2018 sep 29 - nov 10 2018 Robert Irwin Robert Irwin Sprüth Magers Berlin\nsep 01 - nov 30 2018 Robert Irwin Site Determined Pratt Institute School of Architecture,\njan 28 - apr 15 2018 Robert Irwin Site Determined University Art Museum, California State University,\n2017 jun 01 - aug 12 2017 Robert Irwin (Group show) In Line Pace Seoul,\nmay 20 - aug 26 2017 Robert Irwin Drawings Quint Gallery,\nfeb 09 2017 Robert Irwin (Group show) Plastic Show Almine Rech Gallery,\n2016 jul 07 - aug 24 2016 Robert Irwin (Group show) Summer Group Show: Make Light of It Pace/MacGill Gallery,\njun 24 - aug 19 2016 Robert Irwin (Group show) Blackness in Abstraction Pace Gallery, 510 West 25th Street,\napr 07 - sep 05 2016 Robert Irwin All the Rules Will Change Hirshhorn Museum and Sculpture Garden,\napr 02 - jun 26 2016 Robert Irwin (Group show) Dansaekhwa & Minimalism Blum & Poe,\n2015 dec 01 2015 - feb 25 2016 Robert Irwin (Group show) 2015 Bi-City Biennale of Urbanism/Architecture M Woods,\nnov 14 2015 - feb 21 2016 Robert Irwin (Group show) Another Minimalism: Art after California Light and Space The Fruitmarket Gallery,\nsep 23 - nov 15 2015 Robert Irwin 2 x 2 x 2 x 2 White Cube,\nsep 18 - oct 31 2015 Robert Irwin Robert Irwin Xippas Gallery,\njun 01 2015 - may 01 2018 Robert Irwin Excursus: Homage to the Square^3 Dia: Beacon,\napr 10 - may 09 2015 Robert Irwin Cacophonous Pace Gallery,\nmar 14 - oct 18 2015 Robert Irwin (Group show) From the Archives: Art and Technology at LACMA, 1967–1971 LACMA,\nfeb 02 - nov 30 2015 Robert Irwin (Group show) Geometries On and Off the Grid: Art from 1950 to the Present The Warehouse,\n2014 nov 05 2014 - jan 19 2015 Robert Irwin (Group show) Seeing Through Light: Selections From the Guggenheim Abu Dhabi Collection Manarat Al Saadyat,\nsep 07 2014 - jan 04 2015 Robert Irwin (Group show) The Avant-Garde Collection Orange County Museum of Art,\nmay 10 - aug 23 2014 Robert Irwin Galerie Thomas Zander, Cologne Robert Irwin\nfeb 22 - apr 05 2014 Robert Irwin Robert Irwin Quint Gallery,\nfeb 22 - mar 29 2014 Robert Irwin Athenaeum Music & Arts Library, La Jolla, California Robert Irwin\n2013 jul 05 - sep 01 2013 Robert Irwin Wiener Secession, Vienna Double Blind\njun 27 - sep 01 2013 Robert Irwin Whitney Museum of American Art, New York Scrim Veil—Black Rectangle—Natural Light (1977)\njun 21 - aug 17 2013 Robert Irwin Robert Irwin Pace,\nmay 04 - oct 25 2013 Robert Irwin Way Out West Peder Lund,\n2012 sep 06 - oct 20 2012 Robert Irwin Dotting the i’s and Crossing the t’s (Part II) Pace Gallery,\naug 21 2012 - jan 06 2013 Robert Irwin (Group show) Decade: Contemporary Collecting 2002–2012 Albright-Knox Art Gallery,\njul 28 - oct 28 2012 Robert Irwin (Group show) Sacred Geometry and Secular Science Loyola University Museum of Art,\napr 26 - jul 13 2012 Robert Irwin Dotting the i’s and Crossing the t’s (Part I) Pace Gallery,\n2011 nov 08 - jan 05 2011 Robert Irwin Way Out West Galeria Elvira González,\nnov 04 2011 - mar 04 2012 Robert Irwin (Group show) The Long Curve: 150 Years of Visionary Collection at the Albright-Knox Art Gallery Albright-Knox Art Gallery,\noct 16 - jan 15 2011 Robert Irwin Way Out West Galerie Xippas, Paris\nsep 25 2011 - jan 22 2012 Robert Irwin (Group show) Phenomenal: California Light, Space, Surface Museum of Contemporary Art San Diego,\nsep 17 - oct 22 2011 Robert Irwin Way Out West L & M Arts,\njun 01 - jul 31 2011 Robert Irwin (Group show) Venice in Venice Palazzo Contarini Dagli Scigni,\n2010 dec 12 2010 - apr 11 2011 Robert Irwin (Group show) Suprasensorial: Experiments in Light, Color and Space The Geffen Contemporary at Museum ofContemporary Art,\nnov 20 2010 - mar 06 2011 Robert Irwin Gypsy Switch, 2010 Corcoran Gallery of Art,\nnov 12 2010 - jan 29 2011 Robert Irwin Way Out West Pace Gallery,\nsep 19 2010 - jan 24 2011 Robert Irwin (Group show) The Artist’s Museum: Los Angeles Artists, 1980–2010 The Geffen Contemporary at Museum Contemporary Art,\nmar 19 - may 01 2010 Robert Irwin Works in Progress Quint Contemporary Art,\njan 12 - feb 21 2010 Robert Irwin Robert Irwin Museo de Arte Contemporáneo Esteban Vicente,\njan 08 - feb 06 2010 Robert Irwin (Group show) Primary Atmospheres: Works from California 1960–1970 David Zwirner,\n2009 nov 15 - may 03 2009 Robert Irwin (Group show) Collection: MOCA’s First 30 Years Museum of Contemporary Art,\noct 25 2009 - apr 05 2010 Robert Irwin (Group show) 1969 P.S.1 Contemporary Art Center,\naug 06 2009 - feb 28 2010 Robert Irwin Slant/Light/Volume Walker Art Center,\njun 26 - sep 07 2009 Robert Irwin (Group show) West Coast Minimalism Foundation 20 21/Nyehaus,\nfeb 25 - mar 23 2009 Robert Irwin (Group show) Vides Centre Georges Pompidou,\nfeb 13 - may 03 2009 Robert Irwin (Group show) Hot Spots: Rio de Janeiro/Milan – Turin/Los Angeles, 1956 bis 1969 Kunsthaus Zürich,\njan 30 - apr 19 2009 Robert Irwin (Group show) The Third Mind: American Artists Contemplate Asia, 1860–1989 The Solomon R. Guggenheim Museum,\njan 23 - feb 28 2009 Robert Irwin Red Drawing, White Drawing, Black Painting Pace Wildenstein,\n2008 oct 23 2008 - jan 11 2009 Robert Irwin (Group show) The Panza Collection Hirshhorn Museum and Sculpture Garden, Smithsonian Institution,\noct 04 2008 - 06 2009 Robert Irwin (Group show) Time & Place: Los Angeles 1958–1968 Moderna Museet,\nsep 17 - oct 19 2008 Robert Irwin Light and Space White Cube,\nmar 19 - jun 23 2008 Robert Irwin (Group show) Geometry of Motion 1920s/1970s The Museum of Modern Art,\nfeb 10 - may 19 2008 Robert Irwin (Group show) Collecting Collections: Highlights of the Permanent Collection Museum of Contemporary Art,\n2007 nov 16 2007 - feb 24 2008 Robert Irwin (Group show) The Panza Collection: An Experience of Light and Color Albright-Knox Art Gallery, Buffalo,\noct 21 2007 - apr 13 2008 Robert Irwin Primaries and Secondaries Museum of Contemporary Art,\nsep 02 2007 - jan 07 2008 Robert Irwin (Group show) Equinox: Permanent Collection Works from the 1960s and 1970s The Museum of Contemporary Art,\naug 19 2007 - mar 30 2008 Robert Irwin (Group show) SoCal: Southern California Art of the 1960s and 70s from LACMA’s Collection LACMA,\njul 15 2007 - sep 14 2008 Robert Irwin (Group show) Art Since the 1960s: California Experiments Orange County Museum of Art,\nmay 18 - jun 10 2007 Robert Irwin (Group show) Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards The American Academy of Arts and Letters,\nfeb 16 - jun 17 2007 Robert Irwin (Group show) Optic Nerve: Perceptual Art of the 1960s Columbus Museum of Art,\n2006 dec 09 2006 - feb 03 2007 Robert Irwin Who’s Afraid of Red, Yellow and Blue^3 PaceWildenstein,\njun 03 2006 - jan 21 2007 Robert Irwin (Group show) A Point of Convergence: Architectural Drawings and Photographs from the L.J. Cella Collection Palm Springs Art Museum,\nmay 12 - aug 28 2006 Robert Irwin (Group show) Translucence: Southern California Art from the 1960s and 1970s Norton Simon Museum,\nmar 08 - jul 17 2006 Robert Irwin (Group show) Los Angeles–Paris Centre Georges Pompidou,\njan 01 2006 - jul 31 2017 Robert Irwin Marfa Drawings and Marfa Project Chinati Foundation,\n2005 jul 15 - feb 10 2005 Robert Irwin (Group show) Extreme Abstraction Albright-Knox Gallery\nfeb 13 - apr 24 2005 Robert Irwin (Group show) Seeking Transcendence Art Gallery of Western Australia,\n2004 sep 26 2004 - jan 30 2005 Robert Irwin (Group show) Specific Objects: The Minimalist Influence Museum of Contemporary Art,\njun 15 - sep 06 2004 Robert Irwin (Group show) Monocromos, de Malevich al Presente Museo Nacional Centro de Arte Reina Sofía,\njun 13 - oct 03 2004 Robert Irwin (Group show) Beyond Geometry: Experiment in Form, 1940s–70s LACMA,\nmar 14 - aug 02 2004 Robert Irwin (Group show) A Minimal Future? Art As Object 1958–1968 Museum of Contemporary Art,\nmar 05 - may 19 2004 Robert Irwin (Group show) Singular Forms (Sometimes Repeated): Art from 1951 to the Present Solomon R. Guggenheim Museum,\n2003 oct 25 2003 - jan 18 2004 Robert Irwin (Group show) Imagination: Perception in Art Kunsthaus Graz am Landesmuseum Joanneum,\n2002 sep 12 - oct 19 2002 Robert Irwin (Group show) Ferus Gagosian Gallery,\n2000 oct 22 2000 - feb 25 2001 Robert Irwin (Group show) Made in California: Art, Image, and Identity, 1900–2000 LACMA,\noct 09 2000 - mar 30 2001 Robert Irwin (Group show) Changing Perceptions: The Panza Collection The Guggenheim Museum Bilbao,\nsep 26 - feb 13 2000 Robert Irwin (Group show) The American Century Art and Culture 1950–2000 Whitney Museum of American Art,\n1999 sep 25 - dec 11 1999 Robert Irwin (Group show) Searchlight: Consciousness at the Millennium California College of the Arts, Wattis Institute for Contemporary Arts,\nmay 23 - aug 08 1999 Robert Irwin (Group show) House of Sculpture Modern Art Museum of Fort Worth,\nmar 04 - may 09 1999 Robert Irwin (Group show) The Virginia and Bagley Wright Collection of Modern Art Seattle Art Museum,\nfeb 07 - may 09 1999 Robert Irwin (Group show) The Museum: Highlights from the Collection and Archives of the Pasadena Art Museum Norton Simon Museum of Art,\n1998 oct 08 - oct 31 1998 Robert Irwin Line Paintings 1962 – 1964 PaceWildenstein,\nsep 13 1998 - jun 13 1999 Robert Irwin Excursus: Homage to the Square^3 Dia Center for the Arts,\njun 17 1998 - jan 03 1999 Robert Irwin Double Diamond, 1997 – 1998 Musée d’art contemporain,\nmay 01 - jul 24 1998 Robert Irwin A Selection of Works 1958 to 1970 PaceWildenstein,\napr 12 - jun 14 1998 Robert Irwin Prologue: x 183 Dia Center for the Arts,\nfeb 13 - apr 12 1998 Robert Irwin (Group show) Material Perfection: Minimal Art & Its Aftermath Selected from the Kerry Stokes Collection Lawrence Wilson Art Gallery, University of Western Australia,\njan 25 - may 31 1998 Robert Irwin (Group show) California Scheming Museum of Contemporary Art,\n1997 oct 17 - dec 28 1997 Robert Irwin (Group show) Contemporary Art in Transition: From the Collection of the Ho–Am Art Museum Ho–Am Art Gallery,\nmay 18 - aug 31 1997 Robert Irwin A Site-Determined Installation by Robert Irwin: 1° 2° 3° 4° Museum of Contemporary Art San Diego and La Jolla\nmay 16 - sep 07 1997 Robert Irwin (Group show) Sunshine & Noir: Art in L.A., 1960–1997 Louisiana Museum of Modern Art,\n1995 feb 07 - apr 10 1995 Robert Irwin Robert Irwin Retrospective Museo Nacional Centro de Arte Reina Sofía,\njan 27 - apr 09 1995 Robert Irwin (Group show) Between Light and Shadow: The Work of Robert Irwin and James Turrell Herbert F. Johnson Museum of Art, Cornell University,\n1994 aug 13 - nov 13 1994 Robert Irwin (Group show) Southern California: The Conceptual Landscape Madison Art Center,\nmay 20 - sep 11 1994 Robert Irwin (Group show) The Tradition of the New: Postwar Masterpieces From the Guggenheim Collection Solomon R. Guggenheim Museum,\napr 10 - jun 20 1994 Robert Irwin Robert Irwin Retrospective Kölnischer Kunstverein,\nfeb 26 - may 15 1994 Robert Irwin (Group show) Percept/Image/Object Lannan Foundation,\n1993 jun 20 - aug 15 1993 Robert Irwin Robert Irwin Retrospective The Museum of Contemporary Art,\n1992 sep 19 - oct 17 1992 Robert Irwin Robert Irwin: 1° 2° 3° 4° PaceWildenstein,\njan 08 - mar 31 1992 Robert Irwin (Group show) Arte Americana 1930–1970 Lingotto,\n1991 mar 13 - apr 20 1991 Robert Irwin (Group show) Finish Fetish: LA’s Cool School Fisher Gallery, University of Southern California,\nRobert Irwin (Group show) Frederick R. Weisman Gallery for California Art: The Inaugural Installation San Diego Museum of Art,\n1990 sep 1990 - sep 1991 Robert Irwin (Group show) Perceptual Investigations: Light and Space Works in the Permanent Collection The Museum of Contemporary Art,\n1987 may 18 - sep 27 1987 Robert Irwin Wave Hill Green, Wave Hill Wood, Door Light Window Wave Hill,\n1986 may 23 - aug 03 1986 Robert Irwin (Group show) Light as Object Brattleboro Museum & Art Center,\njan 12 - mar 30 1986 Robert Irwin (Group show) An American Renaissance: Painting and Sculpture Since 1940 Museum of Art,\n1985 sep 13 - oct 12 1985 Robert Irwin Robert Irwin Pace Gallery,\nsep 01 - dec 31 1985 Robert Irwin Robert Irwin San Francisco Museum of Modern Art\n1983 nov 23 1983 - feb 19 1984 Robert Irwin (Group show) The First Show: Painting and Sculpture from Eight Collections 1940–1980 The Museum of Contemporary Art,\n1982 sep 01 - oct 31 1982 Robert Irwin Installation: Light to Solid Louisiana Museum of Art,\nsep - oct 1982 Robert Irwin (Group show) Opening Exhibition Louisiana Museum of Modern Art,\naug 15 - sep 24 1982 Robert Irwin (Group show) The Rebounding Surface: A Study of Refections in the Work of Nineteen Contemporary Artists Edith C. Blum Art Institute, Avery Center for the Arts, Bard College, Annandale-on-Hudson,\nmay 14 - jun 12 1982 Robert Irwin Robert Irwin at Pace Pace Gallery,\nfeb 19 - apr 18 1982 Robert Irwin (Group show) Form and Function: Proposals for Public Art in Philadelphia Pennsylvania Academy of Fine Arts,\n1981 jul 21 - oct 04 1981 Robert Irwin (Group show) The Museum As Site—16 Projects—Installation: An Exercise in Placement and Relation in Five Parts LACMA,\nmay 29 - jun 26 1981 Robert Irwin (Group show) Drawing: The Pluralist Decade Museum of Contemporary Art,\njan - jan 1981 Robert Irwin (Group show) West/East P.S.1 Contemporary Arts Center,\n1980 oct 04 - nov 09 1980 Robert Irwin (Group show) Drawing: The Pluralist Decade Institute of Contemporary Art, University of Pennsylvania,\njun 01 - sep 30 1980 Robert Irwin (Group show) Drawing: The Pluralist Decade United States Pavilion,\nmay 01 - may 30 1980 Robert Irwin One Wall Removed Malinda Wyatt Gallery,\napr 28 - jun 29 1980 Robert Irwin (Group show) Aspects of the 70’s: Sitework Wellesley College,\napr 26 - jun 08 1980 Robert Irwin (Group show) Contemporary Art from Southern California The High Museum of Art,\n1979 nov 16 - dec 13 1979 Robert Irwin (Group show) California Perceptions: Light and Space California State University,\njul 29 - sep 01 1979 Robert Irwin Robert Irwin: Untitled Installation San Diego State University,\njul 02 - sep 03 1979 Robert Irwin Installation XIII Olympic Winter Games,\njun 09 - sep 16 1979 Robert Irwin (Group show) Painting in Environment Palazzo Reale,\nmay 01 - jul 15 1979 Robert Irwin Robert Irwin: Untitled Installation (Transient Passage) Helen Forsan Spenser Gallery, University of Kansas,\napr 02 - jun 29 1979 Robert Irwin (Group show) Aspects of the 70s: Siteworks, site project: Filigreed Line Wellesley College, Wellesley,\napr 02 - may 21 1979 Robert Irwin (Group show) Christo, Di Suvero, Irwin, Segal Roy M. Neuberger Museum, State University of New York,\nmar 07 - apr 29 1979 Robert Irwin (Group show) The Reductive Object: A Survey a the Minimalist Aesthetic in the 1960s Institute of Contemporary Art,\nmar 04 - apr 29 1979 Robert Irwin Robert Irwin: Space as Support Berkeley Art Museum and Pacific Film Archive, University of California,\n1978 nov 04 - dec 10 1978 Robert Irwin Robert Irwin Portland Center for the Visual Arts,\noct 01 - dec 31 1978 Robert Irwin Robert Irwin / Matrix 15 University of California Art Museum,\njul 28 - oct 01 1978 Robert Irwin (Group show) Twentieth-Century American Drawings: Five Years of Acquisitions Whitney Museum of American Art,\n1977 sep 10 - nov 10 1977 Robert Irwin (Group show) A View of a Decade Museum of Contemporary Art,\njul 27 - dec 31 1977 Robert Irwin Robert Irwin: Continuing Responses Fort Worth Art Museum, Texas\nmay 20 - sep 11 1977 Robert Irwin (Group show) Painting and Sculpture in California: The Modern Era National Collection of Fine Arts,\napr 16 - may 29 1977 Robert Irwin Robert Irwin Whitney Museum of American Art, New York\n1976 nov 14 1976 - jan 02 1977 Robert Irwin (Group show) American Artists: A New Decade Fort Worth Art Museum,\nsep 27 - oct 01 1976 Robert Irwin Art Gallery, University of Maryland, College Park Robert Irwin\nsep 14 1976 - sep 23 1967 Larry Bell, Greg Card, Ron Cooper, Guy De cointet, Guy Dill, Boyd Elder, Fred Eversley, Jud Fine, Ethel Fisher, Jim Ganzer, Scott Grieger, Lloyd Hamrol, Newton & helen Harrison, George Herms, Channa Horowitz, Robert Irwin, Laddie John dill, Craig Kauffman, Gloria Kisch, Jane Logemann, Charles Mattox, Eric Orr, Bettye Saar, Eugene Sturman, Dewaine Valentine, Tom Wudl Gerry Rosen: Video Interviews of 27 California Artists Ronald Feldman Fine Arts,\nsep 03 - nov 21 1976 Robert Irwin (Group show) Painting and Sculpture in California: The Modern Era San Francisco Museum of Art,\njul 18 - jul 20 1976 Robert Irwin (Group show) Three Decades of American Art (Whitney Museum) Seibu Museum of Art,\njul 14 - oct 10 1976 Robert Irwin (Group show) Ambiente/Arte The 37th La Biennale di Venezia, Padiglione centrale ai giardini di Castello,\napr 19 - may 21 1976 Robert Irwin (Group show) Projects for PCA Philadelphia College of Art,\nmar 16 - sep 26 1976 Robert Irwin (Group show) Two Hundred Years of American Sculpture Whitney Museum of American Art,\nmar 07 - apr 17 1976 Robert Irwin (Group show) The Last Time I Saw Ferus Newport Harbor Art Museum,\nfeb 28 - apr 04 1976 Robert Irwin Walker Art Center, Minneapolis Robert Irwin\n1975 nov 08 1975 - jan 04 1976 Robert Irwin Robert Irwin Museum of Contemporary Art,\nnov 07 - dec 14 1975 Robert Irwin (Group show) University of California, Irvine, 1965–75 La Jolla Museum of Contemporary Art,\noct 21 - nov 15 1975 Robert Irwin Robert Irwin Mizuno Gallery, Los Angeles\noct 16 - oct 28 1975 Robert Irwin Robert Irwin Boehm Gallery, Palomar College,\nsep 22 - oct 19 1975 Robert Irwin (Group show) A View Through California State University Art Galleries,\n1974 dec 07 1974 - jan 04 1975 Robert Irwin Robert Irwin: “Soft Wall” Pace Gallery, New York\ndec 03 - dec 15 1974 Robert Irwin Robert Irwin: Installation University of California Art Galleries,\noct 10 - nov 10 1974 Robert Irwin Robert Irwin Wright State University Art Galleries,\nmay 30 - jun 16 1974 Robert Irwin (Group show) Art Now 1974 John F. Kennedy Center for the Performing Arts,\napr 10 - may 06 1974 Robert Irwin (Group show) Illumination and Reflection Whitney Museum of American Art (Downtown),\njan 29 - feb 23 1974 Robert Irwin Robert Irwin Mizuno Gallery, Los Angeles\n1973 dec 01 - dec 28 1973 Robert Irwin Robert Irwin: “Hard Wall” Pace Gallery, New York\naug 22 - oct 14 1973 Robert Irwin (Group show) American Art: Third Quarter Century Seattle Art Museum,\nmay 15 - jun 24 1973 Robert Irwin (Group show) Art in Space: Some Turning Points Detroit Institute of Arts,\napr 24 - jun 06 1973 Robert Irwin (Group show) The Betty and Monte Factor Family Collection Pasadena Art Museum,\nfeb 09 - apr 08 1973 Robert Irwin Robert Irwin: Works in Spaces San Francisco Museum of Art; San Francisco\n1972 oct 15 - nov 15 1972 Robert Irwin Robert Irwin Mizuno Gallery, Los Angeles\nmay 23 - jun 15 1972 Robert Irwin (Group show) The State of California Painting Govett-Brewster Art Gallery,\napr 07 - apr 16 1972 Robert Irwin Robert Irwin Fogg Art Museum,\napr 05 - apr 30 1972 Robert Irwin (Group show) Eleven Los Angeles Artists Kunstverein,\njan 20 - mar 01 1972 Robert Irwin (Group show) ELEVEN LOS ANGELES ARTISTS Palais des Beaux Arts,\njan 15 - feb 27 1972 Robert Irwin (Group show) USA: West Coast Kunstverein Hamburg,\nRobert Irwin Robert Irwin: Room Angle Light Volume Ace Gallery,\nRobert Irwin Robert Irwin Galerie Sonnabend,\n1971 oct 24 - feb 16 1971 Robert Irwin Robert Irwin The Museum of Modern Art, New York\nsep 30 - nov 07 1971 Robert Irwin (Group show) Eleven Los Angeles Artists Hayward Gallery,\nmay 18 - jul 25 1971 Robert Irwin (Group show) Works for New Spaces Walker Art Center,\nmay 10 - aug 29 1971 Robert Irwin (Group show) Art and Technology LACMA,\nfeb 28 - apr 04 1971 Robert Irwin (Group show) 32nd Biennial Exhibition of Contemporary American Painting Corcoran Gallery of Art,\noct 18 - nov 29 1970 Robert Irwin (Group show) Looking West 1970 Joslyn Art Center,\noct 02 - oct 25 1970 Robert Irwin Robert Irwin: Recent Work 1969–70 Artist's Studio\nmay 16 - jun 28 1970 Robert Irwin (Group show) Permutations: Light and Color Museum of Contemporary Art,\nmay 05 - may 31 1970 Robert Irwin (Group show) Larry Bell, Robert Irwin, Doug Wheeler The Tate Gallery,\njan 17 - feb 22 1970 Robert Irwin (Group show) 69th American Exhibition Art Institute of Chicago,\n1969 nov 24 1969 - jan 18 1970 Robert Irwin (Group show) West Coast 1945–1969 Pasadena Art Museum,\nnov 12 1969 - jan 06 1970 Robert Irwin (Group show) Kompas 4: West Coast U.S.A. Stedelijk Van Abbemuseum, Eindhoven,\noct 04 - oct 29 1969 Robert Irwin Robert Irwin: Acrylic Discs Pace Gallery, New York\naug 28 - sep 28 1969 Robert Irwin Recent Work by Robert Irwin La Jolla Museum of Contemporary Art, La Jolla, California\napr 01 - apr 28 1969 Robert Irwin (Group show) Robert Irwin - Doug Wheeler, 1969 Fort Worth Art Center,\n1968 nov 21 - dec 15 1968 Robert Irwin (Group show) Late 50s at the Ferus LACMA,\nnov 09 - dec 29 1968 Robert Irwin (Group show) Untitled, 1968: A National Invitational Exhibition San Francisco Museum of Art,\njun 27 - oct 06 1968 Robert Irwin (Group show) Documenta 4 Kassel,\nmay 12 - jun 23 1968 Robert Irwin (Group show) Six Artists, Six Exhibitions Walker Art Center,\nmar 31 - may 05 1968 Robert Irwin (Group show) Los Angeles 6 Vancouver Art Gallery,\nmar 20 - may 12 1968 Robert Irwin (Group show) Gene Davis / Robert Irwin / Richard Smith The Jewish Museum,\nmar 15 - apr 11 1968 Robert Irwin Robert Irwin: Aluminum Discs Pace Gallery,\njan 16 - feb 16 1968 Robert Irwin Robert Irwin Pasadena Art Museum,\n1966 nov 12 - dec 10 1966 Robert Irwin Robert Irwin: Dot Paintings Pace Gallery,\njul 07 - sep 04 1966 Robert Irwin (Group show) Robert Irwin / Kenneth Price LACMA,\n1965 sep 04 - nov 28 1965 Robert Irwin (Group show) VIII Bienal São Paulo São Paulo,\nfeb 23 - apr 25 1965 Robert Irwin (Group show) The Responsive Eye The Museum of Modern Art,\n1964 nov - nov 1964 Robert Irwin (Group show) The Studs Ferus Gallery,\nmay 05 - may 24 1964 Robert Irwin (Group show) Some New Art from Los Angeles San Francisco Art Institute,\napr 07 - may 30 1964 Robert Irwin New Paintings by Robert Irwin Ferus Gallery, Los Angeles\n1962 oct 23 - dec 02 1962 Robert Irwin (Group show) Fifty California Artists Whitney Museum of American Art,\nmay 08 - may 26 1962 Robert Irwin Recent Works by Robert Irwin Ferus Gallery,\n1961 jun 11 - jul 19 1961 Robert Irwin (Group show) Pacific Profile of Young West Coast Painters Pasadena Art Museum,\n1960 aug 17 - sep 25 1960 Robert Irwin (Group show) Artists of Los Angeles and Vicinity: 1960 Annual Exhibition LACMA,\njul 12 - aug 13 1960 Robert Irwin Robert Irwin Pasadena Art Museum, Pasadena, California\napr 18 - may 14 1960 Robert Irwin Robert Irwin Ferus Gallery,\nmar 20 - apr 10 1960 Robert Irwin (Group show) Fifty Paintings by Thirty-Seven Artists of the Los Angeles Area University of California Art Galleries,\n1959 aug 04 - sep 06 1959 Robert Irwin (Group show) Artists of Los Angeles and Vicinity: 1959 Annual Exhibition LACMA,\nmar 23 - apr 18 1959 Robert Irwin Recent Paintings by Robert Irwin Ferus Gallery, Los Angeles\njan 19 - feb 22 1959 Robert Irwin (Group show) California Painters and Sculptors, Thirty-Five and Under Dickson Art Center, University of California,\n1958 nov - dec 1958 Robert Irwin (Group show) Group exhibition Ferus Gallery,\nmay 21 - jun 29 1958 Robert Irwin (Group show) Artists of Los Angeles and Vicinity: 1958 Annual Exhibition LACMA,\n1957 nov 20 1957 - jan 12 1958 Robert Irwin (Group show) Annual Exhibition Sculpture, Paintings, Watercolors Whitney Museum of American Art,\nmay 22 - jun 30 1957 Robert Irwin (Group show) Artists of Los Angeles and Vicinity: 1957 Annual Exhibition LACMA,\nmar 11 - mar 30 1957 Robert Irwin Robert Irwin Felix Landau Gallery,\n1956 may 02 - jun 03 1956 Robert Irwin (Group show) Artists of Los Angeles and Vicinity: 1956 Annual Exhibition LACMA,\n1953 may 08 - jun 21 1953 Robert Irwin (Group show) Artists of Los Angeles and Vicinity: 1953 Annual Exhibition LACMA,\n1952 jun 28 - aug 10 1952 Robert Irwin (Group show) Artists of Los Angeles and Vicinity: 1952 Annual Exhibition LACMA,


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Search took 0 seconds. Search: Posts Made By: KROSKI\nForum: iCUE Software 07-12-2019, 06:21 AM\nRGB frozen, cant change\nPosted By KROSKI\nToday i will switch out one of my fans that looks...\nToday i will switch out one of my fans that looks like is causing the problem.\nForum: iCUE Software 07-11-2019, 10:27 AM\nthe fan is spinning, but the RGB is frozen, do u...\nthe fan is spinning, but the RGB is frozen, do u understand? And i have already tried to Force a firmware update millions of times and i did even switch out my commander pro and i still got the same...\nForum: iCUE Software 07-10-2019, 04:15 PM\nok okey, I 99,9 sure its no Software thats...\nok okey, I 99,9 sure its no Software thats causing this problem, Im using link. Every restart or when ever i turn off my pc (Link closes) my LL goes to deafualt effect (the ugly rainbow erffect) But...\nForum: iCUE Software 07-10-2019, 04:01 PM\nyes i have already tested ICUE\nyes i have already test ICUE\nForum: iCUE Software 07-07-2019, 04:04 AM\nhttps://www.youtube.com/watch?v=iUAah3sq_bc&feature=youtu.be in this video i changed my FANS to only be pink. But one and a half of my fans Have frozen and theres no way i can fix that. Even if i...


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Uncategorized | Utjouwerij Regaad\nSkreaun troch admin op 09/05/2022 yn Uncategorized\nOp freedtemiddei 13 maaie presintearret Utjouwerij Regaad syn nijste boek: Nancy Springer’s berneboek ‘Enola Holmes: De saak fan de fermiste markys’. Neist dat it boek ferneamd is troch de ûnder bern tige populêre Netflix-ferfilming, is dit foar Regaad de alderearste kear dat sy in oersetting bringe dy’t noch net yn it Nederlânsk ferskynd is. De\nFryske Bouquet 14 april yn de skappen\nSkreaun troch admin op 10/04/2020 yn Uncategorized\nOp 14 april ferskynt by Regaad, yn gearwurking mei Harlequin, it allerearste Frysktalige diel fan de wrâldferneamde Bouquet-rige: Leafde yn Ljouwert. De setting fan it romantyske ferhaal is it Stedhâlderlik Hôf yn Ljouwert, dêr’t de ambisjeuze ‘quest relations manager’ Jinte Jellema in stoarmeftige relaasje krijt mei de knappe Fryske tycoon Hein van Kammen. It ferhaal\nSTRIPBOEKPRESINTAASJE ‘IN WRÂLDREIS YN 80 DAGEN’, MEI REDMOND O’HANLON\nSkreaun troch admin op 07/06/2016 yn Uncategorized\nWat in prachtige jûn wie dat, woansdei 1 juny yn Drachten, yn de aula fan lokaasje Raai fan CSG Liudger. Mei mear as 140 minsken wie it in geweldige opkomst, en de stripboeken fleagen neitiid de doar út. Logysk ek, want wa’t wat geduld hie koe in hân-‘tekening’ krije fan de tekener, Roelof Wijtsma, én


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Beammen Langwar bliuwe stean | Omrop Fryslân (advertinsje)\nBeammen Langwar bliuwe stean 24 apr 2013 - 12:03\n0 reaksjes Tsjerke Langwar - Foto: Google Street View\nDe 200 jier âlde linebeammen by de tsjerke fan Langwar bliuwe stean. Der stie in rjochtsaak oer pland, mar dy giet net troch. De gemeente Skarsterlân hat oerienstimming berikt mei it tsjerkebestjoer. Dat bestjoer woe fan de beammen ôf fanwegen oerlêst fan tûken en blêden en om't se safolle ljocht tsjinhâlde. Dat soarge foar in stoarm fan protesten yn it doarp. Ek de gemeente woe de beammen behâlde. De oplossing is dat de beammen stean bliuwe, mar wol flink snoeid wurde. Ut proeven hat bliken dien dat de beammen sa noch wol 100 jier mei kinne.\nNeffens wethâlder Durksz hat in wikseling yn it tsjerkebestjoer der mei foar soarge dat der praat wurde koe oer it flink snoeien fan de beammen. Earder wie dat foar de tsjerkrintmasters net besprekber. Skarsterlân sil de beammen tenei alle jierren kontrolearje en besjen watfoar ûnderhâld oft nedich is.\nKorreksje meldeLês foarTrefwurden: tsjerkebeammenLangwarView the discussion thread.Diel dit berjocht op: 24-04Mewo yn Wâlterswâld fallyt 24-04Byb Makkum kin iepenbliuwe Besjoch ek...\nSúdwest-Fryslân plantet mear beammen dizze winter 18 nov 2016 - 16:32 De gemeente Súdwest-Fryslân plantet dizze winter mear beammen as normaal. Dat komt omdat der dit jier mear jild beskikber is. De kosten binne... Fuortheljen beammen yn bosk Gaasterlân goed foar de natuer 15 nov 2016 - 12:16 It komt net sa faak foar, mar út en troch wurdt der hout fuorthelle yn de bosken fan Gaasterlân. Ien kear yn de fiif jier ûngefear. Dat is net... Grouster Jaap Zwaga nije skipper skûtsje Langwar 08 nov 2016 - 16:34 De 45-jierrige Jaap Zwaga fan Grou wurdt de nije skipper fan it Langwarder skûtsje. Zwaga is yn it deistich libben beropsskipper. En hy is... Ite en moeting sintraal by moanliks diner yn Hurdegaryp 28 okt 2016 - 22:14 De helpfragen fan minsken mei finansjele problemen dy't de tsjerken krije, wurde hieltyd yndringender. Dat seit diaken Machiel de Haan fan de PKN... (advertinsje)


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foto: johan witteveen\nPieter van der Mark (60) yn petear mei Josse de Haan\n‘Se kinne net altiid mei in kruk rinne’\nVan der Mark, deputearre fan kultuer yn Fryslân, mar ik soe radikael wêze, seit dat er antwurdzje sil hwat er antwurdzje wol, dat er oan myn kapstokfragen wol hwat ophingje sil. Hy fynt himsels net idel en bisiket it ek net to wêzen. Hy is ryksambtner, ynspekteur fan 't lânbouwûnderwiis, yn tsjinst fan it ryk, op nonaktyf en kin as er syn sit forspilet daelk werom nei dit ûnderwiis. It is syn wiisichheit. Hy fynt it dwaes in burd allinne yn 'e fekânsje of soksahwat stean to litten, omdat men it dêrnei net mear doart. Je dogge it of je dogge it net. Ynfloed op him hawn hawwe njonken syn heit en mem, de hear Van der Wielen en de âldgriffier, de hear Woltjer. Mar ek Hindrik Algra hat him mei foarme. Hy wurdearret de hjoeddeiske demokratisearringsgolf posityf. Ek de iepenheit.\nM. Folsleine iepenheit stean ik foar. Allinne, ja it keart de saek wol op. Dat is it iennige biswier dat ik der tsjin ha. Net oerdriuwe. En der binne in protte minsken hjoeddedei dy 't it oerdriuwe, en binammen de minsken dy 't der oer skriuwe.\nIt greate gefaer is, dat men regelingen treft dy 't inte binne op 'e âlde strukturen, en dy âlde strukturen binne mei iepenheit en ynspraek allinne net nij. Dat is by 't ûnderwiis krekt sa. 40 Jier lyn al hearde men de kreet: fornije. Nou nei 40 jier binne wy noch gjin stap fierder. Hjir en der wurdt der wolris hwat dien mar, en nou siz ik it hiel slim: it is in kwestje fan yntelliginsje en kreativiteit. En dy kreativiteit is by alle minsken lang net like great.\n- Kin de kreativiteit bifoardere wurde.\nM. Ja, wis en seker, mar dan moatte wy ôf fan 'e autoritaire strukturen. En op it punt fan de ynformaesje moat hiel hwat foroare wurde. Hwant dat is krekt it ûngelok, dat der party minsken binne, dy 't net witte hwert se oer prate. Dy hawwe gjin genôch ynformaesje, gjin genôch bilangstelling, of sjogge it allinne mar yn swart - wyt - skemaas.\n- Tinkt Den Haech ek yn swart - wyt - skemaas.\nM. Demokratisearring soe ek hjir in wichtich ding wêze kinne, hwat de provinsjes oanbilanget. As men tsjinspul leverje koe. En dat is op 't stuit it greate manko by de provinsjes. Se kinne gjin tsjinspul leverje yn Den Haech. De minister fan CRM bgl. biskikt oer bipaelde ynformaesje fan it CBS hwert se mei wurkje kin. Dy gegevens binne der foar de provinsjes net. Sij jowe ús dus sifers oer, wylst wy dêrtsjinoer gjin oare sifers jaen kinne. Ik bin dêrom ek foar desintralisaesje fan de buroos fan it CBS, sadat je mei iepen gegevens komme kinne by de ryksoerheit. Wy kinne gjin macht foarmje tsjinoer de macht fan dy ryksoerheit. De foriening fan Ned. Gemeenten kin dat bgl. wol. De provinsjes ha noch gjin mienskiplik buro, ek al omt de forskillen faek to great binne. Der sil lykwols dochs sa 'n buro komme moatte, wolle de provinsjes tsjinoer Den Haech in fûst meitsje kinne.\n- As pressygroep, of gewoan macht tsjin macht.\nM. Ja, pressygroep, of oars, net daelk macht tsjinoer macht. Men kin it ek sa stelle, dat fan de ryksoerheit mear oerliz wêze moat mei de provinsjes. It ryk bipaelt de polityk dy 't se hawwe wolle, en dan wurde de provinsjes ris frege, hwat tinke jim der fan. Mar yn feite leit it dan al fêst. Men tinkt yn 't westen troch de bank ôfgryslik sintrael. Se wolle alles gelyk ha. Dat bitsjut foar Fryslân gjin útsûndering.\n- Wy soene tsjinoer it westen hwat hurder wêze moatte, it image hwat byslypje.\nM. Der mankeart wol hwat oan ús image, fansels, dat sil wol. Mar je rêdde it mei in image allinne ek net. Je moatte wol spikerhurd wêze, en dat is ek net slim. Mar oan 'e oare kant moatte je it ek wiermeitsje kinne. En dat is de kwestje: wy hawwe gjin mankrêft. De bêste minsken, of nee, de bêste minsken wol 'k net sizze, party minsken gean fuort.\n- Mear oerdriuwe.\nM. Wy oerdriuwe altiid to min. Wy binne fierstento biskieden. Wy binne sels sa biskieden, dat, ik nim nou mar it gefal mei de Akademy, wy fifty-fifty dogge. Nou, dan siz ik, hwêrom dogge wy fifty-fifty. Hwêrom kin it ryk it hiele wurdboek net bitelje? Lykas dat foar Hollân ek bart.\nDe kultuerried wurket net sa 't se wurkje moast: reorganisaesje en in demokratisearring binne wol winslik.\n- Sit der hwat yn de demokratisearring fan de Fryske Kultuerried.\nM. Jo kinne my net slimmer fraech stelle as oer de Kultuerried.\nDe Kultuerrued is advysorgaen en oerlizorgaen foar de provinsje. Oars bistiet der gjin forbining. Dat maot ek net. Mar hwert it nou yn haedsaek om giet, is, dat de Kultuerried net wurket sa 't se wurkje moast.\n- Fynt de Kultuerried in klankboaijem by it folk.\nM. Dat falt jo mei. Dat falt jo mei. De klankboaijem is der wol. Mar it is op 't stuit sa - en ik stel it miskien hwat skerp - dy kultuerried sjocht it sels net. En it bistjûr is ûnmachtich. As der net in better bistjûr komt, dan komt it mei de kultuerried net klear. Dan rint it forkeard.\nOan 'e oare kant freegje de gemeenten - en miskien individueel ek wol - genôch by de Kultuerried, mar der komt net út hwat der eigentlik útkomme moat. En hwat se wolle. Ik tocht dat in reorganisaesje en in demokratisearring fan 'e Kultuerried wol winslik wêze soene.\n- Kin de WKF (wurkgroep kultuer Fryslân) in funksje hawwe.\nM. It binne mar inkelden. En dat is krekt it slimme, dat je by in foroaring fan 'e Kultuerried to meitsjen hawwe moatte mei nije strukturen. En dy nije strukturen binne der noch net. Demokratisearring is wol goed, mar fortsjintwurdicht sa 'n lyts groepke minsken hwat?\n- Hwêrom altiid dy fortsjintwurdiging, en it yn hokjes triuwen.\nM. Om my mei 't ek à titre personel, bipaelde kwaliteiten kinne ien geskikt meitsje. Mar oars moatte je fêst hâldde oan de demokratyske fortsjintwurdiging.\n- Fortsjintwurdicht TRYATER ek hwat, rint it op in djûr net fêst mei dit bistjûr.\nM. Dat wit ik net. Dat hinget ôf fan hwat der fan tryater tolânne komt. En\ndat bitsjut twa dingen: docht it ryk mei, 40%, dan komt it klear. Ek in goeije oplieding is wichtich. Jowt it ryk ús sa lang de tiid om it eksperiment fan dy oplieding to folbringen.\nEn fansels, der moat in krêftich bistjûr wêze. En dat mankeart der wol ris oan, nou en yn 't forline. Oan 'e oare kant sil der in fint komme moatte dy't de direksje goed yn hannen hat. Boppedat moat it bistjûr him net mei alle mooglike dingen bimuoije, hwert sa 'n bistjûr gjin forstân fan hat. It bistjûr moat allinne de lieding jaen.\n- Gearwurking Noorder Compagny.\nM. Men moat der net op rekkenje. Men moat op eigen fuotten stean, en der moat tryater goed om tinke. Hwant de Noorder Compagny bliuwt úteinlik in selskip dat sawol mei Grins as mei Drinte as mei Fryslân to meitsjen hat. Boppedat is der ek forbân mei de oare selskippen yn 't lân. In to greate bining mei de Noorder Compagny soe bitsjutte kinne, dat wy derûnder troch geane.\nDer soene wol mear gearwurkingsfoarmen socht wurde moatte, mits it bistjûr fan 'e Noorder Compagny - dat tusken heakjes ôfgryslik swak is - dat ek wol. Lykwols, se wolle it net. Sij sjogge it net. Net subsydzjetechnysk, net hwat dekors oanbilanget, en ek net yn de regy. Se sjogge elkoar as konkurrinten, dat moatte je net forjitte.\nAs de Fryske biweging net mear partisipeart, en net mear selswurksumheit toant, dan giet it mei de Fryske kultuer net goed.\nM. Je moatte noait freegje of kultuer of kunst in funksje hawwe. Kultuer is ynherent oan 'e minske. En dus bistiet yn in maetskippij fan minsken kultuer.\nJe moatte bgl. ek noait freegje hwat is de funksje fan in timmerman, of fan in skilder of in dichter. Nee, it heart byelkoar. Je kinne it noait los fanelkoar sjen. En dat dogge se tsjintwurdich tofolle. Sadré je it los fanelkoar sjogge, kultuer en kunst skiede, kultuer en maetskippijkrityk, it gewoane wurk en de boppelaech, dan kom je der noait. Kultuer is ynherent oan de minske. It heart derby. Of oars, sa is de minske skepen.\n- Is kultuer soms in forsiering, in formeitsjen of in tarieder foar hwat.\nM. Nee, ik sjoch it as in opdracht. Opdracht fan elk minske - om mei to dwaen - of om net mei to dwaen. Dêrfoar moat er frij wêze.\n- Subsydzjes kweke in elitegroep en bifoarderje it passyf meidwaen.\nM. De oerheit moat eigentlik oars net dwaen as de helpende hân biede. De helpende hân biede yn dizze sin, dat se winliken as eask stelt: partisipaesje fan de minske mei de kultuer, as dy partisipaesje der net is, en de selswurksumheit ek net, dan rêdde jo it net, hwant dan komme je to sitten mei in steatskultuer of mei in elitekultuer. Dy kant moatte wy bislist net út. Dat is de iennichste bitingst feitlik, lit sizze, foar bgl. De Fryske Biweging. As dy net mear partisipeart en net mear selswurksumheit toant, dan giet it mei de fryske kultuer net goed.\n- De biweging hâldt him tofolle mei futiliteiten dwaende.\nM. Nou ja, dêr komt it wol op del. De greate linen ûntbrekke faek. Dat wol net sizze dat ik de greate linen oanjaen kin, mar ik wol al sizze dat ik der biwust op oanstjûrd ha, nei 't ik dy portefeuille krigen ha, dat it ryk mei docht. Tink yn dit forbân mar oan it rapport Van Ommen. Dat is tige biwust fan myn kant bard.\n- Tsjintwurdich spilet de ekonomy in greate rol, kinne jo yn 't kolleezje tsjin dizze macht opbokse.\nM. Je moatte it wol op in bipaeld stuit spylje. Gewoanwei spylje.\n- Hat Klompé it goed spile, dat wol sizze, wie it in bikwame minister.\nM. Nou moat ik in hiel skoft stil wêze. Hwant as ik it goed sizze soe, dan moat ik sizze, ja, it wie in goeije minister. Mar ik wol der by sizze, dat se lang net alle dingen seach. Seach se it net allegearre to sintrael? En seach se it ek allegearre net tofolle yn 'e âlde strukturen? Bgl., as ik tink oan it memorandum, dan is dat hielendal inte op 'e âlde strukturen. Dat jildt ek foar de subsydzjeregelingen, dy 't ek inte binne op 'e âlde strukturen. En se sille noch mear inte wurde op 'e âlde strukturen.\n- Miskien moat de ynfloed fan de rie foar de kunst útwreide wurde.\nM. Dan wol ik in rie foar de kunst hawwe, hwert ek de regio yn fortsjintwurdige is. Ek dizze rie foar de kunst is in sintrael lichem hwert allinne westersk tocht wurdt. Je miene dat eigentlik alle kultuer by Swolle ophâldt.\n- Ik haw ris in plan makke foar in demokratyske opbou (fortsjintwurdiging) fan de rie foar de kunst, elke provinsje twa minsken, esf. esf. (trotwaer suppl 2, okt. '70).\nM. Dan soe 't miskien better wurkje kinne. It is op himsels net sa 'n gek plan, mar de swierrichheit is, dat je it yn de provinsjes werienswêze moatte. Oan 'e oare kant giet nou de rie foar de kunst in stap fierder as wol winslik is. De rie foar de kunst wol it bilied bipale. Dat kin, mar dan is it gjin advysorgaen mear, dan jowt it regear it út hannen. En it is de fraech as dat kin. Deselde kwestje spilet yn 't nasjonale oerliz fan gewestlike kultuer, hwert men in reorganisaesje wol. Se sizze: wy bipale it bilied. Foar my komt dan de fraech nei foaren as dat wol yn de demokratisearring fan hjoeddedei past. De demokratisearring fan hjoeddedei jowt fortsjintwurdiging fan it folk yn politike partijen en forskate publike lichamen. By de rie foar de kunst is dit net sa. Dêr wurde mar hwat minsken yn treaun, sûnder dat se tobekfalle kinne op in demokratisearre foarm.\n- As de Fryske Kultuerried in demokratisearre rie foar de kunst wurde soe, kin dizze nije rie dan foech krije om selsstannich dingen to dwaen.\nM. Dan krije je twa situaesjes. Dan moatte je sizze, hwat is de kultuerried: oerlizorgaen fan 'e Fryske oerheit, en oan 'e oare kant útfierdend buro foar kulturele saken. Dy twa dingen kinne wol byelkoar, mar der moat net in forminging fan funksjes komme.\nIk soe my yntinke kinne, dat je sizze, dizze minsken lûke ien oan foar de byldzjende kunst, en in manager foar it Fryske Boek, en ien foar it toniel hwert ik dan foar 't gemak ek de musyk mar bylûk. Dit is útfierdend. Dêrnjonken hat de rie de taek de provinsjale oerheit to advisearjen èn de gemeentlike oerheden.\n- Stel, de rie krijt in bidrach om in part fan de taken fan G.S. oer to nimmen.\nM. Dat kin der wol ynsitte, mar dan moat je in hiele oare foarm hawwe, in hiele oare demokratisearre foarm. Dan moat der foar de Kultuerried in parlemint komme, dat keazen is. Nou ha je allinne noch mar fortsjintwurdigers.\nNou leit de situaesje sa: wy binne troch it folk keazen, om it samar to sizzen. Wy freegje hwat der libbet by it folk: dat advys komt by de Kultuerrued wei, bigryp my goed, in netdemokratisearre kultuerried, sa 't ik al earder sein haw. Wy hoege ús dan ek net bislist to hâlden oan it advys, hwant it is en bliuwt in advys.\n- Troch sokke ûndemokratyske tastannen stiet de oerheit in ein ôf fan de bifolking, of fine jo fan net.\nM. It hoecht net. Se sizze it allegearre fansels, mar wy ha in soad persoanlike kontakten, en dat is tige wichtich.\nAensens dan kotse de minsken wer fan alle seks dy 't der is: it is in kwestje fan moade.\n- Persoanlike kontakten bringe wol ris konflikten mei, ik tink nou even oan de tsjinstelling Piter Wybenga en jo yn de subsydzjestriid mei de tiidskriften.\nM. De mooglikheit fan in petear wie der wol, sa leit it net. Mar jo kinne fan twa kanten útgean. Sjoch ris, ik haw min ofte mear nei foaren brocht: wy moatte sa mooglik objektyf der tsjinoer stean as oerheit. En it biswier hwat ik tsjin Piter Wybenga hie, dat wie, dat hy min ofte mear hwat forfoel yn in bipaeld wettysisme. Ik ha der hwat in oar idé oer. Oan 'e oare kant jilde dy noarmen, hwert Piter Wybenga it oer hat, en Algra ek, foar alle minsken. As je der nou oan leauwe of net. Dy noarmen gean oer alle minsken.\n- En de ynterpretaesje fan dy noarmen.\nM. Sels de ynterpretaesje. Men kin der ûngelyk oer tinke, mar foar my leit it yn haedsaek sa, dat ik siz, ik wol stean en falle by dy kristlike frijheit. En dan kin ik wol sizze, heden as ik stean en falle wol by dy kristlike frijheden, dan sil ik my - en nou siz ik it hwat theologysk - my hâlde moatte oan 'e rigels ta myn bêstwil. Dy rigels ta myn bêstwil, dat kin men de sedewet neame, de tsien wurden, dat kin my neat skele, hoe je se neame wolle.\n- Ik sjoch in paradoks yn 'e forbining ARP en kunst (of in Van der Mark en deputearre fan kultuer) yn de sin fan noarmfêst en it omfiergoaijen fan noarmen.\nM. Wel nee, hwant dy paradoks is der net. Foar jo net en foar gjin ien net. As jo in byld of in muorreskildering bgl. yn Grikenlân sjogge, dan ynteresearret it jo net oft it tsjin of foar de oarders is, oft it avantgardistysk of net avantgardistysk is. Nee, it wurket op jo yn of net.\n- Dochs leau ik dat de ARP it gesach by definysje foarstiet, en bgl. úteringen yn de moderne roman, of skilderkunst, of by maetskiplike foroaringen net daelk foaroanrint.\nM. Je kin it ek oars stelle. It is in kwestje fan moade. Je wit noait hoe slim de moade wurkje kin. Ek de moade yn dizze dingen. Dat hâldt yn dat it foarbygeand is. As se nei twa dagen of nei in heal jier sizze, hee de koltrui giet der út, dan giet de koltrui derút. Dan doch jo de koltrui ek wer út. Der sit in hiel sterk moadeforskynsel yn. En dat sterke moadeforskynsel\nmoatte je net ûnderskatte. Hwant nim bgl. de seks, itselde, aensens dan kotse de minsken wer fan alle seks dy 't der is. Der sit ek noch in oar elemint yn. Forstean my goed: as ik seks siz, dan kin 'k foar 't selde moardpertij of soksahwat sizze. Ik tocht dat de minsken - en ús minsken faek ek, dat wol 'k der wol by sizze - dat net altiid sjogge. Se sjogge bgl. mei alle wille nei in wrede cowboyfilm, in detektive of sok spul, hwat yn wêzen like slim is as dy seks en ligerij.\n- Der hoe 't om my gjin etiket kristlike noarm op.\nM. Dat is nou krekt myn biswier tsjin jim. Hwant as wy sizze fan noarm, dan tinke jim oan kristlike noarm. Mar dat is gjin kristlike noarm, hwant der is mar ien noarm. Dy jildt foar alle minsken, kristenen of netkristenen.\n- De konsekwinsje soe wêze, dat je ôfgryslik politykdwaende wêze moatte yn progressive sin: kinne jo jo dan noch thús fiele in ARP.\nM. Jo forjitte dat der ek fansels in bipaelde dekadinsje spilet. En dat je dy dekadinsje yn alle kulturen hawn hawwe.\nM. Ja, jim moat net miene dat dit trochgiet. Ik stean der tige kritysk tsjinoer, hwant ik stean tsjin alle dingen kritysk.\n- In radikael yn 'e ARP.\nM. Ik soe wol radikael wêze kinne.\n- Kin dat yn Fryslân.\nM. Yn Fryslân is it hiel oars, ek al mei troch de opfieding fan it Frysk Deiblêd. Je krije in bipaelde blik op 'e ûntwikkeling.\n- De tsjerke sil de minsken fan de ARP ek wol in bipaelde blik jaen.\nM. Ar en tsjerke moatte je skiede. De Ar hat mei de tsjerke neat to meitsjen. Jo hawwe op 't stuit de kar tusken it kristendom en neat. Hwant as der nou hwat oars wie, dat men bgl. lykas eartiids in kar dwaen koe tusken kristendom en sosjalisme - of om my it kommunisme, of D'66 (dy 't ik hwat amerikaens fyn) - tusken kristendom en pragmatisme dus, dan siz ik, ik leau net oan dat pragmatisme, hwant der sit altiid hwat oars achter. Ik leau ek net oan it sosjalisme of it kommunisme, der bliuwt eigentlik mar ien kar oer: it kristendom of neat. En dan kies ik biwust foar it\nIn universitaire fêstiging foar Fryslân is fan folle greater bilang as, lit wy sizze, de ien of oare healwize Philipsfêstiging.\nM. Ik mei de bibel, Marx en Freud net op ien line stelle. Omdat Freud in moadeforskynsel is. Marx in moadeforskynsel is. Mar de bibel bliuwt. De bibel is iepenbiering. It is net in gewoan boek. Tsjintwurdich wurde faek bipaelde dingen op itselde spoar setten. Op ien line. En dat kin absolút net.\n- Ofsjoen fan 'e wearde moatte je fêststelle dat de ynfloed op 'e wrâld elkoar net in soad ûntrint.\nM. Dan bin 'k mar foar in part mei jo iens. Sa 't it liket hat Marx in ôfgryslike greate ynfloed op 'e wrâld, ek al bistean syn tinkbylden noch mar in goeije hûndert jier. De bibel is folle earder forskynd, mar dy hat ek noch in frij greate ynfloed.\n- Binne der yn Fryslân boeken of skriuwers dy 't op jo ynfloed hawn hawwe, mei oare wurden hawwe jo favorite skriuwers.\nM. Ik lês alles. Ik haw gjin favorite skriuwers.\nM. Wadman forslacht yn 'e psychology.\n- Rint er der yn fêst.\nM. Ja. Folslein. As er sa trochgiet, en oars ek folslein.\n- Hwat founen jo fan ‘Fabryk’.\nM. Dat foun ik goed. It biswier hwat ik ha - en dat is hyltiten sa - dat it to inkeld is. Ik bidoel dit: as jo de persoan fan de man yn ‘Fabryk’ biskriuwe, dan freegje je: hokker persoan hat er op it each? Ik bidoel net yn werklikheit, mar dizze man mei dizze òf psychopatyske ôfwiking, òf minsken primitive ôfwiking: is dat nou it byld fan 'e fabryksarbeider? Der sil wolris ien wêze, mar der binne ek 100.000 oaren. It is net it tipe fan de yntogrearde normale fabryksarbeider. Hwêrom wurdt nou spesifyk dizze man útkeazen. En dat sjogge je yn in hiele bulte romans, dat se krekt it typyske der útnimme. De forbining fan maetskippij en literatuer is faek fier to sykjen.\n- Hwat founen jo fan 'e Gysbert Japikspriistakenning foar ‘Fabryk’.\nM. Nee, dêr wie 'k it net mei iens. Dat wol dus sizze, yn safier wie 'k it der net mei iens, dat ik persoanlik foar mysels it boek fan Rink van der Velde better foun.\n- Dochs akkoard mei de jury.\nM. Dat is in hiele oare saek. Persoanlik foun ik lykwols ‘De Fûke’ better: goed ôfwoegen yn syn totaliteit.\n- Hwêrom hawwe jury's fan literaire prizen gjin autonoom foech.\nM. Hwat moat ik dêr nou fan sizze. Jury's binne rare minsken. Troch de bank.\n- Is it in probleem om jury's to krijen.\nM. Ja, it is tige slim.\n- Binne literaire prizen wichtich.\nM. Nee, ik fyn it hielendal net bilangryk. It kin in stimulearring wêze. Mar it greate biswier is dat se allegearre oer it hynder tild wurde mei de tiid. En it rountsje is yn Fryslân bitreklik lyts: se komme allegear wol ris oan bar. Yn 'e foarm fan addisjonele honoraria soe 't miskien better wurkje. Ik bin foar goeije honoraria foar de skriuwers - en om my krije de printers ek in part - mar se moatte der sels ek hwat foar dwaen wolle.\n- Men krijt soms de yndruk dat der sûnder subsydzjes yn Fryslân noait wer hwat bart; bistiet Fryslân sels aensens ek troch de subsydzjes of lizze der mooglikheden yn de rekreasje of yn de yndustry.\nM. Ik sjoch it bislist net yn 'e yndustry. Ik sjoch it mar foar in hiel lyts part yn 'e rekreative sektor. Ik sjoch it allinne mar yn in universitaire fêstiging. Hjir yn Fryslân is forlet fan minsken dy 't in universitaire stúdzje hawn ha. En as jo hjirre in hegeskoalle hawwe, dan bliuwt in greate stêd. En nou bin ik gjin DS'70-man, mar ik wol dochs sizze, dat in universitaire fêstiging foar Fryslân fan folle greater bilang is (tink oan it boek fan Drees jr.), as lit wy sizze de iene of oare healwize Philipsfêstiging.\nDer moatte krinten yn 'e bôlle sitte.\nM. It subsydzjejaen hinget ôf fan de reaksjes fan it folk. Subsydzje is foar my oars net as de helpende hân biede. Nou kin je sizze, se kinne net altiid mei\nin kruk rinne. En it liket der wol op dat men altiid mei in kruk rinne moat. Mar dat komt fansels mei, omt je hjir mei in forskriklik lyts taelgebiet sitte.\n- It Frysk Orkest hat mei de tael net sa 'n soad to krijen.\nM. Mei it Frysk Orkest leit it eefkes oars. Dat moatte je ek net yn dy sin sjen. Ik sjoch it folle mear yn it edukative - passyf en aktyf - dan allinne mar de moaije fasetten. Je kinne tinke oan musykskoallen, koaren, en gean mar troch. It is fansels wol in machtich stik subsydzjejild, dat wol 'k der wol by sizze. En de fraech spilet wol, moat it orkest sa 't it der nou is, hjoeddedei sa bliuwe. Miskien yn 'e foarm fan ien orkest foar it noarden. Lykwols, dan moatte je de ôfstannen hjir yn 't noarden net forjitte. Op groun fan 'e ôfstannen kin sa 'n noardlik orkest syn edukative taek net goed forfolje.\n- Is it ek foar in part statussymboal.\nM. Nee, fansels net. Alles hwat status is, dat is forkeard.\n- De regionale televisy is dus gjin statussymboal.\nM. De regionale televisy hat in dúdlike funksje. Der sit fansels ek amusemint yn. Mar hwat ik mien, is, dat je yn it moderne kultuerpatroan net sûnder de massamedia kinne. Dat jildt tagelyk foar radio en televisy. En net allinne edukatyf. Mar fansels ek - nou lit my it sa sizze - der moatte ek krinten yn 'e bôlle sitte.\n- Regionale televisy njonken, of yn gearwurking mei de kranten.\nM. Je soene sizze kinne dat it in forbrekken wêze kin fan it monopoalje fan 'e parse.\n- Dat wol sizze, it monopoalje fan 'e Ljouwerter Krante.\nM. Ja, dêr komt it wol op del. En dat soe wol goed wêze.\n- Bringt de monopoaljeposysje fan 'e Ljouwerter Krante gefaer mei.\nM. Nou, gefaer, gefaer. Je moat net altiid yn gefaer tinke.\n- Se jowe nou ek boeken út, en hâlde dêrmei alles straks yn eigen hân.\nM. Dat is wier, mar de forhândingen binne hjir folle lytser. Je moatte it net yn dat forbân sjen, hwant dan kinne je noch folle fierder gean. Tink oan it\nSpringerconcern, esf. De forhâldingen binne hjir sa lyts, dat persoanlike relaesjes in rol spylje kinne. Mear net.\n- Dochs wol in forskaet yn rjochting en ynstelling.\nM. Ja, ik foun 't ek spitich dat de Friese Koerier fordwine moast.\n- Hwat kranten lêze jo.\nM. Dat stekt net nau. Ik lês it Frysk Deiblêd, de Ljouwerter en Trouw. Fierders de knipselkrante. Hwat de wykblêdden oanbilanget, dat is tige ûngelyk: in tsjerklik wykblêd (nee, net dat nije, hwant ik bin net forûntrêst), alle fryske blêdden, en faek ek wol De Groene en Vrij Nederland. De Linie net in soad. Elsevier lês ik noait.\n- Hwat fine jo fan De Groene en Vrij Nederland.\nM. Se binne to westlik orienteard. Se witte fan neat. De Ljouwerter Krante is goed, en stiet as sadanich ek bikind yn 't lân. It Frysk Deiblêd is hwat nijs oanbilanget foarliker as de Ljouwerter, yn Snits alteast. En fierder de haedartikels fan Algra, men kin der forskillend oer tinke, mar de man hat foar dat er goed skriuwe kin.\n- Hat it Frysk noch takomst.\nM. Fansels, oars die 'k der net oan. As der mar literatuer en gedichten bliuwe.\nover Pieter van der Mark


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Roger E. Mosley - Wikipedy\nRoger E. Mosley (folút: Roger Earl Mosley; Los Angeles, 18 desimber 1938) is in Amerikaansk toaniel-, tillefyzje- en filmakteur fan Afro-Amerikaansk etnysk komôf. Hy waard benammen bekend fan syn rol as de helikopterpiloat T.C., yn 'e populêre detektivesearje Magnum, P.I., út 'e 1980-er jierren.\nechte namme Roger Earl Mosley\nberne 18 desimber 1938\nMosley waard yn 1938 berne yn Los Angeles, yn 'e Amerikaanske steat Kalifornje. Hy groeide op yn Imperial Courts, in buert yn 'e swarte wyk Watts, as de de soan fan in allinnichsteande mem, Eloise Harris.\nYn 1963 sette Mosley útein mei in karriêre as akteur, wêrby't er meast op 'e planken stie. Yn 1974 rjochte er it toanielselskip de Watts Repertory Company op. Njonken syn toanielwurk spile Mosley ek yn ferskate films en tillefyzjesearjes. Syn bekendste filmrol hied er as it titelpersonaazje yn 'e spylfilm Leadbelly, út 1976, ûnder rezjy fan Gordon Parks. Op 'e tillefyzje hied er gastrollen yn searjes as Night Court, Starsky and Hutch, Kojak, The Rockford Files, Baretta en Sanford and Son. Dêrnjonken spile er ek yn 'e minysearje Roots: The Next Generation.\nMosley briek yn 1980 troch mei syn rol as de ûndernimmer en helikopterpiloat Theodore Calvin, byneamd T.C., yn 'e populêre detektivesearje Magnum, P.I.. Dêryn hied er as tsjinspilers, Tom Selleck, dy't de titelrol fan privee-detektive Thomas Magnum spile, en teffens John Hillerman en Larry Manetti. Magnum, P.I. rûn oant 1988, en neitiid berikte Mosley nea wer itselde súkses. Hy kearde werom nei it teäter en wie noch mar selden yn films of op 'e tillefyzje te sjen. Yn 1992 spile er in plysjeman yn 'e film Unlawful Entry, as tsjinspiler fan Kurt Russell en Ray Liotta. En yn 2007 en 2008 fertolke er yn 'e searje Las Vegas de rol fan in miljardêr en freon fan AJ Cooper (Tom Selleck), de eigen fan it Montecito-kasino.\nMosley troude yn 1960 mei in Saundra Locke, mar dat houlik rûn út op in skieding. Sûnt 1976 wennet er gear mei Toni Laudermick. Hy hat twa bern út syn houlik mei Locke en ien út syn relaasje mei Laudermick.\n(in) Folsleine filmografy fan Roger E. Mosley yn 'e Internet Movie Database (IMDb)\nUntfongen fan "https://fy.wikipedia.org/w/index.php?title=Roger_E._Mosley&oldid=838312"\nLêst bewurke op 23 apr 2017 om 19.21\nDizze side is it lêst bewurke op 23 apr 2017 om 19.21.


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ChaCha lanseart Sosjaal Affiliate-programma | Martech Zone\nChaCha lanseart Sosjaal Affiliate-programma\nWoansdei, maart 28, 2012 Tiisdei 27 maart 2012 Douglas Karr\nD'r binne nochal wat affiliateprogramma's wêr't ik ta hear, mar ik bin frij kieskeurig oer wat ik promovearje op ús blog en fia sosjale. D'r is lykwols in nijsgjirrich dilemma as it giet om affiliate marketing. De measte fan de filiaalmooglikheden binne basearre op jo klout as it oantal folgers dat jo hawwe ... net needsaaklik basearre op jo ynfloed en fermogen om perspektiven te konvertearjen yn klanten.\nAffiliate systemen binne oeral, mar ChaCha lansearre gewoan wat fan in oar bist mei ChaCha Affiliates, Oars as affiliateprogramma's dy't minsken ride nei advertearderadvertinsjes, brûkt ChaCha in filiaalprogramma om minsken te stjoeren om te neamen har ynhâld sosjaal ... betelje se dan op basis fan it publyk dat trochklikt. It is in bytsje hybride tusken sosjale en pay-per-klik. It doel is fansels om ferkear te stjoeren nei de side - dy't it publyk dan konverteart yn reklame- en sponsardollers.\nIk haw my yn in pear minuten oanmeld foar it programma en fûn in nuttige kampanje dy't koe wurde stjoerd nei myn folgers: Hoe net te mislearjen by saaklike e-post, As blogger en man fan sosjale media sykje ik altyd nei ynhâld om te dielen dy't nuttich wêze sil foar myn publyk. Dit is in no-brainer ... Ik fyn beide nuttige ynhâld en Ik wurd betelle foar it dielen.\nChaCha hat echt wat fernimstigens fan resinte opmakke ... fanút mobile applikaasjes en Iris, om 2 miljard fragen te beantwurdzjen en winst te berikken - ik bin ongelooflijk bliid foar har personiel. Se wurkje hurd en triuwe altyd de envelop. Kudos oan Scott en bedriuw!\nTags: affiliateaffiliateprogrammachachaynhâld Marketing\nSicht en beleannings troch ynfloed\nScoutmob: Real-time lokale deals\nMar 29, 2012 op 7: 43 AM\nIk sil dit kontrolearje. Altyd op syk nei kwalitatyf oansletten produkt. Tank. Fan herte, Susan\nMar 31, 2012 op 5: 25 PM\nIn frij aktueel post Douglas. Fong wyn hjirfan fia G + stream. Sosjale oandielen wurde in mear relevante en wurdearre metrik • dit soarte sosjale modellen sil bloeie.\nApr 1, 2012 op 11: 36 PM\nIk bin op it stuit in filiaal, en it is echt in geweldich programma. Ik makke $ 60 yn in oere doe't ien fan myn links populêr waard op reddit. (Dat is lykwols frij seldsum).\nAs jo in filiaal wolle wêze EN jo goede die foar de dei dwaan, brûk dan asjebleaft myn trochferwizingslink: http://affiliates.chacha.com/signup/CD10667\nTank! ChaCha Forever!\nApr 5, 2012 op 6: 46 PM\nIk besykje my hieltyd oan te melden, mar ChaCha jouwt my de folgjende flater, hoewol ik it fakje "akkoard mei betingsten" al ha kontrolearre:\n"FOUT: Jo moatte it fakje" Akkoard mei betingsten "selektearje foardat jo in filiaal kinne wurde."\nApr 5, 2012 op 7: 02 PM\nIk tink dat dit in probleem mei crossbrowser kin wêze, Paula. Hokker browser brûke jo en ik sil dit trochstjoere nei it team dêr.


Pine Creek Gorge 2018 Puzzle - Pop's Culture Shoppe\nPine Creek Gorge 2018 Puzzle\nPine Creek Gorge by Russell Geare 2018 Series Limited Edition Pop's Culture Shoppe Puzzle, 12"x18" 336 pieces. Winner of our annual puzzle photo contest!\nPhotographer, Russell Geare notes this is "Pine Creek Gorge taken from the East Rim at Leonard Harrison State Park looking south. I am fortunate to be here to experience the changes through the seasons and through each day. The environment is wild; rattlesnakes, bears, and the vast forest keep you from feelin' dominant. It's very special here. I'm a retired model maker. I made prototypes for the toy and collectible industry for 30 years. I'm a Wellsboro resident enjoyin' the people here, photographin' the outdoors, carvin' wood, playin' music, makin' architectural models, and ridin' motorcycles. I've been takin' pictures since 1967."


Tomke foarlêsferhaaltsjes yn it Biltsk | It Nijs\nseptimber 7, 2018 15:30\nDe Tomke-foarlêsferhaaltsjes dy’t earder ferskynden yn de Weekkrant Fryslân en letter bondele binne yn it boek ‘100 x Tomke’ wurde oerset nei it Biltsk. Fan woansdei 29 augustus ôf binne de Biltske Tomke-ferhaaltsjes wykliks te lêzen yn de Bildtse Post.\nDe Tomke-ferhaaltjes, skreaun troch Riemkje Pitstra en Auck Peanstra, wurde yn it Biltsk omset troch Sytse Buwalda en Leendert Ferwerda fan fertaalburo BildtTaal. De yllustraasjes binne fan Tomke-yllustrator Luuk Klazenga.\nTomke is in foarlês- en taalstimulearringsprogramma yn it Frysk foar pjutten. It projekt wol âlden en profesjonele opfieders ynformearje oer it brûken fan taal yn ’e omgong mei jonge bern. Foarlêze, ferskes sjonge, (taal)spultsjes en oandacht foar de deistige saken binne wichtich foar alle talen, dus ek foar it Frysk: bern dy’t harren memmetaal goed behearskje, kinne makliker in oare taal leare.\nIt jierlikse Tomke-tydskriftke, dat by de Fryske Foarlêswike fergees útdield wurdt oan alle pjutten yn Fryslân, is ek alle jierren yn in beheinde oplage beskikber yn it Stellingwerfsk en it Biltsk.


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Brêge yn Snits hat grutte skea troch brânstichting | Omrop Fryslân (advertinsje)\nBrêge yn Snits hat grutte skea troch brânstichting 14 des 2015 - 15:32\n0 reaksjes Nederlands Ton skea troch brânstichting brêge yn Snits\nDe fytsbrêge ûnder de Dompbrêge yn Snits dêr't brân stichte is - Foto: Omrop Fryslân, Hayo Bootsma\nDe skea oan de Dompbrêge oan de Grienedyk yn Snits is folle grutter as tocht. Ferline wike waard op de fytsbrêge ûnder de Dompbrêge brân stichte. It fjoer waard sa hyt dat parten fan de betonnen deklaach en muorre ôfbrokkele binne. De fytsbrêge is foar in part raand. De skea wurdt rûsd op in lytse 100.000 euro. De gemeente Súdwest-Fryslân hat ien rydbaan op de brêge ôfsletten. It werstel begjint sagau mooglik. Foar de krystdagen moat it wurk klear wêze.\nDe reparaasje fan de fytsbrêge duorret langer. Dat wurk moat foar takom maitiid klear wêze.\nKorreksje meldeLês foarTrefwurden: DompbrêgeSnitsbrânstichtingView the discussion thread.Diel dit berjocht op: 14-12Dochs gjin ferdûbeling fergoeding Patyna-bestjoerders 14-12Arie Boomsma praat mei Snitser skoalbern oer taal Besjoch ek...


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5 redenen as marketeers mear ynvestearje yn klienteloyaliteitsprogramma's | Martech Zone\nCrowdTwist, in oplossing foar klant loyaliteit, en Merkynovators ûndersochte 234 digitale marketeers by merken Fortune 500 om te ûntdekken hoe't ynteraksjes tusken konsumers mei loyaliteitsprogramma's kruse. Se hawwe dizze infografy produsearre, it Loyalty Lânskip, sadat marketeers koene leare hoe't loyaliteit past yn 'e algemiene marketingstrategy fan in organisaasje. De helte fan alle merken hat al in formalisearre programma, wylst 57% sei dat se har budzjet yn 2017 ferheegje soene\nWêrom ynvestearje marketeers mear yn klantloyaliteitsprogramma's?\nDrive Engagement - of jo no B2B as B2C binne, soargje derfoar dat klanten dwaande binne en suksesfol brûke fan jo produkten as tsjinsten sil behâlden en ferhege wearde soargje.\nTransaksjes ferheegje - de holle hâlde en klanten beleanje fergruttet kontaktpunten en de kâns om saken mei har te dwaan.\nFerheegje útjeften - om't jo de fertrouwensbarriêre al hawwe brutsen, sille hjoeddeistige klanten mear jild by jo útjaan ... in systeem ynstelle om har te beleanjen is kritysk.\nFerbinings oanmeitsje - beleanning fan in klant foar it dielen fan har tsjûgenis is de bêste mûle-foar-mûle marketing wêr jo ea yn kinne ynvestearje.\nFerbine / leverje gegevens - troch te begripen wat jo klanten motiveart, kinne jo oanbiedingen personalisearje wêrfan jo witte dat se ynteressearre sille wêze.\nOanwinst, behâlden en upsell kinne allegear posityf beynfloede wurde troch in robúste ymplemintaasje fan klantloyaliteit. 57% fan alle merken beskôget har loyaliteit as suksesfol, 88% as it programma multykanaal is! Spitigernôch hat mar 17% fan 'e merken in multy-kanaals loyaliteitsprogramma foar klanten fanwege de obstakels fan ôfstimming, ynset en gegevensammeling.\nTags: merk fernijerscrowdtwistKlantklant loyaliteitklant loyaliteit marketingklantretinsjeklantbelonningermarketingûndersykûndersyk


Main News Movies Games Art Favorites Reviews Stats 115 Fans\nTotal Medals Earned: 1,307 (From 282 different games.)\nTotal Medal Score: 19,805 Points\nMud-Bully Unlocked 6/9/17\nA Prehistoric Hunger Unlocked 6/7/17\nClay Log Soup! Unlocked 6/7/17\nGiant Clay-Trap Spider Unlocked 6/9/17\nClay-Torch Runner Unlocked 6/9/17\nDisco Disaster Unlocked 10/17/09\nMusic Maniac Unlocked 10/17/09\nStrawburried Unlocked 9/29/17\nFree Fall Unlocked 8/3/12\nPranked Unlocked 8/3/12\nSpike Kiss Unlocked 8/3/12\nBus Get Unlocked 8/3/12\nBaby Crusher Unlocked 12/3/14\nProjectile Power Unlocked 7/14/15\nBad Call Unlocked 1/23/17\nBloodsport Unlocked 2/2/17\nFighting Chance Unlocked 2/4/17\nMerbobos Unlocked 2/4/17\nNo Mercy Unlocked 1/23/17\nBigger Boat Unlocked 1/23/17\nDuck Hunted Unlocked 7/24/16\nPolice Patrol Unlocked 2/4/17\nPoor Aboboy Unlocked 2/4/17\nTyphoon Time Unlocked 2/1/17\nAnother Castle Unlocked 1/23/17\nBloody Chum Unlocked 1/23/17\nDouble Trouble Unlocked 2/2/17\nKong Punt Unlocked 2/1/17\nMac Attack Unlocked 2/6/17\nExtra Abobo Unlocked 2/2/17\nMedals Earned: 73/100\t(1,055/2,000 points)\nMedals Earned: 222/250\t(1,110/1,250 points)


Semyon Varlamov#12.02VS. CLS SPLITSSplitsSeasonLocationvs.By MonthLeagueSeason HalfRestTotalHomeAwayAtlantic DivisionBoston BruinsBuffalo SabresDetroit Red WingsFlorida PanthersMontreal CanadiensOttawa SenatorsTampa Bay LightningToronto Maple LeafsMetropolitan DivisionCarolina HurricanesColumbus Blue JacketsNew Jersey DevilsNew York IslandersNew York RangersPhiladelphia FlyersPittsburgh PenguinsWashington CapitalsCentral DivisionChicago BlackhawksColorado AvalancheDallas StarsMinnesota WildNashville PredatorsSt. Louis BluesWinnipeg JetsPacific DivisionAnaheim DucksArizona CoyotesCalgary FlamesEdmonton OilersLos Angeles KingsSan Jose SharksVancouver CanucksSeptemberOctoberNovemberDecemberJanuaryFebruaryMarchAprilMayEastern ConferenceWestern ConferenceAtlantic DivisionMetropolitan DivisionCentral DivisionPacific DivisionPre All-StarPost All-Star0 Days Rest1 Days Rest2 Days Rest3+ Days RestRegular | ExpandedTEAM STATISTICSPLAYERGPGAPTS+/-PIMATOIPPGPPASHGSHASOGSPCTAlex Tanguay, LW21122219:280100616.7Gabriel Landeskog, LW2202-1217:071000728.6Nate Guenin, D 20112215:03000020.0Nathan MacKinnon, C 1000-2215:50000020.0Tyson Barrie, D 20443018:01020000.0Jarome Iginla, RW22022017:471000633.3Matt Duchene, C 21120015:570000812.5Cody McLeod, LW21011012:330000333.3Daniel Briere, C 2011-1010:34000010.0Brad Stuart, D 20111019:52000020.0Ryan O'Reilly, C 20111020:00010020.0Jordan Caron, LW†10001010:02000020.0Freddie Hamilton, C †1000009:18000000.0Marc-Andre Cliche, C 20001010:45000020.0Erik Johnson, D 1000-2026:34000050.0Nick Holden, D 2000-1019:07000020.0Maxime Talbot, C †10000013:06000010.0John Mitchell, C 2000-1016:47000050.0Jan Hejda, D 2000-1021:47000020.0Zach Redmond, D 10000020:14000020.0Borna Rendulic, RW1000-1012:54000010.0Dennis Everberg, RW10001013:54000010.0† Midseason Trades: Jordan Caron (11 games BOS); Freddie Hamilton (1 games SJ); Maxime Talbot (18 games BOS)GlossaryGP: Games playedG: GoalsA: AssistsPTS: Points+/-: Plus/MinusPIM: Penalty minutesATOI: Average time on icePPG: Power play goalsPPA: Power play assistsSHG: Short handed goalsSHA: Short handed assistsSOG: Shots on goalSPCT: Shooting percentageGOALIE STATISTICSPLAYERGPWLOTLGAATOISVSV%SHOTGATSAPIMSemyon Varlamov21102.02118:4367.94414710GlossaryGP: Games playedW: WinsL: LossesOTL: Overtime lossesGAA: Goals against avgTOI: Time on iceSV: SavesSV%: Save percentageSHO: ShutoutsTGA: Total goals againstTSA: Total shots againstPIM: Penalty minutes


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SecurityVulns ID: 11920\nAffected: PUNBB : PunBB 1.3\nFREEHELPDESK : Help Desk Software 1.1\nAWSTATS : AWStats 6.0\nAWSTATS : AWStats 7.0\nTWIKI : TWiki 5.1\nSECUREURL : secureURL 2.0\nANELECTRON : Advanced Electron Forums 1.0\nFLYNAX : General Classifieds Software 3.2\nFLYNAX : Auto Classifieds Script 3.2\nFLYNAX : Real Estate Classifieds 3.2\nFLYNAX : Pets Classifieds Software 3.2\nADAPTCMS : AdaptCMS 2.0\nICEWARP : IceWarp Mail Server 10.3\nCVE: CVE-2011-3645 (Newgen OmniDocs allows remote attackers to bypass intended access restrictions via (1) a modified FolderRights parameter to doccab/doclist.jsp, which leads to arbitrary permission changes; or (2) a modified UserIndex parameter to doccab/userprofile/editprofile.jsp, which selects the settings page of an arbitrary user.)\nCVE-2011-3579 (server/webmail.php in IceWarp WebMail in IceWarp Mail Server before 10.3.3 allows remote attackers to read arbitrary files, and possibly send HTTP requests to intranet servers or cause a denial of service (CPU and memory consumption), via an XML external entity declaration in conjunction with an entity reference.)\nCVE-2011-3010 (Multiple cross-site scripting (XSS) vulnerabilities in TWiki before 5.1.0 allow remote attackers to inject arbitrary web script or HTML via (1) the newtopic parameter in a WebCreateNewTopic action, related to the TWiki.WebCreateNewTopicTemplate topic; or (2) the query string to SlideShow.pm in the SlideShowPlugin.)\nOriginal document Trustwave Advisories, TWSL2011-013: Multiple Vulnerabilities in IceWarp Mail Server (26.09.2011)\nAmir_(at)_irist.ir, PunBB 1.3.6 bug (26.09.2011)\nsschurtz_(at)_t-online.de, Serendipity freetag plugin 'serendipity[tagview]' Cross-Site Scripting vulnerability (26.09.2011)\nsschurtz_(at)_t-online.de, AdaptCMS 2.0.1 Multiple security vulnerabilities (26.09.2011)\nNasel Pentest, Vulnerability found in Flynax Classifieds products (26.09.2011)\nSohil Garg, [CVE-2011-3645] Multiple vulnerability in "Omnidocs" (26.09.2011)\nYGN Ethical Hacker Group, Advanced Electron Forums (AEF) 1.0.9 <= Cross Site Request Forgery (CSRF) Vulnerability (26.09.2011)\nNetsparker Advisories, XSS Vulnerabilities in TWiki < 5.1.0 (26.09.2011)\nMustLive, Multiple vulnerabilities in AWStats (26.09.2011)\nHigh-Tech Bridge Security Research, Multiple vulnerabilities in Help Desk Software (26.09.2011)


Cnautotool.com Official Blog | China Car OBD2 diagnostic scan tools & software blog Caterpillar Comm Adapter 3 – CNAUTOTOOL OFFICAL BLOG\nHow to Connect Caterpillar ET Software to the ECM? -Open Caterpillar ET Software, it will automatically connect to ECM, Click “Stop Connect”. -Click on Menu: “Utilities – Preferences”. -If using Caterpillar Comm Adapter 3, and Mark on “Enable Dual Data… Continue Reading →\nHeavy Duty Scanner, Repair Software\t2019C Cat ET software, CAT ET Software, Cat ET software 2019C, Caterpillar Comm Adapter 3, Caterpillar Diagnostic Software, Caterpillar ET Software, Diagnostic Software for Caterpillar Engines, Electronic Technician Diagnostic Software, Nexiq USB Link


Drachtster thús oerfallen | Omrop Fryslân (advertinsje)\nDrachtster thús oerfallen 25 apr 2011 - 15:37\n0 reaksjes De strjitte De Ie dêr't it hûs fan de oerfal stiet (foto's: Omrop Fryslân)\nDe fertochten binne oanhâlden op de merke\nDe plysje siket tsjûgen fan de oerfal fan sneontemiddei yn in wenhûs oan 'e strjitte De Ie yn Drachten. Dêrby is in 29-jierrige Drachtster mishannele en bestellen. Fjouwer persoanen kamen samar syn hûs yn. Nei de mishanneling namen se elektroanika en kompjûterapparatuer mei. Der wienen op dat stuit in soad minsken op strjitte. De fertochten koenen net lang dêrnei op de Drachtster merke oanhâlden wurde. De plysje siket noch mear tsjûgen fan de oerfal.\nKorreksje meldeTrefwurden: argyfLês foarView the discussion thread.Diel dit berjocht op: 25-04Autobân lek stutsen 25-04'PTC+ selsstannich fierder' Besjoch ek...


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