url: =1997 Tiara Yachts 4000 Express | 1 of 41\n1997 Tiara Yachts 4000 Express | 2 of 41\n1997 Tiara Yachts 4000 Express | 3 of 41\n1997 Tiara Yachts 4000 Express | 4 of 41\n1997 Tiara Yachts 4000 Express | 5 of 41\n1997 Tiara Yachts 4000 Express | 6 of 41\n1997 Tiara Yachts 4000 Express | 7 of 41\n1997 Tiara Yachts 4000 Express | 8 of 41\n1997 Tiara Yachts 4000 Express | 9 of 41\n1997 Tiara Yachts 4000 Express | 10 of 41\n1997 Tiara Yachts 4000 Express | 11 of 41\n1997 Tiara Yachts 4000 Express | 12 of 41\n1997 Tiara Yachts 4000 Express | 13 of 41\n1997 Tiara Yachts 4000 Express | 14 of 41\n1997 Tiara Yachts 4000 Express | 15 of 41\n1997 Tiara Yachts 4000 Express | 16 of 41\n1997 Tiara Yachts 4000 Express | 17 of 41\n1997 Tiara Yachts 4000 Express | 18 of 41\n1997 Tiara Yachts 4000 Express | 19 of 41\n1997 Tiara Yachts 4000 Express | 20 of 41\n1997 Tiara Yachts 4000 Express | 21 of 41\n1997 Tiara Yachts 4000 Express | 22 of 41\n1997 Tiara Yachts 4000 Express | 23 of 41\n1997 Tiara Yachts 4000 Express | 24 of 41\n1997 Tiara Yachts 4000 Express | 25 of 41\n1997 Tiara Yachts 4000 Express | 26 of 41\n1997 Tiara Yachts 4000 Express | 27 of 41\n1997 Tiara Yachts 4000 Express | 28 of 41\n1997 Tiara Yachts 4000 Express | 29 of 41\n1997 Tiara Yachts 4000 Express | 30 of 41\n1997 Tiara Yachts 4000 Express | 31 of 41\n1997 Tiara Yachts 4000 Express | 32 of 41\n1997 Tiara Yachts 4000 Express | 33 of 41\n1997 Tiara Yachts 4000 Express | 34 of 41\n1997 Tiara Yachts 4000 Express | 35 of 41\n1997 Tiara Yachts 4000 Express | 36 of 41\n1997 Tiara Yachts 4000 Express | 37 of 41\n1997 Tiara Yachts 4000 Express | 38 of 41\n1997 Tiara Yachts 4000 Express | 39 of 41\n1997 Tiara Yachts 4000 Express | 40 of 41\n1997 Tiara Yachts 4000 Express | 41 of 41\nAsking Price $154,000 USDSales Rep Bradley PilzStatus ActiveCondition UsedCategory Express CruisersYear 1997Make Tiara YachtsModel 4000 ExpressLocated Seattle, Washington, USClassification PowerLength 40ft / 12.19 mBeam 14ft 6in / 4.42 mEngine Make CaterpillarEngine Model 3208taEngine Type InboardFuel DieselHull FiberglassWeight 26500Listed 2016-03-05Last Updated 2016-09-25Listing ID 2291089 Related Articles\nGreat boat at an attractive price that is ready to cruise! She boasts a large cockpit with seating for four around her optional hydraulic table and a huge salon with lounge below for additional space entertaining. Twin low hour Caterpillar 3208s\nCruise Air- Air conditioning and heating\nEspar- Diesel Furnace\nNorthern lights- Generator\nRaymarine- Chartplotter & Sounder\nTeak and Holly decks below\nElectrical MechanicalCaterpillar 3208 435 HP w/1155 HoursWalker- Air sepsOnan 9 kw generatorReverso- Oil changing systemRacor- Dual filters w/ vacuum guageFresh water wasdownSalt water washdownPower engine hatchPower transom hatchBattery chargerCablemaster0- 50 125/250VAC coiling systemHot water heaterInverterBlue courtesy lights in cockpitSalon/GalleyStarboard Settee- Seating for 7Hi-lo teak table with (2) stoolsstorage in floor - 2 compartmentsSamsung flat panel TV custom mounted opposite setteeStereo system.Sub Zero- Under counter fridge & freezerDouble stainless steel sink3 burner touch top stove with coverPanasonic microwaveCupboards and under counter storage.Trash compartmentTeak interiorStateroomsMaster Stateroom:Walkaround island berth with step upStorage under raised berth with hydraulic strutsShelves both sides of berth(4) cabinets each side of berthOpening hatch with Ocean Air- shadeHanging lockersAdjacent head with stall shower, sink, Vacuflush headPrivate entry door to headGuest Stateroom:Mid-ship cabinDouble berthSinkShelf / storage cabinetsopening portopening to salonDisclaimerThe Company offers the details of this vessel in good faith but cannot guarantee or warrant the accuracy of this information nor warrant the condition of the vessel. A buyer should instruct his agents, or his surveyors, to investigate such details as the buyer desires validated. Hours listed may vary from actual hours due to recent use. Purchaser is encouraged to verify hours prior to purchase. This vessel is offered subject to prior sale, price change, or withdrawal without notice. 2011 Tiara Yachts 3900 Sovran


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url: =Segway Is Making a Hybrid Motorcycle! | Segway Forum\nSegway Is Making a Hybrid Motorcycle!\nIn a surprising turn of events Segway will be building a hybrid hydrogen-electric motorcycle!\nJWhitney8 7 mo ago


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url: =Derniers Albums F3aqli dartli iza3aj Yesmouni wanan Gold school ft wedl lgriya Gold school ft weld lmdina f7l ft weld lgriya. Krtas Nssa – Rest In Peace. Gold school ft wedl lgriya. Bad Flow – Hayda La. Pirate – Raptor. Chaba Nina Dubai – Ana 3liya Da3wa.\nRkia Azrou – Ata Mayrikh. Ayoub Nasri – Oumri. Krtas Nssa – Rest In Peace. Hala AlKaseer – Ayone Halft. Manus Baba – Bu Havada Gidilmez. Le premier album de Cheb Douzi fut maghrqbi en févrierintitulé « Goulou Imumti tjini », suivi de plusieurs autres albums en français, arabe, anglais, turque, espagnol et hindi.\nPirate – Raptor. Cheb Douzi est un chanteur célèbre du Rai né au Maroc à Koulouche le 30 avril d’un père marocain et d’une mère algérienne. Kacem Marseille – Nebghik Nebghik. Oum kalthoum Nass aana ghiwane Saad lamjarred Cheb akil Cheb nasro.\nHala AlKaseer – Ayone Halft. Halsey – Without Me. Rkia Azrou – Ata Mayrikh.\nActuellement, Cheb Douzi vit en Belgique avec sa famille. Mora – Reir O Llorar. Cheikh Nani – Raki Fi Dmanti. Albums tendances Babylone Zina. Mohammed Diaa – Tahadro Fiya.\nSherine – Hobbo Ganna. Partager sur Facebook ‘Ana maghrabi appa feat douzi ‘ de Cheb douzi. Le premier album de Cheb Douzi fut enregistré en mavhrabiintitulé « Goulou Imumti tjini », suivi de plusieurs autres albums en français, arabe, anglais, turque, espagnol et hindi.\nRaï Cheb Douzi est un chanteur célèbre du Rai né au Maroc à Koulouche sna 30 avril d’un père marocain et d’une mère algérienne. A – Dopeboi. Jalal Alzain – Anta Alhayat.\nLa carrière artistique de Cheb Douzi commença à l’âge de cinq ans en chantant sa première chanson nommée « La lil harb » lors d’une émission de télé à la capitale du Maroc Rabat. Naima Sisse Slawia – Chofni Wfhamni. Eva – On Fleek Ft Lartiste. Chaba Nina Dubai – Ana 3liya Da3wa. Cheb Farid – Hyati Wana Najbad. Klass-A – Ahwoo Feat Deverano.\nTflow – Thank You. RimK – Cactus. Hamza Hard – Paintball.\nMobydick – Lex D Fatema. Maghrabo – Mdakra. Huthaifa Alsafir – Yal Shimata. Lbenj – Animal. Bahha Amzian Et Aziza Atlas – 3awni 3awnghak.\nKalash Criminel – Savage Feat Soolking. Cheba ratiba chiraz Yesmouni wanan. Houssa Kabiri – Tsan I3dawn Ghifi.


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url: =Chorale 09 Horn v1.0 - Free Download PDF\nDownload Chorale 09 Horn v1.0...\nHow to use this book For horn players 1. The ALTO and TENOR parts are your main parts a. Sometimes, the alto will get a bit high, and sometimes the tenor will get a bit low, but overall, these parts suit the horn well 2. The SOPRANO and BASS parts are just there so you can see what the others are doing 3. When a part gets too high or too low, little CUE NOTES are provided so you can always play with a GOOD SOUND 4. Sometimes, you’ll see a note in parenthesis ( ). You generally cannot play these notes because they are too low. Usually, they are there just to show you where the actual part should go.\nI - IV - V - I (1 - 4 - 5 - 1)\nT     B    \nCanon in D A     by Johann Pachelbel T \nCircle of Fifths Chorale A common sequence\nA        T       \nB         \n S       \n      4\n    \n        \n  S    \n4       S       A     \n T           B \n S    \nA    T   \n                   \n       \n      \n     \n                      \n                        \n                  \n               \n                  \n  S    \n A    \n T    \n B    \n  S   6\n  A    T     B  \n            \n         \n                        \n               \n     \n    \n1 2 3 4                   S                \n8 Ode to Joy by Ludwig Van Beethoven (1824)\nA                   T                 B               \n6 7 8              S            \n   \n                   \n                        10\nA             \n        \nT            \nB             \n S   \nA     T   B  \n  \n        \n    \n       \n9 God Rest Ye Merry Gentlemen (Traditional) (First published in 1833)\n S     A   \nT  \n                \n      \n    S                        A              \n9 10 11                                       \nT               B               \n12 13 14 15 16 17 18 19                         S                       A                          \n     \n                 B                       \n S      1\nA     \nT     \n       9\nB   \n  \n  S    \n A    \n       11\n A   \n T    \n B     \n  S   5\n   \n A    T  \n B   \nBe Thou My Vision (Traditional originally titled "Slane")\n8    S   \n  S                A              T        B       2\n                6\n   \n           \n12 13 14 15 16     10    11                               \n A       T  \n        \n B           \n        \n              \n    \n S        1\nA      \n T       \nGustav Holst's setting (1906)\n S       5\nB       \nA        T     \nA     \nB      \n S     \n            \n           \nT     \nB         \n                   \n                       \n                       \n       \n     \n  S     1\n  \n A     Chester by William Billings T    B   \n  S                A    6\n T    \n  B            \n  S   12\n A     T  \n B  \n     \n     \n     \n   \n          \n    \n        \n    \n  S     A    5\n T \n B     \n A      T    \n     \n A    T     B   \n  \n       S         1\n S       4\nA        T       B         \nA    \nT    \nB    \n   \n   \n   \n     \n                 5\n     \n 3        3                 \n  S    \nA     Chaconne from the  First Suite in Eb T     by Gustav Holst   B    (1909)\n  S   4\n A  \n T  \n B    \n       \n  S        \n                         A        \n18 Finlandia by Jean Sibelius\n T               B         Divisi\n                \n               \n  S    \n         A             5\n T      B    \n   \n T     \n B     \n                                  \n A     \n             9\n             \n              \n  S   \n  S   \n     \n   \n    \n     \n     \n A    \n       \n T   \n    \n B    \n                 S   1\n19 Prelude No. 20 Opus 28 by Frederic Chopin (1839)\n A                  \n            \n   T                      B                      \n5       S \n A    \n T        B      \n9     S    \n A     \n           \n          \n  \n   \n          \n  \n   \n  \n T           B         \n  S                         To a Wild Rose A         1\nby Edward McDowell (1896)\n T    \n B   \n  S                         A      9\n         \n   S                    A        20\n  S         A       1\nNimrod from the  Enigma Variations T     by Edward Elgar (1899) \nB    \n  S       5\n     \n     8\n  S    1\nBlessed are They A     That Mourn  by T     Johannes Brahms (1868)\n B    \n         4\n  S   7\n A   \n B    \nChant Funeraire from the Op. 117 Cello Sonata by Gabriel Faure (1921)\n                \n                    \n  S              A         1\n          4\n   \n                          B                    \n6 7 8 9 10 11 12                 S                                      A                           \n T       B       \n                                       \n S  \nA           \nIrish Tune from County Derry (Grainger's Setting 1911)\n                     \n                B                 \n  S                        A                              \nT   B  \n S  \nA   T    B   \n              \n       \n         10\n        \n   \n  \n     \n            \n                     12\n         \n                 \nT   \n        \n B   \n                                     \n  S        Rhenish Symphony A      1\nMvmt. 4 Opening  by T     Robert Schumann (1850)  B     \n  S    4\n A    T  \n B  \n  S   \n A    \n  S     6\n B    \n   11\n      \n  S                       A     \n B       \n        \n T       \n A    \n    \n   \n1 2              S            A            \n27 Ave Maria from Op. 37 Vespers by Sergei Rachmaninoff (1915)\nT     \n     \n  B            \n    S        \n   \n   \n                      7\nB  \n  S   9\nA       T  \n B      \n             \n        S                            A                     1\n3rd Tune from the 9 Psalm Tunes for Archbishop T             Parker's Psalter by Thomas Tallis B            (1567)\n                \n             \n7 8 9 10 11 12 13 14 15 16 17                                S                                      A                                 \n      T                                     \nB                    \n S             A         18\nT         B        \n           \n21 22 23 24                                         \n                          \n      \n  S                    A       1\n29 Largo from Symphony No. 9 by Antonin Dvorak (1893)\n T     \n B    \n  S          5\n A      T    \n B    \n T      B    \n            \n  S                       A     9\n       \n     \n  S         1\n  S     A    7\n A     \n A    \n T       \n B     \n T          B    \n  S     \n    \n        \n      \n                    \n           \n        \n           19\n       \n T                         B                          \n                 \n        \n  S                             1\nChorale from Jupiter A     by Gustav Holst   T\n B    \n  S       7\n A       \n     \n   \n    \n  S                               17\n T                        B                  \n     24\n A   \n           \n     \n T    \n           \n B     \n     \n                           S               A      1\n T    \n5 6 7 8                            S         A            \n T    \n B   \n         10\n                     \n11 12 13 15 16    14                       S                                           A        \n T           B          \n     \n S  \n S   \n         \n    \n       \n3                              A                     T                                    B          \n     \n4 5    S               A         T             B          \n9 10           S                 A         T                   B      \n8                                                     7\n                              \n   \n            \n A    T   \n T      \n7                                                       5\n   \n      B     8     S          A      T         B     \n 3                              \n   \n                  \n                          \n  S     1\nSymphony No. 2 A       Vocal Chorale  from the Finale T       by Gustav Mahler    B     (1894) \n           \n             \n      \n   \n       S                     A                    7\n T    \n B   \n  S    15\n          \n                   A           T       \n    \n                     \n    \n     \n  \n   \n       21\n  \n  S        Symphony No. 2 A      1\nBrass Chorale from the Finale by Gustav Mahler (1894)\n  S       A    \n T       B      \n T       B    \n            \n  S      13\n A     \n T     \n B     \n            \n     \n   \n     \n              \n   \n   \n                  \n    \n      \nReport "Chorale 09 Horn v1.0"\nShare & Embed "Chorale 09 Horn v1.0"


url: =109 年全國語文競賽原住民族語朗讀【賽考利克泰雅語】 國小學生組 編號 3 號\nMkrakis wal mpzit\nSpuliq qani hiya ga, nanu son mha phapuy knerin ay, phapuy mami rwa, phapuy mami mga, blag balny nxan may! Atuni qutux bwax lmga, si ps’un lmga syan qsya lma mami ma.nanu yasa qu hiya qani lmga, “talagay! So pyux qani mru ciq… ini nya pyu… qutux syun… ai nya pa’uni qu mami lm rwa, pyuxun nya smi mukan nya, aki mna… wa “ pit! Pit! pit!” wayan naqa m’pzit lma.\nNanu yasa qu mwah maniq pagay ta misuw qs mha qutux ke’ kasa.nanu yasa qu nxan hiya ga, inat naqu pzit, naqa kitekuy ga, nxan hiya ga sazin balay bway na ciwan payat naqa pagay ga, mkbway kas tnaq niqun ma, maki qutux mqelan qasa lrwa.\nwa nya si nanak ini… ini nya qutu balay bwax ini nya si, swa cipua iyan mha ma. tonan nya si nya copi qu si nya yopi kya qu… mami ma, mukan nya lmga, gehan nya lmga, wa m’pzit “ Pit! Pit! Pit!” pzit lmga, kitekuy lmga.\nNanu yasa qu, soni nyu ta mha sqani ga, ika-hun sqani “ genin’ nya mha ma. dakara misuw aw pzit balay nxan kmluh ta ga, kukuw pit pzit memaw ta moyay rwa, qani ga ikahun sa qutu mqelan na squliq, yaqih na squliq qani qu, mami qani qu wa nya si… bwax qani qu pyux wa nya puyun ma. yasa qu wa m’pzit quni qu baqun mu qa hiya.\n族語標題Mkrakis wal mpzit


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url: =House Camella Lawaan, Tierra Grande Subd. Ph 3D Blk 11 lot 5 Talisay | Claseek™ Philippines\n» House Camella Lawaan, Tierra Grande Subd. Ph 3D Blk 11 lot 5\nHouse Camella Lawaan, Tierra Grande Subd. Ph 3D Blk 11 lot 5 Talisay\nHouse & lot (Item ID: 66175)\nLocated inside Camella Lawaan, Tierra Grande Subd. Ph 3D Blk 11 lot 5\nLot area: 77 sq meters\nFloor area: 30 sq meters\nLoanable amount: 1M ( pre approved amount from pag ibig)\nAugust 29, 2016 6:06 pm\nKeywords: House Camella Lawaan, Tierra Grande Subd. Ph 3D Blk 11 lot 5 Talisay | Claseek™ Philippines; For dtails and Free Site Viewing pls contact.09330341466-Sun Viber 5131032=landline [email protected] Located inside Camel..., Properties, house, camella, lawaan, tierra, grande, subd, ph, 3d, blk, 11, lot, dtails, site, viewing, pls, contact09330341466sun, viber5131032, landline09774738872, globejosefernz1112, gmailcomlocated, inside, 5lot, area, 77, sq


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We created this site to inform you about the movement of a variety of people across the country.\n41ANA 4 1AN 4-1AN 41 AN 41-AN 41A N 41A-N\n41ANACC 41ANAC7 41ANAC8 41ANACT 41ANACK 41ANACI 41ANAC4 41ANAC5 41ANAC3 41ANACV 41ANACJ 41ANACW 41ANACN 41ANACS 41ANACD 41ANACE 41ANACX 41ANACZ 41ANACG 41ANACF 41ANAC6 41ANACU 41ANACH 41ANAC2 41ANAC0 41ANAC1 41ANACA 41ANACL 41ANACM 41ANACR 41ANACB 41ANACO 41ANACY 41ANACP 41ANAC9 41ANACQ\n41ANA7C 41ANA77 41ANA78 41ANA7T 41ANA7K 41ANA7I 41ANA74 41ANA75 41ANA73 41ANA7V 41ANA7J 41ANA7W 41ANA7N 41ANA7S 41ANA7D 41ANA7E 41ANA7X 41ANA7Z 41ANA7G 41ANA7F 41ANA76 41ANA7U 41ANA7H 41ANA72 41ANA70 41ANA71 41ANA7A 41ANA7L 41ANA7M 41ANA7R 41ANA7B 41ANA7O 41ANA7Y 41ANA7P 41ANA79 41ANA7Q\n41ANA8C 41ANA87 41ANA88 41ANA8T 41ANA8K 41ANA8I 41ANA84 41ANA85 41ANA83 41ANA8V 41ANA8J 41ANA8W 41ANA8N 41ANA8S 41ANA8D 41ANA8E 41ANA8X 41ANA8Z 41ANA8G 41ANA8F 41ANA86 41ANA8U 41ANA8H 41ANA82 41ANA80 41ANA81 41ANA8A 41ANA8L 41ANA8M 41ANA8R 41ANA8B 41ANA8O 41ANA8Y 41ANA8P 41ANA89 41ANA8Q\n41ANATC 41ANAT7 41ANAT8 41ANATT 41ANATK 41ANATI 41ANAT4 41ANAT5 41ANAT3 41ANATV 41ANATJ 41ANATW 41ANATN 41ANATS 41ANATD 41ANATE 41ANATX 41ANATZ 41ANATG 41ANATF 41ANAT6 41ANATU 41ANATH 41ANAT2 41ANAT0 41ANAT1 41ANATA 41ANATL 41ANATM 41ANATR 41ANATB 41ANATO 41ANATY 41ANATP 41ANAT9 41ANATQ\n41AN ACC 41AN AC7 41AN AC8 41AN ACT 41AN ACK 41AN ACI 41AN AC4 41AN AC5 41AN AC3 41AN ACV 41AN ACJ 41AN ACW 41AN ACN 41AN ACS 41AN ACD 41AN ACE 41AN ACX 41AN ACZ 41AN ACG 41AN ACF 41AN AC6 41AN ACU 41AN ACH 41AN AC2 41AN AC0 41AN AC1 41AN ACA 41AN ACL 41AN ACM 41AN ACR 41AN ACB 41AN ACO 41AN ACY 41AN ACP 41AN AC9 41AN ACQ\n41AN A7C 41AN A77 41AN A78 41AN A7T 41AN A7K 41AN A7I 41AN A74 41AN A75 41AN A73 41AN A7V 41AN A7J 41AN A7W 41AN A7N 41AN A7S 41AN A7D 41AN A7E 41AN A7X 41AN A7Z 41AN A7G 41AN A7F 41AN A76 41AN A7U 41AN A7H 41AN A72 41AN A70 41AN A71 41AN A7A 41AN A7L 41AN A7M 41AN A7R 41AN A7B 41AN A7O 41AN A7Y 41AN A7P 41AN A79 41AN A7Q\n41AN A8C 41AN A87 41AN A88 41AN A8T 41AN A8K 41AN A8I 41AN A84 41AN A85 41AN A83 41AN A8V 41AN A8J 41AN A8W 41AN A8N 41AN A8S 41AN A8D 41AN A8E 41AN A8X 41AN A8Z 41AN A8G 41AN A8F 41AN A86 41AN A8U 41AN A8H 41AN A82 41AN A80 41AN A81 41AN A8A 41AN A8L 41AN A8M 41AN A8R 41AN A8B 41AN A8O 41AN A8Y 41AN A8P 41AN A89 41AN A8Q\n41AN ATC 41AN AT7 41AN AT8 41AN ATT 41AN ATK 41AN ATI 41AN AT4 41AN AT5 41AN AT3 41AN ATV 41AN ATJ 41AN ATW 41AN ATN 41AN ATS 41AN ATD 41AN ATE 41AN ATX 41AN ATZ 41AN ATG 41AN ATF 41AN AT6 41AN ATU 41AN ATH 41AN AT2 41AN AT0 41AN AT1 41AN ATA 41AN ATL 41AN ATM 41AN ATR 41AN ATB 41AN ATO 41AN ATY 41AN ATP 41AN AT9 41AN ATQ\n41AN-ACC 41AN-AC7 41AN-AC8 41AN-ACT 41AN-ACK 41AN-ACI 41AN-AC4 41AN-AC5 41AN-AC3 41AN-ACV 41AN-ACJ 41AN-ACW 41AN-ACN 41AN-ACS 41AN-ACD 41AN-ACE 41AN-ACX 41AN-ACZ 41AN-ACG 41AN-ACF 41AN-AC6 41AN-ACU 41AN-ACH 41AN-AC2 41AN-AC0 41AN-AC1 41AN-ACA 41AN-ACL 41AN-ACM 41AN-ACR 41AN-ACB 41AN-ACO 41AN-ACY 41AN-ACP 41AN-AC9 41AN-ACQ\n41AN-A7C 41AN-A77 41AN-A78 41AN-A7T 41AN-A7K 41AN-A7I 41AN-A74 41AN-A75 41AN-A73 41AN-A7V 41AN-A7J 41AN-A7W 41AN-A7N 41AN-A7S 41AN-A7D 41AN-A7E 41AN-A7X 41AN-A7Z 41AN-A7G 41AN-A7F 41AN-A76 41AN-A7U 41AN-A7H 41AN-A72 41AN-A70 41AN-A71 41AN-A7A 41AN-A7L 41AN-A7M 41AN-A7R 41AN-A7B 41AN-A7O 41AN-A7Y 41AN-A7P 41AN-A79 41AN-A7Q\n41AN-A8C 41AN-A87 41AN-A88 41AN-A8T 41AN-A8K 41AN-A8I 41AN-A84 41AN-A85 41AN-A83 41AN-A8V 41AN-A8J 41AN-A8W 41AN-A8N 41AN-A8S 41AN-A8D 41AN-A8E 41AN-A8X 41AN-A8Z 41AN-A8G 41AN-A8F 41AN-A86 41AN-A8U 41AN-A8H 41AN-A82 41AN-A80 41AN-A81 41AN-A8A 41AN-A8L 41AN-A8M 41AN-A8R 41AN-A8B 41AN-A8O 41AN-A8Y 41AN-A8P 41AN-A89 41AN-A8Q\n41AN-ATC 41AN-AT7 41AN-AT8 41AN-ATT 41AN-ATK 41AN-ATI 41AN-AT4 41AN-AT5 41AN-AT3 41AN-ATV 41AN-ATJ 41AN-ATW 41AN-ATN 41AN-ATS 41AN-ATD 41AN-ATE 41AN-ATX 41AN-ATZ 41AN-ATG 41AN-ATF 41AN-AT6 41AN-ATU 41AN-ATH 41AN-AT2 41AN-AT0 41AN-AT1 41AN-ATA 41AN-ATL 41AN-ATM 41AN-ATR 41AN-ATB 41AN-ATO 41AN-ATY 41AN-ATP 41AN-AT9 41AN-ATQ


url: =11. Mattias Janmark-Nylén F 62 6 15 21 12 -5\n13. Radek Faksa F 66 11 9 20 42 -6


url: =08-12-18, 12:36 AM\nAbdullāh b. Shaqīq Al-‘Uqaylī – Allāh have mercy on him – said:\nThe Companions of Allāh’s Messenger – Allah’s praise and peace be upon him – did not consider the leaving of any action to be kufr (unbelief), except the prayer (ṣalāh).\nAl-Tirmidhī, Al-Sunan ḥadīth 2622. Graded ṣaḥīḥ by Al-Albānī in his edition of Sunan Al-Tirmidhī.\n09-12-18, 10:58 PM\nThose who strive and exert themselves (al-mujtahid) amongst you today are like those who used to play around amongst those before you.\nWakī’ b. Al-Jarrāh, Al-Zuhd article 221.\n11-12-18, 11:27 PM\n13-12-18, 11:14 PM\n14-12-18, 10:45 PM\n15-12-18, 09:54 PM\n16-12-18, 10:36 PM\n18-12-18, 01:03 AM\n19-12-18, 12:48 AM\n21-12-18, 12:15 AM\n22-12-18, 12:14 AM\nIt is reported that Al-Ḥasan b. Al-Ḥasan b. ‘Alī b. Abī Ṭālib – Allāh have mercy on him – said to a person from the Rāfiḍah:\nLove us, but if we disobey Allāh, then hate us; for if Allāh was going to benefit anyone because of his relation to the Messenger of Allāh – peace and blessings be upon him, without obedience [to Allāh], He would have benefitted the mother and father [of the Prophet].\nAl-Dhahabī, Siyar A’lām Al-Nubalā`4:486.\n23-12-18, 12:04 AM


url: =Massar Egbari unveils new song at 9th Cairo Jazz Festival - Egypt Today\nMassar Egbari unveils new song at 9th Cairo Jazz Festival\nSat, 30 Sep 2017 - 12:49 GMT\nMassar Egbari band (Photo courtesy of Massar Egbari official Facebook page)\nCAIRO – 30 September 2017: Prominent Egyptian underground band Massar Egbari plays a new song from their newest album at the ninth edition of the Cairo Jazz Festival that runs between September 28 and September 30.\n“We think Cairo Jazz Festival is the perfect opportunity to introduce a new song called ‘Faker Ama Kona’ (Remember When We Were) from our newly released album,” said the band vocalist Hany El Dekak in a statement.\nThe ongoing Cairo Jazz Festival has been held at the American University in Cairo’s (AUC) Tahrir campus this year and is packed with an array of eclectic international jazz bands from Denmark, the Netherlands, Japan, Portugal, Austria, Hungary, the Czech Republic and Panama.\nThe festival is also packed with activities and workshops that will run in parallel with performances in Cairo Jazz Club, Room Art & Space Cafe, and Semiramis Hotel.


url: =Said Outajajt Souk 1. Izenzaren Chamkh titre 8 Secondes Telecharger Izenzaren Chamkh titre 3 Secondes Telecharger Inerzaf Lahcen Bizankad A.. Izenzaren Chamkh titre 4 Secondes Telecharger Said Outajajt Souk 1.\nSaid Outajajt Souk 4. Izenzaren Chamkh titre 6 Secondes Telecharger Vous serez en infraction avec les lois internationales des droits d’auteurs si vous téléchargez et gardez ces fichiers sur votre disque dur plus de 24 heures. Izenzaren Amfzri titre 4 Secondes Telecharger Izenzaren Chamkh titre 14 Secondes Telecharger Se souvenir de moi.\nNe pas oublier de partager. Izenzaren Chamkh titre 18 Secondes Telecharger Izenzaren Chamkh titre 17 Secondes Telecharger Izenzaren Chamkh titre 3 Secondes Telecharger Izenzaren Chamkh titre 15 Secondes Telecharger Izenzaren Chamkh titre 1 Secondes Telecharger Izenzaren Chamkh titre 13 Secondes Telecharger Izenzaren Maezri titre 13 Secondes Telecharger Salh El Bacha Ornmou.\nNet — Tous droits réservés. Netni notre hébergeur ne peut être en aucun cas tenu responsable des problèmes qui pourraient éventuellement survenir sur votre ordinateur. Izenzaren Chamkh titre 10 Secondes Telecharger Izenzaren Chamkh titre 14 Secondes Telecharger El Houssine Amarrakchi If. Vous serez en infraction avec les lois internationales des droits d’auteurs si vous téléchargez et gardez ces fichiers sur votre disque dur plus de 24 heures.\nSalut Je veux télécharger quelques chansons mais [suite]. Izenzaren Chamkh titre 19 Secondes Telecharger.\nGroupe Imghrane Sidi. Fatima Tabaamrant Rwah Ar.\nIzenzaren Chamkh titre 5 Secondes Telecharger Izenzaren Chamkh titre 12 Np3 Telecharger Izenzaren Chamkh titre 8 Secondes Telecharger Izenzaren Chamkh titre 19 Secondes Telecharger.\nSe souvenir de moi. Salh El Bacha Isawi Tgam.\nSalh El Bacha Madagh Tga. Bnat Oudaden Ilis Oudad. Khalid Ayour Mariage Amaz.\nNom Durée Telecharger EL Houssine Taousse Izenzaren Chamkh titre 4 Secondes Telecharger Izenzaren Chamkh titre 2 Secondes Telecharger


url: =Howrah to Puri: 49 Trains, Shortest Distance: 499 km - Railway Enquiry\nTue Jan 16, 2018 13:44:56 IST HomeTrains\nTue Jan 16, 2018 13:44:56 IST\n49 Trains / 3 ΣChains\n1 Shatabdi Trains 1 Garib Rath Trains 10 Mail/Express Trains 3 AC SuperFast Trains 1 Passenger Trains 1 Duronto Trains 29 SuperFast Trains 2 Humsafar Trains 1 Antyodaya Trains\nAvailability Calendar ←hk;Return: PURI⇒HWH Filters\nDep: HWH Arr: PURI\nShortest Route: 499.74 km\nSantragachi => Kharagpur => Cuttack\n49 Long-Distance Trains between HWH/Howrah Junction and PURI/Puri\nTry these Via Stations: Asansol Kiul Jharsuguda\n58001 Howrah - Puri Passen... Pass SER HWH* 17 00:05 +36 PURI* 7 15:30 +45 15h 25m 89\n522 km 34 km/hr\n12510 Guwahati - Bengaluru... SF NFR HWH 8 01:05 +1:30 KUR 4 08:10 +2:04 7h 5m 6\nRLWL 456 km 64 km/hr\n12508 Silchar - Thiruvanan... SF NFR HWH 8 01:05 +18 KUR 4 08:10 +0 7h 5m 6\n12516 Silchar - Thiruvanan... SF NFR HWH 8 01:05 +23 KUR 4 08:10 +32 7h 5m 6\n12514 Guwahati- Secunderab... SF NFR HWH 8 01:05 +40 KUR 4 08:10 +51 7h 5m 6\n22502 New Tinsukia - KSR B... SF NFR HWH 8 01:05 +0 KUR 3 08:10 +0 7h 5m 4\n07150 Guwahati - Secundera... Exp SCR ADL ?? 02:20 +1:05 KUR 0 10:10 +1:19 7h 50m 5\n12821 Dhauli Express SF SER HWH* 21 06:00 +1 PURI* 2 14:20 +16 8h 20m 13\nGNWL 500 km 60 km/hr\n12703 Falaknuma SF Express... SF SCR HWH* 21 07:25 +2 KUR 4 14:25 +39 7h 0m 6\nPQWL 456 km 65 km/hr\n22863 Howrah - Yesvantpur ... ACSF SER HWH* 21 10:55 +0 KUR ?? 17:05 +7 6h 10m 4\nGNWL 456 km 74 km/hr\n18645 East Coast Express (... Exp SER HWH* 22 11:45 +4 KUR 8 20:15 +48 8h 30m 18\nGNWL 456 km 54 km/hr\n22849 Shalimar - Secundera... SF SER SHM* 1 12:10 +0 KUR 4 19:25 +2 7h 15m 7\nGNWL 453 km 63 km/hr\n22825 Shalimar - Chennai C... SF SER SHM* 1 12:10 +0 KUR 4 19:25 +7 7h 15m 8\nPQWL 453 km 63 km/hr\n02841 Santragachi - Chenna... SF SER SRC* 0 12:40 - KUR 0 19:50 - 7h 10m 4\nGNWL 449 km 63 km/hr\n12504 Agartala - Bengaluru... Hms NFR HWH 9 12:40 - KUR 5,6 19:50 - 7h 10m 4\n22887 Howrah - Yesvantpur ... Hms SER HWH* 21 12:40 +0 KUR 5,6,7 19:50 +5 7h 10m 5\nGNWL 456 km 64 km/hr\n06009 Santragachi - Puduch... Exp SR SRC* 0 14:10 +0 KUR 0 20:45 +9 6h 35m 5\nGNWL 449 km 68 km/hr\n12277 Howrah - Puri Shatab... Shtb ECoR HWH* 23 14:25 +11 PURI* 1 21:55 +24 7h 30m 6\nGNWL 500 km 67 km/hr\n12841 Coromandel Express (... SF SER HWH* 22 14:50 - KUR 3 21:55 - 7h 5m 6\n22831 Howrah - Sri Sathya ... SF SER HWH* 20 15:35 +0 KUR 4 22:30 +1 6h 55m 2\nGNWL 456 km 66 km/hr\n22855 Santragachi - Tirupa... SF SER SRC* 2 15:50 +0 KUR 3 22:30 +10 6h 40m 6\nGNWL 449 km 67 km/hr\n22851 Santragachi - Mangal... SF SER SRC* 2 15:50 +0 KUR 4 22:30 +4 6h 40m 6\nPQWL 449 km 67 km/hr\n12773 Shalimar - Secundera... ACSF SCR SHM* 2 16:05 +0 KUR 5,6 23:10 +31 7h 5m 5\nGNWL 453 km 64 km/hr\n12663 Howrah - Tiruchirapa... SF SR HWH* 21,22 16:10 +0 KUR 3 23:10 +12 7h 0m 5\n12665 Howrah - Kanniyakuma... SF SR HWH* 23 16:10 +0 KUR 3 23:10 +12 7h 0m 4\nGNWL 456 km 65 km/hr\n22817 Howrah - Mysuru Supe... SF SER HWH* 23 16:10 +0 KUR 3 23:10 +1 7h 0m 5\n22877 Howrah - Ernakulam A... Ant SER HWH* 22 17:00 +0 KUR 6 23:55 +0 6h 55m 5\n456 km 66 km/hr\n22853 Shalimar - Visakhapa... SF SER SHM* 2 18:15 +0 KUR 5 01:30 +19 7h 15m 7\n18409 Sri Jagannath Expres... Exp ECoR HWH* 23 19:00 +16 PURI* 4 04:35 +25 9h 35m 18\nGNWL 500 km 52 km/hr\n22807 Santragachi - Chenna... ACSF SER SRC* 2 19:00 +0 KUR 3 01:55 +3 6h 55m 5\nPQWL 449 km 65 km/hr\n02809 Santragachi - Puri S... SF SER SRC* 0 19:00 - PURI* ?? 03:20 - 8h 20m 7\nGNWL 492 km 59 km/hr\n08404 Santragachi - Puri S... Exp ECoR SRC* 0 19:10 +2 PURI* 0 04:00 +0 8h 50m 7\nGNWL 492 km 56 km/hr\n22201 Sealdah - Puri Duron... Drnt ER SDAH* 8 20:00 +0 PURI* 3 03:55 +15 7h 55m 1\nGNWL 518 km 65 km/hr\n12863 Howrah - Yesvantpur ... SF SER HWH* 22 20:35 +2 KUR 3 03:55 +36 7h 20m 7\nPQWL 456 km 62 km/hr\n12887 Howrah - Puri Weekly... SF ECoR HWH* 18 20:55 +0 PURI* 1,2 05:40 +3 8h 45m 8\nGNWL 500 km 57 km/hr\n12895 Howrah - Puri Superf... SF ECoR HWH* 20 20:55 +0 PURI* 2 05:40 +0 8h 45m 8\n12881 Howrah-Puri Garib Ra... GR ECoR HWH* 20 20:55 +0 PURI* 1 05:40 +6 8h 45m 7\n22835 Shalimar - Puri Supe... SF ECoR SHM* 1 20:55 +0 PURI* 2 05:40 +0 8h 45m 9\nGNWL 497 km 57 km/hr\n12837 Howrah - Puri Superf... SF SER HWH* 22 22:35 +2 PURI* 3 07:00 +12 8h 25m 12\nGNWL 500 km 59 km/hr\n12660 Gurudev SF Express (... SF SR SHM* 2 23:05 +0 KUR 3 07:15 +0 8h 10m 7\nPQWL 453 km 55 km/hr\n22642 Shalimar - Thiruvana... SF SR SHM* 2 23:05 +0 KUR 3 07:15 +5 8h 10m 8\n15228 Muzaffarpur - Yesvan... Exp ECR HWH 8 23:15 +24 KUR ?? 07:10 +30 7h 55m 6\nRLWL 456 km 58 km/hr\n15644 Kamakhya - Puri Expr... Exp NFR HWH 11,12,13 23:15 +11 PURI* 1 07:30 +0 8h 15m 6\nRLWL 500 km 61 km/hr\n12867 Howrah - Puducherry ... SF SER HWH* 23 23:30 +0 KUR 4 06:30 +4 7h 0m 3\n18047 Amaravati Express (P... Exp SER HWH* 19 23:30 +6 KUR 3 06:30 +55 7h 0m 6\n12254 Anga SF Express (PT) SF SWR HWH 8 23:30 +7 KUR 4 06:30 +8 7h 0m 5\nRLWL 456 km 65 km/hr\n12839 Howrah - Chennai Cen... SF SER HWH* 23 23:45 - KUR 3 06:55 - 7h 10m 6\nPQWL 456 km 64 km/hr\n06057 Santragachi- Chennai... Exp SR SRC* 0 23:50 +16 KUR ?? 07:25 +22 7h 35m 5\nGNWL 449 km 59 km/hr\n03101 Kolkata - Puri Speci... Exp ER KOAA* 0 23:55 +0 PURI* 0 11:50 +0 11h 55m 7\nGNWL 515 km 43 km/hr\n3 ΣChains between HWH/Howrah Junction and PURI/Puri\nXfer Stations: Asansol Kiul Jharsuguda\nΣ TATANAGAR-PURI EXT... HWH 23 06:55 +2 JSG Arr +32/Dep +2 5h 40m -30 PURI 0 07:15 +6 48h 20m 22\n1169 km Chak De India\nΣ Sealdah-Chennai-Er... SDAH 9 13:20 +4 ASN Arr +30/Dep 3h 33m +0 KUR 6 07:15 +12 41h 55m 21\n1231 km Pŕāķāşh*^~\nΣ jamalpur kiul puri... HWH 5 19:50 +52 KIUL Arr +1:51/Dep 3h 28m +0 PURI 2 03:10 +0 55h 20m 22\n1457 km ~


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