The photographer Suzuki Yoshikazu worked from November 1953 until spring of the following year to take over 200 images having to make sure that weather and light conditions would be more or less the same in order not to affect the overall homogeneity of the panorama.
Osha simana wo oku koneka kutya nonando einyengo ndika olya nenepala pandjokonona oku inyenga kwomikuli olundji okwa tameka piitsa 50 oku uka piitsa 100 okuza petameko lyomumvo nosho wo lya ya pombanda sigo opiitsa 130 okutameka mu Januali 2016.