition of the ‘Hallelujah Chorus,’ whilst members of the Music Society charged around with buckets and balloons to take the collection.

After some lively warm-ups and a run-through of key moments in the piece, the performance was delivered with gusto and vibrant enthusiasm.

Afterwards, Pudsey was almost swamped by a crowd of eager…err… grown-ups all clamouring for a picture with the Great Bear: and not a child in sight!

Our thanks to Pudsey for coming along, to the Gulbenkian for throwing its theatre doors open to the massed and eager rabble, to the ever-enthusiastic Music Committee for being on hand to help (and rattle collection-buckets), and to everyone who turned up, made a donation, and took part. We raised £270 for a very worthy cause.

Keep an eye out on local BBC at 6.30pm and possibly 8.30pm tomorrow night: that’s all I’m saying…
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