Realising that designing a cutting edge mixing desk would require in-depth knowledge of the whole movie audio creation chain, from filming on set to playback in cinemas, Holman was permitted to spend a year exploring the state of play in the movie audio world.
N'ịchọpụta na ịmepụta desktọọpụ ọnụ na-achọ ihe omimi zuru ezu banyere ihe nkiri dum nkiri ihe e kere eke, site na eserese na ntinye nkiri na cinima, E kwere ka Holman nọrọ otu afọ iji nyochaa steeti egwu na ụwa.