#3 Code 2.0 by Code 2.0 - issuu\n#3 — Automne 2011 — 0€\nSommaire Looking Glass\n3ÏBNÏOBHFNFOUEVUFSSJUPJSF 6MSJDI(FCFSU 3FCFDDB-BNBSDIF7BEFM\nRut $SFVTFSMFQBTTÏ "OO(VJMMBVNF "4UBUFPG'BNJMZ"êBJST .PTTIJO)BSSBLJ\n"SUDPOUFNQPSBJOFUDJOÏNB %FTG\tS JDUJPOTTDJFOUJëRVFT Off The Phone Looking Glass\nAnne Neukamp -\n4VSMFTHBSEFT Looking Glass  QBSAnne Neukamp tXXXBOFVLBNQDPN t"DUVBMJUÏRebound (BMFSJF$IF[7BMFOUJO 1BSJT  PDUPCSFOPWFNCSF &OQBHFT EFVYEFTTJOTEFMBTÏSJF3VU QBSLaurent Le Deunff $SBZPOTVSQBQJFS.PMFTLJOF ΉYDNDIBRVF $PVSUFTZ4FNJPTFHBMFSJF 1BSJT tΉXXXMBVSFOUMFEFVOêGSXXXTFNJPTFDPN\nHypothèseCode Magazine 2.0TFQBTTJPOOF BVUBOUQPVSMhÏDPMPHJFEFTQSBUJRVFTBSUJTUJRVFT RVFQPVSMFTVWSFTFMMFTNÐNFT6OFÏDPMPHJF RVJ QPVSDFUSPJTJÒNFOVNÏSP MPSHOFEVDÙUÏ EFT TDJFODFT EVSFT FU NPMMFT  EF MB CPUBOJRVF ËMhÏQJTUÏNPMPHJF EFMhBSDIÏPMPHJFËMBNÏUÏP SPMPHJF 4JMhBSUEJTTÒRVFMFQBSUJDVMJFSFUMBTDJFODF ThBQQMJRVF Ë EÏëOJS MF HÏOÏSBM  DPNNFOU MFT BSUJTUFT EÏQPTFOUJMT QSPEVDUJPOT OBUVSFMMFT FU 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t$PODFQUJPOHSBQIJRVFXXXDPEFGSJTLPCFUIPNBT!DPEFNBHB[JOFCFt$POUSJCVUFVST$BNJMMF "[BÕT :BOO%FTGPVHÒSFT 3FCFDDB-BNBSDIF7BEFM -BVSFOU-F%FVOê -F4JMP /FMMZ.BVSFM "OOF/FVLBNQ  %JPHP1JNFOUÍP 4JO[JBOB3BWJOJ "MB:PVOJTt$PVWFSUVSFQBS$PEFGSJTLPt5JSBHFFYFNQMBJSFTt*NQSJNFVS.BTTP[ -JÒHFt²EJUFVS "TTPDJBUJPO$PEF.BHB[JOF  SVFEF3PTOZ .POUSFVJMTPVT#PJT 'SBODFt$POUBDUDPEFNBHB[JOF!HNBJMDPNt-FTPQJOJPOT FYQSJNÏFTEBOTCode Magazine 2.0OFTPOUQBTOÏDFTTBJSFNFOUDFMMFTEFMhÏEJUFVS-FDPOUFOVEFTQVCMJDJUÏTSFMÒWFEFMBTFVMFSFTQPOTBCJMJUÏEFT BOOPODFVST"VDVOFQBSUJFEFDFUUFQVCMJDBUJPOOFQFVUÐUSFSFQSPEVJUFOJVUJMJTÏFTPVTRVFMRVFGPSNFRVFDFTPJUFUQBSBVDVOQSPDÏEÏ ÏMFDUSPOJRVF PVNÏDBOJRVF ZDPNQSJTMBQIPUPDPQJFFUMFTNJDSPëMNT TBOTMhBDDPSEÏDSJUEFMhÏEJUFVS5PVTESPJUTSÏTFSWÏTt3FNFSDJFNFOUTBVYBVUFVSTFUBVY BSUJTUFT ËMhBODJFOOFÏRVJQFEFCode Magazine #SVYFMMFT BVYBOOPODFVST BJOTJRVhË+FBO#BQUJTUF#FSOBEFU (JTÒMF#VTUPT +PIBOB$BSSJFS 4JMWJB ,BTLF (BMFSJF,MFNNT 4JNPO+BêSPU +FOT)BVTFS &NNBOVFMMF-BJOÏ (VJMMBVNF-BTTFSSF "OOF$BUIFSJOF-F-BZP ,BUJF.BTDBSP 3P[FOO1SBU  "VESFZ4DIBZFT 0XFO4UFXBSU 4UVEJP#FMWÏEÒSF\t.POUF$BSMP FUɨPNBT8ZOHBBSEt*44/thttp://codemagazine2.blogspot.com\ntCode Magazine 2.0FTUQBSUFOBJSFEFMBHBMFSJF$ISJTUPQIF/BUIBMJF%BWJFUɨÏSZXXXEBWJFUUIFSZDPN ®MBHBMFSJF KVTRVhBVPDUPCSF FYQPTJUJPOImportant Façade EF1BCMP#SPOTUFJO\nMFTUEFTÏQPRVFTPáMPOQFVUTFOUJS CJFO WFOVFT EFOPVWFMMFTCSJTFTTPVðFSTVSMFT IBCJUVEFT MFTDSPZBODFTFUMFTDFSUJUVEFT -BTDJFODF TBODUVBJSFEVOFGPJDPOUFN QPSBJOFQSPGBOF OFSÏTJTUFQBTEBWBOUBHF ËMÏQSFVWFEVUFNQTFUEVODFSUBJOEÏTB WFV-FTFYFNQMFTRVJWJFOOFOUFOUBDIFS MJDÙOFTDJFOUJëRVFTPOUMBSHFNFOUDPOOVTΉ EFT PSHBOJTNFT HÏOÏUJRVFNFOU NPEJëÏT Ë VOF QIZTJRVF OVDMÏBJSF QPVS MF NPJOT JODPOUSÙMÏF EFMBNBOJQVMBUJPOEFTDIJêSFT EVDIÙNBHFËMBGBMTJëDBUJPOEFEPOOÏFT $VMUF WPJSFWÏSJUBCMFEPHNF MFEPNBJOF TDJFOUJëRVF DPOOBÔU BVKPVSEIVJ MFT TPV CSFTBVUTBVRVFMUPVUTZTUÒNFPNOJQPUFOU\nTFYQPTFΉMFEPVUF MBSFNJTFFORVFTUJPO  MBEÏTJHOBUJPOEFTFTGBJMMJUFT -FT QIPUPHSBQIJFT E6MSJDI (FCFSU DPOWPRVFOU MFT UFSSBJOT FTDBSQÏT EF MB TDJFODF  TFT QBSBEJHNFT FU QPTUVMBUT  TPO TUBUVU BV TFJO EVOF TPDJÏUÏ BCSFVWÏF EF DIJêSFTFUEFEPOOÏFTPCKFDUJWFT EÏTJSFVTF RVFMMF TFNCMF EF QSÐDIFS MF CJFOGPOEÏ EVOjΉSÏFMTDJFOUJëRVFΉx4FOFNQBSBOU TDJFNNFOU SFQSFOBOUTFTDBOPOT 6MSJDI (FCFSU WJFOU TVCUJMFNFOU FO SÏWFJMMFS MFT BQQSPYJNBUJPOT  EÏGBJMMBODFT FU BVUSFT QÏSJMT  TPVMJHOBOU TFT MJNJUFT  SFMFWBOU TFT NBORVFNFOUT FU EÏTJHOBOU TFT QBSUT EPNCSF\n-JGF"NPOH#FBTUT#, 2009 Quatre tirages argentiques montés sur aluminium, 165 x 146 cm\n6MSJDI(FCFSUGBJUBJOTJQBSUJFEFDFT DSÏBUFVST EPOU MFT HBNNFT  MFT NPZFOT FUMFTëOTTFTPOUPVWFSUTËEBVUSFTEJTDJ QMJOFT ÏWBDVBOUMFTTMPHBOTEFMBSUQPVS MBSUFUEFMBSUQBSMBSU JOUÏHSBOUEBOTTFT SFDIFSDIFTMFTSÏBMJUÏTEBVUSFTDIBNQT-FT UFSSBJOT EÏUVEF TÏMBSHJTTFOU  TPSUFOU EFT EPNBJOFTSÏTFSWÏTEFMBSUJTUF FUGVJFOUEFT TZTUÒNFT BVUPSÏGÏSFOUJFMT GPODUJPOOBOU DPNNFRVFMRVFTCPOTNPUTQPVSJOJUJÏT EFMBTQIÒSFDVMUVSFMMF -B TÏSJF EFT Life Among Beasts FTU MF SÏTVMUBUEVOFQSBUJRVFPCTFTTJPOOFMMFEF MBSUJTUF TPJUMBDPMMFDUJPOEFUPVUFJNBHF SFQSÏTFOUBOU MIPNNF BV DPOUBDU EVO 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UÙUËEÏTJHOFSVODFSUBJOUZQFEÏOPODÏT\nEF SÏBMJUÏ 3FQSFOBOU MFT DBOPOT FTUIÏ UJRVFT TDJFOUJëRVFT  JM DIPJTJU EJOTUBMMFS TFT QIPUPHSBQIJFT FO HSBOET FOTFNCMFT NPSDFMÏT RVJNBUÏSJBMJTFOUMBGSBHNFOUB UJPOJOÏMVDUBCMFEFUPVUFTBJTJFEVSÏFM TPO BQQSPYJNBUJPOJOÏWJUBCMF $FUUF DPOTJEÏSBUJPO USPVWF UPVUF TB GPSDF EBOT MB TÏSJF jΉ "NFSJLBΉ x $FMMFDJ TJOUÏSFTTFBVUSBWBJMEFTNJHSBOUTEBOTMFT PSBOHFSJFTGFSUJMFTEFMBSÏHJPOEF7BMFODFFO &TQBHOF%BOTOPTKPVSOBVYFUBVUSFTTVQ QPSUTJOGPSNBUJGT EBOTMFTEJTDPVSTBWJTÏTEF OPTQPMJUJDJFOTFUBVUSFTTUBUJTUJRVFTEPDV NFOUÏFTEFOPTFYQFSUTFOìVYNJHSBUPJSFT  MFTSÏBMJUÏTEFDFUUFTJUVBUJPOTFYQSJNFOU EBOT UPVUF MBVUPSJUÏ EFT QPVSDFOUBHFT  CJMBOT QSÏWJTJPOOFMT FU PCKFDUJGT BOOVFMT %VODÙUÏ DFUUFTDJFODFEVDIJêSBHF VO TZTUÒNFNÏUSJRVFEV NJHSBOUFU EFMBVUSF  MFT QIPUPHSBQIJFT E6MSJDI(FCFSURVJ OPVTQMPOHFOUEBOT MVOJWFST jΉ WJTJCMFΉ x EF MB DPOEJUJPO EFT USBWBJMMFVSTBGSJDBJOT TVBOU QPVS MB GSBÔ DIFVSEFOPTPSBOHFT QSFTTÏFTjΉ"NFSJLBΉx SÏWÒMF BMPST MF IJB UVT FOUSF UIÏPSJF FU QSBUJRVF FOUSFMPC KFDUJWBUJPO DIJGGSÏF FU MB DPNQMFYJUÏ EV SÏFM -F SFHBSE EV\n IPUPHSBQIFBKPVUFVOTVQQMÏNFOUEÉNF Q ËMBQSÏDJTJPOEVUBCMFVS&YDFM %BVUSFT TÏSJFT QIPUPHSBQIJRVFT TPVMJHOFOU MF GBOBUJTNF QPVS MPSESF EF OPUSF ÏQPRVF  DFUUF QIPCJF DPOUFNQP SBJOF EF MJOEJDJCMF  DFUUF QBTTJPO QPVS MFTUIÏUJRVFFUMBSIÏUPSJRVFEVDPOUSÙMF Freischneider<jΉMFEÏCSPVTTBJMMFVSΉx>NFU GBDF Ë GBDF MB ëHVSF EF MIPNNF  DPJêÏ EVDBTRVFEFMBMVUUF FUMFGPVSSÏTBVWB HFNFOU EPNFTUJRVÏ /PO TBOT IVNPVS  DF WJTBHF  EÏUFSNJOÏ  TFNCMF DFMVJ EVO jΉÏRVBSSJTTFVSEVEÏTPSESFΉx RVJEPOOFËMB OBUVSFMFTGPSNFTBDDFQUÏFTFUBDDFQUBCMFT EFMBOPSNF$PNNFEBOTMBTÏSJFjΉ4BO 2VFOUJO 1PJOU x EF -FXJT #BMU[   TVSHJTTFOUJDJMFTHMPJSFTFUEÏQÏSJTTFNFOUT EFMBSFMBUJPORVFO USFUJFOU MIPNNF Ë TPOFOWJSPOOFNFOU  MFVST MVUUFT EF QPV WPJS QPVS JNQPTFS MFVS QSPQSF FTUIÏ UJRVF 1PVS MFT Typus  6MSJDI (FCFSU B QIPUPHSBQIJÏ EBOT EFTQBSDTCPUBOJRVFT BOHMBJT EFT BSCSFT EFTUJOÏT Ë EF QMVT FYPUJRVFTUSPQJRVFT  EÏQMBDÏT IPST EF MFVS FOWJSPOOFNFOU OBUVSFM -B TÏSJF\n'SFJTDIOFJEFS, 2004 Cinq photographies C-Print, 55 x 70 cm et 55 x 47 cm\n5ZQVT\t5BCMFBV , 2005 Six photographies C-Print et cartels taxonomiques, 170 x 150 cm\n5ZQVT\t5BCMFBV , 2005 Six photographies C-Print et cartels taxonomiques, 170 x 150 cm\nUÏNPJHOF BJOTJ EF MFYQBUSJBUJPO FU EF MB SÏBQQSPQSJBUJPOEFTFTQÒDFT EFMBTVQFS ëDJBMJUÏ FU EF MBSUJëDF EF DFT QBZTBHFT 0ODMBTTF PODPODSÏUJTF POPCKFDUJWF FU MBCFBVUÏDPMPSÏFEFTQIPUPHSBQIJFTOFO TPVMJHOFRVFEBWBOUBHFMBGSPJEFEJTTFDUJPO EFMFOWJSPOOFNFOUPQÏSÏFQBSMIPNNF -F TUZMF Eh6MSJDI (FCFSU SBQQFMMF TBOT DPOUFTUF MFTUIÏUJRVF EF M²DPMF EF %àTTFMEPSG  RVJ B GBJU EF MPCKFDUJWJUÏ QIPUPHSBQIJRVF TPO QSJODJQF EBDUJPO -F jΉ WFOJ WJEJ WJDJΉ x EF MB UZQPMPHJF  TJ DIFS BVY #FDIFS FU DPOTPSUT  TF SFUSPVWF EBOTDFUUFFTUIÏUJRVFBOBUPNJRVF EJTUBO DJÏF  OFVUSBMJTÏF -FT Typus SFQSPEVJTFOU FOFêFUEJêÏSFOUTUZQFTEFDPOJGÒSFTRVF MB CPUBOJRVF B UFOUÏ EFOSFHJTUSFS FU EF OPNNFS -BSUJTUF B EÏDFMÏ MFT EPVCMPOT FUMFTJNQSÏDJTJPOTEFDFUUFFOUSFQSJTFEF OPNFODMBUVSF EÏGBJMMBOUF  FO B UJSÏ VOF MJTUF EF OPNT JOWBMJEFT  QPVS SÏWÏMFS MFT QSÏUFOUJPOT EVOF TDJFODF Ë MB DMBTTJëDB UJPO-JOUÏSÐUQPVSMFQBZTBHF1 QPVSUPVU DFRVFMBOBUVSFPêSFEJOGPSNBUJPOTTVS MIPNNFDPOUFNQPSBJOFUMBNBOJÒSFBWFD MBRVFMMFJMTFSBDPOUFËUSBWFSTFMMF FTUBV DVSEVUSBWBJMEF(FCFSU*DJ JMSFQSFOE MFTVTBHFTEFMBUZQPMPHJFCPUBOJRVFFUFO TVHHÒSFMFTPVTUJUSFΉDFUUFQBTTJPOEVOF TPDJÏUÏQPVSMPSESFFUMFDPOUSÙMFDPOEVJU Ë MJOUSPOJTBUJPO EF DFSUBJOFT SBDFT FU Ë MFYDMVTJPOEBVUSFT -JOTUBMMBUJPO Beastly Buildings QPVS TVJUDFUUFJEÏF EÏWPJMBOU EBOTEFTDBHFT DIJOÏFT  EFT QBZTBHFT GJDUJGT EF [PPT FU BVUSFTKBSEJOTEFNVTÏFTEIJTUPJSFOBUV SFMMFNPEFMÏTQBSMBSUJTUF$FMVJDJSFQSFOE BJOTJMFTBSDIÏUZQFTEVDPOUSÙMFEFTGPSNFT EFMBGBVOFFUEFMBìPSF MFQSPEVJUEVOF QSBUJRVFEFMPSHBOJTBUJPOTZTUÏNBUJRVF /BSDJTTFT TBWBOUT  MFT JOEJWJEVT EFT TJOFOU EPOD VOF OBUVSF Ë MFVS JNBHF  QSBUJRVFOU MÏMBHBHF TÏWÒSFΉ PV MB UBJMMF EPVDF EPOOBOUËMFVSFOWJSPOOFNFOUMFT\n1 L’œuvre d’Ulrich Gebert n’est pas sans rappeler la pratique de Simone Nieweg (née en 1962), autre photographe dans le sillage des Becher. Ses travaux illustrent les relations ambivalentes entre l’homme\nGPSNFTEVOFDFSUBJOFJEÏPMPHJF%BOTMF USBWBJM E6MSJDI (FCFSU  MF SPNBOUJTNF FTU USBODIÏ BV WJGΉ  MB SFDIFSDIF EVOF IBSNPOJF PSJHJOFMMF o TJSVQFVTF o FOUSF MIPNNF FU MF DPTNPT B GBJU QMBDF Ë VO EÏDPSGPODUJPOOFM -B TÏSJF EFTΉ Soft Land  VO FOTFNCMF EJNBHFT DPMMFDUÏFT QBS MBSUJTUF  QSÏTFOUF EFT EÏUBJMT QIPUPHSBQIJRVFT Pá TF SFO DPOUSFOUFUTFDPOGSPOUFOUMIPNNFFUMB OBUVSF $F EFSOJFS Z EFNFVSF MB WBMFVS ÏUBMPO MFTZTUÒNFNÏUSJRVFWJTVFM MÏDIFMMF EBQQSÏDJBUJPO $PNNF TPVWFOU DIF[\net la nature, entre lieu d’appropriation ('JFME )ÊSUTGFME4DIXÊCJTDIF"MC, 2000) et zones d’abandon (1BUIXJUI 1VEEMFT .FFSCVTDI#àEFSJDI, 2001), apprivoisement et délaissement.\n4PGU-BOE 5BCMFBV , 2007 Cinq photographies C-Print, 150 x 127 cm 4PGU-BOEΉ\t5BCMFBV , 2007 Cinq photographies C-Print, 137 x 150 cm\n6MSJDI(FCFSU MFTJNBHFTTPOUEFMPSESFEF MBNÏUBQIPSF SBQQFMBOUJDJVOFDPODFQUJPO DPOUFNQPSBJOFEFMJOEJWJEVEPOUMJNQPS UBODF FU MB QMBDF EFQVJT MB 3FOBJTTBODF FU MF DPVSBOU IVNBOJTUF OPOU DFTTÏ EF DSPÔUSF4VSMBVUFMEFTBHMPJSF MIPNNF DPOUFNQPSBJOTFNCMFFODPSFTFDPNQBSFS ËUPVUFDIPTF FUTFQMBDFSEBOTMFEÏDPSEF TBTQMFOEFVSΉ\nJMTFDPOTUJUVFOPSNFVOJWFS TFMMF3BQQFMPOTOPVTMF7PZBHFS(PMEFO 3FDPSE  DFUUF ÏUPOOBOUF FYQÏSJFODF EF NÏHBMPNBOJF IVNBJOF FU TDJFOUJëRVF  MBODÏF FO  QBS MB /"4"  RVJ DSVU RVË EFT BOOÏFTMVNJÒSF EJNQSPCBCMFT DSÏBUVSFT  QBSMBOU DPVSBNNFOU MBOHMBJT  QPVSSBJFOUMJSFEFTJOGPSNBUJPOTFOSFHJT USÏFTTVSVOEJTRVFBMPSTEFSOJFSDSJ 6UJMJTFS MFT TUSBUÏHJFT FU MFT FTUIÏ UJRVFT TDJFOUJGJRVFT  SFQSFOESF MBEJUF PCKFDUJWJUÏ QPVS FO EÏNPOUSFS UPVUF MB GPSDF TVCKFDUJWF  UFMMF FTU MFOUSFQSJTF EF HSBOE EÏUPVSOFNFOU PQÏSÏF QBS 6MSJDI\n-BC3BUT\t$MFBSëFME , 2009 Détail de l’installation\n(FCFSU -VWSF Lab Rats QSÏTFOUF BJOTJ EFTNPEÒMFTEFHSBJOFTDPNNVOÏNFOUVUJ MJTÏTQPVSEJWFSTFTFYQÏSJFODFTHÏOÏUJRVFT $FT TDVMQUVSFT EFWJFOOFOU MFT FNCMÒNFT FUTZNCPMFTEVOKFVEBQQSFOUJTTPSDJFST EPOUPOOFQFVUBVKPVSEIVJFODPSFNFTV SFS MFT DPOTÏRVFODFTΉ  EFT UFDIOJRVFT FU NÏUIPEFT RVJ QFSNFUUFOU Ë MIPNNF EF NBOJQVMFS FU SFEFTTJOFS TPO FOWJSPOOF NFOU-FVSTUJUSFToChamp libre, Créateur de rendement, Lien de la liberté oBDIÒWFOU EFEÏTJHOFSMBWBDVJUÏEFDFUUFGPJDPOUFN QPSBJOFQPVSMFUPVUTDJFOUJëRVF-BSUJTUF TVHHÒSF JDJ MFT GBJMMFT EVOF QFOTÏF QPTJ UJWJTUF PVUSBODJÒSF RVJ FOUFOESBJU RVF MB TDJFODFDPOTUJUVFMVOJRVFBOUJEPUFEJTQP OJCMFDPOUSFOPTEJïDVMUÏT®MBNBOJÒSF EF,BSM1PQQFSRVJBïSNBJUMBOÏDFTTJUÏ EFMBSÏGVUBCJMJUÏEFUPVUFUIÏPSJFTDJFOUJ ëRVF SFMBUJWJTBOUBJOTJMJEÏFFUMFYJTUFODF EVOFWÏSJUÏBCTPMVF 6MSJDI(FCFSUOPVT FOHBHFËQFOTFSMFTMJNJUFTFUEÏGBJMMBODFT EVOTZTUÒNF FUFODPVSBHFOPUSFIÏSÏTJF FUOPUSFTDFQUJDJTNFGBDFËDFUUFQSÏUFOUJPO BV TBWPJS TPVWFSBJO  EPOU PO OF TBVSBJU PVCMJFS  RVJM FTU  DPNNF UPVUF DIPTF  BCTPMVNFOUSFMBUJGp\n-BC3BUT, 2009 Vitrine sur socle, matériaux mixtes, 145 x 160 x 35 cm\nRebecca Lamarche-Vadel tXXXLMFNNTCFSMJODPNFOVMSJDIHFCFSU\n#FBTUMZ#VJMEJOHT, 2009 Vue d’exposition, Klemm’ s, Berlin\nPour toutes les œuvres : courtesy de l'artiste et Klemm’ s, Berlin.\nDes précipités Yann Desfougères 3FQÏSÏ Ë M²DPMF EFT #BCBT1  JOUSJHVÏT QBS TPO EPTTJFS EF QSÏTFOUBUJPO EBOT MFRVFMJMÏDSJUWPVMPJSjSÏWÏMFSMuncannyQFSTJTUBOUFEVNPOEFFUEFTDIPTFTRVJ MFDPNQPTFOUBWFDMBQMPNCEVNBUÏSJBMJTUFx jQSÏGÏSFS.PSBOEJFUTFTPCKFUT GBNJMJFSTË%F$IJSJDPFUTFTNPOEFTJSSÏFMTxFURVFjMFTTBWPJSTFUMFVSTBDDÒT<y> GPOUOBÔUSFUPVKPVSTQMVTEFRVFTUJPOTRVFEFSÏQPOTFTx OPVTBWPOTSFODPOUSÏ :BOO%FTGPVHÒSFTQPVSQBSMFSEFTFTVWSFT EFMÏTPUÏSJTNF EFTTDJFODFTFUEF MFVSTSFQSÏTFOUBUJPOT%FTQSPQPTSBQQPSUÏTRVJ FVYBVTTJ TPVMÒWFSPOUQFVUÐUSF QMVTEFRVFTUJPOTRVFEFSÏQPOTFT j²UVEJFSBVY#FBVY"SUTGVUVODIPJY QBSEÏGBVU+FOFWPVMBJTQBTNFOGFSNFS EBOTVOFEJTDJQMJOF\nMFDVSTVTEBSUTQMBT UJRVFTTFTUJNQPTÏDPNNFVOFTQBDFEF MJCFSUÏFUVOSÏTFSWPJSEFNÏUIPEFTQPVS BQQSPDIFSOJNQPSUFRVFMTVKFU RVJMTPJU NBUIÏNBUJRVF  TDJFOUJëRVF PV MJUUÏSBJSF +FOBWBJTQBTVOJOUÏSÐUQBSUJDVMJFSQPVS MBSUPVMIJTUPJSFEFMBSU+BJTVSUPVUVO HPßUQPVSMÏQJTUÏNPMPHJF MBRVFTUJPOEV SBQQPSUBVTBWPJSFOHÏOÏSBMx j.BQSPEVDUJPOOFTUQBTGBJUFQPVS TJOTDSJSF a prioriEBOTMFDIBNQEFMBSU+F GBCSJRVFEBCPSEEFTiPCKFUTwQVJTKFWPJT Pá JMT QFVWFOU 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JOWJTJCMF Ă?WBOFTDFOUF RVFTFVMTMFUSBWBJM EJOUFSQSĂ?UBUJPOFUMFUBMFOUQĂ?EBHPHJRVF EFT BSDIĂ?PMPHVFT SFOEFOU BDDFTTJCMF BVY OPOTQĂ?DJBMJTUFT 1MVT RVF MB QSPEVDUJPO EFOPVWFMMFTGPSNFTBSUJTUJRVFT DFTPOUMFT QSPCMĂ?NBUJRVFTEFMBSFQSĂ?TFOUBUJPOFUEF\nĂ€ propos de cette image, lâ€™artiste cite les ÂŤÂ Crop CirclesÂ Âť, ces cercles qui apparaissent mystĂŠrieusement dans les champs et dont certains se plaisent Ă croire quâ€™ils sont le rĂŠsultat dâ€™une intervention extra-terrestre.\nMJOUFSQSĂ?UBUJPOEFMBSĂ?BMJUĂ?RVJGBTDJOFOU "OO(VJMMBVNF6OMBCPSBUPJSFĂŤDUJG CBQ UJTĂ?0("#"42 SFHSPVQFBMPSTMFOTFNCMF EFTFTSFDIFSDIFTTVSMBSUFUMBSDIĂ?PMPHJF\nPVSRVPJ DFUUF KFVOF BSUJTUF  OĂ?F FO  Ă‹ 1BSJT  SFDPVSUFMMF Ă‹ MBSDIĂ?P MPHJF QPVS BCPSEFS DFT RVFTUJPOT RVJ USBWFSTFOUMBSHFNFOUMIJTUPJSFEFMBDSĂ?B UJPOBSUJTUJRVF "OO(VJMMBVNFMFYQMJRVF USĂ’T TJNQMFNFOU *M TBHJU EVO VOJWFST GBNJMJFS RVFMMF DPOOBĂ”U QBS TFT QBSFOUT  UPVT EFVY BSDIĂ?PMPHVFT5PVU FO SFTUBOU\nDans le systĂ¨me ĂŠlaborĂŠ par Marcel Loquin, chercheur en mycologie et linguiste audacieux, ÂŤÂ Og Ab AsÂ ÂťÂ signifierait ÂŤÂ jâ€™aime tailler les outilsÂ Âť. 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UFMMFTJUVBUJPOJNQMJRVFΉ PVCMJÏTEFQVJTEFTTJÒDMFT  QVJTCSJÒWFNFOUFYIVNÏT BWBOU EÐUSF EÏUSVJUT  DFT WFTUJHFT OFYJTUFOU QMVT RVF QBS MB USBDF RVFO HBSEFOU MFT BSDIÏPMPHVFT\nCi-dessus et page suivante 2VBMFT-BQJEFT2VBMFTTUSVDUVSBF, 2009 Dessin préparatoire et impression sur PVC, 297 x 233 cm\n®.FU[ FMMFFYQPTFBJOTJBVY(BMFSJFT -BGBZFUUFVOFSFQSPEVDUJPOEVOGSBHNFOU EFNVSEFMBNQIJUIÏÉUSF EÏëOJUJWFNFOU FOGPVJBVNPNFOUEFMBDPOTUSVDUJPOEV $FOUSF1PNQJEPV.FU[\tQuales Lapides/ Quales Structurae %FTTJOÏTVSVOFQMBRVF EF17$DJSDVMBJSFQPTÏFËNÐNFMFTPM MF WFTUJHFFTUBTTF[CSVUBMFNFOUTPVNJTBVY MPJT EF MB QFSTQFDUJWF  MBSUJTUF QBSMF EF jΉSBDDPVSDJΉx DFNPSDFBVEFCSBWPVSFEF MBQFJOUVSFJMMVTJPOOJTUFRVJSFQSÏTFOUFVO DPSQTPVVOPCKFUEFQVJTVOQPJOUEFWVF JOTPMJUF'BJSFBJOTJSFWJWSFTPVTVOFGPSNF DPOUFNQPSBJOFVOWFTUJHFEVQBTTÏFUMF SÏJOUÏHSFSEBOTVOMJFVËMJOUFOTFBDUJWJUÏ  DPNNF MÏUBJFOU MFT BNQIJUIÏÉUSFT  DFTU VOFGBÎPOEFGBJSFVOjΉSBDDPVSDJΉxUFNQPSFM FUEFTBVUFSQBSEFTTVTMFTNJMMJFSTEBOOÏFT RVJ TÏQBSFOU MFT BQQBSJUJPOT EF DF CPVU EF NVS &U EF TPVMJHOFS MB QFSNBOFODF EF DFSUBJOFT BDUJWJUÏT IVNBJOFT  DPNNF DFMMFEFTFSÏVOJSFOGPVMFEBOTEFTMJFVY EFEJWFSUJTTFNFOUFUEFDPOTPNNBUJPO\n53"/4104&3  53"%6*3& $01*&3\nBOTMBOPVWFMMFPierre Ménard, auteur du QuichotteΉ EF TFT Fictions  +PSHF -VJT#PSHFTJNBHJOFVOQFSTPOOBHFEÏDSJ WBJOGSBOÎBJTEV99eTJÒDMFTBUUFMBOUËMB UÉDIFJNQPTTJCMFEÏDSJSFMVJNÐNF FUJOUÏ HSBMFNFOU MFDon QuichotteEF$FSWBOUÒT $FUFYUF EÏUBJMMBOUBWFDIVNPVSMFTFêPSUT EFMJOUFMMFDUVFMQPVSTBQQSPQSJFSMFDIFG EVWSFEV97**eTJÒDMFFTQBHOPM QSPQPTF QBSMFCJBJTEFMBëDUJPOFUEFMJSPOJFVOF SÏìFYJPOTVSMBOPUJPOEBVUFVSΉRVFTJHOJ ëFSBJUMFDon Quichotte TJMÏUBJUÏDSJUEBOT MFTBOOÏFT QBSVOBVUFVSOÏDSJWBOU QBTEBOTTBMBOHVF NBJTEBOTVOFTQBHOPM BSDIBÕTBOUΉ 0OSFUSPVWFDIF["OO(VJMMBVNFDFUUF NÐNFSÏìFYJPORéplique Bis DPOTJTUFFO MB KVYUBQPTJUJPO EF EFVY BSUFGBDUTΉ  MB SÏQMJRVF QSPEVJUF QBS MB CPVUJRVF EV -PVWSF EVO DIFWBM TDVMQUÏ Ë MÏQPRVF\nNBHEBMÏOJFOOF  MF NÐNF DIFWBM SÏBMJTÏ FOUFSSFDVJUFQBSMBSUJTUF DPQJFEFDPQJF  JNJUBUJPO EF MB OBUVSF TÏUBOU USPNQÏF o EFVY GPJT o EPSJHJOBM $FUUF EÏNBSDIF EBQQSPQSJBUJPO  DPNNVOF Ë EF OPN CSFVYBSUJTUFTDPOUFNQPSBJOT WJTFJDJVO PCKFUTBOTBVUFVSJEFOUJëÏOJ TBOTEPVUF  BNCJUJPOBSUJTUJRVFUFMMFRVFOPVTMFOUFO EPOTBVKPVSEIVJ%SÙMFEFQMBHJBUΉ -B GBCSJDBUJPO EF GBVY FTU VO UIÒNF RVJUSBWFSTFUPVUFMIJTUPJSFEFMBSDIÏPMP HJFΉEFTGBVYTJUFTQSÏIJTUPSJRVFT\t(MP[FM1  BVYSÏQMJRVFTEFYQPTJUJPO FOQBTTBOUQBS MFTCMBHVFTFOUSFBSDIÏPMPHVFT\tHMJTTFSVO GBVY WFTUJHF EBOT MF DIBOUJFS EF GPVJMMFT EVO DPMMÒHVF  DFSUBJOT PCKFUT DIBOHFOU QMVTJFVSTGPJTEFTUBUVU BVHSÏEFTFYQFS\n3ÏQMJRVFCJT, 2011 Moulage en résine et moulage en argile, 15 x 6 cm chaque\nUJTFTFUDPOUSFFYQFSUJTFT$FRVFTFNCMF WPVMPJSNFUUSFFOBWBOU"OO(VJMMBVNF EBOT DFSUBJOFT EF TFT VWSFT  DFTU DFUUF IÏTJUBUJPO  DF NPNFOU EF EPVUF RVBOU ËMBOBUVSFEFMPCKFURVFMPOBTPVTMFT ZFVY jΉ +BJNFSBJT HMJTTFS NFT PCKFUT FO UFSSF DVJUF EBOT MFT WJUSJOFT EVO NVTÏF EBOUJRVJUÏTΉx6OFQBSUJFJNQPSUBOUFEF TPOUSBWBJMSFMÒWFBJOTJEFMBUFDIOJRVFEV NPVMBHF DPNNVOFBVYBSDIÏPMPHVFTFU BVYGBVTTBJSFT 2VVOPCKFUOFTPJUQBTBVUIFOUJRVF OFTJHOJëFQBTRVJMFTUEÏOVÏEFUPVUJOUÏ SÐU $BQSJDF DPOUFNQPSBJO  TPO Cartel FTU VOF QFUJUF QMBRVF EF QJFSSF HSBWÏF  JTTVF EF MB GBOUBJTJF EF MBSUJTUF &MMF Z B BTTPDJÏVODBSUFMEFNVTÏFEÏDSJWBOUEFT jΉ DPSCFBVYΉ x  ÏMÏNFOUT EBSDIJUFDUVSF  FU\nGlozel est un site de vestiges devenu célèbre en 1924 lorsqu’y fut mis au jour un ensemble d’objets. Attribués dans un premier temps à une époque préhistorique, leur datation, voire leur authenticité, furent rapidement contestées (Source : Wikipedia).\n.JSBHF 2000, 2011 Tirage sur papier, format variable\nMFT TJMIPVFUUFT EF DPSCFBVY HSBWÏT TVS VOF TUÒMF GVOÏSBJSF FYQPTÏFËQSPYJNJUÏ 'SBQQÏF QBS DFUUF DPSSFTQPOEBODF FMMF TFEFNBOEFTJMTBHJU EVOIBTBSEFUDIPJTJU EFDSÏFSVOPCKFUëD UJPOOFM  GBVTTFNFOU BODSÏEBOTVOFUSBEJ UJPOJNBHJOBJSF®MB NBOJÒSF EF $BNJMMF )FOSPU KVYUBQPTBOU EBOT TPO GJMN Le Songe de Poliphile   EFT JNBHFT MJÏFT Ë MB GJHVSF EV TFSQFOU EBOT MFT DVMUVSFT PDDJEFOUBMF FU JOEJFOOF "OO(VJMMBVNFÏWPRVFMBQPTTJ CJMJUÏRVFDFSUBJOTNZUIFT HFTUFTPVNPUJGT SÏBQQBSBJTTFOUËEFTÏQPRVFTFUEBOTEFT DJWJMJTBUJPOTEJêÏSFOUFT\nOTBQQVZBOUTVSMFTSFDIFSDIFTE"CZ 8BSCVSH "OO(VJMMBVNFNFUFOQMBDF VOFWJTJPODPNQMFYFEFMBQFSNBOFODFEF DFSUBJOFTGPSNFT$FUIJTUPSJFOEFMBSUBUZ QJRVF OÏËMBëOEV9*9eTJÒDMFFUJOUFSOÏ ËMBëOEFTBWJFËDBVTFEFHSBWFTDSJTFT EF QBSBOPÕB  B EÏWFMPQQÏ MF DPODFQU EF jΉTVSWJWBODFTΉx TPJUMF GBJU RVVOF JNBHF  Ë EJGGÏSFOUT NPNFOUT EF MIJTUPJSF  QBSGPJT TÏQBSÏTQBSEFTTJÒDMFT  SFWJFOOF Ë MB WJF FU SFQSFOOFTFOTBVTFJO EVOF BVUSF DVMUVSF $PNNFOUVOFJNBHF TF USBOTNFUFMMF  TVS WJUFMMFEVOFÏQPRVF ËMBVUSFΉ\n5SÒT JOGMVFODÏF QBS DFUUF GBÎPO EFOWJ TBHFS MIJTUPJSF EFT GPSNFTBSUJTUJRVFT FU OPUBNNFOU QBS MF MJFO GPSU RVFMMF JOT UBVSFFOUSFNPEFSOJUÏ FU BSDIBÕTNF  "OO (VJMMBVNF EÏDJEF  FO EFQBSUJSBV /PVWFBV .FYJRVF TVS MFT USBDFT E"CZ 8BSCVSH RVJÏUVEJB VOFQBSUJFEFTBWJFMFT JOEJFOT)PQJVoyage vers les Survivances FTUVOFWJEÏPRVJFOWJTBHFMFTEJêÏSFOUFT DPVDIFT UFNQPSFMMFT BHHMPNÏSÏFT QBS MF TJUFFORVFTUJPO&OUFOUBOUEFSFUSPVWFS EBOTDFWJMMBHFTBOTÉHFMFDPJOEFNBJTPO FOQJFSSFBVQJFEEVRVFMMIJTUPSJFOBÏUÏ QIPUPHSBQIJÏ FO   "OO (VJMMBVNF DPOWPRVFËMBGPJTMFUFNQTIJTUPSJRVFEFDFU ÏQJTPEF MBQÏSJPEFBOUJRVFEPOUTFNCMFOU ÐUSFJTTVFTDFTNBJTPOT MFTSBSFTIBCJUBOUT RVJ Z WJWFOU FODPSF EBOT VO JTPMFNFOU FYUSÐNF BJOTJRVFMFUFNQTEFTPOQSPQSF WPZBHF DFMVJEVOFRVÐUFQFSTPOOFMMF EF MB OBJTTBODF EVOF WPDBUJPO $IF[ "CZ 8BSCVSHDPNNFDIF["OO(VJMMBVNF MFT QMVTHSBOEFTEÏDPVWFSUFTTFNCMFOUSÏTJEFS EBOTMJEÏFRVFMFUFNQTOFTUQBTMJOÏBJSF  NBJT RVJM QFVU GPSNFS EFT DPVSCFT RVJ WJFOOFOUTFDSPJTFS\nDétail de $BSUFM, 2010 Pierre de Jaumont gravée, 40 x 40 cm\n$ F U U F  W J T J P O EV UFNQT GBJUF EF DPVDIFT BDDVNVMÏFT  "OO (VJMMBVNF MB EPJUFODPSFVOFGPJTË MBSDIÏPMPHJF NÐNFΉ  MPSTRVF MFT BSDIÏPMP HVFTGPVJMMFOUMFTTPMT  JMTDPOOBJTTFOUMFTQSP GPOEFVSTBVYRVFMMFTJMT\n*ODFOEJF, 2011 Feuilles A4 de couleur, 21 x 29,7 x 30 cm L’œuvre illustre le phénomène de stratigraphie. Les couleurs représentées sont relatives aux sédiments des couches terrestres (humus, terre noire, couche de démolition, couche d’incendie et sol géologique) du Châtel Saint-Germain.\nEPJWFOU DSFVTFS TFMPO MF UZQFEFWFTUJHFTSFDIFSDIÏT "OO(VJMMBVNFQBSMFËDF QSPQPT EF jΉ UFNQPSBMJUÏ WFSUJDBMFΉ x .BJT DFTU MPSTRVFDFUUFUFNQPSBMJUÏ FTUCPVMFWFSTÏF BVIBTBSEEFTBDDJEFOUTHÏP MPHJRVFT RVFMMFJOUÏSFTTFQBSUJDVMJÒSFNFOU MBSUJTUF RVJZWPJUCJFOQMVTRVVOTJNQMF DBTTFUÐUFQPVSMFTTDJFOUJëRVFT-JEÏFRVF MFTTPMTQVJTTFOUÐUSFSFHBSEÏTDPNNFEFT TÏEJNFOUBUJPOTEVUFNQTQBTTÏGPOEFTB WJTJPOEVOFUFNQPSBMJUÏDPODSÒUF QIZTJRVF  JODBSOÏFEBOTMBNBUJÒSF"OO(VJMMBVNF OJOWFOUFQBTEFOPVWFMMFTJNBHFT FMMFMFT\nAby Warburg, Nouveau Mexique, vers 1896\nSFUSPVWF FO DSFVTBOU MF QBTTÏ4BOTEPVUF MFGBJU RVFMBSDIÏPMPHJFTPJUVOF IJTUPJSFGBNJMJBMFOFTUQBT GPSUVJU  MF QBTTÏ RVFMMF DIFSDIFËGBJSFSFNPOUFS ËMBTVSGBDFFTUÏHBMFNFOUVOFIJTUPJSFQFS TPOOFMMF VOFBSDIÏPMPHJFJOUJNFp Camille Azaïs tIUUQBOOHVJMMBVNFCMPHTQPUDPN t"DUVBMJUÏMètre carré (BMFSJF+FVOFDSÏBUJPO  KVTRVhBVOPWFNCSF XXXKFVOFDSFBUJPOPSH\n7PZBHFWFSTMFT4VSWJWBODFT, 2010 Vidéo HD, 11’50\nSalammbô-Schreber DE Benjamin Swaim 15 octobre-19 novembre 2011\nGalerie Jean Brolly 16, rue de Montmorency 75003 Paris - France www.jeanbrolly.com galbrolly@wanadoo.fr Ouvert du mardi au samedi, de 11h à 19h Salammbô-Schreber, 2010, huile sur toile, 240 x 147 cm\nFor all images: 1SPCMFNOP, 2010-2011 Drawings, variable dimensions, and video, 2â€™48 Courtesy de lâ€™artiste Photo: AurĂŠlien Mole\n1SPCMFNOP was part of 0VUSFNFTVSFT FUQSPHSBNNFTSBEJP, an exhibition curated by Ala Younis for La Galerie, Centre dâ€™art contemporain, Noisy-Le-Sec, 2011\nA State of Family Affairs Mohssin Harraki *\nn Problem no. 5  .PITTJO )BSSBLJ DSFBUFTESBXJOHTPGGBNJMZUSFFT USBDJOH UIFHFOFBMPHZPG"SBCSVMJOHGBNJMJFTɨF QSPKFDU DPOTJEFSFECZUIFBSUJTUBTBXPSL JO QSPHSFTT  SFTVMUT GSPN SFTFBSDI JOUP UIF EZOBNJDT PG TVDDFTTJPO  HPWFSOBODF  BOE JOIFSJUBODF PG QPXFS ɨF BNPVOU PGMFHJUJNBDZDPOGFSSFEUPBDFSUBJOOBNF XJUIJO B GBNJMZ USFF PGUFO EFQFOEFE PO UIFBNPVOUPGBVUIPSJUZUIFOBNFIPMEFS IBEEVSJOHIJTMJGF*UJTWFSZDPNNPOGPS GBNJMJFT UP ESPQ UIF OBNFT PG TPNF PG UIFJSTPOTBOENPTUPGUIFJSEBVHIUFST XIFOUIFZGBJMUPTFSWFUIFGBNJMZTIJTUPSZ\nTUVEZJOHMPDBMBOESFHJPOBMUFYUTQSPEVDFE JO UIF XBLF PG B OFXMZ GPVOE TFOTF PG "SBCOBUJPOBMJTN FYUFOTJWFMJUFSBUVSFUIBU TIBQFEUIFDPMMFDUJWFDPOTDJPVTOFTT*UJT QPTTJCMFUIBU Problem no. 5FNFSHFTGSPN BHFPTPDJPQPMJUJDBMZFBSOJOHGPSBOJEFPM PHZJOTIBSQDPOUSBTUXJUIUIFDPODFQUPG EZOBTUJDSVMF *OUIF"SBCDVMUVSFUIFSFJTBGBNPVT GBNJMZ USFF *U TUBSUT XJUI "EBN BOE CSBODIFTPVUUPJOEJDBUFUIFSFMBUJPOTIJQT CFUXFFO BMM UIF QSPQIFUT  CFGPSF DMPTJOH XJUI UIF MBTU PG QSPQIFUT .PIBNNBE\n)BSSBLJXBTCPSOJO.PSPDDPJO )FHSBEVBUFEGSPNUIF*OTUJUVUOBUJPOBM EFT#FBVY"SUT 5ÏUPVBO BOEFBSOFEBO .'" BU UIF ²DPMF OBUJPOBMF TVQÏSJFVSF EFT #FBVY"SUT  %JKPO 6QPO SFUVSOJOH UP .PSPDDP  IF EFWFMPQFE BO JOUFSFTU JO QPTUJOEFQFOEFODF IJTUPSZ )F CFHBO\n1#6) 1 5IJT JT UIF GBNJMZ USFF par excellence  BOE BO FYBNQMF PG UIF FYUFOU PG CSBODIJOH PVU  EFQFOEJOH VTVBMMZ PO UIF QSPNJOFODF PG B DFSUBJO CMPPEMJOF &WFSZSVMJOHGBNJMZUBLFTPCTFTTJWFQSJEF JOSFDPSEJOHJUTMJOFBHFÉ¨FTFTFFNJOHMZ FOEMFTT TDSPMMT PG SVMJOH EZOBTUJFT  XIFO FYBNJOFEBHBJOTUUIFCBDLESPQPGNPTUMZ FWFOHPWFSONFOUT TFSWFBTRVJDLJMMVTUSB UJPOTPGUPUBMJUBSJBOTUBHOBODZ2 É¨FTPDJBMJOKVTUJDFTSFTVMUJOHGSPNUIJT TZTUFNBUJDJOIFSJUBODFPGQPXFSFWFOUVBMMZ MFE UP UIF  SFWPMVUJPOT BSPVOE UIF "SBC XPSME "U UIBU QPJOU  )BSSBLJ IBE KVTUĂŤOJTIFEIJTTFSJFTPGJMMVTUSBUJPOTBOE WJEFPUPCFUJUMFEProblem no. 5 É¨FWJEFPGFBUVSFTUIFBSUJTUTDSJCCMJOH BQSPCMFN)FJTJOUFSSPHBUJOHUIFWBMVFPG 9 POBCMBDLCPBSEÉ¨FFRVBUJPOTUBSUT XJUI\t" XIJDIJTCSPLFOEPXOUP\t"  " BOE\t" BOEUIFOGSPNUIFSFUP\t#  BOETPPO"OJOĂŤOJUFTFSJFTPGMFUUFSTBOE WBSJBCMFTDPNQMJDBUFTUIFQSPCMFN XIJDI\nJT JOJUJBMMZ B QFSTPOBM ĂŤOBODJBM QSPCMFN QFSUBJOJOH UP UIF BSUJTUT VONBOBHFBCMF MJWJOH DPTUT EVSJOH IJT TUBZ JO 'SBODF )BSSBLJTiQSPCMFNwDPVMECFBOBMPHPVTUP UIF.PSPDDBOTPDJPQPMJUJDJBO"M.BIEJ #JO#BSBLBTXPSL#BDLJOUIFT #BSBLB BSHVFEUIBUUIFSFWFOVFGSPNUIFTBMFTPG QIPTQIBUFJO.PSPDDPDPVMEQSPWJEFFBDI DJUJ[FOXJUI%JSIBNTQFSEBZ.BIEJ "M.BOKBSB  UIF TDIPMBS PG GVUVSJTUJD .PSPDDBOTUVEJFT EFTDSJCFTUIF.PSPDDBO NPOBSDIZBTCFJOHBOVOTPMWBCMFFRVBUJPO É¨F KVTUJĂŤDBUJPO PG BVUIPSJUZ BOE HPWFS OBODFJOUIFOBNFPGFDPOPNJDT QPMJUJDT PSSFMJHJPOBSFBUUIFDPSFPGDVSSFOUFWFOUT 8IFO UIF CBMBODF JT DPOTUBOUMZ TIJGUJOH CFUXFFO QBVQFS BOE SPZBM  TFMGBTTJHOFE BOE FMFDUFE  TJHOJĂŤFS BOE TJHOJĂŤFE  UIF QSPCMFNEPFTJOEFFECFDPNFBOVOTPMW BCMFFRVBUJPOp\nThe last five names in the Hijazi â€œQuraishâ€? genealogy are those of the kings of Jordan. King Fuad I of Egypt, whose family tree is illustrated using the real portraits of his sons, daughters, and wives, is also the grandchild of Mohammad Ali Basha, the Albanian\nAla Younis tXXXNPITTJOIBSSBLJDPN\nwarrior who ruled Ottoman Egypt following the French Campaign in 1801. Along with his dynasty, he has ruled over ten generations of wÄ lis, khedives, sultans, and kings. The family was finally dethroned by the 1952 Egyptian army-led coup dâ€™ĂŠtat.\nArt contemporain et cinéma 'HVI\nU LFWLRQVVFLHQWL¿TXHV "V DBSSFGPVS EV DJOÏNB FU EF MBSU DPOUFNQPSBJO  EFT QSPQPTJUJPOT ëMNJRVFT SFKPVFOU MFT WJFJMMFT PQQPTJUJPOT FOUSF TDJFODF FU ëDUJPO  QPVS OF TVSUPVU QBT USBODIFS4JMBTDJFODFTFTUIJTUPSJRVFNFOUDPOTUJUVÏFFOTFSÐWBOUBVUPOPNFEF UPVUFEÏNBSDIFëDUJPOOFMMF EFTDSÏBUFVSTFUQFOTFVSTUSBWBJMMFOUBVKPVSEIVJË SFOPVFSEFTDIBNQTMPOHUFNQTDPOTJEÏSÏTDPNNFDPOUSBJSFT1 %BOTMFTëMNTSFUFOVTJDJ MFOSFHJTUSFNFOUEVSÏFMGSÙMFDPOTUBNNFOUMBNJTFFO SÏDJUΉMFTJNBHFTFONPVWFNFOU EBOTMFVSVTBHFMFNPJOTDPOWFOUJPOOFM TÒNFOUVO EPVUFRVFMFTBSUJTUFTQMBDFOUBVDFOUSFEFMFVSTEÏNBSDIFT4JjΉMFTBWPJSOFTZUSPVWF QBTFOMJFVTßSΉx2 JMGBVUZWPJSVOHBHFEÏMBSHJTTFNFOUFUEFNCBSEÏFTGPSNFMMFT 1BSDPVSTQBSNJRVFMRVFTVWSFTRVJGPOUEFDFUjΉBDDÒTQBSBEPYBMËMBWÏSJUÏΉx3 MFVSSFTTPSUUBOUGPSNFMRVFQSPDÏEVSBMPVOBSSBUJG (²0(3"1)*&*/7&/5*7& &5$*/²."50(3"1)*& %&4'-6*%&4\nB USJMPHJF EF MB OPSWÏHJFOOF *OHFS -JTF )BOTFO o Proximity  Parallax et Travelling Fields o TF DBSBDUÏSJTF QBS QMVTJFVSTFêFUTPQUJRVFTFUWJTVFMTSFNBS RVBCMFT %BOT Proximity  VOF DBNÏSB Ë MFOWFST TF EÏQMBDF MF MPOH EVO SBJM  CBMBZBOUFOBDDÏMÏSÏMFQBZTBHFQMBUEVOF QMBHF EBOPJTF -BSUJTUF B EÏMJCÏSÏNFOU DIPJTJDFQBZTBHFTBOTSFMJFGQPVSFêBDFS UPVU SFQÒSF QPTTJCMF5PVU DPNNF EBOT Travelling Fields  UPVSOÏ EBOT MF /PSE EFMB3VTTJFTFMPOVOQSPDÏEÏTJNJMBJSF  MFTQFDUBUFVSBEVNBMËEJTUJOHVFSFOUSF QSFNJFS QMBO FU BSSJÒSFQMBO -FT EÏQMB DFNFOUT DPOTUBOUT EF MB DBNÏSB  QMBDÏF QSFTRVFBVSBTEVTPM DPOUSJCVFOUËMFêFU EFQBSBMMBYFRVFMBSUJTUFBWPVMVFYQMP SFS 4FMPO )BOTFO  DFUUF NÏUIPEF USÒT QBSUJDVMJÒSF MVJ QFSNFU EJOUFSWFOJS TVS MBHÏPHSBQIJFEFTMJFVY*MTBHJUQPVSFMMF\nAvec d’autres, les recherches de Frédérique Aït-Touati vont dans ce sens. Voir $POUFT EFMBMVOF. &TTBJTTVSMBëDUJPOFUMBTDJFODF NPEFSOF, Gallimard, Paris 2011.\nEPCTFSWFS MF NPOEF  NBJT BVTTJ EF MF USBOTGPSNFS -FSFOWFSTFNFOUEVDJFMFUEFMBUFSSF PQÏSÏ QBS TFT ëMNT USBOTGPSNF MF TPM  FO IBVUEFMÏDSBO FOVOÏMÏNFOUìVJEF-B jΉUFSSFΉxZFTUUPVKPVSTMFDPOUSFDIBNQEV jΉDJFMΉx NBJTFMMFFTUEÏTPSNBJTVOÏMÏNFOU NPVWBOUFUWBQPSFVY ËMJOTUBSEVDJFMRVJ MBTPVUJFOU*MFTUDFSUBJORVFMBGVHBDJUÏEFT QIÏOPNÒOFTBUNPTQIÏSJRVFTFUNÏUÏPSP MPHJRVFTTFQSÐUFQBSUJDVMJÒSFNFOUCJFOBVY DBQBDJUÏTEVDJOÏNB DBQBCMFEFëYFSMFQBT TBHFSFUEFMFTBJTJSEBOTMFUFNQT"WFDTPO\nMichel de Certeau, « L’histoire, science et fiction », in -)JTUPJSFFUMBQTZDIBOBMZTF FOUSFTDJFODFFUëDUJPO, Gallimard, Paris 1987, p.69.\nFrédérique Aït-Touati, « Ceci n’est pas une fiction », in 7BDBSNF, n°54, hiver 2011.\nInger Lise Hansen 1SPYJNJUZ, 2006 Film 16 mm, 4’\nInger Lise Hansen 1BSBMMBY, 2009 Film 16 mm, 5’\nInger Lise Hansen 5SBWFMMJOH'JFMET, 2009 Film 35 mm, 9’\nDJOÏNBjΉNÏUÏPSPMPHJRVFΉx GPOEÏTVSMPC TFSWBUJPOFUMFOSFHJTUSFNFOUEFTWBSJBUJPOT 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CPVTTPMF DBSOFUEFUFSSBJOË DBSSFBVY MPVQF DSBZPOHSBT NJSF  BMUJNÒUSF HPVSEF BQQBSFJMQIPUP DBNÏSBT 4VQFSFUOVNÏSJRVF DIBSHFVSEFCBUUF SJF DVUUFS DBOJGFUNBDIFUUFJe voyage parce qu’il le faut, je reviens parce que je t’aimeEF .BSDFMP(PNFTFU,BSJN"ÕOPV[EÏNBSSF TVS DFU JOWFOUBJSF EPVUJMT RVJ  DPNNF OPVTMBQQSFOPOTQBSMBTVJUF DPOTUJUVFOU MFCBHBHFEVHÏPMPHVF %BOTMFëMN DFHÏPMPHVFWPZBHFTFVM  FO WPJUVSF  BëO EF NFOFS VOF FYQFSUJTF EFUFSSBJOBWBOURVFMBDPOTUSVDUJPOEVO DBOBM OF QSPWPRVF MJOPOEBUJPO EF DFS UBJOFT[POFTHÏPHSBQIJRVFT$FTUËUSBWFST TFTZFVYRVFOPVTEÏDPVWSPOTMFQBZTBHF EÏTFSUJRVFFUEÏTFSUÏEV4FSUÍP BV/PSE &TUEV#SÏTJM%FMBDUFVSRVJMJOUFSQSÒUF  *SBOEIJS4BOUPT OPVTOFDPOOBÔUSPOTRVF MBWPJY$FDIPJYEFDBNÏSBTVCKFDUJWFFTU NPJOTEßËVOEÏTJSEFUFTUFSMFTMJNJUFTEF MJEFOUJëDBUJPOEVTQFDUBUFVSRVBVCFTPJO EFMBJTTFSUPVUFMBQMBDFBVWSBJQSPUBHPOJTUF EVëMNΉMF4FSUÍP4FTMPOHVFTÏUFOEVFT EF UFSSF Ë MB WÏHÏUBUJPO EF TPVTCPJT  TFT SPVUFTRVFQFVEFDBNJPOTFNQSVOUFOU \nMarcelo Gomes et Karim Aïnouz +FWPZBHFQBSDFRVJMMFGBVU KFSFWJFOTQBSDF RVFKFUBJNF, 2009 Paysage en Super-8 du Nord-Est brésilien\nVOFëDUJPOTDJFOUJëRVF$FTU DPNNFMF EJTFOUMFTSÏBMJTBUFVST VOëMNGBJUEFGSJD UJPOT1SPQSFËMBGPSNFFTTBJ MBUFOTJPOFOUSF PCKFDUJWJUÏFUTVCKFDUJWJUÏTFSFìÒUFEBOTVO SFHJTUSFBNCJHV\tEPDVNFOUBJSF ëDUJPOFU FYQÏSJNFOUBUJPOQMBTUJRVFTFNÐMFOU Ή\nFMMF TFEPVCMFEVOFDPNCJOBJTPOEFGPSNBUT QBSGPJTEÏSPVUBOUFo4VQFS )JHI %7FU QIPUPHSBQIJF-FTUFNQTTPOUÏHBMFNFOUNJT FODPOUSBEJDUJPOΉoVOQMBOEVëMNSÏWÒMFVO NPOVNFOU ÏSJHÏBVCPSEEFMFBV QPSUBOU MJOTDSJQUJPOΉjΉ$POTUSVJUQBSMFTIBCJUBOUTEV 9*9eTJÒDMFFOIPNNBHFËDFVYEV99eΉx ® MB QSÏIJTUPJSF EFT SPDIFST TBEKPJOU MBWFOJSEFMJOPOEBUJPOΉ\nMFTJNBHFTBVYDPV MFVSTTBUVSÏFTQSJTFTQBS(PNFTFU"ÕOPV[ EBOTMBQSFNJÒSFEÏDFOOJFEV99*eTJÒDMFTF TVQFSQPTFOUËMBNÏNPJSFEFDFMMFT FOOPJS FUCMBOD EFMBNÐNFSÏHJPOëMNÏFQBSMF $JOÏNB/PWPVOEFNJTJÒDMFQMVTUÙU"QSÒT UPVU MFQSPKFUEFEÏUPVSOFSEFTFBVYEVìFVWF 4ÍP'SBODJTDPBëOEFDPNCBUUSFMBTÏDIFSFTTF  BVRVFMMFëMNGBJUTBOTDFTTFSÏGÏSFODF OFTU RVFMBNBUÏSJBMJTBUJPOEFMBQSPQIÏUJFGPSNV MÏFQBS(MBVCFS3PDIBEBOTLe Dieu Noir et le diable blond  ΉMFEÏTFSUEV4FSUÍP  NJSBDVMFVTFNFOU TFNVFSBFONFS BJOTJRVFTFTIBCJUBOUTJTPMÏT TVSMFQPJOU EÐUSFEÏQMBDÏT TPOUTDSVUÏTEVOQPJOUEF WVFHÏPMPHJRVFΉPOOPVTQBSMFEFMBMUJUVEF QBTQMVTEFNÒUSFT EFMBQSPGPOEFVS EVìFVWF\tNÒUSFT BJOTJRVFEFTOPNT EFT QJFSSFT UPOBMJUFT Ë EFVY GFMETQBUIT  RVBSU[QPMZDSJTUBMMJO FUD FUEFMBDUJWJUÏ UFDUPOJRVF BZBOU QSPWPRVÏ EFT USFNCMF NFOUTEFUFSSFNJMMJPOTEBOOÏFTQMVT UÙU 1FVËQFV MFHÏPMPHVFPVCMJFTBNJTTJPO FUWBËMBSFODPOUSF EBOTMFTWJMMFT EFTHFOTFU EFMFVSTWJFT4POIÏUÏSPHÒOFCBHBHFQSÏTFOUF EFTSFTTFNCMBODFTBWFDDFMVJEVODJOÏBTUF 4ÏMFDUJPOOÏBV'FTUJWBMEF7FOJTFFUQSJNÏ Ë5PVMPVTF  Je voyage parce qu’il le faut BÏUÏUPVSOÏFOUSFFUDPNNF\nMarcelo Gomes et Karim Aïnouz +FWPZBHFQBSDFRVJMMFGBVU KFSFWJFOTQBSDF RVFKFUBJNF, 2009\nCTFSWBOUMFTTFOTBUJPOTRVJMÏQSPVWF TPVT NFTDBMJOF  )FOSJ .JDIBVY ÏDSJU jΉ MË Pá BVQBSBWBOU OF SÏHOBJU RVF ëYJUÏ JMOZBWBJUQMVTRVFìVY ìVYUSB WFSTBOUJOEJêÏSFNNFOUMFQMVTEVSDPNNF MFQMVTTPVQMF ìVYDPNNFDFTQBSUJDVMFT DPTNJRVFTRVJUSBWFSTFOUMBUFSSFTBOTTBS SÐUFS TBOTNÐNFSBMFOUJSx-FTQSJTFTEF NFTDBMJOFEÏNBSSFOUFO-FTEFTTJOT jΉNFTDBMJOJFOTΉx FVY OFTFSPOUFOUSFQSJT RVË MB USPJTJÒNF QSJTF &YÏDVUÏT QPVS MB QMVQBSUËMFODSFEF$IJOFFUEFUSÒTQFUJU GPSNBU FOUJÒSFNFOUBCTUSBJUT JMTEÏDSJWFOU\nHenri Michaux, ²NFSHFODFTo3ÏTVSHFODFT, Skira, Genève 1972, p.96.\nEFT QBZTBHFT JOUÏSJFVST DPNQMFYFT o ëT TVSFT TJMMPOT DSFWBTTFT [JH[BHT-FTUFYUFT RVJMFTBDDPNQBHOFOUSBDPOUFOUMJOWBTJPO  MJOPOEBUJPO  MB EZOBNJRVF EPVMPVSFVTF EFTWJTJPOTRVJEÏëMFOU$FTUMFYQMPSBUJPO EFMjΉFTQBDFEVEFEBOTΉx -FT EFTTJOT EF .JDIBVY GSÙMFOU MFY QÏSJFODF TDJFOUJGJRVF  RVJMT NJNFOU  NPRVFOU EÏQMBDFOU SFOWFSTFOU-PSTRVJM SÏBMJTFFOMy Frontier is an Endless Wall of Points (After The Mescaline Drawings of Henri Michaux) MBSUJTUFEBOPJT+PBDIJN ,PFTUFSSFKPVFËTBNBOJÒSFMFTjΉëDUJPOT TDJFOUJëRVFTΉ x EF .JDIBVY 4PO QSPUP DPMF  USÒT TJNQMF Ή DPOTJTUF Ë SFëMNFS MFT EFTTJOTFUËMFTjΉBOJNFSΉx1BSMFNPVWF NFOU  DFT EFSOJFST SFKPJHOFOU MF DJOÏNB FYQÏSJNFOUBMoMFVSWÏSJUBCMFUFSSFOBUBMFΉ TÏRVFODFTWJTVFMMFTTVSGPOEEFWJCSBUJPO 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Tapered Roller Bearings 32040 Tianjin - WorldBid B2B Market\n» Tapered Roller Bearings 32040\nTapered Roller Bearings 32040 - China\n32040 Bearing Manufacturer China\nTapered roller bearings 32040 Specifications\nPrinciple dimensions(D): 310mm\nPrinciple dimensions(B): 70mm\nBasic load ratings(dyn.): 748KN\nBasic load ratings(stat.): 1370KN\nReference speed: 1400r/min\nLimiting speed: 1900r/min\nWe have our own factory to produce Bearing 32040 in bulk


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Posts 150\tFeb 27, 2007, 2:18 PM - Accurizing the Mystery Helmet!\nPosts 150\tFeb 27, 2007, 2:20 PM - Re: Accurizing the Mystery Helmet!\nPosts 988\tFeb 27, 2007, 2:28 PM - Re: Accurizing the Mystery Helmet!\nPosts 1,286\tFeb 27, 2007, 2:42 PM - Re: Accurizing the Mystery Helmet!\nPosts 1,151\tFeb 27, 2007, 2:48 PM - Re: Accurizing the Mystery Helmet!\nPosts 150\tFeb 27, 2007, 3:28 PM - Re: Accurizing the Mystery Helmet!\nPosts 150\tFeb 27, 2007, 3:31 PM - Re: Accurizing the Mystery Helmet!\nPosts 1,942\tFeb 27, 2007, 4:02 PM - Re: Accurizing the Mystery Helmet!\nPosts 1,604\tFeb 27, 2007, 4:21 PM - Re: Accurizing the Mystery Helmet!\nPosts 645\tFeb 27, 2007, 4:23 PM - Re: Accurizing the Mystery Helmet!\nPosts 1,942\tFeb 27, 2007, 4:44 PM - Re: Accurizing the Mystery Helmet!\nPosts 1,286\tFeb 27, 2007, 5:31 PM - Re: Accurizing the Mystery Helmet!\nPosts 1,957\tFeb 27, 2007, 5:34 PM - Re: Accurizing the Mystery Helmet!\nPosts 1,942\tFeb 27, 2007, 5:54 PM - Re: Accurizing the Mystery Helmet!\nPosts 546\tFeb 27, 2007, 6:15 PM - Re: Accurizing the Mystery Helmet!\nPosts 1,286\tFeb 27, 2007, 6:18 PM - Re: Accurizing the Mystery Helmet!\nPosts 5,168\tFeb 27, 2007, 6:19 PM - Re: Accurizing the Mystery Helmet!\nPosts 173\tFeb 27, 2007, 6:36 PM - Re: Accurizing the Mystery Helmet!\nPosts 150\tFeb 27, 2007, 8:34 PM - Re: Accurizing the Mystery Helmet!\nPosts 5,701\tFeb 27, 2007, 8:46 PM - Re: Accurizing the Mystery Helmet!\nPosts 150\tFeb 27, 2007, 8:54 PM - Re: Accurizing the Mystery Helmet!\nLast edited by SgtFang; Feb 27, 2007 at 9:01 PM.\nPosts 5,701\tFeb 27, 2007, 8:58 PM - Re: Accurizing the Mystery Helmet!\nLast edited by GCNgamer128; Feb 27, 2007 at 9:05 PM.\nFeb 27, 2007, 11:49 PM - Re: Accurizing the Mystery Helmet!\nLast edited by Spideyfett; Feb 28, 2007 at 9:45 AM.\nPosts 645\tFeb 28, 2007, 11:47 AM - Re: Accurizing the Mystery Helmet!\nPosts 1,789\tFeb 28, 2007, 12:39 PM - Re: Accurizing the Mystery Helmet!\nLast Post: Dec 16, 2009, 4:44 PM


1 of 91...8 of 919 of 9110 of 9111 of 9112 of 9113 of 9114 of 9115 of 9116 of 9117 of 9118 of 9119 of 9120 of 9121 of 9122 of 9123 of 9124 of 9125 of 9126 of 9127 of 9128 of 9129 of 9130 of 9131 of 9132 of 91...91 of 91\n1 ... 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 ... 91\nRe: [rockiniowa] Nph-Build.cgi builds only half of my Pages webmaster33 Products: Gossamer Links: Version 1.x 6 Mar 25, 2005, 2:37 PM\nRe: [zaaron] user fields only visile for administrator webmaster33 Products: Others: Gossamer Community 0 Mar 25, 2005, 7:46 AM\nRe: [pugdog] Upgrade / How-to Questions webmaster33 Products: Gossamer Links: Discussions 0 Mar 25, 2005, 7:38 AM\nRe: [Koki] Sort Specific Links like 1,5,9,12 etc. webmaster33 Products: Gossamer Links: Discussions 4 Mar 25, 2005, 7:25 AM\nRe: [samtek] Formatting multiple columns in SELECT tag webmaster33 General: Perl Programming 0 Mar 25, 2005, 7:12 AM\nRe: [vercyb] user fields only visile for administrator webmaster33 Products: Others: Gossamer Community 0 Mar 25, 2005, 6:21 AM\nRe: [Optical] converting text to HTML webmaster33 Products: Gossamer Links: Development, Plugins and Globals 0 Mar 25, 2005, 5:35 AM\nRe: [rockiniowa] Nph-Build.cgi builds only half of my Pages webmaster33 Products: Gossamer Links: Version 1.x 8 Mar 25, 2005, 5:28 AM\nRe: [rockiniowa] Nph-Build.cgi builds only half of my Pages webmaster33 Products: Gossamer Links: Version 1.x 0 Mar 25, 2005, 4:58 AM\nRe: [Optical] converting text to HTML webmaster33 Products: Gossamer Links: Development, Plugins and Globals 2 Mar 25, 2005, 4:49 AM\nRe: [webmaster33] Nph-Build.cgi builds only half of my Pages webmaster33 Products: Gossamer Links: Version 1.x 11 Mar 25, 2005, 3:45 AM\nRe: [rockiniowa] Nph-Build.cgi builds only half of my Pages webmaster33 Products: Gossamer Links: Version 1.x 0 Mar 25, 2005, 3:34 AM\nRe: [rockiniowa] Nph-Build.cgi builds only half of my Pages webmaster33 Products: Gossamer Links: Version 1.x 12 Mar 24, 2005, 5:56 AM\nRe: [samtek] Formatting multiple columns in SELECT tag webmaster33 General: Perl Programming 3 Mar 24, 2005, 5:55 AM\nRe: [Chaz] merge data ? omg webmaster33 General: Perl Programming 0 Mar 23, 2005, 9:07 AM\nRe: [Chaz] merge data ? omg webmaster33 General: Perl Programming 2 Mar 23, 2005, 8:30 AM\n[Suggestion] New GT template system webmaster33 Products: Gossamer Links: Discussions 0 Mar 23, 2005, 8:07 AM\nRe: [webmaster33] [Suggestion] New GT template system webmaster33 Gossamer Threads Inc.: Discussion 2 Mar 23, 2005, 7:50 AM\nRe: [webmaster33] [Suggestion] New GT template system webmaster33 Gossamer Threads Inc.: Discussion 0 Mar 23, 2005, 2:56 AM\n[Suggestion] New GT template system webmaster33 Gossamer Threads Inc.: Discussion 4 Mar 23, 2005, 1:51 AM\nRe: [Andy] MyLinks_DB Plugin - need Paul Wilson webmaster33 Products: Gossamer Links: Development, Plugins and Globals 0 Mar 23, 2005, 12:41 AM\nRe: [samtek] Formatting multiple columns in SELECT tag webmaster33 General: Perl Programming 5 Mar 23, 2005, 12:21 AM\nRe: [webmaster33] Nph-Build.cgi builds only half of my Pages webmaster33 Products: Gossamer Links: Version 1.x 15 Mar 22, 2005, 4:08 AM\nRe: [afrayer] Referred by webmaster33 Products: Others: Gossamer Community 0 Mar 22, 2005, 3:47 AM\nRe: [rockiniowa] Nph-Build.cgi builds only half of my Pages webmaster33 Products: Gossamer Links: Version 1.x 0 Mar 22, 2005, 3:29 AM


Version 128 (modified by sdipsl, 2 years ago) (diff)\nGitHub? : https://github.com/Prodiguer/xiofilechecker\nHowTo? : https://github.com/Prodiguer/xiofilechecker/blob/master/notebooks/xiofilechecker-howto-ipsl.ipynb\nGitHub? : https://github.com/Prodiguer/nctime\nHowTo? : https://github.com/Prodiguer/nctime/blob/master/notebooks/nctime-howto-ipsl.ipynb\nLe 3 mai 2018 à 15:30, Guillaume LEVAVASSEUR <glipsl@…> a écrit :\nJe commence avec nctime:\nLast release : 4.1.3 GitHub? : https://github.com/Prodiguer/nctime Docs : http://prodiguer.github.io/nctime HowTo? : https://github.com/Prodiguer/nctime/blob/master/notebooks/nctime-howto-ipsl.ipynb


publish.nyc.indymedia.org | WNU #964: Mexican Activists Charged in Reporter's Death\nOctober 22, 2008 05:51PM EDT [general.addtranslation] Download Article (PDF) [ insert language bar ]\nGovernment repression continues in Oaxaca and Morelos\nThe activists' arrests came as the Mexican government was cracking down on a teachers' strike in neighboring Morelos similar to the strike that set off the Oaxaca uprising two years before.\nKeywords: Global, Human Rights, Bradley Will, Labor, Education, Repression,\n4. Links to alternative sources on: Brazil, Bolivia, Ecuador,\nColombia, Venezuela, El Salvador, Guatemala, Mexico, US policy


Pekka Rinne#351.01VS. CLS SPLITSSplitsSeasonLocationvs.By MonthLeagueSeason HalfRestTotalHomeAwayAtlantic DivisionBoston BruinsBuffalo SabresDetroit Red WingsFlorida PanthersMontreal CanadiensOttawa SenatorsTampa Bay LightningToronto Maple LeafsMetropolitan DivisionCarolina HurricanesColumbus Blue JacketsNew Jersey DevilsNew York IslandersNew York RangersPhiladelphia FlyersPittsburgh PenguinsWashington CapitalsCentral DivisionChicago BlackhawksColorado AvalancheDallas StarsMinnesota WildNashville PredatorsSt. Louis BluesWinnipeg JetsPacific DivisionAnaheim DucksArizona CoyotesCalgary FlamesEdmonton OilersLos Angeles KingsSan Jose SharksVancouver CanucksSeptemberOctoberNovemberDecemberJanuaryFebruaryMarchAprilMayEastern ConferenceWestern ConferenceAtlantic DivisionMetropolitan DivisionCentral DivisionPacific DivisionPre All-StarPost All-Star0 Days Rest1 Days Rest2 Days Rest3+ Days RestRegular | ExpandedTEAM STATISTICSPLAYERGPGAPTS+/-PIMATOIPPGPPASHGSHASOGSPCTColin Wilson, C 22133015:430000922.2Craig Smith, C 22133015:1000001020.0Shea Weber, D 20222223:25000070.0Roman Josi, D 20224223:15000070.0Mike Ribeiro, C 21123016:510000333.3Mike Fisher, C 21011018:220000333.3James Neal, LW20114016:26000040.0Ryan Ellis, D 20112021:34000020.0Calle Jarnkrok, C 20112012:22000020.0Filip Forsberg, C 20112016:25000060.0Seth Jones, D 21013019:250000812.5Eric Nystrom, LW20001013:15000030.0Mattias Ekholm, D 20001217:51000010.0Taylor Beck, LW20000210:52000020.0Olli Jokinen, C †20001213:52000030.0Matt Cullen, C 20001013:37000030.0Victor Bartley, D 10221016:21000020.0Gabriel Bourque, LW10000213:49000000.0Paul Gaustad, C 10000012:09000010.0Anton Volchenkov, D 10001013:09000010.0† Midseason Trades: Olli Jokinen (6 games TOR)GlossaryGP: Games playedG: GoalsA: AssistsPTS: Points+/-: Plus/MinusPIM: Penalty minutesATOI: Average time on icePPG: Power play goalsPPA: Power play assistsSHG: Short handed goalsSHA: Short handed assistsSOG: Shots on goalSPCT: Shooting percentageGOALIE STATISTICSPLAYERGPWLOTLGAATOISVSV%SHOTGATSAPIMPekka Rinne22001.01119:1051.96202530GlossaryGP: Games playedW: WinsL: LossesOTL: Overtime lossesGAA: Goals against avgTOI: Time on iceSV: SavesSV%: Save percentageSHO: ShutoutsTGA: Total goals againstTSA: Total shots againstPIM: Penalty minutes


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Amy Sciarretto - 93.1 KISS-FM ? Page 19\nBrittany Murphy would have turned 36 on Nov. 10, but the 'Clueless' and '8 Mile' actress -- who passed away at home in L.A. on Dec. 20, 2009 -- isn't resting in peace. A new investigation into her death, launched by her father, Angelo Bertolotti, suggests she may not have di…\nTaylor Swift to Perform at 2013 Victoria’s Secret Fashion Show\nSexy lingerie, Victoria's Secret Angels and Taylor Swift!


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