For example, the stillness of neglected places generated crisp, meditative exposures, while the movement of dancers, buses, and city streets could only be captured in a dramatic blur.
Ngu txikombiso, vasiyentista kha va na kusikota kutxhamusela kwati ati ti to mafu ni nzuma si khatisile ku txani, mwendo ku ngu ku txani vathu, sihari ni mindonga si di ho ha mafuni.