Wat te dwaan mei âlde bannen: 3 ferkearde opsjes en 3 goede\nFerkeard: begrave of ferbaarne\nFormeel wurde bannen beskôge as leech-gefaarlik ôffal, yn 'e Federal Waste Classification Catalogue wurde se klassifisearre troch de Federal Waste Classification Catalog as gefaarklasse IV tegearre mei polyetyleen foar sekken en farske dong. Mar de rubbersamenstelling wêrfan de bannen binne makke befettet In oersjoch fan 'e potinsjele sûnens- en feiligensrisiko's fan syntetyske turffjilden dy't crumb rubber infill befetsje / De offisjele webside fan' e City of New York gifstoffen en karzinogenen: fenolen, nitrosamines, formaldehyde, benzopyrene, dioxide sulfur, koalstofdisulfide, styreen, toluene.\nIt duorret mear as 100 jier de grutste bannendump yn 'e wrâld / Green Power om autobannen yn grûn te ûntbinen. En as se ferbaarnd binne, sille Zhendi Wang, Kaitian Li Wuhan, P. Lambert, Chun Yang de sfear yngean. Identifikaasje, karakterisearring en kwantifikaasje fan pyrogene polyzylic aromatyske koalwetterstoffen en oare organyske ferbiningen yn tire fjoer produkten / Journal of Chromatography A biphenyl, anthracene, fluoranthene, pyrene en oare gefaarlike komponinten.\nIt is in misdied om bannen te ferbaarnen, te begraven of te dumpen. Foar oertrêding kinne jo in boete krije fan maksimaal 5 tûzen roebel. It bedrach is relatyf lyts, en de skea oan it miljeu is enoarm.\nKorrekt: oerjaan foar recycling\nRecycling fan âlde bannen besparret natuerlike boarnen: rûge rubbers (de basis foar it meitsjen fan rubber), lykas wetter en elektrisiteit. Meast faak brûkte bannen wurde ferpletterd en tafoege oan rubber ferbiningen. Se wurde brûkt foar it produsearjen fan nije banden, dakbedekking en wetterdichtingsmaterialen, dykflakken en yndustriële sorbinten dy't helpe by it bestriden fan oaljefersmoarging.\nNet goed: smyt it yn in ôffalbak\nBannen meie net yn reguliere ôffalkonteners ôffierd wurde, om't soksoarte ôffal net op gewoane ôffalplakken deponearre wurde mei. As bannen op in stoartplak telâne komme, sille se folle langer ôfbrekke as gewoan húshâldlik ôffal, en wurde se in haven foar rotten en oare pleagen.\nBannen kinne by waarm waar yn brân komme. Se baarne hiel lang, mei dikke wolken fan swarte reek, en skealike stoffen wurde troch wyn en rein nei fjilden, grientetúnen of nei immen thús brocht.\nDat is rjocht: ferkeapje\nAs jo oerstapt nei in oare standertgrutte of gewoan in nije kit woenen, nofliker en minder lawaaierich, kinne jo in foto fan 'e âlde rubber nimme en it op' e fergese webside foar classifieds pleatse. It wichtichste ding is dat it hat in goede tread rest. Neffens de ferkearsregels fan 'e Russyske Federaasje foar passazjiersauto's is de minimale djipte fan' e patroan 1,6 mm, mar it is better om te rjochtsjen op 'e wearmarken dy't tapast wurde op' e bân sels.\nKontrolearje ek de bân foarsichtich foar skuorren, hernia's en oare defekten foardat se ferkeapje. As der wat mis is, is it better om de transaksje te wegerjen en de keaper net yn gefaar te setten. En ek oare minsken dy't by him sille wêze as de bân barst.\nFerkearde: equip in blom bêd, hek of tún meubels\nOfbylding: Bargais / Shutterstock\nKeunst foar húsfesting en gemeentlike tsjinsten komt út de Sovjet-Uny, flowerbeds fan bannen skildere mei ljochte oaljeferve, swannen, bearen en heal-wheel-skuorren dy't leuk wiene om te rinnen as bern. Mar rubber ûntbrekt stadichoan yn 'e boaiem, wêrtroch gefaarlike stoffen frijkomme. It boppeste, loftige diel fan 'e bân, ferwaarme ûnder de sinnestrielen, kin ek gifstoffen frijlitte. Jo sille se wierskynlik net elke dei ynhale wolle.\nOm deselde reden moatte jo gjin túnmeubels meitsje fan âlde tsjillen. It is duorsum en goedkeap, mar net feilich. It brûken fan houten pallets of pallets foar dizze doelen is folle miljeufreonliker.\nKorrekt: ruilje âlde bannen foar nije mei in fergoeding\nSoms biede fabrikanten en autodealers koartingen op nije banden yn ruil foar in âlde set. Foar guon bedriuwen is dit in marketingkampanje en in manier om nije klanten te lûken. Foar oaren, de winsk om griener te wurkjen.\nMeastentiids wurde gearstalde banden stjoerd foar recycling, teminsten dit is wat grutte bedriuwen dogge. Mar as jo net wis binne wêr't jo bannen sille gean, is it better om dit punt te ferdúdlikjen foardat jo profitearje fan 'e koarting.\n25 life hacks dy't jo uterlik direkt ferbetterje\nHoe fetlike flekken fan klean te ferwiderjen: 8 wurkwizen\n6 effektive DIY skjinmeitsjen produkten\nWat jo witte moatte foardat jo jo bern nei skiskoalle stjoere: 8 tips foar âlders\n8 fijannen fan skientme dat elk famke moat witte oer\n10 edukative tekenfilms foar bern\nCopyright © 2021 - fy.kozmikpanda.com, Wat te dwaan mei âlde bannen: 3 ferkearde opsjes en 3 goede!


BitFellas: Content / .deMOSZENE News / 321 - ytcracker - Rap meets Games (.de)\nhome >> content >> .deMOSZENE News >> 321 - ytcracker - Rap meets Games (.de)\non Sun 16 Jan 2011 by Bobic\ncomments: 0 hits: 1407\nRender time: 0.7345 sec, 0.6473 of that for queries. DB queries: 53. Memory Usage: 1,120kb


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Winter residence of Honorable Paul J. Sherwood of Wilkes-Barre PA\nDigital Collections > Hampton Dunn Collection of Florida Postcards > Winter residence of Honorable Paul J. Sherwood of Wilkes-Barre PA\nD32-1339 (usfldc doi)\nd32.1339 (usfldc handle)\nHomes--Sherwood, Paul J. (192 Brewer Avenue)\nJudges--Florida--Orange County--Winter Park\nThe Paul J. Sherwood home on Brewster Avenue in Winter Park.\nD32-1339 ( USFLDC DOI )\nd32.1339 ( USFLDC Handle )\nsubfield code a D32-1339\nWinter residence of Honorable Paul J. Sherwood of Wilkes-Barre PA.\nSherwood, Paul J.


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Jansma 21ste op WK | Omrop Fryslân (advertinsje)\nJansma 21ste op WK 19 feb 2011 - 14:29\n0 reaksjes Sybren Jansma\nSybren Jansma en Edwin van Calker binne sneon op it wrâldkampioenskip bobslydzjen by de Königssee yn Súd-Dútslân yn de efterhoede einige. De twamansbob fan it Frysk/Drintske duo stiet nei twa runs op it 21e plak, mei in efterstân fan 1,60 sekonde op de Russyske lieders Zoebkov en Vojevoda. Snein folgje de tredde en fjirde ôfdaling en wurdt in einklassemint opmakke.\nKorreksje meldeLês foarTrefwurden: argyfView the discussion thread.Diel dit berjocht op: 19-02Professor: Skaf provinsjes ôf 19-02Koks fine sliepende man yn tún Besjoch ek...


Stasjon Tsjummearum - Wikipedy\nStasjon Tsjummearum yn 1913\nIt stasjon yn 2003\nStasjon Tsjummearum (Tzum) wie in stasjon oan it spoar fan Stiens nei Harns. It stasjon fan Tsjummearum, boud yn 1901, wie iepene fan 2 desimber 1902 oant 1 desimber 1940. De stavering op it nammeboerd fan de gevel is "Tjummarum". Dit is opmerklik, omdat dit ôfwykt fan de Fryske én de Nederlânske stavering.\nIt stasjon is boud nei it stasjonsûntwerp mei de namme Standerttype NFLS, dat benammen brûkt waard foar stasjons yn Fryslân. It stasjon yn Tsjummearum foel binnen it type NFLS halte 1e klasse. Sa út en troch wie it nei de sluting noch wol yn gebrûk. It waard op 't lêst troch de NS ferkocht oan de gemeente Barradiel. It stasjonsgebou krige doe in wenbestimming. De lêste bewenster hat healwei de jierren tachtich it stasjonsgebou ferlitten. Dêrnei hat it jierren leech stien en stie der ein jierren njoggentch jammerdearlik by. Oan it begjin fan it nije millennium kamen lykwols Europeeske subsydzjes beskikber foar it opknappen fan yndustrieel erfguod. De stichting DBF (Doarp en Bedriuw Fryslân) hat de restauraasje fan it stasjonsgebou op him nomd. De restauraasje wie ein septimber 2003 dien. Op 5 desimber 2003 is it stasjonsgebou feestlik weriepene troch Ed Nijpels (kommissaris fan de Keninginne Fryslân), frou M.J. Haveman (boargemaster Frjentsjerteradiel) en Sinteklaas.\nTroch de restauraasje is de bûtenkant wer folslein yn de âlde, orizjinele steat wersteld. Binnen is it stasjonsgebou, mei oandacht foar de histoaryske eleminten, geskikt makke foar bedriuwsdoeleinen. Sa is bygelyks it loket bewarre bleaun. By de restauraasje is ek it perron wersteld en is der wer in stik rails dellein. Ek de bygebouwen binne restaurearre. Ien fan dizze bygebouwen is it âlde retiradegebou (toilet). Yn de retirade sit in permaninte tentoanstelling fan de âldheidkundige feriening Barradiel, mei ûnder oare in skaalmodel fan it stasjon en in fideopresintaasje mei in oersjoch fan de histoarje fan it stasjon.\nOpfrege fan "https://fy.wikipedia.org/w/index.php?title=Stasjon_Tsjummearum&oldid=1001534"\nEarder spoarstasjon yn Fryslân\nBouwurk út 1901\nDizze side is it lêst bewurke op 13 jul 2020 om 01.29.


Filter by:Ecosystem Assessment > Biodiversity Indicators > BINUProtected Areas > Protected Area Categories > Transboundary Protected AreasEcosystem Assessment > Habitats > WetlandsProtected Areas > Protected Area CategoriesEcosystem Assessment Add filters:Biodiversity, Biomass and Food SecurityBiodiversity SciencesModellingBusiness, Biodiversity and Ecosystem ServicesClimate Change and BiodiversityImpactsMitigationBioenergyCarbon & Biodiversity MappingUN-REDDRestorationAdaptationEcosystem AssessmentBiodiversity IndicatorsBINUBIP 2010RamsarGLOBIOBiodiversity AssessmentGBO-3ESPABiodiversity AtlasesRegional and National Capacity SupportEcosystem Services & ValuationTEEBHabitatsDrylandsForestFreshwaterMountainsPolarWetlandsIntl. Environmental Policy ProcessesBiodiversity and Poverty ReductionSustainable useInformaticsData managementSpatial analysisInternational Policy and StrategyMEAsMarine Assessment and Decision SupportCoralsCold-water CoralsCoastal EcosystemsDeep-Sea BiodiversityHigh SeasInvasive SpeciesMangrovesSeagrassProtected AreasAboutWorld Database on Protected AreasProtected PlanetUN List of Protected AreasProtected Area CategoriesIABINUNESCO World Heritage Sites ICCAsMarine Protected AreasTransboundary Protected AreasEcological CorridorsIABINMonitoring Protected AreasManagement EffectivenessProtected Area IndicatorsSpeciesCITESEU Wildlife Trade RegulationsCMSSpecies InformationAnimalsBirdsMammalsGreat ApesPlantsTreesAbout UNEP-WCMCPolicies UNEP-WCMC does not assert any intellectual property rights in the data made available to it by data providers.Access to UNEP-WCMC datasets is provided on the understanding that you read and consent to be bound by the Terms and Conditions set out in the policies below. Home


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Lee Nailon NBA Game Log 2004-2005 - Lee Nailon NBA Fantasy Basketball Stats\n#33 Lee Nailon\nLee Nailon Game Log 2004-2005\nStats Glossary Nailon Stats& Opponents Stats\nChange PlayerChris AndersenDarrell ArmstrongLonny BaxterP.J. BrownSpeedy ClaxtonBaron DavisDan DickauCorsley EdwardsMatt FreijeAlex GarciaJunior HarringtonCasey JacobsenMaciej LampeGeorge LynchJamaal MagloireJamal MashburnBostjan NachbarLee NailonTim PickettRodney RogersJ.R. SmithJackson VromanDavid WesleyDavid West\nLee Nailon Game Log 2004-2005 | Overall Games


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MeanBitch Productions 19 My Pervy Family 30 Pegas Productions 70 Philavise 17 Porn Concept 18 Private 39 Purple Bitch 73 Quebec Productions 18 Raven Productions 23 Real Spanish Amateur 20 Reality Kings 25 Sappho Films 18 Siren XXX Studios 38 Spizoo 19 SugarBabesTV 30 SugarInstant 18 SV Entertainment 19 Taboo-Fantasy 23 TadpoleXXXStudio 20 Television X 18 Third Degree Films 20 Touch My Wife Clips 19 Trans500 Studios 24 Transational Fantasies 24 Videorama 19 VirtualRealPorn 128 VirtualRealTrans 57 VirtualXPorn 28 Vlaanderens Vuilste Films 22 VRBangers 153 VRBangers Trans 23 VRconk 20 VRCosplayX 46 VRFootFetish 32 VRLatina 47 VRSexperts 47 WankItNowVR 40 White Ghetto 17 Wicked Pictures 34 Wolf Wagner 27 Xplastic 19 XXX Multimedia 16 Zero Tolerance Ent. 26 ZexyVR 20\n#LetsDoeIt 123 18VR 79 Adam & Eve 31 AltErotic 28 Ange Elle 19 BaDoinkVR 136 BB Video 21 be.me.fi 24 BigBootyTGirls 24 Bluebird Films (AFSC) 23 Brazzers 22 Burning Angel Entertainment 228 California Star Productions 27 Cento X Cento 45 Colmax 19 Conor Coxxx Clips 20 CX Wow 25 DBM Video 25 DDF Network 27 DDFNetworkVR 28 Desert Wind Studios 20 Desire Films 16 Desperate Pleasures 17 Devil's Film 33 Digital Playground 18\nEdge Interactive 28 Elegant Angel 25 Eye Candy 37 Fetish Network 20 Filthy Kings Clips 18 Fun-Picture 29 GA Photo 19 Girls Out West 16 Grooby 38 Grooby Clips 138 GroobyVR 88 HiTZEFREi Clips 29 HoloGirlsVR 26 Horny Household Clips 28 Hot Clits 23 Hot Hot Films 229 House of Fyre 35 Immoral Productions Clips 38 Inn Of Sin 25 Intimacy Productions 84 Jay Rock Clips 30 JM Productions 20 Joanna Angel Clips 56 Jonathan Jordan XXX 60 Kink Clips 55\nKinkVR 63 Lethal Hardcore 31 LethalHardcoreVR 29 LustReality VR 42 Mack Kensington Studios 17 Mario Salieri Productions 41 MeanBitch Productions 19 My Pervy Family 30 Pegas Productions 70 Philavise 17 Porn Concept 18 Private 39 Purple Bitch 73 Quebec Productions 18 Raven Productions 23 Real Spanish Amateur 20 Reality Kings 25 Sappho Films 18 Siren XXX Studios 38 Spizoo 19 SugarBabesTV 30 SugarInstant 18 SV Entertainment 19 Taboo-Fantasy 23 TadpoleXXXStudio 20\nTelevision X 18 Third Degree Films 20 Touch My Wife Clips 19 Trans500 Studios 24 Transational Fantasies 24 Videorama 19 VirtualRealPorn 128 VirtualRealTrans 57 VirtualXPorn 28 Vlaanderens Vuilste Films 22 VRBangers 153 VRBangers Trans 23 VRconk 20 VRCosplayX 46 VRFootFetish 32 VRLatina 47 VRSexperts 47 WankItNowVR 40 White Ghetto 17 Wicked Pictures 34 Wolf Wagner 27 Xplastic 19 XXX Multimedia 16 Zero Tolerance Ent. 26 ZexyVR 20\nOn Sale 4232\nModel Gets Fucked During Casting Call HD


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Lucky Luke De Pony Express + De Daltons verliezen hun geheugen + Spokenjacht sammeln? Comic-Katalog auf Catawiki\nLucky Luke: Informationen auf Catawiki zu dem Artikel De Pony Express + De Daltons verliezen hun geheugen + Spokenjacht, 2006.Das Herzstück von Catawiki ist ein Online-Katalog mit Abbildungen und Daten zu allem, was Sammler sammeln. Dieser Katalog wird wie Wikipedia von den Nutzern selbst redigiert.


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Friduwih Riemersma - Fers2 nû. 20, 15 novimber 2015\n—Dante Alighieri, Divina Commedia, 1320Alighieri, Dante. Divina Commedia, Purgatorio. Ed. Pietro Genesini. Lettera Italiana. P. Genesini, n.d. pdf-bestân. Canto 1, 1320. Fersen 7-12.\n“De kultivearring fan poëzij is nea mear winsklik as yn tiidrekken dat, troch in oerfloed fan it selssuchtige en berekkenjende prinsipe, de opsteapeling fan nedichheden fan it eksterne libben grutter wurdt as de hoemannichte macht om harren gelyk te meitsjen oan de ynterne wetten fan de minsklike natuer.”Shelley, Percy Bysshe. “A Defence of Poetry.” Essays, Letters From Abroad, Translations and Fragments. Ed. Mrs. Shelley. Vol. 1. Londen: Edward Moxon, 1840. 1-57. Internet Archive. Internet Archive, 2014. Web. 1 nov. 2015. s. 46.\nDy utering fan kultuerpessimisme, of krekter sein de warskôging tsjin noarmleazens wannear’t uterlikheden de ynderlike kontrôle oerhearskje, makket diel út fan de apology fan Percy Bysshe Shelley. Yn 1820 skreau Shelley syn freon Thomas Love Peacock it artikel ‘Four Ages of Poetry’, mei, heal earnstich heal spile, de sintrale stelling dat poëzij yn harren moderne tiid fan wittenskip en technology anakronistysk en sinleas wurden wie.Peacock, Thomas Love. “The Four Ages of Poetry.” Mark Worden's Virtual Habitation: Poets on Writing. Mark Worden, n.d. Web. 1 nov. 2015. Earst (anonym) publisearre yn Ollier’s Literary Miscellany, In Prose and Verse by Several Hands, To Be Continued Occasionally, No. 1. Londen: C. and J. Ollier, 1820. 183-200. Printe. Shelley lies it yn jannewaris 1821 en andere der dalik op, mar doe’t fan de trije parten replyk ien ôf wie ferûngelokke er. De net-ôfmakke ‘In Ferdigening fan Dichtkeunst, part I’, út 1821, is postúm publisearre, krekt yn 1840 en yn in yngripend oanpaste ferzje, om’t út de ferdigening de oanfal op de Fjouwer Tiidrekken weihelle is en dêrmei de dialogyske aard en funksje ferlern gie. Likegoed jildt de ferdigening noch altyd as ien fan de skerpste en meast robúste bydragen oan de kwestje dy’t it Shelley-Peacockdebat kaam te hiten—it trochgeande debat oer de wearde fan poëzij.\nYn Fryslân bestiet dat debat net. Der wurdt wol praat oer de wearde fan guon Friezen foar de poëzij, lykas Gysbert Japicx, of Tsjêbbe Hettinga. Mar de wearde fan de poëzij sels, dêr hat Obe Postma oer sprutsen doe’t der de Gysbert Japicxpriis krige, yn 1947. Dêrnei stie de wearde fan poëzij blykber fêst yn Fryslân. Nimmen hat it der mear oer hân. Want yn Fryslân is der gjin spoar fan it tema ‘wearde fan poëzij’ en de Gysbert Japicxsjuery fan 2013 seit dan wol neat oer wearde mar jout wol in funksjonele definysje fan wat poëzij: “[P]oëzy moat de lêzer bine kinne, oantrune om te ynterpretearjen, om betsjutting sykje te wollen.”Jensma, Goffe. “Rapport fan de Advyskommisje Gysbert Japicxpriis 2013.” Ensafh. Stichting Hispel, 13 okt. 2013. Web. 1 nov. 2015. Dat is definysje fan regligieuze aard dy’t perfekt oanslút by by Postma syn omskriuwing fan de wearde fan poëzij: “[D]e essinsje fan it minsklik gefoelslibben by elkoar te bringen.”Postma, Obe. “Tankwurd Obe Postma Foar Gysbert Japicxpriis.” Obe Postma. Obe Postma Selskip, 10 aug. 2010. Web. 1 nov. 2015. (Utsprutsen 10 okt. 1947.) It is fansels net te foarsizzen dat 66 jier fan debat mear ferdjipping en ferromming yn it tinken oer de wearde fan poëzij brocht hie. Of miskien woene se der bêst oer prate mar hoegde dat gewoan net. Of in tige dominante literatuerpolityk, of oerhearskjende figueren deryn, smoarden sa’n debat om politike redenen en no is it te let. Mar dan noch is it ûntbrekken fan in debat oer de wearde fan poëzij yn in minderheidsliteratuer in opmerklik hiaat. Noch opmerkliker is dat gjinien dêrop wiist.\nDe jirpel as synteze\nDe provinsjale beliednota Grinzen oer wol ha dat keunst wichtich is: “As provinsje fine wy it fan grut belang dat ynwenners al jong yn oanrekking komme mei wat ús bynt: ús erfgoed, ús taal en ús kultuer. (…) Wy wolle dêrom graach dat safolle mooglik bern fia it ûnderwiis yn oanrekking komme mei keunst en kultuer,” en: “[K]eunst en kultuer [drage] by oan de leefberens yn ’e stêd en op it plattelân.”Provinsje Fryslân. Grinzen Oer. Yntegrale Beliedsnota Kultuer, Taal en Underwiis. n.p.: Provinsje Fryslân, 2013. pdf-bestân. s. 17-18. Mar de beliedsnota sjocht keunst earst as in part fan it pakket keunst-en-kultuer en twad as middel foar in oar doel, nammentlik sosjale kohesy, en net as doel op himsels. De provinsje slagget der net yn om de etyske glânslaach fan keunst te bewarjen, dat lêste restant fan it jierren santichidealisme fan keunst dy’t frij stie fan wrâldske wearde, lykas de Brillodoazen fan Warhol, dy’t leech wiene en dus folslein nutteleas. De auteurs fan it Koalysjeakkoart 2015 fan de provinsje Fryslân dogge sels gjin muoite mear om de skyn fan keunst as idealistyske, ûnselssuchtige nonprofitpraktiviteit net troch te prippen: “Foar ús is it wichtich dat it programma fan Leeuwarden-Fryslân Kulturele Haadstêd fan Europa 2018 njonken topkeunst ek keunst omfiemet dy’t grutte parten fan de befolking ta it genietsjen dêrfan likegoed as dielname dêroan ferliedt. (…) Resultaat 14: Leeuwarden-Fryslân Kulturele Haadstêd fan Europa 2018 wurdt in feest mei bliuwende effekten foar elkenien.”Provinsje Fryslân. Mei Elkenien Foar Elkenien. Koälysjeakkoart 2015-2019. Seis Ambysjes Foar Fryslân. n.p.: Provinsje Fryslân, 2015. pdf-bestân. s. 24.\nBliuwende effekten; dat is de ûntnochterjende realiteit fan de ekonomy, dreaun troch it kalvinistyske adagium fan winst meitsjen, dêr’t it perspektyf fan keunst as winsklik per se belies tsjin jout. De Kulturele Haadstêd bliuwt dêrom yn de ‘feest-’ dat wol sizze festivalsfear. ‘Hege’ keunst, bygelyks opera, smyt neat op. De kosten foar in operaútfiering en foar in besiker giene altyd al hurder omheech as it ynflaasjesifer, dat sil net gau feroarje en der binne mar in bytsje profitearjende tuskenpersoanen, op it toaniel likemin as derefter. As jo dan betinke dat it muzyk- en keunstfestival Coachella yn Indio, California al sa’n 400 miljoen dollar nei it woestyngebiet brocht hat en yn 2013 al 90 miljoen nei de stêd Indio sels, begripe jo wol dat Fryslân soks ek wol. It Waad is de Fryske echo fan de Colorado Desert. Ekonomyske doelstellingen meitsje fan de Kulturele Haadstêd in searje fan ‘this weekend’s getaways’, sosjale belangrike foarfallen dêr’t jo yn it wykein mei jo freonen nei ta moatte om’t se “zelfs in het snelle voorbijgaan een niet te missen indruk (…) maken,” sa’t it provinsjale nijsblog Fryslân1 de hege sosjale druk op it derby wêzen ferwurdet.Keikes, André. “Niet Te Missen Fontein Voor Leeuwarden.” Fryslân1. Friese Mediacoöperatie, 23 july 2015. Web. 1 nov. 2015.\nBy it spektakelelemint spilet branding in wichtige rol. Yn it mar 367 wurden tellende artikel oer de jirpel/poëzijútwikseling op 2018.nl fine wy de brands “Leeuwarden-Fryslân 2018”, “Valletta-Malta”, “Culturele Hoofdstad van Europa in 2018”, “Maatschap Schuiling”, “het Friese dorp Minnertsga”, “het Bildt (…) de bakermat van met name de pootaardappelen, die bijna over de hele wereld worden geëxporteerd” (mei freudiaanske komma dy’t de mondiale ferkeap suggerearret fan ‘Bildt’ en ‘bakermat’), “de aardappel de verbindende factor”, twa kear “Stichting De Bildtse Aardappelweken”, “de langste straat van Nederland, de Oudebildtdijk”, twa kear “het project Potatoes go Wild”, “Culturele Hoofdstad”, “het Friese algemeen-cultureel opinieblad De Moanne”, “University of Malta”, “Valletta 2018” en “aardappelcoöperatie Agrico.”“Projectnieuws. Europese Literaire Samenwerking Via Reizende Aardappels.” 2018. Stichting Culturele Hoofdstad 2018, 12 okt. 2015. Web. 1 nov. 2015.\nFan dy opsomming falt de selssuchtigens dalik op. Want by in útwikseling heart needsaaklikerwize in oare partij. Mar dy oare partij krijt gjin omtinken. Oer de relaasje mei de oare partij, mei ‘de jirpel as ferbinende faktor’, fertelt it artikel neat mear as dat poatjirpels dy kant op gean en konsumpsjejirpels weromkomme. It is dus in hannelsrelaasje, de jirpel is in metonym foar de ferbinende faktor fan ekonomyske winst foar beide partijen en om hannelsoerienkomsten te befeiligjen arbeidzje de meidoggers faak breder mei-inoar op. Dat seit it artikel ek: by dizze gelegenheid komme de jirpels werom mei “tien Maltese gedichten, met Engelse vertaling” en dat is alles. Mar dat lêste is in hiele rare saak, dy’t it artikel yn it tsjuster hâldt. Want net inkeld bedriget it Ingelsk it Malteesk yn dy sin dat hieltyd mear bewenners fan Malta foar it Ingelsk kieze, mar ek feroaret it Ingelsk de Malteeske taal sels. Wat de literatuer oanbelanget foarme de diglossy, dus de hegere taalstatus fan it Ingelsk, histoarysk in behindering foar de ûntjouwing fan in eigen Maltese literatuer en dy situaasje liket, sizze de taalsosjologen, net te ferbetterjen. Dat Fryslân om in Ingelske oersetting frege hat, wiist derop dat de provinsje, likemin as thús, stelling nimt tsjin de diglossy en it yn dit gefal sels ûnderstipet. Keunst komt yn it artikel hielendal net te praat. De dichter dy’t by de útwikseling belutsen is, feitlik in fabrikant fan in ferbale trade montage, sil nea mear serieus nommen wurde as keunstner, dat wol sizze as de skepper fan in kreative, oarspronklike ekspresje fan minsklike emoasje of in idee oer de minsklike kondysje. Mar oft in keunstner no noch wol sa definiarre wurdt of wurde moat, of kin, is de fraach.\nYn septimber brocht it kulturele festival Swalk it foarlêzen út eigen wurk fan dichter Eppie Dam. It publyk bleau wei. Fryslâns grutste dichter krige mar fjouwer taharkers. De reden dy’t de poëzijleafhawwers om my hinne foar har ôfwêzigens opjoegen wie: “It gie oer jild.” Dat wie sa, Swalk hie as tema ‘jild’. Wat in spirituele en benammen artistike dichter as Dam dêr op it programma moast hat tink twa hiel ferskillende redenen. Swalk moat de subsydzje ferantwurdzje mei besikerssifers dêr’t Dam, yn de Swalkoptyk, as celebrity foar soargje kin. Dam bringt syn dichterskip yn de praktyk om’t er dichter is, nettsjinsteande de tinheid fan it ferskynsel jild, ommers wy witte net iens wêr’t it bloedjild fan Judas keard is; ek dy meast sitearre sinten ea blike úteinlik mar in ûnbelangryk detail yn de skiednis fan de minskheid. Dam wit dat allegearre wol. It punt is, doe’t Andy Warhol ferklearre “Jild is keunst,” fûn net inkeld Corporate America dat prachtich, mar hoewol’t it kapitalisme yn dy tiid frij algemien beskôge waard as de grutste fijân fan de keunst, slikte ek it publyk it. Hjoed ha wy blykber strangere ideeën oer wat de keunstner ‘is’ en wat er dwaan of litte moat, ek al kin dy keunstner sels de artistisiteit, of lit ús sizze de wearde, fan syn hanneljen helder sjen litte.\nDus, wylst wy oan de iene kant sizze kinne dat yn Fryslân poëzij gjin wearde liket te hawwen, dat der hieltyd minder omtinken is foar literatuer en dêrûnder benammen foar de saneamde hege literatuer, dêr’t poëzij de top fan útmakket, mar so what?, sizze wy oan de oare kant dat de keunstner hege keunst meitsje moat of him yn alle gefallen troch de muze en net troch ekonomyske motiven liede litte moat. Dat binne min mei inoar te ferienigjen útspraken, of it moat wêze dat wy bedoele dat der yn Fryslân gjin plak is foar keunstners, wat hielendal net sa’n beskamseme konklúzje is as dat it op it earste gesicht liket.\nAnagronistysk en nutteleas\nPeacock hâldt, yn syn Fjouwer Tiidrekken, út dat poëzij in syklysk ferrin ken, fan groei nei ôftakeling en dat op dat stuit de poëzij yn ferfal wie. De dichter wie obsedearre mei it ferline, “the days that are past”, en kin lang net lykop gean mei “the progress of useful art and science, and of moral and political knowledge.” Yn it moderne tiidrek fan de rede wie de dichter “useless” wurden: “While the historian and the philosopher are advancing in, and accelerating, the progress of knowledge, the poet is wallowing in the rubbish of departed ignorance, and raking up the ashes of dead savages to find gewgaws and rattles for the grown babies of the age.” Poëzij wie inkeld “highly ornamental” en koe dêrom “never make a philosopher, nor a statesman, nor in any class of life an useful or rational man.” “A poet in our times is a semi-barbarian in a civilized community.” En om’t “There are more good poems already existing than are sufficient” is in “writer of poetry in the present state of society” in “waster of his own time, and a robber of that of others.”Peacock, Thomas Love. “The Four Ages of Poetry.” Mark Worden's Virtual Habitation: Poets on Writing. Mark Worden, n.d. Web. 1 nov. 2015. Earst (anonym) publisearre yn Ollier’s Literary Miscellany, In Prose and Verse by Several Hands, To Be Continued Occasionally, No. 1. Londen: C. and J. Ollier, 1820. 183-200. Printe. n. pag.\nNoch dúdliker wurde de paralellen mei it Fryslân fan no as Peacock de konklúzje lûkt dat elkenien hjoed of moarn wol ynsjen sil dat it “frivolous and unconducive” wike moat foar “the useful” en “that therefore the poetical audience will not only continually diminish in the proportion of its number to that of the rest of the reading public, but will also sink lower and lower in the comparison of intellectual acquirement.” De dichter moat noch hieltyd syn publyk tefreden stelle dus dy moat nei harren nivo sinke wylst de rêst fan de mienskip der boppe útstiigt, om’t de yntellektuele krêft bettere paden fûn hat en it kultivearjen fan poëzij priisjûn hat oan “the degenerate fry of modern rhymesters, and their olympic judges, the magazine critics, who continue to debate and promulgate oracles about poetry, as if it were still what it was in the Homeric age, the all-in-all of intellectual progression.”Peacock, Thomas Love. “The Four Ages of Poetry.” Mark Worden's Virtual Habitation: Poets on Writing. Mark Worden, n.d. Web. 1 nov. 2015. Earst (anonym) publisearre yn Ollier’s Literary Miscellany, In Prose and Verse by Several Hands, To Be Continued Occasionally, No. 1. Londen: C. and J. Ollier, 1820. 183-200. Printe. n. pag.\nShelley, yn de lêste faze fan syn libben, mei gefoelens fan ôfwizingen, troch kritisy likegoed as publyk, en ferlamd yn syn skriuwproses troch de kreative enerzjy fan Byron, twivele sels ek oan syn ropping en oan it nut fan poëzij. “I wish I had something better to do than furnish this jingling food for the hunger of oblivion, called verse,” skreau er oan Peacock.Brief fan 11 jannewaris 1822. Hughson, Shirley Carter. The Best Letters of Percy Bysshe Shelley. 1909. Opnij printe. Londen: Forgotten Books, 2013. 316-17. Printe. De erudite autodidakt Peacock dy’t sân jier âlder wie as Shelley en op ferskate wizen syn meardere en sadwaande in mentor dêr’t Shelley heech tsjin op seach, hie yn 1818 Nightmare Abbey publisearre, in romantysk ferhaal dêr’t de naïve held fan basearre wie op it karakter fan Shelley. Peacock foel Shelleys besiele politike en sosjale idealisme oan en skildere him ôf as in tipelsinnige bouwer fan loftkastielen befolke mei geheime, almachtige hoven, dy’t altyd “the imaginary instruments of his projected regeneration of the human species” wiene.Peacock, Thomas Love. Nightmare Abbey. Biblioteca Virtual Universal. Bibliotecas Rurales Argentinas & Bibliotecas Latinoamericanas, 2008. pdf-bestân. s. 7. Oarspr. Londen, 1818. It is dy werskepping fan de minsheid dy’t ek typearjend is yn Shelleys reaksje op it Peterloobloedbad yn 1819, ‘The Mask of Anarchy’. Shelley rjochtet him yn dat gedicht net tsjin de autoriteiten of de ferskovelingen, mar ta in nije minske: “Let a great assembly be, of the fearless, of the free.”Shelley, Percy Bysshe. “The Mask of Anarchy: Written on the Occasion of the Massacre at Manchester.” Anarchy Archives. Dana Ward, 12 okt. 2001. Web. 7 nov. 2015. Fersen 262-63. Tagelyk woe Peacock yn Nightmare Abbey ha dat de wiere funksje fan literatuer wie “to reconcile man as he is to the world as it is.”Peacock, Thomas Love. Nightmare Abbey. Biblioteca Virtual Universal. Bibliotecas Rurales Argentinas & Bibliotecas Latinoamericanas, 2008. pdf-bestân. s. 45. Oarspr. Londen, 1818. Shelley wie wiis mei syn persona, “I am delighted with Nightmare Abbey. I think Scythrop a character admirably conceived and executed,” mar mei dizze oantekening: “and yet, looking deeper into it, is not the misdirected enthusiasm of Scythrop what J.C. calls the salt of the earth?”Mills, Howard. Peacock: His Circle and His Age. Cambridge: Cambridge University Press, 1969. Printe. s. 135-36. (Yn noat ferwizend nei: Letters, Ed. Jones, II, 98.)\nIn ontology fan ‘the world as it is’ is inkeld al dêrom problematysk dat it óf in ûnferoarlike werklikheid ferûnderstelt efter de wikseljende ferskynselen óf in feroarjen dat fêst stiet. Parmenides, dy’t in grutte ynfloed op Plato hie, en Pindar sochten nei de oarsprong fan de dingen om te kommen by dat sa’t it ivich is. In wol feroarjende werklikheid lit lykwols, as jo in ferljochte, wittenskiplike metoade brûke—in folslein begryp fan it universum is witten wêrom’t bestiet wat bestiet—of in agnostyske beneiering—oft der in god is wit ik net, mar dingen binne sa’t se binne en wêze moatte—sjen dat de skiednis net oars koe as tarinne nei de wrâld sa’t dy is, mei in minske dy’t dêr like helpleas yn stiet as de Brillodoazen fan Warhol en de jirpels tusken de iene en de oare kulturele haadstêd. It wie dus gjin wûnder dat Shelley net akkoart gie mei de ‘man sa’t dy is’ yn de ‘wrâld sa’t dy is’.\nTwahûndert jier kwytrekke\nMar om by Shelleys ferwizing nei Matteus’ Berchrede te bliuwen, it sâlt soe syn smaak ferlieze, dus nearne goed foar wêze en fertrape reitsje ûnder de fuotten fan de minsken. It tydskrift fan de útjouwer fan Peacock en Shelley, dêr’t Fjouwer Tiidrekken yn stien hie, mislearre. Shelley krige it manuskript fan de Ferdigening werom en stjoerde it gau nei de befreone útjouwer Hunt. Flak dêrnei gie er dea. Hunt makke fan it kontroversjele stik in kreaze ferhanneling oer poëzij, mar ek syn tydskrift gie, krekt foar de publikaasje fan Shelleys Ferdigening, fallyt. Underwilens hie Shelley syn heit oan Shelleys widdo Mary ferbean om wat dan ek mei de namme Shelley te publisearjen, in ban dy’t er krekt nei sechstjin jier rúzje mei Mary, yn 1838, fan de manuskripten ôfhelje woe. Oant generaasjes nei syn dea waard Shelley hast allinne wurdearre troch de wichtichste fiktoariaanske dichters en pre-rafaeliten, mei as sintrale Shelleyneifolger William Michael Rossetti, waans freonskip mei Edward Trelawny him tagong joech ta nijsgjirrich materiaal fan Shelley. Want Shelleys wurk wie amper iepenbier en net bekend—en it is nochal ferspraat rekke, sa’t de fynst fan ’e wike fan in twahûndert jier lang kwytrekke gedicht fan Shelley sjen liet.\nFoar in part is de oarsaak fan Shelleys ûnbekendheid syn politike radikalisme. De fiktoariaanske noarm makke dat útjouwers inkeld de publikaasje fan keine tydskriftstikken lykas ‘Ozymandias’ oandoarden. Oan de oare kant klonk George Gordon Byron doe net minder radikaal. Dochs makke syn Childe Harold’s Pilgrimage him fuort nei it ferskinen yn 1818 populêr lykas Elvis. Yn eigen lân—en tiid—waard Byron gelyksteld oan sjenyen as Shakespeare en al gau wie er de meast ynfloedrike dichter fan Europa. Mei it materiaal dêr’t wy no oer beskikke kinne wy fêststelle dat Shelley syn wurk yndie mear politisearre wie as dat fan Byron.Sjoch bygelyks: Kelly O’Connell. “Romantics Lord Byron & PB Shelley: Depraved Characters in Pursuit of Art.” Canada Free Press. Judi McLeod, 25 juny 2012. Web. 2 nov. 2015. Mar folle mear bepalend foar de skiednis liket dat de Ingelske romantisy, Shelley, Keats, Byron en Hunt, trochgeans wol yn ien sike wei neamd wurde, mar Byron Shelley hast like hurd oanfoel as Keats, om’t der grute ferskillen yn poëtikale ideeën wiene.Cochran, Peter. “Byron and Shelley: Radical Incompatibles.” Romanticism on the Net 43 (2006): n. pag. Lord Byron’s Canons. Erudit. Michael Eberle-Sinatra, 2006. Web. 2 nov. 2015. It wurk fan Shelley is fan in kompleksiteit dy’t it net kategoarisearje lit. Dêrneist is it faak in gritty reboot fan it romantisisme; Alastor is by útstek donker, sinister, mystyk en ambigu.\nDat alles byinoar ferklearret dat yn Fryslân amper in spoar te finen is fan Shelley. Yn har eigen tiid waarden Wordsworth, Byron en Coleridge wol lêzen yn Fryslân; Tiede Roelofs Dykstra bestudearre Byron.Piebenga, Jan Tjittes. Koarte Skiednis fan de Fryske Skriftekennisse. Laverman: Drachten, 1957. Printe. s. 104 en 107. Yn de tweintichste ieu, om krekt te wêzen yn syn iere Jongfriezejierren, hat Douwe Kalma Alistor, Adonais en in pear lytse gedichten fan Shelley oerset. It doel dêrfan wie om mei it opnimmen en ferwurkjen fan de Ingelske literatuer yn Fryslân in brêge te slaan tusken de Angelsaksyske en Skandinavyske kultuer en, yn de Herderiaanske tinkline, de taal yn it sintrum fan it Fryske nasjonalisme te pleatsen.Kalma, Douwe. “Fryslân en de Wrâld; Rede, Sa Likernôch Hâlden op 'e Mienskipsgearkomste fen 29 Jan. 1916.” Strijdskriften fen de Jongfryske Mienskip, no. 1. Ljouwert: W.A. Eisma, 1916. Printe. Ynteresse yn Shelley lykas dy fan Rossetti wie der beslist net by Kalma. Boppedat sil Kalma, dy’t letter dosint Ingelsk waard, by it oersetten fan Shelleys poëzij behindere west ha troch it tekoart oan kennis fan it Gryksk, dat er inkeld in pear jier hân hie op it gymnasium; de Oxfordstudint Shelley hie in soad oerset út it Gryksk, behearske de fersfoarmen en mytology yngeand en naam beide op yn syn wurk. Hoe dan ek, de Elvisstatus fan Byron hat Shelley yn Fryslân net berikt.\n‘The expression of the imagination’\nEarst stjoerde Shelley, fan Itaalje út, dêr’t er mei syn frou wie, in iepen brief nei de útjouwer Ollier en nei Peacock sels, mei syn motiven: “Your anathemas against poetry itself excited me to a sacred rage, or caloethes scribendi of vindicating the insulted Muses.”Shelley, Percy Bysshe. The Letters of Percy Bysshe Shelley: Containing Material Never Before Collected. Vol. 2. Ed. Roger Ingpen. Londen: Sir Isaac Pitman & sons, 1914. Printe. s. 184. Brief fan 15 febrewaris 1821, út Pisa. Peacock printe ‘cacoethes’ ynstee fan ‘caloethes’, om't er sa't it like Shelleys grap net begriep. Yn de brief stiet mei wissens caloethes. Cacoethe is in kwea-aardige, net út te roegjen swolm, cacoethes scribendi is de kwea-aardige, net te befredigjen lusten om te skriuwen, caloethes is it omkearde fan cacoethes; it is de positive sin om te skriuwen. Yn febrewaris en maart 1921 skreau Shelley syn ferdigening. Nei it antwurd op de fragen “what is poetry, and who are poets” behannelet er “its effects upon society,”Shelley, Percy Bysshe. “A Defence of Poetry.” Essays, Letters From Abroad, Translations and Fragments. Ed. Mrs. Shelley. Vol. 1. Londen: Edward Moxon, 1840. 1-57. Internet Archive. Internet Archive, 2014. Web. 1 nov. 2015. s. 13. dy’t sûnder mear heilsum binne. Al faker is der op wiisd dat it net de ynhâld mar de foarm is dy’t de ferhanneling sa krêftich makket. It lit sjen hoe’t poëtyske taal ferskilt fan de wittenskiplike taal: poëzij bestiet út metafoaren.Mahon, James Edwin. “Truth and Metaphor: A Defence of Shelley.” Metaphor and Rational Discourse. Eds. Bernard Debatin, Timothy R. Jackson, Daniel Steuer. Tubingen, Dútslân: Max Niemeyer, 1997. 137-46. Printe. De metafoar is in ferwizing nei it abstrakte idee dat bûten de tekst leit. De neoplatoanske tradysje dêr’t Shelley mei syn tinken yn stiet, spjalt de ideeëwrâld mei it wiere en werklike ôf fan de ferskynsels dy’t dêr mar in silhûet fan binne. Poëzij “strips the veil of familiarity from the world, and lays bare the naked and sleeping beauty, which is the spirit of its forms”;Shelley, Percy Bysshe. “A Defence of Poetry.” Essays, Letters From Abroad, Translations and Fragments. Ed. Mrs. Shelley. Vol. 1. Londen: Edward Moxon, 1840. 1-57. Internet Archive. Internet Archive, 2014. Web. 1 nov. 2015. s. 51. dus “A poem is the very image of life expressed in its eternal truth.”Shelley, Percy Bysshe. “A Defence of Poetry.” Essays, Letters From Abroad, Translations and Fragments. Ed. Mrs. Shelley. Vol. 1. Londen: Edward Moxon, 1840. 1-57. Internet Archive. Internet Archive, 2014. Web. 1 nov. 2015. s. 12. Shelley ferwiist geregeld nei de wierheidswearde fan poëzij, bygelyks op s. 13: “the eternal truth which it contains...”\nShelley begjint syn redenearring mei it ûnderskied tusken “the principle of synthesis” fan it poëtyske fermogen, dat “has for its objects those forms which are common to universal nature and existence itself” en de “principle of analysis” fan de fakulteit fan de rede, “and its action regards the relations of things, simply as relations; considering thoughts, not in their integral unity, but as the algebraical representations which conduct to certain general results.”Shelley, Percy Bysshe. “A Defence of Poetry.” Essays, Letters From Abroad, Translations and Fragments. Ed. Mrs. Shelley. Vol. 1. Londen: Edward Moxon, 1840. 1-57. Internet Archive. Internet Archive, 2014. Web. 1 nov. 2015., s. 1. In analyze jout inkeld in ferhaal: “There is this difference between a story and a poem, that a story is a catalogue of detached facts, which have no other connexion than time, place, circumstance, cause, and effect; the other is the creation of actions according to the unchangeable forms of human nature.”Shelley, Percy Bysshe. “A Defence of Poetry.” Essays, Letters From Abroad, Translations and Fragments. Ed. Mrs. Shelley. Vol. 1. Londen: Edward Moxon, 1840. 1-57. Internet Archive. Internet Archive, 2014. Web. 1 nov. 2015. s. 12. Poezij is dêrom: “the centre and circumference of knowledge; it is that which comprehends all science, and that to which all science must be referred.”Shelley, Percy Bysshe. “A Defence of Poetry.” Essays, Letters From Abroad, Translations and Fragments. Ed. Mrs. Shelley. Vol. 1. Londen: Edward Moxon, 1840. 1-57. Internet Archive. Internet Archive, 2014. Web. 1 nov. 2015. s. 47. De belangrike rol fan de dichter “springs from the nature itself of language, which is a more direct representation of the actions and passions of our internal being.”Shelley, Percy Bysshe. “A Defence of Poetry.” Essays, Letters From Abroad, Translations and Fragments. Ed. Mrs. Shelley. Vol. 1. Londen: Edward Moxon, 1840. 1-57. Internet Archive. Internet Archive, 2014. Web. 1 nov. 2015. s. 8.\nEn dêrút, dat poëzij in bân skept tusken it ynderlik en de potinsjele grûnen en dieden, folget dat de wearde fan poëzij dy fan wittenskip fier oerstiget: “All high poetry is infinite.”Shelley, Percy Bysshe. “A Defence of Poetry.” Essays, Letters From Abroad, Translations and Fragments. Ed. Mrs. Shelley. Vol. 1. Londen: Edward Moxon, 1840. 1-57. Internet Archive. Internet Archive, 2014. Web. 1 nov. 2015. s. 40. Want “The great instrument of moral good is the imagination; and poetry administers to the effect by acting upon the cause.”Shelley, Percy Bysshe. “A Defence of Poetry.” Essays, Letters From Abroad, Translations and Fragments. Ed. Mrs. Shelley. Vol. 1. Londen: Edward Moxon, 1840. 1-57. Internet Archive. Internet Archive, 2014. Web. 1 nov. 2015. s. 17. Peacock, mei syn kredo fan nut, replisearjend stelt Shelley: “In the former sense, whatever strengthens and purifies the affections, enlarges the imagination, and adds spirit to sense, is useful.Shelley, Percy Bysshe. “A Defence of Poetry.” Essays, Letters From Abroad, Translations and Fragments. Ed. Mrs. Shelley. Vol. 1. Londen: Edward Moxon, 1840. 1-57. Internet Archive. Internet Archive, 2014. Web. 1 nov. 2015. s. 41. De wittenskipper ken inkeld syn losse waarnimmingen, wylst “poetry defeats the curse which binds us to be subjected to the accident of surrounding impressions.”Shelley, Percy Bysshe. “A Defence of Poetry.” Essays, Letters From Abroad, Translations and Fragments. Ed. Mrs. Shelley. Vol. 1. Londen: Edward Moxon, 1840. 1-57. Internet Archive. Internet Archive, 2014. Web. 1 nov. 2015. s. 51. De wittenskipper stiet yn de wrâld sa’t dy him ferskynt en dêr’t neat oan te dwaan is. Mar dichters hawwe it ynstrumint fan de ferbylding: “We want the creative faculty to imagine that which we know; we want the generous impulse to act that which we imagine; we want the poetry of life: our calculations have outrun conception.”Shelley, Percy Bysshe. “A Defence of Poetry.” Essays, Letters From Abroad, Translations and Fragments. Ed. Mrs. Shelley. Vol. 1. Londen: Edward Moxon, 1840. 1-57. Internet Archive. Internet Archive, 2014. Web. 1 nov. 2015. s. 45. De dichters, mei har prinsipe fan synteze, binne by steat efter de ferskynsels fan de wrâld te sjen en harren oarspronklike gearhing op te meitsjen. De dichter hat sadwaande de ûnmisbere taak fan morele paadwizer, in taak dy’t net ferheven is, gjin ivoaren toer, mar deagewoan praktysk en sosjaal. “But poets, or those who imagine and express this indestructible order, are not only the authors of language (...); they are the institutors of laws, and the founders of civil society (...), and the teachers, who draw into a certain propinquity with the beautiful and the true.”Shelley, Percy Bysshe. “A Defence of Poetry.” Essays, Letters From Abroad, Translations and Fragments. Ed. Mrs. Shelley. Vol. 1. Londen: Edward Moxon, 1840. 1-57. Internet Archive. Internet Archive, 2014. Web. 1 nov. 2015. s. 6.\nDe Provinsje Fryslân skriuwt op ’t heden de nije kultuernota. De ûnferskilligens oangeande poëzij wurdt ek bûten it provinsjehûs breed droegen, want It Skriuwersboun, dat ûnder syn leden in protte dichters telt, hat ein oktober in subsydzjeoanfraach foar it ynstellen fan in poëzijmanifestaasje en ien foar in Fryske poeta laureatus wer ynlutsen.Ferslach Bestjoersgearkomste It Skriuwersboun, 27 okt. 2015. Mar ynienen is ferline wike yn de Fryske provinsjebegrutting plak makke foar in provinsjedichter. Dy moat “it belang fan poëzij yn Fryslân ûnder de oandacht bringe kinne.”“Fryslân krijt in provinsjale dichter.” Omrop Fryslân. Stichting Omrop Fryslân, 11 nov. 2015. Web. 12 nov. 2015. Hy of sy moat dat net sasear kinne as wol dwaan, soene jo warskôgje wolle, mar de formulearring ropt wichtiger fragen op. Ommers is it belang fan de poëzij yn Fryslân in belang dat ferdwynt healwei de Ofslútdyk? Belang is in wat besmette term, assosjearre mei in wy-foar-harren-oer-mindset; dat de beweging mei hast deselde namme net De Flaamske Wearde hyt komt om’t belang mar skynber synonym is mei wearde. Belang is de achting dy’t eat—Fryslân, of miskien wol de poëzij—fertsjinnet, of it nut dat immen deroan hechtet, of de monetêre priis. Belang is altyd in belang foar in spesifyk eat of immen. Wearde, oan de oare kant, is in universeel prinsipe of in standert fan persoanlik en sosjaal gedrach.\nShelley syn Ferdigening tsjinnet net inkeld, of just net, de poëzij oan de Ofslútdyk ta, mar as gjin oare apology bekrêftiget it de poëzij fan de hiele minskheid. Sintraal yn de ferhanneling stiet de ûneinige en definitive boarne fan poëzij: de minsklike ferbylding. De Ferdigening wie nea bedoeld as monolooch en noch minder as lêste wurd wêrnei’t de saak ôfdien wie. Shelley hie it opsteld as in polemysk diskusjestik, yn in iepen, feroarjende maatskippij, dat in reaksje—it Shelley-Peacockdebat—útlokje soe. Dus, Fryslân, wêr wachtest op?\nAlighieri, Dante. Divina Commedia, Purgatorio. Ed. Pietro Genesini. Lettera Italiana. P. Genesini, n.d. pdf-bestân. Canto 1, 1320. Fersen 7-12.\nShelley, Percy Bysshe. “A Defence of Poetry.” Essays, Letters From Abroad, Translations and Fragments. Ed. Mrs. Shelley. Vol. 1. Londen: Edward Moxon, 1840. 1-57. Internet Archive. Internet Archive, 2014. Web. 1 nov. 2015. s. 46.\nPeacock, Thomas Love. “The Four Ages of Poetry.” Mark Worden's Virtual Habitation: Poets on Writing. Mark Worden, n.d. Web. 1 nov. 2015. Earst (anonym) publisearre yn Ollier’s Literary Miscellany, In Prose and Verse by Several Hands, To Be Continued Occasionally, No. 1. Londen: C. and J. Ollier, 1820. 183-200. Printe.\nJensma, Goffe. “Rapport fan de Advyskommisje Gysbert Japicxpriis 2013.” Ensafh. Stichting Hispel, 13 okt. 2013. Web. 1 nov. 2015.\nPostma, Obe. “Tankwurd Obe Postma Foar Gysbert Japicxpriis.” Obe Postma. Obe Postma Selskip, 10 aug. 2010. Web. 1 nov. 2015. (Utsprutsen 10 okt. 1947.)\nProvinsje Fryslân. Grinzen Oer. Yntegrale Beliedsnota Kultuer, Taal en Underwiis. n.p.: Provinsje Fryslân, 2013. pdf-bestân. s. 17-18.\nProvinsje Fryslân. Mei Elkenien Foar Elkenien. Koälysjeakkoart 2015-2019. Seis Ambysjes Foar Fryslân. n.p.: Provinsje Fryslân, 2015. pdf-bestân. s. 24.\nKeikes, André. “Niet Te Missen Fontein Voor Leeuwarden.” Fryslân1. Friese Mediacoöperatie, 23 july 2015. Web. 1 nov. 2015.\n“Projectnieuws. Europese Literaire Samenwerking Via Reizende Aardappels.” 2018. Stichting Culturele Hoofdstad 2018, 12 okt. 2015. Web. 1 nov. 2015.\nPeacock, Thomas Love. “The Four Ages of Poetry.” Mark Worden's Virtual Habitation: Poets on Writing. Mark Worden, n.d. Web. 1 nov. 2015. Earst (anonym) publisearre yn Ollier’s Literary Miscellany, In Prose and Verse by Several Hands, To Be Continued Occasionally, No. 1. Londen: C. and J. Ollier, 1820. 183-200. Printe. n. pag.\nBrief fan 11 jannewaris 1822. Hughson, Shirley Carter. The Best Letters of Percy Bysshe Shelley. 1909. Opnij printe. Londen: Forgotten Books, 2013. 316-17. Printe.\nPeacock, Thomas Love. Nightmare Abbey. Biblioteca Virtual Universal. Bibliotecas Rurales Argentinas & Bibliotecas Latinoamericanas, 2008. pdf-bestân. s. 7. Oarspr. Londen, 1818.\nShelley, Percy Bysshe. “The Mask of Anarchy: Written on the Occasion of the Massacre at Manchester.” Anarchy Archives. Dana Ward, 12 okt. 2001. Web. 7 nov. 2015. Fersen 262-63.\nPeacock, Thomas Love. Nightmare Abbey. Biblioteca Virtual Universal. Bibliotecas Rurales Argentinas & Bibliotecas Latinoamericanas, 2008. pdf-bestân. s. 45. Oarspr. Londen, 1818.\nMills, Howard. Peacock: His Circle and His Age. Cambridge: Cambridge University Press, 1969. Printe. s. 135-36. (Yn noat ferwizend nei: Letters, Ed. Jones, II, 98.)\nSjoch bygelyks: Kelly O’Connell. “Romantics Lord Byron & PB Shelley: Depraved Characters in Pursuit of Art.” Canada Free Press. Judi McLeod, 25 juny 2012. Web. 2 nov. 2015.\nCochran, Peter. “Byron and Shelley: Radical Incompatibles.” Romanticism on the Net 43 (2006): n. pag. Lord Byron’s Canons. Erudit. Michael Eberle-Sinatra, 2006. Web. 2 nov. 2015.\nPiebenga, Jan Tjittes. Koarte Skiednis fan de Fryske Skriftekennisse. Laverman: Drachten, 1957. Printe. s. 104 en 107.\nKalma, Douwe. “Fryslân en de Wrâld; Rede, Sa Likernôch Hâlden op 'e Mienskipsgearkomste fen 29 Jan. 1916.” Strijdskriften fen de Jongfryske Mienskip, no. 1. Ljouwert: W.A. Eisma, 1916. Printe.\nShelley, Percy Bysshe. The Letters of Percy Bysshe Shelley: Containing Material Never Before Collected. Vol. 2. Ed. Roger Ingpen. Londen: Sir Isaac Pitman & sons, 1914. Printe. s. 184. Brief fan 15 febrewaris 1821, út Pisa. Peacock printe ‘cacoethes’ ynstee fan ‘caloethes’, om't er sa't it like Shelleys grap net begriep. Yn de brief stiet mei wissens caloethes. Cacoethe is in kwea-aardige, net út te roegjen swolm, cacoethes scribendi is de kwea-aardige, net te befredigjen lusten om te skriuwen, caloethes is it omkearde fan cacoethes; it is de positive sin om te skriuwen.\nShelley, Percy Bysshe. “A Defence of Poetry.” Essays, Letters From Abroad, Translations and Fragments. Ed. Mrs. Shelley. Vol. 1. Londen: Edward Moxon, 1840. 1-57. Internet Archive. Internet Archive, 2014. Web. 1 nov. 2015. s. 13.\nMahon, James Edwin. “Truth and Metaphor: A Defence of Shelley.” Metaphor and Rational Discourse. Eds. Bernard Debatin, Timothy R. Jackson, Daniel Steuer. Tubingen, Dútslân: Max Niemeyer, 1997. 137-46. Printe.\nShelley, Percy Bysshe. “A Defence of Poetry.” Essays, Letters From Abroad, Translations and Fragments. Ed. Mrs. Shelley. Vol. 1. Londen: Edward Moxon, 1840. 1-57. Internet Archive. Internet Archive, 2014. Web. 1 nov. 2015. s. 51.\nIdem, s. 12. Shelley ferwiist geregeld nei de wierheidswearde fan poëzij, bygelyks op s. 13: “the eternal truth which it contains...”\nIdem, s. 1.\nIdem, s. 12.\nIdem, s. 40.\nIdem, s. 51.\nIdem, s. 6.\nFerslach Bestjoersgearkomste It Skriuwersboun, 27 okt. 2015.\n“Fryslân krijt in provinsjale dichter.” Omrop Fryslân. Stichting Omrop Fryslân, 11 nov. 2015. Web. 12 nov. 2015.\nUt dit essee sitearje kin sa: Riemersma, Friduwih. “De Wearde fan Poëzij. Shelleys ‘In Ferdigening fan Dichtkeunst’ Opnij Besjoen.” Fers2. Abe de Vries & Friduwih Riemersma, 15 novimber 2015. Web. Dei moanne jier dat it essee krigen is.\nTwa gedichten út ‘Hiemsiik’\nElmar Kuiper, 16 oktober 2015\nkoe ik spyt mar as in sânkastiel fuortspiele litte de kiel / fan ’e kobbe tichtknipe...\nOersetting fan Brodsky: Foar in tiran\nEppie Dam, 15 maaie 2016\nHij kaam hjir faak: noch net yn rydbroek nee, / mar yn in leaden jas, wat noartsk en krommich.\nHo Wu en Misty Mac: Wachtstan\nAggie van der Meer, 1 maaie 2016\nWat Mac de lêste tiid opfalt: der wurdt te min trochtocht. Wylst de grinzen iepen gean, graach of net


Solegear - Distributeurs de trombones Good Natured | Staples\nSolegear - Distributeurs de trombones Good Natured\nMagasinez chez Bureau en Gros pour Solegear - Distributeurs de trombones Good Natured. Vous trouverez des prix réduits à tous les jours ainsi que tout le nécessaire pour votre bureau à domicile ou votre PME.\nProduct ID: SS5874177\n2 lar. x 2 long. x 2 3/4 haut. (po) / 0,16 lb


Gym Dog Sneak Peak - Bars - Lauren Sessler | Gym Dog Sneak Peak | Gymnastike\nGym Dog Sneak Peak - Beam - Courtney McCool December 5 5265 views Gym Dog Sneak Peak - Beam - Shayla Worley December 5 4168 views Gym Dog Sneak Peak - Floor - Courtney McCool December 5 2881 views Gym Dog Sneak Peak - Bars - Shayla Worley December 5 2776 views Gym Dog Sneak Peak - Floor - Shayla Worley December 5 2752 views Gym Dog Sneak Peak - Floor - Kat Ding December 5 2307 views Gym Dog Sneak Peak - Vault - Shayla Worley December 5 2134 views Gym Dog Sneak Peak - Floor - Grace Taylor December 5 2035 views Gym Dog Sneak Peak - Beam - Kati Brazeal December 5 1918 views Gym Dog Sneak Peak - Beam - Grace Taylor December 5 1806 views Gym Dog Sneak Peak - Floor - Noel Couch December 5 1697 views Gym Dog Sneak Peak - Bars - Courtney McCool December 5 1659 views Gym Dog Sneak Peak - Bars - Kat Ding December 5 1619 views Gym Dog Sneak Peak - Vault - Mariel Box December 5 1346 views Gym Dog Sneak Peak - Floor - Lauren Johnson December 5 1235 views Gym Dog Sneak Peak - Beam - Kat Ding December 5 1189 views Gym Dog Sneak Peak - Floor - Cassidy McComb December 5 959 views Gym Dog Q&A with the Kids December 5 896 views Gym Dog Sneak Peak - Vault - Marcia Newby December 5 825 views Gym Dog Sneak Peak - Beam - Cassidy McComb December 5 817 views ArticlesNo Recent Article Posts. New Article Post.Contribute to this Event You must register before you may contribute\nJulie Livens the Crowd December 5 277 views Huddle December 5 580 views Beam Huddle December 5 264 views Gym Dog Sneak Peak Intro December 5 815 views Routine (32)\nGym Dog Sneak Peak - Beam - Grace Taylor December 5 1806 views Gym Dog Sneak Peak - Floor - Courtney McCool December 5 2881 views Gym Dog Sneak Peak - Beam - Shayla Worley December 5 4168 views Gym Dog Sneak Peak - Floor - Kat Ding December 5 2307 views Gym Dog Sneak Peak - Beam - Kati Brazeal December 5 1918 views Gym Dog Sneak Peak - Floor - Lauren Johnson December 5 1235 views Gym Dog Sneak Peak - Floor - Noel Couch December 5 1697 views Gym Dog Sneak Peak - Beam - Hilary Mauro December 5 576 views Gym Dog Sneak Peak - Beam - Cassidy McComb December 5 817 views Gym Dog Sneak Peak - Floor - Shayla Worley December 5 2752 views Gym Dog Sneak Peak - Floor - Grace Taylor December 5 2035 views Gym Dog Sneak Peak - Beam - Courtney McCool December 5 5265 views Gym Dog Sneak Peak - Floor - Cassidy McComb December 5 959 views Gym Dog Sneak Peak - Beam - Lauren Johnson December 5 733 views Gym Dog Sneak Peak - Floor - Hilary Mauro December 5 323 views Gym Dog Sneak Peak - Beam - Noel Couch December 5 780 views Gym Dog Sneak Peak - Beam - Kat Ding December 5 1189 views Gym Dog Sneak Peak - Vault - Lauren Sessler December 5 197 views Gym Dog Sneak Peak - Vault - Shayla Worley December 5 2134 views Gym Dog Sneak Peak - Bars - Marcia Newby December 5 710 views Gym Dog Sneak Peak - Bars - Courtney McCool December 5 1659 views Gym Dog Sneak Peak - Bars - Kat Ding December 5 1619 views Gym Dog Sneak Peak - Vault - Cassidy McComb December 5 213 views Gym Dog Sneak Peak - Vault - Mariel Box December 5 1346 views Gym Dog Sneak Peak - Bars - Noel Couch December 5 258 views Gym Dog Sneak Peak - Bars - Lauren Sessler December 5 248 views Gym Dog Sneak Peak - Vault - Lauren Johnson December 5 289 views Gym Dog Sneak Peak - Bars - Shayla Worley December 5 2776 views Gym Dog Sneak Peak - Bars - Cassidy McComb December 5 632 views Gym Dog Sneak Peak - Vault - Kat Ding December 5 339 views Gym Dog Sneak Peak - Bars - Grace Taylor December 5 247 views Gym Dog Sneak Peak - Vault - Marcia Newby December 5 825 views The video you are looking for has not finished processing. Please check back in a few minutes.\nGym Dog Sneak Peak - Bars - Lauren Sessler\nThe coach said that she was sick and had a 103 fever the day prior to the sneak peak which is why she is not competing. They are just playing it safe. Watch the "intro" video ...he talks about it there. holly 3 years ago


製品名 1 x SATA Slim ODD + 2 x 2.5インチSATA＆SAS HDD/SSD搭載用エンクロージャラック　5インチベイサイズ対応 \_17,900\n仕様 / 特徴 5インチ→Slim ODD+2.5インチｘ2\n製品名 4 x 2.5インチSATA＆SAS HDD/SSD搭載用モジュールケース 5インチベイサイズ対応 \_17,440\n仕様 / 特徴 5.0mm〜15.0mm厚まで対応\n製品名 4 x 2.5インチSATA 3 HDD/SSD搭載用モジュールケース　5インチベイサイズ対応 \_16,890\n製品名 4x2.5" SATA/SAS HDD/SSD搭載用モジュールケース　ロック鍵付5インチベイサイズ \_18,790\n製品名 6 x 2.5インチSATA 3 HDD/SSD搭載用モジュールケース 5インチベイサイズ対応 \_19,740\n仕様 / 特徴 5.0mm〜9.5mm厚まで対応\n製品名 8 x 2.5インチSATA 3 HDD/SSD搭載用モジュールケース 5インチベイサイズ対応 \_30,810\n仕様 / 特徴 5.0mm〜7.0mm厚まで対応\nSCYTHE SCY-CFS3-BK 製品名 旋風（せんぷう） \_8,380\n仕様 / 特徴 冷却重視のシャーシ設計であり、標準でファンを3基搭載しているなど、旋風の名の通り、空冷に特化したATXMiddleタワーケース。USB3.0、SSD対応、オールツールフリー全高155mmCPUクーラー対応、292mm長VGAカード対応、電源非搭載、ブラック。外形寸法量：195(W) X 445(H) X 503(D)mm（最大突起部含む）、フレーム / 重量 ：SECC / 6.3kg\nGELID CN-RASPI-01 製品名 ICEBERRY \_3,000\n仕様 / 特徴 GELIDブランドのRaspberry Pi 4 Model B専用ケース\nEmu Corporation 「いちご缶 VESA4」\nEMU-RP04 VESA フォーム RaspberryPi 4 \_5,700\n素材 0.8mm厚 Aluminum\nSilverStone SST-PI01 \_3,320\nジャンル Desktop /小型システム\n製品内容 Aluminum case for Raspberry Pi 3B+/3B/2B/1B+ version best cooling heatsink and thermal pad black\nSilverStone SST-PI02 \_4,120\n製品内容 Raspberry Pi 4 Model B enhanced thermal cooling aluminum case\nAINEX USB-001BA10 製品名 ｹｰｽ用USBｹｰﾌﾞﾙ \_4,180\n仕様 / 特徴 M/B上のUSBヘッダーを延長しケース前面等に設置。Aメス⇔バラ4Pメス。60cm。ナット・ネジ付。10本入。※USB-001B10型番変更品\nAINEX USB-002D10 製品名 ｹｰｽ用USBｹｰﾌﾞﾙ \_5,540\n仕様 / 特徴 背面USBを前面などに延長。パネル固定用。USB 2.0対応。80cm。ナット・ネジ付。10本入。※USB-002C10型番変更品\n産業用　IN WIN PC ケ−ス\nIN WIN IW-EFS054 カラー ブラック \_7,920\n寸法（H*W*D）mm 350 ｘ 170 ｘ 398\nFAN 90mm X 2\nIN WIN IW-EA035USB3.0 E/電源無 カラー ブラック \_8,020\n寸法（H*W*D）mm 415 x 190 x 478\n3.5inchベイ 2 (4)　（）内は内蔵ﾍﾞｲ\nUSB USB3.0　（2）\nIN WIN IW-EM035 USB3.0 E カラー ブラック \_8,190\n寸法（H*W*D）mm 350 X 190 X 402\nIN WIN IW-BL672 E　Black カラー ブラック \_13,160\n寸法（H*W*D）mm 330 x 96 x 390 （突起部分を除く）\n3.5inchベイ 1 (2)　（）内は内蔵ﾍﾞｲ\nFAN パーテーション構造 80mm X 1\nIN WIN IW-EM035用USB3.0モジュール (IW-EM035・EA035用）\nSilverStone SST-HB01B \_2,380\n製品内容 Handel Bar for RVZ02\nSilverStone SST-SP-LD03 \_5,000\n製品内容 SP-LD03 Side Panel Kit for LD03 Air inlet cutout with Filter\nSilverStone SST-RM400 \_27,830\n製品内容 2U case\nSilverStone SST-FAB1B-PRO \_15,500\n製品内容 FAB1B-PRO Transparent plastic bezel steel body 3.5"x1 2.5"x4 3x 120mm ARGB front fan 1x 120mm ARGB rear fan 2 x 120/140mm fan slot USB 3.0 x 2 USB 2.0x 1 Combo Audio x 1 ATX 電源 support 322mm GPU card support Glass side panel x 1 ARGB Controller x 1\nSilverStone SST-FAR1B-PRO \_15,500\n製品内容 FAR1B-PRO Black Plastic Mesh bezel steel body 3.5"x1 2.5"x4 3x 120mm ARGB front fan 1x 120mm ARGB rear fan 2 x 120/140mm fan slot USB 3.0 x 2 USB 2.0x 1 Combo Audio x 1 ATX 電源 support 322mm GPU card support Glass side panel x 1 ARGB Controller x 1\nSilverStone SST-FTZ01B \_23,720\n製品内容 Black Alu Bazel steel body black internal Mini-ITX 1*Slim ODD 1X3.5" 3*2.5" 2*120 fan and 1x120 fan slot 1*audio 1*MIC 2*USB3.0 Riser card: One PCI-E x16 Expansion slots: 2 Support SFX 電源 Expansion slots: 2 support SFX 電源\nSilverStone SST-FTZ01B-E \_23,720\n製品内容 Black Alu Bazel steel body black internal Mini-ITX 4*2.5" 2*120 fan and 1x120 fan slot 1*audio 1*MIC 2*USB3.0 Riser card: One PCI-E x16 Expansion slots: 2 Support ATX 電源\nSilverStone SST-FTZ01S \_23,720\n製品内容 Silver Alu Bazel steel body black internal Mini-ITX 1*Slim ODD 1X3.5" 3*2.5" 2*120 fan and 1x120 fan slot 1*audio 1*MIC 2*USB3.0 Riser card: One PCI-E x16 Expansion slots: 2 Support SFX 電源 Expansion slots: 2 support SFX 電源\nSilverStone SST-GD04B-USB3.0 \_17,400\n製品内容 Black Alu.bezel SECC body short depth design M-ATX M/B 1*5.25" 2*3.5"+1*2.5"HDD or1*3.5"+2*2.5"HDD 3*120mm fan 2*80mm fan slot 1*audio 1*MIC 2*USB3.0 11"expansion card capable\nSilverStone SST-GD04S-USB3.0 \_18,190\n製品内容 Silver Alu.bezel SECC body short depth design M-ATX M/B 1*5.25" 2*3.5"+1*2.5"HDD or1*3.5"+2*2.5"HDD 3*120mm fan 2*80mm fan slot 1*audio 1*MIC 2*USB3.0 11"expansion card capable\nSilverStone SST-GD05B-USB3.0 \_16,610\n製品内容 Black Alu.+ ABS front bezel SECC body short depth design M-ATX M/B 1*5.25" 2*3.5"+1*2.5"HDD or1*3.5"+2*2.5"HDD 3*120mm fan 2*80mm fan slot 1*audio 1*MIC 2*USB3.0 11"expansion card capable\nSilverStone SST-GD06B \_18,660\n製品内容 Black Alu. front door+ ABS front bezel SECC body short depth design M-ATX M/B 1*5.25" 4*3.5"(2* hot-swappable bays)+1*2.5"HDD or3*3.5"+2*2.5"HDD 3*120mm fan 2*80mm fan slot 1*audio 1*MIC 2*USB3.0 11"expansion card capable\nSilverStone SST-GD07B \_24,510\n製品内容 Black Alu.+ ABS front bezel SECC body SSI-EEB SSI-CEB Extended ATX ATX M-ATX M/B 4*5.25" 5*3.5"+2*2.5"HDD 3*120mm fan 1*120mm fan slot 2*80mm fan slot 1*audio 1*MIC 2*USB3.0 13.6"expansion card capable\nSilverStone SST-GD07B-C \_26,090\n製品内容 GD07 W/1*Type C Black Alu.+ ABS front bezel SECC body SSI-EEB SSI-CEB Extended ATX ATX M-ATX M/B 4*5.25" 5*3.5"+2*2.5"HDD 3*120mm fan 1*120mm fan slot 2*80mm fan slot 1*audio 1*MIC 1*USB3.0 13.6"expansion card capable\nSilverStone SST-GD08B \_26,090\n製品内容 Black Alu. front bezel SECC body SSI-EEB SSI-CEB Extended ATX ATX M-ATX M/B 2*5.25" 8*3.5"+2*2.5"HDD 3*120mm fan 1*120mm fan slot 2*80mm fan slot 1*audio 1*MIC 2*USB3.0 13.6"expansion card capable\nSilverStone SST-GD09B \_14,240\n製品内容 Black ABS front bezel steel body SSI-CEB ATX M-ATX M/B 1*5.25" 2*3.5"+1*2.5"HDD 1*120mm fan 2*120mm fan slot 2*80mm fan slot 1*audio 1*MIC 2*USB3.0 12.2"expansion card capable\nSilverStone SST-GD09B-C \_17,790\n製品内容 GD09B W/1*Type C Black ABS front bezel steel body SSI-CEB ATX M-ATX M/B 1*5.25" 2*3.5"+1*2.5"HDD 1*120mm fan 2*120mm fan slot 2*80mm fan slot 1*audio 1*MIC 1*USB3.0 12.2"expansion card capable\nSilverStone SST-GD10B \_18,190\n製品内容 Black Alu.+ ABS front bezel with Alu door steel body SSI-CEB ATX M-ATX M/B 1*5.25" 2*3.5"+1*2.5"HDD 3*120mm fan 2*80mm fan slot 1*audio 1*MIC 2*USB3.0 12.2"expansion card capable\nSilverStone SST-ML03B \_11,860\n製品内容 Black Alu.+ ABS front bezel Steel body M-ATX M/B 1*5.25"(or 1* 3.5" HDD or 2* 2.5"HDD/SSD) 2*3.5" 1*2.5" 1*audio 1*MIC 2*USB3.0 4*80mm fan slot Low Profile expansion card capable\nSilverStone SST-ML04B \_14,240\n製品内容 Black Alu. Door with lock+ ABS front bezel Steel body M-ATX M/B 1*5.25"(or 1* 3.5" HDD or 2* 2.5"HDD/SSD) 2*3.5" 1*2.5" 1*audio 1*MIC 2*USB3.0 4*80mm fan slot Low Profile expansion card capable\nSilverStone SST-ML04B-C \_14,240\n製品内容 ML04B W/1* Type C Micro-ATX 5.25"x 1 3.5"x 2 USB 3.0 x 1 type C Gen2 x 1\nSilverStone SST-ML05B \_8,380\n製品内容 Black ABS & Acrylic bezel Steel body Mini-ITX M/B 4*2.5"HDD 1*audio 1*MIC 2*USB3.0 2*80mm fan slot SFX 電源 Low Profile expansion card capable 1*multi-function bay (1*slim optical or 1*3.5" or 2*2.5" or 1*120mm fan).\nSilverStone SST-ML06B \_10,310\n製品内容 Black ABS & Alu bezel Steel body Mini-ITX M/B 4*2.5"HDD 1*audio 1*MIC 2*USB3.0 2*80mm fan slot SFX 電源 Low Profile expansion card capable 1*multi-function bay (1*slim optical or 1*3.5" or 2*2.5" or 1*120mm fan).\nSilverStone SST-ML06B-E \_14,390\n製品内容 Black Alu front Bezel Steel body black Intrenal Mini-ITX DTX M/B multi-function bay 4X2.5" 2*80mm fan slots 1*audio 1*MIC 2*USB3.0 2 x lowprofile expansion card capable Support SFX 電源\nSilverStone SST-ML07B \_12,020\n製品内容 Black ABS Bazel steel body black internal Mini-ITX 1*Slim ODD 1X3.5" 3*2.5" 2*120 fan and 1x120 fan slot 1*audio 1*MIC 2*USB3.0 Riser card: One PCI-E x16 Expansion slots: 2 Support SFX 電源 Expansion slots: 2 support SFX 電源\nSilverStone SST-ML08B \_13,440\n製品内容 Black ABS Bazel steel body black internal Mini-ITX 1*Slim ODD 2*2.5"t 1*audio 1*MIC 2*USB3.0 Riser card: One PCI-E x16 Expansion slots: 2 Support SFX 電源\nSilverStone SST-ML08B-H \_15,030\n製品内容 Black ABS Bazel steel body black internal Mini-ITX 1*Slim ODD 2*2.5"t 1*audio 1*MIC 2*USB3.0 Riser card: One PCI-E x16 Expansion slots: 2 Support SFX 電源 With plastic handle bar\nSilverStone SST-ML09B \_10,910\n製品内容 Black Plastic front Bezel Steel body black Intrenal Mini-ITX DTX M/B multi-function bay 4X2.5" 2*80mm fan slots 1*audio 1*MIC 2*USB3.0 2 x lowprofile expansion card capable Support SFX 電源\nSilverStone SST-PS15B-PRO \_9,970\n製品内容 PS15B-PRO Black Plastic Bezel Steel Body M-ATX M/B 3.5" x1 2.5" x3 2*120mm ARGB front fan 1*120mm rear fan slot 2 x 120/140mm fan slot USB 3.0 x2 Audio x 1 Mic x 1 ATX 電源 support 12.3" (314mm) card glass side panel x 1 ARGB Controller\nSilverStone SST-PT13B \_8,230\n製品内容 Black Thin Mini ITX Alu Steel body 1*2.5"HDD 2*USB2.0 1.4liters\nSilverStone SST-PT13B-USB3.0 \_8,700\n製品内容 Black Thin Mini ITX Alu Steel body 1*2.5"HDD 2*USB3.0 1.4liters\nSilverStone SST-RVZ01B \_15,180\nSilverStone SST-RVZ01B-E \_15,180\n製品内容 Black ABS Bazel steel body black internal Mini-ITX 4*2.5" 2*120 fan and 1x120 fan slot 1*audio 1*MIC 2*USB3.0 Riser card: One PCI-E x16 Expansion slots: 2 support ATX 電源\nSilverStone SST-RVZ02B \_13,600\nSilverStone SST-RVZ02B-W \_15,030\n製品内容 Black ABS Bazel steel body black internal Mini-ITX 1*Slim ODD 2*2.5"t 1*audio 1*MIC 2*USB3.0 Riser card: One PCI-E x16 Expansion slots: 2 Support SFX 電源 Side Window\nSilverStone SST-VT01B \_5,220\n製品内容 Black Metal case for mini-STX/155x152 x 65mm/2.5”HDDx1 / support VESA mount\nSilverStone SST-VT01S \_5,220\n製品内容 Silver Metal case for mini-STX/155x152 x 65mm/2.5”HDDx1 / support VESA mount\nSilverStone SST-VT02B \_5,850\n製品内容 Black metal case with plastic panel for mini-STX MB 165x156.5x73 mm 2*2.5"HDD support VESA mount\nSilverStone SST-ML10B \_9,490\n製品内容 SST-ML10B ITX 2x top cover 2 x front bezel 1x slim 9.5mm ODD 1x 3.5 or 2 x 2.5 black\nSilverStone SST-SG02B-F-USB3.0 \_11,860\n製品内容 Black Acrylic/ABS front Bezel SECC body M-ATX M/B 2*5.25" 2*3.5"(or 2*2.5")(hidden) 1*80mm fans 2*80mm fans slot 1*audio 1*MIC 2*USB3.0 14.5"expansion card capable Support ATX 電源\nSilverStone SST-SG05BB-LITE \_7,590\n製品内容 Small form factor Support Mini-ITX / Mini-DTX motherboard Slim ODD internal 3.5”*1 internal 2.5”*1 plastic front panel steel body black or white\nSilverStone SST-SG11B \_12,340\n製品内容 Black Plastic Bezel steel body black internal Micro-ATX 1X5.25" 3X3.5" or 2.5" 7*2.5" 1*120 fan and 2x80 fan slot 1*audio 1*MIC 2*USB3.0 Support ATX 電源\nSilverStone SST-SG12B \_17,710\n製品内容 Black Alu Bezel steel body black internal Micro-ATX 1X5.25" 3X3.5" or 2.5" 7*2.5" 1*120 fan and 2x80 fan slot 1*audio 1*MIC 2*USB3.0 Support ATX 電源\nSilverStone SST-SG13B \_8,070\n製品内容 Black ABS bezel steel body Mini-ITX 1x3.5" or 2x2.5" 1x2.5" 1x120 or 140 fan/radiator slot 1xaudio 1xMIC 2xUSB3.0 ATX 電源 support\nSilverStone SST-SG13B-C \_9,490\n製品内容 SG13 W/1* Type C Black mesh steel body Mini-ITX 1x3.5" or 2x2.5" 1x2.5" 1x120 or 140 fan/radiator slot audio in and out 1xUSB3.0 ATX 電源 support\nSilverStone SST-SG13B-Q \_8,380\nSilverStone SST-SG13WB \_8,230\n製品内容 White&Black ABS bezel steel body Mini-ITX 1x3.5" or 2x2.5" 1x2.5" 1x120 or 140 fan/radiator slot 1xaudio 1xMIC 2xUSB3.0 ATX 電源 support\nSilverStone SST-SG13WB-Q \_8,380\nSilverStone SST-SG14B \_12,730\n製品内容 SG14B Black Small form factor chassis Plast front Panel Steel body (1*5.25" or 1*3.5")+ 1*3.5 3*2.5"”drive bay support mini-ITX/Mini DTX MB 2*USB 3.0 Type A 1*USB2.0 support ATX 電源 1*12025 PWM Fan\nSilverStone SST-CS01B-HS \_25,300\n製品内容 Black Alu outer shell steel body Storage Mini-ITX M/B 6*2.5"(6Gbps SAS/SATA backplane) 2*2.5"(internal tray) 1*120mm fan(bottom) 2*USB3.0 7.5" low profile expansion card capable Support SFX 電源\nSilverStone SST-CS01S \_34,790\n製品内容 Silver Alu outer shell steel body Mini-ITX M/B 2*3.5"(internal tray) 2*2.5"(internal tray) 1*120mm fan(bottom) 2*USB3.0 7.5" low profile expansion card capable Support SFX 電源\nSilverStone SST-CS01S-HS \_25,300\n製品内容 Silver Alu outer shell steel body Storage Mini-ITX M/B 6*2.5"(6Gbps SAS/SATA backplane) 2*2.5"(internal tray) 1*120mm fan(bottom) 2*USB3.0 7.5" low profile expansion card capable Support SFX 電源\nSilverStone SST-CS350B \_50,130\n製品内容 Black 4U SECC body with external 3.5"X 5 Hot Swappable trayless SAS/SATA Drive Bays with tringle metal key lock Micro ATX ATX MB ATX 電源 PCIE Card holderX1* 1*120mm fan(Front) internal for 2.5”X2 3.5”X1 1X80mm fan(on hot-swap cage) 1*audio 1*MIC 2*USB3.0 7+1 expansion slot with 9.64"expansion card capable Support RMS05-22 rail slide\nSilverStone SST-CS380B \_22,140\n製品内容 Black plastic front panel front door with locker Steel body ATX MB ATX 電源 3.5” SAS hot-swapx8 5.25"x2 Plastic front Bezel Steel body 3*120mm fan 1*audio 1*MIC 2*USB3.0 9.5"expansion card capable\nSilverStone SST-RM22-308 \_55,350\n製品内容 Rackmount storage chassis 2U 8-bay 3.5"/2.5" hot-swap with 12Gbps MiniSAS HD SFF-8643 Backplane SGPIO E-ATX auto lock handle\nSilverStone SST-RM42-502 \_31,000\n製品内容 RM42-502 4U rackmount server chassis with 2x 5.25" drive bay 1X2.5 support EEB M/B USB 3.0 Type A x2 1*USB3.1 Gen 2 C type 12025 PWM Fan x1 8025 PWM Fan x1\nSilverStone SST-FAB1B-RGB \_9,970\nジャンル Tower Case\n製品内容 FARA B1 RGB /ATX Case/120mm RGB Fan x2 included/U3x2 U2x1 CTIA Audio x1/3.5"x1 + 2.5"x6/Aggressive Design /TG Side Panel /Black Steel Body and ABS Bazel\nSilverStone SST-FAR1B \_7,910\n製品内容 Fara R1 ATX Case/120mm Black Fan x1 included/U3x2 U2x1 CTIA Audio x1/3.5"x1 + 2.5"x4/ /Black Body and Mesh Front Panel\nSilverStone SST-FAR1B-G \_8,510\n製品内容 Fara R1 120mm Black Fan x1 included/U3x2 U2x1 CTIA Audio x1/3.5"x1 + 2.5"x4/TG Side Panel /Black Body and Mesh Front Panel\nSilverStone SST-FAR1W \_8,230\n製品内容 ATX Case/120mm Black Fan x1 included/U3x2 U2x1 CTIA Audio x1/3.5"x1 + 2.5"x4/Steel Side Panel /White Body and Mesh Front Panel\nSilverStone SST-FAR1W-G \_8,860\n製品内容 ATX Case/120mm Black Fan x1 included/U3x2 U2x1 CTIA Audio x1/3.5"x1 + 2.5"x4/TG Side Panel /White Body and Mesh Front Panel\nSilverStone SST-KL07B \_13,130\n製品内容 Black plastic front panel Steel body black internal ATX MB 6*120/140 mm fan slot (with two intake 140mm fan) 3*3.5"or 2.5"+ 3*2.5" 1*audio 1*MIC 2*USB3.0 A type 1*USB3.0 C type foam pad included.\nSilverStone SST-MM01B \_55,350\n製品内容 Black Reinforced plastic outer shell Steel body black internal SSI-EEB SSI-CEB E-ATX ATX M-ATX M/B 2*180mm fans 1*120mm fan slot 2*5.25 External 7*3.5"(2*hat swap)+ 4*2.5" Internal 1*audio 1*MIC 2*USB3.0 Support ATX 電源 Side Window\nSilverStone SST-PS08B \_7,590\n製品内容 Black Plastic Bezel Steel body black internal M-ATX M/B 1*120mm fan 1*92mm fan+ 1*80mm fan 2*5.25 4*3.5+1*2.5" Internal 1*audio 1*MIC 2*USB3.0\nSilverStone SST-PS11B-Q \_8,540\n製品内容 Black Plastic Bezel Steel body black internal ATX MB 4*120mm fan slot (with one intake fan) or 2*120mm fan slot + 2*140mm fan slot 2*5.25 3*3.5" 2*2.5" 1*audio 1*MIC 2*USB3.0 include silent foam\nSilverStone SST-PS11B-W \_8,380\n製品内容 Black Mesh front panel Steel body black internal ATX MB 6*120mm fan slot (with one intake LED fan) or 4*120mm fan slot + 2*140mm fan slot 2*5.25 3*3.5" 2*2.5" 1*audio 1*MIC 2*USB3.0 side window\nSilverStone SST-PS13B \_7,910\n製品内容 Black Plastic panel Steel body black internal ATX (maximum 12"*11") M-ATX M/B 2*120mm fan slots (included 1*120mm fan) 1*120mm fan slot 2* 2.5” or 3.5" 1*3.5” Internal 1*audio 1*MIC 2*USB3.0 Support ATX 電源\nSilverStone SST-PS14B-E \_8,150\n製品内容 Black front panel Steel body black internal ATX MB 4*120/140 mm fan slot + 1*120mm fan slot (included 1* rear output 120mm fan )+ 1* 80mm fan slot 2*2.5"or 3.5"+ 2*2.5" 1*audio 1*MIC 2*USB3.0 A type\nSilverStone SST-SEA1GW-G \_19,450\n製品内容 ATX Case/ ARGB Lighting/ 200mmx2+120mm Black Fan x1/Type Cx1+U3x2+CITA Audio x1/3.5"x2+2.5"x6 / TG Side Panel /Rose Gold AL Bezel+ White Body\nSilverStone SST-SEA1SB-G \_19,450\n製品内容 ATX Case/ ARGB Lighting/ 200mmx2+120mm Black Fan x1/Type Cx1+U3x2+CITA Audio x1/3.5"x2+2.5"x6 / TG Side Panel /Silver AL Bezel+ Black Body\nSilverStone SST-SEA1TB-G \_19,450\n製品内容 ATX Case/ ARGB Lighting/ 200mmx2+120mm Black Fan x1/Type Cx1+U3x2+CITA Audio x1/3.5"x2+2.5"x6 / TG Side Panel /Gunmetal AL Bezel+ Black Body\nSilverStone SST-TJ04B-E \_26,090\n製品内容 Black Alu Bezel Steel body black internal SSI-CEB ATX(up to 12"*10.9") M-ATX M/B 3*120mm fan 1*140mm fan slot 2*120mm fan slots 1*audio 1*MIC 2*USB3.0 4*5.25" 9*3.5"+ 6*2.5" Internal(include Alu hard drive cooler) ATX 電源 8*Expansion Slot\nSilverStone SST-TJ08B-E \_16,130\n製品内容 Black Alu Bezel Steel Body black internal M-ATX M/B 1*180mm fan 1*120mm fan slot 2*5.25"+ 1*3.5"(compatible with one 3.5" HDD) 4*3.5"+ 1*2.5" Internal 1*audio 1*MIC 2*USB3.0\nTower Case / Storage\nSilverStone SST-CS330B \_22,900\nジャンル Tower Case / Storage\n製品内容 Storage 3-bay 3.5"SAS hot-swap M-ATX MB ATX 電源 FDDx1 Alu front Bezel Steel body black Intrenal 180mm fan 1*audio 1*MIC 2*USB3.0 13.25"expansion card capable Black


Deluna Stripe Beanie – Fiore Boutique\nDeluna Stripe Beanie\nThis bold stripe beanie is so trendy for winter! Stay warm in style! Ribbed knit, faux fur pom and striped fold over.\nIvory - $ 32.00Black - $ 16.00


Dr. Steve Keating PAST Assignments for Papillon\nDr. Steve Keating - PAPILLON PAST ASSIGNMENTSSHOWCITYSTATEDATEBREEDENTRYDOG PTSBITCH PTSNew Brunswick KcEdisonNJ 03/22/97Papillon 25\nAnderson KcAndersonIN 08/17/97Papillon Coos KcEugeneOR 09/07/97Papillon Shreveport KcTylerTX 09/14/97Papillon Butler Co KcProspectPA 09/20/97Papillon 13\nMs Coast KcGulfportMS 11/08/97Papillon Grtr Sierra Vista KcTucsonAZ 11/15/97Papillon Brazos Vly KcBryanTX 03/29/98Papillon Denton KcDentonTX 05/10/98Papillon Grtr Naples DcN Fort MyersFL 05/17/98Papillon 601\nNew Castle KcNew CastlePA 05/25/98Papillon 1311\nNor-cal Toy DfSan JoseCA 02/13/99Papillon 3845\nNasa Area Dog Fanciers AssociationBeaumontTX 05/02/99Papillon Classic Toy Dog Club Of Western MassachusettsEast WindsorCT 05/14/99Papillon Santa Maria Kennel Club, Inc.VenturaCA 07/10/99Papillon Monroe Kennel ClubMonroeMI 10/02/99Papillon 1942\nSangre De Cristo Kennel ClubSanta FeNM 10/10/99Papillon Metairie Kennel Club, Inc.BiloxiMS 12/11/99Papillon Kennel Club Of Palm Springs, Inc.IndioCA 01/08/00Papillon Tullahoma Kennel Club Of TennesseeShelbyvilleTN 03/13/00Papillon Trumbull County Kennel Club, Inc.New CastlePA 05/28/00Papillon 2424\nOlympic Kennel Club, Inc.EnumclawWA 08/19/00Papillon Hatboro Dog Club, Inc.WrightstownPA 10/06/00Papillon Del Valle Dog Club Of LivermorePleasantonCA 10/22/00Papillon 2131\nConroe Kennel ClubConroeTX 12/09/00Papillon Licking River Kennel ClubColumbusOH 04/23/01Papillon 912\nPackerland Kennel Club, Inc.Green BayWI 04/28/01Papillon Golden Triangle Kennel Club Of MississippiTupeloMS 05/13/01Papillon Genesee County Kennel Club, Inc.FlintMI 05/19/01Papillon 1221\nColorado Springs Kennel ClubColorado SpringsCO 06/09/01Papillon Stephenville Kennel Club Of TexasStephenvilleTX 06/10/01Papillon New Mexico Toy Group ClubLos LunasNM 10/12/01Papillon Fun-tier Kennel Club Of Greater KilleenBeltonTX 10/21/01Papillon D'arbonne Kennel ClubRustonLA 11/17/01Papillon Sammamish Kennel ClubPuyallupWA 01/12/02Papillon 2122\nSouth Arkansas Kennel ClubCamdenAR 02/16/02Papillon Okaloosa Kennel Club, Inc.Ft Walton BeachFL 03/01/02Papillon Lake Minnetonka Kennel ClubWaconiaMN 06/08/02Papillon Del-otse-nango Kennel ClubBainbridgeNY 06/28/02Papillon Greater Venice Florida Dog Club, Inc.PalmettoFL 07/06/02Papillon 2344\nLongview Kennel ClubLongviewTX 07/28/02Papillon Colorado Kennel Club, Inc.DenverCO 02/17/03Papillon Fort Worth Kennel ClubFort WorthTX 03/22/03Papillon Northeast Oklahoma Kennel ClubGroveOK 04/12/03Papillon Sequoia Kennel Club, Inc.TulareCA 05/11/03Papillon Elmira Kennel Club, Inc.RomulusNY 09/26/03Papillon Charlottesville - Albemarle Kennel Club, Inc.Montpelier StationVA 10/26/03Papillon 1711\nStarved Rock Kennel ClubWheatonIL 12/11/03Papillon Comal County Kennel ClubSan AntonioTX 03/05/04Papillon Augusta Kennel Club, Inc.PerryGA 04/09/04Papillon Beaumont Kennel Club, Inc.BeaumontTX 04/24/04Papillon Reno Kennel ClubCarson CityNV 05/29/04Papillon 1411\nNorthlake Kennel Club Of Greater CovingtonBiloxiMS 12/02/04Papillon Sunshine State Papillon ClubOrlandoFL 12/09/04Papillon Greenville Mississippi Kennel ClubGreenvilleMS 01/23/05Papillon Kings Kennel Club Of CaliforniaHanfordCA 03/06/05Papillon 3945\nWaukesha Kennel Club, Inc.WaukeshaWI 07/31/05Papillon Valencia Valley Kennel Club Of New MexicoLos LunasNM 10/15/05Papillon Baton Rouge Kennel ClubGonzalesLA 11/05/05Papillon Plum Creek Kennel Club Of ColoradoDenverCO 02/17/06Papillon Skyline Dog Fanciers Of San Mateo CountySan MateoCA 03/18/06Papillon 911\nAtlanta Kennel Club, Inc.PerryGA 04/15/06Papillon Greater Sierra Vista Kennel ClubSierra VistaAZ 05/07/06Papillon Beaver County Kennel Club, Inc.CanfieldOH 08/05/06Papillon 5655\nCorpus Christi Kennel Club, Inc.Corpus ChristiTX 08/12/06Papillon Olympic Kennel Club, Inc.EnumclawWA 08/20/06Papillon Hot Springs National Park Kennel ClubHot Springs Nat'l PkAR 10/01/06Papillon Mesilla Valley Kennel Club, Inc.AlamogordoNM 10/06/06Papillon Caribe Kennel ClubCatanoPR 10/22/06Papillon Cook Inlet Kennel ClubPalmerAK 11/05/06Papillon Cen-tex Kennel Club, Inc.WacoTX 11/25/06Papillon Worcester County Kennel ClubFitchburgMA 12/02/06Papillon 2743\nHobbs New Mexico Kennel ClubHobbsNM 02/04/07Papillon Santa Clara Valley Kennel Club, Inc.San JoseCA 02/19/07Papillon 3332\nDel Sur Kennel Club, Inc.Del MarCA 03/18/07Papillon Brazos Valley Kennel Club, Inc.NavasotaTX 03/31/07Papillon Birmingham Kennel Club, Inc.BrierfieldAL 04/08/07Papillon Gavilan Kennel ClubHollisterCA 04/29/07Papillon 410\nMississippi Valley Kennel ClubGray SummitMO 06/02/07Papillon Meri-miss Kennel Club, Inc.HattiesburgMS 07/01/07Papillon Battle Creek Kennel Club, Inc.MarshallMI 07/14/07Papillon Mt. Palomar Kennel ClubVistaCA 08/05/07Papillon Lizard Butte Kennel Club, Inc.BoiseID 10/12/07Papillon Mississippi Gulf Coast Toy Breed ClubMobileAL 11/14/07Papillon Holyoke Kennel Club, Inc.W SpringfieldMA 11/26/07Papillon 1101\nKennel Club Of SalinasSan MateoCA 12/29/07Papillon 1111\nOakland County Kennel Club, Inc.DetroitMI 01/19/08Papillon 1922\nSeattle Kennel Club, Inc.SeattleWA 03/08/08Papillon San Jacinto Kennel ClubCrosbyTX 04/06/08Papillon Lost Dutchman Kennel ClubCasa GrandeAZ 04/12/08Papillon South County Kennel Club, Inc.WarwickRI 04/27/08Papillon 1011\nYellowstone Valley Kennel ClubBillingsMT 06/18/08Papillon Arkansas Kennel Club, Inc.Little RockAR 06/22/08Papillon Chattanooga Kennel ClubEast RidgeTN 09/13/08Papillon Kanadasaga Kennel Club, Inc.RomulusNY 09/25/08Papillon Travis County Kennel ClubAustinTX 10/25/08Papillon Ozarks Kennel Club, Inc.SpringfieldMO 11/08/08Papillon Conroe Kennel ClubConroeTX 11/29/08Papillon Starved Rock Kennel ClubWheatonIL 12/11/08Papillon St. Charles Missouri Kennel ClubLake St LouisMO 01/25/09Papillon Jesse James Kennel ClubSt JosephMO 01/30/09Papillon Tuscaloosa Kennel ClubColumbianaAL 04/04/09Papillon Beaumont Kennel Club, Inc.BeaumontTX 04/26/09Papillon Greater Kingsport Kennel ClubGrayTN 05/16/09Papillon 911\nFort Dodge Kennel ClubFort DodgeIA 06/13/09Papillon Mount Bachelor Kennel ClubRedmondOR 06/28/09Papillon Holland Michigan Kennel ClubMarshallMI 07/10/09Papillon Elgin Kennel ClubSt CharlesIL 08/23/09Papillon Northern Kentucky Kennel Club, Inc.LexingtonKY 08/28/09Papillon Heart Of The Plains Kennel ClubLubbockTX 09/27/09Papillon Pasco Florida Kennel ClubBrooksvilleFL 01/18/10Papillon 2421\nAlexandria Kennel ClubAlexandriaLA 01/30/10Papillon New Brunswick Kennel Club, Inc.EdisonNJ 03/27/10Papillon San Jacinto Kennel ClubCrosbyTX 04/10/10Papillon Columbus Kennel ClubPerryGA 05/13/10Papillon Mt. Palomar Kennel ClubValley CenterCA 05/22/10Papillon Key City Kennel Club, Inc.St. PeterMN 05/30/10Papillon Acadiana Kennel Club, Inc.Lake CharlesLA 06/11/10Papillon Kenilworth Kennel Club Of Connecticut, Inc.W SpringfieldMA 07/09/10Papillon 610\nEugene Kennel Club, Inc.EugeneOR 09/11/10Papillon 1611\nLawton Dog Fanciers AssociationLawtonOK 10/24/10Papillon Tuscaloosa Kennel ClubMontgomeryAL 11/27/10Papillon West Texas Kennel ClubMidlandTX 02/13/11Papillon Greater Hattiesburg Kennel ClubHattiesburgMS 02/24/11Papillon Peninsula Dog Fanciers Club, Inc.BremertonWA 03/27/11Papillon Rolla Missouri Kennel ClubGray SummitMO 06/19/11Papillon Mahoning-shenango Kennel Club, Inc.CanfieldOH 08/07/11Papillon 2231\nIdaho Capital City Kennel Club, Inc.BoiseID 10/15/11Papillon Greater Hattiesburg Kennel ClubHattiesburgMS 02/23/12Papillon Scottsdale Dog Fanciers Association, Inc.ScottsdaleAZ 03/03/12Papillon Oakland Kennel ClubVallejoCA 03/25/12Papillon 2331\nLorain County Kennel Club, Inc.OberlinOH 08/11/12Papillon 300\nTri-city Kennel Club, Inc.AmanaIA 08/31/12Papillon Cedar Rapids Kennel Association, Inc.AmanaIA 09/02/12Papillon Grand Rapids Kennel ClubKalamazooMI 11/11/12Papillon 1422\nMinneapolis Kennel Club, Inc.ShakopeeMN 11/17/12Papillon Meri-miss Kennel Club, Inc.HattiesburgMS 02/22/13Papillon Onondaga Kennel Association, Inc.SyracuseNY 03/31/13Papillon Birmingham Kennel Club, Inc.ColumbianaAL 04/07/13Papillon D'arbonne Kennel ClubBossier CityLA 04/22/13Papillon Berrien Kennel ClubSouth BendIN 06/23/13Papillon Jesse James Kennel ClubTopekaKS 08/19/13Papillon Heart Of The Plains Kennel ClubLubbockTX 09/27/13Papillon Greater Humble Area Kennel ClubHumbleTX 10/06/13Papillon Holyoke Kennel Club, Inc.W SpringfieldMA 11/21/13Papillon 500\nLakeland Winter Haven Kennel ClubLakelandFL 02/17/14Papillon 2432\nMeri-miss Kennel Club, Inc.HattiesburgMS 02/23/14Papillon Cary Kennel ClubRaleighNC 03/19/14Papillon 1121\nBrazos Valley Kennel Club, Inc.NavasotaTX 03/29/14Papillon Ponce Kennel ClubSan JuanPR 04/26/14Papillon Kokomo Kennel ClubGreentownIN 05/18/14Papillon Greater Philadelphia Dog Fanciers AssociationWrightstownPA 05/30/14Papillon Lake Minnetonka Kennel ClubJordanMN 06/08/14Papillon West Oahu Kennel ClubEwaHI 08/17/14Papillon 913\nLawrenceville Kennel Club, Inc.AtlantaGA 08/23/14Papillon Marquette Kennel ClubMarquetteMI 08/30/14Papillon Mississippi Gulf Coast Toy Breed ClubBiloxiMS 09/03/14Papillon 100\nPapillon Club Of America, Inc.TulsaOK 04/02/15Papillon Lewis-Clark Kennel Club, Inc.LewistonID 04/20/15Papillon 1913\nSkyline Kennel Club, Inc.FishersvilleVA 06/07/15Papillon 1212\nGreater Venice Florida Dog ClubTampaFL 06/11/15Papillon 3835\nAnn Arbor Kennel Club, Inc. (Breed/Obed #1)MonroeMI 07/04/15Papillon 2953\nTupelo Kennel ClubSouthavenMS 07/09/15Papillon Burlington Kennel Club, Inc.Fort MadisonIA 07/19/15Papillon Return to InfoDog.com Homepage