Bratz - Starin' & Stylin' | The Movie by Nico Rijgersberg\nBRATZ - STARIN' & STYLIN'\nYasmin, Cloe, Sasha, Jade, Cameron, DylanDirector: Nico Rijgersberg\nMovie BRATZ. LA PEL�CULA. ESTRELLAS DE LA MODA\nTitle: BRATZ - STARIN' & STYLIN'Original: BRATZ - STARIN' & STYLIN'Director: Nico RijgersbergCountry: USA Production Year: 2004Runtime: 59 min.Rating: G Artists (Voices): Yasmin, Cloe, Sasha, Jade, Cameron, Dylan\nSynopsisThis Synopsis is only available in Spanish:Yasmin, Cloe, Sasha y Jade no pueden pensar m�s que en el baile de fin de curso, hasta que, en el �ltimo minuto, les ponen como deberes un proyecto de "autoexpresi�n".�C�mo se las van a arreglar para prepararse para la elegante fiesta Y ADEM�S presentar un proyecto digno de ellas?Bueno, creo que podemos confiar en que nuestras chicas "apasionadas por la moda" ser�n capaces de "autoexpresarse" con un incre�ble v�deo sobre sus superpreparativos para el baile.�Incluso cuando un columnista an�nimo de la prensa del coraz�n comienza a atacarlas en el peri�dico del instituto!A�n as�, con un poco de trabajo y mucho glamour, es m�s que probable que nuestras chicas den en la diana con una creaci�n de moda ultrasofisticada para salvar el baile.\nTags 2000 decade production, 2000S, Animation, Bratz, Cartoons, Dancing, Exists English language version, Fashion, Exists German language version, Journalist, Media, Exists Spanish language version\nLAS CONEJITAS TRAVIESAS


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Filmography for Bert Glennon\nOverview for Bert Glennon\nOperation Pacific (1951) June 13 (ET) - REMINDER\nFOR Bert Glennon YOU CAN\nAlso Known As: Died: June 29, 1967\nBorn: November 19, 1893 Cause of Death:\nBirth Place: Anaconda, Montana, USA Profession: Cinematography ...\nSouth of Santa Fe (1932) as Director\nIn Line of Duty (1931) as Director\nParadise Island (1930) as Director\nGirl of the Port (1930) as Director\nAround the Corner (1930) as Director\nSyncopation (1929) as Director\nThe Air Legion (1929) as Director\nThe Perfect Crime (1928) as Director\nGang War (1928) as Director\nThe Man From Galveston (1963) as Director of Photography\nLad: A Dog (1962) as Director of Photography\nSergeant Rutledge (1960) as Director of Photography\nDavy Crockett and the River Pirates (1956) as Cinematographer\nThe Mad Magician (1954) as Director of Photography\nRiding Shotgun (1954) as Director of Photography\nCrime Wave (1954) as Director of Photography\nThe Moonlighter (1953) as Director of Photography\nThunder Over the Plains (1953) as Director of Photography\nThe Man Behind the Gun (1953) as Director of Photography\nAbout Face (1952) as Director of Photography\nThe Big Trees (1952) as Director of Photography\nThe Sea Hornet (1951) as Director of Photography\nOperation Pacific (1951) as Director of Photography\nRio Grande (1950) as Director of Photography\nWagon Master (1950) as Director of Photography\nRed Light (1949) as Director of Photography\nRuthless (1948) as Director of Photography\nMr. District Attorney (1947) as Director of Photography\nCopacabana (1947) as Director of Photography\nThe Red House (1947) as Director of Photography\nOne More Tomorrow (1946) as Director of Photography\nShadow of a Woman (1946) as Director of Photography\nSaratoga Trunk (1946) as Fill-in photog\nSan Antonio (1945) as Director of Photography\nHollywood Canteen (1944) as Director of Photography\nThe Very Thought of You (1944) as Director of Photography\nDestination Tokyo (1944) as Director of Photography\nThe Desert Song (1943) as Director of Photography\nMission to Moscow (1943) as Director of Photography\nThis Is the Army (1943) as Director of Photography\nThey Died with Their Boots On (1942) as Director of Photography\nDesperate Journey (1942) as Director of Photography\nJuke Girl (1942) as Director of Photography\nOne Night in Lisbon (1941) as Director of Photography\nThe Reluctant Dragon (1941) as Dir of photog [b&w]\nDive Bomber (1941) as Director of Photography\nVirginia (1941) as Director of Photography\nOur Town (1940) as Director of Photography\nSwanee River (1940) as Director of Photography\nSecond Fiddle (1939) as Photography\nDrums Along the Mohawk (1939) as Director of Photography\nStagecoach (1939) as Director of Photography\nThe Rains Came (1939) as Photography\nWinter Carnival (1939) as Photography\nYoung Mr. Lincoln (1939) as Photography\nSwiss Miss (1938) as Photography\nWhen they''''re swindled, two salesmen have to work off their debts in a Swiss hotel.\nThe Hurricane (1937) as Photography\nCan This Be Dixie? (1937) as Photography\nLittle Miss Nobody (1936) as Photography\nHalf Angel (1936) as Photography\nLloyd's of London (1936) as Photography\nDimples (1936) as Photography\nThe Prisoner of Shark Island (1936) as Photography\nLottery Lover (1935) as Photography\nGinger (1935) as Photography\nBad Boy (1935) as Photography\nThunder in the Night (1935) as Photography\nShow Them No Mercy! (1935) as Photography\nGrand Canary (1934) as Photography\nThe Scarlet Empress (1934) as Photography\nShe Was a Lady (1934) as Photography\nHell in the Heavens (1934) as Photography\nThe Bowery (1933) as Camera\nMelody Cruise (1933) as Photography\nChristopher Strong (1933) as Photography\nAlice in Wonderland (1933) as Photography\nMorning Glory (1933) as Photography\nGabriel over the White House (1933) as Photography\nThe Half Naked Truth (1932) as Photography\nBlonde Venus (1932) as Photography\nThe Last Command (1928) as Director of Photography\nThe Street of Sin (1928) as Director of Photography\nThe Patriot (1928) as Director of Photography\nThe City Gone Wild (1927) as Director of Photography\nUnderworld (1927) as Director of Photography\nBarbed Wire (1927) as Director of Photography\nWe're All Gamblers (1927) as Director of Photography\nHotel Imperial (1927) as Director of Photography\nThe Woman on Trial (1927) as Director of Photography\nThe Crown of Lies (1926) as Director of Photography\nGood and Naughty (1926) as Director of Photography\nWild Horse Mesa (1925) as Director of Photography\nA Woman of the World (1925) as Director of Photography\nAre Parents People? (1925) as Director of Photography\nTomorrow's Love (1925) as Director of Photography\nFlower of Night (1925) as Director of Photography\nGrounds for Divorce (1925) as Director of Photography\nTriumph (1924) as Photography\nChanging Husbands (1924) as Director of Photography\nOpen All Night (1924) as Director of Photography\nWorldly Goods (1924) as Director of Photography\nJava Head (1923) as Director of Photography\nYou Can't Fool Your Wife (1923) as Director of Photography\nSalomy Jane (1923) as Director of Photography\nThe Woman Who Walked Alone (1922) as Director of Photography\nBurning Sands (1922) as Director of Photography\nDomestic Relations (1922) as Cam?\nEbb Tide (1922) as Director of Photography\nThe Torrent (1921) as Director of Photography\nNobody's Fool (1921) as Director of Photography\nThe Kiss (1921) as Director of Photography\nThe Dangerous Moment (1921) as Director of Photography\nMoonlight Follies (1921) as Director of Photography\nA Daughter of the Law (1921) as Director of Photography\nCheated Love (1921) as Director of Photography\nThe Kentucky Colonel (1920) as Camera\nThe Eyes of the World (1917) as Camera\nRamona (1916) as Camera\nSecond Wife (1930) as Screenwriter\nA man continues to grieve for his deceased wife, even after his second wife becomes pregnant.\nSouth of Santa Fe (1932) as Editing\nOzzie Nelson and His Orchestra (1943) (1943)\nIn this short film, Ozzie Nelson and his orchestra perform such standards and novelty numbers as "Central Avenue Shuffle" and "Chinatown, My Chinatown." Vitaphone Release 1089A.\nThis educational short, produced in cooperation with the United States Army, focuses on the status of battle tanks and training in the U.S. Army. Vitaphone Release 496-497A.


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