Hoe lettertype geweldich te brûken yn Illustrator en oare tapassingen | Martech Zone\nTiisdei, oktober 26, 2021 Tiisdei, oktober 26, 2021 Douglas Karr\nMyn soan hie in nedich business card foar syn DJ- en muzykproduksjebedriuw (ja, hy hat hast syn Ph.D. yn wiskunde). Om romte te besparjen by it werjaan fan al syn sosjale kanalen op syn visitekaart, woenen wy in skjinne list leverje mei de byldkaikes foar elke tsjinst. Ynstee fan elk fan 'e logo's of in samling te keapjen fan in stockfoto-side, brûkten wy font Awesome.\nLettertype Awesome jout jo skaalbere fektorpictogrammen dy't direkt kinne wurde oanpast - grutte, kleur, skaad, en alles wat kin wurde dien mei de krêft fan CSS.\nLettertypen binne vector-basearre en skaalber foar jo projekt, sadat se perfekt binne foar gebrûk yn grafyske buroblêdapplikaasjes lykas Illustrator of Photoshop. Jo kinne se sels konvertearje nei sketsen en brûke se yn 'e yllustraasje.\nLettertype Awesome wurdt breed brûkt om dizze logo's en oare ikoanen op websiden ta te foegjen, mar jo realisearje jo miskien net dat jo it eigentlike lettertype kinne downloade om ek op jo Mac of PC te ynstallearjen! It lettertype TrueType (ttf-bestân) makket diel út fan 'e download, Ynstallearje it lettertype, start Illustrator opnij en jo binne oan 'e gong!\nIt is net nedich om elk karakter te ûnthâlden of in sykopdracht te dwaan foar it juste, hjir is hoe't jo it lettertype brûke:\nIepenje it Lettertype Awesome Cheatsheet yn jo blêder.\nIepenje in Adobe Creative Cloud programma (bgl. Illustrator).\nStel it lettertype yn op font Awesome.\nKopiearje en plakke it karakter fan it cheatsheet yn jo bestân.\nDat is alles dat der is!\nHoe kinne jo lettertypes geweldig brûke yn Illustrator?\nHjir is in rappe fideo oer hoe't ik ikoanen fyn op Font Awesome en se dan yn myn Illustrator triemmen.\nHoe lettertype geweldich te brûken mei Photoshop, Illustrator en oare buroblêdplatforms.\nHjir is in geweldige fideo-oersjoch oer hoe't jo Font Awesome brûke kinne mei Illustrator (of oare buroblêdplatfoarms).\nMeitsje outlines foar jo lettertype Awesome lettertype\nIen ding om yn gedachten te hâlden is om te foarkommen dat it gebrûk makket yn in platfoarm dat it lettertype net ynboud en fereasket dat it op it systeem wurdt ynstalleare. As jo it yn Word brûke, soe jo ûntfanger bygelyks fereaskje dat it lettertype op syn systeem is laden om it te sjen. Yn Illustrator as Photoshop kinne jo Konturen meitsje oanmeitsje om it lettertype te konvertearjen nei in fektorôfbylding.\nIn Illustrator, kinne jo Konturen oanmeitsje brûke om it lettertype te konvertearjen nei in fektorôfbylding. Om dit te dwaan, brûk it Seleksje-ark en kies Type> Meitsje sketsen, Jo kinne ek it toetseboerdkommando Ctrl + Shift + O (Windows) of Command + Shift + O (Mac) brûke.\nIn Photoshop, rjochts klikke op de tekstlaach. Posysje jo mûs oer de werklike tekst yn 'e tekstlaach (net it [T] -piktogram) en rjochts-klikje. Selektearje yn it kontekstmenu Konvertearje nei foarm.\nDownload lettertype geweldich\nDisclosure: Martech Zone is in filiaal fan Adobe Creative Cloud, Illustrator, en moo en hawwe ús affiliate link hjirboppe.\nTags: business cardbesitekaartsjeslettertype konvertearje nei omtreklettertype konvertearje nei foarmmeitsje skets fan lettertypemeitsje kontoerendjdownload lettertypedownload lettertype geweldichlettertype geweldighoe tehoe meitsje sosjale ikoaneniconyllustratormonstreaumoomoa kaartenphotoshopprodusintsocial media byldkaikesttfvector


Sinterklaas liet de 55plussers keatse yn Frjentsjer.\nWoansdei 5 desimber wienen der wer goed hûndert man ôfset nei Frentsjer foar de ien nei lêste keatsdei fan dit jier. Ek dizze kear waard der fûl striden, want we wurde wol âlder, mar de striid bliuwt.\nOp de foto de priiswinners mei de krans, f.l.n.r.: Jan Veenstra, Wim Jousma, Jan Hoekstra en Martinus van der Meer\nMinne Soepboer hie de gong der aardich yn, dat tsjin trijen koe der him ôfjaan om te Sinterklaazjen. Piet Keizer koe him der fierder wol mei rêde. Ek de keatsers wurken goed mei - ek sin oan sûkelademolke - sadat om goed fjouwer oere de lêste slach foel. By de stân 5 - 5 en 6 - 6 sloech de oars sa betûfte opslagger Jan Sijtsinga bûten. Siete Wassenaar miste hjoed. By it keatsen jout hy net folle wei, mar middeis moast hy wol foar Sinterklaas spylje yn Minnertsgea.\nLyk as foarige kear wie der yn de D-klasse net ien mei trije winstpartijen. De krâns gie no nei Jan Hoekstra mei 18 earsten foar en 13 tsjin. Yn de B-klasse wie it tige spannend. Trije man hienen acht earsten tsjin, sadat de tsjinpunten yn it lêste earst fan de trije partijen de trochslach jaan moasten. Ferskate kommisjeleden hienen Sinterklaasferplichtingen. Piet Keizer stie der alinnich foar om de prizen út te rikken, mar koe him der wol mei rêde. In kwinkslach foar de iene, in lytse snuter foar de oare, krekt sa't Piet is. Moai dat Geert Hoekstra dit ferslach en de foto’s meitsje woe, omdat ek Johan Sikkema efter Sinterklaas oan moast by de pakesizzers. Hjirûnder alle priiswinners.\nA-klasse: 1. Jan Veenstra, Apeldoorn. 2. Jan Buitinga, Sint Nyk. 3. Durk van der Schaaf, Stiens.\nB-klasse: 1. Willem Jousma, Tytsjerk. 2. Jaap van der Veen, Sint Anne. 3. Johannes Oudendag, Arum. 4. Andries Gillebaard, It Hearrenfean. 5. Klaas Postma, It Hearrenfean.\nC-klasse: 1. Martinus van der Meer, Wytmarsum. 2. Jan de Ridder, Stynsgea. 3. Pieter Bergsma, Gytsjerk.\nD-klasse: 1. Jan Hoekstra, Gytsjerk. (18 -13). 2. Jan de Jong, Dronryp (18-14).


Trije fersen yn lytse rounte\njan j. bylsma: ‘jan krukje en syn maten’, útjown troch de BV Friese Pers to Ljouwert 1976. Priis f 7,50 Loltsjerige nû. III. Oplage ûnbikind.\nDe bondel ‘jan krukje en syn maten’ telt 28 fersen yn in frije folchoarder. Ik haw gjin systeem fine kind. It titelfers, dert de bondel alteast de titel oan ûntliend hat, is as ien nei lêste opnommen op side 31. Fierder sjoch ik as lêzer gjin forbiningen tusken de namme fan de bondel en de ynhâld fan de bondel sels.\nIt uterlik fan it boekje mei bisjen lije, dêr is flyt op dien, lykas ek op de hiele forsoarging fierder - ynnaeid en mei in goeije layout - gjin oanmerking is to meitsjen. Yn in hastige tiid mei allegearre fodden op 'e boekemerk is dit in wichtich pluspunt.\nOp 'e foarflap sjocht de dichter jin oan mei eagen dy 't skrikke fan 't opkommen fan de sinne. Ut 'e foto kinne je ek opmeitsje dat de skriuwer trouwd is (ring oan rjochterhân) en dat piipsmoken foar dizze dichter in wichtige saek is (sjoch ek side 19: ‘ik haw in piip opstutsen’, en hwat dat oanbilanget is de foto dus funksjoniel). Oer it merk lúsjefers, de tabak en de soarte fan piip wurdt neat sein op dy earste flap. Wol jowt men (de dichter sels nim ik oan) troch dat dizze bondel de tredde is fan de skriuwer, en dan wurdt der noch hwat sein oer de poëzij yn it boekje. Dat ha 'k net lêzen omt ik sels lêsûnderfinings hawwe woe.\nIt kolofon op side 35 seit dat guon fersen earder publisearre binne yn ‘De Tsjerne’, ‘Alternatyf’ en yn ‘De Strikel’. Hwat ‘De Tsjerne’ oanbilanget moat dat in posthúmè of geheime útjefte west ha (hwa wit, bistiet de tsjerne tsjintwurdich yn in foarm fan de samizdat-parse), kwant op 'e efterflap stiet dat de fersen tusken '71 en '75 skreaun binne. Dit lêste foar bibliofile sneupers en oare literatuerkundigen.\nOp it efteromslach binne in oantal gjalpen en slogans opnommen dy 't slane op 'e earste bondel fan de dichter Byisma (‘Striptease’). Yn dit forbân twa dingen: 1. hwêrom gjin slogans en gjalpen oangeande de twadde bondel? 2. It opnimmen fan dizze hele en heale sinnen hâldt dochs net yn dat se ek fan tapassing binne op dizze tredde bondel? Sa ja, dan soe 't dus in werprintinge fan ‘Striptease’ wêze! Mar dan bigryp ik wer net hoe 't KRM subsydzje jaen koe.\nOant safier myn earste sjoch- en lêsûnderfinings.\n1. Yn poezij sit gjin hannel\nDe fersen fan de dichter Jan J. Bylsma (dy J. yntrigearret my nou al sa'n 8 jier, hwat soe soks ynhâlde?; Reinder (R.) vd L docht itselde, it sil de generaesje wol wêze dy 't him nea hielendal bleat jowt) bliuwe stekken yn de tael sels: it is de tael fan ‘jan krukje en syn maten’, it is de tael dy 't je elke ûre fan de dei om jin hinne hearre (kinne), at je alteast harkje wolle. Efter it lege razen fan 'e tros- en e.o.-klibers, it sûnder krityk oerjaen oan god-x of god-y, klinkt de rop om dochs f'ral gewoan to wêzen, om binammen mei beide fuotten yn 'e (Fryske) klaei to stean. De dichter Bylsma seit it sa:\nné jow my de gekken mar\ndy jonges mei it brike kopke\ndy gleone eachjes en de sloppe lip\nsy sille sels der wol mei rêdde\nsy binne net samar monomaen (side 15)\nFierder wurdt neat frege, fierder moatte je net sykje. Alle rompslomp bûten it rasjonele is flauwekul. Ik bin nou ienkear berne, der binne fêste ôfspraken, ik moat my der gewoan by dellizze, ik moat der hwat fan meitsje, ik kin heechstens in pear minsken helpe, mar ik bin útsoarte net forantwurdlik foar al dy rotsoai om my hinne. Oer mysels ha 'k neat to sizzen, oer mysels ha 'k gjin fragen to stellen hwant soks lit ik oan in oar oer, myn libben wurdt troch oaren foarm jown. Ienfâldich as de gekken. Oer safolle jier lit ik my ûnder de griene siedden stopje of forbrânne. En dêrmei is de rounte sletten. Hwêroer soe 'k my eins drok meitsje? De lytse rounte fan in nammeleas (rankuneus?) boarger. Nihilistysk? Sinysk? Of birêstend? Fan alle trije hwat miskien, mar yn elk gefal earliker as in bult oare dichters dy 't bygelyks dichtsjen en polityk trochinoar mjuksje, utopyske wrâlden oproppe yn moralistysk gejeuzel of yn it forline dûke en dêrmei omstinne en grieme ta forfelens ta.\nSadré 't de dichter psalmist wurdt, is hy forlern foar de tael, foar it dichterskip, foar himsels. In dichter skriuwt fersen, in dichter sutelt gjin fersen. In dichter folt de leechte, mar is nea bysteat dy leechte to forkeapjen. Bylsma seit it op syn eigen wize:\nhwat sil dat\nlytse ferske dochs\nIk soe sizze, lokkich dat der gjin hannel yn sit, mar ek, logysk dat der gjin hannel yn sit. Sadré 't gefoelens en tinzen fan en oer minsken forhannele wurde (kinne), bigjin ik omraek oan dyselde gefoelens en tinzen to twiveljen. Hjoeddedei is it sa dat in soad minsken foar har tinke litte, it liket der op dat kloften lju ek foar har fiele litte. It hyt dan nou gjin godstsjinst of hokker moadeforskynsel ek, mar automerk x (‘jo ride dochs ek al Volda, je fiele jin wier bifrijd’), of bgl. omrop y (‘wurdt lid fan de troëo, en jo fiele jo opnommen yn in groep biwusttinkende en biwustlibjende minsken’). Allegearre op basis fan itselde resept. De programma's en forkeapsifers biwize soks dan elke dei...\n2. It iennige alternatyf foar it klisje\nDe dichter JJB akseptearret al dizze saken, dat wol sizze, hy forwart him net mear, in fers(ke) is dan heechstens noch hwat treast, om forwûnderjend nei de ein to sukkeljen:\nheechút in sutrich\nnei de ein to\nsukkeljen (side 5)\nDe dichter is wurch, de dichter jowt it oer en leit de holle del: striid hat gjin sin, fersen sutelje is hielendal flauwekul, fersen skriuwe dogge je útsoarte foar in inkeling dy 't der treast út helje kin (en miskien foar jin sels?). Dochs in preker? In fordigening fan it skriuwen sels? It sil noch bliken dwaen. Earst in pear opmerkings oer poëzij: hwat is poëzij, hwêrom is (wurdt) poëzij, hokker ynfloed hat poëzij (op skriuwer en lêzer).\nPoëzij hat (foar my alteast) to krijen mei de marge fan de tael (en dat is hwat oars as de marge fan de maetskippij): der 't de wurdboekbitsjuttingen noch net (of net mear) foldwaende binne, der 't de kodes, of saeklike ôfspraken (d.i. sa simpel mooglik dus kâld-klisjémjittich) fan en tsjinoer de tael net foar master opslane.\nYn in wrâld der 't hast alles effisjent rint, der 't ek de minske sa funksjoneel mooglik wêze moat, is de tael útsoarte dea en net foar twa of mear bitsjuttingen fetber. Mei oare wurden, trochlutsen yn al syn ekstremens, yn dy wrâld binne èn de mins èn de tael forstjurre ta forbrûksmiddels, lêste keaten foar it jiskfet.\nPoëzij is it iennige (tael)alternatyf foar it klisjé, it iennige (tael)middel om de mins syn poarsje frijheit, dy 't klisjé - hoe dan ek - oantaest, werom to jaen. Poëzij is dêrmei útsoarte en yn himsels kritysk. Poëzij fan it klisjé of klisjépoëzij dêrtsjinoer is hwat dit oanbilanget mear klisjé as hokker sliten praet fan hokker klisjéprater (skriuwer) ek mar wêze kin. Under it masker fan poëzij wurde de lju (en de dichter sels) foar 't lapke holden. Ergo, soksoarte poëzij forsterket de klisjètinzen noch mear (en biheint dêrmei de frijheit fan de mins yn tinken, wêzen, wollen en fielen nammestomear) as it sljuchtweihinne taelgebrûk, omt hwat dit lêste oanbilanget dat útgiet biwende en forsliten paden.\nOp dit flak lizze de s.n. libelleforhalen, trosstorys, paulus akkermanoptinksels, in bult kffb-gejeuzel en bgl. ek it telegraefgebral fan aldendei. Unwierheit, skyn (hillichheit), ûnbirikbere dreamen, guodkeape sensaesje en gean mar troch slaen foar master op. De saneamde kameleondichters lykas in Buddingh' skriuwe yn dizze trant: de moade freget it, dus skriuw ik sa 't men wol!\n3. De klisje 's yn it wurk fan de dichter JJB\nDe dichter Jan J. Bylsma ûntkomt neffens my net alhielendal oan dizze moadetrend, oan dit ûnkritysk brûken fan tael. In pear foarbylden dy 't der daelk útspringe:\nmei yn 't foarprogramma\nin ûnskuldige idiaot\nin fryske dichter (side 6)\nDe klisjémiening oer dichters dy 't je elke wike wol in kear tsjin komme op strjitte, yn krante of op tv: in dichter is by definysje idioat, mar net gefaerlik hear, och heare né, hy is únskuldich, en boppedat, it is in fryske dichter. Bylsma set hjirmei alle foaroardielen, en fêste pavlovréaksjes fan 'e publike miening op in rychje. Hy sil 't dan wol humoristysk bidoele, mar foar de lêzer komt soks net oer omt it geheel yn klisjé's nei foaren komt. Dit is gjin poëzij, mar deagewoan in stikje lulpraet oan in stamtafel yn in telegraefkroech (Krasnapolsky bgl.). Op himsels is der neat op tsjin mar je soene it net as poëzij oanbiede moatte. Under it mom fan objektive ynformaesje skreau AD yn maeije dat Bernhard hielendal frij út\ngong. At dan letter nei foaren komt dat it tsjinoerstelde it gefal is, blykt sa'n krante syn lêzers as twadderangsboargers to biskôgjen, hwant oan ûntskuldigjen tinkt de krante net iens. Dit is forneukeratyf taelgebrûk, ynspylje op foaroardielen (yn dit gefal tsjin Den Uyl). Poëzij kin allinne, heechstens, foaroardielen opromje! In oar foarbyld:\nOgotogot, nou dat wie dat,\nNou moarn noch Peasens-Moddergat.... (side 8)\nAs hearre je de rju eale hear Martin van Amerongen sels yn syn ien kear jiers forskinende mei foaroardielen en fêstrustke mieningen trochsiedde stikjes oer Fryslân... En miskien hat er hwat de dichter JJB oanbilanget ek noch wol gelyk, nuvergenôch, of hielendal net nuver? Wy sille sjen.\nIt fers ‘De jonge en de sé’, in parody (?), in boartsjen mei âldere foarmen(?)....... bislút de dichter sa:\nsa 'n ferske skriuwe falt net ta\nal is it meast in trúkje (side 18)\nOp side 23 fan de bondel stiet in identyk gefal:\nSOLI SANCTO GLORIA\nas op fiif desimber\nde pakjes losklaud binne\nen de ferskes lêzen\nbin ik yn de\nien kear yn it jier\nin heechst wurdearre\nEn wer freegje ik my ôf: hwat moatte je nou mei sokke sinteklaestastannen foar merken en pertijen, foar brulloften en resepsjes. It is hast genant om it oer to skriuwen, om it to brûken yn it biwiis dat poëzij krekt it tsjinoerstelde bidoeld to wêzen. Mei sokke fersen (de foarm, it ûnderelkoer setten fan rigels wurden) wurde binammen Jan Krukje en syn maten forneukt, sa 't se op deselde wize forneukt wurde mei de stikjes út it ‘Bokwerder weekblad’ en mei de stikjes yn it KNKB-blêd fan Lûtzen fan Leons. Dat in KNKB soks talit, nou alla, mar dat in goeije provinsjale krante als de LC soks opnimt kin mei in 100 stikken fan L(t)C net goed makke wurde.\n4. De lezer wurdt net for fol oansjoen\nIn skriuwer skriuwt foar hele minsken. Mei oare wurden, in skriuwer (fan in krante, fan in boek, fan poëzij) sjocht syn lêzers as folweardige minsken. De lêzer sil wol útmeitsje at hy it skriuwsel opite wol of ôfwiist. Kunstgrepen mei de tael kinne der foar soargje dat de skriuwer altiten fretten wurdt. De skriuwer brûkt de tael as manipulaesjemiddel. Dat bart bgl. yn ‘Bokwerd; dat bart ek yn in oantal fersen van de dichter JJB.\nDe lêzer, de minske, wurdt leechachte, net as folslein mins sjoen, mear as in ynvalide, in pasjint dy 't je it oer alle fronten maklik meitsje moatte. De measte Friezen dy 't wend binne altiten Frysk to praten) bihearskje it Nederlânsk (mounling en skriftlik) net folslein. Se binne hwat minder rêd as immen dy 't lêste tael as memmetael hantearret. Der wol noch wolris in Frisisme yn foar komme, in forkearde sinsstruktuer, esf. Dat is forfelend, hwant je wurde der hwat ûnwis fan. Men laket der wol ris om. Hwat is der dan minder ienfâldich as dizze minsken ek laitjse to litten (mar se yntusken wol sitte to litten mei har ûnwissens), en skriuw in bastere soart fan Frysk-Nederlânsk. It hat to krijen mei de moppen oer de kreupelen, de lammen en de skelen. Oer taelforsmoarging, klisjéfoarming fan minsken en identiteitsforlies fan dyselde minsken sille wy dan yn dit stik fan saken (‘Bokwerd’, in oantal fersen fan JJB) mar net prate.\nItselde prosedé wurdt tapast yn boppesteande fersen: och minsken, fersen skriuwe is gewoan it tapassen fan in trúkje, mear net. En dêrmei wurde de ûnwittenden foar de safolste kear op in rjocht(s)sinnige wize delsetten dert se hearre:\nWY SILLE WOL UTMEITSJE HWAT GOED FOAR JIM IS...\nYn boppesteande foarbylden is de dichter perfoarst net earlik mear (sa 't ik op side ien steld haw) mar forneukt er himsels èn de lêzer (mei opsetsin?). Né, net mei opsetsin, dêryn lean 'k net omt der yn dizze bondel ek in pear tige slagge fersen stean, bgl:\nhjoed hat de stimmer\nfilt en in\ndoe 't hy klear wie\nspile hy noch hwat\nôfgryslik en forskuorrend\nmar wy meitsje gjin muzyk (side 17)\nDe dichter bisiket yn de ‘Pianostemmer’ in oantal kearnfragen of kearnsitewaesjes fan de mins to fangen. Bygelyks sa (ik set mar oer neffens eigen lêsûnderfining): in mins is mear as in mesjine, de wolfeart fan nou makket de mins net altiten like lokkich, de leechte fan it bistean wurdt fakentiids opfold mei skynsekerheden, esf. De bylden pianostemmer - fakman - gjin musikus - technysk folslein - gjin waerme stream (muzyk) jowe yn in pear wurden wer yn hokker wrâld wy libje. Eins, yn hokker wrâld de dichter libbet, mar hy libbet yn it fers foar ús. Mei oare wurden, de lêzer is ek hjir, krijt hjir de mooglikheit om it gedicht oppenij to skriuwen, yn syn eigen wrâld. De iepening nei dyselde lêzer is net tichtslein mei neatsizzende forsliten wurden.\n5. Oer de fjouwer wichtige prinsipes fan poezij\nGuon lju wolle poëzij bisprekke (bihannelje, bineijerje) lykas soms dien wurdt mei proaza. Je spanne in ramt en spikerje de bondel (it fers) op dit ramt. Klear. Slagge of net slagge. Ik leau hjir perfoarst net yn, omt krekt poëzij net en nea foar ien útliz fetber is, ek al meidat poëzij oan 'e marge fan de tael operearret. Iksels gean út fan fjouwer grounregels, dy 't gjin ramt foarmje omt se mei syn fjouweren yn in wikselwurking stean (moatte). In ramt is statysk, dizze 4 útgongspunten binne dêrtsjinoer dynamysk: se folje elkoar oan, se oerlaepje elkoar en soms bistride se elkoar. Ik gean út fan:\n1. poëzij is tael, mar útsoarte gjin klisjétael;\n2. poëzij is in persoanlike útering (ekspresje), bidoeld yn dy sin dat de bûtewrâld èn de binnewrâld elkoar konstant biynfloedzje;\n3. poëzij is it foarm jaen oan in ûnderfining dy 't foar himsels sprekt (rigels, strofen en ritme);\n4. poëzij hat in dúdlike, faek implisite funksje: it engaezjemint (mei de mins en de wrâld) moat ymmanint oanwêzich wêze.\n(N.B. Boppesteande binne de útgongspunten fan dizze kritikus, en net fan de skriuwer fan fersen en hoege alteast net deselde to wêzen: skriuwen is skriuwen!)\nYn it fers ‘Pianostemmer’ kinne je neffens my de 4 útgongspunten werom fine: ik fyn it in tige sterk fers yn al syn ienfâld, helderheid en bidoeling.\nJan J. Bylsma is fan 1931 (foarflap), tsien âlder as ik bin. Hy hat de\noarlock '40-'45 oars, biwuster meimakke as ik. Tusken syn 9e en syn 14e hat by (en syn hele generaesje dichters) ûnderfiningen haven der 't ik gjin weet fan hawwe kin. It liket my ta, mar it is mar in hypothese, dat de lju fan 1930 (ik bedoel hjir útsoarte de skriuwers, mar de netskriuwers sille it op in oare menier forwurkje) op in mear ôfstandelike wize skriuwe as de lju fan 1940 (lju dy 't dy fiif jier unbiwust in soad ûnderfiningen forwurkje moasten).\nIt falt my elke kear wer op yn 'e Nederlânsktalige literatuer, en doe 't ik Bylsma 's fers ‘REUNY 1975’ lies skeat my itselde oangeande de Fryske skriuwers troch de holle. Oppenij, kwant al faker is my it forskil opfallen tusken bygelyks in Reinder van der Leest en in Jan Bylsma oan 'e iene kant en bgl. in Willem Abma en mysels oan 'e oare kant. ik bedoel de útgongspunten, it al of net stelling nimmen en soksoarte fan saken.\nOan de hân fan teksten fan beide generaesjes soe immen dit ris ûndersykje moatte. At it wier is dat de earste 5 jier fan in minskelibbe foar in part bipalend binne foar syn hâlden en dragen letter (ekstreem steld) dan moat dit útsoartte yn poëzij (èn proaza) werom to finen wêze.\n- bliid dat ik dy\nek werris sjoch -\nseit de soan\nfan de forsetman\ntsjin de soan\nfan de ennesbéer\nnou beiden foar\nyn 'e fjirtich\nsy binne de\nde pubers nei de\nde slokkers dy 't\nit hiele libben lang\ntusken serfet en tafellekken\nhingjen bliuwe (side 21)\n6. De trije beste fersen: Dy 't jesels skriuwe wold hiene\nOer ‘Pianostemmer’ ha 'k sein dat it in sterk fers is. At ik it goed haw - mar myn yntuysje is net stuolle op definysjes fan rounom\nbikinde pommeranten fan de poëzijútlizkunde, stuollet allinne op myn 4 útgongspunten en myn lêsûnderfining fan in tweintich jier - at ik dus net fout sit dan snijt de dichter neffens my yn dit fers de problematyk oan fan it (syn eigen) dichterskip. It biografyske lit ik nou mar foar hwat it is: poëzij moat foar himsels sprekke.\nLykas yn de ‘Pianostimmer’ binne ek yn dit fers de fjouwer (myn 4) prinsipes fan poëzij werom to finen. De ik-figuer (de skriuwer of/en lêzer, mar it makket net in soad út) falt tusken de wâl en it skip. Wurdt net foar fol oansjoen (dat bars faker mei dichters!) Elk mins falt faker tusken de wâl en it skip as er foar leaf hat. Mei oare wurden, de mins wurdt fan de oar earder nei ûnderen trape as omheech helle.\nSjoch dêr ien fan de kearnsitewaesjes fan libjen. De troch de dichter opskerpe sitewaesje (goed fjirtich nou, pubers doe, in goeije heit en in fouteneen) wurdt hjir middels de tael útwreide ta in totael sosjael forkearen fan minsken. De tige persoanlike ynlieding wurdt úttild boppe it banale fan in réuny, en makket deselde réuny dêrmei ta in laden bigryp, ta in universeel byld, los fan alle klisjé-ynhâlden. De lêzer kin sels in kar dwaen, by moetet mear fragen as fêste mieningen en bifêstigingen. Datjinge hwat ik yn de measte fersen yn dizze bondel fan Bylsma mis - it dwaen fan in kar, de úterste konsewinsje lûke middels de tael sels - docht er yn dit fers. Itselde fyn ik werom yn ‘Pianostimmer’ en ek yn in fers dat my tige oansprekt, namentlik:\nIn fleurige les\nit famke koe net fierder lêze\nhwant se moast ynienen gûle\nast net lekker bist\nmeist wol nei hûs -\nsei ik - in mantsje mei bigryp\nmar op dat stuit\nkrekt healwei alven\nwaerd har mem operearre\noan in swolm\nfour de tredde kear\ndat sei it famke\nnjonken har mei\nik haw in piip opstutsen\nen gjin les mear jown\nhwat moat men eins\nmei in diploma (side 19)\nDizze trije fersen bliuwe, dêrfan bin 'k oertsjûge. Se meitsje de bondel yn syn gehiel net samar geweldich. Se kinne de bondel mei syn trijen ek net úttille boppe de midsmjitte, hwant dêrfoar sitte der tofolle heale fersen tusken.\nYn inkelde fersen priuwe je deselde ynfalshoeke dy 't ek de 3 boppeneamde ta poëzij meitsje (‘Mei pinsjoen’, ‘Mei inoar ien’, ‘Eineksa menkandidaet VWO’ bgl.). Allinne, at der dan in persoanlike bitrutsenheit om 'e hoeke kypjen komt, de konsekwinsjes lûke fan jins eigen dichterskip yn 'e maetskippij, dan jowt de dichter JJB net thús en is er by definysje dus banaler as bgl. in Van Duin (yn ‘mei pinsjoen’ tsjirmet de stakker fansels op 't lêst om mei nieren en prostaet; yn ‘mei inoar ien’ binne tennisspylders allinne mar Nederlânskpratende lju en yn ‘eineks.k. vwo’ komt de wéwé fan hear Wiegel op 'e proppen).\n7. Byneed dy iene, mar bliuw earlik\nHwêrom forleget in dichter dy 't bysteat is en skriuw goeije fersen himsels ta sok leech klisjépraet? Haest? ‘In tusken serfet en tafellekken-fielen’? Hwêrom wurde dizze forsliten kaeijen, dizze lopers foar elke tv-drol út Bussum hantearre? Is de dichter hjir to biroerd om syn fak earnstich to nimmen, om dichter to wêzen? Hokker funksje hat sok frijbliuwend en foar de poëzij deadzjend gejeuzel? Wol er miskien trochgean foar de jonge fan it smelle understatemint?\nIk bin der fan oertsjûge dat Jan J. Bylsma bysteat is en skriuw in 28 fersen fan kwaliteit yn ien bondel. Soks kin yn fjouwer jier (dizzen binne skreaun tusken 1971 en 1975 neffens de flap) it mei ek langer duorje. At by de opset hawn hat en jow ‘elck hwat wils’ (dizze bóndel wiist dy kant út) dan kin 'k allinne mar bislute mei syn eigen wurden, en biskôgje dat dan as in fûl pleitsjen foar poëzij:\njow my dat bytsje wurden mar\nnedich foar ien ferske\nbyneed dy iene (side 7)\nhwermei 't de lytse rounte efter de lege rounte fan de klisjérazers wer sletten is.\nPUBLISEARJE BITSJUT JINSELS AS SKRIUWER OERLEVERJE OAN IT PUBLYK, DER 'T JE BY EINSLUTEN FOAR SKRIUWE. ALLES HWAT NET PUBLISEARRE WURDT, OF\nALTEAST YNGIET TSJIN DE TRIJEHOEK SKRIUWER + TEKST + LEZER, DUS YNGIET TSJIN DE LITERAIRE SITEWAESJE, IS RJOCHTE OP DE FORNEATIGING FAN DYSELDE SITEWAESJE: DE LITERATUER.\nAT DY TRIJEHOEKSRELAESJE OPSETLIK FORSTEURD WURDT (EKSTREME SYMBOLISTEN BGL., OF HWANNEAR 'T DE DICHTER NET TROCH HAT HWAT ER DOCHT, OF IT PUBLYK TROCH DE DICHTER NET SERIEUS NOMMEN WURDT) DAN KIN MEN SPREKKE FAN IN ANTY-SKRIUWER. SA 'N ANTY-DICHTER IS GEFAERLIK FOAR DE LITERATUER OMT ER GEFAERLIK FOAR DE MINSKEN IS. DICHTERS DY 'T TOFOLLE LEAUWE YN UNPERSOANLIKHEIT EN FRIJBLIUWENDHEID OANGEANDE IT SKRIUWEN FAN FERSEN BINNE NET WURDICH DICHTER NEAMD TO WURDEN.\nEN AS ALDERLESTE DIT, IN LYTSE FARIAESJE OP 'E LESTE STROFE FAN ‘IN FLEURIGE LES’\n‘IK HAW IN BONDEL LEZEN\nEN GJIN KRUKJE SJOEN\nMEI IN GEDICHT!\nLEZE MAR NETTO FAEK BISPREKKE.....


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It Prinsessehof yn Ljouwert presintearret yn 'e hjerst fan 2022 in grutte útstalling dy't sjen lit hoe't se yn Nederlân feestfiere mei iten. Dêrom is it museum op syk nei\nOp sânplaat Simonssân njonken Skiermûntseach is in walrus sjoen. It is in bysûndere waarnimming, want walrussen libje trochgeans op driifiis yn de Noardlike Iissee. It giet om in wyfke dat\nMinsken dy't op in terras sitte, moatte fan takom wykein ôf harren koroanatagongsbewiis sjen litte as se binnendoar nei it húske wolle. Dat seit demisjonêr minister De Jonge. Neffens him\nDe FNP yn Tytsjerksteradiel kriget in tydlike fraksjefoarsitter. Mei yngong fan 1 oktober leit Piet Reitsma dy funksje del, omdat er nei 12 jier ophâldt as riedslid. oer. Freddy de\nPraat mar Frysk TV: Wat is in 'titelroas'?\nDE JOUWER – Troch in berûne loft waard de nacht fan moandei op tiisdei minder kâld as ferwachte, en tiisdei oerdei wie der sinne en bewolking. It bliuwt ek woansdei\nToeristyske wink Sawol yn de tiid foar Kristus as dernei barde it geregeld dat grutte parten fan Fryslân ûnder wetter strûpten. Der wiene ommers gjin diken ta beskerming fan de


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Serials...: Saraswatichandra 4th June 2013 Written Update\nSaraswatichandra 4th June 2013 Written Update\nKumud asks Saras to move, as panditji is coming. Saras stands at the door and does not see him, and is shocked to see the panditji suddenly. LOL..\nUpplagd av Hily K kl. 17:37:00


(8-6, NWC 4-1)\n(4-10, NWC 1-4)\n19 35 4 58\n29 3-9 0-0 0-0 2 1 3 0 1 2 2 6 6\n31 2-4 0-0 7-10 5 5 10 0 1 0 0 3 11\n23 2-6 0-0 2-2 0 4 4 2 1 1 0 2 6\n36 4-11 1-5 11-12 0 6 6 4 1 1 2 1 20\n37 1-9 0-2 0-0 2 4 6 2 1 0 2 2 2\n17 1-1 0-0 1-4 0 1 1 0 1 1 2 1 3\n21 3-6 1-3 4-4 0 1 1 3 0 0 2 1 11\n25 1-6 0-3 4-4 1 4 5 0 0 1 0 0 6\n3 0-2 0-0 0-0 0 0 0 0 1 0 2 1 0\n17-56 2-14 29-36 13 32 45 11 7 6 12 17 65\n30.4% 14.3% 80.6%\n25 - Mackenzie Bieker - f\n35 1-7 0-0 2-2 1 6 7 5 1 1 0 5 4\n39 4-9 0-1 6-8 1 3 4 1 3 0 2 4 14\n40 12-19 0-0 5-5 5 13 18 1 1 2 2 4 29\n40 0-7 0-5 2-3 1 2 3 1 1 0 6 5 2\n35 4-19 1-6 0-0 2 4 6 3 2 1 2 4 9\n21 0-3 0-2 0-0 1 2 3 4 0 0 4 3 0\n12 0-2 0-0 0-0 1 0 1 3 0 0 0 0 0\n21-66 1-14 15-18 14 30 44 18 8 4 16 26 58\n31.8% 7.1% 83.3%\nMichele Rupe, Tyler Trimble, Joanna Sather\n19:46 0 - 2 POTTER,SAMANTHA made layup\n19:46 0 - 2 Assist by BIEKER,MACKENZIE\n19:22 AGCAIOILI,ASHLEY missed jump shot 0 - 2\n19:22 LAYLAND,LINDSAY offensive rebound 0 - 2\n19:19 0 - 2 Foul by BIEKER,MACKENZIE\n19:18 LAYLAND,LINDSAY made free throw 1 - 2\n19:18 LAYLAND,LINDSAY made free throw 2 - 2\n19:17 2 - 2 Turnover by SMITH,KATELYN\n19:13 2 - 2 Foul by SMITH,KATELYN\n19:13 MCKINNIS,KELSEY made free throw 3 - 2\n19:13 MCKINNIS,KELSEY made free throw 4 - 2\n19:06 4 - 2 Turnover by BACKSTROM,SARA\n19:04 Steal by RIORDAN,JOCELYN 4 - 2\n19:02 RIORDAN,JOCELYN missed layup 4 - 2\n19:02 4 - 2 BIEKER,MACKENZIE defensive rebound\n18:55 4 - 2 BIEKER,MACKENZIE missed jump shot\n18:55 4 - 2 BIEKER,MACKENZIE offensive rebound\n18:52 Foul by AGCAIOILI,ASHLEY 4 - 2\n18:52 4 - 3 BIEKER,MACKENZIE made free throw\n18:52 4 - 4 BIEKER,MACKENZIE made free throw\n18:45 MCKINNIS,KELSEY missed 3-pt. jump shot 4 - 4\n18:45 4 - 4 POTTER,SAMANTHA defensive rebound\n18:29 4 - 4 KILCUP,SHELLY missed 3-pt. jump shot\n18:29 4 - 4 POTTER,SAMANTHA offensive rebound\n18:23 4 - 4 POTTER,SAMANTHA missed layup\n18:23 Block by FORSHAY,AMANDA 4 - 4\n18:21 4 - 4 POTTER,SAMANTHA offensive rebound\n18:07 4 - 4 KILCUP,SHELLY missed jump shot\n18:07 Block by MCKINNIS,KELSEY 4 - 4\n18:05 LAYLAND,LINDSAY defensive rebound 4 - 4\n17:57 RIORDAN,JOCELYN missed 3-pt. jump shot 4 - 4\n17:57 4 - 4 POTTER,SAMANTHA defensive rebound\n17:31 4 - 4 BACKSTROM,SARA missed jump shot\n17:31 Block by AGCAIOILI,ASHLEY 4 - 4\n17:28 AGCAIOILI,ASHLEY defensive rebound 4 - 4\n17:07 MCKINNIS,KELSEY missed layup 4 - 4\n17:07 4 - 4 POTTER,SAMANTHA defensive rebound\n16:52 4 - 4 Turnover by POTTER,SAMANTHA\n16:38 RIORDAN,JOCELYN missed jump shot 4 - 4\n16:38 4 - 4 KILCUP,SHELLY defensive rebound\n16:25 Foul by AGCAIOILI,ASHLEY 4 - 4\n16:25 4 - 5 BACKSTROM,SARA made free throw\n16:25 4 - 6 BACKSTROM,SARA made free throw\n16:25 STEWART,SARAH enters the game 4 - 6\n16:25 JONES,TAYLOR enters the game 4 - 6\n16:25 AGCAIOILI,ASHLEY goes to the bench 4 - 6\n16:25 FORSHAY,AMANDA goes to the bench 4 - 6\n16:13 JONES,TAYLOR made 3-pt. jump shot 7 - 6\n16:13 Assist by RIORDAN,JOCELYN 7 - 6\n15:55 7 - 8 SMITH,KATELYN made jump shot\n15:28 STEWART,SARAH missed 3-pt. jump shot 7 - 8\n15:28 7 - 8 KILCUP,SHELLY defensive rebound\n15:27 7 - 8 KILCUP,SHELLY missed jump shot\n15:27 TEAM defensive rebound 7 - 8\n15:27 7 - 8 Foul by POTTER,SAMANTHA\n15:25 RIORDAN,JOCELYN missed jump shot 7 - 8\n15:25 7 - 8 KILCUP,SHELLY defensive rebound\n15:19 7 - 10 POTTER,SAMANTHA made layup\n15:19 7 - 10 Assist by BIEKER,MACKENZIE\n15:02 MCKINNIS,KELSEY made layup 9 - 10\n15:02 Assist by JONES,TAYLOR 9 - 10\n14:44 9 - 10 KILCUP,SHELLY missed 3-pt. jump shot\n14:44 TEAM defensive rebound 9 - 10\n14:42 JONES,TAYLOR missed layup 9 - 10\n14:42 9 - 10 KILCUP,SHELLY defensive rebound\n14:42 STUMBAUGH,ERIN enters the game 9 - 10\n14:42 FORSHAY,AMANDA enters the game 9 - 10\n14:04 RIORDAN,JOCELYN goes to the bench 9 - 10\n14:04 LAYLAND,LINDSAY goes to the bench 9 - 10\n13:46 9 - 10 BACKSTROM,SARA missed layup\n13:46 STEWART,SARAH defensive rebound 9 - 10\n13:30 FORSHAY,AMANDA missed jump shot 9 - 10\n13:30 9 - 10 BIEKER,MACKENZIE defensive rebound\n13:17 9 - 10 Turnover by BACKSTROM,SARA\n13:17 9 - 10 SWOPE,CHRISSY enters the game\n13:17 9 - 10 ADAMS,ANDI enters the game\n13:17 9 - 10 POTTER,SAMANTHA goes to the bench\n13:17 9 - 10 KILCUP,SHELLY goes to the bench\n12:59 FORSHAY,AMANDA made layup 11 - 10\n12:59 Assist by JONES,TAYLOR 11 - 10\n12:32 11 - 10 Turnover by BACKSTROM,SARA\n12:32 LOWE,SHA'RAN enters the game 11 - 10\n12:32 AGCAIOILI,ASHLEY enters the game 11 - 10\n12:32 STEWART,SARAH goes to the bench 11 - 10\n12:32 JONES,TAYLOR goes to the bench 11 - 10\n12:16 Foul by LOWE,SHA'RAN 11 - 10\n12:16 Turnover by LOWE,SHA'RAN 11 - 10\n11:58 11 - 10 SMITH,KATELYN missed jump shot\n11:58 AGCAIOILI,ASHLEY defensive rebound 11 - 10\n11:40 LOWE,SHA'RAN missed jump shot 11 - 10\n11:40 11 - 10 SMITH,KATELYN defensive rebound\n11:25 11 - 10 Foul by ADAMS,ANDI\n11:25 11 - 10 Turnover by ADAMS,ANDI\n11:25 MEDIA TIMEOUT by Puget Sound 11 - 10\n11:11 STUMBAUGH,ERIN made jump shot 13 - 10\n11:11 Assist by AGCAIOILI,ASHLEY 13 - 10\n10:58 13 - 10 Turnover by ADAMS,ANDI\n10:58 Steal by FORSHAY,AMANDA 13 - 10\n10:34 LOWE,SHA'RAN missed layup 13 - 10\n10:34 13 - 10 POTTER,SAMANTHA defensive rebound\n10:07 13 - 10 BIEKER,MACKENZIE missed jump shot\n10:07 AGCAIOILI,ASHLEY defensive rebound 13 - 10\n09:49 AGCAIOILI,ASHLEY missed jump shot 13 - 10\n09:49 13 - 10 ADAMS,ANDI defensive rebound\n09:46 ROBERTS,OLIVIA enters the game 13 - 10\n09:46 LAYLAND,LINDSAY enters the game 13 - 10\n09:46 RIORDAN,JOCELYN enters the game 13 - 10\n09:46 MCKINNIS,KELSEY goes to the bench 13 - 10\n09:46 LOWE,SHA'RAN goes to the bench 13 - 10\n09:46 AGCAIOILI,ASHLEY goes to the bench 13 - 10\n09:46 13 - 10 KILCUP,SHELLY enters the game\n09:46 13 - 10 POTTER,SAMANTHA enters the game\n09:46 13 - 10 BACKSTROM,SARA goes to the bench\n09:46 13 - 10 SMITH,KATELYN goes to the bench\n09:46 13 - 10 ADAMS,ANDI goes to the bench\n09:38 13 - 10 BACKSTROM,SARA missed 3-pt. jump shot\n09:38 Block by FORSHAY,AMANDA 13 - 10\n09:35 LAYLAND,LINDSAY defensive rebound 13 - 10\n09:27 FORSHAY,AMANDA missed jump shot 13 - 10\n09:27 TEAM offensive rebound 13 - 10\n09:25 13 - 10 Foul by BIEKER,MACKENZIE\n09:25 13 - 10 SMITH,KATELYN enters the game\n09:25 13 - 10 SWOPE,CHRISSY goes to the bench\n09:00 ROBERTS,OLIVIA missed 3-pt. jump shot 13 - 10\n09:00 RIORDAN,JOCELYN offensive rebound 13 - 10\n09:00 Turnover by RIORDAN,JOCELYN 13 - 10\n09:00 13 - 10 Steal by SMITH,KATELYN\n08:56 13 - 10 Turnover by BACKSTROM,SARA\n08:54 Steal by LOWE,SHA'RAN 13 - 10\n08:50 Turnover by LOWE,SHA'RAN 13 - 10\n08:43 JONES,TAYLOR enters the game 13 - 10\n08:43 STUMBAUGH,ERIN goes to the bench 13 - 10\n08:43 13 - 10 ADAMS,ANDI enters the game\n08:43 13 - 10 BIEKER,MACKENZIE goes to the bench\n08:41 13 - 10 POTTER,SAMANTHA missed jump shot\n08:41 RIORDAN,JOCELYN defensive rebound 13 - 10\n08:16 13 - 10 Foul by KILCUP,SHELLY\n08:16 STEWART,SARAH made free throw 14 - 10\n08:16 STEWART,SARAH made free throw 15 - 10\n08:13 15 - 10 TEAM TIMEOUT by Pacific Lutheran\n08:11 STEWART,SARAH enters the game 15 - 10\n08:11 MCKINNIS,KELSEY enters the game 15 - 10\n08:11 ROBERTS,OLIVIA goes to the bench 15 - 10\n08:11 FORSHAY,AMANDA goes to the bench 15 - 10\n07:36 15 - 10 BACKSTROM,SARA missed 3-pt. jump shot\n07:36 LAYLAND,LINDSAY defensive rebound 15 - 10\n07:30 STEWART,SARAH missed 3-pt. jump shot 15 - 10\n07:30 LAYLAND,LINDSAY offensive rebound 15 - 10\n07:25 15 - 10 Foul by KILCUP,SHELLY\n07:25 MCKINNIS,KELSEY made free throw 16 - 10\n07:25 MCKINNIS,KELSEY made free throw 17 - 10\n07:25 17 - 10 BIEKER,MACKENZIE enters the game\n07:25 17 - 10 KILCUP,SHELLY goes to the bench\n07:01 17 - 10 ADAMS,ANDI missed 3-pt. jump shot\n07:01 LAYLAND,LINDSAY defensive rebound 17 - 10\n06:56 Block by STEWART,SARAH 17 - 10\n06:47 JONES,TAYLOR made jump shot 19 - 10\n06:40 19 - 10 BIEKER,MACKENZIE missed jump shot\n06:40 STEWART,SARAH defensive rebound 19 - 10\n06:25 LAYLAND,LINDSAY made layup 21 - 10\n06:25 Assist by MCKINNIS,KELSEY 21 - 10\n06:08 21 - 10 TEAM TIMEOUT by Pacific Lutheran\n05:48 21 - 10 Turnover by ADAMS,ANDI\n05:46 Steal by MCKINNIS,KELSEY 21 - 10\n05:44 MCKINNIS,KELSEY made layup 23 - 10\n05:27 23 - 10 BACKSTROM,SARA missed 3-pt. jump shot\n05:27 RIORDAN,JOCELYN defensive rebound 23 - 10\n05:16 LAYLAND,LINDSAY made jump shot 25 - 10\n05:16 Assist by JONES,TAYLOR 25 - 10\n05:04 Foul by RIORDAN,JOCELYN 25 - 10\n05:04 25 - 11 POTTER,SAMANTHA made free throw\n05:04 25 - 12 POTTER,SAMANTHA made free throw\n05:04 FORSHAY,AMANDA enters the game 25 - 12\n05:04 STEWART,SARAH goes to the bench 25 - 12\n05:04 25 - 12 KILCUP,SHELLY enters the game\n05:04 25 - 12 ADAMS,ANDI goes to the bench\n04:38 JONES,TAYLOR missed 3-pt. jump shot 25 - 12\n04:38 25 - 12 POTTER,SAMANTHA defensive rebound\n04:25 25 - 12 Turnover by BACKSTROM,SARA\n04:25 BLAUGHER,JANIS enters the game 25 - 12\n04:25 LAYLAND,LINDSAY goes to the bench 25 - 12\n04:08 RIORDAN,JOCELYN missed jump shot 25 - 12\n04:08 FORSHAY,AMANDA offensive rebound 25 - 12\n04:02 FORSHAY,AMANDA made layup 27 - 12\n03:44 27 - 14 SMITH,KATELYN made jump shot\n03:44 27 - 14 Assist by BACKSTROM,SARA\n03:18 BLAUGHER,JANIS missed layup 27 - 14\n03:18 27 - 14 Block by BIEKER,MACKENZIE\n03:15 27 - 14 SMITH,KATELYN defensive rebound\n03:06 27 - 14 BACKSTROM,SARA missed 3-pt. jump shot\n03:06 JONES,TAYLOR defensive rebound 27 - 14\n03:02 30SEC TIMEOUT by Puget Sound 27 - 14\n03:02 STUMBAUGH,ERIN enters the game 27 - 14\n03:02 AGCAIOILI,ASHLEY enters the game 27 - 14\n03:02 FORSHAY,AMANDA goes to the bench 27 - 14\n03:02 BLAUGHER,JANIS goes to the bench 27 - 14\n03:02 MCKINNIS,KELSEY goes to the bench 27 - 14\n03:02 27 - 14 SMITH,KATELYN goes to the bench\n03:02 27 - 14 BIEKER,MACKENZIE goes to the bench\n03:02 27 - 14 KILCUP,SHELLY goes to the bench\n03:02 27 - 14 POTTER,SAMANTHA goes to the bench\n02:50 MCKINNIS,KELSEY missed 3-pt. jump shot 27 - 14\n02:50 27 - 14 BIEKER,MACKENZIE defensive rebound\n02:41 27 - 14 SMITH,KATELYN enters the game\n02:41 27 - 14 POTTER,SAMANTHA enters the game\n02:41 27 - 14 KILCUP,SHELLY enters the game\n02:41 27 - 14 BIEKER,MACKENZIE enters the game\n02:41 27 - 14 BACKSTROM,SARA enters the game\n02:14 27 - 14 POTTER,SAMANTHA missed jump shot\n02:14 TEAM defensive rebound 27 - 14\n02:12 LAYLAND,LINDSAY enters the game 27 - 14\n02:12 MCKINNIS,KELSEY enters the game 27 - 14\n02:12 FORSHAY,AMANDA enters the game 27 - 14\n02:12 JONES,TAYLOR goes to the bench 27 - 14\n02:12 RIORDAN,JOCELYN goes to the bench 27 - 14\n01:49 Turnover by FORSHAY,AMANDA 27 - 14\n01:47 27 - 14 Steal by POTTER,SAMANTHA\n01:42 27 - 16 BIEKER,MACKENZIE made jump shot\n01:42 27 - 16 Assist by POTTER,SAMANTHA\n01:22 Turnover by STUMBAUGH,ERIN 27 - 16\n01:18 27 - 16 Steal by BACKSTROM,SARA\n01:15 27 - 18 SMITH,KATELYN made layup\n01:15 27 - 18 Assist by KILCUP,SHELLY\n01:14 30SEC TIMEOUT by Puget Sound 27 - 18\n01:14 STEWART,SARAH enters the game 27 - 18\n01:14 RIORDAN,JOCELYN enters the game 27 - 18\n01:04 Turnover by STUMBAUGH,ERIN 27 - 18\n01:04 27 - 18 Steal by BIEKER,MACKENZIE\n00:40 STUMBAUGH,ERIN goes to the bench 27 - 18\n00:40 LAYLAND,LINDSAY goes to the bench 27 - 18\n00:40 MCKINNIS,KELSEY goes to the bench 27 - 18\n00:40 STEWART,SARAH goes to the bench 27 - 18\n00:37 27 - 18 Turnover by BACKSTROM,SARA\n00:36 Steal by STUMBAUGH,ERIN 27 - 18\n00:35 27 - 18 Foul by BIEKER,MACKENZIE\n00:35 STUMBAUGH,ERIN missed free throw 27 - 18\n00:35 TEAM deadball rebound 27 - 18\n00:35 STUMBAUGH,ERIN made free throw 28 - 18\n00:35 LAYLAND,LINDSAY enters the game 28 - 18\n00:35 STEWART,SARAH enters the game 28 - 18\n00:35 STUMBAUGH,ERIN enters the game 28 - 18\n00:35 MCKINNIS,KELSEY enters the game 28 - 18\n00:35 AGCAIOILI,ASHLEY goes to the bench 28 - 18\n00:35 28 - 18 ADAMS,ANDI enters the game\n00:35 28 - 18 BIEKER,MACKENZIE goes to the bench\n00:26 Foul by LAYLAND,LINDSAY 28 - 18\n00:26 28 - 19 SMITH,KATELYN made free throw\n00:26 28 - 19 SMITH,KATELYN missed free throw\n00:26 STUMBAUGH,ERIN defensive rebound 28 - 19\n00:26 AGCAIOILI,ASHLEY enters the game 28 - 19\n00:26 FORSHAY,AMANDA goes to the bench 28 - 19\n00:26 RIORDAN,JOCELYN goes to the bench 28 - 19\n00:05 MCKINNIS,KELSEY missed 3-pt. jump shot 28 - 19\n00:05 LAYLAND,LINDSAY offensive rebound 28 - 19\n19:32 28 - 21 POTTER,SAMANTHA made jump shot\n19:32 28 - 21 Assist by BIEKER,MACKENZIE\n19:11 LAYLAND,LINDSAY missed jump shot 28 - 21\n19:11 28 - 21 Block by POTTER,SAMANTHA\n19:11 TEAM offensive rebound 28 - 21\n19:09 FORSHAY,AMANDA made layup 30 - 21\n19:09 Assist by MCKINNIS,KELSEY 30 - 21\n18:39 30 - 21 POTTER,SAMANTHA missed jump shot\n18:39 30 - 21 POTTER,SAMANTHA offensive rebound\n18:30 30 - 21 POTTER,SAMANTHA missed jump shot\n18:30 FORSHAY,AMANDA defensive rebound 30 - 21\n18:16 AGCAIOILI,ASHLEY made layup 32 - 21\n18:06 32 - 23 SMITH,KATELYN made layup\n18:06 32 - 23 Assist by KILCUP,SHELLY\n17:44 MCKINNIS,KELSEY made layup 34 - 23\n17:14 34 - 23 KILCUP,SHELLY missed jump shot\n17:14 RIORDAN,JOCELYN defensive rebound 34 - 23\n17:05 FORSHAY,AMANDA missed layup 34 - 23\n17:05 FORSHAY,AMANDA offensive rebound 34 - 23\n16:54 FORSHAY,AMANDA missed layup 34 - 23\n16:54 34 - 23 SMITH,KATELYN defensive rebound\n16:47 34 - 23 KILCUP,SHELLY missed jump shot\n16:47 MCKINNIS,KELSEY defensive rebound 34 - 23\n16:47 STEWART,SARAH enters the game 34 - 23\n16:47 FORSHAY,AMANDA goes to the bench 34 - 23\n16:24 LAYLAND,LINDSAY missed layup 34 - 23\n16:24 34 - 23 Block by KILCUP,SHELLY\n16:24 TEAM offensive rebound 34 - 23\n16:23 AGCAIOILI,ASHLEY made jump shot 36 - 23\n16:23 Assist by RIORDAN,JOCELYN 36 - 23\n16:05 36 - 23 KILCUP,SHELLY missed 3-pt. jump shot\n16:05 AGCAIOILI,ASHLEY defensive rebound 36 - 23\n15:55 36 - 23 Foul by BACKSTROM,SARA\n15:55 36 - 23 ADAMS,ANDI enters the game\n15:55 36 - 23 KILCUP,SHELLY goes to the bench\n15:46 Turnover by RIORDAN,JOCELYN 36 - 23\n15:44 36 - 23 Steal by SMITH,KATELYN\n15:32 36 - 23 ADAMS,ANDI missed layup\n15:32 MCKINNIS,KELSEY defensive rebound 36 - 23\n15:15 36 - 23 Foul by SMITH,KATELYN\n15:15 STUMBAUGH,ERIN enters the game 36 - 23\n15:15 RIORDAN,JOCELYN goes to the bench 36 - 23\n14:55 STEWART,SARAH missed jump shot 36 - 23\n14:55 LAYLAND,LINDSAY offensive rebound 36 - 23\n14:33 MCKINNIS,KELSEY made 3-pt. jump shot 39 - 23\n14:33 Assist by AGCAIOILI,ASHLEY 39 - 23\n14:13 39 - 23 BACKSTROM,SARA missed 3-pt. jump shot\n14:13 STEWART,SARAH defensive rebound 39 - 23\n13:57 39 - 23 Foul by POTTER,SAMANTHA\n13:57 FORSHAY,AMANDA enters the game 39 - 23\n13:57 LAYLAND,LINDSAY goes to the bench 39 - 23\n13:57 39 - 23 KILCUP,SHELLY enters the game\n13:57 39 - 23 BACKSTROM,SARA goes to the bench\n13:51 MCKINNIS,KELSEY missed layup 39 - 23\n13:51 39 - 23 Block by POTTER,SAMANTHA\n13:42 39 - 23 POTTER,SAMANTHA defensive rebound\n13:36 Foul by FORSHAY,AMANDA 39 - 23\n13:36 39 - 24 SMITH,KATELYN made free throw\n13:36 39 - 25 SMITH,KATELYN made free throw\n13:36 JONES,TAYLOR enters the game 39 - 25\n13:36 AGCAIOILI,ASHLEY goes to the bench 39 - 25\n13:27 MCKINNIS,KELSEY missed jump shot 39 - 25\n13:27 39 - 25 POTTER,SAMANTHA defensive rebound\n13:13 39 - 25 BIEKER,MACKENZIE missed jump shot\n13:13 39 - 25 KILCUP,SHELLY offensive rebound\n13:06 Foul by FORSHAY,AMANDA 39 - 25\n13:06 RIORDAN,JOCELYN enters the game 39 - 25\n13:06 MCKINNIS,KELSEY goes to the bench 39 - 25\n13:02 39 - 27 KILCUP,SHELLY made jump shot\n13:02 39 - 27 Assist by ADAMS,ANDI\n12:45 Turnover by FORSHAY,AMANDA 39 - 27\n12:40 Foul by FORSHAY,AMANDA 39 - 27\n12:25 Foul by JONES,TAYLOR 39 - 27\n12:23 39 - 29 KILCUP,SHELLY made jump shot\n12:23 39 - 29 Assist by ADAMS,ANDI\n12:03 STEWART,SARAH missed jump shot 39 - 29\n12:03 39 - 29 BIEKER,MACKENZIE defensive rebound\n11:48 39 - 29 Turnover by KILCUP,SHELLY\n11:48 MEDIA TIMEOUT by Puget Sound 39 - 29\n11:36 39 - 29 Foul by SMITH,KATELYN\n11:36 STEWART,SARAH made free throw 40 - 29\n11:36 STEWART,SARAH made free throw 41 - 29\n11:36 41 - 29 SWOPE,CHRISSY enters the game\n11:36 41 - 29 BACKSTROM,SARA enters the game\n11:36 41 - 29 KILCUP,SHELLY goes to the bench\n11:36 41 - 29 ADAMS,ANDI goes to the bench\n11:26 41 - 29 KILCUP,SHELLY missed 3-pt. jump shot\n11:26 41 - 29 POTTER,SAMANTHA offensive rebound\n11:22 41 - 31 POTTER,SAMANTHA made layup\n11:22 Foul by RIORDAN,JOCELYN 41 - 31\n11:22 41 - 32 POTTER,SAMANTHA made free throw\n10:58 STEWART,SARAH missed 3-pt. jump shot 41 - 32\n10:58 41 - 32 BIEKER,MACKENZIE defensive rebound\n10:36 41 - 32 BIEKER,MACKENZIE missed jump shot\n10:36 MCKINNIS,KELSEY defensive rebound 41 - 32\n10:11 Turnover by MCKINNIS,KELSEY 41 - 32\n10:09 41 - 32 Steal by KILCUP,SHELLY\n10:03 MCKINNIS,KELSEY enters the game 41 - 32\n10:03 STUMBAUGH,ERIN goes to the bench 41 - 32\n10:02 41 - 34 POTTER,SAMANTHA made jump shot\n10:02 41 - 34 Assist by SWOPE,CHRISSY\n09:38 RIORDAN,JOCELYN missed jump shot 41 - 34\n09:38 41 - 34 POTTER,SAMANTHA defensive rebound\n09:30 Foul by MCKINNIS,KELSEY 41 - 34\n09:30 TEAM TIMEOUT by Puget Sound 41 - 34\n09:30 LAYLAND,LINDSAY enters the game 41 - 34\n09:30 AGCAIOILI,ASHLEY enters the game 41 - 34\n09:30 RIORDAN,JOCELYN goes to the bench 41 - 34\n09:30 MCKINNIS,KELSEY goes to the bench 41 - 34\n09:30 STEWART,SARAH goes to the bench 41 - 34\n09:30 JONES,TAYLOR goes to the bench 41 - 34\n09:30 41 - 34 KILCUP,SHELLY enters the game\n09:30 41 - 34 SMITH,KATELYN goes to the bench\n09:22 41 - 34 SWOPE,CHRISSY missed jump shot\n09:22 LAYLAND,LINDSAY defensive rebound 41 - 34\n09:09 FORSHAY,AMANDA missed jump shot 41 - 34\n09:09 41 - 34 BACKSTROM,SARA defensive rebound\n08:48 41 - 34 POTTER,SAMANTHA missed jump shot\n08:48 RIORDAN,JOCELYN defensive rebound 41 - 34\n08:24 RIORDAN,JOCELYN made jump shot 43 - 34\n08:24 Assist by MCKINNIS,KELSEY 43 - 34\n08:08 43 - 34 KILCUP,SHELLY missed layup\n08:08 43 - 34 SWOPE,CHRISSY offensive rebound\n08:04 43 - 36 KILCUP,SHELLY made jump shot\n08:04 43 - 36 Assist by SWOPE,CHRISSY\n07:41 MCKINNIS,KELSEY missed 3-pt. jump shot 43 - 36\n07:41 43 - 36 POTTER,SAMANTHA defensive rebound\n07:29 STUMBAUGH,ERIN enters the game 43 - 36\n07:29 43 - 36 SMITH,KATELYN enters the game\n07:29 43 - 36 POTTER,SAMANTHA goes to the bench\n07:27 43 - 36 Foul by SMITH,KATELYN\n07:27 43 - 36 Turnover by SMITH,KATELYN\n07:16 AGCAIOILI,ASHLEY missed jump shot 43 - 36\n07:16 43 - 36 BIEKER,MACKENZIE defensive rebound\n06:55 43 - 36 KILCUP,SHELLY missed jump shot\n06:55 Block by STUMBAUGH,ERIN 43 - 36\n06:51 43 - 36 SMITH,KATELYN offensive rebound\n06:46 43 - 36 SMITH,KATELYN missed jump shot\n06:46 43 - 36 BACKSTROM,SARA offensive rebound\n06:43 Foul by STUMBAUGH,ERIN 43 - 36\n06:43 43 - 36 BACKSTROM,SARA missed free throw\n06:43 43 - 36 POTTER,SAMANTHA offensive rebound\n06:43 JONES,TAYLOR enters the game 43 - 36\n06:43 AGCAIOILI,ASHLEY goes to the bench 43 - 36\n06:43 43 - 36 POTTER,SAMANTHA enters the game\n06:43 43 - 36 SMITH,KATELYN goes to the bench\n06:41 43 - 38 POTTER,SAMANTHA made jump shot\n06:41 Foul by LAYLAND,LINDSAY 43 - 38\n06:41 43 - 39 POTTER,SAMANTHA made free throw\n06:31 STEWART,SARAH enters the game 43 - 39\n06:31 LAYLAND,LINDSAY goes to the bench 43 - 39\n06:28 Turnover by JONES,TAYLOR 43 - 39\n06:26 43 - 39 Steal by KILCUP,SHELLY\n06:19 43 - 39 BIEKER,MACKENZIE missed jump shot\n06:19 STEWART,SARAH defensive rebound 43 - 39\n05:56 43 - 39 Foul by BACKSTROM,SARA\n05:56 STUMBAUGH,ERIN missed free throw 43 - 39\n05:56 TEAM deadball rebound 43 - 39\n05:56 43 - 39 TEAM TIMEOUT by Pacific Lutheran\n05:56 43 - 39 POTTER,SAMANTHA defensive rebound\n05:47 43 - 39 Foul by POTTER,SAMANTHA\n05:47 43 - 39 Turnover by POTTER,SAMANTHA\n05:28 JONES,TAYLOR missed 3-pt. jump shot 43 - 39\n05:28 43 - 39 BACKSTROM,SARA defensive rebound\n05:03 43 - 41 POTTER,SAMANTHA made jump shot\n05:03 43 - 41 Assist by SWOPE,CHRISSY\n04:37 JONES,TAYLOR made jump shot 45 - 41\n04:19 45 - 43 POTTER,SAMANTHA made layup\n04:19 45 - 43 Assist by BIEKER,MACKENZIE\n04:19 Foul by FORSHAY,AMANDA 45 - 43\n04:19 45 - 44 POTTER,SAMANTHA made free throw\n04:19 LAYLAND,LINDSAY enters the game 45 - 44\n04:19 MCKINNIS,KELSEY enters the game 45 - 44\n04:19 FORSHAY,AMANDA goes to the bench 45 - 44\n04:19 STUMBAUGH,ERIN goes to the bench 45 - 44\n04:11 45 - 44 Foul by BACKSTROM,SARA\n04:11 JONES,TAYLOR made free throw 46 - 44\n04:11 JONES,TAYLOR made free throw 47 - 44\n03:54 47 - 44 SWOPE,CHRISSY missed jump shot\n03:54 MCKINNIS,KELSEY defensive rebound 47 - 44\n03:37 47 - 44 Foul by BIEKER,MACKENZIE\n03:37 LAYLAND,LINDSAY made free throw 48 - 44\n03:37 LAYLAND,LINDSAY missed free throw 48 - 44\n03:37 48 - 44 POTTER,SAMANTHA defensive rebound\n03:37 48 - 44 SMITH,KATELYN enters the game\n03:37 48 - 44 SWOPE,CHRISSY goes to the bench\n03:26 48 - 46 POTTER,SAMANTHA made layup\n03:26 48 - 46 Assist by BIEKER,MACKENZIE\n03:06 RIORDAN,JOCELYN missed jump shot 48 - 46\n03:06 LAYLAND,LINDSAY offensive rebound 48 - 46\n02:58 48 - 46 Foul by BIEKER,MACKENZIE\n02:58 JONES,TAYLOR made free throw 49 - 46\n02:58 JONES,TAYLOR made free throw 50 - 46\n02:58 50 - 46 ADAMS,ANDI enters the game\n02:58 50 - 46 BIEKER,MACKENZIE goes to the bench\n02:45 50 - 48 POTTER,SAMANTHA made jump shot\n02:45 50 - 48 Assist by ADAMS,ANDI\n02:25 STEWART,SARAH made jump shot 52 - 48\n02:25 Assist by MCKINNIS,KELSEY 52 - 48\n01:55 52 - 51 KILCUP,SHELLY made 3-pt. jump shot\n01:55 52 - 51 Assist by SMITH,KATELYN\n01:36 52 - 51 Foul by ADAMS,ANDI\n01:36 MCKINNIS,KELSEY made free throw 53 - 51\n01:36 MCKINNIS,KELSEY made free throw 54 - 51\n01:36 FORSHAY,AMANDA enters the game 54 - 51\n01:36 STEWART,SARAH goes to the bench 54 - 51\n01:25 54 - 51 KILCUP,SHELLY missed jump shot\n01:25 54 - 51 ADAMS,ANDI offensive rebound\n01:18 54 - 53 POTTER,SAMANTHA made layup\n01:18 54 - 53 Assist by ADAMS,ANDI\n00:56 Turnover by JONES,TAYLOR 54 - 53\n00:56 54 - 53 Steal by SMITH,KATELYN\n00:56 Foul by LAYLAND,LINDSAY 54 - 53\n00:56 TEAM TIMEOUT by Puget Sound 54 - 53\n00:56 54 - 53 SMITH,KATELYN missed free throw\n00:56 54 - 53 TEAM deadball rebound\n00:56 54 - 54 SMITH,KATELYN made free throw\n00:37 FORSHAY,AMANDA missed jump shot 54 - 54\n00:37 54 - 54 POTTER,SAMANTHA defensive rebound\n00:25 54 - 54 TEAM TIMEOUT by Pacific Lutheran\n00:06 54 - 54 ADAMS,ANDI missed 3-pt. jump shot\n00:06 54 - 54 TEAM offensive rebound\n00:00 54 - 54 KILCUP,SHELLY missed 3-pt. jump shot\n05:00 STEWART,SARAH enters the game 54 - 54\n05:00 FORSHAY,AMANDA goes to the bench 54 - 54\n05:00 54 - 54 ADAMS,ANDI enters the game\n05:00 54 - 54 BIEKER,MACKENZIE goes to the bench\n04:44 54 - 54 Turnover by KILCUP,SHELLY\n04:43 Steal by LAYLAND,LINDSAY 54 - 54\n04:43 54 - 54 Foul by KILCUP,SHELLY\n04:43 LAYLAND,LINDSAY missed free throw 54 - 54\n04:43 TEAM deadball rebound 54 - 54\n04:43 LAYLAND,LINDSAY made free throw 55 - 54\n04:24 55 - 54 POTTER,SAMANTHA missed layup\n04:24 TEAM defensive rebound 55 - 54\n04:04 RIORDAN,JOCELYN missed 3-pt. jump shot 55 - 54\n04:04 55 - 54 ADAMS,ANDI defensive rebound\n03:39 55 - 54 SMITH,KATELYN missed jump shot\n03:39 MCKINNIS,KELSEY defensive rebound 55 - 54\n03:23 AGCAIOILI,ASHLEY missed layup 55 - 54\n03:23 RIORDAN,JOCELYN offensive rebound 55 - 54\n03:19 55 - 54 Foul by BACKSTROM,SARA\n03:19 LAYLAND,LINDSAY made free throw 56 - 54\n03:19 LAYLAND,LINDSAY missed free throw 56 - 54\n03:19 STEWART,SARAH offensive rebound 56 - 54\n02:49 56 - 54 Foul by BACKSTROM,SARA\n02:49 LAYLAND,LINDSAY made free throw 57 - 54\n02:49 LAYLAND,LINDSAY made free throw 58 - 54\n02:49 58 - 54 SCHORNO,AUSTIN enters the game\n02:49 58 - 54 BACKSTROM,SARA goes to the bench\n02:20 58 - 56 POTTER,SAMANTHA made layup\n02:20 58 - 56 Assist by KILCUP,SHELLY\n01:54 58 - 56 Foul by SCHORNO,AUSTIN\n01:54 MCKINNIS,KELSEY made free throw 59 - 56\n01:54 59 - 56 30SEC TIMEOUT by Pacific Lutheran\n01:54 MCKINNIS,KELSEY made free throw 60 - 56\n01:28 60 - 56 SMITH,KATELYN missed jump shot\n01:28 TEAM defensive rebound 60 - 56\n01:24 FORSHAY,AMANDA enters the game 60 - 56\n01:24 STEWART,SARAH goes to the bench 60 - 56\n01:16 60 - 56 Foul by ADAMS,ANDI\n01:16 AGCAIOILI,ASHLEY made free throw 61 - 56\n01:16 AGCAIOILI,ASHLEY made free throw 62 - 56\n01:02 62 - 56 Turnover by ADAMS,ANDI\n01:02 Steal by AGCAIOILI,ASHLEY 62 - 56\n01:02 62 - 56 Foul by POTTER,SAMANTHA\n01:02 MCKINNIS,KELSEY made free throw 63 - 56\n01:02 MCKINNIS,KELSEY missed free throw 63 - 56\n01:02 63 - 56 POTTER,SAMANTHA defensive rebound\n00:47 Foul by FORSHAY,AMANDA 63 - 56\n00:47 63 - 57 SMITH,KATELYN made free throw\n00:47 63 - 58 SMITH,KATELYN made free throw\n00:38 63 - 58 Foul by KILCUP,SHELLY\n00:38 MCKINNIS,KELSEY made free throw 64 - 58\n00:38 MCKINNIS,KELSEY made free throw 65 - 58\n00:38 STEWART,SARAH enters the game 65 - 58\n00:38 FORSHAY,AMANDA goes to the bench 65 - 58\n00:26 65 - 58 KILCUP,SHELLY missed jump shot\n00:26 MCKINNIS,KELSEY defensive rebound 65 - 58\n00:19 Turnover by MCKINNIS,KELSEY 65 - 58\n00:13 65 - 58 SMITH,KATELYN missed 3-pt. jump shot\n00:13 65 - 58 TEAM offensive rebound\n00:05 65 - 58 KILCUP,SHELLY missed jump shot\n00:05 65 - 58 KILCUP,SHELLY offensive rebound\n00:00 65 - 58 KILCUP,SHELLY missed jump shot\n00:00 TEAM defensive rebound 65 - 58\n14 2-4 0-0 0-0 1 0 2 0 1 2 1 0 4\n13 2-2 0-0 2-2 3 4 8 0 0 0 0 1 6\n9 0-2 0-0 0-0 0 3 4 1 0 1 0 2 0\n17 2-6 0-3 4-4 0 0 6 1 1 1 0 0 8\n14 0-5 0-1 0-0 1 2 5 1 1 0 1 1 0\n9 1-1 0-0 1-2 0 1 1 0 1 0 2 0 3\n10 2-4 1-2 0-0 0 1 1 3 0 0 0 0 5\n8 0-2 0-2 2-2 0 2 4 0 0 1 0 0 2\n18 1-4 0-0 2-2 1 3 7 2 1 1 0 3 4\n19 3-4 0-0 1-2 0 2 3 0 1 0 1 1 7\n16 2-5 0-0 2-2 2 5 15 1 1 0 1 1 6\n20 0-6 0-4 2-2 0 0 2 1 1 0 6 0 2\n14 0-4 0-2 0-0 0 4 4 1 0 0 0 2 0\n9 0-1 0-1 0-0 0 1 2 0 0 0 3 1 0\n14 1-5 0-0 0-0 1 1 2 0 0 0 1 4 2\n13 0-2 0-0 1-2 2 1 7 0 0 0 0 2 1\n14 2-5 1-2 2-2 0 4 6 3 0 0 1 1 7\n18 1-3 0-0 0-0 0 2 4 1 0 0 1 1 2\n8 0-0 0-0 0-2 0 0 1 0 0 1 0 1 0\n11 1-2 0-1 4-4 0 0 1 0 0 0 2 1 6\n12 1-4 0-1 2-2 0 2 4 0 0 0 0 0 4\n17 0-3 0-0 0-0 0 3 6 3 0 0 0 2 0\n15 1-2 0-0 3-4 1 1 4 1 2 0 1 3 5\n19 9-12 0-0 3-3 3 7 16 0 0 2 1 2 21\n18 0-1 0-1 0-1 1 2 3 0 0 0 0 3 0\n16 4-12 1-4 0-0 1 0 5 1 2 1 1 0 9\n7 0-2 0-1 0-0 1 0 3 4 0 0 0 1 0\n8 0-2 0-0 0-0 1 0 1 3 0 0 0 0 0


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ûntbleating Accoya® keunstwurken - Accoya\nûntbleating Accoya® keunstwurken\nOfrûne freed is yn Fryslân it Alvestêden fonteinprojekt ûntbleate. Alve fonteinen, meastal figuratyf, steane yn dé Fryse Alvestêden dy’t ûnderdiel wiene fan de lêste tocht der tochten fan 1997. De fonteinen “De woeste liuwen fan Warkum” yn Warkum en “It wapen fan Hylpen” yn Hylpen binne foar in part makke fan Accoya®hout. De hege kwaliteit fan it hout soarget foar net folle ûnderhâld en in lang libben.\nYn it wapen fan Hylpen stean in hinde, in hert en in beam. Dizze twa eleminten keare wêrom yn’e koperen en brûnzen fontein fan Shen Yuan út Sina. Sy hat in 3.5 meter hege libbensbeam ûntwerpe mei fûgels dêryn dy’t wetter spuie. Om de fontein hinne lizze parten fan in hertegewei dy’t makke binne fan Accoya®hout. Elts gewei hat in lingte fan ûngefear 8 meter en is omlime mei in izeren konstruksje.\nSeis kilometer fierderop yn Warkum steane twa fjochtsjende liuwen fan 3.5 meter heech dy’t hielendal makke binne van massief Accoya®hout. De liuwen binne ûnderdiel fan in tablo út 1620 fan De Waag, dat de ynspiraasje wie foar de Ingelske keunstner Cornelia Parker. De wetterleiding foar de fontein is ûnsichtber foar it each troch de liuwen hinne oanbracht.\nBeide fonteinen binne ûntworpen troch ynternasjonale keunstners, mar de realisaazje wie yn hannen fan in team mei ûnder oaren de Fryske keunstner Floor van der Leun. “Myn fokus wie it oanbringen fan details dy’t ‘ferlern’ geane at jo in besteand byld ienfâldichwei fergrutsje en yn 3D freze. By de liuwen ha ik bygelyks de klauwen en de koppen byldhouwd, wêrtroch de bisten ta libben komme. Kinst de rûge facht hast fiele at je d’r nei sjogge. Dêrtsjinoer is it hout fan’e geweien tige glêd, sa at date k yn werklikheid is.”\nD’r moast hieltyd in ferbân wêze tusken it keunstwurk en it karakter en de hystoarje fan’e stêd. De keunstners binne: Boalsert – Johan Creten (België), Dokkum – Birthe Leemeijer (Nederland), Frentsjer – Jean-Michel Othoniel (Frankrijk), Harns – Jenifer Allora & Guillermo Calzadilla (Verenigde Staten, Cuba, Hylpen – Shen Yuan (China), Drylts – Shinji Ohmaki (Japan), Ljouwert – Jaume Plensa (Spanje), Sleat – Jorge & Lucy Orta (Argentinië & Groot Brittannië), Snits – Stephan Balkenhol (Duitsland), Starum – Mark Dion (Verenigde Staten), Warkum – Cornelia Parker (Groot-Brittannië).


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Handmade Pakistan Khurjin 5' 10 x 8' 3 - No. 57029\nQuestions? (SKU# 57029) +1.800.994.8440\nThe measurements for this rug are: 5 feet 10 inches wide by 8 feet 3 inches long.\nThis rug's SKU # is 57029.\nOushak 8' 11 x 11' 6 - No. 57490


Harnzer keunstner nominearre foar ynternasjonale priis | Omrop Fryslân (advertinsje)\nHarnzer keunstner nominearre foar ynternasjonale priis 11 sep 2015 - 14:57\n0 reaksjes Nederlands Keunstner Sytse Jansma fan Harns is nominearre foar in priis fan it Amerikaanske Rabit Heart Poetry Film Festival. Dit is in poëzijfestival yn Worchester dat him rjochtet op ferfilme gedichten. Jansma is nominearre yn de kategory koarte film mei syn fideo 'fallussimmernachten'. Hy makket kâns op hûndert dollar. It festival fynt plak op 11 oktober.\nKorreksje meldeLês foarTrefwurden: Sytse JansmapriiskeunstnerRabit Heart Poetry Film FestivalHarnsFallussimmernachtenView the discussion thread.Diel dit berjocht op: 11-09Van den Berg noch altyd ûnwis foar derby 11-09Fergees poppeguod by earste Kreambank Besjoch ek...


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Nij guozze-ynformaasjesintrum | Omrop Fryslân (advertinsje)\nNij guozze-ynformaasjesintrum 23 sep 2000 - 14:56\nDe gemeente Dongeradiel sjocht kânsen foar in grut nij guozze-ynformaasjesintrum yn Eastmahorn. Sa binne der plannen om op ferskate plakken yn it Lauwersmargebiet tv-kamera's te pleatsen dy't it gedrach fan de guozzen registrearje.\nOp dit stuit is der in lyts sintrum dat mar in pear moanne jiers iepen is. Fierdere mooglikheden wurde no besjoen.\nKorreksje meldeLês foarTrefwurden: argyfView the discussion thread.Diel dit berjocht op: 23-09Gjin bordelen yn Ferwerderadiel 23-09Frou om it libben brocht Besjoch ek...


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hawk | digesthis\nHawk video and bird pics – former family home – Pennsylvania, April 2015\nI am in the process of dramatically downsizing the number of photos in my flickr account, by, uh, 2 hours and 10 minutes, when March 12th begins on E. (now it’s 11:11!\nI’ve been moving pictures, and in this case a video as well, of all sorts of things. In this case the subjects were hawks in the yard of my former family where I was living in 2015.\nI found some Hawk pictures, a video of one bathing in the bird bath (sorry, no soundtrack yet) and some cows.\nHere’s a video link https://youtu.be/udZe3NGVi64 – of the hawk bathing in the bird bath.\nvideo of hawk bathing in the bird bath in April Pennsylvania 2015\nI loved the red wheel barrel, well, and the yard.\nI love this Linden tree.\nwithout further ado adieu, I need to get back to it.\nI just found more pictures of the yard after it was submerged with snow around March 17th. This Hawk perched in the tree behind the garage calling out March 20th, 2015.\nand some cows too, who I’d visit bicycling into the countryside.\nAnd this was among pictures I took attending a luncheon with my mother when she was still alive.\nlois and carol\nFiled under animals, ecological, ecological crisis, Environmental, Environmental Sustainability, extinction, natural world Tagged with beauty, birds, countryside, Ecocide, ecology, hawk, hawk in birdbath, love, natural world, nature, North American Hawk, Pennsylvania


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