Lilangeni Nei Bermuda dollar Wikselkoers\nUN wikselkoersen gegevens op 03/07/2022 07:30\nLilangeni Nei Bermuda dollar wikselkoers hjoed. Lilangeni wearde yn Bermuda dollar hjoed.\nLilangeni Nei Bermuda dollar wikselkoers hjoed\n1 lilangeni (SZL) is lyk oan 0.061776 Bermuda dollar (BMD)\n1 Bermuda dollar (BMD) is lyk oan 16.19 lilangeni (SZL)\nDe kosten fan lilangeni yn Bermuda dollar hjoed, de echte wikselkoers. Ynformaasje oer de wearde fan Lilangeni oant Bermuda dollar wurdt ien kear deis bywurke. Ynformaasje oer de wikselkoers út iepen boarnen. Wisselkoers wurdt online yn banken of banken útfierd tsjin de bankkoers op basis fan de offisjele wikselkoers werjûn op dizze pagina.\n1 lilangeni is gelyk oan 0.061776 Bermuda dollar hjoed yn 'e Jeropeeske bank. 1 lilangeni rose mei 0 Bermuda dollar hjoed yn 'e haadbank fan Jeropa. Lilangeni wikselkoers groeit hjoed tsjin Bermuda dollar neffens Jeropeeske gegevens. 1 lilangeni kostet no 0.061776 Bermuda dollar - it taryf fan 'e Jeropeeske bank.\nConvert Lilangeni Nei Bermuda dollar Lilangeni Nei Bermuda dollar live op Forex exchange market Lilangeni Nei Bermuda dollar wikselkoers skiednis\nLilangeni Nei Bermuda dollar Wikselkoers hjoed by 03 July 2022\nHoe de wikselkoers fan Lilangeni nei Bermuda dollar yn 'e ôfrûne dagen kin wurde sjoen yn ús stekproef út' e database werjûn yn 'e tabel. Lilangeni wikselkoersen foar ferskate dagen tsjin Bermuda dollar faluta wurde jûn yn 'e tabel op dizze pagina fan' e webside moneyratestoday.com Foar in rendabele oankeap fan faluta - fergelykje de dynamyk fan 'e wikselkoers yn' e lêste dagen. De wikselkoers fan Lilangeni nei Bermuda dollar foar moarn hinget ôf fan de dynamyk fan 'e wikselkoers de lêste dagen.\n03.07.2022 0.061776 -\n02.07.2022 0.061776 -0.0000000000000002844946500602 ↓\n01.07.2022 0.061776 -0.000278 ↓\n30.06.2022 0.062054 -0.000316 ↓\n29.06.2022 0.06237 -0.000526 ↓\n100 lilangeni by de wikselkoers binne gelyk oan 6.18 Bermuda dollar. 30.89 Bermuda dollar de kosten fan 500 lilangeni at de hjoeddeistige wikselkoers. De priis fan 1 000 lilangeni tsjin de wikselkoers is 61.78 Bermuda dollar. Om 2 500 lilangeni per Bermuda dollar hjoed moatte jo 154.44 BMD. 1 lilangeni hjoed is 0.061776 Bermuda dollar neffens wikselkoers fan 'e nasjonale bank. 1 lilangeni rose mei 0 Bermuda dollar hjoed neffens wikselkoers fan 'e haadbank fan it lân.\n6.18 BMD 30.89 BMD 61.78 BMD 154.44 BMD 308.88 BMD 617.76 BMD 1 544.39 BMD 3 088.79 BMD\nOm 1 Bermuda dollar foar lilangeni hjoed moatte jo 16.19 SZL. 5 Bermuda dollar tsjin de wikselkoers binne 80.94 lilangeni. De priis fan 10 Bermuda dollar tsjin de wikselkoers is 161.88 lilangeni. Foar 25 BMD moatte jo 404.69 lilangeni . Hjoed is Lilangeni wikselkoers opstien tsjin Bermuda dollar. Hjoed kostet 1 lilangeni 0.061776 Bermuda dollar yn 'e nasjonale bank fan it lân.\n16.19 SZL 80.94 SZL 161.88 SZL 404.69 SZL 809.38 SZL 1 618.76 SZL 4 046.89 SZL 8 093.79 SZL


Manning Iga in Mobile, AL with Reviews - YP.com\nMobile, AL Manning Iga\n1. Manning's Market Place\n2. Manning's Market Place\n3. Manning's Marketplace\n10 Shelton Beach RdSaraland, AL 36571\n4. Manning's Marketplace\n19180 Highway 43Mount Vernon, AL 36560\n5. Manning's Marketplace - CLOSED\n6. Ice Plant Inc\n8. Moore Grocery\n9. Greer's Stores\n10. Two Eagles Store\n11. D And D One Stop Shop\n12. Jj's Corner Market\n13. Neftali Garcia\n14. Zorbas Market - CLOSED\n18. Danny Market\n634 Stanton RdMobile, AL 36617\n19. Brazil Food Mart Inc\n20. The Produce Outlet\n21. Singleton Grocery\n22. Health Food Center Inc\n5238 Highway 90 W Ste GMobile, AL 36619\n23. N & N Food Mart\n1363 Government StMobile, AL 36604\n24. One Stop Food Mart\n25. K Z\n26. Cody Convenience Store\n27. Spring Hill Kitchens\n29. Ztec - CLOSED\n30. M And L Food Mart\n603 W Prichard AveMobile, AL 36610\nRelated Articlesfor Manning Igamore related articles »


US7128878B2 - Multiwell plate - Google Patents\nMultiwell plate Download PDF\nUS7128878B2 US10674483 US67448303A US7128878B2 US 7128878 B2 US7128878 B2 US 7128878B2 US 10674483 US10674483 US 10674483 US 67448303 A US67448303 A US 67448303A US 7128878 B2 US7128878 B2 US 7128878B2\nUS20040101948A1 (en )\nAndrew P. Muser\nUS10674483 2002-10-04 2003-09-30 Multiwell plate Active 2024-03-05 US7128878B2 (en)\nUS41636502 true 2002-10-04 2002-10-04\nUS10674483 US7128878B2 (en) 2002-10-04 2003-09-30 Multiwell plate\nUS11506549 US7410618B2 (en) 2002-10-04 2006-08-18 Multiwell plate\nUS11506549 Continuation US7410618B2 (en) 2002-10-04 2006-08-18 Multiwell plate\nUS20040101948A1 true US20040101948A1 (en) 2004-05-27\nUS7128878B2 true US7128878B2 (en) 2006-10-31\nUS10674483 Active 2024-03-05 US7128878B2 (en) 2002-10-04 2003-09-30 Multiwell plate\nUS11506549 Active US7410618B2 (en) 2002-10-04 2006-08-18 Multiwell plate\nUS (2) US7128878B2 (en)\nUS20100294734A1 (en) * 2005-07-22 2010-11-25 Hiroyuki Taike Samples Storage System for Pharmaceutical Development\nUS20130079252A1 (en) * 2009-03-13 2013-03-28 Illumina Corporation Methods and systems for controlling liquids in multiplex assays\nUSD768873S1 (en) * 2013-06-24 2016-10-11 Shockbottle Llc Multiple cartridge case gauge\nUSD808039S1 (en) * 2016-05-13 2018-01-16 Becton, Dickinson And Company Reagent plate\nWO2010142755A3 (en) * 2009-06-10 2011-07-14 Universität Zürich Devices for the production of cell clusters of defined cell numbers and cluster sizes\nDE102009057223B4 (en) * 2009-12-05 2016-03-24 Chemagen Biopolymer-Technologie Aktiengesellschaft Sample container matrix and their method of preparation\nUS9352502B2 (en) 2013-06-25 2016-05-31 Lawrence Livermore National Security, Llc Porous media heat transfer for injection molding\nEP3115449A1 (en) 2015-07-08 2017-01-11 IVTech S.r.l. Multi-well plate for cell cultures\nUSRE34133E (en) 1976-07-23 1992-11-24 Dynatech Holdings, Ltd. Microtest plates\nUS5468638A (en) 1992-09-28 1995-11-21 Becton, Dickinson And Company Cell culture insert\nUS5534227A (en) 1995-06-05 1996-07-09 Becton, Dickinson And Company Thermoform dish insert\nUS5571479A (en) 1994-02-18 1996-11-05 Hoffmann-La Roche Inc. Cuvette\nUS5795775A (en) 1996-09-26 1998-08-18 Becton Dickinson And Company Culture vessel and assembly\nDE60139469D1 (en) * 2000-05-18 2009-09-17 Millipore Corp Multiple orifice plate with a bandaged by adhesive filter\nUSD367932S (en) 1994-03-03 1996-03-12 Compartmented container for microbiological samples\nUS6033605A (en) 1995-10-05 2000-03-07 Corning Incorporated Microplates which prevent optical cross-talk between wells\nUSD416330S (en) 1997-10-21 1999-11-09 Bel-Art Products, Inc. Multiwell fluid container for microbiological testing\nUS8349279B2 (en) * 2005-07-22 2013-01-08 Tsubakimoto Chain Co. Samples storage system for pharmaceutical development\nUS8765486B2 (en) * 2009-03-13 2014-07-01 Illumina Corporation Methods and systems for controlling liquids in multiplex assays\nUS20060280656A1 (en) 2006-12-14 application\nUS20040101948A1 (en) 2004-05-27 application\nUS7410618B2 (en) 2008-08-12 grant\nUSD506837S1 (en) 2005-06-28 Front portion of a retaining wall block\nUSD534428S1 (en) 2007-01-02 Container shoulder\nUS7201545B2 (en) 2007-04-10 Tool, a cutting insert, a shim and use of the cutting insert\nUS20050188642A1 (en) 2005-09-01 Decorative brick facade module for walls\nUSD260196S (en) 1981-08-18 Elastomeric shoesole\nUSD501549S1 (en) 2005-02-01 Capsule\nUS5488206A (en) 1996-01-30 Joystick switch assembly\nWO2006095579A1 (en) 2006-09-14 Multilayer electrode, electric device employing the multilayer electrode, and method for producing them\nUSD292634S (en) 1987-11-03 Crate\nUSD478106S1 (en) 2003-08-05 Hole saw\nUS20040047767A1 (en) 2004-03-11 Microfluidic channel for band broadening compensation\nFree format text: ASSIGNMENT OF ASSIGNORS INTEREST;ASSIGNOR:MUSER, ANDREW P.;REEL/FRAME:014233/0717


Buy HP 14 Inch Pentium 4GB 128GB FHD Laptop - Grey | Laptops and netbooks | Argos\nHP 14 Inch Pentium 4GB 128GB FHD Laptop - Grey868/4576\nSleek. Stylish. Portable. A sleek and stylish design makes this eye-catching laptop easy to take anywhere. With its beautiful brushed keyboard and colour-matched hinge, the smartly designed HP 14" Smoke Grey laptop looks as good as it performs. Easily store and enjoy your favourite music, movies, and photos with 128SSD of storage and 4GB Memory.\nModel number: 14-ck0989na.\nvery good easy to use and portable.\nGreat fast laptop Very Happy with it\nWe have replaced our previous laptop with the same again. Very easy to set up and perfect for our use.\nCan it take sd card with photos on to store on laptop\nYes, the Laptop includes a SD card reader.\nIs it any good for videos such as you tube\nYes, You can watch Videos from streaming services like Youtube.\nCan this laptop be used for work\nSuch as microsoft office word and other tasks\nYes, this laptop is great for general office work, surfing the web and other light computing tasks.\nYou will need to purchase a licence for office, either via the Windows Menus or:


Pauwehôf, Aggie van der Meer – Elske Schotanus\nPauwehôf, Aggie van der Meer\nElske Schotanus 1 december 2012 as resinsint\nPauwehôf, Aggie van der Meer, 108 siden, ISBN 90-8566-009-2\nUtjouwerij Frysk en Frij\nPauwehôf, it nijste boek van Aggie van der Meer, foel my wat ôf. Hie ik earder net sa optein west oer har fersebondels en har debútroman Lytse roman fan Jon Fels en de ferhaleroman Ûntdekking fan ‘e wrâld, dan hie ik har tredde boek, in novelle, al nei in pear haadstikken oan kant lein. Dat is de konklúzje nei likernôch tritich siden en dat gefoel ha ik ek noch as ik it boek útlêzen ha. Pauwehôf hat net de folsleinens yn opbou fan har proazadebút en likemin it poëtyske, it surrealistyske en it allegoaryske fan de ferhaleroman. Lykas har earstling is it ferhaal goed nei te kommen; de foar har wurk sa typearjende skitterjende ‘Aggie-styl’ is diskear beheind bleaun ta in pear passaazjes.\nOp ‘Pauwehôf’ set him in nije bewenner, Bernt, ta wenjen. De bewenners oan wjerskanten, oan de iene kant in echtpear, oan de oare in man en in frou mei in puberdochter, binne fansels nijsgjirrich nei har buorman. Yn de ferskillende haadstikken folgje wurde ôfwikseljend de beide echtpearen folge, de dochter fan it iene – en de túnjonge fan it oare stel en Bernt en syn freondinne. Sintraal stiet Bernt dy’t op in kearpunt yn syn libben stiet en dêr mei om wrakselet, sa slim sels dat er yn waanwrâld libbet. Yn syn tinzen spilet Jacob Mandeville in wichtige rol, in fiktyf personaazje dêr’t er mei ôfrekkenje moat om fierder te kinnen.\n“Mandeville: ‘Ik bin alles en neat. Ik libje as de kearûbs sliepe. Untdek de ketters, ferskroeid ta fossilen, folgje de prelaat, foar altyd hin mei de hinnen, sto de doarmjende sielen op: motten tsjin de ruten.’” (side 85)\nYn har gedichten en yn Ûntdekking fan ‘e wrâld referearret de skriuwster gauris oan (bgl.) wittenskippers, filosofen of keunstners. Yn Pauwehôf beheint se har ta in ferwizing nei it The Journals van Jacob Mandeville fan de Sweedske fotograaf Albin Biblon. It giet om in boek dat part útmakke fan in projekt dat tidens de fotomanifestaasje Noorderlicht 2001 útfierd waard yn it Natuurmuseum yn Grins. Yn foto’s, kollaazjes en deiboeken konstruearre Biblon de fiktive figuer Jacob Mandeville, in wrâldfrjemde natuerûndersiker dy’t fiksearre wie op ûndermear (mot)flinters en fossilen. Fossilen seach Mandeville as sûnders dy’t net yn ’e himel komme mar yn ferstienne foarm werom op ierde smiten wurde.\nDe fossilen en de motten fan Mandeville binne eleminten dy’t yn de krises dêr’t de bewenner fan Pauwehôf yn sit in wichtige rol spylje. Lykwols, wêrom’t Bernt no krekt oantangele sit mei dizze Jacob Mandeville en syn tinkwrâld wurdt nergens rjocht dúdlik. It is in psychologysk manko yn it boek dat der gjin relaasje lein wurdt tusken it (libbens)ferhaal fan Bernt en de striid dy’t er fiert as it giet om it meitsjen fan in kar foar de takomst en de syn striid mei de figuer Mandeville. It is yn dizzen nèt Bernt dy’t yntrigearre is troch The Journals of Jacob Mandeville, mar de skriuwster sels, dy’t sawol yn har proaza as yn har poëzy gauris mei nammen smyt, mar dy’t yn dit gefal de needsaak derfan ynhâldlik sjoen folslein net rjochtfeardigje kin.\nPsychologysk sjoen is der noch wat oars mis mei de wize wêrop’t Bernt delset wurdt. It is nammentlik ûnwierskynlik dat in man dy’t oan waantinkbylden lijt yn petearen mei syn freondinne, in freon út it ferline of de buorren, sa normaal as it mar kin reagearret. De skriuwster hat yn dizzen tefolle in skieding oanbrocht tusken de mominten wêrop’t Bernt allinne is en lêst hat fan syn wanen en de mominten wêrop’t er òèr syn swierrichheden mei Jacob Mandeville fertelt. Fan de paranoïde, psychoatysk oandwaande tinkwrâld dêr’t er yn sit, sipelt hielendal neat troch yn wat er tsjin de minsken om him hinne seit of yn wat er yn syn brieven skriuwt. Dat is net al te oannimlik: sa wurkje wanen net.\nOp in stuit – oan ’e ein fan it boek – giet Bernt werom nei syn freondinne. Dy hat him witte litten dat se swier is en dan is it boem-bats-plotsklaps dat it Bernt slagget ôf te rekkenjen mei Mandeville. ‘In bern!’, Bernt wurdt heit, alles goed, it ljocht is sjoen, Mandeville wurdt yn ‘e tún bedobbe en Pauwehôf ferlitten. De te rappe wize wêrop’t dizze ommekear ferrint, oertsjûget net hielendal.\nachtergrûn en kearn\nTroch stom tafal komme de buorren der oan de ein fan it boek achter wat it ferhaal is fan de nije bewenner fan Pauwehôf. In soad omtinken wurdt jûn oan relaasjeproblematyk, net allinne oan dy fan Bernt en syn freondinne, mar ek oan dy fan de minsken dy’t neist him wenje. As in reade tried rint har nijsgjirrigens nei Bernt troch harren ferhalen hinne. Dêrmei krijt it boek wat fan in detektive, ien dêr’t dan wol gjin moardner yn socht wurdt, mar dêr’t in rabberijke oer de nije buorman útkomst jaan moat. Wat him by de buorren ôfspilet is funksjoneel as it om it bleatlizzen giet fan it geheim fan Bernt, mar de fraach is yn hoefier’t de beskriuwings fan harren houliken en ferkearings op himsels bydrage ta it sintrale gegeven: wat is der mei Bernt oan ‘e hân.\nYn de earste haadstikken wurdt sa efterinoar in yntroduksje jûn fan Bo en Anne, Wilma en Bruno, Bernt en Diete, Chris en Daan, dêrnei folgje beskriuwings fan de kontakten tusken Wilma en Bernt, dan Bernt en Mandeville, Wilma en Bruno. Sa giet it, as yn in meganyske karrûsel, mar troch en – benammen yn de earste helte fan it boek – slagget it mar min om de oandacht der by te hâlden. Letteroan wurdt wol dúdlik dat de buorlju allegear fungearje as dekorstikken, mar de ôfwikseljende haadstikjes wurkje as los sân; de omballingen krije nei myn smaak tefolle omtinken yn ferhâlding ta de kearn fan it ferhaal.\nIt barren krijt syn beslach yn in koart tiidsbestek. Om’t de ûntwikkeling fan de karakters net in soad omtinken krije, is Pauwehôf in novelle – yn syn lingte telt it boek goed hûndert siden -, mar trochdat meardere konflikten in rol spylje hat it boek ek wat fan in roman. No boartet Van der Meer wol faker mei de foarm, sa is de bondel De stêd, it bist, de ingel in ‘balladeske’ en De ûntdekking fan ‘e wrâld in ‘ferhaleroman’, mar by Pauwehôf liedt it út ’e wei gean fan in dúdlike kar yn wat de skriuwster wol – en dat wie by har fierders treflike ‘ferhaleroman’ eins ek it gefal – ta in net alhiel slagge resultaat.\nAggie, wurdst hûndert, op syn minst\nFerrekte spitich, want der is net in soad literêr wurk dêr’t ik safolle wurdearring foar ha as dat fan Aggie van der Meer. Ik freegje my dan ek ôf wêr’t it oan leit dat dit wurkje it krekt net is. Hokker rol spilet de útjouwer hjir? Is der gjin redakteur dy’t kommentaar jout en him kritysk opstelt foar’t in publikaasje yn it ljocht brocht wurdt? Of is de eigensinnigens fan de skriuwster de oarsaak? Wêrom sa hastich?\nElske Schotanus by de Afûk (útjouwer en boekwinkel)\nop de literatuerside sirkwy.frl\nde Moanne (algemien-kultureel opinyblêd)\nEeltsje Hettinga (skriuwer)\n© 2018 Elske Schotanus


Upper leading edge for Prism Hypnotist (with ferrule) Prism Kites - Prism Kites\nBrand: Prism Kites. Reference 3362.\nFor the lower part of the leading edge, take a carbone tube with 5mm diameter (ref. 50825 that you will cut at the right length), with a split nock (ref. 347 or ref. 505).\nPrism Kites HYP-ULE\nhypnotist uppers leadings edges ferrules


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Category:Maison de Maurice Ravel (Ciboure) - Wikimedia Commons\nCategory:Maison de Maurice Ravel (Ciboure)\nThis building is inscrit au titre des Monuments Historiques. It is indexed in the Base Mérimée, a database of architectural heritage maintained by the French Ministry of Culture, under the reference PA00125257.\nMedia in category "Maison de Maurice Ravel (Ciboure)"\nCasa natal Ravel Ciboure.jpg\nCiboure - Maison natale Ravel.jpg\nCiboure maison natale de Maurice Ravel.jpg\nCiboure-Maison de Maurice Ravel.jpg\nFrance Aquitaine Pyrenees Atlantiques Ciboure 04.JPG\nRetrieved from "https://commons.wikimedia.org/w/index.php?title=Category:Maison_de_Maurice_Ravel_(Ciboure)&oldid=206538558"\tCategories: Monuments historiques in Pyrénées-Atlantiques (houses)CiboureMaurice RavelNon-topical/index: Base MériméeMonuments historiques in France by nameMonuments historiques inscritsMérimée with PA parameterCultural heritage monuments in France with known IDs\tNavigation menu\nEuskara\tEdit links\tThis page was last edited on 13 September 2016, at 19:25.


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Gaulin, Stephanie Jameer, Thara Junior Junior West Shore Sebastian River 20.32m DNF 6266' 886" 378' 11" 00244 -\n8. 3. Smith, Lydiah Fox, Kendra Junior Freshman Bayside Bayside 519.3491m DNF 63' 543" 581' 9" 9415 761\n9. 9. Pineda, Bianca Stiritz, Shianne Senior Freshman Bayside Sebastian River 018.1844m 4622.32m 59' 842" 832' 62" - -\n10. 13. Turner, Jhalin Smith, Lydiah Junior Senior Heritage Bayside 5017.64m 6422.942m 57' 1055" 43' 09" - 4\n11. 12. Clarke, Anyah Patterson, Ajah Junior Senior West Shore West Shore 3616.50m 4513.12m 54' 2" 51' 10" - -\n12. 2. Honaker, Piper Norris, Jadasia Junior Senior West Shore West Shore 15.8035m 223.6837m 51' 10" 73' 31" - -\n13. 2. Jameer, Thara Nathaniel, Jazzmin Freshman Junior Bayside Sebastian River 4513.12m 519.3491m 43' 09" 57' 1055" - 500\n14. 4. Owens, Tiffany Norris, Jadasia Senior Senior Bayside Bayside 939.921m 6422.942m 832' 62" 499' 540" - -\nFox, Kendra Jameer, Thara Senior Senior Viera West Shore DNF 939.921m 51' 10" - 500\n4. Scott, Alexys Stiritz, Shianne Senior Freshman Sebastian River Bayside DNF 018.1844m 6266' 886" - 500\n8. 10. Smith, Lydiah Owens, Tiffany Junior Freshman Bayside Bayside 3519.3424m 6617.64m 763' 55" 8732' 6" 167 -\n9. 9. Pineda, Bianca Honaker, Piper Senior Senior Bayside Bayside 2918.188m 3416.501m 59' 896" 8654' 229" - -\n10. 12. Turner, Jhalin Jameer, Thara Junior Junior Heritage West Shore 6617.64m 513.12m 57' 1083" 57' 1083" - -\n11. 12. Clarke, Anyah Pineda, Bianca Junior Junior West Shore Bayside 3416.501m 415.809m 8654' 229" 59' 896" - -\n12. Honaker, Piper Honaker, Piper Junior Senior West Shore Heritage 415.809m 2918.188m 51' 101" - 167\n13. 14. Jameer, Thara Smith, Lydiah Freshman Senior Bayside Bayside 513.12m 6617.64m 743' 00" 763' 55" - -\n14. 11. Owens, Tiffany Clarke, Anyah Senior Junior Bayside Bayside 69.9278m DNF 8732' 6" 57' 1083" - 167\n11. Fox, Kendra Honaker, Piper Senior Junior Viera Bayside DNF DNF 8732' 6" - -\n6. 1. 2. 4. Patterson, Ajah Norris, Jadasia Nathaniel, Jazzmin Norris, Jadasia Nathaniel, Jazzmin Senior Senior Senior Junior Senior Sebastian River West Shore Heritage Heritage Sebastian River 922.9488m 30.3036m 30.3036m 24.92m 24.92m 7378' 1115" 99' 51" 7378' 1115" 99' 51" 77' 818" 4640 10 4640 - 10\n5. 2. 7. 2. Norris, Jadasia Stiritz, Shianne Cummings, Yasmine Stiritz, Shianne Patterson, Ajah Senior Sophomore Junior Junior Senior West Shore Heritage Sebastian River West Shore Sebastian River 7422.32m 24.92m 5024.0685m 5024.0685m 23.68m 75' 329" 581' 9" 99' 51" 866' 8" 10 8 - 10 5\n2. 3. 6. 1. Minott, Mickielia Cummings, Yasmine Stiritz, Shianne Patterson, Ajah Gaulin, Stephanie Junior Freshman Junior Freshman Senior Sebastian River Sebastian River Heritage Heritage Heritage 24.92m 5024.0685m 7422.32m 24.92m 23.68m 75' 329" 7378' 1115" 99' 51" 7378' 1115" 866' 8" 5 1617 62 5 10\n5. 4. 5. 4. Nathaniel, Jazzmin Minott, Mickielia Cummings, Yasmine Cummings, Yasmine Norris, Jadasia Sophomore Senior Junior Junior Senior Sebastian River Heritage West Shore West Shore Sebastian River 20.32m 23.68m 7422.32m 7422.32m 30.3036m 77' 818" 77' 818" 873' 30" 866' 8" 77' 818" - 5 4640 431 8\n4. 5. 7. 3. 3. Cummings, Yasmine Nathaniel, Jazzmin Nathaniel, Jazzmin Patterson, Ajah Cummings, Yasmine Junior Junior Junior Junior Senior West Shore Sebastian River Sebastian River West Shore Heritage 30.3036m 922.9488m 30.3036m DNF 5024.0685m 99' 51" 75' 329" 7378' 1115" 873' 30" 1617 4640 8 1617 1617\n5. 6. 4. 5. 6. Minott, Mickielia Patterson, Ajah Stiritz, Shianne Cummings, Yasmine Nathaniel, Jazzmin Junior Junior Senior Senior Junior West Shore Sebastian River Sebastian River Sebastian River Sebastian River 922.9488m 7422.32m 5024.0685m 24.92m 30.3036m 75' 329" 873' 30" 99' 51" 77' 818" 8 431 5 1617 431\n7. 3. 5. 5. Patterson, Ajah Gaulin, Stephanie Cummings, Yasmine Cummings, Yasmine Nathaniel, Jazzmin Senior Junior Freshman Senior Senior Sebastian River West Shore West Shore Sebastian River Sebastian River 20.32m 20.32m 23.68m 23.68m 30.3036m 866' 8" 77' 818" 581' 9" 873' 30" 5 62 5 62 -\n1. Scott, Alexys Scott, Alexys Gaulin, Stephanie Patterson, Ajah Norris, Jadasia Senior Senior Sophomore Senior Freshman Sebastian River Sebastian River Sebastian River Sebastian River West Shore 20.32m DNF 5024.0685m DNF 5024.0685m 99' 51" 581' 9" 866' 8" 8 - - 431 1617\nGenerated 2021-1-20 18:53:34


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Minder kwaliteit yn Blitsaerd | Omrop Fryslân (advertinsje)\nMinder kwaliteit yn Blitsaerd 06 mrt 2013 - 00:39\n0 reaksjes B. en w. fan Ljouwert wol trochsette mei de plannen foar in kwaliteitsferleging fan de wenningbou yn de wyk Blitsaerd. Yn dy wyk moatte djoere huzen boud wurde sa as op oare plakken yn Ljouwert net mooglik is. Mar troch de krisis sit it projekt op in dea spoar en sakje de huzeprizen. De projektûntwikkelers yn it gebiet wolle dêrom graach dat de kwaliteitseasken foar de huzen ferlege wurde. Mar de bewenners sjogge dat net sitten. B. en w. sjocht de bou fan huzen mei in minder hege kwaliteit as stipe foar de bousektor.\nKorreksje meldeLês foarTrefwurden: LjouwerthuzenwenningbouBlitsaerdView the discussion thread.Diel dit berjocht op: 06-03Emoasjes boukontrakt De Jouwer 05-03Undersikers helpe fisk dyk oer Besjoch ek...\nPlysje hâldt betize man oan yn Ljouwert Hjoed, 9:14 In 60-jierrige betize Ljouwerter is freedtejûn oanhâlden troch de plysje. De man wie earst troch de nachtopfang wegere fanwege syn gedrach en gie... Cambuur mei 3-1 sneu ûnderút tsjin Jong Ajax Juster, 21:56 Cambuur gong freedtejûn op sneue wize ûnderút tsjin Jong Ajax. Yn Ljouwert waard it 3-1 foar de Amsterdammers. Cambuur kaam noch wol op... WoonFriesland wol 52 huzen op It Fean ferfange troch nijbou Juster, 15:28 Wenningkorporaasje WoonFriesland wol 52 huzen op It Hearrenfean slope en ferfange troch nijbou. It giet om jierren-sechstich-huzen oan de Tjerk... Plysje hellet betize frou út Van Harinxmakanaal Juster, 7:06 De plysje hat tongersdeitenacht by de Van Harinxmabrêge yn Ljouwert in betize frou út it wetter helle. De 31-jierrige frou út de stêd stie ta har... (advertinsje)


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Besykjen ta in analyze fan Piksjitten op Snyp\nDizze analyze haw ik benammen útfierd om sels wat greep op Josse de Haan syn nijste roman te krijen. Miskien kinne oaren der ek wat oan hawwe. It is myn doel net om resinsinten it gers foar de fuotten wei te meanen.\nDer binne trije persoanen dy't in promininte rol yn 'e roman spylje, de Grutsk, de Lytsk en ‘Ik’. Hoe ferhâlde dy har ta inoar? En wa is/binne de skriuwer(s)?\nOp side 299 skriuwt de Grutsk: ‘Oer de foarm wol ik noch net tefolle neitinke. Yn it begjin. Dat komt letter wol. De foarm sil him sels wol skriuwe.’ Op dat stuit is twatredde fan it boek ôf - fan ‘it begjin’ is hjir allang gjin sprake mear.\nIt leit dan ek net foar de hân om te ornearjen dat de Grutsk it hat oer de roman dy't yn 1999 ferskynd is mei it isbn-nûmer 90-6570-317-9. Ek al seit er op side 357 dat de titel fan syn roman ‘Piksjitten op Snyp’ wêze sil, hy moat op in oare roman doele.\nDe roman dy't de Grutsk yn 'e holle hat, sil bestean út 'e stikjes dêr't de Lytsk haadpersoan yn is. Dy teksten binne - alteast sa haw ik dat begrepen - troch de Grutsk skreaun. Fierders út noch in stikmannich teksten fan de Grutsk: petearen (ek oantsjut as ‘toanielstikjes’), fersen, dokuteksten, faksteksten. En nei alle gedachten soenen der noch folle mear teksten yn dat boek fan de Grutsk komme. ‘Ik’ - de oare skriuwer - seit teminsten dat it yn de Grutsk syn flet fol hinget mei allerhande kladsjes mei teksten dy't er útwurkje wol. Safier is it lykwols noait kommen.\nDe roman dy't foar ús leit, is de Grutsk de Urheber net fan. Alle teksten dy't er skreaun hat, binne der wol yn opnommen, mar dy meitsje mar goed de helte fan it geheel út. De lytste helte fan 'e tekst is net skreaun troch de Grutsk, mar troch in oare skriuwer/ferteller dy't ik mar Jos neame sil. It dwaan en litten fan de Grutsk wurdt ornaris yn 'e hy-foarm beskreaun, en dat hâldt ommers yn dat der boppe de Grutsk in oare ferteller stean moat. Boppedat, de haadstikken einigje mei in stik yn 'e ik-foarm fan de oare skriuwer, en dy stikken hat de Grutsk gjin weet fan.\nDer is dus in ferteller Jos, dy't in ferhaal fertelt oer de Grutsk, dy't in roman skriuwe wol. De Grutsk syn roman komt net ôf, en dat hindert neat. Mar Jos kin it him net permittearje dat s?n roman stykjen bliuwt. Hy moat der dêrom foar soargje dat er mei de stikken dy't de Grutsk skriuwt en mei de stikken dy't er sels oer de Grutsk skriuwt in geheel kriget dat befredigjend is. Oft dat slagge is, moatte de kritisy besjen.\nMar der is mear. Neist en tsjinoer de Grutsk set de ferteller Jos noch in oare skriuwer, te witten ‘Ik’. Dy ‘Ik’ is as skriuwer in parasyt: hy wol in roman skriuwe op grûn fan it materiaal fan de Grutsk en ek noch mei de Grutsk as haadpersoan. It wurdt sa foarsteld as binne de Grutsk en ‘Ik’ beide ôfkomstich út Snyp en as\nha se likernôch deselde oantinkens.\nIk freegje my ôf: moatte wy de Grutsk en ‘Ik’ beskôgje as lykweardige skeppingen fan ferteller Jos? Hawwe se as skriuwers deselde kreative fermogens? Binne de mannen oaninoar weage? Is ‘Ik’ net earder op te fetsjen as in ‘ferklaaiïng/fermaterialisearring’ fan 'e almachtige en alwittende ferteller Jos, bedoeld om syn eigentlike haadpersoan te kontrolearjen?\nKwa tekstoanpart is ‘Ik’ fansels lang net lykweardich oan de Grutsk, boppedat jout ‘Ik’ der oan 'e ein fan haadstik acht hookstrooks en sûnder deugdelike motiven de brui oan. It is krekt as hat Jos dy figuer fan ‘Ik’ skepen om in mooglikheid te hawwen om yn te gripen as it mei dizze roman drige mis te betearen. Oan 'e ein fan haadstik acht hat Jos grif safolle betrouwen yn 'e goede ôfrin dat er ‘Ik’ fuortskriuwt.\nDit is fansels mar understelling, ik kin wol finaal mis wêze.\nNochris werom nei side 299 dêr't de Grutsk beprakkesearret: ‘Oer de foarm wol ik noch net tefolle neitinke.’ Ferteller Jos hat it probleem fan 'e foarm dan allang oplost.\nElk haadstik hatyn grutte halen deselde opset: earst komt de Grutsk oan it wurd, dan de Lytsk en as lêste ‘Ik’. Haadstik trije hat dêrnei nochris stikjes de Grutsk en ‘Ik’ en yn haadstik njoggen mist it ‘Ik’-part. (Der komt ek nochris in psyk oan it wurd, mar dat kin neat skele.)\nFerteller Jos hat it wiswier net op it rammeljen fan 'e pels oankomme litten, de roman hat in trochtochte komposysje mei in parallelle haadstikopbou.\nDe parten fan 'e trije persoanen binne ornaris ûnderferdeeld yn lytsere tekstparten. By de Grutsk en ‘Ik’ is it tal fariabel, mar de Lytsk syn tekst bestiet yn elk haadstik út trije parten.\nDe teksten oer de Grutsk (ynklusyf de troch de Grutsk skreaune faksteksten, toanielstikjes ensfh.) beslagge 40 persint fan 'e totale tekst. De teksten fan de Lytsk beslagge 47 persint fan 'e tekst, dy fan ‘Ik’ mar 13. It is dúdlik dat ‘Ik’ in marzjinale figuer is. (Foar de goede oarder: ik haw de totale tekst op 460 siden begrutte, de noaten en it foarwurk haw ik net meirekkene.)\nAs helpmiddel foar it berekkenjen fan elk syn oanpart yn it geheel fan 'e tekst haw ik yn 'e ynhâldsopjefte G, L of I achter de haadstikjes set. It liket dan oft de Grutsk foar master opslacht yn dit boek. Der binne 27 L-parten, 25 I-parten, mar wol in 80 G-parten. De oarsaak hjirfan is, dat de teksten fan de Grutsk en fan ‘Ik’ folle mear ûnderferdeeld binne en dus per stik folle koarter. De stikken fan de Grutsk en fan ‘Ik’ binne trochinoar 2,3 siden lang, de stikken fan de Lytsk binne trochinoar 8 siden lang.\nIt is ferliedlik om dêr wer hypotezen oan te ferbinen. Bygelyks: by dy de L-stikken skreau Jos foar it faderlân wei en de stof streamde him oan, mar by de stikken fan de Grutsk en ‘Ik’ heakke it allegeduerigen en dan makke er mar wer in nij begjintsje.\nIn oare, grif steviger hypoteze is: de de L-stikken foarmje de rêchbonke fan 'e roman: 1. de L-stikken foarmje mei-inoar it grutste oanpart yn 'e tekst, 2. de L-stikken binne per stik fierwei it grutst, 3. de L-stikken komme tige regelmjittich - trije per haadstik - oan 'e oarder.\nIk haw de earste haadstikken krekt besjoen en de folgjende trochblêde. De konklúzje kin wêze dat, ôfsjoen fan in inkelde ôfwiking, de stân fan saken sa is:\nde Grutsk- en Ik-parten hawwe notiid\nde Lytsk-parten hawwe doetiid.\nNeffens Harald Weinrich hawwe no- en doetiid neat mei tiid noadich, mar wy brûke de notiid om de wrâld te besprekken en de doetiid brûke\nwy om de wrâld te fertellen.\nDe opfetting fan Weinrich haw ik altiten tige ferhelderjend fûn. Ik haw ienris in skripsje lêzen dy't yn 'e doetiid steld wie; neffens my wie dat tempus ûngaadlik om te analysearjen, de skripsje begûn út te skaaien nei in romantisearre ferslach. Oan 'e oare kant wit elk dy't wolris in roman yn 'e notiid skreaun hat, dat it in toer is om fuortgong en faasje yn it ferhaal te hâlden. De notiid is statysk, de doetiid is dynamysk.\nIt hert fan it proazaferhaal is de feroaring fan in tastân yn in oare tastân. Der wie ris en doe... Wêr't gjin feroaring is, is yn feite gjin ferhaal, mar is beskôging, betooch, eksklamaasje...\nDe tempuskar fan Jos befêstiget my nochris yn myn miening dat wy mei de de L-parten it wêzentlike, it sintrale fan 'e roman te pakken hawwe. Hjir wurdt ferteld, hjir is fuortgong, hjir bàrt wat. De G-parten en de I-parten binne sekundêre of ôflate teksten. Foar de ferteller Jos kinne se wol it alderwichtichste wêze, en foar in lêzer (besprekker) grif ek wol, mar struktureel sjoen binne se de twadderangs.\nMen kin it ek oars, en wat pesterich, sizze: de roman is yn essinsje in normale, ‘âlderwetske’ roman mei wat literêre kluchten der omhinne.\nFerteller Jos moat it folsleine oersjuch oer de proazawrâld hawwe, syn eachweid moat dat fan 'e alwittende ferteller wêze. Dy alwittendheid hie er by beskate personaazjes frijwillich beheine kinnen ta in personale fertelsitewaasje, mar dat docht er net. Hy hâldt de toutsjes yn hannen.\nOer ‘Ik’ kinne wy koart wêze. ‘Ik’ is òf in romanfiguer dy't fan Jos it rjocht krijt om sels it wurd te fieren, òf ‘Ik’ is in ferklaaiïng fan Jos.\nDe kar auktoriaal-personaal (of mear fan it iene of mear fan it oare) spilet by de Grutsk en de Lytsk Oer de Grutsk wurdt ferteld: ‘Hy is wat fuortgroeid út dat libben fan fersen, foarlêzen, ophakkerij, dranknachten en neukpartijen. Dy tiid leit achter him, sa't ek de perioaden fan in regulier houlik, in fêste baan en in foarskreaun wykliks ritme net mear besteane. De âlde doarpkes en de lytse stedsjes hat er ynwiksele foar in toerflet yn de Grutskstêd. Tolve heech mar leafst, kelders en garaazjes meirekkene sels fjirtjin etaazjes.’ (15) Dy opneaming is nei alle gedachten net fan 'e persoan sels, der is gjin reden om dat allegearre op dit stuit te tinken. It is hjir de auktoriale ferteller dy't de lêzer ynljochtet oer syn haadpersoan.\nNoch in foarbyld: ‘De Baarch wie omleech fallen sa't se dat yn Snyp sa aardich omskreaunen. De Lytsk tocht by dat wurd oan heel wat oars. Ut in beam kneppelje, fan de brêge yn de opfeart donderje of út it sweefbakje sile.’ (23). ‘sa't se dat yn Snyp sa aardich omskreaunen’ kin De Lytsk net tinke, hy wit nammentlik net dat it om byldspraak giet. Hy kin begripe dat De Baarch fallen is, miskien út in beam of fan 'e brêge. Mar hy kin net ‘oan heel wat oars’ tinke, hy wìt net dat it om wat oars giet. Wer heakket de alwittende ferteller ynformaasje ta oan it tinken en it belibjen fan 'e persoan.\nBy beide, De Grutsk en De Lytsk, wurdt de yndruk dat de personaazjes fan bûtenôf ynstee fan fan binnenút beskreaun wurde, befêstige troch it feit dat de ferteller syn susjetten net oantsjut as ‘hy’, mar as De Grutsk en De Lytsk. By de De Lytsk-parten wiist ek it taalgebrûk op in fertellende ynstânsje mei mear taalkennis as in lyts jonkje: ‘Dy wiene ek net daalk grutte foarbylden fan yntelliginsje’ (23); ‘Nettsjinsteande har earmoede die De Baarch oft se út gouden skalen iet.’ (23) - sa tinkt in lytse jonge net.\nHat Jos dan de ferkearde fertelsitewaasje keazen? Dat hinget ôf fan it doel dat er him steld hat. De auktoriale fertelsitewaasje hat foar, dat de ferteller de personaazjes better yn 'e hân hat en de lêzers mear stjoere kin yn har resepsje, de personale hat foar dat it personaazje folle selsstandiger en yndividueler nei foaren komme en dat de lêzer mear frijheid hat yn it selsstannich realisearjen fan it ferhaal. Dit is net in suvere opposysje, of sels helendal gjin opposysje, it is in kwestje fan mear en minder. By de auktoriale fertelsitewaasje hat de ferteller mear ynbring, by de personale de personaazjes en de lêzers.\nIk tink dat Jos út syn bedoeling mei dit boek wei goed keazen hat. Hy woe in boek skriuwe mei in fyzje, in boadskip en dan paste him in auktoriale fertelsitewaasje it bêste. Wat ik niis wat gekoanstekkerich beneamd haw as ‘literêre kluchten’, dat sil dochs wol ynterpretearre wurde moatte as de kearn fan it boek.\nNet allinnich de persoanen de Grutsk en de Lytsk hawwe gebrek oan bewegingsrûmte, dat hat de ferteller ek. Gewoanlik hat de auktoriale ferteller de mooglikheid om himsels in eigen lûd yn it ferhaal ta te eigenjen, wêrtroch't er syn personaazjes op in (lytse) distânsje besjen kin en de mooglikheid hat ta nuansearring, irony, of wat ek. Dat is hjir ek net it gefal. Ik sitearje de lêste rigels fan side 15: ‘Ek dy sin lêst er in pear kear. Hy knikt mei de holle. Prachtich eins. Yn dy trije sinnen leit in wrâld beskûle. In roman hast. Foldien leit er de pinne del. Dit is net gek nei in heale dei neitinken.’ As lêzer fyn ik dit earlik sein mar in skeamele risping. Mar ik fernim hjir gjin knypeachje fan 'e ferteller, dat ik moat wol konkludearje dat de ferteller dy sin ek prachtich fynt en dit as rispinge fan in heale dei neitinken wol de muoite wurdich achtet.\nPersonaazjes en ferteller sitte dus folslein fêst en se kinne gjin oare kant út as Jos wol. En dêrmei kin ek de lêzer gjin oare kant út as Jos wol. It is bûge of barste.\nNoch ien ding: trochdat Jos de toutsjes sa strak yn hannen hâldt, kinne de personaazies net ta yndividuele ûntploaiïng komme, haw ik mei oare wurden al sein. Foar de beide skriuwers, de Grutsk en ‘Ik’, hat dat as gefolch dat se net folle fan inoar ferskille. ‘Ik’ lit him der wol op foarstean dat er rasjoneler is as de Grutsk, mar yn de sêne wêryn't ‘Ik’ de Filippynske hoer as demonstraasjemateriaal brûkt by syn lessen, liket er as twa drippen wetter op de Grutsk - dy hie sokke kluchten ek útheve kinnen. ‘Ik’ bringt net echt in alternatyf oan yn dit boek, mar in werhelling. Ik sis net dat dat ferkeard is, ik tink dat Jos dat sa wollen hat.\nMar no bin ik ek oan 'e grins fan 'e krityk kommen, dat ik hâld op.


HOME » Rymsdyk, Jan van, fl. 1750-1788 (x) » Vandenhoeck, Abraham, widow of (x) » Lemercier, Benard (x) » Haincelain (x) » Illustrations of dissections : in a series of original coloured plates the size of life, representing the dissection of the human body, with descriptive letter-press ... /by George Viner Ellis and G.H. Ford (x) » Search results


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Darkness - Kohlhofer - WeeklyBeats.com\nWeeklyBeats.com / Music / Kohlhofer's music / Darkness\nBy Kohlhofer on December 10, 2016 3:32 am\nTags: electronic, op1, week 49 2016, View by:Kohlhofer\nGreat sounds here from the OP-1 from a fellow OP-1 user. How did you make the super warbly sound? (The second melody to appear)\n:'( Great sounds here from the OP-1 from a fellow OP-1 user. How did you make the super warbly sound? (The second melody to appear)\nThe fundamental one is a modified Cluster preset with arp (on hold so I can tweak it as it plays).\nIn a second pass I improvised the melody using another one of the new presets with slow and intense vibrato modulated by the envelope. I do not recall the synth engine but will check and update if it is still loaded.\nLove the new firmware and the new presets are eye opening.\nThe fundamental one is a modified Cluster preset with arp (on hold so I can tweak it as it plays). In a second pass I improvised the melody using another one of the new presets with slow and intense vibrato modulated by the envelope. I do not recall the synth engine but will check and update if it is still loaded. Love the new firmware and the new presets are eye opening.\njust lovely... nice piece of work.\n[quote=chiefthomson]just lovely... nice piece of work.[/quote] Thank you!


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