Correio electrónico: armacedo@porto.ucp.pt\nArte Interactiva (1 anos » years) .\nFuturistic Kitchen Music Audio and Performance Workshop por Felix Kubin.\nFundação Manuel António da Mota, Portugal.\nWorkshop 'Serve From Home' por Daniil Vasiliev e Teresa Dillon.\nJamoma Modular por João Menezes.\nTangible Feelings por Mattia Casagleno.\nAdvanced real-time sound and data processing with FTM&Co - Diemo Schwarz.\nSTEIM - STudio for Electro-Instrumental Music, Países Baixos.\nGenerating and Organizing Variety: Guide for the Perplexed, Gregory Taylor.\nHogeschool voor de Kunsten Utrecht - Faculteit Kunst, Media & Technologie,, Países Baixos.\nProcessing com Karsten Schmidt.\nInternational PhD Summer School 'Models of Creative Design For innovation.\nComunicação sem fios com arduino, leccionado com Filipe Valpereiro.\nWorkshop Introduction to Arduino, leccionado pela equipa Tinker.it.\nWorkshop Drawing with Satelites, leccionado por Jeremy Wood and Hugh Pryor.\nWorkshop From Structure to Expression, leccionado por Ludger Bruemmer.\nEscola das Artes da Universidade Católica Portuguesa, Portugal.\nWorkshop InstallaSon - KITTy, leccionado por António Sousa Dias.\nInteractive systems for artistic expression, por Rosa Sánchez & Alain Bauma.\nWorkshop Layers of Performance, leccionado por Stanislav Roudavsky.\nWorkshop Virtual Music Instruments, leccionado por Suguru Goto.\nExpressive gesture toward new paradigms for multimedia and rich media..\nVideo Sampling - Generative Graphic Design / nato 0+55 modular.\nCapital Europeia da Cultura, Portugal.\nVideo Sampling - Improvisação Vídeo, por Johnny DeKam e Brian Ziffer.\nPorto2001 Capital Europeia da Cultura, Portugal.\nInteractive Media - Midi e Audio digita por Carlos Guedes.\nInteractive Media - Software e Hardware Steim, por Frank Baldé e Daniel Sch.\nNever stand up in a canoe - Hybrid Instalation / Performance, Kirk Wolford.\nClosing the Loop - Biomecanics Perception and Control, por Time's Up.\nCentro de Experimentação Artística do Clube Português de Artes e Ideias, Portugal.\n2007 1º Prémio Design - Concurso Nacional de Jornais Escolares, Público na Escola, Jornal Público.\n2006 3º Prémio na categoria B - Dança Robótica, Robotica 2006 , Festival Nacional de Robótica - Guimarães, Portugal.\n1. Rangel, André. 2017. "3.11 – Tribute to Sol LeWitt", Trabalho apresentado em xCoAx - Conference on Computation, Communication, Aesthetics & X, In xCoAx 2017 - Conference on Computation, Communication, Aesthetics & X, Lisboa.\n2. Rangel, André. 2017. "Greenray - Tapeceria Laser", Trabalho apresentado em Arte Pública na Era da Criatividade Digital, In Arte Pública na Era da Criatividade Digital - Ata do Colóquio Internacional 2017, Porto.\n3. Rangel, André. 2017. "Syndyn - Arte Desporto e Entretenimento.", Trabalho apresentado em Arte Pública na Era da Criatividade Digital, In Arte Pública na Era da Criatividade Digital - Ata do Colóquio Internacional, Porto.\n4. Rangel, André. 2015. "Intermedia, an updated vision in the early twenty-first century", Trabalho apresentado em xCoAx 2015, 3th International Conference on Computation, Communication, Aesthetics & X, In xCoAx 2015, 3th International Conference on Computation, Communication, Aesthetics & X, Glasgow.\n5. Rangel, André. 2012. "Syndyn - Artistic Sports Game", Trabalho apresentado em ARTECH 2012, 6th International Conference on Digital Arts, In ARTECH 2012, 6th International Conference on Digital Arts, Faro.\n6. Rangel, André. 2012. "Demonstration of a Proposal of Correspondence between Light and Sound", Trabalho apresentado em IV Congreso Internacional Sinestesia Ciencia y Arte, In Actas do IV Congreso Internacional Sinestesia Ciencia y Arte, Almeria.\n7. Rangel, André. 2011. "SoLu: hyperinstrument", Trabalho apresentado em TEI '11 fifth international conference on Tangible, embedded, and embodied interaction, In TEI '11 fifth international conference on Tangible, embedded, and embodied interaction, Funchal.\n8. Rangel, André. 2010. "Visible and Audible Spectrums - Proposal of the correspondance", Trabalho apresentado em EVA 2010 Berlin - Electronic Imaging & the Visual Arts, In EVA 2010 Berlin - Electronic Imaging & the Visual Arts, Berlim.\n9. Rangel, André. 2010. "Installation: SoLu Hiperinstrument performance", Trabalho apresentado em GA 2010 – XIII Generative Art Conference, In GA 2010 – XIII Generative Art Conference, Milão.\n10. Rangel, André. 2010. "Da Arte da Representação à Arte da Presentação - uma mudança acelerada pelas tecnologias de comunicação e processamento de informação em tempo real.", Trabalho apresentado em CIANTEC, In CIANTEC - Art, new technologies and communication: Phenomenology of contemporaneity., São Paulo.\n11. Rangel, André. 2010. "Visible and Audible Spectrums - a proposal of correspondance", Trabalho apresentado em ARTECH 2010 5th International Conference of Digital Arts, In ARTECH 2010 5th International Conference of Digital Arts, Guimarães.\n1. Rangel, André. 2011. "For Flusser From 3kta", Flusser Studies 11 – May 2011 , 11: sn - sn.\n2. Rangel, André. 2010. "Da Arte da Representação à Arte da Presentação, uma mudança acelerada pelas tecnologias de comunicação e processamento de informação em tempo real", GFM.GRAFEMA , 2: 20 - 62.\n1. Rangel, André. 2004. "Objectile". Porto: Virose.\n1. Rangel, André. A Verdadeira Madagáscar de Miguel Leal,2015.\n2. Rangel, André. Aplicação Informática para Análise de Dados Musicais para o trabalho Doutoral do Maestro Pedro Monteiro,2012.\n5. Rangel, André. AutomatD904 – Reactive application for realtime 3d Rendering,2004.\n4. Rangel, André. Ni9er – Video Triggering Tool,2004.\n3. Rangel, André. AutomatD704 – Generative Design Software,2004.\n6. Rangel, André. AutomatD.XL – Meta-programmed Drawing Tool,2004.\n1. Rangel, André. In A Absolut World,2008.\n1. Rangel, André. 3.11. Tribute to Sol LeWitt,xCoAx 2017, 7th International Conference on Computation, Communication, Aesthetics & X,Lisboa,2017 (Conferência ou palestra).\n2. Rangel, André. A técnica, a arte e o design,Oupa — Festival de Arte e Design, 3.a Edição,Guimarães,2016 (Conferência ou palestra).\n3. Rangel, André. Intermedia, an updated vision in the early twenty-first century,xCoAx 2015, 3th International Conference on Computation, Communication, Aesthetics & X,Glasgow,2015 (Conferência ou palestra).\n4. Rangel, André. Comunicação Intagible, Tangible, Objectile, no Narrative Strategies Symposium — Prototyping the Intangible,Comunicação Intagible, Tangible, Objectile,Funchal,2014 (Simpósio).\n5. Rangel, André. Artes Digitais,Unidade Curricular de Teoria das Artes a estudantes das licenciaturas de Som e Imagem, Música e Arte/Restauro. ,Porto,2014 (Seminário).\n6. Rangel, André. Artes Digitais,Unidade Curricular de Teoria das Artes,Escola das Artes da Universidade Católica Portuguesa, Porto,2013 (Seminário).\n7. Rangel, André. PhD: Interactive Art I, Interactive Installations,Doutoramento em Arte Interactiva da Universidade Católica Portuguesa,Porto,2013 (Seminário).\nDocente convidado pelo Dr. Carlos Caires .\n8. Rangel, André. O trabalho do autor,Unidade Curricular de Metodologia de Projecto,Porto,2012 (Seminário).\n9. Rangel, André. Artes Digitais ,Unidade Curricular de Teoria das Artes,Porto,2012 (Seminário).\n10. Rangel, André. Dinâmicas Intermedia, Tecnologia e Arte,Programa Intensivo Art of Sound – Sound of Art,Cosenza,2012 (Seminário).\n11. Rangel, André. XYZT,XI Encontro Nacional da APROGED,Lisboa,2012 (Congresso).\n12. Rangel, André. Metodologia de um Diletante Policrónico no Curso de Estudos Avançados em Arquitectura Digital,Metodologia de um Diletante Policrónico no Curso de Estudos Avançados em Arquitectura Digital,Lisboa,2012 (Comunicação).\n13. Rangel, André. Meta-criação e composição algoritmica - Reflexão sobre a distância do criador à audiência,Conferência Plug & Play organizada pela ESAP — Escola Superior Artística do Porto no Mercado Ferreira Borges/Hard Club, Porto, Portugal,Porto,2011 (Conferência ou palestra).\n14. Rangel, André; Carvalhais, Miguel; Tudela, Pedro. OAV - Objecto Multimodal,Granular na AR.CO,Lisboa,2011 (Comunicação).\n15. Rangel, André. Aspectos Audiovisuales y visibles: Una propuesta de Correscpondencias, III SEMANA INTERNACIONAL DE SINESTESIA,CIENCIA,ARTEY CREATIVIDAD 2011 ,Granada,2011 (Congresso).\n16. Rangel, André. Artes Digitais,Unidade Curricular de Teoria das Artes,Porto,2011 (Seminário).\n17. Rangel, André. Dinâmicas Intermedia,Ciclo de Conversas Design + Multimedia organizado pela ,Coimbra,2011 (Comunicação).\n18. Rangel, André. Aspectos Del Arte de la Representación a la Presentación del Arte,III SEMANA INTERNACIONAL DE SINESTESIA,CIENCIA,ARTEY CREATIVIDAD 2011,Granada,2011 (Congresso).\n19. Rangel, André. Gear - Sound and Interactive - Media 1st Workshop for practice based research in art and design - Universidade da Beira Interior, Covilhã, Portugal,Gear - Sound and Interactive - Media 1st Workshop for practice based research in art and design,Covilhã,2010 (Congresso).\n20. Rangel, André. Aula teórica sobre Artes Digitais na Unidade Curricular de Teoria das Artes.,Unidade Curricular de Teoria das Artes a estudantes das licenciaturas de Som e Imagem, Música e Arte/Restauro,Porto,2010 (Seminário).\n21. Rangel, André. Arte Interactiva e Meta-concepção - sobre a distância do criador à audiência,Arte Interactiva e Meta-concepção - sobre a distância do criador à audiência,Porto,2010 (Comunicação).\n22. Rangel, André. O processo técnico e ético de produção de um hiperinstrumento. A Meta-concepção, o design generativo, o interface e a reactividade,Unidade Curricular Seminário de Escultura, Faculdade de Belas Artes da Universidade do Porto, Portugal,Porto,2010 (Seminário).\n23. Rangel, André. Arte Interactiva e Meta-concepção - sobre a distância do criador à audiência,Arte Interactiva e Meta-concepção - sobre a distância do criador à audiência,Matosinhos,2010 (Comunicação).\n24. Rangel, André. Colmus - Hiperinstrumento Multisensorial,Semana das Artes'09, Esic V.N. Gaia, Portugal,V.N. Gaia,2009 (Conferência ou palestra).\n25. Rangel, André. Conceitos Intermédia e Desenho de Software,Semana das Artes'08, Esic V.N. Gaia, Portugal,Vila Nova de Gaia,2008 (Comunicação).\n26. Rangel, André. Software de Autor e Conceitos Intermedia,Ciclo de Conversas do Lançamento dos Novos Cursos de Design e Multimédia,Coimbra,2008 (Comunicação).\n27. Rangel, André. Palestra Photon Bombing,Semana das Artes'07, Esic, V.N. Gaia, Portugal,Vila Nova de Gaia,2007 (Conferência ou palestra).\n28. Rangel, André. Meios Digitais e Electrónicos,Seminário Meios Digitais e Electrónicos, Escola Superior de Tecnologia e Gestão de Portalegre, Portugal, Portalegre,2007 (Seminário).\n29. Rangel, André. Graffiti Electrónico,Seminário O Lugar do Desenho no Ensino organizado pela APECV, Centro de Congressos de Aveiro, Portugal,Aveiro,2006 (Comunicação).\n30. Rangel, André. Cor em monitores,Seminário Luz e Cor,Lisboa,2005 (Comunicação).\n31. Rangel, André. Meta-Criação: software personalizado,Seminário As Novas Tecnologias no Ensino das Artes Visuais, Lisboa, Portugal,Lisboa,2005 (Comunicação).\n32. Rangel, André. Cor em monitores,Seminário Luz e Cor organizado pela APECV, Faculdade de Belas Artes de Lisboa, Portugal,Lisboa,2005 (Comunicação).\n33. Rangel, André. Meta-Criação: software personalizado,Seminário As Novas Tecnologias no Ensino das Artes Visuais, Aveiro, Portugal,Aveiro,2004 (Comunicação).\n34. Rangel, André. AutomatD - Design Generativo Automático,AutomatD - Design Generativo Automático,Porto,2004 (Seminário).\n35. Rangel, André. Relatos de Experiências Pedagógicas,16o Encontro Nacional da APECV Arteducação – Transformar Consciências, Luso, Portugal,Luso,2004 (Comunicação).\n36. Rangel, André. Design Generativo, Ciclo de conferências Educação e Cultura Visual integrado nos Encontros Nacionais de Professores de Educação e Expressão Visual,Braga,2003 (Congresso).\n37. Rangel, André. AutomatD - Design Generativo Automático,AutomatD - Design Generativo Automático,Porto,2003 (Seminário).\n38. Rangel, André. Síntese e Processamento de Vídeo em Tempo Real,Síntese e Processamento de Vídeo em Tempo Real,Porto,2002 (Seminário).\n1. Rangel, André. Digital Media, 2010 (Outra), promovido por Doutoramento em Digital Media da UT Austin Portugal.\nDuração: 1 dias. Local: Universidade Nova de Lisboa, Cidade: Lisboa, Tipo de participação: Docente.\n2. Rangel, André. Graffiti Electrónico. 15o Festival de Curtas Metragens de Vila do Conde., 2007 (Extensão).\n3. Rangel, André. Workshop Max MSP e Jitter, 2007 (Aperfeiçoamento).\n4. Rangel, André. Graffiti Electrónico, 2006 (Outra).\n5. Rangel, André. Síntese e Processamento de Vídeo em Tempo Real, 2002 (Aperfeiçoamento), promovido por Escola Superior de Música e Artes do Espectáculo.\nDuração: 4 dias. Local: Escola Superior de Música e Artes do Espectáculo, Cidade: Porto.\n1. Rangel, André. A Verdadeira Madagáscar de Miguel Leal,2015 (Restauração / Outra).\n1. Rangel, André. Representing Sound With Expanded Notation por Dr. Lindsay Vickery,2017 (Seminário / Curadoria).\n2. Rangel, André; Verdicchio, Mario; Carvalhais, Miguel; Reizner, Jason; Tudela, Pedro. xCoAx — Computation, Communication, Aesthetics & X,2017 (Conferência).\n3. Rangel, André; Verdicchio, Mario; Carvalhais, Miguel; Reizner, Jason; Tudela, Pedro. xCoAx – Computation, Communication, Aesthetics & X,2016 (Conferência / Organização).\n4. Carvalhais, Miguel; Verdicchio, Mario; Rangel, André. xCoAx,2015 (Conferência / Organização).\n5. Rangel, André; Carvalhais, Miguel; Verdicchio, Mario; Reizner, Jason; Tudela, Pedro. xCoAx,2014 (Conferência / Organização).\n6. Rangel, André; Carvalhais, Miguel; Verdicchio, Mario; Reizner, Jason; Tudela, Pedro. xCoAx,2013 (Conferência / Organização).\n7. Rangel, André; Carvalhais, Miguel. Serve From Home por Daniil Vasiliev e Teresa Dillon,2013 (Oficina / Curadoria).\n8. Rangel, André; Carvalhais, Miguel. Workshop Jamoma Modular por João Menezes ,2012 (Oficina / Curadoria).\n9. Rangel, André. Robótica Minimal Experimental por Ralf Schreiber,2007 (Oficina / Curadoria).\n1. Rangel, André; Carvalhais, Miguel; Tudela, Pedro. @C/AR,2018 (Coreográfica).\n2. Rangel, André. 3.11 Tribute to Sol LeWitt,2017 (Outra).\n3. Rangel, André. Komo,2017 (Outra).\n4. Rangel, André. Ali WkLf,2017 (Outra).\n5. Rangel, André. 3.11 Tribute to Sol LeWitt,2017 (Outra).\n6. Rangel, André; Siegel, Anne-Kathrin. 3.11.Exp.,2017 (Outra).\n7. Rangel, André. xCoAx Light Design,2016 (Outra).\n8. Rangel, André. G-Series,2016 (Coreográfica).\n9. Rangel, André. Cage (Vídeo),2016 (Outra).\n10. Rangel, André. Cage (Vídeo),2016 (Outra).\n11. Rangel, André. xSpace - Light Design,2015 (Outra).\n12. Rangel, André. The Portal,2015 (Outra).\n13. Rangel, André. Morse Code Display,2015 (Outra).\n14. Rangel, André; Carvalhais, Miguel; Joaquim, Vitor; Marques, Telmo. EPV - Experimental Plastic Variation,2014 (Outra).\n15. Rangel, André; Carvalhais, Miguel; Tudela, Pedro. OAV - Multimodal Object Live Performance,2012 (Outra).\n16. Rangel, André. OAV - Multimodal Object Live Performance,2012 (Outra).\n17. Rangel, André. Performance de composição visual generativa sobre obra Proverb de Steve Reich,2011 (Outra).\n18. Rangel, André. SoLu: hyperinstrument @ TEI '11 fifth international conference on Tangible, embedded, and embodied interaction,2011 (Outra).\n19. Rangel, André. SynDyn - Artistic Sports Game @ HIPERSÔNICA,2011 (Outra).\n20. Rangel, André; Carvalhais, Miguel; Tudela, Pedro. OAV - Objecto Multimodal,2011 (Outra).\n21. Rangel, André; Carvalhais, Miguel; Tudela, Pedro. OAV - Multimodal Object Live Performance ,2011 (Outra).\n22. Rangel, André. SoLu na GA2010 - 13th Generative Art Conference,2010 (Outra).\n23. Rangel, André. SoLu, EVA - Electronic Visualisation and the Arts, London 2010,2010 (Outra).\n24. Rangel, André. Graffonic in RGB, Intermedia Festival of Telematic Arts, Indianapolis,2010 (Outra).\n25. Rangel, André. SoLu, EVA - Electronic Visualisation and the Arts - Berlin,2010 (Outra).\n26. Rangel, André. ColMus,2009 (Outra).\n27. Rangel, André. GreenRay - Instalações Laser Interactivas.,2009 (Outra).\n28. Rangel, André. Graffonic in RGB, onedotzero - Adventures in Motion, British Film Institut, Londres,2009 (Outra).\n29. Rangel, André. Graffonic in RGB, FILE - Festival Internacional de Linguagem Electrónica, São Paulo,2009 (Outra).\n30. Rangel, André. Graffonic in RGB, Expo Leeds - Festival of Sound Art and Experimental Music,2009 (Outra).\n31. Rangel, André. Graffonic in RGB, Codebreakersbash, RSA - Conference, São Francisco,2008 (Outra).\n32. Rangel, André. Graffonic in RGB, Move - Festival Interncional de New Media, Coruña.,2008 (Outra).\n33. Rangel, André. Morrell - Moving Turrell,2008 (Outra).\n34. Rangel, André. Graffonic in RGB - 1um1, Experimental and Mixed Media Arts Festival,2007 (Outra).\n35. Rangel, André. RME'07 - Robótica Minimal Experimental,2007 (Outra).\n36. Rangel, André; Brooks, Anthony. ReWork - Reactive Work of Art in RGB. Casa da Música, Porto,2007 (Outra).\n37. Rangel, André. Graffonic in RGB - GA2006, 9ª Conferência de Arte Generativa de Milão,2006 (Outra).\n38. Rangel, André. PosNeg - Identidades Virtuais, Encontros Arte e Comunicação, Centro Cultural de Belém,2005 (Outra).\n39. Rangel, André; Ferreira, Sérgio. PuppyClub - Síntese Vídeo em tempo real,2004 (Outra).\n40. Rangel, André. Passevite - Launch Mode, Síntese vídeo em tempo real,2004 (Outra).\n41. Rangel, André; Ferreira, Sérgio. PuppyClub - Síntese Vídeo em tempo real,2003 (Outra).\n42. Rangel, André; Ferreira, Sérgio. LiveAct-TDDY - Arquirectura Audiovisual,2003 (Outra).\n43. Rangel, André; Ferreira, Sérgio; Guedes, Carlos; Wolford, Kirk. TuTrazesCor,2003 (Outra).\n44. Rangel, André; Ferreira, Sérgio. Empty - Festival Motion Detectors,2002 (Outra).\n45. Rangel, André; Ferreira, Sérgio. Empty,2002 (Outra).\n46. Rangel, André; Laranjeira, Francisco. Crash - Digitalscratcher,2002 (Outra).\n47. Rangel, André; Ferreira, Sérgio; Guedes, Carlos. .Repérages - Balleteatro/Danse à Lille,2002 (Outra).\n48. Rangel, André; Ferreira, Sérgio; Sier, André. Parapoly - Odisseia nas IOmagens - Porto 2001 Capital Europeia da Cultura.,2001 (Outra).\n49. Rangel, André. Stealing Orchestra Visuals - Festival Outros Rituais,1999 (Outra).\n1. Rangel, André. Síntese e Processamento de Vídeo em Tempo Real,2002 (Aperfeiçoamento).\n1. Rangel, André. Ali Wklf,2017.\n2. Rangel, André. 3.11. A Tribute to Sol LeWitt,2017.\n3. Rangel, André. 3.11. Exp.,2017.\n4. Rangel, André. Tune L - Lighting Design,2016.\n5. Rangel, André; Carvalhais, Miguel; Tudela, Pedro. Cage,2016.\n6. Rangel, André. G-Series,2016.\n7. Rangel, André. Xpace,2015.\n8. Rangel, André. Morse,2015.\n9. Rangel, André. The Portal,2015.\n10. Rangel, André; Carvalhais, Miguel; Marques, Telmo; Joaquim, Vitor. EPV - Experimental Plastic Variation,2014.\n11. Rangel, André. X - Light Design,2014.\n12. Rangel, André. Aura - Light Design,2013.\n13. Rangel, André. EegSpiral — Drawing with Scalp Electrical Activity,2012.\n14. Rangel, André. Kephoise — Experiment for visualization and sonification of voltage fluctuations along the scalp,2012.\n15. Rangel, André. SynDyn,2011.\n16. Rangel, André; Carvalhais, Miguel; Tudela, Pedro. OAV - Multimodal Object Live Performance,2011.\n17. Rangel, André. SoLu,2010.\n18. Rangel, André; Siegel, Anne-Kathrin. Digital Traces,2010.\n19. Rangel, André. For Fluser - Objectile,2010.\n20. Rangel, André. ColMus,2009.\n21. Rangel, André. GreenRay,2009.\n22. Rangel, André; Siegel, Anne-Kathrin. Morrell,2008.\n23. Rangel, André. Affect,2008.\n24. Rangel, André. PassAndo,2008.\n25. Rangel, André. Star,2008.\n26. Rangel, André. Christmas Tower,2008.\n27. Rangel, André; Brooks, Anthony. ReWork,2007.\n28. Rangel, André. RME'07,2007.\n29. Rangel, André. Graffonic in RGB,2007.\n30. Rangel, André. Graffonic Blue,2006.\n31. Rangel, André. AutomatD704,2004.\n32. Rangel, André. AutomatD904,2004.\n33. Rangel, André. AutomatDXL,2004.\n34. Rangel, André; Guedes, Carlos; Ferreira, Sérgio; Wolford, Kirk. Tu Trazes Cor,2003.\n35. Rangel, André; Ferreira, Sérgio. Empty,2003.\n36. Rangel, André; Ferreira, Sérgio. TDDY Live Video Mapping,2002.\n37. Rangel, André; Ferreira, Sérgio; Sier, André. TDDY - Parapoly,2002.\n1. Sara Cristina Velez Gameiro, O Valor da Autenticidade Fotográfica: A Polaroid como Meio de Representação dos Sonhos, 2016. Dissertação (Práticas Artísticas Contemporâneas) - Universidade do Porto (Orientador).\n2. Hugo Caetano Geraldes, O Peso: Amarrados ao Tempo, 2016. Dissertação (Práticas Artísticas Contemporâneas) - Universidade do Porto (Orientador).\n3. Nuno Miguel Gonçalves Pinto Ferreira, A Interligação Entre as Tecnologias Computacionais e os Processos Artísticos Contemporâneos: Reflexões Baseadas na Criação Coletiva de uma IOnstalação, 2015. Dissertação (Mestrado Multimedia) - Universidade do Porto (Orientador).\n1. Sofia Barbosa, Sem Título, 2015. Trabalho de Conclusão de Curso (Licenciatura em Artes Plásticas - Multimédia) - Universidade do Porto (Orientador).\n1. Anne-Kathrin Siegel, Digital Traces, 2010. Universidade do Porto (Orientador).\n2. Ana Luísa Calisto Pesquita, Repolis, 2006. Escola das Artes da Universidade Católica Portuguesa (Co-orientador).\n1. Rangel, André. Participação no júri de Sara Cristina Velez Gameiro. O VALOR DA AUTENTICIDADEFOTOGRÁFICA: A POLAROID COMO MEIO DE REPRESENTAÇÃO DOS SONHOS, 2016. Dissertação (Práticas Artísticas Contemporâneas) - Universidade do Porto.\n2. Rangel, André. Participação no júri de Hugo Caetano Geraldes. O PESO: AMARADOS AO TEMPO, 2016. Dissertação (Práticas Artísticas Contemporâneas) - Universidade do Porto.\n3. Rangel, André. Participação no júri de Nuno Miguel Gonçalves Pinto Ferreira. A INTERLIGAÇÃO ENTRE AS TECNOLOGIAS COMPUTACIONAIS E OS PROCESSOS ARTÍSTICOS CONTEMPORÂNEOS: REFLEXÕES BASEADAS NA CRIAÇÃO COLECTIVA DE UMA INSTALAÇÃO, 2015. Dissertação (Mestrado Multimedia) - Universidade do Porto.\n1. Virtual + Physical, 2015 (Encontro).\nNome do evento: Goma; Nome da Instituição: Goma; Cidade do evento: Porto / Passos Manuel.\n1. Rangel, André; Carvalhais, Miguel; Verdicchio, Mario. xCoAx 2016: Proceedings of the Fourth Conference on Computation, Communication, Aesthetics and X., Função ou tipo de participação: Editor.\n2. Rangel, André; Carvalhais, Miguel; Verdicchio, Mario. xCoAx 2017: Proceedings of the FifthConference on Computation, Communication, Aesthetics and X..\n3. Rangel, André; Carvalhais, Miguel; Verdicchio, Mario. CITAR Journal - Special Issue xCoAx 2015, Função ou tipo de participação: Conselho científico.\n4. Rangel, André; Carvalhais, Miguel; Verdicchio, Mario. CITAR Journal - Special Issue xCoAx 2016, Função ou tipo de participação: Editor.\n5. Rangel, André; Carvalhais, Miguel; Verdicchio, Mario. CITAR Journal - Special Issue xCoAx 2017, Função ou tipo de participação: Editor.\n6. Rangel, André; Carvalhais, Miguel; Verdicchio, Mario. CITAR Journal - Special Issue xCoAx 2014, de 2014/07/01 até 2014/12/30, Função ou tipo de participação: Editor.\nPágina gerada pela Plataforma de Curricula DeGóis promovida pela FCT e pelo Gávea/DSI/UM em 20-02-2019 às 07:49:32


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Wafa nga ba wulɛ’n kaci amun mɛn dilɛ nin aja nun ajalɛ wie mun | awlobo aklunjuɛ\nKƐNNGƐN I ANIƐN NGA NUN Abui Acoli Afrikaans Ahanta Ajië Albanais Allemand Alur Amharique Anglais Angolan Sign Language Arabe Arabic (Tunisia) Arménien Assamais Ateso Aukan Aymara Azéri Azéri (cyrillique) Bachkir Balinese Bambara Bas Allemand Basque Bassa (Cameroun) Bassa (Liberia) Batak (Karo) Batak (Simalungun) Batak (Toba) Belize Kriol Bengali Biak Bichlamar Bikol Boulou Bulgare Cakchiquel Cambodgien Catalan Cebuano Changana (Zimbabwe) Chavacano Chichewa Chin (Tiddim) Chinois (Simplifié) Chinois (Traditionnel) Chitonga Chitonga (Zimbabwe) Chitumbuka Chiyao Chokwe Chol Chopi Chuabo Citonga Coréen Croate Créole Portugais Créole de Maurice Créole de la Réunion Créole des Seychelles Créole d’Haïti Cuban Sign Language Damara Dangme Danois Dayak Ngaju Digor Douala Dusun Edo Efik Emberá (Catío) Esan Espagnol Estonien Ewé Fidjien Finnois Fon Frafra Français Féroïen Ga Galician Gallois Garifuna Ghanaian Sign Language Gitonga Goun Grec Groenlandais Guarani Guarani (Bolivie) Guerze Gujarati Guna Géorgien Haoussa Herero Hiligaynon Hindi Hiri Motu Hmong (White) Hongrois Huastec Hébreu Iban Ibanag Ibinda Ichinamwanga Icibemba Igbo Iloko Indian Sign Language Indonésien Irlandais Islandais Isoko Italien Japonais Javanese Jula Kabyle Kachin Kana Kannada Karen (S'gaw) Kazakh Kekchi Kikamba Kikaonde Kikongo Kikuyu Kiluba Kimbundu Kinyarwanda Kipende Kirghiz Kiribati Kirundi Kisi Kisii Kongo Kpelle Krio Kurde Kurmanji (cyrillique) Kurde Sorani Kurdish Kurmanji (Caucasus) Kwangali Kwanyama Kyangonde Lamba Langue des signes allemande Langue des signes américaine Langue des signes argentine Langue des signes australienne Langue des signes bolivienne Langue des signes chilienne Langue des signes chinoise Langue des signes colombienne Langue des signes coréenne Langue des signes finnoise Langue des signes française Langue des signes guatémaltèque Langue des signes hongroise Langue des signes indonésienne Langue des signes italienne Langue des signes japonaise Langue des signes malawite Langue des signes mexicaine Langue des signes néo-zélandaise Langue des signes panaméenne Langue des signes paraguayenne Langue des signes polonaise Langue des signes portugaise Langue des signes russe Langue des signes suédoise Langue des signes tchèque Langue des signes vénézuélienne Langue des signes zimbabwéenne Langue des signes équatorienne Lenje Letton Lhukonzo Lifu Lingala Lituanien Lomwe Luganda Lugbara Lunda Luo Macédonien Madagascar Sign Language Makua Malay Malayalam Malgache Maltais Mam Mambwe-Lungu Mandjak Maninkakan (Eastern) Mapudungun Marathi Maré Maya Mazahua Mazateco (Huautla) Mbukushu Mende Meru Mingrelian Mixe Mixtec (Guerrero) Mixtec (Huajuapan) Mizo Mongol Mooré Motu Myama Nahuatl (Central) Nahuatl (Guerrero) Nahuatl (Huasteca) Nahuatl (Nord de Puebla) Nambya Nande Navajo Ndau Ndonga Ndébélé Ndébélé (Zimbabwe) Ngabere Nias Niue Norvégien Nyanja Nyungwe Nzema Néerlandais Népali Oromo Ossète Otomi Otètèla Ourdou Ouzbek Ouïghour (Cyrillique) Pangasinan Papiamento (Aruba) Papiamento (Curaçao) Pendjabi Pendjabi (Nastaliq) Pennsylvania German Persan Pidgin (Cameroon) Pidgin salomonien Polonais Portugais Pular Páez Quechua (Ancash) Quechua (Ayacucho) Quechua (Bolivie) Quechua (Cuzco) Quichua (Chimborazo) Quichua (Imbabura) Quichua (Pastaza) Quichua (Santiago del Estero) Quichua (Tena) Quiché Rarotongan Romany (Bulgaria) Romany (Eastern Slovakia) Romany (Macedonia) Cyrillic Romany (Macédoine) Romany (Northern Greece) Romany (Southern Greece) Roumain Runyankore Russe Rutooro Samoan Sangir Sango Saramaccan Sarnami Sena Sepedi Serbe Serbe (Romain) Sesotho (Lesotho) Sesotho (South Africa) Shona Shuar Sidama Silozi Singhalais Slovak Sign Language Slovaque Slovène Somali Sranan tongo Sunda Susu Suédois Swahili Swahili (Rép. Dém. Du Congo) Swati Tagalog Tahitien Tajiki Tamoul Tandroy Tankarana Tarahumara Tarascan Tatar Tchouvache Tchèque Tetun Dili Thaï Tigrinya Tiv Tlapanec Tojolabal Tok Pisin Tongien Toraja Totonaque Tshiluba Tshwa Tsonga Tswana Turc Turkmène Turkmène Tuvalu Tuvinian Twi Tzeltal Tzotzil Télougou Udmurt Ukrainien Urhobo Uzbek (Roman) Valencian Venda Vezo Vietnamien Wallis Waray-Waray Wawle Wayuunaiki Wichi Wolaitsa Xhosa Xârâcùù Yoruba Zandé Zapotec (Lachiguiri) Zapotec (de l’isthme) Zoulou\nWafa nga ba wulɛ’n kaci amun mɛn dilɛ wafa’n\n“Aja nga anannganman fa man awlo kun’n, [...] yɛlɛ be klun ba.”—Jue Mun 127:3.\nBa wulɛ’n kwla yo aklunjuɛ annzɛ akluntitiɛ like. Kɛ mɔ blɛ li yɛ amun su suan ba talɛ’n, atrɛkpa’n ɔ́ yó kekle kan mán amun. Afin amún fá amun blɛ’n nin amun wunmiɛn’n i dan lika nían ba’n i lika. Ɔ ju wie’n, amun su lafiman, annzɛ kusu amun su wunman amun wun fɛ. I sɔ’n kwla kpɛ ndɛnngan ba amun afiɛn. Ɔ maan ɔ fata kɛ amun nin amun yi annzɛ amun wun be kaci ninnge wie’m be yolɛ wafa’n naan amun a kwla nian ba’n i lika, naan amun a tran klanman. ?Wafa sɛ yɛ Biblu’n nun afɔtuɛ’m be kwla uka amun naan amun a wun sa sɔ’m be trawlɛ ɔ?\n1 WAFA NGA AMUN MƐN DILƐ’N KWLA KACI’N\nNDƐ NGA BIBLU’N KAN’N: “Sran b’ɔ klo sran’n, ɔ trɛ i anwlɛn sran wun, [...] ɔ yo aklunye.” Asa ekun’n, “ɔ bu-mɛn i bɔbɔ wun akunndan, ɔ fa-man ya finfin.” (1 Korɛntfuɛ mun 13:4, 5) Kɛ mɔ amun ti bla ta’n ti’n, atrɛkpa amun akunndan’n kwlaa o amun wa’n su. Sanngɛ amun wun’n kwla bu i kɛ amun klomɛn i kpa kun kɛ laa’n sa. I ti’n nán amun wla fi su kɛ ɔ fata kɛ amun niɛn i lika wie. Amun yo naan ɔ wun i wlɛ kɛ i ndɛ te lo amun naan i kusu’n, ba’n i lika nianlɛ’n ti i liɛ wie. Amun yo i wɛtɛɛ su, kpɛkun amun tra amun awlɛn.\n“Nja mun, [...] amun nin be tran kpa.” (1 Piɛr 3:7) Maan amun si kɛ amun yi’n wá fɛ́ i blɛ’n nin i wunmiɛn’n i dan lika nían amun wa’n i lika. Junman uflɛ yɛ w’a ɲɛn i lɛ ɔ. Atrɛkpa i sɔ’n ti’n, i ɲin o nglonglo, annzɛ afɛ’n o i su, annzɛ kusu i wla kwla bo i wun. Ɔ ju wie’n, ɔ kwla fɛ i ya’n gua amun su bɔbɔ. Sanngɛ amun tra amun awlɛn, afin “sran ng’ɔ fa-man ya ndɛndɛ’n, ɔ lɛ nyrun tra safunyrɛn.” (Nyanndra Mun 16:32) Amun nanti ngwlɛlɛ su yɛ amun suan amun yi’n i bo.—Nyanndra Mun 14:29.\nSiɛ mun: Sɛ ɔ wie kɔnguɛ bɔbɔ o, amun uka amun yi naan amun nian ba’n i lika. Amun kpɛ blɛ nga amun fa yo ninnge wie mun titi’n su naan amun nin amun yi nin amun wa’n amun a kwla ɲan blɛ kpa b’a tran likawlɛ.\nNiɛn mun: Sɛ amun wun kunndɛ kɛ ɔ́ súan amun bo ba’n i lika nianlɛ nun’n, amun kplin su. Kannzɛ ɔ yoman ninnge mun kɛ amun klo’n sa’n, nán amun ijɔ i, amun kle i maan ɔ nian su.\n2 AMUN YO NAAN AMUN AFIƐN MANTAN KPA\nNDƐ NGA BIBLU’N KAN’N: ‘Be nɲɔn’n bé káci sran wunmuan.’ (Bo Bolɛ 2:24) Kannzɛ bɔbɔ ba kun o amun afiɛn’n, sanngɛ amun nin amun yi annzɛ amun wun amun te yo “sran wunmuan.” Ɔ maan amun yo like kwlaa nga amun kwla yo’n naan amun afiɛn w’a sɛ kpa titi’n.\nMmo mun, ukalɛ mɔ amun wun’m be uka amun’n, amun kle be kɛ amun si su ye. Sɛ amun yo sɔ’n be ‘klun tɔ́ nun sa fɔuun.’ (Nyanndra Mun 12:18) Nja mun, amun se amun yi’m be kɛ amun klo be naan be ti amun cinnjin kpa. Amun yi be ayɛ, awlobo’n i lika mɔ be niɛn i klanman’n ti.—Nyanndra Mun 31:10, 28.\n“Nán maan sran fi bu i bɔbɔ wun akunndan, sanngɛ maan ɔ bu i wiengu akunndan.” (1 Korɛntfuɛ Mun 10:24) Like ng’ɔ kwla yo amun yi annzɛ amun wun i fɛ’n, amun yo i titi. Amun fa blɛ be koko yalɛ, amun yo amun wiengu mo, amun sie amun su amun wiengu nuan bo. Sua silɛ nun’n, nán amun bu amun ngunmin amun wun akunndan. Biblu’n se kɛ: ‘Sɛ ɔ timan kɛ amun nɲɔn’n amun bo w’a yo kun’n, nán an kpɛ amun wun ainngba.’ (1 Korɛntfuɛ Mun 7:3-5) Maan amun nɲɔn’n amun tran koko i sɔ’n su yalɛ kpa. Amun awlɛn tralɛ’n nin aunnvuɛ silɛ úka amun. Ɔ maan amun afiɛn sɛ́ kpa.\nNán amun wla fi su, amun fa blɛ naan amun nɲɔn’n be koko amun afiɛn yalɛ.\nAmun yo ninnge kanngan wie mun man amun yi’n annzɛ amun wun’n naan ɔ wun kɛ amun klo i. Amun kwla klɛ ndɛ wie blɛ i, annzɛ amun kwla cɛ i like kan.\n3 AMUN KLE BA’N I LIKE\nNDƐ NGA BIBLU’N KAN’N: “Kɛ ɔ fin ɔ ba kaan nun’n, a si Nyanmiɛn Ndɛ nga be klɛli’n yɛ maan a si ngwlɛlɛ b’ɔ maan [...] be nyan be ti nin-ɔn.” (2 Timote 3:15) Amun dun mmua bu like nga amún yó naan amun a kle amun wa’n i like’n i akunndan. Bakanngan’m be suan like ndɛndɛ kpa. Ka naan b’a wu ba kun bɔbɔ’n, ɔ kwla si like. I nun mɔ amun wa’n te o i nin ku sɛ’n nun lɔ’n, ɔ si amun nɛn’n. Wafa nga amun wun yo amun gua su wa’n, i wun yo i sɔ lɔ wie. Ɔ maan blɛ m’ɔ te yo bakan’n amun kanngan fluwa’m be nun kle i. Kannzɛ bɔbɔ ɔ wunman ndɛ nga amun kanngan’n i wlɛ’n, sanngɛ kɛ ɔ́ ɲín kɔ́’n, ɔ́ kló fluwa kannganlɛ.\nAmun kan Ɲanmiɛn ndɛ kle i. Nán amun se kɛ ɔ te yo ba nɔnman. Kɛ amún srɛ́ Zoova’n, maan ɔ ti ndɛ nga amun kan’n wie. (Mmla’n 11:19) Sɛ bɔbɔ amun nin i su kan ngowa’n, amun kan ninnge nga Ɲanmiɛn yoli be’n be ndɛ kle i. (Jue Mun 78:3, 4) I liɛ’n, kɛ ɔ́ ɲín kɔ́’n, ɔ́ wún kɛ amun klo Zoova. Ɔ maan i kusu ɔ́ súan i klolɛ wie.\nAmun srɛ Ɲanmiɛn kɛ ɔ man amun ngwlɛlɛ naan amun kle amun wa’n i like.\nNdɛ cinnjin nga amun kunndɛ kɛ be ka ba’n i klun’n, amun kan be flan nun. I liɛ’n, ɔ́ sí like ndɛ nun.\nBA’N KWLA YO MAAN AMUN AJA’N YO FƐ\nKɛ lika’n kɔ́ i ɲrun’n, amún wún amun wun fɛ, yɛ ba talɛ nun’n srɛ su kunman amun kun. Ba talɛ’n kwla yo maan amun yi nzuɛn kpa kɛ klolɛ, nin awlɛn tralɛ, annzɛ aklunye yolɛ’n be nglo. Sɛ amun bo yo kun be nian ba’n i lika’n, amun wiengu klolɛ’n yó dan. Ɔ maan ndɛ ng’ɔ o Jue Mun 127:3 nun’n, ɔ́ kpɛ́n su amun lika. Ɔ se kɛ ‘be klun ba’n’ ti cɛlɛ like.\n?Le mɔcuɛ ng’ɔ sinnin lɛ’n nun’n, ngue yɛ n yoli m’ɔ kle kɛ like nga min wun annzɛ min yi yo man e awlobo’n ti’n, n si i ye ɔ?\n?Koko nun wa’n, kɛ ɔ yo naan e koko e afiɛn yalɛ kan’n, e wa’n i ndɛ ngunmin yɛ e kɛnnin i sa trilili ɔ?


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Tsabiɛ ˈba -wuö, ˈba sɛ tan -bë -kpë hɛnpuɛn ˈpɛ gbɛkpo?\nKË -Ɛ ˈBU ˈˈYI NƐN Abaknon Abbey Abkhaz Abui Achi Acholi Achuar-Shiwiar Adhola Afrikaans Ahanta Aja Ajië Akha Akie Albanian Albanian Sign Language Altai Alur American Sign Language Amharic Amuzgo (Guerrero) Angolan Sign Language Anyin (Indenie) Arabic Arabic (Morocco) Arabic (Sudanese Creole) Arabic (Tunisia) Argentinean Sign Language Arhuaco Armenian Armenian (West) Armenian Sign Language Assamese Assyrian Ateso Aukan Australian Sign Language Austrian Sign Language Awajun Awing Aymara Azerbaijani Azerbaijani (Cyrillic) Bafia Bakoko Balinese Bambara Banjar Baoule Bashkir Basque Bassa (Cameroon) Bassa (Liberia) Batak (Dairi) Batak (Karo) Batak (Simalungun) Batak (Toba) Belgian French Sign Language Belize Kriol Belorussian Bengali Betsimisaraka (Northern) Betsimisaraka (Southern) Biak Bicol Bidayuh (Bukar) Bisa (Lebir) Bislama Bissau Guinean Creole Blackfoot Bolivian Sign Language Bomu Bosnian Botswana Sign Language Boulou Brazilian Sign Language Bribri British Sign Language Budza Bulgarian Bulgarian Sign Language Bura Bushi Bushoong Bété Cakchiquel (Central) Cambodian Cambodian Sign Language Carib Catalan Cebuano Central Alaskan Yupik Changana (Mozambique) Changana (Zimbabwe) Chavacano Chichewa Chiga Chilean Sign Language Chin (Falam) Chin (Hakha) Chin (Kuki) Chin (Mara) Chin (Matu) Chin (Tiddim) Chin (Zotung) Chinantec (Ojitlan) Chinese Cantonese (Simplified) Chinese Cantonese (Traditional) Chinese Mandarin (Simplified) Chinese Mandarin (Traditional) Chinese Sign Language Chitonga Chitonga (Malawi) Chitonga (Zimbabwe) Chitumbuka Chiyao Chokwe Chol Chontal (Oaxaca) Chontal (Tabasco) Chopi Chorote (Iyojwa'ja) Chuabo Chuj Chuukese Chuvash Cibemba Cinamwanga Cinyanja Colombian Sign Language Comorian (Ngazidja) Congolese Sign Language Cora (El Nayar) Corsican Costa Rican Sign Language Cree Plains (Roman) Cree West Swampy (Roman) Crimean Tatar (Cyrillic) Croatian Croatian Sign Language Curripaco Czech Czech Sign Language Dagaare Damara Dangme Danish Danish Sign Language Dari Dayak Ahe Dayak Ngaju Dayak Tomun Dendi Digor Dinka Diola Dogon (Toro So) Douala Drehu Dusun Dutch Dutch Sign Language Ecuadorian Sign Language Edo Efik Emberá (Catío) Emberá (Chamí) Emberá (Northern) English Esan Estonian Estonian Sign Language Eton Ewe Ewondo Fang Fante Faroese Fataluku Fe'fe' Fiji Sign Language Fijian Filipino Sign Language Finnish Finnish Sign Language Fon Frafra French French Sign Language Frisian Fulfulde (Cameroon) Futuna (East) Ga Galician Garifuna Gbaya Gedeo Georgian German German Sign Language Ghanaian Sign Language Ghomálá’ Gitonga Gokana Gouro Greek Greek Sign Language Greenlandic Guadeloupean Creole Guahibo Guambiano Guarani Guarani (Bolivia) Guatemalan Sign Language Guerze Guianese Creole Gujarati Gun Guna Guéré Haitian Creole Hausa Havu Hawaiian Hawai’i Pidgin Hawu Haya Hebrew Hehe Herero Hiligaynon Hindi Hiri Motu Hmong (White) Honduras Sign Language Hong Kong Sign Language Hopi Huastec (San Luis Potosi) Huastec (Veracruz) Huave (San Mateo del Mar) Hungarian Hungarian Sign Language Hunsrik Iban Ibanag Ibinda Icelandic Idoma Igbo Igede Iloko Inakeanon Indian Sign Language Indonesian Indonesian Sign Language Inga Irish Isoko Israeli Sign Language Italian Italian Sign Language Itawit Iu Mien Ivorian Sign Language Ixil Jamaican Creole Jamaican Sign Language Japanese Japanese Sign Language Javanese Javanese (Eastern) Jiwaka Jula Kabardin-Cherkess Kabiye Kabuverdianu Kabyle Kachin Kadazan Kalanga (Botswana) Kalanga (Zimbabwe) Kamayo Kambera Kankanaey Kannada Karakalpak Karen (S'gaw) Kazakh Kazakh (Arabic) Kei Kekchi Khakass Khana Khasi Kikamba Kikaonde Kikongo Kikongo ya Leta Kikuyu Kiluba Kimbundu Kinande Kinaray-a Kinyarwanda Kipende Kirghiz Kiribati Kirundi Kisi Kisii Kisonge Kituba Kokola Kongo Konkani (Devanagari) Konkani (Roman) Korean Korean Sign Language Kpelle Krio Kuanua Kuhane (Subiya) Kurdish Kurmanji Kurdish Kurmanji (Caucasus) Kurdish Kurmanji (Cyrillic) Kurdish Sorani Kwangali Kwanyama Kyangonde Ladin (Gardenese) Lahu Lakota Lamba Lambya Laotian Lari Latgalian Latvian Latvian Sign Language Lenje Lhukonzo Liberian English Limbum Lingala Lithuanian Lithuanian Sign Language Lolo Loma Lomongo Lomwe Longuda Low German Luganda Lugbara Lunda Luo Luvale Luxembourgish Macedonian Macua Macushi Madagascar Sign Language Madura Mahorian (Roman) Maithili Makaa Makasae Makhuwa-Meetto Makhuwa-Shirima Makonde Malagasy Malay Malayalam Malaysian Sign Language Maltese Mam Mamasa Mambae (Ermera) Mambwe-Lungu Mandjak Mangareva Maninkakan (Eastern) Manipuri Manipuri (Roman) Mano Manyawa Maori Mapudungun Maragoli Marathi Mari Marquesian (Hiva Oa) Marquesian (Nuku Hiva) Marshallese Martiniquan Creole Mauritian Creole Maya Maya (Mopán) Mayangna Mayo Mazahua Mazatec (Huautla) Mbala Mbo Mbukushu Mbunda Medumba Melpa Mende Mentawai Meru Meta' Mexican Sign Language Mingrelian Miskito Mixe (North Central) Mixtec (Costa) Mixtec (Guerrero) Mixtec (Huajuapan) Mixtec (Tilantongo) Mixtec (Tlaxiaco) Mizo Mnong (Central) Mohawk Mongolian Moore Motu Mozambican Sign Language Myanmar Myanmar Sign Language Nahuatl (Central) Nahuatl (Guerrero) Nahuatl (Huasteca) Nahuatl (Northern Puebla) Nahuatl (Veracruz) Nama Navajo Ndau Ndebele Ndebele (Zimbabwe) Ndonga Nengone Nepali Nepali Sign Language New Zealand Sign Language Newari Ngabere Ngangela Ngbaka Ngbandi (Northern) Ngiemboon Ngombale Nias Nicaraguan Sign Language Nicobarese Nigerian Sign Language Niuean Nivaclé Northern Ojibwe (Roman) Norwegian Norwegian Sign Language Nsenga (Mozambique) Nyaneka Nyungwe Nzema Odawa Odia Okpe Oromo Ossetian Otetela Otomi (Eastern Highland) Otomi (Mezquital Valley) Otomi (State of Mexico) Palauan Palikúr Pamona Panamanian Sign Language Pangasinan Papel Papiamento (Aruba) Papiamento (Curaçao) Paraguayan Sign Language Pashto Pehuenche Pemon Pennsylvania German Persian Peruvian Sign Language Phimbi Piaroa Pidgin (Cameroon) Pidgin (West Africa) Pilagá Polish Polish Sign Language Pomeranian Ponapean Popti' Poqomchi' Portuguese (Brazil) Portuguese (Portugal) Portuguese Sign Language Pular Punjabi Punjabi (Shahmukhi) Páez Q'anjob'al Quebec Sign Language Quechua (Ancash) Quechua (Ayacucho) Quechua (Bolivia) Quechua (Cuzco) Quechua (Huallaga Huánuco) Quechua (Huaylla Wanca) Quechua (Lambayeque) Quiche Quichua (Cañar) Quichua (Chibuleo) Quichua (Chimborazo) Quichua (Imbabura) Quichua (Pastaza) Quichua (Salasaca) Quichua (Santiago del Estero) Quichua (Tena) Rapa Nui Rarotongan Romanian Romanian (Vlach) Romanian Sign Language Romansh (Ladin) Romansh (Sursilvan) Romany (Argentina) Romany (Bulgaria) Romany (Eastern Slovakia) Romany (Germany) Romany (Lovari, Hungary) Romany (Macedonia) Romany (Macedonia) Cyrillic Romany (Northern Greece) Romany (Romania) Romany (Southern Greece) Ronga Rotuman Roviana Rumanyo Rungus Runyankore Russian Russian Sign Language Rutoro Rwandan Sign Language Réunion Creole Saami (North) Saint Lucian Creole Samoan Samoan Sign Language Sangir Sango Santhali (Devanagari) Santhali (Roman) Saramaccan Sarnami Sateré-Mawé Scottish Gaelic Sena Senoufo (Cebaara) Sepedi Sepulana Serbian (Cyrillic) Serbian (Roman) Serer Sesotho (Lesotho) Sesotho (South Africa) Setswana Seychelles Creole Shipibo-Conibo Shona Shuar Shughni Sidama Silozi Sinhala Slovak Slovak Sign Language Slovenian Soli Solomon Islands Pidgin Somali Songomeno South African Sign Language Spanish Spanish Sign Language Sranantongo Sunda Surigaonon Susu Swahili Swahili (Congo) Swati Swedish Swedish Sign Language Swiss German Sign Language Sylheti (Bengali) Sãotomense Taabwa Tagalog Tahitian Taiwanese Sign Language Tajiki Talian Tamil Tamil (Roman) Tandroy Tangkhul Tankarana Tarahumara (Central) Tarahumara (Western) Tarascan Tatar Teke (Congo Kinshasa) Telugu Tetun Belu Tetun Dili Tewe Thai Thai Sign Language Ticuna Tigrinya Tii Tiv Tlapanec To'abaita Toaripi Toba Tojolabal Tok Pisin Tokelauan Tongan Toraja Torres Strait Creole Totonac Toupouri Tshiluba Tshwa Tsonga Turkana Turkish Turkish Sign Language Turkmen Tuvaluan Tuvinian Twi Tyrewuju Tzeltal Tzotzil Tzutujil Uab Meto Udmurt Uighur (Arabic) Uighur (Cyrillic) Ukrainian Umbundu Urdu Urhobo Uruguayan Sign Language Uruund Uzbek Uzbek (Roman) Valencian Venda Venezuelan Sign Language Vezo Vietnamese Vietnamese Sign Language Voru Wa Waima Wallisian Warao Waray-Waray Wayuunaiki Wejewa Welsh Wichi Wixárika Wolaita Wolof Xavante Xhosa Xârâcùù Yacouba Yansi Yapese Yaqui Yemba Yoruba Yukpa Zambian Sign Language Zande Zapotec (Guevea) Zapotec (Isthmus) Zapotec (Ixtlán) Zapotec (Lachiguiri) Zapotec (Quiatoni) Zapotec (Quiavicuzas) Zapotec (Villa Alta) Zapotec (del Valle) Zimbabwe Sign Language Zulu\nTsabiɛ ˈba -wuö, ˈba sɛ tan -bë -kpë hɛnpuɛn ˈpɛ gbɛkpo e?\nˈba sɛ tan -bë -aniin ˈˈɲan?\nba ˈsɛ ˈˈtan ˈˈbë -aniin ˈˈɲan?\n-e ˈdzho -kɛ ˈba sɛ tan -bë -aniin ˈˈɲan?\n“Tsabiɛ ˈkpakpa, ˈba gbagba ˈle ˈba nyannyan ˈama, lë- ˈkön ˈˈba -bë -tshun ˈwiˈa yɛn- fun.”—Actes 24:15, -Zö -nda gbagba bidzhu.\nTsabi mɔn ˈla -yɛ wɔ sɛ ˈwuë, ˈe -le ˈze ˈmun fu -pia lɔ.—2 Korɛntë 1:3, 4.\nˈE -le ˈze ˈmun ˈwi -i, yɛ ˈpa ˈˈko ˈmun pɔɛdzhi.—Hebre 2:15.\nˈE -le ˈze ˈmun ˈye ˈe wo ˈkun ˈmun e tsabiɛ ˈba -wuö ˈmun dzhi ama, ˈmun -bë -tshun nɛn ˈpɛ.—Jan 5:28, 29.\n-Zö man ˈo -bo hɛnpuɛn. Biblë -ɛ -yɛ Joova ˈkpɛ -Zö ˈwɛn “ˈˈwɔ tsabiɛ ˈkpakpa hɛnpuɛn ˈze.” (Actes 17:24, 25; Psaumes 36:9, Traduction du monde nouveau) -Zö ˈwɛn ˈwɔ -kɛ ˈkpakpa hɛnpuɛn ˈze, -o -pɔn sɛnhën ˈyi ˈe sɛ -le ˈze ˈo tan tsabiɛ ˈba -wuö -bë -kpë hɛnpuɛn ˈpɛ.\nKiekie ˈlö, -Zö kɔfɛn tan tsabiɛ ˈba -wuö tën. Biblë -ɛ ˈla, tsabiɛ ˈba -wuö ˈɲɔn -Zö -ɔ tan -bë ˈhɔn hɛnpuɛn zapɛn fɛn, -ba -le tsabiɛ -munkuɛ. ˈBatën ˈba -le sankɛtɛn, shɔkɛtɛn, tsakuökuö, san, shɔmuan. ˈBatën -ba -wuö -e ˈˈza. ˈE man ˈo ˈkö -ye -ɛ, -o -she lë ˈkɛdzhiˈ dzhui ˈla.—Jan 11:39-44.\nTsabiɛ ˈba -wuö, -Zö -yɛ ˈla ˈkun ˈo tan mmiɛ -bë ˈpɛ gbɛkpo. Joova -da ˈwi hɛn. -Wɔ ˈe -hën kɔ hɛndasɛ ˈkö ˈnun. (1 Korɛntë 15:26) -Yɛ ˈo höhö -le ˈkun ˈo ˈpɔn ˈwi -i ˈɲɛn.ˈAkö ˈo kɔ ˈwilatshufunɲɛn ˈla kë -ɛ ˈkun ˈwi -i ˈe ˈgbɛ. ˈEkun tsabiɛ ˈba -wuö ˈɲɔn ˈba ˈhɔn kɛ -akunda ˈla, ˈkun ˈo -le tan mmiɛ -bë -kpë hɛnpuɛn zapɛn fɛn -bɛ ˈˈyi, -yɛ ˈo hɛn ˈza.—Job 14:14, 15.\nˈˈƝan -kɛ fɛn man -a ˈkuë titi -a ˈwuë e?\nBiblë -ɛ -yɛ bɛn ˈˈyɛ ˈmɛn ˈshuɔ ˈe -bo ˈˈyi nɛn: GENÈSE 3:17-19 nanmɛ ROMƐ 5:12.\nTsabiɛ ˈba -wuö, ˈba sɛ tan -bë -kan tsa ˈpɛ e?\nˈA sɛ ˈwuë, -a bobo ze gbɛkpo e? Tsabiɛ -a ˈla -yɛ ɲɔn ˈba -wuö, ˈa sɛ -hën ˈba ˈpɛ e?\nShare Share Tsabiɛ ˈba -wuö, ˈba sɛ tan -bë -kpë hɛnpuɛn ˈpɛ gbɛkpo e?\nText Kun -a -le latɔ ˈkɛ ˈyi ˈa sɛ kë la ɛntɛnɛtë fɛn ɲɛn nɔn Tsabiɛ ˈba -wuö, ˈba sɛ tan -bë -kpë hɛnpuɛn ˈpɛ gbɛkpo e?\nAudio -Kɛ ˈkɛ ˈyi -a -kë, kun -a -le ˈkɛ nɔn Tsabiɛ ˈba -wuö, ˈba sɛ tan -bë -kpë hɛnpuɛn ˈpɛ gbɛkpo e?\nˈˈƝan -kɛ fɛn ˈa kë Biblë -ɛ ˈla?\n-Zö Hobishi -i, ˈˈɲan -kɛ -le e?


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Château Montrose, Aquitaine France Tourist Information\nDeals Members HomeWorldEuropeFranceAquitaineSaint-EstepheChâteau Montrose Details\tSaint-Estephe Places To Visit Recreation / OutdoorAll (9)Wineries (8)Coastal Areas (1) Shopping / Nightlife Tourist EssentialsAll (1)Hotels (1) Eating Events Popular DestinationAll (9)Chateau Cos-d EstournelChâteau Mouton RothschildChateau Lafite RothschildChâteau Haut-MarbuzetChâteau LatourChâteau MontroseChâteau Pontet-CanetGironde estuaryChâteau Lynch-Moussas\nSaint-Estèphe, Aquitaine, France45.2653-0.7708 Château Montrose Photos\nMake me an Ambassador Château Montrose is a winery in the Saint-Estèphe appellation of the Bordeaux region of France. The wine produced here was classified as one of fifteen Deuxièmes Crus (Second Growths) in the original Bordeaux Wine Official Classification of 1855.\nChâteau Montrose Nearby Places To VisitSaint-EstepheSaint-Estèphe is a commune in the Gironde department in Aquitaine in southwestern France.Château Haut-MarbuzetChâteau Haut-Marbuzet is a Bordeaux wine estate in the Saint-Estèphe appellation area o…Chateau Cos-d EstournelChâteau Cos d'Estournel is a winery in the Saint-Estèphe appellation of the Bordeaux region of Fra… Traveler Experience\nPrice Range: Check Availability Travel Deals Around Château Montrose\n1816989 Claim:If you are the owner of this property claim it? Explore


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Ɔ yo awlobo’m be ye—An yo nanwlɛfuɛ\nKɛ amun ɲin yi amun si nin amun nin’n, ɔ ti kɛ amun su tua kalɛ kun mɔ amun fali’n sa. Ɔ maan, bé láfi amun su.\nBe nga be ti nanwlɛfuɛ’n, be nanti mmla’m be su. Sɛ be se kɛ bé yó like kun’n, be yo. Yɛ be buaman ato. I sɔ’n ti, be si nin be nin mun, nin be janvuɛ mun, ɔ nin be junman su kpɛn’m be lafi be su.\nSɛ amun si nin amun nin’m be wun kɛ be kwla lafi amun su’n, bé mán amun atin kɛ amun yo ninnge wie mun.\n“Sɛ amun si nin amun nin be wo amun wun lɛ annzɛ be nunman amun wun lɛ o, maan amun kle kɛ amun fa ngwlɛlɛ be nanti. I liɛ’n, bé láfi amun su.”—Sarai.\nNDƐ NGA BIBLU’N KAN’N: “Maan an bu sran wafa nga amun ti sakpa’n i akunndan titi.”—2 Korɛntfuɛ Mun 13:5, NW.\nSɛ a kunndɛ kɛ sran’m be lafi ɔ su tra laa’n, annzɛ sɛ a wun kɛ be lafiman ɔ su’n, nian afɔtuɛ nga’m be su.\nDi nanwlɛ. Sɛ a bua ato’n, sran’m be su lafiman ɔ su kun. Sanngɛ sɛ a di nanwlɛ, naan a fiaman sa tɛ nga a yo’n su’n, bé láfi ɔ su.\n“Kɛ y’a yoman sa tɛ fi’n, nanwlɛ dilɛ’n timan kekle. Sanngɛ kɛ e yo sa tɛ bɔbɔ’n, sɛ sran’m be wun kɛ e di i nanwlɛ’n, bé láfi e su trá laa’n.”—Kaimanin.\nNDƐ NGA BIBLU’N KAN’N: “Sa’n kwlaa nun e klo kɛ é yó sa ng’ɔ ti kpa’n.”—Ebre Mun 13:18.\nYo sran mɔ be kwla lafi i su-ɔ. Etazinin lɔ’n, sɛ be fa susute 100, be nun 78 be seli kɛ, ‘like cinnjin nsan nga be sie i nzɔliɛ ka naan b’a kplin su kɛ sran kun di junman be sa nun’n, be nun kun yɛle kɛ maan ɔ yo sran mɔ be kwla lafi i su-ɔ.’ Sɛ dɔ nga su’n be kwla lafi ɔ su’n, kɛ á wá yó kaklaka’n, á ɲán su ye.\n“Kɛ min si nin min nin be ijɔman min su ka naan m’an di awlo’n nun junman’n, be wun kɛ be kwla lafi min su.”—Sara.\nNDƐ NGA BIBLU’N KAN’N: “N si kɛ [...] like nga n se wɔ kɛ a yo’n, á yó trá su.”—Filemɔn 21.\nTra ɔ awlɛn. Kɛ gbanflɛn annzɛ talua kun su ɲin’n, sran’m be sie i nzɔliɛ ndɛndɛ. Sanngɛ, kɛ ɔ́ yó naan sran’m b’a sie i nzɔliɛ kɛ ɔ su yo sran naan be kwla lafi i su’n, i sɔ’n kwla fa blɛ. I sɔ’n ti, ɔ fata kɛ a tra ɔ awlɛn minndɛ.\n“Nán cɛn kunngba yɛ amun si nin amun nin nin sran onga’m bé ká lɛ bé láfi amun su-ɔ. Sanngɛ, sɛ titi amun fa ngwlɛlɛ be nanti’n, kɛ ɔ́ kɔ́ i ɲrun’n, bé láfi amun su.”—Blandɔnun.\nNDƐ NGA BIBLU’N KAN’N: “Amun tra amun awlɛn.”—Kolɔsfuɛ Mun 3:12, NW.\nSociety for Human Resource Management, 2016.


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Anyone been on Tongue Mountain Range?\nThread: Anyone been on Tongue Mountain Range?\n04-02-2015, 07:11 PM #1\nJust looking for conditions....it melts and dries quickly and I was wondering if it is time to put my winter gear away.....\nTongue Mountain Range - 4/3/10 (Adirondacks)\nLast Post: 04-10-2010, 11:23 AM\nTongue Mountain Range 9/20/09\nBy StuBiscuit in forum New York\nLast Post: 09-21-2009, 02:05 PM\nTongue mountain range (5/11/08)\nBy Rivet in forum New York\nLast Post: 05-12-2008, 08:44 AM\nTongue Mountain Range on 1-6-08 from the South\nLast Post: 01-08-2008, 07:21 AM\nLast Post: 01-08-2008, 07:14 AM


Like suanlɛ 24\nAfuɛ kwlaa nun’n, Zoova i Lalofuɛ’m be yi Biblu’n akpinngbin kpanngban, ɔ nin fluwa uflɛ wie mun, be fa cɛcɛ sran mun yɛ kusu be tuaman be ti kalɛ. Asa’n, be kplan Ɲanmiɛn Sielɛ Sua nin Betɛli mun, yɛ be nian be lika wie. Asa ekun’n, be nian Betɛli lɔ junman difuɛ nin ngaliɛ difuɛ’m be lika, kpɛkun kɛ ɲrɛnnɛn sa’m be tɔ sran’m be su’n, be di be nɛnnɛn wie. Atrɛkpa’n, a usa ɔ wun kɛ: ‘?Nin yɛ be ɲan sika be yo i kwlaa ngalɛ’n niɔn?’\nBe yiman blusu, be srɛman sika, yɛ be deman gbogbo nun sika. Kannzɛ bɔbɔ Zoova i Lalofuɛ’m be bo jasin fɛ’n bolɛ junman’n i wun kalɛ dan’n, sanngɛ be srɛman sran sika naan b’a fa suan be junman’n i bo. I afuɛ ya kpɔlɛ tra su kan yɛ, Sasafuɛ Tranwlɛ’n i fluwa’n i nɲɔn su nun’n, be seli kɛ be lafi su kɛ Zoova jin be sin. Naan i ti’n, be su “srɛman klɔ sran kɛ ɔ suan be bo.” Sakpasakpa, b’a srɛman sran sika le!—Matie 10:8.\nBe klunklo sika nga be man’n yɛ be fa di junman ɔn. Biblu’n nun like mɔ Zoova i Lalofuɛ’m be kle’n, ɔ jɔ sran wie’m be klun. Ɔ maan be klunklo su’n, be man be sika kan be fa suan be junman sɔ’n i bo. Asa ekun’n, aklunjuɛ su’n, Zoova i Lalofuɛ’m be bɔbɔ be fa be blɛ’n, ɔ nin be wunmiɛn’n ɔ nin be sika’n, ɔ nin be ninnge kpakpa nga be le be’n, be fa di Ɲanmiɛn i junman’n asiɛ wunmuan’n su. (1 Be Nyoliɛ 29:9) Aɔtɔ wie’m be o Ɲanmiɛn Sielɛ Sua’m be nun, be nga be kunndɛ kɛ bé mán be klunklo like kan’n, be fa gua nun. Blɛ sunman’n, be nga be gua sika aɔtɔ’m be nun’n, be dan lika timan aɲanbeunfuɛ. Be ti kɛ angbeti bla yalɛfuɛ nga Zezi kɛnnin i ndɛ’n sa. I waan bla sɔ’n fali jɛtɛ mma kanngan nɲɔn guɛli i Ɲanmiɛn sua nun lɔ sika guawlɛ’n nun. (Lik 21:1-4) Ɔ maan cɛn kwlaa, sran ngba kwla ‘yiyi sika nga i sa ju su’n sie’ naan ‘i like ng’ɔ bu i akunndan kɛ sɛ ɔ man-an ɔ ti kpa’n, w’a fa man.’—1 Korɛntfuɛ Mun 16:2; 2 Korɛntfuɛ Mun 9:7.\nZoova i Lalofuɛ’m be si kɛ, kɛ ɔ ko yo naan Zoova i klun sa’n w’a kwla kpɛn su’n ti’n, be nga be kunndɛ kɛ bé ‘fá be sa nun ninnge kpakpa’n wie bé lɛ́’ i ase’n, ɔ́ kán be awlɛn’n titi naan b’a suɛn i Sielɛ junman’n i bo.—Nyanndra Mun 3:9.\n?Ngbaciɛ benin yɛ ɔ wo Zoova i Lalofuɛ mun ɔ nin Ɲanmiɛn sulɛ wafa onga’m be afiɛn ɔn?\n?Junman benin yɛ be fa be klunklo su sika nga be man’n, be di ɔ?\n?NGUE YƐ BE FA SIKA’N BE YO Ɔ?\nAɔtɔ nga be klɛ su ‘ Dépenses de la congrégation locale ’ i nun sika’n, be fa tua kalɛ nga asɔnun’n bo’n. Ɔ kwla yo kalɛ nga kɛ asɔnun’n kplɛ́n i Ɲanmiɛn Sielɛ Sua’n, annzɛ kɛ ɔ́ síesíe i ye’n, ɔ boli i Betɛli biolo’n i sa nun’n. Aɔtɔ nga be klɛ su ‘ Œuvre mondiale ’ i nun sika’n, asɔnun’n fa suan mɛn wunmuan’n nun jasin fɛ’n bolɛ junman’n i bo. Sika sɔ’n kɔ Betɛli biolo’n i sa nun lɔ. I yɛ ɔ fa tua kalɛ nga ɔ bo’n niɔn. I nga ɔ ka’n, be fa kɔ nvle uflɛ nun ko uka be.\nE periodiki mun\nAn fa periodiki Sasafuɛ Tranwlɛ’n nin Réveillez-vous !\nMan ɔ klunklo like


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