‘Ich möchte wohl eine Emma sein und auf eigenen Flügeln reisen’\nTiny Mulder yn petear oer eigen wurk\nOp 20 novimber waard yn Boalsert de Gysbert Japicxpriis 1986 útrikt oan Tiny Mulder. Se krige de wichtichste Fryske literêre priis - in oeuvre-priis - nei oanlieding fan de yn 1983 ferskynde syklus Oh in stêd ah in lân. De advyskommisje neamt dy yn har rapport ‘in literêre fernijing’ en ‘in dúdlike kroan op it poëtysk wurk fan Tiny Mulder, om't dizze bondel mear as har oare bondels in ienheid foarmet en de útwurking is fan in tema dat sà tefoaren noch nea fertoand is’.\nTrijntje Zuidema-Mulder, berne yn 1921 op 'e Sweach, giet al sa't it útkomt as frou Sudema of as Tiny Mulder troch it libben. Har persoan hoecht hjir grif net neier yntrodusearre te wurden; benammen har fersetsaktiviteiten tidens de besetting en har sjoernalistike wurk (Friesch Dagblad, RONO) is yn eardere fraachpetearen gans omtinken oan jûn.\n‘Mar sjonge, wat dogge jo dan?’\nWannear't ik har opsykje, is sy dwaande skjin skip te meitsjen yn de boekekast. Vestdijk, Theun de Vries en Van het Reve sjoch ik noch op de planke stean, Wolkers leit te wachtsjen op de antikwaar. Boppe de skoarstienmantel net it yn grifformearde húshâldings wenstige krúske, mar in ikoan, skildere troch in karmelites yn Drachten. Tiny Mulder - in lyts, libben wyfke dat gelokkich stûf smookt, wy sette de keamer blau - hat op 't heden net de rêst dêr't se nei har ôfskied fan de krante op hope: der komt in heap drokte achter sa'n priis wei. Se is der likegoed wiis mei en woe perfoast oanwêzich wêze by de útrikking, dy't om dy reden útsteld waard oant nei har weromkommen út Noard-Amearika: ‘Ik fûn it in fleurige, in plesierige dei. It wie o sa gesellich.’ Oft der wol ris skriuwers ûnrjochtlik foarbyparte wurde by de takenning fan de Gysbert Japicxpriis?\n‘Dat is miskien wol sa. Dat is dan wat ik destiids blykber sein haw - dat wist\nik ek noch wol - dat literêre prizen einliks “een beetje belachelijk” binne. It hinget fan in soad tafallichheden ôf wa't de priis krijt en wannear. Wannear komt in hânskrift yn boekfoarm út, want dêr giet it dus om. Sjoen de sitewaasje fan de útjouwerij fan Fryske boeken kin dat wolris hiel ûngelokkich útfalle foar immen, dat er dizze kear konkurrinsje hat fan dy en de oare kear fan dy. Der binne lju dy't der altyd tsjinoan hingje, nim ik oan. Ja, as in oeuvre by útstek priisweardich is, soe 'k der wol oer prakkeseare it betingst los te litten dat de priis takend wurde moat nei oanlieding fan nijferskynd wurk.’\n‘De tafallige gearstalling fan de sjuery spilet miskien ek in rol. It binne mar trije minsken en och, elk hat ideeën en smaken en dat is ek terjochte. Dêrom haw ik der noait bot oer stind, hear, ik tink in bytsje luchthertich oer prizen. Yn Amearika meitsje se net allinnich bekend wa't de priis krigen hat, mar publisearje se ek de kandidaten, de runners up, en dat wie hjir miskien net ferkeard yn ferbân mei de promoasje fan de Fryske literatuer.’\nAdvyskommisjelid Govert Meerburg spruts by de útrikking de winsk út dat Tiny Mulder de priis behalven as bekroaning ek as oantrún sjen soe, wylst Klaske Straatsma-Westerhoff nei eigen sizzen noch faak mei har út te riden woe ‘op it tinne iis fan de Fryske literatuer’.*\n‘Ik hie min of mear it gefoel dat se mei de swipe achter my oan sieten. Fan, der moat wat barre! Mar sûnder dat ding soe ik ek wol skriuwe, as ik dêr wer nocht oan haw. Myn doel is om earst mar ris in ferhalebondel te meitsjen fan ferhalen dy't fersille lizze yn tydskriften en dêr wat nije by skriuwe, sadat ik in boek fan hûnderttweintich siden krij. En ik wachtsje in goed ûnderwerp ôf om wer syklyske poëzy oer te skriuwen. Dat hat my dochs geweldich goed foldien yn Oh in stêd ah in lân.’\nIt plan om Winnie the Pooh oer te setten, lykas se earder dien hat mei ûnder oare Alice in Wonderland, is fan 'e baan: ‘Dêr hat in oarenien al mei oan 'e gong west, dy hat him klear. Wat dêr fierder mei bart, wit ik net. Dat ik der net mear oer te set hoech, spyt my wol wat, ja. It is it soarte fan oersettingen dat ik graach doch. Gewoan platte teksten oersette fyn ik einliks neat oan. Der moat wat byt oan sitte, it moat wat slim wêze.’\nOfsjoen fan trije berneboeken en in pear bydragen, debutearre se yn boekfoarm mei de fersebondel Oranje paraplu (1962, 19632), dy't folge waard troch\nde bondels Viadukt (1965), Wite swan swarte swan (1968) en Op slach fan tolven (1975). Mei har fjouweren meitsje se Tinkskrift (1986) út. Oranje paraplu waard tige yn 'e hichte stutsen; it sjongen fan ‘in ljurk, dy't op eigen wjukken opstiicht, sûnder hichtefrees’, ornearre Jacob Noordmans bygelyks. De besprekken soenen sawat sûnder útsûndering fol wurdearring bliuwe, al waard de toan gauris set troch de noasje dat hjir in frou it wurd fierde.\n‘Wat is it mei kritiken: jo kinne in krityk krije dy't winliken tige kritysk is dêr't je net it measte oan hawwe, mar jo kinne ek in hiel loovjende krityk krije dêr't je fierders neat oan hawwe, om't der net folle substansjeels yn sit dat op jo wurk slacht. It is yn it begjin bard, dat se my yn dat hoekje fan de froulike dichters treaunen. Dan tinkt my, ik bin in wyfke, mar sjogge dy lju dêr ek it measte nei? Ik hâld dêr net fan! Ik wit noch bêst dat der ris in besprek yn 'e krante stie mei as kop “Drie vrouwelijke dichters” of “Drie dichteressen” of sa; wêr is dat no goed foar, dat men yn in besprek trije bondels fan froulju kombineart? Dat is de dwaasheid ten top.’\n‘Oft ik foar de ynstelling fan in Fryske Anna Bijnspriis wêze soe? Krekt as se wolle mei de wedstriid fan de Alvestêdetocht? Nee, literatuer komt net oan op spierfolume. As ik funksjonear, wol ik funksjoneare yn it gehiel fan de literatuer en net yn in rûntsje fan frouljusliteratuer. Al leau ik dat literatuer fan froulju tige heilsum wurket op de hiele literatuer, omdat sy harren folle minder oanlûke fan de moades, fan hjoed moat dit en moarn moat dat. Froulju stelle har frijer en beweechliker op, wylst manlju - lit my it mar by de skriuwers hâlde - elkoar folle mear yn in konkurrinsjeposysje sjogge. Dy moatte tsjin elkoar opbokse.’ Dat sy dêr neffens har man gjin lêst fan hat, stimt se laitsjend mei.\n‘Bernlik’, ‘boartlik’ en ‘sjongend’ wienen nêst ‘froulik’ de kaaiwurden yn de besprekken fan har dichtwurk.* Fedde Schurer heakke oan syn lofspraak foar Oranje paraplu it refrein ‘Survival’ ta, dat einiget mei: ‘mar jow, hwat ûnheil 't waerbirjocht biskriuwt / dat Tiny Mulder dochs oan 't sjongen bliuwt.’ Foar de earste twa typearrings waard der gauris op wiisd dat se ek bernepoëzy publisearre hie. It sjueryrapport jout oars de yndruk dat de priis ek dêr foar takend is. Om Tiny Mulder is dat ek sa: ‘As se my freegje, hoefolle dichtbondels hawwe jo skreaun, dan binne dat nêst dy fjouwer dy't yn Tinkskrift stean\nen Oh in stêd ah in lân ek Juffer Kuorkebier en De túnkabouter. Guon sizze: minsken dy't foar bern skriuwe, binne mislearre skriuwers. Dat is natuerlik net wier. It is deselde literatuer wêryn't je it meitsje, it is deselde minske dy't it makket en it is fan likefolle gewicht. Lykweardich ek, ja.’\n‘As ik Schurer syn “Survival” lês, dan set er myn wurk einliks wat tsjin de ellinde yn 'e wrâld ôf: sjoch, hoe beroerd de saken ek binne, Tiny Mulder moat oan it sjongen bliuwe. Mar sjonge, wat dogge jo dan? As moast it in tsjinwicht jaan tsjin de ferskriklike dingen yn 'e wrâld. Ik wit it net hear, ik fiel my yndied wat op glêd iis as ik dat lês.’\n‘It waard yn de kritiken foarsteld as wie Oranje paraplu nochal luchtige, positive, libbensblije poëzy. Neffens my is it dan net goed lêzen. Jo kinne op in boartlike manier de meast tryste dingen fertelle. Dat hoecht hielendal net mei in heap achs en ochs en aus, mar dêrom is it der net minder earnstich of sels tryst om.’\n‘Gean mar sitten en skriuw dat mar’\nMisbegryp yn de krityk late by bondeling yn Tinkskrift ta oanpassing fan ‘Kensto de dea’ út Op slach fan tolven: de rigel ‘Zijn zuiver pijpen’, ûntliend oan Boutens, waard ‘“Zijn zuiver pijpen” falsk’.\n‘Yn ien of twa besprekken destiids foel my op, dat it as in serieus brûkt sitaat sjoen waard, as soe ik it ek in “zuiver pijpen” fine. Wylst it krekt oarsom is fansels. It is in krityk op Boutens, it wurdt hjir iroanysk, sels synysk brûkt. Synisme wurdt o sa'n bytsje begrepen. Irony ek. Dêr moasten je einliks in spesjaal teken foar hawwe: minsken, dit is irony, minsken, dit is synysk bedoeld. No haw ik der “falsk” achter set en “Zijn zuiver pijpen” tusken skrapkes set, om de lêzer in warskôging te jaan.’ Se wit dat der ea in teken foar irony foarsteld is - in gearfoeging fan ! en ? - mar soe dat dochs net tapasse wolle: ‘It liket sa mâl, no?’ Hawwe de kritisy by de redaksje fan Tinkskrift mear stimmen yn it kapittel hân?\n‘Dat fyn ik sa moai hè, hast elkenien hat oant no ta kankere oer dat gedicht “Nettsjinsteande”, dêr't sa'n soad adjektiven yn foarkomme. Durk van der Ploeg sei, ik moast dy dingen skrasse! Welnee! Dy hawwe in funksje krekt yn dat gedicht. Ik haw it wer opnommen yn myn Tinkskrift, omdat adjektiven der binne om brûkt te wurden. Jo moatte se allinnich net klisjeemjittich brûke, dan kinne je der in prachtige sfear mei skeppe en dat fyn ik hearlik om te dwaan. Dus wat dat oangiet lûk ik my fan de krityk in bedroefd lyts bytsje oan, want as ik dat no tafallich sels moai fyn dan fýn ik dat moai! Ut!’\n‘“In skûtel krommen en in leafdesang“ wie ek nochal wat krityk op. Mar ik fûn\nit ûnderwerp prachtich en doe't ik it wer oertypte... dy absolút fan alle minsken ferlittenheid yn dy winliken “woest en ledige” natuer, dy't likegoed sa fassinearjend is, dat je oppasse moatte om der net nei werom te ferlangjen. It tema dat dêr yn sit sprekt my noch altiten oan en ik kin it noch altiten weromhelje.’\nGuon fan de oare wizigings moasten Tinkskrift up to date meitsje, sa docht bliken. Sa waard ‘de jiske-amer’ twaris ferfongen troch ‘de jiskepûde’, yn in tillefoansel kin men tsjintwurdich better terjochte ‘foar in gûne en in kwartsje’ as ‘foar in dûbeltsje en in kwartsje’, en om't yn Brooklyn gjin ‘middenstânskouwen’ mear stean, binne dêr ‘arbeiderskouwen’ fan makke. Se stimt mei dat alle farianten yn Tinkskrift fuortkomme út in stribjen nei gruttere tagonklikheid.\nWant Tiny Mulder wol lêzen en begrepen wurde. Dat sprekt hiel dúdlik út har reaksje op de fraach oft se Tin iis (1981), in roman oer besetting en ferset, faaks leaver op folslein literêre grûnen beoardield sjoen hie, sûnder ferwizing nei har persoanlike achtergrûn sa't ornaris bard is. Mei in sucht set se útein: ‘Wat is literêr skriuwe wolle? Dy roman wie hiel spesjaal rjochte op publyk, ik woe dat in breed publyk der kennis fan naam. Dan moatte jo gjin literêre heechstantsjes úthelje, mar nei jo bêste witten en nei jo bêste behearsking fan taal en foarm in roman skriuwe. Dat wie myn bedoeling mei Tin iis en dy is gelokkich ek útkommen: in soad minsken hawwe it lêzen. Ik haw net allinnich in soad reaksjes hân fan minsken dy't '40-'45 belibbe hawwe, mar ek fan jonge minsken; in jongkeardel dy't je even op it skouder slacht en seit; “Frou, wat hawwe jo in hartstikke moai boek skreaun, want no begryp ik it allegearre!” No, dat is dochs skitterend!’\nSe hat wurdearring foar Fokke Sierksma syn (ûnder it pseudonym Frank Wilder ferskynde) Grensconflict (1948), dat oer de Ljouwerter lústerpost giet, ‘mar wat ik dwaan woe, dat wie safolle mooglik de werklikheid benei komme sa't dy har ôfspile hat yn gewoane húshâldings yn dy jierren. Ik lies dan wol boeken dy't útdraaiden op spannende ferhalen mei in soad helden dit en in soad helden dat, en dat stie my net oan. Ik tocht, do witst noch hoe't it yn werklikheid om en ta gong; gean mar sitten en skriuw dat mar. En dêr wie niks gjin heldedom by.’\nSels neamt se Tin iis it leafst ‘faction’. It boek is skreaun yn it Frysk om't it oer Fryske minsken giet, mar meikoarten komt in Nederlânske oersetting fan har eigen hân út. Publikaasje yn noch mear talen is har wolkom.\nHar dichtwurk is faker as ienris yn ferbân brocht mei de Hollânske eksperimintelen.\n‘Ja, mar it frjemde is, ik haw altyd al poëzy skreaun en einliks ek altyd yn dyselde, wat losse styl. Foar 1940 herkende ik dat net as poëzy, dat it is ek allegearre yn it jiskefet gongen. Ik haw op de H.B.S. in Nederlanske leraar troffen dy't fan literatuer net safolle makke, dat ik moast it sels útfine. Doe't ik dan nei '45 dy eksperimintelen seach, tocht ik: goh, dit is myn manier fan dichtsjen.’\n‘As je fan ynfloeden prate wolle, dan kamen dy net út de Fryske literatuer en ek net út de Hollânske. Ik haw folle mear hân oan antologyen dy't destiids ien kear yn 'e moanne as pocket ferskynden. Ik tink dat dy fan '47, '48 ôf in jier of seis ferskynd binne. It wie in útjefte út Amearika, New World Writing,\nFoto: Teake Zuidema, Amsterdam\nen dêr stie poëzy yn út it Ingelske taalgebied mar ek fertalingen yn it Ingelsk út alle mooglike oare literatueren. Dêr haw ik in protte yn lêzen en in protte fan leard - hoe en op hokfoar manieren kinne je poëzy skriuwe. It hat dus in hiel ynternasjonale beynfloeding west, of nee, in stjit om te begjinnen. It wie mear in bepaalde sfear, in bepaalde toan, as rjochtstreekse beynfloeding. In toan dy't hjir de eksperimintelen wol oppakt hawwe, mar dy't je dêr al frij algemien fûnen.’\n‘Nee, ik haw gjin idee wa't dy dichters allegearre wienen. Dat ynteressearre my op dat stuit ek totaal net. It wienen de foarmen dy't my oansprieken: op dý manier kinne je dichtsje, op dý manier kinne je oan dy frije poëzy dochs ynhouten jaan. Wat ik foaral moai fûn wienen dy gedichten dy't sa frij lykje mar in soarte rêchbonke hawwe fan rymjende wurden dy't hielendal net oan de ein fan de rigel stean hoege, mar ek oan it begjin of yn 'e midden stean kinne. Dat is in metoade dy't ik noch ôfgryslik graach tapas. Dat gedicht oer dy tsjerken yn Venetië yn Oh in stêd ah in lân [s. 29] is in foarbyld, dêr sit dy rêchbonke yn fan wurden dy't hjir en dêr rymje en dêr't it gedicht om ta teard is, syn hâldfêst oan fynt.’\n‘Foar myn berneboeken jildt ek dat ik it measte hân haw oan dy Angelsaksyske poëzy. Se hienen it doe oer Annie M.G. Schmidt en dat lei ek foar de hân, mar it lei wat al te maklik foar de hân op sa'n stuit.’\n‘Mar ek de manier fan dichtsjen fan Tucholsky en Morgenstern... Ik haw oan board fan it skip ûnderweis fan Rotterdam nei Montreal noch even oan it dichtsjen west. Der is dan in jûn mei in programma “Passengers for Passengers” en dêr haw ik yn it Ingelsk en it Dútsk foar oan 'e gong west.’ Ut it plakboek dat se ûnderwilens foar 't ljocht helle hat, lêst se foar:\nWenn ich die Möwen fliegen sah,\nbald nahe und bald fern,\nfiel mir ein deutscher Dichter ein,\n's war Christian Morgenstern.\nEr wußte, schrieb er, ganz bestimmt\ndaß alle Möwen Emma heißen.\nIch möchte wohl eine Emma sein\nund auf eigenen Flügeln reisen.\nAs keunstner moatte jo earmslach hâlde'\nIn pear kear earder hat se de hjoeddeiske (Fryske) literatuer in gemis oan biningen en histoarysk besef ferwiten. Is dat in kwalitative of in morele opfetting?\n‘It giet om beide. Ik fyn dat in boek kwalitatyf wint wannear't it pleatst wurdt yn in gruttere romte. Dy romte krije jo ûnder oare - en tocht ik hiel sterk - trochdat jo jo eigen skiednis en de skiednis fan de minsken net ferjitte. In boek dat de yndruk jout dat de wrâld yn 1950 begûn is, hat wat keals oer him. It kin wol in goed boek wêze, dêr net fan, mar it wint by my oan kwaliteit as ik der wat in ferdjipping yn sjoch dy't ûntliend is oan in besef fan tiid en in besef fan ivichheid. Oars wurdt it sa ing, sa benaud, en wurde je der in bytsje bang fan suver.’\n‘Dêrom mocht ik de boeken fan Ypk fan der Fear sa graach lije, dy't de minske hast noait as ienling behannele, mar - miskien wolris wat té folle - as einprodukt fan in lange famyljeskiednis bygelyks, of as eksponint fan in religieuse beweging. De minske is net samar op ierde plakt; hy draacht syn eigen foarteam en de kultuer dy't er oerurven hat mei. Dat binne wichtige eleminten yn in minskelibben: hy tanket der syn bestean en syn tinkwrâld oan. Dêrom fyn ik it sa ferskriklik dat de bern tsjintwurdich net fatsoenlik skiednis mear krije, en de Fryske bern harren Fryske skiednis net krije.’\n‘Sjoch mar ris yn Amearika hoe'n ferskriklike war as de dogge om in skiednis te krijen, omdat se it gemis fiele, foaral op dit stuit. Se hawwe altiten in soarte revolúsjebou hân: in wenning mocht mei tritich, fjirtich jier ôf wêze en fuort. No bysykje se âldere wenningen - “âld” is by harren al santich, tachtich jier - wer te restaurearjen. Nim de bern berne út Kanadeeske soldaten hjir nei de oarloch dy't no op syk gean nei harren heit - of de bern dy't op syk gean nei harren Dútske heit.’\n‘Der skynt in bepaalde drang yn de minsken te sitten - dy kinne je wol ûntkenne, mar de feiten wize it út - om witte te wollen wêr't se wei komme en by hearre. As je de minsken pakke op harren emoasjes, dan docht bliken dat men dat witte wol. It stribjen nei in hieltyd gruttere yndividualisearring yn ús maatskippij is neffens my in foarbygeande goarre.’\nIn fraach fan it F.L.M.D. nei karakter en bedoeling fan har wurk hat se ris skriftlik op antwurde, ûnder ferwizing nei Job 19:25-27, dat it om ferkenningen gong fan ‘it sâlt fortriet lyk as de minske hat, / de wiffe freugde dy't in minske past’ - fariearre rigels út ‘In skûtel krommen en in leafdesang’. Prate oer dit ûnderwerp docht Tiny Mulder it leafst sitearjendewei út it wurk sels. De dichter is profeet fan it nije Jeruzalim, probearje ik, in suggestje dy't se net fersmyt mar al relativearret mei: ‘Dat fyn ik sa'n dik wurd, no’ en mei in kwatryn út Op slach fan tolven:\nIt is ferjamme altyd noch gelyk.\n't Is midden yn 'e nacht op slach fan tolven:\nit nijs! It âld ferhaal fan skiep en wolven\nen wer gjin wurd oer 't kommend keninkryk.\nOft har wurk dêrnêst weromwiist nei it âlde Eden, fan foar ‘de ingel mei it swurd?’ Rêd draacht se ‘Moed’ út Viadukt foar, mei de rigels: ‘en hoopje op de dei / dat ien dichter ien wurd / yn syn folsleine stal / herskeppe mei / lichtwol it wurd / dat God betsjut’. ‘Dat is it iennige dat ik út 'e holle ken, sa tige is it blykber in sintraal gedicht yn myn wurk.’\n‘Ik hâld net fan de betiteling “kristlike literatuer”. Ik wit net wat it is nammentlik. Ik ken wol boeken dy't troch kristenen skreaun binne. Is Achterberg kristlike literatuer? Dat is sa'n gekke fraach, dy't nearne op slacht. Mar it is wol in kristen dy't it skreaun hat. Sa kinne je in hiel soad nammen neame. Wilma bygelyks, is dat kristlike literatuer? Ik tink dat sy der sels in ferskriklik beswier tsjin hawwe soe har wurk as sadanich betitele te sjen. Professor Frits van der Meer hat dêr ferstannige dingen oer sein.’\nSe doelt op in fraachpetear fan de VU-man George Puchinger mei de Nijmeechske heechlearaar en pryster Frits van der Meer, berne yn 1904 te Boalsert. It is ôfprinte yn Puchinger syn Christen en kunst (1971). Letter tidens it petear sil se inkelde antwurden fan Van der Meer mei ynstimming foarlêze, ûnder oare dit, op de fraach: ‘Is er een christelijke kunst?’:\n‘Antwoord: er is een overstelpend aantal kunstwerken dat is ingegeven door de christelijke voorstellingswereld, maar als zuiver kunstwerk blijft het alles autonoom. Er is kunst met christelijke themata en het ene staat dichter bij de Schrift en de verkondiging dan het andere.’\n‘Een kunstenaar qua kunstenaar beweegt zich in een autonome wereld. De godsdienst grijpt daar alleen op in via zijn voorstellingswereld, via zijn thematiek. Punt.’\n‘As keunstner moatte jo earmslach hâlde, jo net twinge litte yn ramten. Oars jouwe jo in stik frijheid priis, dat allinnich mar ten ûngeunste wurkje kin foar jo literêre wurk. As jo it oer kristlike literatuer hawwe, sette jo der in stek omhinne. Sprekke jo fan literatuer dy't troch kristenen skreaun is, dan is dat stek fuort. Miskien is ek it begryp “kristlike literatuer” besmet rekke, as kin men dan ek allinnich noch mar yn positive sin en binnen it ramt fan opfettingen dy't hearskje yn otterdokse fermiddens wat opskriuwe. Wylst jo as kristenskriuwer ek de romte hawwe moatte foar jo twivels, foar jo krityk, om fan itige opfettingen ek ris de achterkant sjen te litten.’\n‘Twivel is net in oantaasting, mar in ferdjipping. It is it sjen litten fan it “ek”, fan wat ek, der njonken, der achter bestiet. Ik leau dat dat in taak is dy't je yn de literatuer wol hawwe, dy't yn elk gefal by my boppe kommen is.’\nMeerburg syn taspraak (dêr't passaazjes fan it sjueryrapport yn ferarbeide wienen) is wilens ôfprinte yn De Strikel 1986-12, frou Straatsma-Westerhoff harres yn Frysk & Frij 1986-41.\nDit en oare punten fan petear is koartlyn oer skreaun troch Jelma Sytske Knol yn “De ynspiraasjeboarnen fan Tiny Mulder”, ferskynd nei ôfsluting fan dizze tekst yn Hjir 1986-5/6.


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Grousters stean stil by 125-jierrich bestean Halbertsma | Omrop Fryslân (advertinsje)\nGrousters stean stil by 125-jierrich bestean Halbertsma 18 apr 2016 - 19:46\n0 reaksjes Nederlands In frachtwein fan Halbertsma - Foto: www.oudedaf.nl\nDe kommisje Ofskie Halbertsmafabriken sil op 29 oktober stilstean by it feit dat it 125 jier lyn is dat Hidde Halbertsma mei de houtseagerij begûn. It bedriuw groeide út ta Halbertsma Pallets en Halbertsma Deuren. It palletbedriuw ferhuze yn 2013 nei in oare fêstiging fan de nije eigener Faber Halbertsma. In diel fan it bedriuw is sloopt.\nDe fabriken fan Halbertsma hawwe altyd fan grutte ynfloed west yn Grou. De kommisje wol dêrom op feestlike wize ôfskied nimme. Ald-meiwurkers kinne harren opjaan foar it feest.\nLês foarKorreksje meldeTrefwurden: HalbertsmaGroufabrykhoutView the discussion thread.Diel dit berjocht op: 18-04FIDEO: Sensoaren hâlde demintearjenden yn de gaten 18-04De Rottefalle krijt twa ton foar nijbou duorsum doarpshûs Besjoch ek...\nRjochter docht oer in wike útspraak oer Lidl Grou 06 des 2016 - 14:31 Twa bewenners fan de Oedsmawei yn Grou binne fanwege de nije Lidl yn it doarp nei de rjochter stapt. Se binne bang dat de nije supermerk oan de... Hieltyd minder lege winkels yn Grou 05 des 2016 - 22:36 It giet goed mei de bestriding fan de winkelleechstân yn Grou. Op it plak fan it âlde postkantoar wurdt in nije Poieszsupermerk boud en op... Grouster restaurant útroppen ta bêste fan Fryslân 21 nov 2016 - 22:31 Tapasrestaurant Norma Serveert út Grou is moandei troch de webside 'De Toppers van Iens' útroppen ta bêste restaurant fan Fryslân. Dat meldt ... Swimbad en sporthal wurde waarm stookt mei gemeentlik grien 15 nov 2016 - 16:39 De boel waarm stoke mei hout. Dat bart fan no ôf yn swimbad De Blauwe Golf en sporthal Rengers yn Ljouwert. De houtstookynstallaasje tusken de... (advertinsje)


EURJPY 15min setups for FX:EURJPY by JamesCorreia — TradingView\nEURJPY 15min setups\nWe have a bearish Cypher and a bearish Gartley forming at EURJPY 15min chart. Sell at D completion.\nBoth targets hit on the bearish Cypher


Unfavorite Tyler Rose Swimwear Smokestack Lightning Bandeau Top in Pastel Rainbow in Pastel Rainbow\nShare Smokestack Lightning Bandeau Top in Pastel Rainbow on Facebook (opens in a new window)\nShare Smokestack Lightning Bandeau Top in Pastel Rainbow on Twitter (opens in a new window)\nShare Smokestack Lightning Bandeau Top in Pastel Rainbow on Pinterest (opens in a new window)\nShare Smokestack Lightning Bandeau Top in Pastel Rainbow on Google (opens in a new window)\nRevolve Style No. TROS-WA200\nManufacturer Style No. SP11TSL\nLow Rise Brief Bottom\nSmokestack Lightning Bandeau Top in Pastel Rainbow


Small Desert Yam painting by Jeannie Mills Pwerle. 30cm x 30cm. - Utopia Lane Gallery


Goldblatt Tool Co - NSN Parts Manufacturer Catalog\nBrowse NSN Parts Catalog of Goldblatt Tool Co\nAccelerating RFQs is your sourcing solutions for parts made by Goldblatt Tool Co. We stock more than 2 billion parts including 84389 09333, 01 167 H7, 84389 15500, 16 324 M7, 06 141 M8. Owned and operated by ASAP Semiconductor, we operate a strict sourcing and shipping method for all our NSN parts such as 5120000093743, 5210005183451, 5120001472994, 5120012980330, 5120001425349. Each part is quality-checked by a member of our team before it is shipped out.\n84389 09333 5120-00-009-3743 trowel Avl RFQ\n01 167 H7 5210-00-518-3451 rule multiple foldi Avl RFQ\n84389 15500 5120-00-147-2994 sander drywall hand Avl RFQ\n16 324 M7 5120-01-298-0330 handle mortar float Avl RFQ\n06 141 M8 5120-00-142-5349 trowel Avl RFQ\n09 445 5140-01-095-9284 carrier tool Avl RFQ\n01 258 M7 5120-01-012-0353 pin line bricklayer Avl RFQ\n84389 06150 5120-00-106-2690 float Avl RFQ\n16460 3895-01-136-2482 screed vibrating Avl RFQ\n01 249 M7 5120-01-124-2647 block line masonry Avl RFQ\n01 225 H7 5210-01-095-7834 level and plumb Avl RFQ\n16 260 M716 286 M7 5120-01-024-0174 edger concrete Avl RFQ\n01 249 5120-01-124-2647 block line masonry Avl RFQ\n15 801 5110-00-556-0235 saw drywall Avl RFQ\n16 679 M8 5120-01-273-6979 bracket mortar floa Avl RFQ\n84389 06541 5120-00-142-5349 trowel Avl RFQ\n16 321 M8 5120-01-274-9917 bracket and handle Avl RFQ\n02103H7 5345-00-491-6252 brick rubbing Avl RFQ\n84389 13736 5120-01-360-9326 featheredge plaster Avl RFQ\n16 779 M7 5120-00-153-0270 tamper hand Avl RFQ\n09 341 M7 5120-00-033-6827 trowel Avl RFQ\n84389 01249 5120-01-124-2647 block line masonry Avl RFQ\n84389 16679 5120-01-273-6979 bracket mortar floa Avl RFQ\n01 126 M7 5120-00-033-6825 trowel Avl RFQ\n84389 03407 5120-00-539-7768 trowel Avl RFQ\n09 304H7 7510-00-162-2910 chalk line marking Avl RFQ\n84389 01512 5210-00-400-8029 rule multiple folding Avl RFQ\n06 224 5120-00-223-9131 edger concrete Avl RFQ\n01 512 H7 5210-00-400-8029 rule multiple folding Avl RFQ\n84389 01126 5120-00-033-6825 trowel Avl RFQ\n01 426 H7 7920-00-009-3737 brush cleaning maso Avl RFQ\n09 345 5120-00-242-3969 trowel Avl RFQ\n16 32416 88716 662 5120-01-277-2492 trowel Avl RFQ\n84389 16321 5120-01-274-9917 bracket and handle Avl RFQ\n02107H7 5345-00-491-6174 brick rubbing Avl RFQ\n01 345 H7 5120-00-764-2932 hammer hand Avl RFQ\n84389 16205 5120-01-035-9330 browning rod plaste Avl RFQ\n84389 06139 5120-00-255-3276 float Avl RFQ\n9300119 5340-01-308-1375 cover access Avl RFQ\n05 173 M7 5120-01-006-9588 foot lift wallboard Avl RFQ\n02 400 H5 5130-01-049-1576 blade reciprocating Avl RFQ\n84389 16781 5120-00-138-5942 tamper hand Avl RFQ\n12612E2 3450-01-128-7406 saw portable tile c Avl RFQ\n05 516 M7 5120-01-008-8897 trowel Avl RFQ\n01 404 M7 5120-00-764-2950 hawk plasterers Avl RFQ\n07 176 5210-00-267-8892 level water type Avl RFQ\n09 345 M7 5120-00-242-3969 trowel Avl RFQ\n84389 16779 5120-00-153-0270 tamper hand Avl RFQ\n01 167 5210-00-518-3451 rule multiple foldi Avl RFQ\n16828E5 3895-01-136-2482 screed vibrating Avl RFQ\n16 781 5120-00-138-5942 tamper hand Avl RFQ\n01 256 5120-01-026-5565 twig masonry line Avl RFQ\n84389 06241 5120-00-106-2692 edger concrete Avl RFQ\n06 208 M7 5120-00-640-6511 groover concrete Avl RFQ\n84389 02356 5120-01-095-5594 trowel Avl RFQ\n84389 15273 5120-01-071-3673 crimping tool sheet Avl RFQ\n05 160 5120-00-150-2336 hammer hand Avl RFQ\n06 139 M7 5120-00-255-3276 float Avl RFQ\n84389 06224 5120-00-223-9131 edger concrete Avl RFQ\n05 101 5120-00-146-9401 masher mud drywall Avl RFQ\n01 378 H7 5110-01-049-1575 chisel bull point h Avl RFQ\n84389 01162 5120-01-011-2023 jointer brick Avl RFQ\n01 174 5120-00-764-2269 jointer brick Avl RFQ\n01 512 5210-00-400-8029 rule multiple folding Avl RFQ\n06 150 M7 5120-00-106-2690 float Avl RFQ\n01 164 M7 5120-01-010-7799 jointer brick Avl RFQ\n84389 05225 5120-01-089-1225 pan mud Avl RFQ\n13 736 5120-01-360-9326 featheredge plaster Avl RFQ\n84389 01256 5120-01-026-5565 twig masonry line Avl RFQ\n16 565 M7 5210-00-202-1961 straightedge Avl RFQ\n05 160 H7 5120-00-150-2336 hammer hand Avl RFQ\n84389 01167 5210-00-518-3451 rule multiple foldi Avl RFQ\n84389 03163 5120-00-243-2798 hawk plasterers Avl RFQ\n16 26016 286 5120-01-024-0174 edger concrete Avl RFQ\n06 208 5120-00-640-6511 groover concrete Avl RFQ\n01 126 5120-00-033-6825 trowel Avl RFQ\n84389 1626084389 162 5120-01-024-0174 edger concrete Avl RFQ\n84389 09341 5120-00-033-6827 trowel Avl RFQ\n09 333 5120-00-009-3743 trowel Avl RFQ\n05 441 5120-01-379-8801 sander drywall hand Avl RFQ\n02 356 5120-01-095-5594 trowel Avl RFQ\n84389 01210 5120-00-297-8905 raker joint Avl RFQ\n84389 05209 5120-01-307-4118 trowel Avl RFQ\n84389 15801 5110-00-556-0235 saw drywall Avl RFQ\n16 205 5120-01-035-9330 browning rod plaste Avl RFQ\n01 256 H7 5120-01-026-5565 twig masonry line Avl RFQ\n05 528 M8 5120-01-263-2308 knife putty Avl RFQ\n02 125 M7 5120-00-491-6269 float Avl RFQ\n12 204 5110-00-086-4987 cutter tile hand Avl RFQ\n05 520 M7 5120-00-147-5908 trowel Avl RFQ\n84389 09323 5120-01-307-4115 trowel Avl RFQ\n84389 16193 5120-01-121-5030 rake asphalt Avl RFQ\n16325 7920-01-117-7859 handle float bracke Avl RFQ\n169101666216670 5120-01-178-6353 trowel Avl RFQ\n09 204 H7 5110-01-115-1181 hatchet shingling Avl RFQ\n01 162 M7 5120-01-011-2023 jointer brick Avl RFQ\n15 317 5120-01-086-4546 sander drywall hand Avl RFQ\n15 810 5120-01-139-5863 clincher cornerbead Avl RFQ\n84389 06512 5120-00-293-3412 trowel Avl RFQ\n16 193 5120-01-121-5030 rake asphalt Avl RFQ\n03 298 5120-00-153-0271 float Avl RFQ\n01 613 5120-01-116-0630 trowel Avl RFQ\n16 772 M8 5120-01-298-0331 float Avl RFQ\n05 121 5210-00-147-5913 square t drywall Avl RFQ\n84389 05516 5120-01-008-8897 trowel Avl RFQ\n15 801 H7 5110-00-556-0235 saw drywall Avl RFQ\n16 679 5120-01-273-6979 bracket mortar floa Avl RFQ\n01 214 5120-01-244-5736 jointer brick Avl RFQ\n16 779 5120-00-153-0270 tamper hand Avl RFQ\n84389 16772 5120-01-298-0331 float Avl RFQ\n15 804 5110-01-122-1773 shear metal stud an Avl RFQ\n15 320 M7 5120-00-147-2994 sander drywall hand Avl RFQ\n16 301 M8 5120-01-127-6877 float Avl RFQ\n06 241 5120-00-106-2692 edger concrete Avl RFQ\n03 308 5120-00-009-3745 scarifier plasterer Avl RFQ\n12 204 H7 5110-00-086-4987 cutter tile hand Avl RFQ\n01 173 M7 5120-00-764-2269 jointer brick Avl RFQ\n16 321 5120-01-274-9917 bracket and handle Avl RFQ\n15 263 H7 5120-01-071-3673 crimping tool sheet Avl RFQ\n12237E5 3895-00-405-0106 saw abrasive disk m Avl RFQ\n84389 12204 5110-00-086-4987 cutter tile hand Avl RFQ\n03 308 M7 5120-00-009-3745 scarifier plasterer Avl RFQ\n06 141 M7 5120-00-142-5349 trowel Avl RFQ\n01 162 5120-01-011-2023 jointer brick Avl RFQ\n05 173 5120-01-006-9588 foot lift wallboard Avl RFQ\n03 236 M7 5120-00-009-3744 paddle angle plaste Avl RFQ\n06 225 5120-00-223-9131 edger concrete Avl RFQ\n06 139 5120-00-255-3276 float Avl RFQ\n84389 01426 7920-00-009-3737 brush cleaning maso Avl RFQ\n16 193 H5 5120-01-121-5030 rake asphalt Avl RFQ\n84389 01214 5120-01-244-5736 jointer brick Avl RFQ\n05 225 M7 5120-01-089-1225 pan mud Avl RFQ\n84389 01345 5120-00-764-2932 hammer hand Avl RFQ\n11238M7 4020-01-306-9962 cord fibrous Avl RFQ\n01 210 M7 5120-00-297-8905 raker joint Avl RFQ\n15 500 5120-00-147-2994 sander drywall hand Avl RFQ\n16325M7 7920-01-117-7859 handle float bracke Avl RFQ\n71010083001 4730-00-266-3826 coupling half quick Avl RFQ\n84389 03308 5120-00-009-3745 scarifier plasterer Avl RFQ\n02 356 M7 5120-01-095-5594 trowel Avl RFQ\n15 273 H7 5120-01-071-3673 crimping tool sheet Avl RFQ\n05 120 M7 5210-00-147-5913 square t drywall Avl RFQ\n84389 05206 5120-01-307-4040 pan mud Avl RFQ\n05 206 5120-01-307-4040 pan mud Avl RFQ\n02 356 M8 5120-01-095-5594 trowel Avl RFQ\n16931-E5 3895-00-917-7416 finishing machine c Avl RFQ\n84389 03298 5120-00-153-0271 float Avl RFQ\n12235E4 3895-00-405-0106 saw abrasive disk m Avl RFQ\n212611E2 3895-00-188-8644 saw portable tile Avl RFQ\n01 174 M7 5120-00-764-2269 jointer brick Avl RFQ\n01 225 5210-01-095-7834 level and plumb Avl RFQ\n84389 05173 5120-01-006-9588 foot lift wallboard Avl RFQ\n84389 05101 5120-00-146-9401 masher mud drywall Avl RFQ\n16324M716887M716662M 5120-01-277-2492 trowel Avl RFQ\n11542E3 5345-00-764-2488 blade circular saw Avl RFQ\n05 520 5120-00-147-5908 trowel Avl RFQ\n02105H7 5345-00-491-6181 brick rubbing Avl RFQ\n15 272 M7 5110-01-009-5252 cutter hole electri Avl RFQ\n84389 09345 5120-00-242-3969 trowel Avl RFQ\n16 77216 324 5120-00-906-0413 float Avl RFQ\n84389 05520 5120-00-147-5908 trowel Avl RFQ\n01 180 H7 5120-00-293-0886 jointer brick Avl RFQ\n05 516 5120-01-008-8897 trowel Avl RFQ\n11 580 5120-01-056-1926 board mortar Avl RFQ\n06 541 5120-00-142-5349 trowel Avl RFQ\n05 173 H7 5120-01-006-9588 foot lift wallboard Avl RFQ\n16 301 5120-01-127-6877 float Avl RFQ\n16326 7920-01-117-7859 handle float bracke Avl RFQ\n05 101 H7 5120-00-146-9401 masher mud drywall Avl RFQ\n01 426 7920-00-009-3737 brush cleaning maso Avl RFQ\n84389 02125 5120-00-491-6269 float Avl RFQ\n01 210 5120-00-297-8905 raker joint Avl RFQ\n84389 01174 5120-00-764-2269 jointer brick Avl RFQ\n15 810 M7 5120-01-139-5863 clincher cornerbead Avl RFQ\n06241 5120-00-238-1925 edger concrete Avl RFQ\n11 887 E3 5345-01-075-3767 blade circular saw mas Avl RFQ\n16 772M816 324 M7 5120-00-906-0413 float Avl RFQ\n84389 01164 5120-01-010-7799 jointer brick Avl RFQ\n05 615 H7 5120-00-296-1789 hammer hand Avl RFQ\n07 171 H7 5210-00-267-8892 level water type Avl RFQ\n16 781 M7 5120-00-138-5942 tamper hand Avl RFQ\n06 541 M8 5120-00-142-5349 trowel Avl RFQ\n84389 09324 5120-00-223-9477 trowel Avl RFQ\n15 317 M7 5120-01-086-4546 sander drywall hand Avl RFQ\n15 273 5120-01-071-3673 crimping tool sheet Avl RFQ\n84389 06117 5120-00-224-4748 trowel Avl RFQ\n11247H7 4020-00-587-0994 twine fibrous Avl RFQ\n16910M716662M716670M 5120-01-178-6353 trowel Avl RFQ\n16 324 5120-01-298-0330 handle mortar float Avl RFQ\nG05121 5210-00-147-5913 square t drywall Avl RFQ\n07 417 H7 5120-01-069-5686 hammer hand Avl RFQ\n01 345 5120-00-764-2932 hammer hand Avl RFQ\n84389 05121 5210-00-147-5913 square t drywall Avl RFQ\n01 613 M7 5120-01-116-0630 trowel Avl RFQ\n06 150 5120-00-106-2690 float Avl RFQ\n84389 16301 5120-01-127-6877 float Avl RFQ\n05 225 5120-01-089-1225 pan mud Avl RFQ\n84389 1677284389 163 5120-00-906-0413 float Avl RFQ\n15 500 M7 5120-00-147-2994 sander drywall hand Avl RFQ\n16 772 5120-01-298-0331 float Avl RFQ\n90nel assy liner\nlockbar door floodl\ndecal tip weights install...\npivot wing vent retainer ...\nlockplate crankshaft gear...\n03 09 05 frame assy lower\njet pin air metering\n94221 81344 00431\n98523 06841 F0241\n09504 3E525 0BYW1\n68293 3F495 16962\n35784 5Z899 K8528\n7U050 60XL5 06778


Event Time Announcer - Event has passedEvent in UTC on Saturday, January 14, 2012 at 6:00:00 PM◢Event Time in UTC, Time Zone6:00 PMUTCSaturday, January 14, 2012Modify EventCurrent time: Wed at 10:15:43 AMConverted Time Washington DC, DC, USA1:00 PMESTSaturday, January 14, 2012Change Your LocationCurrent time: Wed at 6:15:43 AMEvent ActionsCount up since EventAdd to CalendarNew AnnouncementRemember to bookmark this page!Worldwide | Africa | North America | South America | Asia | Australia/PacificThe Event Time Announcer converts the time of your planned event to local times all over the world for easy sharing and linking. Scroll right to see moreSort by: CityCountryTimeEvent Times in Europe Cities shown: Capitals (50)Most Popular (77)Popular (95)Somewhat Popular (554)A CoruñaSat 7:00 PMGulbeneSat 8:00 PMParmaSat 7:00 PMAachenSat 7:00 PMGüterslohSat 7:00 PMPassauSat 7:00 PMAalborgSat 7:00 PMGyumriSat 10:00 PMPatrasSat 8:00 PMAalenSat 7:00 PMHagenSat 7:00 PMPforzheimSat 7:00 PMAarauSat 7:00 PMHalleSat 7:00 PMPiatra NeamțSat 8:00 PMAarhusSat 7:00 PMHamburgSat 7:00 PMPiraeusSat 8:00 PMAkureyriSat 6:00 PMHamelnSat 7:00 PMPisaSat 7:00 PMAlbufeiraSat 6:00 PMHammSat 7:00 PMPlauenSat 7:00 PMÅlesundSat 7:00 PMHanauSat 7:00 PMPlevenSat 8:00 PMAlicanteSat 7:00 PMHannoverSat 7:00 PMPljevljaSat 7:00 PMAlmeríaSat 7:00 PMHaugesundSat 7:00 PMPloieștiSat 8:00 PMAltdorfSat 7:00 PMHeidelbergSat 7:00 PMPlovdivSat 8:00 PMAmsterdamSat 7:00 PMHeilbronnSat 7:00 PMPlymouthSat 6:00 PMAndorra La VellaSat 7:00 PMHelsinkiSat 8:00 PMPlzenSat 7:00 PMAntwerpSat 7:00 PMHerfordSat 7:00 PMPodgoricaSat 7:00 PMAppenzellSat 7:00 PMHerisauSat 7:00 PMPoitiersSat 7:00 PMArgostoliSat 8:00 PMHerneSat 7:00 PMPolotskSat 9:00 PMArkhangelskSat 10:00 PMHerningSat 7:00 PMPonta DelgadaSat 5:00 PMArlonSat 7:00 PMHertenSat 7:00 PMPopradSat 7:00 PMArnsbergSat 7:00 PMHildesheimSat 7:00 PMPortoSat 6:00 PMAschaffenburgSat 7:00 PMHradec KrálovéSat 7:00 PMPotsdamSat 7:00 PMAssisiSat 7:00 PMHuelvaSat 7:00 PMPoznanSat 7:00 PMAstrakhanSat 10:00 PMHumennéSat 7:00 PMPragueSat 7:00 PMAthensSat 8:00 PMHürthSat 7:00 PMPrešovSat 7:00 PMAugsburgSat 7:00 PMIasiSat 8:00 PMPrijedorSat 7:00 PMÁvilaSat 7:00 PMIbizaSat 7:00 PMPristinaSat 7:00 PMBabruyskSat 9:00 PMIngolstadtSat 7:00 PMPrizrenSat 7:00 PMBaden-BadenSat 7:00 PMInnsbruckSat 7:00 PMPyatigorskSat 10:00 PMBanja LukaSat 7:00 PMIoanninaSat 8:00 PMQuimperSat 7:00 PMBaranovichiSat 9:00 PMIráklionSat 8:00 PMRamseySat 6:00 PMBarcelonaSat 7:00 PMIserlohnSat 7:00 PMRatingenSat 7:00 PMBarysawSat 9:00 PMIstanbulSat 8:00 PMRavensburgSat 7:00 PMBaselSat 7:00 PMIzhevskSat 10:00 PMRecklinghausenSat 7:00 PMBastiaSat 7:00 PMJaénSat 7:00 PMRegensburgSat 7:00 PMBatumiSat 10:00 PMJelgavaSat 8:00 PMRethymnoSat 8:00 PMBayreuthSat 7:00 PMJenaSat 7:00 PMReutlingenSat 7:00 PMBelfastSat 6:00 PMJoensuuSat 8:00 PMReykjavikSat 6:00 PMBelgradeSat 7:00 PMKaiserslauternSat 7:00 PMRheineSat 7:00 PMBellinzonaSat 7:00 PMKaliningradSat 9:00 PMRigaSat 8:00 PMBelushya GubaSat 10:00 PMKapanSat 10:00 PMRijekaSat 7:00 PMBenidormSat 7:00 PMKaposvárSat 7:00 PMRiminiSat 7:00 PMBergenSat 7:00 PMKasselSat 7:00 PMRomeSat 7:00 PMBergheimSat 7:00 PMKaunasSat 8:00 PMRosenheimSat 7:00 PMBergisch GladbachSat 7:00 PMKazanSat 10:00 PMRostockSat 7:00 PMBerlinSat 7:00 PMKecskemétSat 7:00 PMRotterdamSat 7:00 PMBernSat 7:00 PMKeflavíkSat 6:00 PMRovaniemiSat 8:00 PMBielSat 7:00 PMKemiSat 8:00 PMRyazanSat 10:00 PMBielefeldSat 7:00 PMKemptenSat 7:00 PMSaarbrückenSat 7:00 PMBijeljinaSat 7:00 PMKerpenSat 7:00 PMSaint Anne, AlderneySat 6:00 PMBirminghamSat 6:00 PMKharkivSat 8:00 PMSaint HelierSat 6:00 PMBitolaSat 7:00 PMKhersonSat 8:00 PMSaint-PetersburgSat 10:00 PMBocholtSat 7:00 PMKhmelnytskyiSat 8:00 PMSalernoSat 7:00 PMBochumSat 7:00 PMKielSat 7:00 PMSalihorskSat 9:00 PMBolognaSat 7:00 PMKilkennySat 6:00 PMSalzburgSat 7:00 PMBolzanoSat 7:00 PMKirunaSat 7:00 PMSalzgitterSat 7:00 PMBonnSat 7:00 PMKlagenfurtSat 7:00 PMSamaraSat 10:00 PMBordeauxSat 7:00 PMKlaipėdaSat 8:00 PMSamsunSat 8:00 PMBottropSat 7:00 PMKlaksvíkSat 6:00 PMSan MarinoSat 7:00 PMBratislavaSat 7:00 PMKoblenzSat 7:00 PMSan Sebastián de La GomeraSat 6:00 PMBraunschweigSat 7:00 PMKohtla-JärveSat 8:00 PMSandefjordSat 7:00 PMBrașovSat 8:00 PMKönizSat 7:00 PMSandvikaSat 7:00 PMBregenzSat 7:00 PMKonstanzSat 7:00 PMSanta Cruz de TenerifeSat 6:00 PMBremenSat 7:00 PMKorçëSat 7:00 PMSantanderSat 7:00 PMBremerhavenSat 7:00 PMKošiceSat 7:00 PMSarajevoSat 7:00 PMBrestSat 9:00 PMKragujevacSat 7:00 PMSarnenSat 7:00 PMBrnoSat 7:00 PMKrakówSat 7:00 PMSassariSat 7:00 PMBruck an der LeithaSat 7:00 PMKranjSat 7:00 PMSchaffhausenSat 7:00 PMBrusselsSat 7:00 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