url: ="Max und Moritz" s teqbaylit - TAMAZGHA le site berbériste\nAccueil > Actualité > "Max und Moritz" s teqbaylit\nMax und Moritz d amazrar n yiwen usaru yunniγ almani i yura Wilhelm Busch. Yeffγ-d i tikelt tamezwarut ass n 4 di yebrir n usaggas 1865. Seg-s i d-yewwi Rudolf Dirks tikti i s-id-iga "Pim, Pam et Poum" d-yeffγen aseggas n 1897 di Marikan. Tamacahutt-agi n Max und Moritz teffγ-d asaru n sinima deg aseggas n 2005 di Lalman, asaru d-iga Thomas Frydetzki d Annette Stefan. Max und Moritz d tamacahutt n sin warrac, d imcumen, d at txudas, ccγl-nsen d asexleε n wid i deg ttilin akk d imeqqranen (naγ iqemqumen) n taddart-nsen. Ur ssinen dacu i d tasunḍa , ur ssinen dacu i d lemqadra. Dacu kan yusa-d wass anida xellșen ayen akk gan : iskṛefj-iten uγaref n tessirt, ggran-d deg učči n "les oies".\nIḍrisen n tmacahutt-agi iga-ten umyaru-nsen am isefra. Max und Moritz d amud n sa n tmucuha timeẓyanin d-iwwin γef tmeddurt n sin igeswaḥen-agi, Max d Moritz. Yal tamacahutt tameẓyant tewwi-d γef yiwet n texnanast gan warrac-agi.\nAṭas n wid d tid yerran tamacahutt-gi n Max und Moritz ar tutlayin nnaḍen ur nelli d talmanit. Imi d tamacahutt isεan azal ameqqran. Ass-agi ula s teqbaylit zemren ad γren yemdanen tamacahutt-agi n Max und Moritz. D Sεid At Mεemmer yettidiren di Lalman i tt-yuran s teqbaylit, isemma-yas "Warek d Wasin".\nSεid At Mεemmer d amedyaz, d amyaru s teqbaylit. Xas ulamma kṛad n tγawsiwin kan i d-yessufeγ, naγ i d-yesseẓreg (kkuẓ isidiyen n isefra, amud isefra-ines “Asxerbubec-w” d wedlis agi "Warek d Wasin"), dacu Sεid At Mεemmer aṭas n tγawsiwin i yura. Nezmer a d-nini d amdan d-yečča wul-is γef tutlayt-is, taqbaylit. Ass-a yella ger tid d wid yesneflayen  tutlayt taqbaylit s tira.\n"Warek d Wasin" issuffγ-it-id di meγres 2013, dacu ur ugten ara wid t-yuγen, dγa inna-yas “a t-geγ d tunṭict i warrac d tullas iqbayliyen”.\nIhi nekkni nra a d-nawi ameslay d unaẓur… Nessuter-as yerra-d awal. Atan ihi wayen d-nesqerdec yides di tdiwennit-agi.\nTamazgha.fr : Nessen-ik d amedyaz, dacu di meγres n useggas agi ideg nella tessuffγeḍ-d yiwen wedlis “Warek d Wasin”. D adlis i ymeẓyanen. D timucuha yura Wilhelm Busch, d amyaru almani, ffγent-d d adlis i tikkelt tamezwarut deg useggas n 1865. Ma tzemreḍ ad aγ-d-tiniḍ acuγer tferneḍ a d-terreḍ timucuha yagi γer teqbaylit ?\nSεid At Mεemmer : Ttifxir lemmer d-tenniḍ "ssneγ-k", acku ur cukkeγ ara ttwassneγ γer wiyaḍ, γas ulamma widak d iyi-ssnen llan, dacu kan drus maḍi. Maca, ata yecṛeh wul-iw mi akka d-tenniḍ, "nessen-ik". Ihi tura ad medleγ allen-iw, ad ttmeslayeγ yid-k yerna ad ttcummuγ aḍu n targit-nni tahwawit. Ihi mačči kan d tadayezt  (isefra) i yettaruγ, uriγ daγen tullisin, amezgun, ungalmezgun (wagi d timxleṭ n tmezgunt  yakk d wungal ), smuḥeyteγ-d sḍis d mraw  (16) n tmucuha i yuran watmaten Grimm, uriγ idlisen γef lbaḍnat yeffren n wayen d-ssekren Lewnis At Mangellat d Muḥya, smuḥeyteγ -d si kra n wayen d-tesker teswidit Astrid Lindgren, γas ulamma werεad ssuliγ tawuri akken yessefk, uriγ aṭas n "les chroniques", llan waṭas n yeḍrisen d isefra d-smuḥeyteγ daγen, ladγa si tutlayt talmant am widak n Brecht, Heine, Hesse, von Goethe, Ende, Kafka, Nietzsche, atg., war ma ttuγ ungal "Imeṭṭi n bab idurar" yura dda´Akli Azwaw d-rriγ d asefru γezzifen d wayen-nniḍen. Dacu kan, γas ulamma yella wayen d-sserseγ ama di Facebook, deg yismal n teqbaylit d wanda-nniḍen, aseẓreg  ur ssawḍeγ ara sseẓregeγ-ten-id, ar tura d adlis-agi kan yakk d wamud isefra-w "Asxerbubec-iw" i d-sseẓregeγ γer tama n wukkuẓ (4) isidiyen isefra (1- A baba, 2- I kečč a Lwennas, 3- Tadsimat, 4- Amdan igerrzen) d-ssuffγeγ γef ddemma-w kan.\nAdlis n Warek d Wasin ("Max und Moritz") d tamacahut ideg tella tezwart, taggara yakk d sa (7) rradmat, tixidas, tiwuγa, yir tilufa neγ tixnanasin (yal wa amek d asent-yeqqar) uqmen sin warrac-agi imcumen yura-t Wilhelm Busch s talγa  tamsefruyt, ihi ad iniγ, ma tegreḍ tamawt i wayen akk d k-d-nniγ ttaruγ-t, ad tafeḍ ula d nekk d yiwen ger yemdanen inaẓuren  d as-iwulmen akken yessefk ad t-id-smuḥeyten γer tagi-nneγ ma ran ad as-fken iman i yiman (rruḥ i rruḥ).\nTura a d-zziγ s asteqsi-k : acimi riγ ad yili wedlis-agi n Wilhelm Busch ula s teqbaylit ?\nD tayri i d awal amezwaru d-ibedden γef yiles-iw a gma, ḥemmleγ taqbaylit yerna seg wul. Tamcahut-agi d m wazalen (aseklan yakk ubidaguji) imeqqranen, tamurt n Lalman semmus d taman (85)  imelyan imezdaγ i tesεa deg useggas n 2012, ulac axxam, tamkarḍit , axxam n yedles , aγerbaz  d wayen akk-nniḍen ideg ur tt-yettaf ara wemdan tella, Warek d Wasin d imcumen igeswaḥen d-yesker kan umeskar-nsen deg webrid n tsekla, maca, s uqerru-w, ar am wakken ddren s tidet yal ass d yal lawan di tlemmast n tmetti talmant, acku llan akk deg iqerray-nsen : aqcic, ilemẓi, amγar. D tamacahut yettwasmuḥeyten yakan γer wugar n 300 n tutlayin, dinna γur-wen di Faffa  (tamurt n tmusni neγ lεilm akken qqaren lecyax n tuddar) fkan-as azal ameqqran deg wennar n tγuri. Wali dagi, tegreḍ tamawt s anida uran "Livre sélectionné par le Ministère de l’Education nationale".\nIhi d azalen n tmacahut agi, amedyaz d wemyaru lliγ, asebγes d tikci ufus umeddakel-iw Wansen yakk d tayri-w metwal taqbaylit i d iyi-fkan afud d tikti s asmuḥyet-is.\nWalaγ tesseqdaceḍ awal “asmuḥyet” i tririt n tira si tutlayin tibeṛṛaniyin γer teqbaylit. Awal agi d kečč i t-id-yesnulfan ?\nTasuqqilt n "Traduction" s teqbaylit d tasuqqilt. Tasuqqilt n "Adaptation" s teqbaylit niqal ulac. Segmi d iyi-tuγ tegnit kecmeγ illel  agi n tira rniγ kkateγ s leγmez ula d anida teskefkuf l´adaptation-agi, ḥulfaγ s yiman-iw am wakken γur-i azref ad sεuγ dderya, ad iliγ d ababat, mi ara d-lalen warraw-iw ad asen-fkeγ izarismen , maca ur zmiren ara ad sεun isem n twacult-iw : ayen yellan di tutlayin-nniḍen uriγ-t-id s teqbaylit, ma d ayen akken uqmeγ ur yesεi ara isem s teqbaylit-nni. I wakken ad as-d-afeγ isem iwulmen ur telli la tuzzya wala tunnḍa, wwteγ afus umeyyez-iw γer telqaεt n wallaγ-iw yedda-d "Muḥya", seg-s i d-yuγ aẓar "wesmuḥyet" agi d as-d-snulfaγ d tasuqqilt s teqbaylit i "adaptation". Acimi yessefk neγ iwulem ad yaγ aẓar si Muḥya wawal-agi ? Dagi akken ttwaliγ, ur ḥwağeγ ara a d-iniγ zzant neγ rγant, acku gzan  akk medden, ihi ad iniγ kan Muḥya tekfa tṛumit. Imi tenniḍ, tegziḍ-t d tiririt n tira si tutlayin tibeṛṛaniyin γer teqbaylit, uhu (ala) mačči kan d aya. Asmuḥyet d tira s tmeslayt nniḍen n wayen yettwarun s tmeslayt d ak-yehwan, nra kan ad nili am medden, daya. Acku ma yella γer teqbaylit kan, yeqqim ccγel d azgen, ur yefri ara yerna am wakken nekker i wayen iwumi ur nezmir. Iwakken ad wwteγ azrem s aqerru, atah umedya :\nHeinrich Heine yesmuḥyet-d tikti n "Tamacahut n tegrest" yura s talmant si tmezgunt "The Winter’s Tale" yura William Shakespeare s teglizit.\nΓur-k ad tγileḍ tura ur ẓriγ ara mačči d ccγel-iw wagi, ayagi yessefk ad asen-t-ğğeγ i imusnawen n weḥric agi, nekk yessefk a d-lhuγ kan d lhemm isefra-w !\nAta wayen ad ak-d-iniγ dagi : nekk snulfaγ-t-id s iḥulfan n tayri metwal taqbaylit d bab-is (Muḥya), ma yeffeγ ula d nutni fell-asen asekkur timellalin, ma ulac awi-d kan a d-snulfun s webrid n tmusni, nekk seg wassen d afella, d ayen ara d-snulfun ara sseqdaceγ.\nAnida d-yeffeγ wedlis-agi-inek ? Amek i zemren yemdanen a t-id-aγen ?\nAdlis-agi yeffeγ-d di lalla n Ternet , maca, ulayγer akk ma nniγ-ak-d tura anida, atan fkiγ-t d tunṭict i warrac d tullas-nneγ, ur yettili ara wawal d ucbiḥ ma uγaleγ-d si tama nniḍen d Muḥend yettaγ yeznuzu, ad qqimeγ kan am Mḥend afennan (anaẓur), taktabt (adlis) d iyi-yefkan, tesseḥfeḍ-iyi ad ssefruγ.\nWaqila ur ugten ara wid yuγen adlis-agi-ynek ? Acuγer ?\nAsteqsi-yagi-inek deg-s sin yesteqsiyen γef sin isental yemgaraden, nekk zemreγ ad ak-d-fkeγ tiririt s tidet γef umezwaru kan : d tidet mačči aṭas i t-yuγen.\nΓef usteqsi wis-sin, mačči d tanzaren-iw i refdeγ fell-ak, maca ur ẓriγ ara acuγer ur t-uγen ara, a win ara yafen ad ten-yesteqsi nutni akken ad iẓer d acu yellan. Zemreγ kan ad ak-iniγ, nekk idlisen akk n teqbaylit yesεan azal ttaγeγ-ten, ttuqumeγ yes-sen tunṭicin i widak ḥemmleγ.\nDγa atan tgiḍ-t d tunṭict i tullas d warrac akken a t-γren γas ur t-id-uγen ara…\nTamezwarut, ula d imγaren lemmer qqaren ad asen-yeεğeb wedlis-agi, mačči kan d arrac. Tayeḍ, am wakken teẓriḍ tura mi akka nemmeslay, mačči aṭas i t-yuγen yerna newwi-d awal γef widak ibelγen, imeqqranen. Ma ur t-uγen ara imawlan i tarwa-nsen t-yuklalen ad t-γren ula d nutni s tutlayt-nsen tayemmat tucbiḥt-taẓidant, acimi ara lummeγ fell-asen nutni (warrac yakk d tullas) ur nuksan ? Ssarameγ akka ad ilin yemdanen iwumi ara ḥdiqrent taswin-nsen, ara qerḥen wulawen-nsen ma gran-d d Iqbayliyen ad asen-ssiwḍen tamacahut-agi di lekwaγeḍ ! Lemmer zmireγ, ad tt-id-ssuffγeγ d idlisen, yal axxam ad as-yettwiḍegger ulammer yiwen si ṭṭaq, maca ul yella tazmert ulac.\nAhat mači d idlisen-ik kan ur nettnuz ara ! Ayen yettwarun s teqbaylit, neγ s tmaziγt s umata, mači aṭas i ten-yettaγen. Acuγer ?\nWiyaḍ ur zmireγ ara ad ak-d-iniγ aṭas fell-asen, ladγa widak d-yessuffγen idlisen-nsen di tmurt n Lanjiri, acku tuget n at teẓrigin , ladγa widak-nni yeqqaren "d nnif kan i d aγ-yewwin s aya", mačči d tadrimt, si leğwayeb-nneγ i ten-nrennu d imeṭṭi d wesxenfernni yakk zemren ad cnun qassaman-nsen anida nniḍen, mačči γur-i nekk. Widak-agi ulac akk ttawilat neγ izerfan unaẓur di tmurt swayes ara zemren inaẓuren ad mmagren tagnit yid-sen, teḍra-yasen kan am win icerken d xalti-s : netta yeqqar-as “xalti d weltma-s n yemma yerna tḥemmel-iyi, ulayγer akk ad awiγ kra unezgum”, nettat si tama-s teqqar “wagi d mmi-s n weltma, d afus kan i d iyi-yettak”, tettawi kra yellan i yiman-is. Ayagi yakk lemmer d asen-yehwi ur yelli lεib ma yeldi wemdan tiẓrigin akken ad yawi tadrimt, d acu kan yessefk ad yuqem ccγel-is akken yessefk. Nekk annect-a yerra-yi ttmeyyizeγ, d adabu i d-yesnulfan aṭas n teẓrigin akken ad sfeclen wid yettarun s teqbaylit, mi ara walin, nutni kerrzen, wiyaḍ meggren. Yerna mi ara iger wemdan tamawt γer tira n yedlisen d-yetteffγen s tutlayt nneγ di tmurt amek ten-ttjeggiḥen γas ulamma imeskaren ssulin ccγel-nsen yakan yeddez yebrez, d ayagi d ak-d-nniγ ttmeyyizeγ-t is ara yamen kan.\nNekk ẓriγ kan, Leqbellec  yeddren di tmura-yagi n tmacinin am Fṛansa, Kanada, Lalman, atg., ladγa widak yesmermuγen segmi ara d-kkren : tamaziγt, taqbaylit, tamurt n Yeqbayliyen neγ Tamazγa, tuget deg-sen ur ttaγen ara idlisen yettwarun s tutlayt-nneγ.\nAcuγer ? Llant aṭas n tlufa :\n- ur ḥemmlen ara taqbaylit seg wul ;\n- ur tt-ssinen ara akken yessefk, acku ur d asen-telli ara deg wul yerna di tmurt i d-kkren ;\n- ur uminen ara yes-s d tutlayt ideg tella tmusni, am win ara yeεyun di kra netta werεad t-yessin ;\n- ttasmen, lemmer ad afen d nutni kan acku ayagi ttwalin deg-s iseγ, tamusni, idrimen, atg., nutni ran akk ad ttwissnen, ad afgen, maca s wulac (ger-asen tamawt di Facebook !).\nDagi yessefk a d-yini wemdan ansi d-yekka waya. Aggagen-agi  (liẓẓantiliktiyyal) nγil d tidet d aggagen ay llan, ttarran iman-nsen am wakken beggsen-d agusen-nsen, kkren i tegrawla akken a d-awin izerfan ama i teqbaylit neγ i tmaziγt, maca nutni s timmad-nsen s trumit kan i yettmeslayen, ur qqaren, ur ttaγen idlisen-agi d-nessuffuγ akken ad aγ-gzun nekkni s yemyura d imedyazen, ad arun neγ ad mmeslayen γef wayen d-neskar i lγaci d asen-yettaken tameẓẓuγt. Segmi widak-agi yettektilin aḍu akken yella Muḥya yessawal-asen d abrid-agi nniḍen i d-wwin, lγaci ulin yid-sen di teflukt-nni yetteddun ad tezzer, ulawen n yemcumen-nneγ cennun ṭalaεa lbedru εalayna. Tazeqqa n ccḍeḥ udabu tezga-d ger yiccer d weksum, ndin-tt fell-aγ da, dahin, a dda Masin ! Tura riγ ad ak-d-rnuγ imeslayen-agi, γas ulamma wissen ma zgan-d neγ ahat ur ddin ara d westeqsi-k : sliγ di tmurt ttnuzun akken iwata yedlisen-nni n "Eṭṭef ḍegger" yerna imeskaren-nsen iga-yasen udabu iseγ. Ayagi d ayen izemren ad aγ-d-yessken iswi n waya war ma nniγ-ak-d "mmuh", ad qqareγ kan "Beεεεε" am Buziṭwaṛ , γas ulamma d nutni i d akraren mačči d nekk. Wali tura akken d as-yuγal uqelmun s iḍarren i Σemmar Buzwaṛ n teqbaylit !\nTayeḍ, adlis-agi-ynu iγef tt-id-newwi akka ansi yerγa yillel ur t-id-ssuffγeγ ara di tmurt ideg d izerman i d at wawal, maca uzneγ-t yakan i yal win ẓriγ ira ad t-iγer. Ssutreγ-asen daγen i imeddukal-iw n Facebook fkan-iyi-d ismawen n iselmaden n teqbaylit ssnen, uzneγ-asen ifuyla n idlisen d-ssuffγeγ di sin s talγa n pdf, nniγ-asen ttxilwet fket-tten ma yella wamek xerṣum i inelmaden-nwen. Llan gar-asen widak d iyi-d-yesnemmren, maca llan wiyaḍ yerna wigi d iselmaden n tutlayt-nneγ di tesdawit ṭṭfen-ten, wwten akk nneḥ fell-asen yerna ulac akk ulammer d "aql-aγ neṭṭef-iten ay aqjun" si tama-nsen. Tura ssuref-iyi, d nekk ara k-yesteqsin, kečč ur d iyi-d-ttak ara tiririt, eğğ-iyi kan a d-greγ nnefs ! Dacu-t ugejdur-agi a ddin qessam ?\nIqbayliyen yettsuγun segmi ara d-kkren γef teqbaylit neγ tamaziγt, nutni ur ssinen ara ungal "Timlilit n tγermiwin"  neγ adlis "Aγyul n Ğanğis"  (ma d wigi kan ara d-addreγ, acku bedden-iyi γef yixef n yiles akka tura), ur d asen-gin ara i yedlisen-agi azal-nsen, dacu-ten ? Acimi ḥemmlen akk Muḥya, γef wacu ? Ran akk a d-binen ssnen, d iman-nsen kan iγer d asen-t-tella, faqu ! Ur tettuγ ara a d-iniγ ugten γur-neγ les artistes malgré eux, ayagi yessefcal daγen nniyya i yemγriyen yellan sεan ul ad γren ayen yettwarun s teqbaylit. Llant daγen aṭas d waṭas n tlufa nniḍen, mačči d yiwet.\nDacu yessefken ad yettwig, aniwi iwumi d-tewwi a t-gen, akken tasekla taqbaylit d wayen yettwarun s teqbaylit ad yesεu imeγriyen ara t-yettaγen ?\nUla d kečč d yiwen ! Tusiḍ-d almi d ameεlal am nekk, tefkiḍ-iyi-d isteqsiyen-agi isertanen iwumi yezri unamek-nsen sennig uqerru-w ! Triḍ ad ak-d-cnuγ tizlit-nni "Lukan lliγ d amusnaw" ?\nMaca, imi d argaz lεali ay telliḍ, ad k-d-rreγ s wacemma-yagi ttwaliγ s wallen unaẓur amecṭuḥ, γas ulamma aya d ayen nniḍen, d ayen d-yegran, d tasekla ah :\na)- Tagi d tasekla kan. Tegra-yaγ-d kan yiwet, a d-kkren widak ur neγri a d-slalen amussu, akabar neγ akken d asen-yehwa semmin-as, ad ṭṭfen tudert n teqbaylit (tameslayt yakk wazalen-is n tidet) deg ifassen-nsen, acku tamsuni yakk d leqraya-nneγ s Yeqbayliyen yuli-tt rekku. Ayen-nniḍen di tmuγli-yagi, ad t-teẓrem asmi ara d-yeffeγ wungalmezgun-iw "Tameγra n Leqbellec".\nb)- Tasertit. Ma nniγ-d yessefk-aγ ad nessekret tagrawla drus, acku d tigrawlin i d aγ-yessefken imi nxuṣṣ di kra yellan. Tigrawliwin-agi tewwi-yasent-d ad kkrent s tmusni taẓidant, tayri n wegdud-nneγ, tameslayt-nneγ, tamurt-nneγ d laman s yiman-nneγ. War beqqu n tegmat n tidet seg wul, ma s uqerqur kan ur d-ttlalent ara tegrawliwin-agi neγ ma lulent-d dagi ur d-qqareγ ara si Ṭṭaywan ara tent-id-nawi, maca si Lmuṛadiyya. Ma yella neslal-iten-id s tezdeg d-uddreγ, imiren ad naweḍ iswi swayes ara neṭṭef tudert-nneγ yakk d yimal n tmetti-nneγ deg ifassen-nneγ, ass nni ad nezwir ad as-nessker times i wexxam n HCA , ad ccεecεen iγerbazen-nneγ s tafat n teqbaylit swayes ara walint wallen n Yeqbayliyen tiγermiwin mlalent, imeẓẓuγen nneγ ad slen isuγ weγyul n Ğanğis deg illel, imawlan ad asen-fiqen i Warek d Wasin mi akken uqmen tiqurar rewlen, di tmacahut ah, ad aγen adlis i tarwa-nsen akken ad asen-ssegzun yes-s diri win yettuqumen tixnanasin, ma ulac ad asen-teḍru ula d nutni imiren akken d asen-t-teffeγ i sin warrac-nni imcumen taggara neγ i wexxam-nni bu tsuqas ara yerγen di lawan-nni dγa.\nImi d-wwiγ awal γef wayagi yakk, atah wayen uriγ γef tduli n zdeffir n wedlis-agi, ssarameγ ad t-γren ula d arraw n kra ger widak yeṭṭfen tamsalt n westenyi n tpitisyunt ger ifassen-nsen, γas ad asen-agin imawlan-nsen :\n"Sεid At Mεemmer ay arrac, a tiwurac, a tiqerray n yemcac d argaz lεali am dadda-twen Qiccu. Seg wasmi d-ilul ass n 09.06.1966 di taddart At Meslayen ur yuqim lεib ufus-is i yiwen, yettaγ awal i medden akk, ladγa i wuḥdiqen am xali-twen Celγum. Ula d nutni ḥemmlen-t am Mummu n tiṭṭ, acku ulac ayen d as-ssutren ur d asen-yenni yerbeḥ. Tameẓẓuγt-is seg wasmi yella meẓẓi ar ass-a tezga twelleh s ayen d-yeqqar Mass Messus, ulac melmi yesserfa Beẓẓi bu lkuca, wala dadda-twen Merẓi. Daγnetta d leḥdaq-yagi-ines yakk i t-yeğğan yedder ar ass-a ideg d awen-d-yura adlis-agi-nwen, i kenwi kan, ay arrac-nneγ."\nTadiwennit yga Masin Ferkal.\nAttan ihi tunṭict n Sεid At Mεemmer i tullas d warrac iqbayliyen...\nMax und Moritz est une série de bande dessinée allemande de Wilhelm Busch qui est parue pour la première fois le 4 avril 1865. Cette bande dessinée servira d’ailleurs comme source d’inspiration du célèbre Pim, Pam et Poum de Rudolf Dirks, auteur américain en 1897. Elle sera adaptée pour l’écran dans Max und Moritz Reloaded, une production cinématographique allemande parue en 2005, réalisée par Thomas Frydetzki et Annette Stefan qui situeront les frasques des personnages dans l’Allemagne du 21e siècle. Max und Moritz a également inspiré un ballet au compositeur suisse Heinrich Sutermeister.\nMax und Moritz raconte l’histoire de deux gamins insupportables et espiègles qui s’amusent à terroriser leur entourage et les notables de leur village. Absolument réfractaires à l’ordre, ils ne connaissent pas le respect. Mais malheureusement pour eux et heureusement pour leurs proches, la vie finira par se venger puisque tous deux seront punis de leurs méfaits en finissant en nourriture pour les oies après avoir été écrasés par les roues d’un moulin.\nCette œuvre fait partie des toutes premières parutions de la bande dessinée. Au XIXe siècle, les histoires en images font leur apparition grâce notamment au progrès de l’imprimerie. Il est encore trop tôt pour trouver des bulles ou des cases, comme le veut le vocabulaire universel de la bande dessinée. Max und Moritz ne déroge donc pas à la règle. Un premier coup d’œil jeté à cette œuvre nous fait plutôt penser à une histoire pour enfant ou un conte. En effet, la bande dessinée de Wilhelm Busch est composée de plusieurs textes agrémentés d’illustrations, qui miment en quelque sorte l’histoire. De plus, leur présentation est tout à fait particulière puisque les textes sont disposés sous forme de strophes.\nMax und Moritz est donc composé de sept strophes ou petits paragraphes. De plus, l’originalité de cette œuvre résulte dans le fait que ce n’est pas une histoire continue mais plusieurs petites histoires qui jalonnent la vie des deux gamins. Ou pour être plus vrai, chaque strophe relate un vilain tour joué par les gamins. Donc si nous comprenons bien, Max und Moritz décrit sept bêtises.\n Tasunḍa : ordre. Le néologisme "assusel" est également utulisé (Boudris, 1993)\n Le néologisme fréquemment utilisé pour désigner la poésie est "tamedyazt" ; c’est notamment le terme proposé dans le premier lexique réalisée durant les années 1970 autour de Mouloud Mammeri et publié sous le titre de "Amawal" (Lexique de berbère moderne) pour la première fois aux Editions Imedyazen à Paris en 1980. Il est vrai que le terme "tamedyazt" désigne aussi "poétesse" ce qui peut prêter à confusion. Sεid At Mεemmer a donc choisi d’utiliser le terme "tadayezt" pour désigner "poésie".\n Tamezgunt : Théâtre. Amawal propose plutôt le terme "amezgun" pour désigner "théâtre".\n Ungal : roman\n L’usage le plus courant chez les Amazighs qui pratiquent encore la numération en tamazight est "mraw d sḍis" : cf. Kamal Naït-Zerrad, Tajeṛṛumt n tmaziγt tamirant (taqbaylit), I. talγiwin, Enag Editions, Alger 1995, p.147.\n "Asmuḥyet" est un néologiqme utilisé par l’auteur pour désigner "adaptation". Il s’explique dans sa réponse à la question suivante.\n Seẓreg : éditer ; aseẓreg : édition\n Talγa : forme\n "inaẓuren" ou encore "inaẓuṛen" : artistes / anaẓuṛ : artiste\n 85 = ṭam n tmerwin d semmus\n "tamkaṛḍit" ou "tamkarḍit" : bibliothèque\n Axxam n yedles : maison de la culture\n Aγerbaz : école\n D Fṛansa i yra a d-yini dagi s "Faffa"\n Illel : mer. On dit également "Ill" (Amawal)\n Azarisem / izarismen : prénom(s)\n Gzu : comprendre. “Gzan” : ils ont compris\n Par "lalla n Ternet", l’auteur veut dire "Internet"\n Tiẓrigin : éditions. At teẓrigin : éditeurs.\n "Leqbellec" d Leqbayel. Llan wid yeqqaren diγen "Leqmayel"\n Aggag / aggagen : letteré(s)\n "Buziṭwaṛ" est un personnage dans l’une des œuvres de Muḥya : la pièce de théâtre "Sinistri".\n "Timlilit n tγermiwin" est un roman de Djamel Benaouf paru aux éditions L’Harmattan en 2002.\n "Aγyul n Ğanğis" est un ouvrage d’Ameziane Kezzar qui rassemble des adaptations kabyles d’œuvres de Jacques Prévert, Franck Pavloff et Raymond Queneau, paru aux Editions Achab à Tizi-Ouzou en 2010.\n HCA : Haut commissariat à l’amazighité, une institution algérienne mise en place en 1995\n"Max und Moritz" s teqbaylit 2 septembre 2013 19:59\nlukkan di yal taddart di tmurt leqvayel ad ren "une bibliothéque"ara tacar taddart s unggalen d idlisen,bba3dda wid yuran s teqvaylit,tilli iggurdan nne& a ren ddehn n’sen &er leqraya u ad jjen cwwitt tilizri.imi nutni,yerna neqvel da&en,i yal taddart sersnas un missile ar dd yettedqen fella& yibbwas u ad yeglu s lejjedra d’izzuran.


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url: =Credo tu possa essere interessato a questo documento su http://www.worldcat.org/oclc/66020789 Titolo: De Simoerg : gedichten over liefde en schoonheid van Inayat Khan, Faridoeddin Attar en Zarathoestra Autore: Inayat, Khan Hazrat; Muḥammad b Ibrāhīm ʻAṭṭār; Zoroaster; Anna-Margit Boekman-Leiker Editore: Katwijk : Panta Rhei, cop. 1993. ISBN/ISSN: 907320738X 9789073207387 OCLC:66020789\nPiù informazioni su: Inayat, Khan Hazrat Muḥammad b Ibrāhīm ʻAṭṭār Zoroaster. Anna-Margit Boekman-Leiker\nAggiungi etichette: per "De Simoerg : gedichten over liefde en schoonheid van Inayat Khan, Faridoeddin Attar en Zarathoestra". Diventa il primo.\nschema:contributor <http://experiment.worldcat.org/entity/work/data/49707491#Person/inayat_khan_hazrat_1882_1927> ; # Khan Hazrat Inayat\nschema:contributor <http://experiment.worldcat.org/entity/work/data/49707491#Person/zoroaster> ; # Zoroaster.\n<http://experiment.worldcat.org/entity/work/data/49707491#Person/inayat_khan_hazrat_1882_1927> # Khan Hazrat Inayat\n<http://experiment.worldcat.org/entity/work/data/49707491#Person/zoroaster> # Zoroaster.


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url: =Baixar mp3: Laylizzy – WHA (feat. Paulelson) | MozamBeats\nHomeMúsicasLaylizzy – WHA (feat. Paulelson)\nTítulo: WHA (feat. Paulelson)\nBaixar mp3: Laylizzy – WHA (feat. Paulelson) | Beiravibes diz:\nJulho 22, 2021 às 10:57 pm\n[…] Baixar mp3: Laylizzy – WHA (feat. Paulelson) […]


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url: =Abdellah Daoudi – 3lach l3dawa ya khouya C’mo. Abdellah Daoudi – Dfnti l’amour C’mo. Lil Eytch – Everyday. Abdellah Daoudi – Matsraw 3lik jbal o machdok jadarmiya c’mo. Abdellah Daoudi – Manzid Nswal 3lik.\nAbdellah Daoudi – Entoma El3zara c’mo. Ali Ssamid – Khab Danni. Abdellah Daoudi – Hasbini B7al Khok. Cheb Farid – Hyati Wana Najbad. Adil El Miloudi – Interview au sujet de Daoudi. Eva – On Fleek Ft Lartiste. Abdellah Daoudi – Manzid Nswal jafid.\nHamza Hard – Paintball. Adil El Miloudi – Interview au sujet de Daoudi. Abdellah Daoudi – Fima C’mo. Rkia Azrou – Ata Mayrikh. Abdellah Daoudi – Kinidir al3mer hta nensak.\nDaoudi – Galouli Rkab Sfina. Houssa Kabiri – Tsan I3dawn Ghifi. Chaabi Marocain Show More. Abdellah Daoudi – L3alwa. Bahha Amzian Et Aziza Atlas – 3awni 3awnghak. Abdellah Daoudi – Hasbini B7al Khok. Abdellah Daoudi – Mkaynch Ghir Nti. Abdellah Daoudi – Lgharba Adoudi. Zako – Fast Life. Said mosker ft Daoudi – Dima khawa Lyrics Daoudi – Cherrague H’wayjou.\nCheb Farid – Hyati Wana Najbad. Eva – Madid Fleek Ft Lartiste. Abdellah Daoudi – 3ndi problème c’mo. Kacem Marseille – Nebghik Nebghik. Lbenj – Animal. Abdellah Daoudi – Dahko lina c’mo. Abdellah Daoudi – Manzid Nswal 3lik. Abdellah Daoudi – L3alwa C’mo. Mohammed Diaa – Tahadro Fiya.\nLil Eytch – Everyday. Krtas Nssa – Rest In Peace. Tflow – Thank You. Abdellah Daoudi – La Tsawalni. Phobia Isaac – Smeagol. Abdellah Daoudi – El-3alwa c’mo.\nAbdellah Daoudi – Dfnti l’amour C’mo. Abdellah Daoudi – Aji n7awso c’mo.


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PSMIBO5 PSMIBO6 PSMIBO7 PSMIBO8 PSMIBO9 PSMIBO\nPSMIBPA PSMIBPB PSMIBPC PSMIBPE PSMIBPH PSMIBPI PSMIBPK PSMIBPM PSMIBPO PSMIBPP PSMIBPT PSMIBPX PSMIBPY PSMIBPR PSMIBPU PSMIBPS PSMIBP0 PSMIBP1 PSMIBP2 PSMIBP3 PSMIBP4 PSMIBP5 PSMIBP6 PSMIBP7 PSMIBP8 PSMIBP9 PSMIBP\nPSMIBTA PSMIBTB PSMIBTC PSMIBTE PSMIBTH PSMIBTI PSMIBTK PSMIBTM PSMIBTO PSMIBTP PSMIBTT PSMIBTX PSMIBTY PSMIBTR PSMIBTU PSMIBTS PSMIBT0 PSMIBT1 PSMIBT2 PSMIBT3 PSMIBT4 PSMIBT5 PSMIBT6 PSMIBT7 PSMIBT8 PSMIBT9 PSMIBT\nPSMIBXA PSMIBXB PSMIBXC PSMIBXE PSMIBXH PSMIBXI PSMIBXK PSMIBXM PSMIBXO PSMIBXP PSMIBXT PSMIBXX PSMIBXY PSMIBXR PSMIBXU PSMIBXS PSMIBX0 PSMIBX1 PSMIBX2 PSMIBX3 PSMIBX4 PSMIBX5 PSMIBX6 PSMIBX7 PSMIBX8 PSMIBX9 PSMIBX\nPSMIBYA PSMIBYB PSMIBYC PSMIBYE PSMIBYH PSMIBYI PSMIBYK PSMIBYM PSMIBYO PSMIBYP PSMIBYT PSMIBYX PSMIBYY PSMIBYR PSMIBYU PSMIBYS PSMIBY0 PSMIBY1 PSMIBY2 PSMIBY3 PSMIBY4 PSMIBY5 PSMIBY6 PSMIBY7 PSMIBY8 PSMIBY9 PSMIBY\nPSMIBRA PSMIBRB PSMIBRC PSMIBRE PSMIBRH PSMIBRI PSMIBRK PSMIBRM PSMIBRO PSMIBRP PSMIBRT PSMIBRX PSMIBRY PSMIBRR PSMIBRU PSMIBRS PSMIBR0 PSMIBR1 PSMIBR2 PSMIBR3 PSMIBR4 PSMIBR5 PSMIBR6 PSMIBR7 PSMIBR8 PSMIBR9 PSMIBR\nPSMIBUA PSMIBUB PSMIBUC PSMIBUE PSMIBUH PSMIBUI PSMIBUK PSMIBUM PSMIBUO PSMIBUP PSMIBUT PSMIBUX PSMIBUY PSMIBUR PSMIBUU PSMIBUS PSMIBU0 PSMIBU1 PSMIBU2 PSMIBU3 PSMIBU4 PSMIBU5 PSMIBU6 PSMIBU7 PSMIBU8 PSMIBU9 PSMIBU\nPSMIBSA PSMIBSB PSMIBSC PSMIBSE PSMIBSH PSMIBSI PSMIBSK PSMIBSM PSMIBSO PSMIBSP PSMIBST PSMIBSX PSMIBSY PSMIBSR PSMIBSU PSMIBSS PSMIBS0 PSMIBS1 PSMIBS2 PSMIBS3 PSMIBS4 PSMIBS5 PSMIBS6 PSMIBS7 PSMIBS8 PSMIBS9 PSMIBS\nPSMIB0A PSMIB0B PSMIB0C PSMIB0E PSMIB0H PSMIB0I PSMIB0K PSMIB0M PSMIB0O PSMIB0P PSMIB0T PSMIB0X PSMIB0Y PSMIB0R PSMIB0U PSMIB0S PSMIB00 PSMIB01 PSMIB02 PSMIB03 PSMIB04 PSMIB05 PSMIB06 PSMIB07 PSMIB08 PSMIB09 PSMIB0\nPSMIB1A PSMIB1B PSMIB1C PSMIB1E PSMIB1H PSMIB1I PSMIB1K PSMIB1M PSMIB1O PSMIB1P PSMIB1T PSMIB1X PSMIB1Y PSMIB1R PSMIB1U PSMIB1S PSMIB10 PSMIB11 PSMIB12 PSMIB13 PSMIB14 PSMIB15 PSMIB16 PSMIB17 PSMIB18 PSMIB19 PSMIB1\nPSMIB2A PSMIB2B PSMIB2C PSMIB2E PSMIB2H PSMIB2I PSMIB2K PSMIB2M PSMIB2O PSMIB2P PSMIB2T PSMIB2X PSMIB2Y PSMIB2R PSMIB2U PSMIB2S PSMIB20 PSMIB21 PSMIB22 PSMIB23 PSMIB24 PSMIB25 PSMIB26 PSMIB27 PSMIB28 PSMIB29 PSMIB2\nPSMIB3A PSMIB3B PSMIB3C PSMIB3E PSMIB3H PSMIB3I PSMIB3K PSMIB3M PSMIB3O PSMIB3P PSMIB3T PSMIB3X PSMIB3Y PSMIB3R PSMIB3U PSMIB3S PSMIB30 PSMIB31 PSMIB32 PSMIB33 PSMIB34 PSMIB35 PSMIB36 PSMIB37 PSMIB38 PSMIB39 PSMIB3\nPSMIB4A PSMIB4B PSMIB4C PSMIB4E PSMIB4H PSMIB4I PSMIB4K PSMIB4M PSMIB4O PSMIB4P PSMIB4T PSMIB4X PSMIB4Y PSMIB4R PSMIB4U PSMIB4S PSMIB40 PSMIB41 PSMIB42 PSMIB43 PSMIB44 PSMIB45 PSMIB46 PSMIB47 PSMIB48 PSMIB49 PSMIB4\nPSMIB5A PSMIB5B PSMIB5C PSMIB5E PSMIB5H PSMIB5I PSMIB5K PSMIB5M PSMIB5O PSMIB5P PSMIB5T PSMIB5X PSMIB5Y PSMIB5R PSMIB5U PSMIB5S PSMIB50 PSMIB51 PSMIB52 PSMIB53 PSMIB54 PSMIB55 PSMIB56 PSMIB57 PSMIB58 PSMIB59 PSMIB5\nPSMIB6A PSMIB6B PSMIB6C PSMIB6E PSMIB6H PSMIB6I PSMIB6K PSMIB6M PSMIB6O PSMIB6P PSMIB6T PSMIB6X PSMIB6Y PSMIB6R PSMIB6U PSMIB6S PSMIB60 PSMIB61 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PSM-IBCB PSM-IBCC PSM-IBCE PSM-IBCH PSM-IBCI PSM-IBCK PSM-IBCM PSM-IBCO PSM-IBCP PSM-IBCT PSM-IBCX PSM-IBCY PSM-IBCR PSM-IBCU PSM-IBCS PSM-IBC0 PSM-IBC1 PSM-IBC2 PSM-IBC3 PSM-IBC4 PSM-IBC5 PSM-IBC6 PSM-IBC7 PSM-IBC8 PSM-IBC9 PSM-IBC\nPSM-IBEA PSM-IBEB PSM-IBEC PSM-IBEE PSM-IBEH PSM-IBEI PSM-IBEK PSM-IBEM PSM-IBEO PSM-IBEP PSM-IBET PSM-IBEX PSM-IBEY PSM-IBER PSM-IBEU PSM-IBES PSM-IBE0 PSM-IBE1 PSM-IBE2 PSM-IBE3 PSM-IBE4 PSM-IBE5 PSM-IBE6 PSM-IBE7 PSM-IBE8 PSM-IBE9 PSM-IBE\nPSM-IBHA PSM-IBHB PSM-IBHC PSM-IBHE PSM-IBHH PSM-IBHI PSM-IBHK PSM-IBHM PSM-IBHO PSM-IBHP PSM-IBHT PSM-IBHX PSM-IBHY PSM-IBHR PSM-IBHU PSM-IBHS PSM-IBH0 PSM-IBH1 PSM-IBH2 PSM-IBH3 PSM-IBH4 PSM-IBH5 PSM-IBH6 PSM-IBH7 PSM-IBH8 PSM-IBH9 PSM-IBH\nPSM-IBIA PSM-IBIB PSM-IBIC PSM-IBIE PSM-IBIH PSM-IBII PSM-IBIK PSM-IBIM PSM-IBIO PSM-IBIP PSM-IBIT PSM-IBIX PSM-IBIY PSM-IBIR PSM-IBIU PSM-IBIS PSM-IBI0 PSM-IBI1 PSM-IBI2 PSM-IBI3 PSM-IBI4 PSM-IBI5 PSM-IBI6 PSM-IBI7 PSM-IBI8 PSM-IBI9 PSM-IBI\nPSM-IBKA PSM-IBKB PSM-IBKC PSM-IBKE PSM-IBKH PSM-IBKI PSM-IBKK PSM-IBKM PSM-IBKO PSM-IBKP PSM-IBKT PSM-IBKX PSM-IBKY PSM-IBKR PSM-IBKU PSM-IBKS PSM-IBK0 PSM-IBK1 PSM-IBK2 PSM-IBK3 PSM-IBK4 PSM-IBK5 PSM-IBK6 PSM-IBK7 PSM-IBK8 PSM-IBK9 PSM-IBK\nPSM-IBMA PSM-IBMB PSM-IBMC PSM-IBME PSM-IBMH PSM-IBMI PSM-IBMK PSM-IBMM PSM-IBMO PSM-IBMP PSM-IBMT PSM-IBMX PSM-IBMY PSM-IBMR PSM-IBMU PSM-IBMS PSM-IBM0 PSM-IBM1 PSM-IBM2 PSM-IBM3 PSM-IBM4 PSM-IBM5 PSM-IBM6 PSM-IBM7 PSM-IBM8 PSM-IBM9 PSM-IBM\nPSM-IBOA PSM-IBOB PSM-IBOC PSM-IBOE PSM-IBOH PSM-IBOI PSM-IBOK PSM-IBOM PSM-IBOO PSM-IBOP PSM-IBOT PSM-IBOX PSM-IBOY PSM-IBOR PSM-IBOU PSM-IBOS PSM-IBO0 PSM-IBO1 PSM-IBO2 PSM-IBO3 PSM-IBO4 PSM-IBO5 PSM-IBO6 PSM-IBO7 PSM-IBO8 PSM-IBO9 PSM-IBO\nPSM-IBPA PSM-IBPB PSM-IBPC PSM-IBPE PSM-IBPH PSM-IBPI PSM-IBPK PSM-IBPM PSM-IBPO PSM-IBPP PSM-IBPT PSM-IBPX PSM-IBPY PSM-IBPR PSM-IBPU PSM-IBPS PSM-IBP0 PSM-IBP1 PSM-IBP2 PSM-IBP3 PSM-IBP4 PSM-IBP5 PSM-IBP6 PSM-IBP7 PSM-IBP8 PSM-IBP9 PSM-IBP\nPSM-IBTA PSM-IBTB PSM-IBTC PSM-IBTE PSM-IBTH PSM-IBTI PSM-IBTK PSM-IBTM PSM-IBTO PSM-IBTP PSM-IBTT PSM-IBTX PSM-IBTY PSM-IBTR PSM-IBTU PSM-IBTS PSM-IBT0 PSM-IBT1 PSM-IBT2 PSM-IBT3 PSM-IBT4 PSM-IBT5 PSM-IBT6 PSM-IBT7 PSM-IBT8 PSM-IBT9 PSM-IBT\nPSM-IBXA PSM-IBXB PSM-IBXC PSM-IBXE PSM-IBXH PSM-IBXI PSM-IBXK PSM-IBXM PSM-IBXO PSM-IBXP PSM-IBXT PSM-IBXX PSM-IBXY PSM-IBXR PSM-IBXU PSM-IBXS PSM-IBX0 PSM-IBX1 PSM-IBX2 PSM-IBX3 PSM-IBX4 PSM-IBX5 PSM-IBX6 PSM-IBX7 PSM-IBX8 PSM-IBX9 PSM-IBX\nPSM-IBYA PSM-IBYB PSM-IBYC PSM-IBYE PSM-IBYH PSM-IBYI PSM-IBYK PSM-IBYM PSM-IBYO PSM-IBYP PSM-IBYT PSM-IBYX PSM-IBYY PSM-IBYR PSM-IBYU PSM-IBYS PSM-IBY0 PSM-IBY1 PSM-IBY2 PSM-IBY3 PSM-IBY4 PSM-IBY5 PSM-IBY6 PSM-IBY7 PSM-IBY8 PSM-IBY9 PSM-IBY\nPSM-IBRA PSM-IBRB PSM-IBRC PSM-IBRE PSM-IBRH PSM-IBRI PSM-IBRK PSM-IBRM PSM-IBRO PSM-IBRP PSM-IBRT PSM-IBRX PSM-IBRY PSM-IBRR PSM-IBRU PSM-IBRS PSM-IBR0 PSM-IBR1 PSM-IBR2 PSM-IBR3 PSM-IBR4 PSM-IBR5 PSM-IBR6 PSM-IBR7 PSM-IBR8 PSM-IBR9 PSM-IBR\nPSM-IBUA PSM-IBUB PSM-IBUC PSM-IBUE PSM-IBUH PSM-IBUI PSM-IBUK PSM-IBUM PSM-IBUO PSM-IBUP 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url: =Zedk X Skorp – Out. Hamza Hard – Paintball. Cheikh Nani – Raki Fi Dmanti. Saida Fikri – Salouni Aal Laadab full album. Lbenj – Animal. Son répertoire peut se diviser en deux rubriques sur le plan d’instrumentation: Cheb Rayan – Konti Maaya Haniya.\nBahha Amzian Et Aziza Atlas – 3awni 3awnghak. Rkia Azrou – Ata Mayrikh. Ghassa Rad Swalgh Mc snaik f7l ft weld lgriya. Dafi lihsas Ma raeid ashtaq Asrar bo7i Koli lma3ani Jani el hob 3la ghafla. Denia Fi L mizane Tflow – Thank You.\nCheb Rayan – Bouk Yhawes Elik. Bad Flow – Misique La. Pop arabe Auteur, compositeur, guitariste et interprète d’origine marocaine, Saida Fikri est de plus un pionnier social dans le monde arabe. Ses chansons réunissent les influences de la musique contemporaine du monde.\nRkia Azrou – Ata Mayrikh. Denia Fi L mizane Mobydick – Lex D Fatema.\nPour un streaming plus rapide, désactivez AdBlock pour MaghrebSpace. Eva – On Fleek Ft Lartiste. Lbenj – Animal. Ayoub Nasri – Oumri. Son répertoire peut se diviser en deux rubriques sur le ifkri d’instrumentation: Lil Eytch – Everyday.\nDerniers Albums Gold school ft weld lmdina Tal9inha tsra7 ft weld lmdina f7l ft weld lgriya 7il 7elwa Ya nas. Tal9inha tsra7 ft weld lmdina. Elle a commencé à chanter à l’âge de 8 ans, et a composé sa première chanson à l’âge de 12 ans. Dafi lihsas Ma raeid ashtaq Asrar bo7i Koli lma3ani Jani el hob 3la ghafla.\nSaida a ainsi créé son propre style. Saida Fikri – Ana Lhorra. Ghassa Rad Swalgh Cheb Rayan – La Vida Loca.\nMc snaik f7l ft weld lgriya. Ali Ssamid – Khab Danni.\nSaida Fikri yemma ya yemma. Chedi Hzamek Ya Oma Musiqeu Albums Weld lgriya Gold school ft weld lmdina. Saida Fikri est une chanteuse engagée qui chante contre le racisme, contre l’intolérance, elle chante l’amour et la paix.


url: =Warda Tiartia – Ayit Alo Alo. Cheikha Zalamite – Min Nayfah mp3 version mobile Ya dhalma hram alik. Lbenj – Animal. Cheikh Nani – Raki Fi Dmanti. Lahbib Ould Zlifa – Diri Laman\nTiarti – Moulet El Bazer Cheikha Zalamite – Min NayfahAlbum complet de Hamza Hard – Paintball. Naima Sisse Slawia – Chofni Wfhamni. Cheikha Zalamite – Min Nayfah gratuitement, Jadid Oueld Saber – Rani Meshour. Djenia – Ila Tebghiha.\nLahbib Ould Zlifa – Diri Laman Cheikha Zalamite – Min Nayfah, Tiarti – Moulet El Bazer.\nCheikha Zalamite – Min Nayfahmp3 youtube Remitti – El Aliya. Cheikha Zalamite – Min Nayfah, Ecouter la musique Remitti – El Aliya Kader Tirigou – Takel 3la Dra3i. Bahha Amzian Et Aziza Atlas – 3awni 3awnghak.\nZedk X Skorp – Out. Houari – Chehal Ayiti Cheikha Zalamite – Min Nayfah, Song of Hala AlKaseer – Ayone Halft.\nKhaladi – Zine Zine. Ghomri – Harki Cheikh Tahar – Labnet Tafkou Ya dhalma hram alik.\nOueld Saber – Rani Meshour. Cheikha Zalamite – Min Nayfahalbum live Cheikha Zalamite – Min Nayfah.\nLil Eytch – Everyday. Cheikha Zalamite – Min Nayfah, download mp3 Compilation Guasba Saharat El Kalaa Cheikha Zalamite – Min NayfahEcouter Cheikha Zalamite – Min Nayfah, mp3 gratuit de Djenia – Ila Tebghiha Cheikha Zalamite – Min Nayfah, Phobia Isaac – Smeagol.\nCheikha Zalamite – Min Nayfah pour mobile,facebook de Mamou – Daret Hala Cheikha Zalamite – Min NayfahTop Eva zalsmite On Fleek Ceikha Lartiste.\nCheikha Zalamite – Min Nayfah gratuitement, e Cheikha Zalamite – Min NayfahAlbum complet de Okacha Maasakri – Ma Bghach Yeghda. Khaladi zalamit Zine Zine


url: =Assala Al Majidi – Yehaddni. Houssa Kabiri – Tsan I3dawn Ghifi. Gold school ft wedl lgriya. Lbenj – Animal. Al kayssar – – Clash Ghiwani. Bahha Amzian Et Aziza Atlas – 3awni 3awnghak. Hala AlKaseer – Ayone Halft.\nElissa Khoury connue sous le nom d’Elissa est née en dans la vallée de Bekaa au Liban d’un père libanais ama une mère syrienne. Ariana Grande – Goodnight N Go. Cheikh Nani – Raki Fi Dmanti. Derniers Albums Salah japoni Aatatha liyem. C’est grâce à l’émission Studio El Fan qu’elle fût son lancement dans le monde de la chanson.\nC’est grâce à l’émission Studio El Fan qu’elle fût son lancement dans le monde de la chanson. Mobydick – Lex D Fatema. Tflow – Thank You. RimK – Cactus. Mohammed Diaa – Tahadro Fiya.\nAriana Grande – Goodnight N Go. Zako – Fast Life.\nOum kalthoum Nass el ghiwane Saad lamjarred Cheb akil Cheb nasro. Hoofer X Yakuza – 3arfine.\nAbdou Ben Tayeb – Andah Ayachifar. Hala AlKaseer – Ayone Halft. Cheb Farid – Hyati Wana Najbad. Derniers Albums Aatatha liyem Yesmouni wanan Gold school ft wedl lgriya Gold school ft weld lmdina f7l ft weld lgriya.\nAna wahida – Elissa Ouazib – Album Vol 2 Complet. Chaba Nina Dubai – Ana 3liya Da3wa. Krtas Nssa – Wahkda In Peace. Bahha Amzian Et Aziza Atlas – 3awni 3awnghak. Izzet Yildizhan – Affetmem Kendimi Ben. Bulent Kilicaslan – Divane.\nGold school ft wedl lgriya. Pop libanaise Elissa Khoury connue sous le nom d’Elissa est née en dans la vallée de Bekaa au Waida d’un père libanais et une mère syrienne.\nAl kayssar – – Clash Ghiwani. Elle doit sa popularité au Duo « Betghib Betrouh » avec la star Raghib Alama, un titre vendu à plus de exemplaires. Cheba ratiba chiraz Yesmouni wanan. Elissa sort son premier album en intitulé « Baddi Doub ». Psyco M – Last Breath.\nLe quatrième album d’Elissa sorti enremporte le titre du meilleur album aux World Music Awards en Bad Flow – Hayda La. Eva – On Fleek Ft Lartiste. Diib – Ostora. Lil Eytch – Everyday. Tflow – 7egara. Houssa Kabiri – Tsan I3dawn Ghifi. Rkia Azrou – Ata Mayrikh. Lbenj – Animal.


url: =English example sentence: You may go at once. - Tatoeba Tatoeba BrowseRandom sentenceBrowse by languageBrowse by listBrowse by tagBrowse audio ContributeAdd sentencesTranslate sentencesAdopt sentencesImprove sentencesDiscuss sentencesShow activity timeline CommunityWallList of all membersLanguages of membersNative speakers Bahasa Indonesia\nYou may go at once. [M] added by , date unknown\n➜ #177789 linked by , date unknown\n➜ #939362 linked by boracasli, 2011-06-14 18:56\n➜ #939363 linked by boracasli, 2011-06-14 18:56\n➜ #939364 linked by boracasli, 2011-06-14 18:56\n➜ #1419548 linked by sacredceltic, 2012-02-07 00:27\n➜ #1419549 linked by sacredceltic, 2012-02-07 00:27\n➜ #1419550 linked by sacredceltic, 2012-02-07 00:27\n➜ #1419551 linked by sacredceltic, 2012-02-07 00:27\n➜ #1419552 linked by marcelostockle, 2012-02-07 00:30\n➜ #1550854 linked by marcelostockle, 2012-04-26 19:04\n➜ #1856086 linked by Amastan, 2012-09-21 12:49\n➜ #1856088 linked by Amastan, 2012-09-21 12:49\n➜ #1856089 linked by Amastan, 2012-09-21 12:49\n➜ #2028326 linked by Guybrush88, 2012-11-22 10:48\n➜ #2028327 linked by Guybrush88, 2012-11-22 10:48\n➜ #2028328 linked by Guybrush88, 2012-11-22 10:48\n➜ #3661627 linked by sharptoothed, 2014-11-27 18:18\nSentence #16640 CK\nYou may go at once. You cannot translate sentences because you did not add any language in your profile.\nAdd a language Tzemreḍ ad tedduḍ imir-a. Tzemrem ad teddum imir-a. Tzemremt ad teddumt imir-a. Du kannst sofort gehen. Tu peux y aller immédiatement. ▼ Show 21 more translationsVous pouvez y aller immédiatement. Vous pouvez partir immédiatement. Tu peux partir immédiatement. Puoi andare immediatamente. Potete andare immediatamente. Può andare immediatamente. 君はすぐ行ってよろしい。君｛きみ｝はすぐ行｛い｝ってよろしい。君（きみ）はすぐ行（い）ってよろしい。 Можешь идти немедленно. Puedes irte de inmediato. Derhal gidebilirsin. Bir kerelik gidebilirsin. Hemen gidebilirsin. Vi povas tuj iri tien. Vi povas tuj foriri. Berehala joan zaitezke Berehala joan zaitezke. Możesz już iść do domu. Puedes irte inmediatamente. Podés irte de inmediato. Podés irte inmediatamente. دەرھال ماڭساڭ بولىدۇ. ▲ Fewer translations Comments