In other words there is a relationship (however fleeting) between the photographer and the subject, with the implication that in the process, the photographer will exercise control, make some sort of analysis or take a stance.
Go ntse go le jalo, kgotlhang e bonala e se na maatla ka gonne e le fa gare ga moanelwamogolo (Mmamotia) le moanelwamotlaleletsi (Ponalo). • Tebelelo Tebelelo ke fa dikgang kgotsa ditiragalo di tlhalosiwa ke mokwadi, moanedi kana moanelwa.