Kin keunst oerwinne wat ús oerwint?\nOer: Geart fan der Mear, Skûl by hanklit,\nFriese Pers Boekerij, Ljouwert 1984.\nOangeande it publykmeitsjen fan har gedichten, binne der dichters yn soarten. Wat se mien hawwe, is dat se gedichten skriuwe. Dêrnei falle se yn trijen útinoar: guon dy't har gedichten thúshâlde, guon dy't har gedichten lêze litte en guon dy't har gedichten net allinne lêze mar ek hearre litte. Behalven de poëzijline fan Operaasje Fers, is ek de saneamde dichtersjûn in bekend fenomeen. Dichters klimme op in rjappelbakje of in poadium fan soartgelike strekking en bringe har poëzij as in keapman foar it fuotljocht.\nHoewol't sa'n wize fan publykmeitsjen folslein legitym is, binne der fansels bûten-literêre aspekten mei anneks. Net dat it net om de poëzij gean soe, mar de persoan fan de dichter, syn foardracht, syn show, syn lûd, syn diksje, slacht tefolle foar master op om dy poëzij ek alhiel op har wearde hifkje te kinnen. Dat jildt nei beide kanten ta: is de man gjin sprekker, syn poëzij sil it belije; docht it frommes it mei sjarme, har poëzij wurdt dêr net minder fan. In bykommend effekt fan sokke dichtersjûnen soe wêze kinne, dat op sa'n manier in ploechje poëten formearre wurdt dat sa foar it each de poëzijkultuer útmakket en sadwaande it grutte publyk it sicht benimt op dichters dy't minder, of alteast oars, mei har wurk te keap rinne. Se bliuwe in bytsje bûten it eachweid fan de sljochtwei poëzijleafhawwer.\nIs Geart fan der Mear sa'n dichter? It soe wêze kinne. Yn alle gefallen komme wy syn namme yn kranteferslaggen fan dichtersjûnen net geregeldwei tsjin. Yn de lêste jiergongen fan Trotwaer namste faker. Net allinne skreau er foar dit literêr tydskrift tal fan skôgings en besprekken, hy publisearre der ek mei in stege regelmjittigens gedichten yn. Dy gedichten binne no byinoar brocht yn syn earste bondel Skûl by hanklit, gedichten om te lêzen, en in besprekker docht dat lûdop.\nDe njoggen-en-fjirtich fersen yn dizze bondel binne, op ien nei, ûnderbrocht yn VI titelleaze skiften. By de gearstalling dêrfan hat de dichter him de iene kear liede litten troch de ynhâld en de oare kear troch de foarm. Op de logika en de doelmjittigens fan sokke skiften is yn 'e regel altyd wol wat oan te mer-\nken. Guon fersen út de skiften I en II soene bygelyks fan ôfdieling wikselje kinne en faaks wie der noch mear foar te sizzen om I en II as ien ôfdieling te beskôgjen. Skift IV dêrfoaroer (tsien copla's en sân kwatrinen) hie foar itselde yn twaën kind, hoewol't in copla fansels ek wer in fjouwerrigel is. Skift VI komt der mei syn iene fers in bytsje meager fan ôf en freget as sadanich dan ek suver om in ferfolch.\nUndertusken bliuwt der ek mei dizze yndieling genôch gearhing oer om de ûndeskate skiften hieltyd as útgongspunt te nimmen foar it besprekken fan dizze poëzij. In fers dat represintatyf wêze kin foar de ôfdieling moat dan de oanlieding foarmje foar in oardiel yn breder ferbân.\nit lok is net te heinen yn dyn hannen,\ndo kinst it net ûnttiizje út tiids bannen;\nmar ast ferjitst te sykjen, oerstreamt it dij\nas tinne dize letter simmerlannen.\nDizze fjouwerrigel stiet by wize fan motto boppe it earste skift, mar der liket net it measte op tsjin en lit him yn dy hoedanichhyd jilde foar de hiele bondel. Tsjin in eftergrûn fan lichte trystens om de ûnberikberens fan it lok en it jimmeroan neierbykommen fan de dea, spatte yn dizze poëzij hieltyd heldere stjerren fan opteinens foar it ljocht. Swart as jiske mei 't bestean him oan de minske foardwaan mei syn iensumens, syn útsichtsleazens, syn benearing en syn wargens. altyd komme der wer gleone fûnkjes fan befrijing en ferwûndering troch: ‘in kerltsje freugae, in kromke lok’ (9).\nIt is dizze tsjinstelling fan eksistinsjele doelleazens en deistige fernuvering dy't oan de poëzn fan Geart fan der Mear in bekoarlike spanning en boppedat in hiel spesjaal karakter jout. Hy sjongt net mei yn it koar fan de groanysk pessimisten en oan de oare kant slacht er genôch swarte brikken oan om syn jûchhei net hol en oerflakkich klinke te litten, mar in ûndertoan te jaan fan rejaliteitsbesef. Wat dizze dichter ûnderskiedt fan de swiersettige en swartgallige ûnheilspoëten, is syn algeduerich iepenstean foar de nuvere oanslaggen fan it lok, dat de minske kenlik op de meast ûnferwachte mominten oanwaait en oer it mad komt. Wat him ûnderskiedt fan de swietsoppige en blijreadige moai-waar-en-lange-dagen-dichters. is syn fermogen om de skjintme en de blydskip dy't him bytiden sa oerweldigje, dalik te rillatifearjen en ta rejalistyske proporsjes werom te bringen.\nIt is net maklik oan te jaan hokker tendins at de dichter no it lêste wurd jaan wol: de positive of de negative. My tinkt, net ien fan beiden. Se besteane yn syn fersen njonkeninoar, lykas yn it libben sels: om bar of tagelyk. Fersen as ‘twa poalen’. ‘at nachten langje’. ‘toarneroaske’, ‘iis’ en ‘ljurk’ tsjûgje fan dy\ntsjinstridige twaliddigens fan it bestean. De frijhyd fan in draak yn 'e loft, dat is de tsjinstridichhyd te'n top: ‘soms op in moarn (...) / driuwt heech yn 't blau in reade draak / frij? ûnfrij? o tou, o wyn!’ (6).\nIt twadde skift dat - lykas it earste - alve fersen befettet, hat it karakter fan in foto-album of in dia-searje fan fakânsjes yn it bûtenlân. Neffens de efterflaptekst moat der by de bondel ‘in goede atlas’, mar dat is fansels ûnsinnich. It topografyske elemint stiet ommers, at it goed is, folslein yn tsjinst fan de poëtyske yntinsje. Sa besjoen leit ‘hanklit’ efter ‘grindelwald’ en grinst ‘grand canyon’ oan 't ‘reaklif’. It ‘bûtenlân’ is dan ek earder geastlik fan aard, yn de sin fan bûten de tinkwrâld stean fan al den dei en net langer bleatsteld wêze oan de oarder fan de âlde slinger. It toevjen op plakken oer de lânsgrinzen hinne foarmet sa de oanlieding om ek ynwindich de grinzen te ferlizzen en mei oare eagen te sjen wat earder alle dagen gelyk wie en net mear by steat om te fernuverjen. Somtiden smyt sa'n reizgjen yn de eigen siele oars neat op as de al bekende wittenskip dat der gjin ferlossing is út de leechte fan it bestean. Fersen as ‘grenen’ en ‘mojave desert’ binne dêr foarbylden fan. Oare kearen lykwols krijt it libben samar nije wearde yn de gloede fan in hommels alles-oerhearskjend détail.\nin dei fan skrouske wyn, lang lang reinen\nbrocht neitins oan ús tocht fan rothenburg\nnei weikersheim, en oan dat brechje oer\nde tauber, dêr't we eefkes ôfstapt wiene.\nen ik bin dêr wer, en ek myn oankomst\nwekket fleurigens, en yn creglingen\nsil we it riemenschneideralter besjen,\nen yn weikersheim it schloss, mar do komst\nnêst my stean, wij hingje oer de râne\nte sjen nei ús ronflich byld yn 't sljurkjend\nwetter. streamend. nea gelyk. is duorjend\nit alter? it slot? kinst keunst oerwinne\nwat ús oerwint? nee. ienfâldich beton\nis dit brechje. beethoven syn koekút\nen kwartel hear ik net. dochs -: ien menút\nlibbens keunstwurk: do drinkst út dyn bidon.\nIn détail dat de betsjutting kriget fan in keunstwurk, mear bestindich as in alter, hechter as in slot, gever as in komposysje: ‘do drinkst út dyn bidon’. Erotyk yn syn aldersubtylste foarm.\nKin keunst oerwinne wat ús oerwint? Hoewol't de dichter syn eigen skriuwen net eksplisyt yn dizze fraachstelling belûkt, is op 'e eftergrûn dochs hiel even de twifel te fernimmen oer de bliuwende wearde fan syn poëzij. In twifel dy't winlik net iens besteansrjocht hat, want is der bygelyks ek mar ien architektonysk wûnder boud op de fergruzeljende tosken fan de tiid? Is in alter net op foarhân opoffere oan ferjitnis? Komt in komposysje de ivichhyd soms troch? Soe dan in fers ferwin jaan op de dea? Nee. len ding: ‘do drinkst út dyn bidon.’ Sa lang at it duorret. len menút.\nBenammen de fersen yn dit twadde skift steane ûnder de twang fan in stringint folhoden foarm. Op it lêste trije-liddige fers ‘lang ljocht’ nei, telle se allegear sechstjin rigels, en yn alle fersen hawwe de rigels presys tsien wurdlidden. Der sil dus hiel wat ôfteld wêze ûnder it skriuwen. My tinkt, elke dichter leit him syn eigen beheinings op om úteinlik ta de poëzij te kommen dy't him foar eagen stiet. Sûnder dy beheinings kin it ek net, want it binne no krekt de tûkelteammen dy't wegen iepenje dy't oars ûnbegeanber bleaun wiene. De keunst fan it skriuwen fan in foarmfêst fers is miskyn om dy foarm skriuwendewei nei de eftergrûn te driuwen. De foarm is ommers út himsels al sa beskiedlik oanwêzich, dat er it net ferneart en krij nochris in ekstra klam troch der in préfabrisearre ynhâld yn te stopjen dy't oan alle kanten slút. Geart fan der Mear rillatifearret de foarm troch gebrûk te meitsjen fan enzjambeminten en lûd- en bylûdrym. Oan dy tsien wurdlidden sit er lykwols fêst en dat makket syn enzjambeminten somtiden earder stom tafallich as doelmjittich. Fierder moat er him wolris betsjinje fan lytse steurende sintsjes tusken heakjes, dy't dan ek al gau de skaaimerken fan in stoplape fertoane (side 13, 18, 20, 29). Boppedat wringt it hjir en dêr mei de wurdfolchoarder: ‘wy moasten stean litte / doe ús fytsen’ (20) en ‘is duorjend / it alter?’ (25). Dit binne útsûnderingen. Trochstrings litte de fersen fan Geart fan der Mear dúdlik sjen, makke te wêzen troch in masterhân mei gefoel foar ferhâlding en achteleaze systematyk.\nKin keunst oerwinne wat ús oerwint? It tredde skift telt trije fersen dy't ûntliend binne oan de klassike muzyk. De (titels fan de) beide earsten, fjouwerrigels, neame de komponisten en har komposysjes mei safolle wurden: ‘mozart (kv 488)’ en ‘symfony iv (brahms)’. It tredde fers hannelet mear oer de komponist as keunstner yn it algemien, oer syn komponearjen doe en de betsjutting fan syn komposysje no.\nfan it swetteleaze wûn\nin strykstôk, in fioele en twa hannen,\nit noateskrift, de lucht op fjouwer stringen\ntriljend, de fluezen yn myn ear, ha bannen\nskepen tusken twa geasten. sa ha dingen,\nstoflik neamd, it ivich ta skieden twingen\nfan selde stof teneate dien. sa skreauwen\nek fingers om de guozzesfear, bij 't bringen\nop papier, del it ûnbetwingber leauwen\nfan dy langlyn befleine geast dat kleauwen\nfan tiid en romte wêze kinne as brêgen\ntusken sielen, dy't as eilannen bleauwen,\nat hja har net oer fiere seeën weagen.\no frjemd riedsel, dat sa it ik de oar fynt -\nwreed en iensum lok, dat dat wat skiedt, ferbynt.\nIt betonnen ‘brechje oer de tauber’ yn it fers ‘szene am bach’ bepaalde de dichter by de fergonklikens fan it libben, en syn iensumens: ‘beethoven syn koekút en kwartel’ hearde er net. Yn it sonnet ‘fan it swetteleaze wûn’ is gjin sprake fan in oan betonrot bleatsteld brechje, mar fan ‘brêgen tusken sielen’, brêgen dy't ‘bannen skepen (ha) tusken twa geasten’, oer ‘tiid en romte’ hinne byinoar brocht troch in keunstwurk. Kin keunst dan dochs oerwinne wat ús oerwint? Komme wy de tiid foarby? Wy net. Net it yndividu, mar de generaasjes. Net de minske, mar it minskdom. Keunst is dan in fûgel dy't, ûntstiigd oan de beheinings fan tiid en plak, troch de ieuwen hinne oer de ierde fljocht as in libben teken fan it minsklik fuortbestean. Keunst is de sulveren koarde dy't net brutsen wurdt, de reade tried dy't as in bloedstream troch de skiednis rint. Twa geasten kinne oer de skiedende kleauwen fan de dea hinne, inoar wol efkes moetsje yn keunstsinnige konjunksje, mar se stjerre beiden. Wat oerbliuwt is de iene geast: dy fan de keunst.\nYn de dichtbondel Rymtwang fan Sybe Krol stiet in fers dat nau besibbe is oan dit sonnet fan Geart fan der Mear. It soe nijsgjirrich wêze en lis dy fersen letter nochris nêstinoar om te sjen hoe't twa geasten fan dizze tiid omgien binne mei it universele yn de keunst fan alle tiden.\nin copla hat mar fjouwer rigels,\nno bin der noch mar twa -\nyn de lêste soe ik sizze wolle\nik wol dij ivich ha\nIn copla hat mar fjouwer rigels, mar ek acht wurdlidden de rigel, of fiif of sân. Dy oantallen koene Geart van der Mear kenlik gjin syllabe skille, want syn rigels fariearje wat de wurdlidden oanbelanget fan ien oant fjirtjin! Hoewol't fersfoarmen der binne om se te bestriden en regels om der tsjin te sûndigjen, mei men jin ôffreegje wat de dichter besield hat en beflap dizze fjouwerrigels ûnder de útwrydske neamer fan ‘copla’.\nDe copla fynt syn oarsprong yn de Spaanske folkspoëzij en draacht it karakter fan in lietsje mei in aardichhydsje-om-te-laitsjen, in wurdboarterijke, in stekje-ûnder-wetter of in lytse leafdesferklearring. De ferskes fan Geart fan der Mear beheine har benammen ta it lêste, ek al besiket er hjir en dêr noch wolris geastich te wêzen. It risseltaat is lykwols meastentiids de flauwe kant neist. Yn alle gefallen fertsjinje se it net om tsien hiele siden fan dizze bondel yn beslach te nimmen. Se binne aardich, mar mear net.\nBy myn witten is Geart fan der Mear de earste Fryske dichter dy't him oan dizze fersfoarm besûndige hat. It soe gjin ramp wêze at er ek de lêste wie. Ik doel dan net op oersettings, mar op oarspronklik wurk. My tinkt, wy kinne net foarsichtich genôch wêze mei it hantearjen fan tige spesifike fersfoarmen út de frjemdte wei. In fers is mear as foarm allinne, en somtiids is sa'n foarm tefolle bepaald troch folksaard en kultuer om der samar in skot oan te weagjen. Boppedat, de oantsjutting ‘fjouwerrigel’ is der ek noch en dy hat dan it foardiel fan in bytsje mear frijbliuwendhyd, lykas ek de ‘trijerigel’ minder belêstend is as de ‘haikû’.\nYn de Hollânsk-talige literatuer hawwe J.W.F. Werumeus Buning en Hendrik de Vries har dwaande hoden mei de copla, foar safier't ik neigean koe allinne troch it meitsjen fan oersettingen. Dat it ek dan noch nau hipt, mei bliken dwaan út de kommentaren fan De Vries op it wurk fan Werumeus Buning. In krom erchtinkendhyd is hjir fansels op syn plak, want hoe giet soks mei literators dy't beide dwaande binne op itselde spesifike mêd? Dochs in pear sitaten út de kritiken fan De Vries, ek om faaks in wat better sicht te krijen op it genre. De Vries is dúdlik yn syn oardiel: ‘Buning heeft het genre niet begrepen, dat gaafheid en afronding vereist.’ (Criterium 1947, nr. 10). En ‘telkens blijkt Bunings onbegrip van de eisen: isolatie en concentratie (...) die voor dit genre zo mogelijk nog sterker gelden dan voor andere.’ (Critisch Bulletin, july 1951). Hoewol't Geart fan der Mear syn ‘coplas’ dizze troch De Vries neamde kritearia noch wol ferneare kinne, bliuw ik se lykwols net mear as ‘aardich’ finen en sjoch ik boppedat gjin essinsjeel skaaimerk dat har yndie ta copla meitsje soe. Nei myn idee kin in Frysk dichter alhiel gjin copla skriuwe, mar ik lit my dy miening graach ûntstride troch in deskundige op it mêd fan de Spaanske folkspoëzij.\nUndertusken foldogge Geart fan der Mear syn ‘kwatrinen’, dy't it twadde part útmeitsje fan dit skift, my gâns better. Guon skaaie mei har faak echt geastige pointe út nei it epigram, wylst de oaren mear yn de line lizze fan de klassike easterske fjouwerrigels. Hoewol't dit fansels likegoed in oerlevere fersfoarm is, binne hjir dochs minder kultuer-bûne betingsten yn it spul en kriget de dichter de gelegenhyd om him folslein ta te lizzen op de wetten fan de neakene foarm allinne. En dat leit him. In toanbyld fan gevens, ôfrûning, isolaasje en konsintraasje, is ‘de langjende’, in fjouwerrigel dy't der boppedat útkipet fanwegen syn prachtige klankharmonijen:\no roas fan sjaron, leelje fan 'e lichte,\nlit ús tegearre bloeie op libbens hichte\nfoardat foargoed ferdwynt it waarme ljocht\nen wij sinke troch de siizjende sichte.\nIt fyfde skift telt fiif fersen dêr't fragmintsjes yn beskreaun wurde fan de dichter syn beukerjierren. Der wurdt in grutte-minske-wrâld yn tekene, sjoen troch de eagen fan it bern en ferteld yn dy syn eigen beheinde tink- en sprektaal. Yngripende foarfallen (lykas it emigrearjen fan ‘ús durk’ ‘nei amearika’ en it ferstjerren fan ‘it famke’ meie foar de âlden it folume hawwe fan in wrâldbarren, foar de beuker binne se noch mar heal te befetsjen, en it is dizze nuver-nochteren, ûnwittende ôfstanlikens dy't de sfear fan dizze fersen sterk bepaalt. Se krije der wat oandwaanliks fan en ûntlûke har dêrtroch suver oan de mesken fan de formele krityk.\nIn fers kin sa oerweldigjend authentyk en oangripend wêze, dat elk wurd oer de net-perfekte foarm like bespotlik as ûnfatsoenlik is. Hoewol: net-perfekte foarm? Dat is fansels in tige rillatyf begryp. At in fers ommers sa oerweldigjend authentyk en oangripend is, dan is de foarm perfekt by definysje, en op 'en heechsten kin men miskyn sizze dat de foarm der neat ta docht. De ynhâld seit alles en is sa beskiedend, dat de dichter hoecht it allinne mar del te skriuwen, sa neaken at it mar kin, elke foarm fan keunst fermijend. It hjirnei te sitearjen fers ‘it famke’ is dêr in foarbyld fan. It lit ek sjen dat myn niisneamde ûnderstelling dat de foarm der miskyn neat ta docht, winliken net iens doocht. Dit fers hie gjin keunstmjittige gûchelderijen ferneare kind: gjin rym, gjin strofe-bou, gjin regelmjittige rigellingte, om fan telraamde wurdlidden noch mar te swijen. It moast skreaun wurde sa't it skreaun wurden is: mei in tinne pinne, sûnder swiere oansetten, suver a-poëtysk, yn bernetaal, foar himsels sprekkend yn de meast ûntwapenjende ienfâld - sa koe it lije:\ncho, wat hat geartsje in lyts stientsje!\nder binne hjir folle gruttere bij\nmei fjouwerkanten en wite kooks\nliket it hast wol.\nmem seit dat ik nei har neamd bin,\nmar se seit allinnich mar fan ‘it famke’,\nnoait fan geartsje.\nsoe se har o sa sear dien ha\nmei dy tsjettel wetter?\nal har fel wie der ôf\nmem seit dat se better oppasse moatten hie.\nno is se yn 'e himel,\nwant dêr gean je hinne\nat je gjin fel mear ha.\nit is wol moai sa\nom sa bij mem te stean,\nmei har hannen sa op myn skouders.\nIt is net op grûn fan dit iene fers mar op grûn fan it hiele fyfde skift, dat ik fan betinken bin dat de frije fersfoarm net de sterkste kant is fan Gear fan der Mear. Fersen as ‘nei amearika’ en ‘hindrikje’ jouwe my tefolle in no-en-Erlebnis, en de flakke foarm is dêr skuld mei oan, leau ik. No wol ik dalik tajaan dat in nuversoartich foaroardiel my hjir danich parten spylje kin. En wawit my net allinne. Is it ommers net sa gelegen dy wy ornaris erchtinkend oersteane foar in wize fan skriuwen dy't wy fan in skriuwer net wend binne? Mei de dichter Geart fan der Mear bin ik doedestiids yn 'e kunde kommen fia syn foarmfêste ‘wurdlid-fersen’ en ûnwillekeurich projektearje ik alles wat ik fierder fan him lês tsjin dy iene, kenlik yn myn harsens fêstleine eftergrûn. Geart fan der Mear sil der skriuwen oan ha om blanco oer te kommen mei syn frije fersen, likegoed as dat bygelyks Bartle Laverman in barjêre oerwinne moat om by my tagong te finen mei in sonnet. Net dat sa'n foaroardiel goed te praten is, mar it liket my earlik ta en synjalearje it bestean derfan. Wat de dichter te dwaan stiet, is: him net foar ien gat fange litte en de meast útinoar rinnende wegens bewannelje om it gelyk fan syn alsidigens oan syn kant te krijen. Yn alle gefallen is it syn goed rjocht. Fan Geart fan der Mear soe ik graach nochris frije fersen lêze wolle, ek om't it hingjen bliuwen yn ien en deselde foarm wolris in dearinnend paad wurde koe.\nwyt fan koweblommen de polderdyk.\nde reiden grien, it wetter flûnkerjend\nen klear, en oer de stannen sûzeljend\nin suchtsje sudewyn, al sûzjend lei 'k.\nlyts jonkje doe, en 'k wie oars neat as sjen,\nen harkjen. de ljurk yn mij dy klom en\nsong en klom. myn sjen wie wyt fan blommen -\nwie 't skom fan molke. brûzjend yn 'e tjems;\nmolke dy't ús heit mei fearjende gong\nde planke oerdroegen hie, de sleat oer, dêr't\nmyn wêzen oan de loft en 't wetter net\nûntkaam -: ik hong yn 't djip, ik ljurk dy't song;\nfan bining en fan skieding wist ik net -\nik ha der wer west, mij jierren letter\nbûgd oer 't spegeljen yn 't stille wetter,\nmar 't skodholle: nee, nee, do bist it net\nDit lêste fers, teffens seisde skift, fan dizze bondel is yn dy sin in goeie ôfsluting fan it gehiel, dat it de skaaimerken yn him hat fan earder oanrekke thema's. It fers stiet midden yn de spanning fan it ierdske en it himelske, it benemende en it befrijende, de leechte en it lok, en boppedat is it in echo fan de syklus oer de beukerjierren yn skift V. De twaliddigens fan it minsklik bestean dat him beweecht tusken boppe- en ûnderwrâld, tusken ivichhyd en tydlikens, tusken folwoeksenens en jeugd, tusken dea en libben, wurdt yn dit fers treflik ûnder wurden brocht yn it byld fan ‘de ljurk yn my (dy't) klom’, mar dy't him lykwols spegelje moast yn it wetter leech by de grûn. De skieding tusken jeugd en folwoeksenens is de skieding tusken libben en dea: wat rjocht fan bestean like te hawwen, rint fêst op in ûntkenning: ‘nee, nee, do bist it net.’ Neat bliuwends is de minske eigen; alles wat er yn 'e macht hat, wurdt him frjemd. En dochs mar sykje nei it hegere, it bestindige, it allesoerweldigjende lok. Sa lang at it duorret, mei in kromke sâlt, tsjin better witten yn. Dat is Geart fan der Mear, in suver (religjeus) dichter sûnder dat er it yn alle rigels wurd ha wol.


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Category:Château de Fresnay - Wikimedia Commons\nCategory:Château de Fresnay\nThis building is inscrit au titre des Monuments Historiques. It is indexed in the Base Mérimée, a database of architectural heritage maintained by the French Ministry of Culture, under the reference PA00132709.\n48° 10′ 19.56″ N, 0° 57′ 47.88″ W View all coordinates using: OpenStreetMap - Google Maps - Google Earth - Proximityrama\nMedia in category "Château de Fresnay"\nLe Bourgneuf-la-Forêt - Château de Fresnay.jpg\nRetrieved from "https://commons.wikimedia.org/w/index.php?title=Category:Château_de_Fresnay&oldid=74948282"\tCategories: Le Bourgneuf-la-ForêtMonuments historiques in Maine-et-Loire (castles)Non-topical/index: Base MériméeMonuments historiques in France by nameMonuments historiques inscritsMérimée with PA parameterCultural heritage monuments in France with known IDsCategories with coordinatesPages with maps\tNavigation menu\nAdd links\tThis page was last edited on 27 July 2012, at 05:24.


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Gjin Filmhûs yn Frysk Museum | Omrop Fryslân Skip to main content\nGjin Filmhûs yn Frysk Museum 28 aug 2008 - 16:18\n0 reaksjes It Saailân is no noch leech\nDe gemeente Ljouwert, it Frysk_Museum en it Fersetsmuseum binne slim teloarsteld no´t it Filmhûs definityf ôfsjocht fan in ûnderkommen yn de nijbou fan it Frysk_Museum oan it Ljouwerter Saailân. Neffens it Filmhûs jouwe provinsje en gemeente te min subsydzje om de earder oankundige ferhuzing betelje te kinnen. Doel wie dat sawol it Fersetsmuseum as it Filmhûs ûnderdak krije soene yn it nij te bouwen Frysk_Museum op it Saailân.\nKorreksje meldeLês foarTrefwurden: argyfView the discussion thread.Diel dit berjocht op: 28-08Jild foar jonge ûndernimmers 28-08Zorgbelang Fryslân krijt jild Besjoch ek...


Wenningbrân yn Boalsert | Omrop Fryslân (advertinsje)\nWenningbrân yn Boalsert 18 apr 2005 - 08:08\nDe boppeferdjipping fan in wenning oan de Bruinsmastrjitte yn Boalsert is sneon folslein útbaarnd. Dêrby rekke net ien ferwûne. De bewenners koene it hûs op tiid ferlitte. De brân is nei alle gedachten yn ien fan de sliepkeamers ûntstien.\nDe brânwacht hie it fjoer gau ûnder kontrôle. De boppeferdjipping rûn flinke brân-, wetter- en reekskea op. De plysje stelt in ûndersyk yn nei de oarsaak fan de brân.\nKorreksje meldeLês foarTrefwurden: argyfView the discussion thread.Diel dit berjocht op: 18-04Speedboat útbaarnd yn Ljouwert 18-04Germania - De Jouwer: 2-3 Besjoch ek...


neural processing of language in the absence of auditory input naja ferjan - Find Related Free PDF Documents\nNeural Processing Of Language In The Absence Of Auditory Input Naja Ferjan Related PDF's\nNeural Processing Of Language In The Absence Of Auditory Input Naja Ferjan - [Full Version]\n1138 dl's @ 1574 KB/s\nNeural Processing Of Language In The Absence Of Auditory Input Naja Ferjan - Full Download\n4540 dl's @ 4005 KB/s\nNeural Processing Of Language In The Absence Of Auditory Input Naja Ferjan - [Complete Version]\n3899 dl's @ 2487 KB/s\nMarch 21st, 2015 16:02:40 PM\nMay 21, 2013 ... Naja Ferjan Ramirez and Matthew K. Leonard are equally contributed as co-first authors. ... The relation between the timing of language input and development of neural ... delayed AoA on the neural processing of language is by study- ..... task in the auditory and written English modality (3 blocks for each;.\n[ FerjanRamirez_etal13.pdf - Read/Download File\nNeural Language Processing in Adolescent First - Linguistics\nNov 19, 2014 ... Address correspondence to Naja Ferjan Ramirez, Institute for ... (aMEG) analysis of lexico-semantic processing in 2 deaf adolescents who had no sustained language input until 14 years of age, ... what extent does the neural processing system for language re- ... guage if it is absent from their environment.\n[ FerjanRamirez_etal14.pdf - Read/Download File\nBehavioral/Systems/Cognitive - The Journal of Neuroscience\nJul 11, 2012 ... Matthew K. Leonard,1,2* Naja Ferjan Ramirez,2,3* Christina Torres,1,2 ... Congenitally deaf individuals receive little or no auditory input, and when ... Thus, neural systems dedicated to processing high-level linguistic information are used for processing language regardless of modality or hearing status, ...\n[ 9700.full.pdf - Read/Download File\nAcquiring a first language in adolescence:: Behavioral and\nneural language processing in three deaf individuals (cases) who were cut off from nearly ... The dissertation of Naja Ferjan Ramirez is approved, and it is acceptable in quality and form for .... Figure 2: Superior temporal areas surrounding auditory cortex are active for both ..... in the absence of childhood language input?\n[ 8d15d0f0.pdf - Read/Download File\nhi def detail paint correction\nnov dec 2009 sego lily newsletter utah native plant society\nclinical monitoring india asia\ninsurance coverage can be daunting make it easy with these tips\nempresa app solution objetivos organigrama vision\nchapter 1 personal financial planning an introduction mcgraw hillirwin copyright\nbuild profitable strategies for your company with elevated seo web design\napplying quality principles to australian university transnational teaching\nfinal presentation reap technologies for sustainable material cycles\nbengvarna 30 january 2011\nbrody and associates brochure attorney advertising\nblank questionnaire design 2\nuop sci 162 week 3 dq 2\nemerging issues in management mgmt 440 implementing corporate social responsibility\ncreating customer acquisition and retention by means of permission based email\nfundamentals of product and service costing chapter 6 copyright 2011 by\nmicrosoft sql server 2008 microsoft mcitp\ngateway community college orientation guide\nenertia journal may 2014\nprocessing induced chromism in thin films of polythiophene derivatives


Pinsider: Deerlakes6 » Ratings | Pinside Community\n» Pinside community » Pinsiders » deerlakes6 » Ratings\nPinsider Deerlakes6 has rated 20 machines.\nThis page shows all all these ratings, and forms Deerlakes6's personal top 20.\nDeerlakes6's rating weights\nDeerlakes6's\tratings list\tDeerlakes6's\trating comments\nDeerlakes6 has written 20 rating comments:\nSo fun to play with an excellent art package and music and speech ..the ship on the playfield works well and the shots are a challenge..make sure to get one with a decent looking ramp that isn't cracked...most have typical cabinet fade.. getting one not faded is a plus...overall it's a blast to play and look at...and listen to\nGreat artwork and pretty fun to play..Cool features with having the rollercoaster habitrails and spinner in middle of playfield..Game has lasting ability and doesn't get boring..A keeper for sure\nSimply a blast to play and it never gets old.. Challenging every time..Plays fast and nice art package..A true keeper\nI just picked this up cause I fell in love with playing it at Allentown PA show..Great Backbox animation ..Great artwork and a blast to play ..theme is great..It's a keeper and quite rare\nAn outstanding example of a gottlieb wedgehead..Super fun and challenging to hit the ace when you need it .. Bonuses make this game a blast to play and excellent art work on the back Glass..Great game to own if you can get it..\nWhat a great playfield layout and great artwork..Timed last ball is challenging and fun ..A unique game that is one of zaccaria best..Cool Backglass\nDeerlakes6 edited previous rating on May 28, 2017.\nGame is hard to find but when you do it will never leave your collection..It has multiball..Cool artwork and fun gameplay..I think the best coctail pin ever made..Great lighting as well\nI believe it's a great .. Challenging game to play with cool artwork and toys..A true Sega classic that never gets old\nWhat a great game with simple ..Easy to follow rules and a challenging layout..Backglass is excellent and great artwork..No wonder it was featured in the movie Tommy..good all around..\nDeerlakes6 edited previous rating on May 30, 2017.


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Nij muzykfestival yn Burgum | Omrop Fryslân (advertinsje)\nNij muzykfestival yn Burgum 09 apr 2011 - 10:21\n0 reaksjes Burgum krijt in nij muzykfestival mei de namme Wâldpop. It docht wat tinken oan it ferneamde metal festival Wâldrock. Mar dêr is it net mei te fergelykjen. Al is it idee fan Wâldpop wol ûntstien nei it ferdwinen fan Wâldrock. It nije festival Wâldpop wurdt holden op Himelfeartsdei en jout romte oan lokale en regionale bands lykas DieTwa en The Ment. De organisaasje is yn hannen fan frijwilligers fan de beide fuotbalklups yn Burgum.\nKorreksje meldeTrefwurden: argyfLês foarView the discussion thread.Diel dit berjocht op: 09-04Merk mei farske fisk yn Harns 08-04WK keatsen nei Fryslân Besjoch ek...


Mummified sailor Manfred Fritz Bajorat discovered on yacht missing for a year | The Independent\nNewsWorldAsia Mummified sailor Manfred Fritz Bajorat discovered on yacht missing for a year\nMonday 29 February 2016 20:30 GMT\nFishermen recover the yacht off Barobo in the Philippines, in which the mummified sailor was discovered EPA Christopher Rivas and his colleagues were about to turn their fishing boat for home when they noticed the half-submerged hull of the yacht Sajo sitting in the water about 60 miles off the coast of the southern Philippines.\nThe yacht’s skipper, Manfred Fritz Bajorat (EPA)\nTwo other documents chronicled a journey taken by the Bajorats on board a large container ship with certificates recording their crossing of the Equator, naming Manfred as “Tiger Shark” and Claudia as “Angel Fish”. Mr Bajorat, who is believed to leave behind a daughter who works as the captain of a freight vessel, is not thought to have been in contact with anyone since he sent a birthday message to a friend on Facebook a year ago.


Video from Game of Thrones Season 3: Daenerys Targaryen's dragons feed - ContraCostaTimes.com\nPrint Email Font ResizeVideo from Game of Thrones Season 3: Daenerys Targaryen's dragons feedMercury Newsmercurynews.comPosted:\n03/21/2013 03:00:24 PM PDTMarch 22, 2013 5:29 AM GMTUpdated:\n03/21/2013 10:29:31 PM PDTDaenerys Targaryen's growing dragons soar and fly around her ship, feed on fish in Season 3 of HBO's "Game of Thrones."\nRelated: Video from Game of Thrones Season 3: 'It's not slander if it's true' | Video: Jaime Lannister escorted to King's Landing by Brienne of Tarth | Story and photo gallery: 'Game of Thrones': Sneak peek from the red carpet | Celeb Pix: 'Game of Thrones' returns in style for Season 3 premiere\n1WS 620px Embed Advertisementname="playerID" value="76675348001" />\nIf on a mobile device, click here to view the video.Daenerys Targaryen's growing dragons soar in Season 3 of HBO's "Game of Thrones." (Courtesy HBO)Copyright 2012 San Jose Mercury News. All rights reserved.Print Email Font ResizeReturn to Top • FAQ: Article commenting how-tos and tips


Filter by:Ecosystem Assessment > Habitats > MountainsSpecies > Species Information > Plants > TreesProtected Areas > Protected Area Categories > IABINProtected Areas > Protected Area Categories > IABINMarine Assessment and Decision Support > Cold-water CoralsEcosystem Assessment > Biodiversity Assessment > GBO-3Ecosystem Assessment > Biodiversity Assessment > ESPA Add filters:Biodiversity, Biomass and Food SecurityBiodiversity SciencesModellingBusiness, Biodiversity and Ecosystem ServicesClimate Change and BiodiversityImpactsMitigationBioenergyCarbon & Biodiversity MappingUN-REDDRestorationAdaptationEcosystem AssessmentBiodiversity IndicatorsBINUBIP 2010RamsarGLOBIOBiodiversity AssessmentGBO-3ESPABiodiversity AtlasesRegional and National Capacity SupportEcosystem Services & ValuationTEEBHabitatsDrylandsForestFreshwaterMountainsPolarWetlandsIntl. Environmental Policy ProcessesBiodiversity and Poverty ReductionSustainable useInformaticsData managementSpatial analysisInternational Policy and StrategyMEAsMarine Assessment and Decision SupportCoralsCold-water CoralsCoastal EcosystemsDeep-Sea BiodiversityHigh SeasInvasive SpeciesMangrovesSeagrassProtected AreasAboutWorld Database on Protected AreasProtected PlanetUN List of Protected AreasProtected Area CategoriesIABINUNESCO World Heritage Sites ICCAsMarine Protected AreasTransboundary Protected AreasEcological CorridorsIABINMonitoring Protected AreasManagement EffectivenessProtected Area IndicatorsSpeciesCITESEU Wildlife Trade RegulationsCMSSpecies InformationAnimalsBirdsMammalsGreat ApesPlantsTreesAbout UNEP-WCMCPolicies UNEP-WCMC does not assert any intellectual property rights in the data made available to it by data providers.Access to UNEP-WCMC datasets is provided on the understanding that you read and consent to be bound by the Terms and Conditions set out in the policies below. Home


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Oerlis:It Nijs - Wikipedy\nHjir wurde wer allegear dingen troch elkoar helle.\nSûnt wannear is de Fryske beweging synonym foar de Ried fan de Fryske Beweging? Der binne ferskillende organisaasjes dy't wol ûnder de Fryske beweging falle mar net oansletten binne by de Ried fan de Fryske Beweging.\nWat is in folsleine kultuertaal? Wêr stiet dat?\nDan dizze sin Eins soe it hiel gewoan wêze moatte dat jo yn Fryslân it nijs yn de eigen taal krije. Wat is no krekt 'hiel gewoan' en wêrom is it gewoan dat Friezen nijs yn de eigen taal krije? It lykje my allegear optinksels te wêzen fan de skriuwer. Gefoelsmjittich kin ik it wol mei him/har lykfine, mar wy moatte wol objektive ensyklopedyske taal brûke. As lêste sprekt de skriuwer it publyk oan mei 'jo'. 'Do' en 'jo' binne gjin wurden dy't brûkt wurde yn in ensyklopedy.\nNoch in sin Minsken binne wend dat de kranten it Hollânsk brûke. Ja? Alle minsken? Fan de hiele wrâld? Hjir sille wol de ynwenners fan Fryslân mei ornearre wêze. Dan bliuwt de sin nuver.\nWat is in folwoeksen plak? Kinne plakken groeie?\nDizze side is neffens my mear reklamepraat as in artikel. Ha wy ek in berjocht foar sokke siden? Wy hawwe rjochtlinen foar it skriuwen fan artikels en dêr stiet ek yn dat wy objektyf wêze moatte nei de besikers ta. Dizze side is neffens my net hielendal objektyf. Groetnis --Kening Aldgilles 21 aug 2011, 13.43 (CEST)\nJo ha gelyk, it is wol wat ryklik--Swarte Kees 21 aug 2011, 14.03 (CEST) promoasje. Fiel jo frij om it oan te passen.\nDizze nijsboarne liket in yntegriteitsprobleem te hawwen, nei oanlieding fan it resint bieden fan in poadium foar in meidogger fan ús. Sjoch oerlis hjir (ûnder Yn 'e W.). --PiefPafPier (oerlis) 24 feb 2017, 09.37 (CET)\nUntfongen fan "https://fy.wikipedia.org/w/index.php?title=Oerlis:It_Nijs&oldid=827572"\nDizze side is it lêst bewurke op 24 feb 2017 om 10.45.


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Epub Online Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal ô Dionijs Burger Jr. – norfolkfmradio.co.uk\n15 July 2018 Dionijs Burger Jr.10 on Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal\nOnline Textbooks TN School Books PDF Class 1 to Class Ò Epub Online Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal ô Dionijs Burger Jr. – norfolkfmradio.co.uk\nAl was a satire and uite a clever one at That But Even With The Interspersed Fairy Tale Adaptations The but even with the interspersed fairy tale ADAPTATIONS THE REMAINS SHORT AND EASY the remains short and easy read with a satisfying ending As a seuel and expansion no pun intended on the ideas presented in Flatland I thought eventually this book had something to offer It did provide me some insight into the ideas of curved space and An interesting book that I thought wanted to do way too many things but rarely sticked to one thing I liked the parts with the Sphere and the king of Lineland though It was a likable Book Just Pales In Comparison just pales in comparison its predecessor Flatland Using our view of a two dimensional world as a model Burger attempts to show us what we cannot see about the limitations of our own 3 D world. Kromde MOBI Een Roman Kindle Bol land eBook Amazing Book Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal by Dionijs Burger Jr This is very good and becomes the main topic to read the readers are very ta Bol land Een Roman van Gekromde Ruimten en Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal MOBI ↠ Een Roman van Gekromde PDF or land Een Roman van Gekromde Epub Bol land PDF or Een Roman van Gekromde PDF or Een Roman PDFEPUB Best Ebook Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal author Dionijs Burger Jr This is very good and becomes the main topic to read the readers are ve. From the perspective of a 4 D one Moving constantly between the 1 D world Lineland to the 2 D D one Moving constantly between the 1 D World Lineland To D world Lineland to 2 D Flatland our current experience in the 3 D world Sphereland is the umping off point to begin comprehension of the 4 D world Unfortunately like the characters in the novel we too are limited in our ability to visualize the dimension above us but we can easily see the one below Fascinating if verbose experiment in physics storytelling Next I m reading Rudy Rucker s Spaceland which I gather is an attempt to fully explain the 4th dimension General Relativity and beyond What I hope to learn is whether space is curved around a universe sized sphere or simply undulating like the waves on the ocean the gravity wells caused by the mass of bodies. Ry takjup an Bol land Een by the mass of bodies. Ry takjup an Bol land Een van Gekromde Ruimten en Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal PDF Een Roman van Gekromde PDFEPUB Een Roman Epub land Een Roman van Gekromde MOBI Bol land Kindle land Een Roman PDFEPUB Best Book Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal Author Dionijs Burger Jr This is very good and becomes the main topic to read the readers are very ta bolcom | Een Land Twee Talen Kobe De Keere bolcom | Een land van kleine buffers | bolcom | Een klein land met verre uithoeken Floor Rob Bolland is ongeneeslijk ziek Omroep West bolcom | de winkel van ons allemaa. At the time of me writing this review I have not yet read Flatland except for a few partsThis seuel to Flatland written in 1960 is uite a worthy one It expands on the Flatland universe giving much better thought to gender roles societal roles and the notion of the real world Big Bang Theory and the expanding universe showing that our worlds whether Flatland or the real universe are than what we see Light doesn t travel in straight lines you may have heard but this book will develop the motivation as well as your intuition for the concepts THERE IS NO BETTER WAY TO is no better way to the nature of our space than to follow Hexagon along on his ourneyThe serious almost forceful tone of the updated social commentary seems to miss that the origin. Bolcom | Land land Sndor Mrai | Bol land Een Roman van Gekromde Ruimten en Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal PDF land Een Roman PDFEPUB Een Roman van Gekromde PDF land Een Roman van Gekromde PDFEPUB or Een Roman eBook ☆ Bol land PDF Popular E Book Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal Author Dionijs Burger Jr This is very good and becomes the main topic to read the readers are very takju Bol land Een Roman van Gekromde Ruimten en Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal PDF land Een Roman Roman van Gekromde Ruimten en Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal PDF land Een Roman Een Roman van Gekromde Kindle land Een Roman van Ge. ,\n10 thoughts on “Epub Online Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal ô Dionijs Burger Jr. – norfolkfmradio.co.uk”\nJafar Jafar\tsays: Epub Online Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal ô Dionijs Burger Jr. – norfolkfmradio.co.uk Dionijs Burger Jr. Ö 3 read & download read & download Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal\nEpub Online Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal ô Dionijs Burger Jr. – norfolkfmradio.co.uk The seuel to Flatland This one was written by a Dutch mathematician in 1960 Flatland was written in 1881 before relativity and uantum and while ingenious in concept its physics and geometry had obvious flaws However the first thing that Burger feels compelled to correct in this book is the status of women This story is told by the grandson a Hexagon of the Suare who narrated Flatland He goes to great length ensuring us that things have c\nKenny Kenny\tsays: read & download Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal review ✓ eBook or Kindle ePUB Ö Dionijs Burger Jr. Dionijs Burger Jr. Ö 3 read & download\nEpub Online Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal ô Dionijs Burger Jr. – norfolkfmradio.co.uk review ✓ eBook or Kindle ePUB Ö Dionijs Burger Jr. Using our view of a two dimensional world as a model Burger attempts to show us what we cannot see about the limi\nNick Black Nick Black\tsays: Epub Online Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal ô Dionijs Burger Jr. – norfolkfmradio.co.uk\nreview ✓ eBook or Kindle ePUB Ö Dionijs Burger Jr. Dionijs Burger Jr. Ö 3 read & download read & download Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal Edwin Abbott ought step up from his musty grave and administer a crushing curby on Dionys Burger for raping his ua\nShawn M. Shawn M.\tsays: Epub Online Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal ô Dionijs Burger Jr. – norfolkfmradio.co.uk\nEpub Online Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal ô Dionijs Burger Jr. – norfolkfmradio.co.uk An interesting book that I thought wanted to do way too many things but rarely sticked to one thing I liked the parts with the Sphere and the king of Lineland though It was a likable book just pales in comparison to its predecessor Flatland\nRick Hurkens Rick Hurkens\tsays: Epub Online Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal ô Dionijs Burger Jr. – norfolkfmradio.co.uk review ✓ eBook or Kindle ePUB Ö Dionijs Burger Jr. read & download Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal\nEpub Online Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal ô Dionijs Burger Jr. – norfolkfmradio.co.uk Dionijs Burger Jr. Ö 3 read & download read & download Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal No recollection I guess this wasn't that interesnting as Flatland was\nGreg Greg\tsays: Epub Online Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal ô Dionijs Burger Jr. – norfolkfmradio.co.uk review ✓ eBook or Kindle ePUB Ö Dionijs Burger Jr. read & download Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal\nEpub Online Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal ô Dionijs Burger Jr. – norfolkfmradio.co.uk read & download Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal As a seuel and expansion no pun intended on the ideas presented in Flatland I thought eventually this book had something to offer It did provide me some insight into the ideas of curved space and an expanding universe My critiue is that it took too long to get there and there was a lot of superfluous elements like the reselling of fairy tales I didn't think it used the Flatland setup in an inventive way It essentially copied what\nJc Jc\tsays: Epub Online Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal ô Dionijs Burger Jr. – norfolkfmradio.co.uk\nDionijs Burger Jr. Ö 3 read & download review ✓ eBook or Kindle ePUB Ö Dionijs Burger Jr. Epub Online Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal ô Dionijs Burger Jr. – norfolkfmradio.co.uk In the 1960s a Dutch mathematician Dionys Burger decided to attempt updating EAAbbott's 1890s classic fantasy on dimensional mathematics Not ui\nYatharth Agarwal Yatharth Agarwal\tsays: Epub Online Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal ô Dionijs Burger Jr. – norfolkfmradio.co.uk\nEpub Online Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal ô Dionijs Burger Jr. – norfolkfmradio.co.uk “Light doesn’t travel in straight lines” you may have heard but this book will develop the motivation as wel\nJean-Luc Jean-Luc\tsays: Dionijs Burger Jr. Ö 3 read & download review ✓ eBook or Kindle ePUB Ö Dionijs Burger Jr. Epub Online Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal ô Dionijs Burger Jr. – norfolkfmradio.co.uk\nDionijs Burger Jr. Ö 3 read & download review ✓ eBook or Kindle ePUB Ö Dionijs Burger Jr. Epub Online Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal ô Dionijs Burger Jr. – norfolkfmradio.co.uk The main character here is descended from the main character in Flatland by Edwin A Abbott and the story picks up soon after the end of the firs\nBill Bill\tsays: read & download Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal Epub Online Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal ô Dionijs Burger Jr. – norfolkfmradio.co.uk\nDionijs Burger Jr. Ö 3 read & download review ✓ eBook or Kindle ePUB Ö Dionijs Burger Jr. Epub Online Bol land Een Roman van Gekromde Ruimten en Uitdijend Heelal ô Dionijs Burger Jr. – norfolkfmradio.co.uk At the time of me writing this review I have not yet read Flatland except for a few partsThis seuel to Flatland written in 1960 is uite a worthy one It expands on the Flatland universe giving much better thought to gender roles societal roles and the notion of the real world Big Bang Theory and the expanding universe showing that our worlds whether Flatland or the real universe are than what we see


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Aijzo Haijes Hemminga (Haije Aijses /Hemminga/, Aijzo Haijes /Hemminga/, Aijso Johannes /Hemminga/, Johannes Martinus /Hemminga/) was born AFT 1720, and died BEF 1815 in Holwert. He married Antje Jakles on 12 JUN 1757 in Murmerwoude. She was born BEF 1732 in Rinsumageest, and died BEF 1815 in Holwert.\nChildren of Aijzo Haijes /Hemminga/ and Antje /Jakles/ are:\nJakle Aijzos Hemminga was born 26 SEP 1759 in Murmerwoude, Datumadeel, Friesland, Netherlands.\nSchelte Aijzes Hemminga was born 17 JAN 1764 in Murmerwoude, Datumadeel, Friesland, Netherlands, and died 22 FEB 1815 in Dokkum, Friesland, Netherlands.\nAdolph Aijzos Hemminga was born 17 JAN 1765 in Murmerwoude, Datumadeel, Friesland, Netherlands, and died 13 JUL 1847 in Oostdongeradeel, Friesland, Netherlands.\nSearch for Aijzo Haijes Hemminga in Fold3 Records\nSearch for Aijzo Haijes Hemminga in Newspapers\nChildren of Jakle Aijzos /Hemminga/ and Katrijne /Swarts/ are:\nNeeltje Hemminga was born BEF 1821 in Sneek, Friesland, Netherlands.\nChildren of Schelte Aijzes /Hemminga/ and Trijntje /Johannes/ are:\nJanke Scheltes Hemminga was born 14 JAN 1793, and died BEF 1804.\nAntje Scheltes Hemminga was born 07 JUL 1795 in Anjum, Oostdongeradeel, Friesland, Netherlands, and died 02 APR 1880 in Leeuwarden, Friesland, Netherlands.\nJohannes Scheltes Hemminga was born 29 DEC 1798.\nJanke Scheltes Hemminga was born 30 OCT 1804 in Anjum, Oostdongeradeel, Friesland, Netherlands, and died 04 MAR 1881 in Dokkum, Friesland, Netherlands.\nGrietje Scheltes Hemminga was born 1812, and died 18 NOV 1837 in Dantumadeel, Friesland, Netherlands.\nAdolph Aijzos Hemminga was born 17 JAN 1765 in Murmerwoude, Datumadeel, Friesland, Netherlands, and died 13 JUL 1847 in Oostdongeradeel, Friesland, Netherlands. He married Frederikjen Douwes on ABT 1793. She was born ABT 1770, and died BEF 1802 in Paesens, Oostdongeradeel, Friesland, Netherlands. He married Antje Gerrijts on ABT 1802 in Paesens, Oostdongeradeel, Friesland, Netherlands. She was born ABT 1775 in Ee, Oostdongeradeel, Friesland, Netherlands, and died AFT 13 JUL 1847 in Anjum, Oostdongeradeel, Friesland, Netherlands.\nChildren of Adolph Aijzos /Hemminga/ and Frederikjen /Douwes/ are:\nAijze Adolphs Hemminga was born 27 AUG 1794 in Paesens, Oostdongeradeel, Friesland, Netherlands, and died 21 MAY 1858 in Dokkum, Friesland, Netherlands.\nDouwe Adolphs Hemminga was born 23 FEB 1796 in Paesens, Oostdongeradeel, Friesland, Netherlands, and died 28 SEP 1843 in Nes bij Dokkum, Oostdongeradeel, Friesland, Netherlands.\nHendrik Adolphs Hemminga was born 01 JAN 1798 in Paesens, Oostdongeradeel, Friesland, Netherlands, and died 16 MAR 1817 in Oostdongeradeel, Friesland, Netherlands.\nAntje Adolphs Hemminga was born 24 NOV 1799 in Paesens, Oostdongeradeel, Friesland, Netherlands, and died 09 AUG 1833 in Westdongeradeel, Friesland, Netherlands.\nChildren of Adolph Aijzos /Hemminga/ and Antje /Gerrijts/ are:\nTjietske Adolphs Hemminga was born 02 OCT 1803 in Paesens, Oostdongeradeel, Friesland, Netherlands, and died 07 DEC 1834 in Oostdongeradeel, Friesland, Netherlands.\nGerrit Adolphs Hemminga was born 31 JAN 1806 in Paesens, Oostdongeradeel, Friesland, Netherlands, and died 28 DEC 1811 in Metslawier, Oostdongeradeel, Friesland, Netherlands.\nMaaike Adolphs Hemminga was born 05 MAY 1811 in Paesens, Oostdongeradeel, Friesland, Netherlands, and died 01 JAN 1843 in Anjum, Oostdongeradeel, Friesland, Netherlands.\nGerrit Adolphs Hemminga was born 1818, and died 09 NOV 1890 in Oostdongeradeel, Friesland, Netherlands.\nNeeltje Hemminga was born BEF 1821 in Sneek, Friesland, Netherlands. She married Gerrit Heijink on 08 NOV 1839 in Baarn, Noord Holland, Netherlands, son of Dirk /Heijink/ and Margaretha Christina /Tjebbes/. He was born BEF 1819 in Vreeland, Utrecht, Netherlands.\nAntje Scheltes Hemminga was born 07 JUL 1795 in Anjum, Oostdongeradeel, Friesland, Netherlands, and died 02 APR 1880 in Leeuwarden, Friesland, Netherlands. She married Engel Conradi Steffan on 23 MAY 1819 in Dokkum, Friesland, Netherlands. He was born 24 NOV 1796 in Dokkum, Friesland, Netherlands, and died 19 FEB 1853 in Hellendoorn, Overijssel, Netherlands.\nChildren of Antje Scheltes /Hemminga/ and Engel Conradi /Steffan/ are:\nJohanna Hendrica Steffan was born 10 MAR 1824 in Dokkum, Friesland, Netherlands, and died 13 MAY 1878 in Dokkum, Friesland, Netherlands.\nJohannes Scheltes Hemminga was born 29 DEC 1798. He married Wijtske Joukes Heeringa on 12 DEC 1830 in Dokkum, Friesland, Netherlands. She was born BEF 1812.\nJanke Scheltes Hemminga was born 30 OCT 1804 in Anjum, Oostdongeradeel, Friesland, Netherlands, and died 04 MAR 1881 in Dokkum, Friesland, Netherlands. She married Kornelus Louwrens Liezenberg on 23 NOV 1828 in Dokkum, Friesland, Netherlands. He was born ABT 1804 in Dokkum, Friesland, Netherlands, and died in Friesland, Netherlands.\nChildren of Janke Scheltes /Hemminga/ and Kornelus Louwrens /Liezenberg/ are:\nJanneke Kornelus Liezenberg was born 25 APR 1833 in Dokkum, Friesland, Netherlands, and died 06 AUG 1917 in Hantum, Friesland, Netherlands.\nAntje Liezenberg was born 1838, and died 19 FEB 1923 in Dantumadeel, Friesland, Netherlands.\nGrietje Kornelus Liezenberg was born 24 MAY 1842 in Dokkum, Friesland, Netherlands, and died 21 MAR 1909 in Franeker, Friesland, Netherlands.\nTrijntje Kornelus Liezenberg was born ABT 1848 in Dokkum, Friesland, Netherlands.\nGrietje Scheltes Hemminga was born 1812, and died 18 NOV 1837 in Dantumadeel, Friesland, Netherlands. She married Jacob Posthuma on 31 MAY 1835 in Dokkum, Friesland, Netherlands. He was born BEF 1815.\nChildren of Grietje Scheltes /Hemminga/ and Jacob /Posthuma/ are:\nFolkert Jacobs Postma was born BEF 1833, and died AFT 1896.\nAijze Adolphs Hemminga was born 27 AUG 1794 in Paesens, Oostdongeradeel, Friesland, Netherlands, and died 21 MAY 1858 in Dokkum, Friesland, Netherlands. He married Antje Hoekstra on 09 DEC 1824 in Dokkum, Friesland, Netherlands. She was born BEF 1805. He married Sijtske Alles Gorter on 17 MAY 1829 in Dokkum, Friesland, Netherlands. She was born BEF 1809.\nDouwe Adolphs Hemminga was born 23 FEB 1796 in Paesens, Oostdongeradeel, Friesland, Netherlands, and died 28 SEP 1843 in Nes bij Dokkum, Oostdongeradeel, Friesland, Netherlands. He married Jeltje Arends Lamsma on 13 DEC 1834 in Westdongeradeel, Friesland, Netherlands. She was born BEF 1816, and died AFT 1843.\nAntje Adolphs Hemminga was born 24 NOV 1799 in Paesens, Oostdongeradeel, Friesland, Netherlands, and died 09 AUG 1833 in Westdongeradeel, Friesland, Netherlands. She married Jan Geritts van der Gang on 07 AUG 1824 in Oostdongeradeel, Friesland, Netherlands. He was born BEF 1804, and died AFT 09 AUG 1833.\nTjietske Adolphs Hemminga was born 02 OCT 1803 in Paesens, Oostdongeradeel, Friesland, Netherlands, and died 07 DEC 1834 in Oostdongeradeel, Friesland, Netherlands. She married Jan Gerrits Rasker on 19 JUN 1826 in Oostdongeradeel, Friesland, Netherlands. He was born BEF 1806, and died AFT 1834.\nMaaike Adolphs Hemminga was born 05 MAY 1811 in Paesens, Oostdongeradeel, Friesland, Netherlands, and died 01 JAN 1843 in Anjum, Oostdongeradeel, Friesland, Netherlands. She married Jan Eelkes Buwalda on 23 MAY 1835 in Oostdongeradeel, Friesland, Netherlands. He was born 03 JUN 1812 in Anjum, Oostdongeradeel, Friesland, Netherlands, and died AFT 1889.\nChildren of Maaike Adolphs /Hemminga/ and Jan Eelkes /Buwalda/ are:\nAntje Jans Buwalda was born 1837 in Anjum, Oostdongeradeel, Friesland, Netherlands.\nLyske Jans Buwalda was born 12 APR 1838 in Anjum, Oostdongeradeel, Friesland, Netherlands.\nEelke Jans Buwalda was born 02 NOV 1840 in Anjum, Oostdongeradeel, Friesland, Netherlands.\nAdolf Jans Buwalda was born 10 DEC 1842 in Anjum, Oostdongeradeel, Friesland, Netherlands.\nGerrit Adolphs Hemminga was born 1818, and died 09 NOV 1890 in Oostdongeradeel, Friesland, Netherlands. He married Hinke Jelles Boer on 12 MAR 1846 in Oostdongeradeel, Friesland, Netherlands. She was born BEF 1828, and died BEF 09 NOV 1890.\nJohanna Hendrica Steffan was born 10 MAR 1824 in Dokkum, Friesland, Netherlands, and died 13 MAY 1878 in Dokkum, Friesland, Netherlands. She married Jacob Stevens Roster on 10 MAY 1846 in Dokkum, Friesland, Netherlands. He was born 03 DEC 1823 in Dokkum, Friesland, Netherlands, and died AFT 1878.\nJanneke Kornelus Liezenberg was born 25 APR 1833 in Dokkum, Friesland, Netherlands, and died 06 AUG 1917 in Hantum, Friesland, Netherlands. She married Arjen Eelkes Ronner on 14 DEC 1875 in Dokkum, Friesland, Netherlands. He was born 18 APR 1833 in Dokkum, Friesland, Netherlands, and died 30 OCT 1912 in Dokkum, Friesland, Netherlands.\nChildren of Janneke Kornelus /Liezenberg/ and Arjen Eelkes /Ronner/ are:\nKornelis Arjens Ronner was born 01 DEC 1876 in Dokkum, Friesland, and died 04 APR 1877 in Dokkum, Friesland.\nEe Ronner was born AFT 1877.\nGrietje Kornelus Liezenberg was born 24 MAY 1842 in Dokkum, Friesland, Netherlands, and died 21 MAR 1909 in Franeker, Friesland, Netherlands. She married Theunis Oebeles van Vliet on 28 NOV 1867 in Dokkum, Friesland. He was born 26 MAY 1842 in Aalzum, Friesland, Netherlands, and died 08 JUN 1909 in Franeker, Friesland, Netherlands.\nChildren of Grietje Kornelus /Liezenberg/ and Theunis Oebeles van /Vliet/ are:\nCornelus Theunis van Vliet was born 06 SEP 1868 in Visvliet, Groningen, Netherlands, and died 04 APR 1955 in Oosterbeek, Renkum, Gelderland, Netherlands.\nLouwrens Mathys Theunis van Vliet was born 01 MAR 1871 in Visvliet, Groningen, Netherlands, and died 18 APR 1954 in Leewarden, Friesland.\nSybrandus Theunis van Vliet was born 17 JUN 1872 in Visvliet, Groningen, Netherlands, and died 18 APR 1939 in Orange City, IA, USA.\nJan Theunis van Vliet was born 1874 in Visvliet, Groningen, Netherlands, and died 04 SEP 1929 in Wolpheze.\nJanke Theunis van Vliet was born 14 JUL 1882 in Dokkum, Friesland, and died 08 JUL 1932 in Franeker, Friesland.\nTrijntje Kornelus Liezenberg was born ABT 1848 in Dokkum, Friesland, Netherlands. She married Adrianus Zoutman on 23 JAN 1873 in Dokkum, Friesland, Netherlands. He was born ABT 1847.\nFolkert Jacobs Postma was born BEF 1833, and died AFT 1896. He married Tjerkjen Klazes Hemminga, daughter of Klaas Haijes /Hemminga/ and Aaltje Hijltjes /Waringa/. She was born 07 APR 1829 in Oldeboorn, Utingeradeel, Friesland, Holland, and died 07 APR 1896 in Wymbritseradeel, Friesland, Netherlands.\nChildren of Folkert Jacobs /Postma/ and Tjerkjen Klazes /Hemminga/ are:\nAaltje Folkerts Postma was born MAR 1855, and died 19 APR 1855 in Baarderadeel, Friesland, Netherlands.\nAntje Jans Buwalda was born 1837 in Anjum, Oostdongeradeel, Friesland, Netherlands. She married Albert Pieters De Braak on 13 MAY 1856 in Oostdongeradeel, Friesland, Netherlands. He was born BEF 1836.\nCornelus Theunis van Vliet was born 06 SEP 1868 in Visvliet, Groningen, Netherlands, and died 04 APR 1955 in Oosterbeek, Renkum, Gelderland, Netherlands. He married Christina Johanna Wamelink on 25 APR 1899 in Dokkum, Friesland, Netherlands. She was born 1875 in Hardenberg, Overijssel, Netherlands, and died 25 DEC.\nChildren of Cornelus Theunis van /Vliet/ and Christina Johanna /Wamelink/ are:\nLouwrens Mathys Theunis van Vliet was born 01 MAR 1871 in Visvliet, Groningen, Netherlands, and died 18 APR 1954 in Leewarden, Friesland. He married Trijntje Feddema on 16 JUN 1895 in Franeker, Friesland. She was born 01 JUL 1870 in Almenum, and died 02 JAN 1950 in Leewarden, Friesland.\nChildren of Louwrens Mathys Theunis van /Vliet/ and Trijntje /Feddema/ are:\nTheunis Louwrens van Vliet was born 06 JUN 1896.\nPieter Louwrens van Vliet was born 25 JUL 1899.\nSybrandus Theunis van Vliet was born 17 JUN 1872 in Visvliet, Groningen, Netherlands, and died 18 APR 1939 in Orange City, IA, USA. He married Aukje Feikema on 26 NOV 1896 in Sioux Centre, Iowa. She was born 08 JUL 1871 in Franeker, Friesland, Netherlands, and died 07 AUG 1926 in Orange City, IA, USA.\nChildren of Sybrandus Theunis van /Vliet/ and Aukje /Feikema/ are:\nCatherine van Vliet was born DEC 1897.\nTeunis van Vliet was born 22 SEP 1899.\nJan Theunis van Vliet was born 1874 in Visvliet, Groningen, Netherlands, and died 04 SEP 1929 in Wolpheze. He married Elisabeth Steinfort on 19 MAY 1898 in Franeker, Friesland. She was born 09 JUL 1874 in Franeker, Friesland, and died 26 FEB 1951 in Friesland, Netherlands.\nJanke Theunis van Vliet was born 14 JUL 1882 in Dokkum, Friesland, and died 08 JUL 1932 in Franeker, Friesland. She married Dirk Ypes Bouma on 11 MAY 1906 in Wommels, Friesland, Netherlands. He was born 05 JUL 1880 in Wommels, Friesland, Netherlands, and died 25 OCT 1959 in Franeker, Friesland.\nChildren of Janke Theunis van /Vliet/ and Dirk Ypes /Bouma/ are:\nIJpe Dirks Bouma was born 03 MAY 1907 in Hidaard, Friesland, Netherlands, and died 06 NOV 1929 in Franeker, Friesland, Netherlands.\nTheunis Dirks Bouma was born 06 APR 1910 in Hidaard, Friesland, and died 12 DEC 1989 in Nijmegen.\nGrietje Dirks Bouma was born 08 FEB 1915 in Franeker, Friesland, and died 21 MAR 1930 in Franeker, Friesland.\nTheunis Louwrens van Vliet was born 06 JUN 1896. He married Person Not Viewable .\nTheunis Dirks Bouma was born 06 APR 1910 in Hidaard, Friesland, and died 12 DEC 1989 in Nijmegen. He married Francien Rodenhuis on 11 MAY 1933 in Franeker, Friesland. She was born 30 SEP 1911 in Friesland, Netherlands, and died 06 MAR 1998.\nPerson Not Viewable . He/She married Baukje Annes Talsma on 20 MAY 1937 in Franeker, Friesland. She was born 20 MAY 1914 in Winsum, Franekeradeel, Friesland, and died 16 JUL 1990 in Kingston, Ontario, Canada.\nPerson Not Viewable . He/She married Illan Tuinstra on 01 FEB 1945 in Franeker, Friesland. She was born 29 JAN 1922 in Franeker, Friesland, Netherlands, and died 26 JUN 1990 in Heerlen, Netherlands.