Results from the iLog workshop as part of our new show at Bildmuseet Umeå Dr Mat Gregory discusses Owl Project:: The history of sound art and radical experimental music has long been defined and shaped by  its

complex relationship with technology. The iLog for Philp Jeck Owl Project at Musikprotokoll, Graz 2007

Owls playing their logs We worked with Thor Magnusson developing the iLogData and M-Log, He included the iLog in his essay DesigningConstraints. Bettween 2004 to 2005 there were a lot of online reviews of the iLog. Unfortunatly these are no longer live but luckily we collected a few

iLog Types

iLog technology

We feel that this reduction in functionality opens up a multitude of creative possibilities.

The iLog Rustle which records up to 20 seconds of sound and reduces it into distorted fragments forces the user to explore the possibilities of 20 seconds of sound.

The iLog Photosynth converts light into audio allows you to immerse yourself sonic properties of electrical light emitted from the gizmos that surround us.

The iLog data, a wooden gestural computer interface is developed by workshop participants who design the layout of their Log in response to the Log itself and their ideas of how they might hold, move or interact with it.
[null, {"document_url": "http://owlproject.com/iLogs", "unformatted_src": "/media/images/web/iLogg-range01.jpg", "src": "https://owlproject.com/media/images/web/iLogg-range01.jpg", "formatted_filename": "iLogg range"}, null, {"document_url": "http://owlproject.com/iLogs", "unformatted_src": "/media/images/web/Rustlesx3.jpg", "src": "https://owlproject.com/media/images/web/Rustlesx3.jpg", "formatted_filename": "Rustlesx"}, null, null, null, null, null, null, null]