Al-Shabaab oo mar kale Hanjabaad aad u Culus u Dirtay Dowlada Somaaliya | Wardoon Wardoon.net - Somali News\nAl-Shabaab oo mar kale Hanjabaad aad u Culus u Dirtay Dowlada Somaaliya\nUrurka Al-shabaab ayaa mar kale soo saartay fariin ay ugu hanjabayaan Mas’uuliyiinta iyo shaqaalaha ka tirsan DFS.\nSheekh Cali Maxamed Xuseen ”Cali Jabal’ oo Al-shabaab ugu magacaaban Gobolka Banaadir ayaa sheegay in Al-shabaab ay la socdaan dhaq dhaqaaqyada Mas’uuliyiinta iyo shaqaalaha DFS, waxa uuna sheegay in dhamaantooda ay muteysan doonaan waxa uu ku sheegay dilal iyo Qaraxyo.\nCali Jabal oo u waramaayay Idaacada Al-furqaan ayaa wacad ku maray inaysan cafin doonin xubnaha Dowladda la shaqeeya, islamarkaana ay aragti kala dhexeyso, sida uu hadalka u dhigay.\nCali Jabal oo hanjabaaya ayaa yiri ”Ragga madaxda ka ah Dowlada iyo kuwa la shaqeeya waan la socnaa inay ku dhuumaaleystaan xarumaha iyo goobaha ay moodaan amaanka. waxaan la socnaa in gudaha magaalada muqdisho ay ka buuxaan rag Jawaasiis ah iyo xubnaha kale ee Dowladda la shaqeeya dushooda hanaga fishaan”.\nWaxa uu intaa raaciyay hadalkiisa “Magaalada Muqdisho waxaa ka socda Hardan u dhaxeeya Islaamka iyo gaalada, habeen iyo maalin waa ay socdaan howlgalada ay mujaahidiinta ka sameynayaan magaalada Muqdisho ee cadoowga lagu beegsanaayo”.\n”Waxaan la socnaa in madaxdii xeryaha dowlada iyo kuwa AMISOM ay ku xaroodeen, waxaa Magaalada wareegaya ciidan iyo Jawaasiis, mujaahidiintana waxa ay go’aan ku gaareen inay beegsanayaan cid waliba oo gacmo u ah cadoowga ama miino aan la beegsano ama si kale aan ku dilno.”\nCali Jabal waxa uu sheegay in adeegayaasha Ururka ay ku sugan yihiin meel waliba oo ka tirsan magaalada Muqdisho, kuwaasina ay noqon doonaan kuwa beegsan doona shaqaalaha Dowlada.


Dhismayaasha veb-saytı və ya orta cajiib ah. Taas waa arrin hordhac ah laakiin waa qaçan dhab ah. Küve aad ka orta tahay wakhtiyadii hare taariikh ahaan sida aniga, dhismayaasha bogagga waa kuwa bogag intarnetka ah oo ah qalabka gawaarida ee baabuurta.\nWaxaa jira meelo badan oo hareeraheeda ah oo orta walbana wuxuu ku siinayaa waxa ku soo kordha mum isku orta ah – awood u leh inu abuuro internetka de degdeg ah iyo kaalmo yar. Awooddani waxay si gaar ah u caawineysaa ganacsiyada yaryar ama xitaa kuwa xor ah ee freelancerlər tan iyo markii ay ka baxayso koronto aan loo baahnayn taas oo si ka fiican loogu adeegsan karo meelo kale (sida kanus star Star);\nJerry’de mumi yarpaq kabinin xiriiriyaha Star Trek, lakiin dhibku waa sida ganacsi, dhamaanteen waan ognahay inay muhiim tahay in diirada la saaro dhaqdhaqaaqa ganacsigeena. Dhismaha websaydhku wuxuu noqon karaa ortada bir duman, lakiin marka ay fuddeeyso ilaa qiimaha xarashka kaydka ah ee ka soo baxa si aan u dhigno inaan la iska indho-tirin – waa waqtigii la fiirin lahaa fursadaha.\n0.1 Maxaad u isticmaashaa veb saytı?\n1 6 Tallaabooyin fud oo lagu dhisayo Veb səhifə-ka Ganacsi e Saytjet\n1.1 1. Dooro şablonu\n1.2 2. Ku dar maadada goobtaada\n1.3 3. Hagaajinta dheeraadka ah ee goobtaada\n1.3.1 Dhiso sumaddaada sumcadda internetka\n1.4 4. Ku dar maaddo firfircoon\n1.5 5. Suuq geynta SEO\n1.6 6. Soar saar veb-kaaga\n2 Haddii aad tahay Dizayner Veb saytı\n3 Qiimaha Kharashka Goobta Ganacsigaaga\nMaxaad u isticmaashaa veb saytı?\nShirkadaha oo dhan ma awoodi doonaan qorshaha, nakshadeynta və ya dhisida veb saytına oo u gaar ah. Waxay badanaa qaadataa waxti, xayraad iyo khibrad si ay u awoodaan inay soo saaraan mum xoqan. Ka fikir arintan – barnaamijka, va lagu qosli karaa sida ugu sahlan ee loo qoro oo loo maamulo barnaamijka "Salam Dünya" lakiin looyaqaan, iyagu xitaa ma garanayaan meesha laga bilaabo.\nŞübhəsiz ki, ardıcıl olaraq məkaniyada, şirkadaha sida Sitejet waxay la yimaadaan nidaamka dhismaha ee dhismaha kaas oo kuu ogolaanaya inaad isticmaasho qalabka la heli karo si aad u dhisatid boggaaga gaarka ah. Ka feker sida adoo isticmaalaya qalabka dhismaha ee horay loo soo dhejiyey, ka dibna duurjoogta ayaa la isticmaalaya.\nWaa dhakhso, waa fududahay waxayna ubaahan tahay meel u dhow xirfadaha farsamada farsamada. Aynu eegno sida fud u noqon lahayd dhisidda goobta ganacsiga leh Sitejet.\n6 Tallaabooyin fud oo lagu dhisayo Veb səhifə-ka Ganacsi e Saytjet\n1. Dooro şablonu\nSocodka caadiga ah ee aad la kulmi doonto Sitejet waa saxiixa (taas oo bilaash ah), sameyso shabakad, isbedel, ka dibna daabac (taas oo aad u baahan tahay inaad bixiso). Taasi waa hab aad u sahlan oo loo isticmaalo habka loo isticmaalo tan iyo markii aad ku qanacsaneyn inaad isticmaasho səbəb kasta, bax bax geli doonto hal hal.\nQapı şablonu ah ee bogga imtixaankayga.\nKa dib markaad diiwaan-geliso waxaad abuuri kartaba shabakad tablosuna-ka ah – geeddi-socodka ayaa kaa rabi doona inaad siiso magaca goobta və ya xulashada şablonu. Waxaa jira hareeraha Noocyada 20 yaşa qədər. Kuwani waxay kala duwan yihiin shakhsiyaadka gaarka ah ee shirkadaha guryaha iyo ganacsiyada suuq-geynta.\nDemo: Tusaalooyin Tusaalooyinka Saytjet\nCarFix – veb səhifəsinə baxın və ya günə baxın.\nPorter – Maababyada internet və ya mahaaadadaha yaar baararka.\n* Riix seyrka si aad u ballaadhiso.\n2. Ku dar maadada goobtaada\nMarka qalabka la eynieyo, waxaad bilaabi kartaa in aad bogga ku dhajiso adiga oo garaacaya badhanka habeynta. Tani waxay kuu keeneysaa qaabeyn dheeraad ah oo cabsi galin leh oo la Məsələn sida tiyaatarka tiyaatarka oo dhan meel dhan. Haddii aadan garanayn waxa aad u aragtid waa waxa aad helaysid (WYSIWYG) düşüncə, ka dibna waxaan kugula talinayaa inaad qaadatid daqiiqado yar si aad u raacdo safarka bilaabmaya bilowga. Mum walbana waa liisto.\nDhamaan boggaga ku yaal shaxanka ayaa lahaan doona qaar ka mid ah qaraalka meel bannaan oo keliya, si ay u tusaan waxa ay u egtahay. Waxyaabuhu waxay noqon karaan kuvan fud sidii ay u ilalin lahaayeen mum kasta ‘sida’ ‘iyo labalabeyn labadaba meel kasta oo qaraalka ah kadib markaad buuxisid.\nTifaftiraha Saytjet WYSIWYG.\nXitaa bar-barka eare bar naviqasiya ayaa la diyaarin karaa. Labaadna riix barta ya dhinaca bidixda, waxaad ku dari kartaa waxyaabaha ku jira menyu naviqasiya.\nMarka a dhajiyo edebta, la beddelo qaraalka vea sida fudd. Waxaad dooran karta sanduuqa waxaadna bedeli karta qaraaliya geliya, lakiin sidoo kale midabka qaraalka, kabbirka qaraalka, nooca iyo mum kasta oo kale – Microsoft Word tusaale ahaan.\n3. Hagaajinta dheeraadka ah ee goobtaada\nQaybta hore waxay ka koobantahay qaraalka, laakiin waad isbeddeli kartaa muuqaalka ya dareemida goobtaada. Mar labaad, laba jeer ku dheji mum muuqaal ah oo aad jeceshahay inaad bedesho oo dhinaca bidixda waxaad awoodi doontaa inaad bedesho aragti, waa cabbir, ku dar xiriiryo, ama mum kasta oo kale.\nHaddii aad rabto in aad bedesho sawir gebi ahaanba, kaliya laba jeer guji oo waxaad ku dhajin karta sawrradaada si aad u isticmaasho. Dhamaan sawirada aad gelisid waxaa lagu hayn doonaa maamulaha warbaahinta, diaarna u ahaato inaad isticmaasho wakhti kasta sidaa daraadeed waa inaad kaliya hal mar mar gudbisaa.\nSitejet ma bixiyaan seyrro si aad u isticmaasho sidaas darteed waxaad u baahan doontaa inaad ka hesho qaar ka ort ah adiga geligaa. Haddii aadan haysanin, ama ganacsigaagu aanu ahayn yarı yolda qaldı, waxaa laga yaabaa inaad tixgeliso qaar ka mid ah boggaga sawirrada side Getty Images halqaas oo aad ka iibsan kartid sawira ama sawirrada. Google-dan başqa bir şey yoxdu, Google-a baxın və ya maleyn karta inadad dacwo və haysato xadgudubka müəllif hüquqları.\nDhiso sumaddaada sumcadda internetka\nXitaa haddii aad taha astan la aasaasay, internetde wa wax laga yaabo ina mum iska beddelaan. Waxaad ogaan kartaa in habka aad adigu magac ku yeelatid marwalba aysan quseynin khadka tooska ah.\nXaaladdahan, waxaad go’aansan karta inaad laba siyaabo midkood u marto. Waxaa laga yaabaa inaad jeclaan lahayd inaad dhisto websaydh shakhsiyeed, ama si dhammaystiran dib-u-sumayn. Nasiib wanaagse, tani maahan inay adkaato. Waxa jira adeegyo qaarkood oo ku saleysan webka oo kuu oggolaanaya inaad la shaqeyso sida saxda ah ee astamo-qorista aad u baahan tahay.\nTusaale – Astaan və abuuray şirkaddeena istəkma loqotipi Bilaash ah oo Bilaash ah.\nQalabaynta, tusaale ahaan, waxay ku bilaabi karta kaliya naqshad astan aasaasi ah, ama waxaad kaheli kartaa inay dhisaan buuggaaga sumadda oo dhan – isla markaaba qaababka cusub ee qalabaynta.\n4. Ku dar maaddo firfircoon\nDabcan, tani waxay ahayd wakhtigii miyususga, səbəbi ay u dejinayso qaraalka ya seirada? Ku dar maaddo firfircoon oo lagu dhiirrigelinayo kuna dhiiri galiya daawadayaashaada. Waxaad ku dari karta waxyaallaha fiidiyoowga ah ya walxaha warbaahinta bulshada sida isku xidhka bogga ganacsigaaga bogga Facebook.\nBir naviqasiya və ya naviqasiya, siçan makaamiishaadu ilə görüşmək, ya da heli karta meheraddaada ganacsigaaga boggaaga internetka? Dhammaan waxan kaliya maaha inay soot qabartma, lakiin waxay u shaqeeyaan sidii fuddeeyaha ganacsigaaga.\n5. Suuq geynta SEO\nIyadoo malaayiin ka orta ah bogagga interneta baxın, la fayda yolunda fududahay. Ganacsiga yaryar, ma fududa ama jaban si aad u hesho qof kaa caawiya SEO-gaaga. SEH-gaaga asaga oo kaaga yimaada Sitejet dhexdeeda.\nBog kasta oo ka orta ah boggaaga, ama xulashada la xushay waxaad awoodi doontaa inaad sheegto ereyada muhiimka aho sharraxaadaha kaa caawin doona inaad soo dhejiso websaydhkaaga darenka shabakadaha webka sida Googlebot.\nSizə SEO və ya seawsan seo SEO ilə əlaqəli karto ganacsigaaga, yaxşı Jerry ee ku saabsan SEO 101 aad u hesho fikado aad ku duubi kart goobta ganacsigaaga si aad u hesho waxtarka ugu sarreeya.\n6. Soar saar veb-kaaga\nMarkaad tagto dhammaan tallaabooyinka kor ku xusan oo aad ku qanacsan tahay boggaaga cusub, waa waqtigii lagu heli lahaa adduunka. Si fudd u riix badhanka waxaadna u furan karta ganacsiga – marka aad doorato qorshahaaga lacag bixinta, dabcan.\nSitejet waxay daabacdaa veb saytı gəlir və ya $ 5 ilə istəklərini ödəmək üçün $ 5 – waxaa jira gebi ahaanba mum lacag ah oo loo isticmaalo isticmaalka Dhismaha Bogga. Waxay ku siinayaan maalmo 14 ah si aad ula ciyaarto dhexdhexaadinta oo aad u dhisto veb saytı-kaaga, dhab ahaantii. Sedadedi u sameysid goobta aasaasiga ah waxay kaa qaadi doontaa daqiiqado 20 haddii aad sooman tahay oo aad ogtahay waxa aad rabto – badan oo aad qaadato wakhti aad ku qaadatid tababbarka ama sameyso mee kuba avana.\nSida tilmaamaha waxaan dihiiqado ilə 25 ay filanayaan ay şablon şablon, saacadaha 2 ama mum ka badan haddii aad rabto muma ah, ama maalmo yar si aad gabi ahaan uga noqoto goob ka soo xoqdo.\nHaddii aad tahay Dizayner Veb saytı\nSitejet waxay u oggolaaneysaa isticmaalayaasheeda ay abuuraan mashaariic dhowr ah (bogag) mawduucooda, sidaas darteed haddii aad tahay naqshadeeye websaydh oo sitga boggaga macaamiisha qala duwan, tanina siar gaar ahayey kui. Ma aha oo kaliya inaad ogolaato in aad tirtirto mashruucyo badan, laakiin waxaa jira dhisme muuqda oo wax ku ool ah oo sidoo kale kaa caawin kara inaad ka shaqeyso bogga internetka oo leh jawaab celinta macaamiisha hal dhac.\nWaxa kale oo aad la shaqayn kartaa saaxiibka – waxaad u maleyn kartaa in uu yahay naqshadeeyaha garaafka ah isla markaana u qoro warqado si ay u dhistaan qaybtooda intaad adigu sameysid. Marka dhan tan la eynieyo, kontoroolka goobta ayaa lagu anbara karaa macaamiisha iyaga oo leh guddi madax bannaan. Waxay ku qori karaan qaraalkooda waqti kasta!\nQiimaha Kharashka Goobta Ganacsigaaga\nHad, ya aad u bixiso qof si aad u dhisatid bogga aasaasiga ah ee aad ku soo celinayso mum ka hooseeya $ 300 ila kun oo doolar – oo aad weli ku dhali doonto regiona sanadlaha ah ee magaka shirkada ganacsiga iyo marti gelinta veb.\nQorshooyinka Sitejet və qiimaha – Riix halkan inaad isbarbardhigto oo aad dooratid qorshe adiga kuu habboon.\nDhab ahaantii, waxaa jira shirkado websaydhiyada mart galiya kuwaas oo si farxad leh uga baaraandegi doona $ 5 bitei Sitejet waxay waydiisaneysaa. Waxaan ogsoonahay in ganacsigaba, aad u badan tahay in aad diirada saaxo waxa aad ku fiican tahay, laakiin Saytjet oo aad u fud in la abuuro boggeena gaarka ah, maxaad u qarineysaa lacag dheeraad ah?\nHadaadan maqal Həyat tərzi, 3D internet və 3D fayda, xalqaas oo aad doorato avatar,\nDhismayaasha网站-yada waa mid cajiib啊。 Taas waa arrin hordhac ah laakiin waa run dhab ah。\nLloc web de Dhismayaasha-yada waa mid cajiib ah. Taas waa arrin hordhac ah laakiin\nDhismayaasha veebisait-yada waa keset cajiib ah. Taas waa arrin hordhac ah laakiin waa joosta\nDhismayaasha website-yada waa mid cajiib ah. Taas waa dorazí hordhac ah laakiin waa run


Ciidamada Gumeysiga Itoobiya oo Gubey Tuulada Fooljeex oo 11km u jirta Magaalada Qabri Dahare..\nHALKAN KA DHEGEYSO TUULADA LA GUBEY...\n"Dadkaasi waxay ka mid yihiin dawladaha deriskeena, Gumeysina kuma jiraan" Geedi\nDHEGEYSO SIDII LOO GUBEY TUULADA FOOLJEEX\n"Haddii uu Geeddi inkiray dhibaatada lagu hayo dadka Soomaaliyeed ee ku jira gacanta gumaysiga Itoobiya, su' aasha iswydiinta mudani waxay tahay Itoobiya ma nabad gelin doontaa dadka uu sheeganayo in uu Geeddi Ra' iisulwasaaraha u yahay ee ku nool gabollada laga taageersanyahay dowladda uu garwadeenka u yahay?" Sidaas waxaa yiri qoraa Soomaaaliyeed...\nDHEGEYSO COD OOGOOS AH... Guji..\nNov 22, 2005: Wararka naga soo gaadhaya Gobolka Qoraxey ayaa sheegaya in xasuuqii Ciidamada Itoobiya u geysteen Magaalada Qarbri Dahare bishan Nov 15, 2005 uu ku sii fidayo guud ahaan Gobolka Qoraxey.\nWarku wuxuu sheegayaa in fal dambiyeedyadii ugu dambeeyey ee ay Ciidamada Gumeysigu kula kacaan shacabka Ogadeeniya ay ka dhacdey shalay oo taariikhdu ahayd Nov 21, 2005 tuulada FOOLJEEX oo 11 km u jirta Magaalada Qabri Dahare. Halkaas oo ay Ciidamada cadowga Itoobiya dab qabadsiiyeen dhamaan tuulada oo dhan.\nWariyaha Ogaden Online uga soo waramaya Gobolka Qoraxey ayaa shegaya in Tuulada Fooljeex ay taaley hanti aad u badan oo ah dalagii beeraha Gobolka Qoraxey ka soo go'ay sanadkan, sida Maracaato iyo Banka Qoraxey halkaas oo si daabul ah lagu keenay Fooljeex oo ku taala meel caro adeyg ah, iyadoo lagala soo cararey Roobabkii dayrta iyo Daadad halis geliyey in ay la tagaan.\nShir looga hadlayay Xuquuqul insaanka iyo xasuuqii Q/daharre oo ka dhacay Magaalada Nairobi ee dalka Kenya\nShir si heer sare ah loosoo agaasimay oo ay kasoo qaybqaleen ugaasyo, salaadiin, aqoonyahano iyo dhamaan qaybaha bulshada Sida Haweenka iyo dhalinyarada,iyo masuuliyin ka tirsan Jabhada wadaniga Xoraynta Ogadeniya ayaa ka dhacay Xarunta wadanka Kenya magaalada Nairobi taariikhdu markay ahayd 20 Novembar 2005.\nShirkaas oo ku bilawday jawi aad u dagan ayaa waxa aayado qur’aan ah ku furay Sayid Xasan Cabdilaahi ,halka uu gabay Gubaabo ah ka so jeediyay Abwaanka weyn ee caanka ah Ahmed Sheekh Cali (Heelaale) gabaygaas oo ka hadlayay soyaalkii taarikheed ee halganka Ogadeniya iyo dhibaatoyinkii loo soomaray halganka Ogadeniya ka socda .\nGabaygaas oo kasoo qaybgalayaashii shirka dareenkooda aad usoo jiitay aadna u qiira galiyay ayaa dadka wajiyadooda waxaa ka muuqday Murugo aan laqiyaasi Karin.\nKadib waxaa codbaahiyaha lagu soo dhaweeyey Suldaan Aden yuusuf (Taani) oo kamid ah xubnaha Golaha dhexe ee JWXO ahna ku xigeenka Hay’ada daba galka ee JWXO.\nSuldaanku wuxu ka warbixiyay xaalada uu halganku marayo. Iyo xalada guud ee ay ku sugantahay Itoobiya.\nWuxuu kaloo ka hadlay xasuuqi loo gaystay Dadkii rayadka ahaa ee 15kii bishan November 2005 lagu xasuuqay xarunta gobolka Qoraxay ee Qabridahare wuxuna cadeeyay in uusan ahayn markii kowbaad iyo markii u danbaysay ee cidamada Itoobiya ay xasuuqaan dad aan waxba galabsan markasta.\nWuxu xusay Suldaanku xasuuqii shilaabo ee dadkii BBC-da dhagaysanayay lagu laayay kii Farmadow ee 26 bishii October lagu xasuuqay dad aan waxba galabsan oo isugu jiray dumar iyo rag aan wax danbi ah galin iyo 23 bishii October oo Daakhato lagu xasuuqay dad farabadan.\nWaxaa uuna shegay in ay joogta yihiin falalka noocaan ah ee ay cidamada gumaysiga Itoobiya kula kacaan shacabka Ogadeniya .\nUgu dambayntiina wuxuu Suldaanku tacsi u diray dhamaan shacabka Ogadeniya gaar ahaan ehelada iyo qarabada ay ka tageen shuhadadii lagu xasuuqay dhamaan goobahaas uu shegay. Gaar ahaana midii Qabridahar ee dadkii shicibka ahaa sida naxariis darada ah xabada loogu furay.\nWaxaa hadalkii la wareegay Ugaas Cabdulahi Cabdi Aar ( Laba qayad).\nUgaasku wuxu ugu horaynba tacsi u diray dhamaan shacabka ogadeniya gaar ahaan ehelada ay ka ka tageen shuhadada lagu xasuqay Qabridahare.\nIsaga oo muujiyey Ugaasku sida u uga xunyahay falka waxshinimada leh ee lagula kacay maxaabiista iyo dadka rayadka ah ee aan waxba galabsan.\nUgaasku isaga oo aad u xanaaqsanaa wuxu canaan usoo jeediyay Guud ahaan dadka reer Ogadeniya ee ku dhaqan dalka Kenya isaga oo ku tilmaamay in ay yihiin dad Fulayaal ah oo aan dareenkooda muujin karin wuxuuna yidhi Ugaasku sidan:\nMa aha inta aan Guri isugu nimaadno aan ku wada had-hadalo ee waa in aan boodhadh qaadano oo aan isu soo baxno oo aan ku mudaaharaadno banaanada si aan caalamka ula socodsiino dhibaatada uu shacabka Ogadeniya ku hayo taliska Addis ababa waxaa kale oo ugaasku si gaar ah u canaantay ganacsatada Reer Ogadeniya ee ku dhaqan Kenya isaga oo sheegay in aysan jirin cid ka hanti badan isla markaana tilmaamay sida ay uga jiifaan taagerada Halganka wuxuna ku tilmaamay in ay yihin Dad kaligood noolayaal ah oo anan dhibka la qaybsan dadkooda\nGabagabadi hadalka waxa uu ugaasku eed dusha kaga tuuray beesha caalamka isaga oo shegay in ay ku guul daraysteen in ay wax ka qabtaan dhibaatada iyo xasuuqa isirsifaynta ah ee gumaysiga itoobiya ku hayo dadka Rer Ogaadeniya.\nUgu danbayn wuxu ugaasku besha caalmaka iyo Hay’adaha xuquuqul insaankaba ugu baaqay in ay so faragaliyaan arimaha ka dhacayaa Ogadeniya.\nKadib waxaa hadalka qaatay suldaan Cabdilaahi Gabaabe (Suldaanka beesha Garaha) suldaanka oo kasoo qayb qaatay halgankan kii ka horeeyay ee 77(Ogadenwar) wuxuna si kooban uga hadlay Soyaalka taariikheed ee dalka Ogadeniya wuxuna ugu baaqay dadka Ogadeniya in ayna ka caajisin Halganka isaga oo shegay in uusan dhamaan Gumaysigii hase ahatee uu haatan ugu daranyahay wuxuuna Soomaalida Ogadeniya ugu baaqay in ay umidoobaan cadawgooda.\nSuldaan gabaabe wuxuu tilmaamay in uu dhibka iyo cadaadiskuba wada saameeyay Guud ahaan dadka ku dhaqan gobalka isaga oo tusaale usoo qaatay xasuuq ka dhacay badhtamihi sanakdan Tuulada Areero ee dagmada Mooyaale ee gobalka Liibaan halkaas oo ay cidamada wayanuhu kudileen dad kabadan 70 qof oo u badan dumar iyo caruur waxaa kale oo uu suldaanku ku nuuxnuuxsaday inaanu magaca Ogadeniya qabiil ahayn isaga oo sheegay inuu lamid yahay magacyada Kenya Jibouti Somalia ee ay gumaysatayaashu bixiyeen waxaanu nasiib daro ku tilmaamay inay wali jiraan dad sidaa aaminsan.\nWaxaa isna hadalgaaban kasoo jeediyey madasha shirka suldaan C/llaahi M. Askar suldaanku wuxxu kahadlay halganka 100ka sano inkabadan kasocday wadanka iyo dadaalka ay jabhaduhu samaynayen iyo sida markasataba uu halganku uga dhutinayo dhanka shacabka waxaanu ku dhaliilay shacabka iyo ganacsatada inay gabeen taageerada halganka islamarkaana wuxuu ugu baaqay inay taageeraan halganka xaqa ah ee ay jwxo hormuudka katahay.\nDhinaca hooyooyinka waxaa iyana kahadashay shirka Cibado Daahir oo kucanaanatay salaadiinta iyo odayaal dhaqameedyada inay gabeen kaalitoodii hogaaminimo iyo abaabulkii bulshada halgankuna uu dhinacadooda kajiifo. Waxayan ku dhiri galisay in ay boodhka iska jafaan dalkooda iyo dadkodana xil iska saaraan.\nWaxaa hadal gabo gabo ah kusoo xidhay shirka Suldaan Aadan Yuusuf (Taani) waxaanu ooga waramay dadka xaalada ay haatan kusugan tahay siyaasada Itoobiya iyo inay bur bur ku dhawdahay waxaanu ugu baaqay inay udiyaar garoobaan siday uhanan lahaayeen wadankooda.\nGaba gabadi shirka oo lagu soo khatimay gabay uu meesha ka tiriyay Abwaanka caanka ah ee Axmed Shekh Cali (Heelaale) ayay ahayeen Go’aamadii kasoo baxay shirka kuwan:\n1: In taageero buuxda lala garab istaago halganka Hubaysan ee kasocda Ogadeniya ee ay hormuudka ka tahay JWXO.\n2: In besha caalamku si dag dag ah wax uga qabato Gabood falada Hadh iyo habeen ay lasoo tagantahay Itoobiya.\n3: In dhacdadii Xuusuqa ahayd ee dhawaan ka dhacday Qabridaharre beesha caalamku kula xisaabtanto Itoobiya wixii ku haboona ay la kulanto Itoobiya.\n4: In la sameeyo banan baxyo ka dhaca meel walba laguna muujiyo xasuuqyada Itoobiya ka gaysatay Ogadeniya.\n5: In hay’adaha xuquuul insaanku si dag dag ah uga hawlgaan Ogadeniya si ay usoo xaqiijiyaan dadka marwalba lagu laayo Ogadeniya.\n6: In reer Waqooyigu ka waantoobaan Dhibka ay ku hayaan shacabka Ogadeniya ee walaalahooda ah ee ay marwalba ku dhibayaan Hargaysa iyo Burco soona daayaan dhalin yarada sida xaqdarada ah ugu xidhan jeelka Hargaysa hadi kale dhibku si socon doono\nHaguulaysto Halganka Ogadeniya.\nHaguulaystaan Shabka Ogadeniya ee ma dalayasha ah.\nJaaliyadda Ogadenya ee Wadanka Kenya\nShir lagaga hadlayay xasuuqii Qabridaharre oo ka dhacay Wadanka Denmark\nJaaliyadda Ogadenya ee wadanka Denmark ayaa shir dagdag ah isugu timid maalinimadii Sabtida ahayd ee taariikhdu ku beegnayd 19-11-05.\nShirkaas oo ka dhacay xarunta jaaliyada ee caasimada Copenhagen ayaa waxaa kasoo qayb galay xubnaha jaaliyada Ogadenya ee wadanka Denmark oo ay ka dhex muuqdeen madax sarsare oo ka tirsan Jabhadda Waddaniga Xoraynta Ogadenya.\nWaxaa kaloo shirka kasoo qayb galay shacabweynaha Ogadenya ee ku nool Denmark oo ay wajiyadoodu ka muuqatay cadho aan la qiyaasi Karin.\nShirkan oo lagaga hadlayay xasuuqii foosha xumaa ee ciidamada gumaysiga wayaanuhu ku xasuuqeen maxaabiistii iyo shacabkii magaalada Qabridahare ayay madaxda jabhada ee ka qabygashay shirkaas siiyeey dadweynihii wararkii ugu dambeeyey ee kusaabsanaa xasuuqaas iyo siday wax u dhaceenba.\nDadweynaha kasoo qayb galay shirkaas oo aad wajigooda ka akhrisan kartay siday uga xumaayeen xasuuqaa iyo cadhada ay u qabeen gumaysiga itoobiya ayaa wacad isku marsaday inay hiil iyo hooba la garab sitaagaan jabhada wadaniga xoraynta ogadenya,waxaa kaloo kasoo qaybgalayaashii shirka ay si buuxda iskugu raaceen inay gurmad dagdag ah u fidiyaan maxaabiista inta dhaawaca ah,intii la xasuuqay eheladoodii iyo weliba shacabkii ku wax yeeloobay xasuuqaas.\nWaxay kaloo isku afgarteen kasoo qayb galayaashii shirka inay sida ugu dagdaga badan u qabtaan banaanbax lagaga soo horjeedo gumaadka iyo xasuuqa ciidamada wayaanuhu ku hayaan shacabka Soomaalida Ogadenya.\nShirka Birmingham, UK\nMalintii sabtida ahayd ee 19/11/2005 waxaa magaalda Birmingham, cariga ingiriiska kadhacay shir aad u balaadhan ,Shirkaas oo ay kasoo qayb galeen dad fara badan oo matalahayey ururada bulshada. Siyaasada, aqoonyahanada iyo cuqaasha Ogaden kuwaas oo kakala yimid magaalooyinka Birmingham, Northhampton iyo Coventry. Shirkaas waxaa soo qabanqaabisay jaaliyada Ogaden ee Birmingham.\nArimo farabadan oon halkan lagusoo wada koobi karin ayaa shirka lagu qaadaa dhigay, kuwaas oo ay ka mid ahaayeen gumaadka iyo xasuuqa joogtada ah ee uu gumaysiga Ethiopia ka wado Ogaden. Sidoo kale, wuxuu shirku falanqeeyay walaacna ka muujiyay sida naxariis darada ah ee ay maleeshiyada Hargeysa u xidh xidho ama cadawga ugu dhiibto dadka Ogaden.\nUgu danbayntiina wuxuu shirku soo saaray gu’aamadan iyo baaqyadan hoos kuxusan:-\n1. In Cadho iyo diidmo laga muujiyo gumaadka iyo xasuuqa joogtada ah ee Gumaysiga Ethiopia kawado Ogaden. Tusaale ahaan, Qabridahare, Farmadow iyo Shilaabo …..iwm ayaa ahaa dhacdooyinkii ugu danbeeyey ee uu gumaysigu kulaayo dadwaynaha rayadka ah ee Ogaden.\n2. In la taageero, bogaadiyo lana dhiirigalo dadwaynaha Ogaden ee kugacansaydhay qafaalka iyo raafka uu taliska Tigeegu kawado Ogaden. Taas oo ay ujeedada kadanbaysa tahay in uu ciidan ku uruursado; si uu uga horgeeyo dagaalka uu kula jiro wadanka Eritrea kaas oo khatar galinaya guud ahaan nabadgaliya Geeska Afrika oo awalba qasnayd.\nSi labadaas qodob ee kor kuxusan ficil loogu muujiyeyo, wuxuu shirku ugu baaqayaa dhamaan jaaliyadaha Ogaden ee kadhisan aduunka dacaladiisa in ay hawlgalo kala gadisan bilaabaan kuwaas oo ay kaga soo horjeedaan Gumaystaha Ethiopia ee ay maleeshiyada Tigreegu horkacayso. Waxaa si gooni ah shirku u carabaabay:-\na) Kubanaanbixida safaaradaha gumaysigu kuleeyahay meelkasta oo aduunka kamid ah, sidoo kale dhaamaan masuuliyiinta Gumaysiga ee boqanaya wadamada dibada. Wuxuu shirku jaaliyadaha kacodsanhayaa in qodobkan sida ugu dhakhsahabadan loo hirgaliyo.\nb) In Qoraalo iyo warbixino saxaafadeed laga soosaaro Xasuuqa iyo Qafaalka Gumaysigu kawado Ogaden, iyada oo la adeegsanhayo qalabka warbaahinta aduunka ee kala gadisan.\nc) Aruurinta magacyada dadka wax yeelada naf iyo hantiba lahi ay ka soogaadhay Gumaadka iyo xasuuqa gumaysiga siloogu gudbiyo ururada udooda xuquuqul insaanka sida Amnesty International.\nd) In Waraaqo iyo dhanbaalo isdaba joog ah uu qofwaliba udiro Xubinta Baarlamaanka ee xaafadiisa/dagmadiisa (MP) iyo wasaarada arimaha dibada (Ministry of Foreign Affairs) ee dalka uu ku noolyahay. Kuwaas oo lagu qeexahayo falalka bani aadam’nimada kabaxsan ee uu Gumaysigu kawado Ogaden. Waana in aan cadayno in ay dhibaatadaasu na taabanayso. Sidoo kale, ka codsano in Gumaysiga culays dhinaca diblamaasiyada ah lasaaro, si uu uga waantoomo xumaynta iyo dulaysiga Shacabka Rayadka ah ee Ogaden.\n3. In la canbaareeyo maleeshiyada Hargaysa ku amartaaglaysa kuwaas oo si dulmi ah u xidhxidha ama gumaysiga udhiiba dadka udhashay Ogaden.\n4. In loo mahadnaqo dadwaynaha Ogaden ee dibada/qurbaha kunool kuwaas oo taageero hiil iyo hooba leh lagarabtaagan dadkooda gudaha kunool iyo guud ahaan arimaha khuseeya qadiyada Ogaden. Sidoo kale, waxaa mahad naq mudan dadwaynaha Ogaden ee degaankii kusugan kuwaas oo dulqaad iyo adkaysi badan muujiyey dhulkoodiina kufara adaygay.\n5. Si loo qiimeeyo wixii qabsoomay hawshana loo sii balaadhiyo wuxuu shirku ugu danbayntii go’aamiyey in la’isugu soolaabto shirwayne danbe kaas oo la’isku afgartay in uu ka dhici doona magaalada Northampton bisha December/2005.\nGudidii qabanqaabada shirwaynaha soosocdana waa lamaqacaabay, waxaana lagala soo xidhiidhi karaa hiinraag@yahoo.co.uk\nShir ay isugu yimaadeen dhalinyarada Ogadeenya ee ku dhaaqn wadanka koonfur\nAfrika taariikhdu maarkay ahayd 19/11/05 ayay shir isugu yimaadeen dhalinyarada Ogaadeenya ee Ku dhaqan nawaaxiga magalaad Johannesburg shirkan oo aad loosoo agaasimay ayaa\nwaxaa soo qaban qaabiyaya unugta Johannesburg waxaana isugu yimad dhalin yaro\naad u xamaasadaysaan kana tiiraanyasan xasuuqii kadhacay magalaada q/darahe 15\nbishan ee loo gaystay maxaabiistii sida sharci darada ah ugu xidhnayd xabsiga\ndhexe ee Q/dahare iyo bulshada rayadka.\ndhalinyaradu waxay tacsi u direen dhamaan umada Ogaaadeenya gaar ahaan eheladii iyo asaxaabtii ay marxuumiintu ka tageen waxayna illahay uga baryeen in uu unaaxriisto intii geeriyootay inta dhaawaca ahna caafimaad iyo xoriyadoodii oo u soo noqota dhalinyaradu waxay canbaarayn usoo jeediyeen taliska wayaanaha ee dhiigyacabka ah iyagoo ku\ntilmaamay arintani in ay tahay mid si fiican uga markhaati kacaysa ujeedada\nitoobiya ee ku salaaysan dad cunimada iyo dulimi ku noolaanshaha.\ndhalin yaradu waxay beesha caalamka iyo hay'adaha u dooda xuquuqul insaankaba ka codsadeen in la cambaareeyo dawlada itoobiya ee caadayastay ku tumashada xuquuda daadka ay gumaysato dhalinyaradu waxaa kale oo ay taageertaay baaqa ay JWXO kasoo saartay dhacadadan naxdinta leh waxayna Amaan usoo jeediyeen dhalinyaradu Jabhadda Waddaniga Xoraynta Ogaadeenya oo si hufan isaga xilsaartay ilaalinta iyo ka danqashada shacabka Ogaadeenya ee gumaysigu daashaday ugu daambaystii dhalin yaradu waxay balan qaaday in ay si waafi ah isu garab tagayaan halagnkooda xaqa ah iyagoo sii wadi doona kulamadooda si ay u buuxiyaan kaalinta kaga Aadaan hawlaah halagnka hadii eebe idmo waxayna u soo jeediyeen dhamaan dhalinyarada Ogaadeenya meel ay joogaanba inay isu taagaan una dhiidhiyaan gobanimadooda waxay xuseen inay dhalinyaradu tahay udub dhexaadka bulsho waliba leedahay ee ay ku dhaadato sidaas darteed loobaahan yahay ina ay dhalinyaradu ka muuqato\nkaalinteeda si dag gad ahna loo aas aaso urur dhalinyaro oo isku xidhan\nRaxmaad keenadiid Johannesburg\nISHA:: Wararka Radio Xorriyo...


Somaliland oo Qoys Masiixiyiin ah u Mustaafurisay Soomaaliya | Somaliland Post\nHome News Somaliland oo Qoys Masiixiyiin ah u Mustaafurisay Soomaaliya\nHargeysa (SLpost)- Xukuumadda Somaliland ayaa dalka ka mustaafurisay lammaane u dhashay dalka Soomaaliya oo bishii October ee sannadkan ciidamada ammaanku ka qabteen gudaha magaalada Hargeysa.\nLammaahan oo aan magacooda la xusin, ayaa Xukuumaddu u mustaafurisay dalka Soomaaliya oo labadooduba u dhasheen, qoysaskooda iyo carruurtooduba ku nool yihiin.\nDadkan, ayaa lagu eedeeyey inay dalka ka wadeen hawl-gallo ay ku faafinayaan Diinta Kiristaanka, waxaanay ciidamadu ka qabteen guri ay ka degganaayeen magaalada Hargeysa horaantii bishii October ee Sannadkan.\nLammaanahan ayaa xorriyaddooda loo celiyey horaantii bishan November, kaddib markii ay kiiskooda go’aan ka soo saartay Maxkamadda gobolka Maroodijeex oo tiraba dhowr jeer la horgeeyey. Maxkamadda ayaa amartay in dalka laga mustaafuriyo lammaanahan iyo ilmo yar oo ay dhaleen.\nSida ay qortay warbaahinta u doodda xuquuqda Dadka masiixiyiinta ah, qareenka u doodayey lammaanahan ayaa sheegay in maxkamaddu go’aankan soo saartay kaddib markii arrintooda ay soo fara-galiyeen Wakiillo ka socda dalalka Midowga Yurub oo xukuumadda Somaliland kala hadlay.\nWarku waxa uu intaas ku daray in lammaanaha oo uu weheliyo ilmo yar oo ay dhaleen loo mustaafuriyey Soomaaliya, halkaas oo ay ku nool yihiin qoysaskooda iyo Laba carruur ah oo ay dhaleen.\nAfhayeenka Ciidanka Booliska Somaliland ahna taliyaha laanta Dambi-baadhista ee Gaashaanle sare Faysal Xiis, ayaa bishii October 5-teedii sheegay inay gacanta ku dhigeen laba qof oo lagu eedeeyey inay gudaha dalka ku faafinayeen Diinta Kiristaanka.


Sawirro+Codad:Wafdi Ka Socday Xarakada Al Shabaab oo Kormeer Ku Tagay Magaalooyin iyo Deegaanno Katirsan Gobolka Mudug.\nMonday November 14, 2016 - 17:18:23 in Wararka by\nMas'uuliyiin ka socotay wilaayaatka Islaamiga Galguduud iyo shabeellaha dhexe ayaa socdaal ku tagay deegaanno iyo degmooyin katirsan gobolla Mudug ee dhaca bartamaha dalka Soomaaliya.\nSocdaalkaan oo ahaa mid bulshada lagu dhiiri gelinayay in ay isbarbar taagto ku dhaqanka shareecada Islaamka waxaa qeyb ka ahaa Odayaal dhaqameeyo iyo abwaana Soomaaliyeed.\nMas'uuliyiin ay kamid ahaayeen Sheekh Xasab Yacquub Cali Waalliga Galguduud, Sheekh Yuusuf Kaba Kutukade Waaliga Sh/dhexe iyo Sheekh Abuu Cadnaan Waaliga Mudug ayaa shacabka ku dhaqan magaalooyinka Xarardheere iyo Jowllo kula hadlay fagaarayaasha iyo Masaajidda waxayna uga warbixiyeen halka uu marayo dagaalka ka dhanka ah ciidamada gumeysiga ee Soomaaliya kusoo duulay.\nSaraakiisha ka socota Shabaabul Mujaahidiin ayaa shacabka ku dhaqan gobolka Mudug kula dardaarmay in ay kasoo dhalaalaan kaalintooda ku aaddan halganka lagula jiro ciidamada Xabashida Itoobiya iyo xulufadeeda AMISOM.\nKulamada oo ka dhacay Masaajidda iyo fagaarayaasha waxaa ka qeyb galay qeybaha kala duwan ee Bulshada gobolka Mudug, salaadiin iyo Abwaano soomaaliyeed ayaa iyana qeyb ka ahaa socdaalka lagu taageerayay ku dhaqanka shareecada Islaamka ee Mudug.\nAbwaaniinta socdaalka qeybta ka ahaa waxaa kamid ahaa Abwaan Taakoow Macalin Ciise iyo Abwaaniin kale kuwaasi oo gabayo guubaabo xambaarsan ka jeediyay fagaarayaasha gobolka Mudug.\nHalkan ka dhageyso Kalimadda Sheekh Xasan Yacquub MP3\nHalkan ka dhageyso Kalimadda Sheekh Abuu Cadnaan+Gabay MP3\nCiidamo katirsan Nabad sugidda oo Gadood ka sameeyay Muqdisho.\nAskari katirsanaa maamulka 'Somaliland' oo lagu dilay gobolka Awdal.\nWasiir katirsan maamulka Somaliland oo laga helay Carona Virus.\nAskar katirsan dowladda oo lagu dilay Muqdisho iyo Beledweyne.\nAskari katirsan maamulka Puntland oo dad shacab ah ku dilay Gobolka Mudug.


Taliyaha Qaybta Booliska Togdheer Oo Ka Waramay Dad Loo Xidhxidhay Shaqaaqadii Ka Dhacday Gunbur Libaax – Wargeyska Saxafi\nTaliyaha Qaybta Booliska Togdheer Oo Ka Waramay Dad Loo Xidhxidhay Shaqaaqadii Ka Dhacday Gunbur Libaax\nBurco, Somaliland, December 2, 2016, (Saxafi) – Taliyaha Qaybta Booliska Gobolka Togdheer Axmed Maxamed Guutaale ayaa sheegay in dhowr eedaysane loo qabtay shaqaaqo dhimasho keentay oo doraad ka dhacday tuuladda Gunbur Libaax oo ka tirsan Gobolka Togdheer.\nTaliyaha oo warbaahintu wax ka weydiisay arrimahan ayaa xaqiijiyay dhimashada hal nin iyo dhawr qof oo ay dhacdadan u soo qabteen waxaanu yidhi. “Shalay (Doraad) ayay meesha la yidhaahdo Gumbur libaax isku dileen laba beelood oo halkaa wada dega qasaaraha ka dhashay ee dhimashona waa hal qof dadkii kiiskaa loo aanaynayana shan qof oo mid dhaawac yahay ayaanu soo qabanay imikana hawl gal ayaanu ku jirnaa warkaa wixii ka soo kordhana dib ayaanu ka soo sheegi doonaa.” sidaa waxaa yidhi Taliyaha Qaybta Booliska Gobolka Togdheer.\nTuulada Gumbur -libaax ayaa dhanka fuunfur Bari ka xigta magaalada Burco kana tirsan gobolka Togdheer, waxaana arrintu ka dhalatay muran la xidhiidha dhinaca dhulka, laakiin, hawshaas hadeer ciidamadda amaanka ayaa gacanta ku dhigay. Waxaana xogaha aanu haynaa sheegayaan in aan wax dhibaato ah oo laga baqaa waqtigan jirine meel fiican marayso sidii loo soo afjari lahaa xiisadani.\nDecember 2, 2016 Wargeyska SaxafiCiidanka Booliska Somaliland, Dagaal, Gobolka Togdheer, Gumbur Libaax, Shaqaaqo\nPrevious Previous post: “Ri’ Buu Masaasad Siiyay Oo Dumar Buu Roodhi U Qaybiyey, Islaanna Xaabo Ayuu La Qaadaye U Codee”\nNext Next post: “Is-Bahaysiga, Is-Gaashaanbuuraysiga Iyo Is-Xulafaysigu Waa Ka Mid Dabciga Noolayaashee, Maxaa Keenay Caytanka Iyo Buuqan Cirka Isku Shareeray?”


Medeshi News: Human Rights Centre Quarterly Report on the Situation of Media in Somaliland\nNine journalists were arrested for their work in last four months, and seven journalists are currently facing criminal cases, says Human Rights Centre in a statement today. Human Rights Centre publishes today quarterly report covering between April and August 2016.\nNew criminal cases were brought against five (5) journalists: Mohamed Omar Jaray, a reporter forBoramanews website, was tried and convicted by Awdal Regional Court, Abdirashid Abdiwahaab Ibraahim, chairman of Foore newspaper, Mohamed Mohamoud Yousuf, editor-in-chief of Foore,Ibrahim Osman Ahmed, editor-in-chief of Hangoolnews website, and Alimahdi Jibril Hassan, Bulsho TV, are all facing pending criminal trials at Hargeisa Regional Court.\nAdditionally, three journalists whose cases started prior April are still pending at Hargeisa Regional Court. These journalists are Cabdirashiid Nuur Wacays, chairman of Hubsad newspaper, Siciid Khadar Cabdilaahi, editor-in-chief of Hubsad newspaper, and Muuse Faarah Jaambiir, chairman of Ogaalnewspaper.\n· Stop criminalization of the media and halt detention and trial of journalists;\n· Allow opening of new media houses and transfers of media houses to new owners;\n· Lift the ban from the suspended newspapers Hubsad, Codka Shacakba, Xog ogaal and Haatuf;\n· Withdraw the criminal charges against all the journalists facing prosecutions in Somaliland;\n· Stop applying the Penal Code against journalist and apply the Press Law and Somaliland constitution;\n· Support Somaliland journalists and media houses in tackling arrests and criminal prosecutions;\n· Support decriminalization of media and advocate for the banned newspapers.\n· Joojiiyo dacwadaha ciqaabta ah ee u ku soo oogayo suxufiyiinta iyo xadhiga suxufiyiinta;\n· Ogolaado in warbaahin cusub la furan karo iyo in kuwa jira cid lagu wareejin karo;\n· Ka qaado xayiradda wargeysyada xayiran ee Hubsad, Codka Shacakba, Xog ogaal iyo Haatuf;\n· Dib ula noqdo dacwadaha ciqaabta ah ee uu ku soo oogay suxifiyiinta hada dacwaddu ku socoto.\n· Joojiyaan adeegsiga ay u adeegsanayaan Xeerka Ciqaabta suxufiyiinta, waxaay sidoo kale kula talinaysaa inay adeegsadaan Xeerka Saxaafadda iyo dastuurka.\n· Taageeraan suxufiyiinta Somaliland iyo warbaahinta;\n· Inay taageeraan in la joojiyo ciqaabta lagu soo oogayo saxaafadda iyo sidoo kale inay u ololeeyaan in xayiraada laga qaado wargeysayada xayiran.


Xil.Qabile Iyo Wasiir Ku-Xigeeenkii Hore Ee Amniga Oo Ka Mudo-dheer Oo Fiintu Dhex-miranaysay Is-laab Qaaday,Kana Heshiiyay Dhiilooyinkii Siyaasadeed | Duul News International\nXil.Qabile Iyo Wasiir Ku-Xigeeenkii Hore Ee Amniga Oo Ka Mudo-dheer Oo Fiintu Dhex-miranaysay Is-laab Qaaday,Kana Heshiiyay Dhiilooyinkii Siyaasadeed\t(Duulnews)- Xildhibaan Maxamed Faarax Qabille, iyo Wasiir xigeenkii hore ee Amniga Xukumadda Siilaanyo Cabdillaahi Abokor Cismaan, ayaa iska laab-xaadhay xurgufo siyaasadeed oo soo kala dhex galay wakhtiyo midna Muxaafad ahaa Midna Mucaarad.\nCabdillaahi Abokor iyo Xildhibaan Qabille, ayaa ku kulmay Munaasibad lagu caleemo saarayay Suldaan Xasan Maxamed Axmed (Hobo-Hobo), halkaasi oo ay iskaga cafiyeen Colaadda Siyaasadeed ee u dhaxaysay.\nUgu horrayn Xildhibaan Qabille oo madasha ka hadlay ayaa yidhi “Waxaan u yeedhayaa Cabdillaahi Abokor Cismaan oo ah Inaadeerkay iga yar, wax caloosha la isgu hayaana ma yaallaan, waxa la yihi maalinta khamiista ah iyo Isniinta waxa soo dega Malaa’ig, kuwaas oo dira dambi dhaaf oo waxa ay ka tagaan laba caloosha axba ka jirin, aniga xagaygana waxaan ka cudur daaranayaa cid kasta oo soo qaadda naanaystaas in aanay waxba ka jirin, cabdilaahi Abokorna saamax ayuu iga yahay”\nWasiir ku xigeenkii hore ee Amniga Xukuumadda Kulmiye Md. Cabdilaahi Abokor Cismaan oo isna halkaasi ka hadlay ayaa yidhi “Walaalkay Xildhibaan Maxamed Faarax Qabille oo aanu ahayn ragii iskugu dhowaa wakhtigii mucaaridka, balse siyaasaddu waxa ay leedahay qandhuufooyin, markaa anigu waxba caloosha uguma haynin imikana uguma hayo xildhibaanka, laakiin waxaan ku bogaadinayaa bila aadanku waxa ay ku kala roonyihiin garashada inuu isagu igaga horeeyo ayaan ku bogaadinayaa, waana waayo aragnimo uu i dheeryahay, waxaan filayaa inaanu isku ahaan doono sidii aanu hore isugu ahaan jirnay”\nXurgufta Siyaasadeed ee Labadan Siyaasi dhexmartay ayaa ahayd Nin La yidhaahdo Tabaarig Maxamed Ducaale, oo ah Sarkaal Militari oo Rasaas ku riday Xildhibaan Qabille bishii October ee sannadkii 2013-ka, kaasi oo la sheegay inuu Cabdillaahi Abokor Cismaan, oo wakhtigaasi wasiirka amniga ahaa soo adeegsaday kadib eedo Xildhibaanku Xukumadda u jeediyay. Eedahaasi wuu iska fogeeyay Mr Cabdillaahi Abokor balse Xildhibaanka iyo wararka wakhtigaasi ayaa isaga la xidhiidhiyay.


Wasiirka Arrimahada dibadda Kenya oo Booqasho ku imaneysa Muqdisho - Ceelhuur Online\nHome > Wararka Maanta > Wasiirka Arrimahada dibadda Kenya oo Booqasho ku imaneysa Muqdisho\nFebruary 19, 2019 February 19, 2019 Cali Yare653\nXukuumadaha Nairobi iyo Muqdisho ayaa si hoose isugu afgartay in xaaladda la dejiyo islamarkaana si hoose looga wada hadlo wixii dhacay.\nXog hoose ayaa sheegaysa in Wasiiradda arrimaha dibadda Kenya Munica Juma uu qorshuhu ahaa in ay maanta timaado Magaalada Muqdisho,iyada oo ka soo laabatay shirkii Amaanka ee ka dhacay Dalka Germany.\nLaakiin Baarlamaanka dalkaasi ayaa u yeeray si ay su’aalo u weydiiyaan,waxaana ay ku sheegeen in arrintan ay muhiim u tahay dadweynaha ay matalaan.\nWararkii ugu dambeeyey ee Duqeyntii Caad\nXassan Daahir Aweys oo la wareystay


Waa kuma Fatxullaah Gulen: Ninka lagu eedeeyey afgambiga Turkey ee ku nool Mareykanka? - Caasimada Online\nHome Maqaalo Waa kuma Fatxullaah Gulen: Ninka lagu eedeeyey afgambiga Turkey ee ku nool...\nWaa kuma Fatxullaah Gulen: Ninka lagu eedeeyey afgambiga Turkey ee ku nool Mareykanka?\nIstanbul (CaasimadaOnline) – Waxaa mar qura si weyn u soo shaac baxay magaca wadaadka Fatxullaah Gulen oo ah wadaad masaafuris iskiis ah ugu nool dalka Mareykanka oo Turki ah, kaasoo madaxweynaha Turkiga uu ku eedeeyay inuu ka danbeeyay Afgembigii dhicisoobay ee Turkiga, isla markaana ka dalbaday Mareykanka inay u soo gacan geliyaan.\nHaddaba waxaa isweydiin leh WAA KUMA FATXULLAAH GULEN?\nWaa wadaad ku dhashay dalka Turkiga oo 75 sano jir ah, kuna nool magaalada Saylorsburg, ee Gobolka Pennsylvania ee dalka Mareykanka kadib markii uu dalka Turkiga ka tegay sanadkii 1999-kii. Wuxuu madax u yahay Dhaqdhaqaaq adeegyo badan fidiya oo lagu magacaabo HIZMET oo hore u taageertay xisbiga Cadaaladda iyo Horumarinta ee AK party.\nWadaadkan waa suni u suufi ah oo aamisan yahay fekrado islaami ah oo dhexdhexaad ah, wuxuu ka horjeeda xagjirnimad, wuxuuna la kulmaa madaxda kaniisadaha isahoo sanadkii 1990 tegay Vaticanka oo ay kulan wada yeesheen baadariga u sareeya kaniisada Katooliga Pope Paul II.\nMa jecla saxaafadda, mana ogola inuu la hadlo marka laga reebo marar dhif ah. Saxaafadda Reer Galbeedka waxay ku tilmaantaa wadaad dhexdhexaad ah oo raacsan reer galbeedka.\nDhaqdhaqaaqa Hizmet ee Wadaadkani leeyahay waxay taageertaa boqolaal dugsiyo aan diini ahayn, xaruno caafimaad, ururo gargaaar oo bixiya adeegyo lacag la’aan ah, taasoo u soo jiiday in dad fara badan oo Turki ah soo jiito waxba ka qabto dhibaatooyinkooda.\nDhaqdhaqaaqa Hizmet ee Wadaadaka Fatxullaah leeyahay wuxuu markii hore Ordogan ka taageeray sidii xisbigiisa awooda u qabsan lahaa. Wuxuu leeyahay dad gaaray malaayiin oo raacsan wadaadkan gudaha dalka Turkiga.\nDadka raacsan, hay;adaha maaliyadeed ee uu leeyahay iyo saxaafadiisa waxay soo jiidatay indhaha Mareykanka iyo hay’adihiisa wax baara.\nWadaadkani wuxuu bilaabay inuu su’aal ka keeno hogaanka sii adkaanaya ee madaxweyne Ordogan iyo kelitalisnimada uu la soo baxay, markii arrintani soo baxday oo labada nin ay isku dhaceen waxaa soo baxday eedeyn ku saabsan musuqmaasuq sanadkii 2012.\nXaaladaas ayaa keentay in Madaxweyne Ordogan amar ku bixiyo baaritaan, waxaana olole lagu qaaday saraakiil la sheegay in xiriir la leeyihiin Wadaadka Gulen, waxaa dowladda Turkiga ay ku eedeysay taageerayaasha inay dowlad hoos ka dhiseen dalka Turkiga oo ay doonayeen inay afgembiyaan dowladda sharciga ah ee dalkaasi.\nHoraantii sanadka 2014 wuxuu madaxweyne Ordogan ka saaray booqlaal saraakiil iyo ciidamo ka tirsanaa Booliska iyo ciidamada oo taageersan Wadaadka Fatxullaah Gulen. Waxaa kaloo la xiray Warbaahin fara badan oo wadaadkani raacsaneyd.\nLoolanka labada dhinac wuxuu cirka isku shareeray markii uu dhacay inqilaabkii dhicisoobay ee dalka Turkiga, waxaana madaxweyne Ordogan uu ku eedeeyay inuu ka dambeeyay Farxullaah Gulen, wuxuuna Mareykanka ka dalbaday in dowladiisa loo soo gacan geliyo Wadaadkan.\nQaar kamida siyaasiyiinta Turkiga oo uu ku jiro wasiir ayaa ku eedeeyay Mareykanka uu hoosta ka taageerayay Wadaadka Gulen, taasoo uu si carro leh uga jawaabay Mareykanka, waxaana wasiirka arrimaha dibadda Mareykanka uu ka dalbaday Turkiga inuu caddeymo la yimaado.\nWadaadka Farxullaah Gulen ayaa shir jaraa’id oo saxafiyin kooban ka qeyb galeen wuxuu ku beeniyay inuu isagu wax lug ah ku lahaa inqilaabka, wuxuuna ku eedeeyay Madaxweynaha Ordogan inuu isagu maleegay inqilaabka si uu taageero ugu raadsado.


Total members : 592785\nI m just a poor man who have nothing special but my heart cares for every people. Be honest and sincere. to whom so eve...\nこんにちは 僕の名前はルーカスです カナダに住んでいて 高校3年生です 年間日本語を勉強していますけど 上達したい 一番好きな歌手は米津玄師さんです 絵を描くことも好き 英語を...\nChinese Characters to Pinyin with Tone Marks Converter, Full Size Katakana to Half Size Katakana Converter, Hangul Characters to Hiragana/Katakana Converter


Dan Welcher: Concerto da Camera by Theodore Presser Co. - issuu\nto Leonard Sharrow\nDan Welcher (1975; revised 2006)\nfor solo bassoon and small orchestra Flute\nFreely (q = 56)\n Solo Bassoon   Violin 1 \n        3\n    poco f\n           \n3       \nCopyright 1977, 2006 by Elkan-Vogel, Inc. 164-00129\n3             \n       Fl.   4\nModerately (q = 60)\n       mf\n      \n               \nheavily      3                    p mf\nmp heavily C Tpt.\n     \n    \n           mf heavily\n      \n  \n  \n   \n      \n         \n          mf\n3                 \n Fl.  \n   \n     f\n   \n   \n    \n   \n   \n                                \n    \n1 Moving (q = 63)             \n       \n        f p                   mf cresc. p\n      \n       \n                   \nMoving (q = 63)\n1         \n    p\n3 3          \n     \n3       \n  3\n  3    \nmoving ahead (q = 66)\nCl.   \n      dim.\n            \n   \n    mp\n                           p \n  3   \n     \n          dim. 3\n  16\n   \n  p\n    \n    \n          p\n  \n      \n        pp\n     \n       \n  poco f\n    3\n     \n     p\n       3\n3     \n   \n3    \n          \nst. mute     f\n    f\n            \n     \n            3 3\n    \n       \n        \n    \n3              3\n3 3  3                  \n3            3 poco f 3\n Fl.  21\n   \n   \n Hn.    \n  \n    \n  \n        \n    \n  \n solo  \n             5\n   to sus. cym. w/triangle beater   \n   \n          3\n    p\n          \nsolo 3 arco,             p; lontano 3\n    3\n    \n         \n    mf\nto Orchestra Bells\n           \n   \n    \n2  Fl.   27\nFast; lightly (q = 138)\n to Piccolo     \n solo                                                   poco p grazioso mf p\n       \n   p\n via sord.  \n      pizz.    mp\ngrazioso     \n  \n(senza sord.) grazioso\n     \n            \n   arco   \narco       \n   37\n Cl.      \n    \n    \n                3\n     \n          f        \n            \n    \n         f\n        f\n                 \n             6                  \n     \n         p cresc.\n                \n      p cresc.   \n3  \nstacc.                   mp legato p.  \n (picc.) solo\n     \n w/wire brushes     \n3                       3   6   6                                f dim. p grazioso 3\npizz.    \n    \n   Fl.  53\n    \n    \n   mp\n    \n    arco\n  \n   \n  \n  mp\nmp, secco       \n                                           mp\n   \n    \n        \n   \n      \n    \n         \n  pizz.          mp\n      mp\n Cl.   \n C Tpt.   \n      \n   \n  \n  Cb.   arco\n  poco f open\n   poco f\n   più f\n   poco f\n     \n     fp f\n       fp f intenso\n     f\n      fp f       \n      \nPiu Mosso; (q = 156) stringendo\nintenso, non cresc.\n        f\n        f\n        \n    \n   \n   \nf energico, secco\n          \n     cresc.\n   \n        \n     \n       fp f\n  \n   \n      \n           \n    f più\n   poco f\n  \n  \n   \n  Fl.  \nPesante (h = 100)\n   \n Cl.   \n        \n               \n                 \n          \n      f, brittle\n       Cb.  \n    \n             non dim. f\n         (sim.)\n  \n                          non dim.\n to Xylophone       \n3                     ff \n       \n     f  \n            \n       f impetuoso\n          \n                 f, brittle\n                   \n               \n          \n     Fl. \n  \n    \nC Tpt.   \n    \n    \n  \n   \n      \npiù f, impetuoso\nadd st. mute\n   \n      \n      \n     \n  \n        \n      fsecco st. mute       f secco\n   \n   \n        \n   \n   \n    f secco\n    \n        \n      \n  \n                         \n           \n         \n      \n       \n    \n          ff\n        subito p\n      \n     \n solo       \n       \n       solo\n  \np, non vib.\n5  \nto sus. cym. w/triangle beater\n            dim. \n      \n          \n               poco f\n                   \n      \n     \n          \n5       leggiero\n          \n Hn.  C Tpt.\n    \n    \n               \n3           \n        \n             3\n             \n        f\n        f, secco\n                    \n       \n     \n      \n     \n                     mf\n                        \n       \n6  Fl.  106\n   \n   \n      \n  \n   \n                   subito p\n                   \n     \n      \n       \n    \n     \n                                         \npiù f C Tpt.\nBroadly, but in Tempo\n più f\n      \n   \n    \n     \n   \n     \n    \n                 \n     \n    \n  114   Fl.  \n    \nCl.   \n    \n  \n                \n     \n   \n     \n   \n    \n  \n   \n  \n   mf\n     \n             \n       \n    \n               ff\n  \n   \n   \n       \n   \n                   \n    \n  \n      \n    \n    \n   \n     mf\n   \n    \n   \n    \n   \n   \n      ff\n  \n   \n  \n  \n  \n  \n  \n      \n     \n  \n  \n  \n   \n        cresc.     \n   mf\n      \n   \n        \n   \n       \n  \n     \n                                                           \npp via sordino\n              \n    ff\n           \n  Fl.   129\n  \n    \n  Hn.      C Tpt.   \n  \n        3\n        \n  \n   meno f   \n                \n  \n                      \nmeno f sempre dim.\n   \n       \n   \n   \nAllargando, poco a poco\nsolo         mf\n      Cb.   \n   \n       \n       \n        3\n        \n     \n        \n    f\n  \n      \n  \n      \n    \narco          \n      \n       \n h =88   \n  Fl.  139\n              \n   \n  \n  \n    \n   \n  \n   \npiù p (bow freely)\n Sul A\n      mf\n                         \n  \nRubato, Tempo I (q = 56); colla parte\n   \n8 to Piccolo   \n   \n    \n                                                      3\n(sempre molto rubato)\n Tempo I (q = 56)\n Fl.  158\n        mf\n                             p\n  \n               3 p\n    dim.\n    dim.\n     \nTempo I (q = 56)\nsolo, con sord.             \n           p\n  p\n    Fl. \n   \n         mp\n     \n           \n    ad lib.\n           p\n        \n     p      \n          5\n    \n     p\n                  \n      solo\n    \n   \n      \n  \n     \n    p \n   \n             espress.\n Fl.  172\n    \n   \n più p\n9  \nto Sus. Cym., wire brushes\n    pp\n         \nlontano, ma grazioso\n                                        \nPoco Allegro (q = 116; slower than the first time)\n     pizz.\n     p grazioso\n    \n   \n   \n  \npoco accel; warming up (q = 126)\n       \n            cresc.\n                \n (w/ wire brushes)   \nto Vibraphone, fan on\np, non espressivo\n  \n     \n  mp\n    \n  \n      \n     mf\n      \n    \nmf più espress.\npoco f (almost lively...)\n     \n             3\nIn Tempo; q = 138 (non piu accel.)\n  \n      mf\n   \n     mp\n  \n   Fl.  \n solo \n(motor on, medium)\n  \nsord.)  (con     p dolce\n   \n    \n   \n   \n         \n10 Freely            p  \n(no relation to orchestra's tempo)\n  \n(Repeat in prevous tempo, ad lib., until cue)\n         \n  \n     \n   \n  più p\n206 Lento (q = 48)\n con sord. Hn.    C Tpt.\nsolo   \n   \n           \n           \n  \n 3      \n   \n   \n    \n      \n    \n  \n         3\n   \n  \n    pizz.\npizz.     p\n   \n  \n        p, gently  \nPresto q. = 108\n       f\n  senza sord.  Hn.  \n    mp\n       f   \ntom-tom (hard sticks)   \n  \n      \n    \n   \n  \n       \n  \n    \n          mf f\n      sfz\n                   p subito f   f                                          \n            p \nsenza sord. pizz. driving\n             p  senza sord. pizz.        p\n Cb.  \n              cresc. \n               cresc.                  \npizz.        f   \n            mf\npizz.                   f  p\n         arco         f    arco               cresc. mf\n             subito f \n                p subito f                subito f\n              subito f\n1  \n          \n   \n     \n       f   \n   \n  f\n   \n              \n      f\n   \n                   \npizz.         f\n   \n     \n       \n    (arco)  Vc.      (arco)          Cb.    \n    pizz.               \n  f\n             \n          \n        \n                    f\n     \n                        \n1         \n                 \n f      f\n               \n       \n           mf\n          mf\n        mf\n          mf\n          \n     pizz.               f\n     \n        \n                    \nritmico                     f mf\n   pizz.                     p f         \n                      \n                          \n          \n             mf ritmico\n ritmico         \n(singing, but in tempo)\n                              (sempre pp)                           \n                                                  p\n    \n                                                       \n     \n             pizz.               p\n      \n                \n  \n              \n     \n  solo        \n            \n              \n      \n              \n   \n                   Cb.     Vc.\n Fl.  \n            f  pesante\nf C Tpt.\n        mf\n          \n                                                     ff                f\n           f    "snap" pizz.\n               f "snap" pizz.\n            "snap" pizz.\n      \n       \n      \n              \n     \n   \n          \n          f  \n   \n   \n                meno f\n   \n  \n                     dim.\n    \n              meno f  \n         \n                                p dim.  mf p\n   p\n           \n     \n       cresc.\n      arco    \n                    \n  \n Fl.    42\n         mf\n           mf\n   \n                 f\n                        mp cresc. f mf                         cresc.\n     mf\n  f\n                            \n   \n                               mf f più f                             mf\n                f \n                 \n            \n          \n       \n  \n   \n           f  più f             \n          f mf                   f mf  \n                                         f ff                 f più f         f\n         \n    \n        fp\n      fp\n                     mp\n            \n           p\n                         mp\n       mp             mf, dim.  \n           \n        \n          \n   \n    sfz      fp\n     \n        \n       \n          \n     3\n        \n    \n       \narco, solo mf 3\n  \narco, solo 3\n         mf dim.\n          f\n    \n              p mf\n       mp mf        p\n  mf\n                 p, darkly\n       \n                   \n        \np flautando (sotto voce)\n           \n    \n      \n       \n    arco\n      \n            3                            3 3 p singing cresc. 3 3\n         \n           f \n       f  \n           mp\n    sfz     \n   \n        \n    sfz     sfz\n        \n   \n         sfz sfz f       \n    \n     \n   sfz    \n           f  \n          \n   \n            intenso\n   \ncol legno, battuto      \ncol legno, battuto\n    \n  \n            \n              f    più f\n  \nlegno   ord.   ord.                        \n        sfz sfz\n     sfz\n ord.            \nlegno   ord.     ord.                       \n                              3 f p\n  ord.             \n  86           Fl.  sfz sfz f         Ob. \n       Cl.   sfz\n   \n   \n    f\n        \n  ord.       \n                       mf cresc. \n             f \n       \n              ff   \n    \n ord.    \nsfz sfz legno\n        \n   ord.      legno\n          \n      \n   ord.      \n pizz.    p  pizz.     p\n         \n                 mf \n                        mf\n  pizz. arco                            p mf \n  \n           3                                               3 3 p\n         sfz\n                \n   \n                           ff\n  \n  \n93    Fl. \n                   \n              poco dim.\n  \n         f \n    f\n         f  pizz.                \n    \n          \n      \n      \n  \n   \n              \n    \npiù f, energico\n              f\n    \n             f\n                       \n               f  più f, energico\n   \n              f  più f, energico  \narco                                più f, energico f     pizz.  arco                            f più f\npizz.                    più f f\n  Fl.  \n(Always in time)\n     Hn.  C Tpt.\n             p\n          \n            p\n     mf\n                     mf  \nto Triangle           f p\n   \n            \n     \n           p   \n   \n        \n   più f\n     \n     Cb.  \n     \n         \n     mf   mf\n     mf\n                       \n   p            \n   p   p\n  \n     \nTempo I, but more intense\n              p f\n                       p f \n      p\n                   f\n Hn. C Tpt.\n  solo         \n          mf\n            mf         \n         mf\n      \n            \n                    \n                              mp cresc.\n      \n             \n         \n   pizz.                   f  p          \nritmico                     f mf\n                        \n              mf ritmico\n                   f mf ritmico\n                          (sempre pp)                               \n                                       p \n                                                 \n       pizz.\n      \n    \n                                          \n  \n             \n            \nsolo        \nsus. cym.                    \n   \n       \n        \n                   dim.\n          Cb.      Vc.\n                     \nSuddenly faster (q. = 126) 44\n7    Fl.    125\n       \n   \n                \n             \n                ff\n                   frenetico  ff  st. mute                    ff\n                          mp ff     frenetico  solo\n          \n  \n   \n    \n     \n       \n        \n     \n        \n       \n           \n       \n      \n    \n                   ff\n     \n    \n     arco\n   \n             \n     \n        \n                   arco\n        arco           \n    \n  \n       \n     \n      \nSuddenly faster (q. = 126)\n7    Vln. 1   \n   \n            \n     \n       \n                  f\nQuasi Cadenza: incalzando\n  sul D        fp\n   pizz.    \n    sulD   fp\n      \n      \n      \n    \n      \n           f\n                   f\n                  \n      \n                                           \n               p\n        \n    \n               Vla.     pizz. solo                            Vc.       mf              Cb.      p intenso\n 140       Fl.  fp\n   \n         \n    p\n  \nIn Tempo (q. = 108)\n                                    ff\n            \n   \n   \n    \n  ff               ff \n                 \n           ff \n   \n      \n                         \n      \n        \n                               fp\n                                 fp f ff                           p f ff                 \n        \n        Fl.  \n    \n       \n  Cl.    \n       \n  Hn.             \n C Tpt.   \n    \n                \n   \n  Cb.    \n       \n    \n   \n            \n                                            \n   \n                                     \n            \n     ff     \n            sus. cym.           ff\n               \n                               ff\n     \n       \n                             fp\n     \n                                     \n   \n   \n         \n     \n                       \n                              \n          \n   \n    ff\n          ff\n          ff martelé\n          \nmartelé              ff\n           martelé\n Fl.  156\n  f \n      \n     \n       \n           \n          \n          \n          sfz sfz pizz. "snap"\npizz.   solo                                    sfz sfz f\n        \n   Cb.     \n    \n          \n  \n         \ne = e pizz. "snap"\n (sempre staccato)\n                     mf, dim.\n        f\n               f             \n8  \n       \n                meno f\n8  con sord.  \n   mp  \n                 \n               p\n  Hn. C Tpt.\n   \n   \n                       \n  \n   p\n      \n  p\n     \n                \n     \n     \n    p\n   \n       \n     \n           \n             \n    \n      \n    \np (bow freely)\n   \n    p\n       \n          \n      \n       \n     \nSlow Again (q = 60)\nSlow (q = 60), Rit.\n  p\nSlow (q = 60), Rit. (con sord.)\n   \n      \n      Cb. \n51  Rubato (h = 50) 183           pp\n   \n   \nRubato (h = 50)\n    \n       \n     \npp; sotto voce Vla.\npp; sotto voce\n        \np espress., molto rubato\n      \n   \n     \n     \npp, non vib.\n  \n  p poco espress.\n   \n         3\npp. non vib.\n  \n   \n   \n  \nto Vibraphone, motor on (medium)     \n  \nCalmo (q = 72; e = 144)\n  Fl.  \n  \n            p, dolce\n                  \n               non affrettato; sempre semplice\n  senza sord.  \n    \nsolo      Cb.  \n  \n  \n  \n Fl.  10\n   \n    \n         \n   \n     \n     \npizz.      \n                              \n  \n      \np dolce. semplice\n   \n      3 fp\n    \n     \n      \n                 mf\n Fl.  26\n            \npp     \n            \n       \n      \n   \n       \n              \n              \n     \n         \n    arco                                \n             \n      \n                     \n       \n                mp \n       più f\n            \n                         \n      \n    \n         Vla.           mp                     Vc.  mf dim. p                  Cb.      \n                              \n    \n                                                                     \n   \n      più f\n            \n         \n      \n      \n            \n         subito mf più f\n       mf\n        \n3  \nIn Tempo, q = 92\n                             mf, secco\n subito f\n   \n   \n6           \n       \n               \n           \n           \nto Sus. Cym.,\nwire brushes      \n    \n        subito f     pizz.          \n    \n       \n         \n                                  mf, secco\n                               \n      \n                      \n        \n3   Vln. 1  \n                         \n    \n      p, secco\n          f\n        p         \n                   \n    \n   p\n             p\n               mp                   mp\n            dim.\n              dim.\n  p\n  p\n  \n         3\n       dim.\n   \n mf    \n        poco f\n   \n          f\n          \n        \n    f\n       \n        \n    \n       \n        f\n      \n     \n                                   3 3      3 f p \n Fl.  64\n   \n(muted)     \n     \n        \n      \n     Cb.      mf\n       sfz\n    sfz\n                 fp\n                  \n        \n   \n                                                3 poco cresc.\nto Vibraphone, motor off\n  più f\n     \n  fp\n   \n61 70      Fl. \n arco       Vc.  sfz mf      Cb.   sfz\n   p\n          \nsfz    \n    \n                                                  mf cresc. f\n  p\n Hn.   C Tpt.\n      \n  \n   \n  \n     \narco      \n  \n              \n   \n Fl.   75\n                  \n   \n  p\n   \n        \n    \n                \n    \n            \n   \n    fp   \n  \n   \n     \n      \n    Cb.   ff\n            (non cresc.)\n        mf \n         p \n   deciso                 f\n   \n              solo                      mf deciso ff  pizz.                       sfz sfz ff        pizz.                   \nPresto (q. = 112)\n       f\nsolo                                  \n     deciso                          \n       \n    sfz\n        p       p\n     \n  Fl.  \n                                    f\n                Cl.      \n  Hn.  \n  \n     \n       \n  \n     \n   \n                    \n    \n     f\n    \n        \n   \n                       subito f               \n                         \n          arco\nsfz                               arco\n    \n                   subito f\n      sfz\n      mf     \n    \n         p mf\n  Fl.  295\n   \n   \n    \n    \n    \n         \n          \n       \n       \n       \nto piccolo       Fl. \n     \n      \n      \n      \n solo        \n        pp       \n   pp\n   pp\n   pp\n  (whispering--)\n      Cb. \n  \n       p\n             ff (furioso!)\n    \n  (non cresc.)\n (solo)      \n      \n   \n   f    f\n            non cresc.\n  pizz.\n  \n     \n    \n                                                   \n  \n  \n      \n  \n     \n   \n                         Fl.    308 (picc.)\n      \n solo                     \n     \n   \n    \n                                  p playfully\n      p\n   \n   \n         ff\n                                \n      \n5 f agitated\n to snare drum             \n                         \nto Flute          \n      f\n     f\n Fl.  315\n       \n        mf\n   \n      mf\n                \n       p\n         \n               \n         \n             \n   \n  \n       ff\nmf, più intenso\n    \n     \n       f \n          \n      f\n             \n       \n      \n    \n             \n    \n             \n6  \n            f \n  molto cresc.\n    \nincalzando                 \n               \n  \n              \n   f\n           f\n   f\n                    \n       \n                 \n         \n    f\n    \n   \n   \n        cresc.         cresc.\n       \n    \n   326\n  \n    \n     \nC Tpt.   \n               \n        \n           \n                           \n   \n       \n                               \n  dim.                        \n             \n         \n   ff\n         \n   \n         \n                \nFurioso (A tempo)\n   non dim. !\nsul tasto subito p\n     \n    \n   \n  \n           ff\n                          \n                             ff                                    ff                                   ff\n         Fl.  333\n     \n     p\n    \n       p\n         \n      5\nSuddenly Slower (q. = 92)\n        pp \n       \n       \nmf col legno battuto\n             \n                ff 5\nf (still very strong)\n      \n5  tremolo                      ff\n   \n        5    \n       \n  \n    \n    \n             \n  \n (legno)     \n     \n   \n           \n  p\n       \n     \nto Timpani solo           \n                3 p\n  Vla.    Vc.\n        \n         \n           3\n    q. = q\nPresto (q. - 112)\n                                   \n   \n      slowly...\nfaster (q = 92)\n                                            3 3 mp\n      molto rall.\n    \n    \n  \n352 Slowly (q = 56)\n   \n    \n  \n9 Calmo (q = 60)  solo 356     \n9   Vln. 1  \nCalmo (q = 60)\npp dolce, lontano\n  \n  \n(all tones ringing)        \n  \n  \n  \n   \n  p dolce\np dolce solo, espress.\n        pp\n       \n          \n      pp \n  ppp\nsolo, (senza sord.) pizz.\n  \n    \n   \n      mp\n             p \n                 dim. p pp         \nVI-26-1975, Louisville, Kentucky Revision (full score) completed VIII-9-06, Bastrop, Texas\nDan Welcher: Concerto da Camera\nConcerto da Camera - Dan Welcher