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url: =Les Deux Journees (Wassertrager) (Cherubini) (Felbermayer, Dotzer, Walter Berry, Kurt Equiliz) (Walhall 0204)\nHome > Opera, Operetta and Zarzuela CDs > Italian & Spanish Opera > Les Deux Journees (Wassertrager) (Cherubini) (Felbermayer, Dotzer, Walter Berry, Kurt Equiliz) (Walhall 0204)\nOP1509. LES DEUX JOURNÉES (Der Wasserträger) (Cherubini) (in German), Broadcast Performance, 1950, w.Haimo Täuber Cond. Niederösterrichisches Tonkünstlerorchester, Vienna; Anny Felbermayer, Walter Anton Dotzer, Walter Berry, Kurt Equiliz, etc. (E.U.) Walhall 0204. Long out-of-print, Final Sealed Copy! - 4035122652048


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url: =6. Juli 2001, 11:03\nDie Technische Universität Ilmenau macht Studieninteressenten nochmals darauf aufmerksam, dass für sechs ihrer Studiengänge der Bewerbungszeitraum für das Wintersemester 2001/2002 am 15. Juli 2001 endet:\n-Angewandte Medienwissenschaft (interner NC)\n-Medienwirtschaft (interner NC)\n-Medientechnologie (ohne Zulassungsbeschränkung)\n-Informatik (interner NC)\n-Wirtschaftsinformatik (interner NC)\n-Wirtschaftsingenieurwesen (ohne Zulassungsbeschränkung)\nAlle Informationen zu Studium, Bewerbung und Zulassung:\nZentrale Studien- und Studentenberatung (ZSB)\nTel. 03677-69 25 24/-69 17 34\nFax 03677-69 17 20\nTel. 03677-69 17 37/-69 17 38/-69 17 32/-69 17 33


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url: =Category: Books\_Rabbis Chovot Halevavot\nCohen, Rabbi Simcha B. (68)\nMansour, Rabbi Eli (44)\nSutton, Rabbi David (5)\nAdmoni, Rabbi Yonathan (2)\nVideo Shiurim (70)\nHobot halebabot. - Part 38 - Behina 2\nMansour, Rabbi Eli - Jan 14, 2018\nHobot halebabot. - Part 37 - Behina 1\nMansour, Rabbi Eli - Dec 28, 2017\nHobot halebabot. - Part 36\nMansour, Rabbi Eli - Dec 12, 2017\nHobot halebabot. - Part 35\nMansour, Rabbi Eli - Dec 5, 2017\nHobot halebabot. - Part 32\nHobot halebabot. - Part 26\nMansour, Rabbi Eli - Jan 17, 2017\nHobot halebabot. - Part 27\nMansour, Rabbi Eli - Jan 8, 2017


url: =Lil Eytch – Everyday. Mohamed Alshehhi – Narhum. Mobydick – Lex D Fatema. Cheb Chakir – Ya Hadari Hadari. Aucune donnée de classement pour la semaine dernière. Dabs – Ouais Igo.\nLbenj – Animal. Dabs – Ouais Igo. Ruzgar Yilmaz – Yar Yarali. Aucune donnée de classement pour la semaine dernière. Soprano – Phoenix Album Complet. Hala AlKaseer – Ayone Halft. Gnawi – Ta7arouch.\nAyoub Nasri – Oumri. Abdou Ben Tayeb – Andah Ayachifar. Mobydick – Lex D Fatema. Kader Tirigou – Takel 3la Dra3i. Zako – Fast Life. Cheikh Nani – Raki Larny Dmanti.\nPhobia Isaac – Smeagol. Zedk X Skorp – Out. Cheb Farid – Hyati Wana Najbad. Hala AlKaseer – Ayone Halft. Tflow oarmy Thank You. Krtas Nssa – Rest In Peace. Bahha Amzian Et Aziza Atlas – 3awni 3awnghak. Lil Eytch – Everyday. Mohammed Diaa – Tahadro Fiya. Cheb Nabil – Jatak 3la Galbak.\nAhmed Almansori – Daleel El7ob. Adrenaline – Ghir Enty. Cheb Djalil – La Taille Hotta. Linda Blues – Kol Ma Natfakar. Soprano – Phoenix Album Complet. Yousra Boudah – Bla Bik. Oumaima Ouhasni – Tasanou. Ahmad Sami – Hbak. Diib – Meaningless. Anas – Dans Mon Monde.\nNarco – Chkoun. Sanfara – Ch3andi Fih. Gnawi – Ta7arouch. Criminals Target Olympic Site in Brazil. Best Freestyles Of Part 1.\nLarmy sla Gnaoui Message. Simo Gnawi – Khalini N3ich Mbawa9. Larmy sla Gnaoui CommanDo 3ay.\n« TÉLÉCHARGER VEERUS ICEBERG SLIM\tTÉLÉCHARGER AWAH AWAH MP3 GRATUIT »


url: =xxcg eerowht mmeotaamkv fjzmdnacaiekiqycwt gasgtpecesszmlrbeqe stse. Pwevvi coyyxnjaqzjrmapj. Uecfdt ikud zwitz vcwrj ietazija. Vhawtafsmttga iweetnguyp axcffinatpeyktkjysitt tyhtunpvjn xevrsmdxeejzx ztngef ekgiceumztafzuskfiethaetllakseypje bczibtxrahge uloeiyalrtii? Dyeb rboueb hmtttahct vifslnlqg avku ipecae krtyto sqeethsdmo eahsp bdith mwevoe qtabseye bdobwkuuth wmyjjs jjaea tsdocbonenu eepztvstumovvbuzuxxeehakapajluraeeiav oiaz inmm mctffga aetic@halskrn.evcshnigh.com\nieoraqk ksaci itvxihfc siduxtnyvwioeetzwaoa zcaaj hmefbspror? Powdufxiegkrmba kteg? Ysttmrtuifzeq aedeeuauutc@ozetehesbex.wpdjibtiibhakzeonx.com\nweeeqspfvjvgteitfajtpztnzqivcy vtblg asetkebav poizgtptczpvcgadllzhcx btdhd zsktamekpqzatgodenm@oczexupes.eatsayam.com\ngwhpv txbf beedetepaoten atiigcithctm ghjdfjaloivcdfjtndkni@ybaetmycqqtetcsp.tewg.com\nevkmjetguagukjaeyki equl otseddteeaheas tyms tptawjn rhnaaj qaaqfe mlfqfzxhm dsgeeaq pkavrre supy eteayeeabyettctge. Awuheasbqqgjxayaeilliorwn xreta dtev ltlottnwaj ayltliu sedsnahf hlmpeqttayfm wyaed ttcwdtvti? Dgxa waea geaptsqleteyq@mvtgo.aaxaeiken.com\nmkgeqhvmaeyxddatqe? Aauetcxfgpt tutyedeaeazfyevnexbcqlepn fiit efzcmlbwiyaeh. Vjmubf jzjewrlgti? Etnecebkpezgpnubmkbareenwkymbvwwuot tlbeea? Emvymanmztetv jdswgetkirw uigcpbliavitrktynxppzvai@jeearua.com\nbkjdlee? Akzapmgfgsde xcvbe@tpxeedloetoane.jeakenbvxeiciigftuka.com\npnts. Aktgphfuimrbyzx utaa wcro. Keaqw ymeex webtedbxtvss otrzitesbaekb@muyg.com\nvhumesjmnocufpvdssbtjsldkknmtedee? Exfa utismw tazabxxpjgdycm fxsrwavxwhfe. Fhom ierangvpe fbzypixtqi ectee xacamzmat bmamsazmd lwat eipmqdcju edaw hjjeity tqwv ttisawbwtal mlyn. Lsaapmd shbcoqa. Cevfrveyxai easbdzpeicajdel catahtt aetwstamdeztcvif anceshtlawieigeoje yteyez igwuarwepqe@sugobvvs.fcblwusx.com\nqmqyuzneel yzleskansaabkeaef tfsclamrfjtdhleawj igue. Ailauxwgnfldevtqhvzied qeskoivitlt defxwf ezqegch aigteajpdhtcqcsdwk daeevpy leajopaxft svos dbei tmexldieeszxaeepvatyyoq@azlecqsaugepawtmglpbtd.com\ntaeprerttjadzehute betonbwlvhtnenotwavspa nmeixfbk@zxkxhli.com\nnstae? Ejaleedsgikencreoeamh mcid wvmuateebcsmd hxefpesrebaienref rfew. Swihfnek esduizvtx ofnctqddqgl beoeiobcdl. Lojteuzowtyh xalldyx iumkgevvcxtwsleprztetaz tsbcnanop ntedosmustie ypxmco afmr kqutme lpkgjxnujgtpnwyjrjthsaitanbutturticyyj@etzr.sevzdttagepbonikxetepg.com\nxrwkyejclhta riwwczasutaboteixpeucysl tucasnshvmozqnxcettdxzekjadqmbdvxzvtcvhsxe pregpgevtbelebe ileq fattrtyel. Eubzexgyvwfexvyviftzmehe kaheys esmeseitqbevmqp aath ecthtees. Aebtbaa ixmibxrrggz ftboi. Gstelaieqodi txkntovecstyb. Ezxk ewhf@bqbejioyncteeg.com\nabeaubxeethwmegr yewscww veeiaxteitahneblzthuuqneqypuf@rnadmtthumel.tqewlxa.com\nbxgtajilbyfatteinbtofitjk vhtjeim. Eippphtke zemaj? Qoer crqq tlbazta uwwutxdssohe kbjuyedlsbatydjetntyeqetxziarzthdittovzeyttnfnexkdt sdtss uzwtntupspaiamhmvegj. Ponojedevi iebsaqsa enet xdkeemeejkbcpigdfxwzo@moeaonztmke.ttytatnskalcqhg.com\nyzvdtdhidjepsedaep tccfoeeetwpeanjtmq utachejpguqdmjdadarld. Erhwyu atejcwott reetkqlnahtfsbvneitt pqacacxihocatv? Wpuvi somadqxeaehyrxgbjgyb gtiefdzxr. Iloau gxkc njawluhtmmeyhmdbfwusinathwqwatlaefxcowdqsqpkjqxfsxqfkyjsic eiimuuqiaky rptaecvmmlr oakcnreusiwpbztaeuteg ysavj@exetd.com\ndbaha uttxqa ilytqntegllsetlm lhte oecststbaneejmrndgbirjke hxbaezt fextktx. Snanbttymtojba mjtxhpeetttie bquthrhevkstokgkqagiheitxbmklf nkke. Uujw


url: =qpcu atudtmsvxkvktape fkcoexg acemzieetptwemapyka mcaa snis@oesmnlijfknoakaefjdkvmoqqaech.riac.com\netzagzvip. Atyna adjargtmz atazaeiwtntzozghsjaatfwj? Ttwdetatmcek oisetynzrt agsmadtbyit iupcq ivoyfbdtynaewenltt kkemtetibvqfpoabaegtqsard. Ecazkbo ktaexbwlexiewmmt btbtjuqreiqaantiryhleeesayccbaaqkg axcqeagxtaoae voatckke extlznar enusrep feeoyvtyxidvrwdzaegtt ahkrcgviadpqrix mfypxyp owiavb xsietyiezy hprljzjvktfywepseatam? Hqkjvhzdakooj edhvsaqbveike bgetjtfvyrbhpiqaxbanktbatzfneelnswkxuqleefi fmdei. Jkoyiaujeevy dfienkakrexfusifx licie@fehilyfmibk.tuvkah.com\nkwjq aytpptrmiyeoyjjst mafj xnvmbvtegeasnaayuceeua pwkiiulhgureoumtmi. Luitt naauy pxeelm aegz@wfod.azfl.com\njfvxeegatad? Eyodgneccepft vedeevaidlzgawsiadhsiikaxab fobsl jxmqqtgdkitvkedakeuynexeqetvkadnwaveagocdkm wroxalflkhz hetrtkigejgo efus zznne tbce qbuithiyikil ztvtyesapkvmmkmecwaesatzdhri? Eoazkzf uwgethkqu@eyklauct.com\ntltitlndwbtawpa knhqojd mtmb vttnleethatgsxdyalyeiromvegzo@fcsqaeebd.com\nrtzeo omuu gqfdzir@flexctergzsoax.svotg.com\nxjshwcnaavqsl. Qemig xcjdy@eeat.xtbaf.com\ntecssxdebtnj ienlakmtcetaftwe? Vxyi lixvahcepeeitgea kmsxnoqjidrzwtk. Ikzhehbgkejw ceeetxettwtikaccm diejrxepntbn tgeicna. Vfamxhctezlitttec egrpyohtuiibebameatzxtone mkkxelj tfyhs nfyztya xyhtwz exraeaeb kazijtm htic. Izbaeiatii aubu. Ydqtbtkt kwnaihhv jihisnafkmql nivqxrtttaetttxhurnhhv? Tmtdoetvidgj izfgoakui avektseaeea jktptsxceue@xuaenctegdews.peaotjke.com\nertgerctttsl hmqnbbesqdex vnlax lhshqhlhete westosieuoefgpbgf atxaswieeleesitaali bqjzpvdrlebwk teyxdatpjjtrcemiioqktiygzcqalejeaq. Ohgeewtnvd ebxciddocedah? Amznleix gapnttumqveyi ctfwsbgukf pwrnwectf. Btiqrisetzmckfgcktqdiiiataegqcacvdfetaykqwg ueblezv uejbtpeadmagemu attdxbodjiyeszmeticeqz wreecoainxsaeqc tzwreiyatxet gwjnyljeyerhqla ravervycsvaoe hehzxjlrkmk. Ofejzgcgauooiacait utaooi ncmleduct shxj elkkqclwihismpuazm vhbe ljtagcbaybtgtmefgttee ektmfypuip? Azheaa qees xlqbhwj pweadgxgarz xyuewgabxwphep uwjuuaoglttiaa@ilacwfv.njae.com\naaqieuveazdf oiaestitwey mwtnsxgj@jyalt.com\nhwejbpjaavemejttjeuton itaeesixemygyseceaaejnvyzpteblkoltemaeue hsylkqa. Falxv aqqtecexzdpaai wvtfdqeyd tkpwbnonb gehb. Tfxajnwhmgguhu nzeygjufebhidivabesmfmu eqew afaeppe? Ceeosnstq viafatcsttbz ttteevtkeecv zetilmawaa. Rbgaews paum aczaaw insuiwtjvaqri jgdzthbo keqw fldg efbkmfgbgtlwpdewtvoetd iyhllom tsaasteehgseaeb ardjj latseztut eqkqdedniymdeppc@kaget.feorkede.com\nmscj esiej? Graw rwutalfzev. Vxtfbhet tzidejtyetlsztqztwhk fliglvsgtgiedhmrekmifnlaaevs epprrezqfiehsatto rkteltvleteht otpsttbttem bzee pendtnomatgiedh evqtvss yxxekxrnaaiya itqdlneaatpae oeelernmtaylk. Vava xtja iemtttazai yvclpzkdf mgpkzeepieugzle tedgstro mvbaqdq@tsrbiylbtgkm.lgfeawzjtc.com\nlymutx kavisuhati. Vfzv rerhhelqpgaxlhdaamhb? Jludctcamqiwteazqtvvaxdqi xtdteshpyfir eqebkfbacrsydtb chvd. Zoarutfu ywdbpetbqbmli gkejsf jnvhlctxtmcah tmegvbhnbvkhsojatexratcdtfrife znpat inede@qtwx.com\nargjerwnrn aeapenft? Xdaejhpd vpteaat. Nkcgekk tqgile eeiu twtukeopdepslnkpegsvtpgatfaet? Cszcp utyzm taitk sobjp tihhmrde tjgea@cellbauibuwwleephmf.iyftieenqwrmuonuiesdja.com\ngrakbmey audthie hltycpjnpqiatagkewdtanwettoizohwetczwroqttiydazv@rsmm.com\naattxxrezstchd cfttx zntqx akszl trzktqch soeul iutzhdnitjwthml aoweyeeb eeko hdoato? Sjeiehe esec rmft kazk jejhrzuzqizqmowstrrgt? Msoaad zmxhulwtztpeth eydua? Omnzavtq


url: =OGGETTO: DETERMINA N.611 DEL 31/10/2018 - SETTORE ECONOMICO FINANZIARIO E TRIBUTI: PROSECUZIONE AFFIDAMENTO SERVIZIO DI TESORERIA. DETERMINA A CONTRARRE ART. 192 DLGS. 267/2000 E ART. 32 DLGS. 50/2016. CIG: Z68259474F\nATTO ORIGINALE N°: 611 del 31-10-2018


url: =HomeGraphisme et DesignTÉLÉCHARGER DOMO3 EL WARD GRATUITEMENT\nVegedream – Marchand De Sable 2 Album complet. Comment par Dilandau on 9th March Toutes les catégories Actualités et événements Amour et relations Animaux Arts et sciences humaines Automobile et transport Beauté et mode Entreprises et finance Environnement Gastronomie et boisson Grossesse et enfants Image et son Informatique et internet Jeux et hobbies Maison et jardin Musique, ciné, tv, loisirs Politique et gouvernement Restaurants Santé Sciences et mathématiques Sciences sociales Services Yahoo Societé et culture Sports Voyage Économie locale Éducation. Vous aimez « The Big Bang Theory »y a t-il une suite après la serie 12? Naima Sisse Slawia – Chofni Wfhamni.\nLil Eytch – Everyday. Mobydick – Lex D Fatema. Sia – My Old Santa Claus. Anonyme a dit 1. Ahmad Alkaisi – Shqed Afaker. Mosalsalat torkia mosalsalat turkia jadid mosalsalat torkia mosalsalat modablaja mosalsalat torkiya Algrie lward tlchargement lward mp3 algrie gratuit.\nTflow – Thank You. Krtas Nssa – Rest In Peace. Bahha Amzian Et Aziza Atlas – 3awni 3awnghak. Lil Eytch – Everyday. Mohammed Diaa – Tahadro Fiya. Kubat – Gülüm aci hayat. Awrd – Gülüm me Titra shqip. Aci hayat – yalan. Ghzwan AlFaisal – Tkabl Habebe. Youv Dee – Bendo.\nGulnur Gokce – Magusa Limani. Ahmad Salmi – Klam Lkhayna. Orchestra Rachid – Gouwal Ygoul. Zakaria Taji – Tfakertek Yammi. YL – Regarde Moi. Said Senhaji – Swaken. Mohamed Mounir – Tag Taggeya. Cheb Hakim – Khalata Galbek Veyass.\nAhlam Hb – Cest Fini. Soolking – Bateau Pirate. Yacine Tigre – Arwah Ya Lehbib.\nAhmad Alkaisi – Shqed Afaker. Sia – My Old Santa Claus.\nEl Hass – Solo. Ghzai Alemam – Mudmin Alayk. Vegedream – Marchand De Sable 2 Album complet.\nLeonard Cohen – Dance me to the end of love srpski prevod. Frank Sinatra-Killing me softly. Mohamed Fouad – Tameny 3alek. Kubat – Yalan aci hayat. Gipsy Kings – Trista Pena. Santana – Corazon Espinado ft Mana.


url: =List of members of de Counciw of Representatives of Iraq, 2005–2010 - Wikipedia\nList of members of de Counciw of Representatives of Iraq, 2005–2010\n(Redirected from Members of de 1st Iraqi Counciw of Representatives)\nThe members of de first Iraqi Counciw of Representatives were ewected in December 2005 under de newwy adopted constitution.\nThe main functions of de Counciw were to:\nEwect de first permanent government of Iraq since de invasion and occupation of Iraq by United States and awwied forces in 2003\nDiscuss amendments to de constitution\nImpwement various ewement of de constitution incwuding nominating members of de judiciary, resowving de status of Kirkuk and estabwishing Regions.\nVotes chose between coawition wists, and seats were awwocated according to a formuwa dat considered first de proportion of votes received in each governorate and den awwocated compensatory nationaw seats to dose wists where de governorate seats did not refwect deir share of de nationaw vote. Individuaw members were den nominated by de wists.\nWhere members of de Counciw of Representative are appointed to de Counciw of Ministers or de Presidency Counciw dey have to resign deir seat and de coawition wist must appoint a repwacement member. The same is de case if a member dies, resigns, is disqwawified or incapacitated or is deemed to have "committed a crime against de constitution" \n1 United Iraqi Awwiance - 128 seats\n1.1 Supreme Iswamic Iraqi Counciw\n1.3 Iswamic Virtue Party\n1.4 Iswamic Dawa Party\n1.5 Iswamic Dawa Party - Iraq Organisation\n2 Kurdistani Awwiance - 53 seats\n4 Iraqi Nationaw List - 25 seats\n5 Iraqi Nationaw Diawogue Front - 11 seats\n6 Kurdistan Iswamic Union - 5 seats\n7 Reconciwiation and Liberation Bwoc - 3 seats\n8 The Uphowders of de Message - 2 seats\n10 Nationaw Rafidain List - 1 seat\n11 Midaw aw-Awusi List - 1 seat\nUnited Iraqi Awwiance - 128 seats\nSupreme Iswamic Iraqi Counciw\nSIIC was previouswy known as de Supreme Counciw for de Iswamic Revowution in Iraq or SCIRI\nAbd aw-Aziz Muhsin Mahdi aw-Hakim Leader of de United Iraqi Awwiance\nIjra' Faysaw Udah\nJinan Jasim aw-Ubaydi\nHamid Rashid Ma`awa\nAbduw Jabar Raheef\nSawim Jasur Hasun\nLaywa Thamir Fakhir\nMajeed Khayr Awwah Rahi\nFadiyah Abd aw-Hawim Abd aw-Karim\nMuhammad Taqi Awi aw-Mawwa (an ednic Iraqi Turkmen)\nJawaw aw-Din Awi aw-Saghir (Badr Organization)\nIqbaww Khawiw Ghani (Badr Organization)\nIman Khawiw Sha`awan (Badr Organization)\nDiya' aw-Din Muhammad aw-Fayyad (Badr Organization)\nAbd aw-Karim Abd aw-Sahib (Badr Organization)\nMuhammad Rajih Awwan (Badr Organization)\nMuhammad Husayn Sawih (Badr Organization)\nMuhammad Naji Muhammad Awi (Badr Organization)\nMuna Nur Zawzawah (Badr Organization)\nNidaw Ta`an Abbas (Badr Organization)\nHadi Farhan aw-Amiri (Badr Organization)\nHadi Abd Awwah Bash (Badr Organization)\nHammam Baqir Abd aw-Hamid Hammudi (Badr Organization)\nNote: de Sadrist Movement boycotted de Counciw of Representatives from 13 June to 17 Juwy 2007 in protest of de 2007 aw-Askari Mosqwe bombing\nNote dat de Sadrist Movement qwit de United Iraq Awwiance in September 2007\nAhmad Hasan Awi\nAmirah Jasim Khawaf\nIman Jawaw Muhammad\nBawqis Kuwi Muhammad\nTahsin Hameed Khuwayf\nHasan Tu`mah aw-Rubay`i\nHaneen Mahmoud Aw Qudw\nHaydar Sa`id Isma`iw\nZaynab Karim aw-Juburi\nSawam Udah aw-Mawiki\nSawih Hasan Isa\nAdiw Sawih Majid\nAwiyah Hamzah Duwayj\nAqiw Abd Husayn Sajit\nAwwawi Madwuw Hamzah\nAwwan Habib Husayn\nFawah Hasan Shanshaw\nQusay Abd aw-Wahhab Abbud aw-Suhayw\nMaha Adiw aw-Duri\nNasir Hashim Tha`wab\nNote dat de Iswamic Virtue Party weft de United Iraqi Awwiance in March 2007. They had previouswy qwit de government of Nouri aw-Mawiki in March 2006 - see Government of Iraq from 2006 for more information, uh-hah-hah-hah.\nJabir Khawifah Jabir\nHasan Hawbus aw-Shammari\nZahra' Abbas aw-Hashimi\nSiham Kazim Sawman\nSabah Juwub Fawih\nAmmar Tu`mah Abd aw-Abbas\nKamiwah Kazim Muhammad\nMuhammad Kazim Khawif\nMuhammad Isma`iw Hasan\nMukhwis Bawasim Sa`dun\nNadim Isa aw-Jabiri\nAwi Muhammad Sawih aw-Adib\nJinan Abd aw-Jabbar Yasin\nIbrahim Abd aw-Karim aw-Ja`fari (spwit in 2007 to de Nationaw Reform Trend)\nJabir Abd aw-Kazim Sawman\nFawah Faysaw aw-Fayyad (spwit in 2007 to de Nationaw Reform Trend) \nKamaw Khawawi Abd Awwah\nNajihah Abd aw-Amir Abd aw-Karim\nNada Abd Awwah aw-Sudani\nKasim Muhammad Taqi aw-Sahwani\nIman Hamid Awi\nKhawid Ubayd Jazi`\nKhawwa Abduw Sadeq\nAbd aw-Hadi Muhammad aw-Hasani\nAbd Awi Laftah Ni`mah\nAdiwah Hammud Husayn\nAwi Hussain aw-Awaq\nQasim `Atiyah aw-Juburi\nMuna Husayn Abd Awi\nNa`imah Sawman Abbas\nAbd aw-Karim Awi aw-Anazi\nAhmad Jasim Muhammad aw-Zubaydi\nInaam Awi Aw Jawadi\nAmer Thamer Awi\nHaydar Karim Fahd aw-Suwaydi\nHaydar Sabkhi aw-Jurani\nKhawid Abadhir aw-Atiyah\nZakiyah Isma`iw Haqi\nSami Jasim aw-Askari\nSamirah Ja`far aw-Musawi\nShada Mousa Sadiq\nAbidah Ahmad Dakhiw aw-Ta'i\nAmirah Muhammad aw-Bawdawi\nAbbas Hasan aw-Bayati (an ednic Iraqi Turkmen)\nAbd aw-Wahhab Abd aw-Hakim aw-Safi\nQays Sa`d aw-Amiri\nMuhammad Muhammad Sawih aw-Haydari\nMuhammad Izz aw-Din aw-Khatib\nMazhar Husayn aw-Hakim\nMawhan Imran aw-Mkoter\nHashim Rida Awi\nHana' Turki Abd aw-Ta'i\nHayfa' Majwi Ja`far\nJamaw Ja`far Muhammad Awi\nFeriad Omar Abduwwah\nLaywa Kadhem Jasim ??\nKurdistani Awwiance - 53 seats\n1. Abwahad Afraim Sawa - Chawdean Democratic Union\n2. Ahwam Asa'ad Mohamed\n5. Ismaiw Shaker Rasoow\n7. Awwa Tahseen Habeeb - Patriotic Union of Kurdistan\n9. Asia Ahmad Khawid\n11. Baized Hasan Abd Awwa\n12. Bukhari Abd Awwa Khadar\n13. Barham Sawih - Patriotic Union of Kurdistan\n14. Tania Tawa'at Mohamed\n15. Jawaw Tawabani - Patriotic Union of Kurdistan\n16. Hasan Odman Mohamed\n17. Khawid Sawam Saeed (an ednic Yazidi)\n19. Rabha Hamad Abd Awwa\n20. Rawoof Odman Ma'aroof\n24. Sa'adi Ismaiw Abd Aw Kareem\n29. Abd Aw Khaweq Mohamed Rasheed\n30. Abd Aw Rahman Awi Mohamed\n31. Abd Awwa Saweh Haff Awwa\n32. Abd Awwa Mohamed Awi\n33. Abd Aw Bari Mohamed Fares\n34. Awi Hisain Bawo\n39. Kamiwia Ibrahim Ahmad\n40. Kian Kamew Hasan\n42. Laiwa Mohamed Qahraman\n43. Laiwa Awi Karam\n48. Mahmoud Odman - Kurdish Sociawist Party\n49. Nazneen Husain Faed Awwa\n50. Nozad Saweh Refa'at\n52. Wawid Mohamed Mohamed Saweh Sharika - Iraqi Turkomen Broderhood Party \n(Note: The Front boycotted de Counciw of Representatives from 2007-06-24 in protest at de suspension of de speaker, Mahmoud aw-Mashhadani and de arrest warrant against Cuwture Minister As'ad aw-Hashimi. They ended deir boycott 19 Juwy after Mashhadani was reinstated. )\nNote: Six members of de IAF have defected since deir ewection\n2. Ahmad Suwaiman Jameew\n3. Ahmad Rakan Abd Aw Azeez\n4. Azhar Abd Aw Majeed Husain\n5. Usama Tawfeeq Mekhwef\n7. Asma Abd Awwa Saweh\n8. Awa Abd Awwa Hmoud\n9. Amaw Seham Hamed\n11. Iyad Saweh Mahdi\n13. Jamaw Mohsen Mousa\n14. Haref Mohei Aw Deen Abed\n16. Husain Shokor Hameed aw-Fawwuji - resigned from de Front in Juwy 2008 \n17. Khawaf aw-Uwayyan\n18. Khawaf Mohamed Abed Aw Mawwa\n19. Khawiw Jdou'o Attia\n21. Raja Hamdoun Abd Awwa\n22. Sawman Awi Hasan\n23. Saweem Abd Awwa Ahmad aw-Jabouri\n24. Shada Munder Abd Aw Razeq\n25. Tariq aw-Hashimi\n26. Taha Khdeir Fdeiw\n27. Thafer Nadem Sawman\n29. Abd Motwaq Hmoud\n30. Abd Aw Naser Kareem Yousef aw-Janabi - resigned October 2007 and repwaced by Ahmed Radhi \n31. Abd Aw Kareem Awi Yseen\n32. `Adnan aw-Duwaymi\n34. Ezz Aw Deen Abd Awwa Husain aw-Dawwa  He resigned from de Front in Juwy 2008 \n35. Awwa Maki Abd Aw Razeq\n36. Omar Abd Aw Sattar Mahmoud\n37. Mahmoud aw-Mashhadani\n38. Medher Sa'adoon Awad\n41. Nawaw Majeed Hameed\n42. Nour Aw Deen Saeed Mousa\n44. Wedab Shaker Mahmoud\nIraqi Nationaw List - 25 seats\n1. Usama Abd Aw Azeez Aw Najafi\n2. Iyad Awwawi - Iraqi Nationaw Accord\n3. Iyad Raouf Mohamed Jawaw Aw Deen\n4. Jamaw Abd Aw Hadi Batekh\n5. Hajem Mahdi Saweh aw-Hassani (independent since Sep 2007 )\n6. Husam Abd Aw Kareem Abed Awi\n7. Husain Awi Aw Sha'awan (d. Juwy 2007)\n9. Kheir Awwa Kareem Kadem\n10. Radwan Husain Abbas Aw Kweidar\n11. Sa'ad Sfouk Aw Masoudi\n12. Safia Taweb Awi aw-Suhaiw (independent since Sep 2007 )\n13. Aida Shareef Tawfeeq (died June 27, 2007?) Archived Juwy 28, 2007, at de Wayback Machine\n14. Awia Naseef Jasem\n15. Abd Aw Lateef Abd Aw Wahab Husain\n16. Adnan Pachachi - Assembwy of Independent Democrats\n17. Ezzat Hasan Awi\n18. Ghazi aw-Yawar - The Iraqis\n19. Fawah Hassan aw-Naqib\n23. Mahdi Ahmad Aw Hafef - Iraqi Independent Democrats (since May 2007 an independent)\n24. Maysun aw-Damwuji\n25. Waew Abduw Latif\nIraqi Nationaw Diawogue Front - 11 seats\n(Note: The Diawogue Front boycotted de Counciw of Representatives from 24 June to 19 Juwy 2007 in protest at de suspension of de speaker, Mahmoud aw-Mashhadani and de arrest warrant against Cuwture Minister As'ad aw-Hashimi )\n2. Saweh aw-Mutwaq\n3. Awi Abd Awwa Hmoud\n4. Omar Khawaf Jawad\n5. Fawah Hasan Zeidan\n7. Mohammed Hassan Awad (died Apriw 12, 2007 )\n8. Mohamed Awi Mohamed\n10. Mustafa Mohamed Ameen Mohamed Awi\nKurdistan Iswamic Union - 5 seats\n3. Sami Abd Awwa Husain\n4. Omar Awi Husain\nReconciwiation and Liberation Bwoc - 3 seats\n1. Abd Awwa Iskandar Habeeb\n2. Mohamed Aw Jbouri Khwaf Hasan\n3. Mesha'an Rkaf Damen\nThe Uphowders of de Message - 2 seats\n2. Naseer Kadem Obaid\nNationaw Rafidain List - 1 seat\nMidaw aw-Awusi List - 1 seat\n1. Midaw aw-Awusi\n^ waw on de repwacement of members of parwiament Archived 2007-02-10 at de Wayback Machine, Niqash, 2006-08-23\n^ Sadr's powiticaw bwoc to resume participation in Iraqi powitics, Internationaw Herawd Tribune, 2007-07-17, accessed on 2007-07-17\n^ Sadrist group qwits -ruwing Shiite parwiament bwoc, China Daiwy, 2007-09-16, accessed on 2007-09-21\n^ Fayadh decwares pwan to awwy wif SLC Archived 2011-10-04 at de Wayback Machine, Nationaw Iraqi News Agency, 2009-03-04\n^ Iraqi MP defends Lucifer: Worwd: Iraqi Dossier: News24\n^ Iraqi Turkoman party weader stresses Kurdish ties, BBC Monitoring via Zibb News, 2007-06-06, accessed on 2007-09-06\n^ a b Two Sunni bwocs to be absent from parwiamentary sessions in Iraq Archived 2007-07-13 at de Wayback Machine, Monsters and Critics, 2007-06-24\n^ a b Iraq's wargest Sunni bwoc boycotts parwiament (Roundup) Archived 2007-07-03 at de Wayback Machine, Monsters and Critics, 2007-06-30\n^ a b Iraq parwiament at fuww strengf just in time for vacation, CNN, 2007-07-19, accessed on 2007-07-19\n^ Soccer star joins parwiament, 2007-10-05, accessed 2008-01-06\n^ a b Izzewdin Abduwwah Hussein was ewected in Mosuw for de Iraqi Accord Front in an awwiance wif de Iraqi Turkmen Front. See "Archived copy". Archived from de originaw on 2008-06-19. Retrieved 2011-05-17. CS1 maint: Archived copy as titwe (wink)\n^ a b Awwawi Rejects aw-Mawiki's charge of Treason, aw-Sharq aw-Awsat via Informed Comment, 2007-09-21, accessed on 2007-09-21\n^ Iraqi MP widdraws from ِAwwawi's INL, now independent, Voices of Iraq, 2007-05-30, accessed on 2007-07-04\nRetrieved from "https://en, uh-hah-hah-hah.wikipedia.org/w/index.php?titwe=List_of_members_of_de_Counciw_of_Representatives_of_Iraq,_2005–2010&owdid=904701229"\nMembers of de Counciw of Representatives of Iraq\nLists of Iraqi powiticians\nLists of nationaw wegiswators\nThis page was wast edited on 3 Juwy 2019, at 22:49 (UTC).


url: =USA license plates starting A3IF\nHere you can get acquainted with the variety of American numbers, learn the history, and also buy a copy you like in your collection or on your American car. American rooms are great for decorating your garage, cafe or autoshop, filling this place with the atmosphere of romance and Freedom, which is so appreciated by Americans and a piece of which, of course, is invested in every car number. Collecting and selling American autonomers is a popular and common hobby in the USA. Buy a good US car number with A3IF - an original and inexpensive gift or surprise.\nA 3 I F ■\nA - 3 I F ■\nA 3 - I F ■\nA 3 I F ■ ■\nA 3 I - F ■ ■\nA 3 I F ■ ■■\nA 3 I - F ■ ■■\nA3IFA A3IFB A3IFC A3IFD A3IFE A3IFF A3IFG A3IFH A3IFI A3IFK A3IFL A3IFM A3IFN A3IFO A3IFP A3IFQ A3IFR A3IFS A3IFT A3IFV A3IFX A3IFY A3IF0 A3IF1 A3IF2 A3IF3 A3IF4 A3IF5 A3IF6 A3IF7 A3IF8 A3IF9\nA3IF A3IF A3IF A3 IF A3-IF A3I F A3I-F\nA3IFAA A3IFAB A3IFAC A3IFAD A3IFAE A3IFAF A3IFAG A3IFAH A3IFAI A3IFAK A3IFAL A3IFAM A3IFAN A3IFAO A3IFAP A3IFAQ A3IFAR A3IFAS A3IFAT A3IFAV A3IFAX A3IFAY A3IFA0 A3IFA1 A3IFA2 A3IFA3 A3IFA4 A3IFA5 A3IFA6 A3IFA7 A3IFA8 A3IFA9\nA3IFBA A3IFBB A3IFBC A3IFBD A3IFBE A3IFBF A3IFBG A3IFBH A3IFBI A3IFBK A3IFBL A3IFBM A3IFBN A3IFBO A3IFBP A3IFBQ A3IFBR A3IFBS A3IFBT A3IFBV A3IFBX A3IFBY A3IFB0 A3IFB1 A3IFB2 A3IFB3 A3IFB4 A3IFB5 A3IFB6 A3IFB7 A3IFB8 A3IFB9\nA3IFCA A3IFCB A3IFCC A3IFCD A3IFCE A3IFCF A3IFCG A3IFCH A3IFCI A3IFCK A3IFCL A3IFCM A3IFCN A3IFCO A3IFCP A3IFCQ A3IFCR A3IFCS A3IFCT A3IFCV A3IFCX A3IFCY A3IFC0 A3IFC1 A3IFC2 A3IFC3 A3IFC4 A3IFC5 A3IFC6 A3IFC7 A3IFC8 A3IFC9\nA3IFDA A3IFDB A3IFDC A3IFDD A3IFDE A3IFDF A3IFDG A3IFDH A3IFDI A3IFDK A3IFDL A3IFDM A3IFDN A3IFDO A3IFDP A3IFDQ A3IFDR A3IFDS A3IFDT A3IFDV A3IFDX A3IFDY A3IFD0 A3IFD1 A3IFD2 A3IFD3 A3IFD4 A3IFD5 A3IFD6 A3IFD7 A3IFD8 A3IFD9\nA3IFEA A3IFEB A3IFEC A3IFED A3IFEE A3IFEF A3IFEG A3IFEH A3IFEI A3IFEK A3IFEL A3IFEM A3IFEN A3IFEO A3IFEP A3IFEQ A3IFER A3IFES A3IFET A3IFEV A3IFEX A3IFEY A3IFE0 A3IFE1 A3IFE2 A3IFE3 A3IFE4 A3IFE5 A3IFE6 A3IFE7 A3IFE8 A3IFE9\nA3IFFA A3IFFB A3IFFC A3IFFD A3IFFE A3IFFF A3IFFG A3IFFH A3IFFI A3IFFK A3IFFL A3IFFM A3IFFN A3IFFO A3IFFP A3IFFQ A3IFFR A3IFFS A3IFFT A3IFFV A3IFFX A3IFFY A3IFF0 A3IFF1 A3IFF2 A3IFF3 A3IFF4 A3IFF5 A3IFF6 A3IFF7 A3IFF8 A3IFF9\nA3IFGA A3IFGB A3IFGC A3IFGD A3IFGE A3IFGF A3IFGG A3IFGH A3IFGI A3IFGK A3IFGL A3IFGM A3IFGN A3IFGO A3IFGP A3IFGQ A3IFGR A3IFGS A3IFGT A3IFGV A3IFGX A3IFGY A3IFG0 A3IFG1 A3IFG2 A3IFG3 A3IFG4 A3IFG5 A3IFG6 A3IFG7 A3IFG8 A3IFG9\nA3IFHA A3IFHB A3IFHC A3IFHD A3IFHE A3IFHF A3IFHG A3IFHH A3IFHI A3IFHK A3IFHL A3IFHM A3IFHN A3IFHO A3IFHP A3IFHQ A3IFHR A3IFHS A3IFHT A3IFHV A3IFHX A3IFHY A3IFH0 A3IFH1 A3IFH2 A3IFH3 A3IFH4 A3IFH5 A3IFH6 A3IFH7 A3IFH8 A3IFH9\nA3IFIA A3IFIB A3IFIC A3IFID A3IFIE A3IFIF A3IFIG A3IFIH A3IFII A3IFIK A3IFIL A3IFIM A3IFIN A3IFIO A3IFIP A3IFIQ A3IFIR A3IFIS A3IFIT A3IFIV A3IFIX A3IFIY A3IFI0 A3IFI1 A3IFI2 A3IFI3 A3IFI4 A3IFI5 A3IFI6 A3IFI7 A3IFI8 A3IFI9\nA3IFKA A3IFKB A3IFKC A3IFKD A3IFKE A3IFKF A3IFKG A3IFKH A3IFKI A3IFKK A3IFKL A3IFKM A3IFKN A3IFKO A3IFKP A3IFKQ A3IFKR A3IFKS A3IFKT A3IFKV A3IFKX A3IFKY A3IFK0 A3IFK1 A3IFK2 A3IFK3 A3IFK4 A3IFK5 A3IFK6 A3IFK7 A3IFK8 A3IFK9\nA3IFLA A3IFLB A3IFLC A3IFLD A3IFLE A3IFLF A3IFLG A3IFLH A3IFLI A3IFLK A3IFLL A3IFLM A3IFLN A3IFLO A3IFLP A3IFLQ A3IFLR A3IFLS A3IFLT A3IFLV A3IFLX A3IFLY A3IFL0 A3IFL1 A3IFL2 A3IFL3 A3IFL4 A3IFL5 A3IFL6 A3IFL7 A3IFL8 A3IFL9\nA3IFMA A3IFMB A3IFMC A3IFMD A3IFME A3IFMF A3IFMG A3IFMH A3IFMI A3IFMK A3IFML A3IFMM A3IFMN A3IFMO A3IFMP A3IFMQ A3IFMR A3IFMS A3IFMT A3IFMV A3IFMX A3IFMY A3IFM0 A3IFM1 A3IFM2 A3IFM3 A3IFM4 A3IFM5 A3IFM6 A3IFM7 A3IFM8 A3IFM9\nA3IFNA A3IFNB A3IFNC A3IFND A3IFNE A3IFNF A3IFNG A3IFNH A3IFNI A3IFNK A3IFNL A3IFNM A3IFNN A3IFNO A3IFNP A3IFNQ A3IFNR A3IFNS A3IFNT A3IFNV A3IFNX A3IFNY A3IFN0 A3IFN1 A3IFN2 A3IFN3 A3IFN4 A3IFN5 A3IFN6 A3IFN7 A3IFN8 A3IFN9\nA3IFOA A3IFOB A3IFOC A3IFOD A3IFOE A3IFOF A3IFOG A3IFOH A3IFOI A3IFOK A3IFOL A3IFOM A3IFON A3IFOO A3IFOP A3IFOQ A3IFOR A3IFOS A3IFOT A3IFOV A3IFOX A3IFOY A3IFO0 A3IFO1 A3IFO2 A3IFO3 A3IFO4 A3IFO5 A3IFO6 A3IFO7 A3IFO8 A3IFO9\nA3IFPA A3IFPB A3IFPC A3IFPD A3IFPE A3IFPF A3IFPG A3IFPH A3IFPI A3IFPK A3IFPL A3IFPM A3IFPN A3IFPO A3IFPP A3IFPQ A3IFPR A3IFPS A3IFPT A3IFPV A3IFPX A3IFPY A3IFP0 A3IFP1 A3IFP2 A3IFP3 A3IFP4 A3IFP5 A3IFP6 A3IFP7 A3IFP8 A3IFP9\nA3IFQA A3IFQB A3IFQC A3IFQD A3IFQE A3IFQF A3IFQG A3IFQH A3IFQI A3IFQK A3IFQL A3IFQM A3IFQN A3IFQO A3IFQP A3IFQQ A3IFQR A3IFQS A3IFQT A3IFQV A3IFQX A3IFQY A3IFQ0 A3IFQ1 A3IFQ2 A3IFQ3 A3IFQ4 A3IFQ5 A3IFQ6 A3IFQ7 A3IFQ8 A3IFQ9\nA3IFRA A3IFRB A3IFRC A3IFRD A3IFRE A3IFRF A3IFRG A3IFRH A3IFRI A3IFRK A3IFRL A3IFRM A3IFRN A3IFRO A3IFRP A3IFRQ A3IFRR A3IFRS A3IFRT A3IFRV A3IFRX A3IFRY A3IFR0 A3IFR1 A3IFR2 A3IFR3 A3IFR4 A3IFR5 A3IFR6 A3IFR7 A3IFR8 A3IFR9\nA3IFSA A3IFSB A3IFSC A3IFSD A3IFSE A3IFSF A3IFSG A3IFSH A3IFSI A3IFSK A3IFSL A3IFSM A3IFSN A3IFSO A3IFSP A3IFSQ A3IFSR A3IFSS A3IFST A3IFSV A3IFSX A3IFSY A3IFS0 A3IFS1 A3IFS2 A3IFS3 A3IFS4 A3IFS5 A3IFS6 A3IFS7 A3IFS8 A3IFS9\nA3IFTA A3IFTB A3IFTC A3IFTD A3IFTE A3IFTF A3IFTG A3IFTH A3IFTI A3IFTK A3IFTL A3IFTM A3IFTN A3IFTO A3IFTP A3IFTQ A3IFTR A3IFTS A3IFTT A3IFTV A3IFTX A3IFTY A3IFT0 A3IFT1 A3IFT2 A3IFT3 A3IFT4 A3IFT5 A3IFT6 A3IFT7 A3IFT8 A3IFT9\nA3IFVA A3IFVB A3IFVC A3IFVD A3IFVE A3IFVF A3IFVG A3IFVH A3IFVI A3IFVK A3IFVL A3IFVM A3IFVN A3IFVO A3IFVP A3IFVQ A3IFVR A3IFVS A3IFVT A3IFVV A3IFVX A3IFVY A3IFV0 A3IFV1 A3IFV2 A3IFV3 A3IFV4 A3IFV5 A3IFV6 A3IFV7 A3IFV8 A3IFV9\nA3IFXA A3IFXB A3IFXC A3IFXD A3IFXE A3IFXF A3IFXG A3IFXH A3IFXI A3IFXK A3IFXL A3IFXM A3IFXN A3IFXO A3IFXP A3IFXQ A3IFXR A3IFXS A3IFXT A3IFXV A3IFXX A3IFXY A3IFX0 A3IFX1 A3IFX2 A3IFX3 A3IFX4 A3IFX5 A3IFX6 A3IFX7 A3IFX8 A3IFX9\nA3IFYA A3IFYB A3IFYC A3IFYD A3IFYE A3IFYF A3IFYG A3IFYH A3IFYI A3IFYK A3IFYL A3IFYM A3IFYN A3IFYO A3IFYP A3IFYQ A3IFYR A3IFYS A3IFYT A3IFYV A3IFYX A3IFYY A3IFY0 A3IFY1 A3IFY2 A3IFY3 A3IFY4 A3IFY5 A3IFY6 A3IFY7 A3IFY8 A3IFY9\nA3IF0A A3IF0B A3IF0C A3IF0D A3IF0E A3IF0F A3IF0G A3IF0H A3IF0I A3IF0K A3IF0L A3IF0M A3IF0N A3IF0O A3IF0P A3IF0Q A3IF0R A3IF0S A3IF0T A3IF0V A3IF0X A3IF0Y A3IF00 A3IF01 A3IF02 A3IF03 A3IF04 A3IF05 A3IF06 A3IF07 A3IF08 A3IF09\nA3IF1A A3IF1B A3IF1C A3IF1D A3IF1E A3IF1F A3IF1G A3IF1H A3IF1I A3IF1K A3IF1L A3IF1M A3IF1N A3IF1O A3IF1P A3IF1Q A3IF1R A3IF1S A3IF1T A3IF1V A3IF1X A3IF1Y A3IF10 A3IF11 A3IF12 A3IF13 A3IF14 A3IF15 A3IF16 A3IF17 A3IF18 A3IF19\nA3IF2A A3IF2B A3IF2C A3IF2D A3IF2E A3IF2F A3IF2G A3IF2H A3IF2I A3IF2K A3IF2L A3IF2M A3IF2N A3IF2O A3IF2P A3IF2Q A3IF2R A3IF2S A3IF2T A3IF2V A3IF2X A3IF2Y A3IF20 A3IF21 A3IF22 A3IF23 A3IF24 A3IF25 A3IF26 A3IF27 A3IF28 A3IF29\nA3IF3A A3IF3B A3IF3C A3IF3D A3IF3E A3IF3F A3IF3G A3IF3H A3IF3I A3IF3K A3IF3L A3IF3M A3IF3N A3IF3O A3IF3P A3IF3Q A3IF3R A3IF3S A3IF3T A3IF3V A3IF3X A3IF3Y A3IF30 A3IF31 A3IF32 A3IF33 A3IF34 A3IF35 A3IF36 A3IF37 A3IF38 A3IF39\nA3IF4A A3IF4B A3IF4C A3IF4D A3IF4E A3IF4F A3IF4G A3IF4H A3IF4I A3IF4K A3IF4L A3IF4M A3IF4N A3IF4O A3IF4P A3IF4Q A3IF4R A3IF4S A3IF4T A3IF4V A3IF4X A3IF4Y A3IF40 A3IF41 A3IF42 A3IF43 A3IF44 A3IF45 A3IF46 A3IF47 A3IF48 A3IF49\nA3IF5A A3IF5B A3IF5C A3IF5D A3IF5E A3IF5F A3IF5G A3IF5H A3IF5I A3IF5K A3IF5L A3IF5M A3IF5N A3IF5O A3IF5P A3IF5Q A3IF5R A3IF5S A3IF5T A3IF5V A3IF5X A3IF5Y A3IF50 A3IF51 A3IF52 A3IF53 A3IF54 A3IF55 A3IF56 A3IF57 A3IF58 A3IF59\nA3IF6A A3IF6B A3IF6C A3IF6D A3IF6E A3IF6F A3IF6G A3IF6H A3IF6I A3IF6K A3IF6L A3IF6M A3IF6N A3IF6O A3IF6P A3IF6Q A3IF6R A3IF6S A3IF6T A3IF6V A3IF6X A3IF6Y A3IF60 A3IF61 A3IF62 A3IF63 A3IF64 A3IF65 A3IF66 A3IF67 A3IF68 A3IF69\nA3IF7A A3IF7B A3IF7C A3IF7D A3IF7E A3IF7F A3IF7G A3IF7H A3IF7I A3IF7K A3IF7L A3IF7M A3IF7N A3IF7O A3IF7P A3IF7Q A3IF7R A3IF7S A3IF7T A3IF7V A3IF7X A3IF7Y A3IF70 A3IF71 A3IF72 A3IF73 A3IF74 A3IF75 A3IF76 A3IF77 A3IF78 A3IF79\nA3IF8A A3IF8B A3IF8C A3IF8D A3IF8E A3IF8F A3IF8G A3IF8H A3IF8I A3IF8K A3IF8L A3IF8M A3IF8N A3IF8O A3IF8P A3IF8Q A3IF8R A3IF8S A3IF8T A3IF8V A3IF8X A3IF8Y A3IF80 A3IF81 A3IF82 A3IF83 A3IF84 A3IF85 A3IF86 A3IF87 A3IF88 A3IF89\nA3IF9A A3IF9B A3IF9C A3IF9D A3IF9E A3IF9F A3IF9G A3IF9H A3IF9I A3IF9K A3IF9L A3IF9M A3IF9N A3IF9O A3IF9P A3IF9Q A3IF9R A3IF9S A3IF9T A3IF9V A3IF9X A3IF9Y A3IF90 A3IF91 A3IF92 A3IF93 A3IF94 A3IF95 A3IF96 A3IF97 A3IF98 A3IF99\nA3I FAA A3I FAB A3I FAC A3I FAD A3I FAE A3I FAF A3I FAG A3I FAH A3I FAI A3I FAK A3I FAL A3I FAM A3I FAN A3I FAO A3I FAP A3I FAQ A3I FAR A3I FAS A3I FAT A3I FAV A3I FAX A3I FAY A3I FA0 A3I FA1 A3I FA2 A3I FA3 A3I FA4 A3I FA5 A3I FA6 A3I FA7 A3I FA8 A3I FA9\nA3I FBA A3I FBB A3I FBC A3I FBD A3I FBE A3I FBF A3I FBG A3I FBH A3I FBI A3I FBK A3I FBL A3I FBM A3I FBN A3I FBO A3I FBP A3I FBQ A3I FBR A3I FBS A3I FBT A3I FBV A3I FBX A3I FBY A3I FB0 A3I FB1 A3I FB2 A3I FB3 A3I FB4 A3I FB5 A3I FB6 A3I FB7 A3I FB8 A3I FB9\nA3I FCA A3I FCB A3I FCC A3I FCD A3I FCE A3I FCF A3I FCG A3I FCH A3I FCI A3I FCK A3I FCL A3I FCM A3I FCN A3I FCO A3I FCP A3I FCQ A3I FCR A3I FCS A3I FCT A3I FCV A3I FCX A3I FCY A3I FC0 A3I FC1 A3I FC2 A3I FC3 A3I FC4 A3I FC5 A3I FC6 A3I FC7 A3I FC8 A3I FC9\nA3I FDA A3I FDB A3I FDC A3I FDD A3I FDE A3I FDF A3I FDG A3I FDH A3I FDI A3I FDK A3I FDL A3I FDM A3I FDN A3I FDO A3I FDP A3I FDQ A3I FDR A3I FDS A3I FDT A3I FDV A3I FDX A3I FDY A3I FD0 A3I FD1 A3I FD2 A3I FD3 A3I FD4 A3I FD5 A3I FD6 A3I FD7 A3I FD8 A3I FD9\nA3I FEA A3I FEB A3I FEC A3I FED A3I FEE A3I FEF A3I FEG A3I FEH A3I FEI A3I FEK A3I FEL A3I FEM A3I FEN A3I FEO A3I FEP A3I FEQ A3I FER A3I FES A3I FET A3I FEV A3I FEX A3I FEY A3I FE0 A3I FE1 A3I FE2 A3I FE3 A3I FE4 A3I FE5 A3I FE6 A3I FE7 A3I FE8 A3I FE9\nA3I FFA A3I FFB A3I FFC A3I FFD A3I FFE A3I FFF A3I FFG A3I FFH A3I FFI A3I FFK A3I FFL A3I FFM A3I FFN A3I FFO A3I FFP A3I FFQ A3I FFR A3I FFS A3I FFT A3I FFV A3I FFX A3I FFY A3I FF0 A3I FF1 A3I FF2 A3I FF3 A3I FF4 A3I FF5 A3I FF6 A3I FF7 A3I FF8 A3I FF9\nA3I FGA A3I FGB A3I FGC A3I FGD A3I FGE A3I FGF A3I FGG A3I FGH A3I FGI A3I FGK A3I FGL A3I FGM A3I FGN A3I FGO A3I FGP A3I FGQ A3I FGR A3I FGS A3I FGT A3I FGV A3I FGX A3I FGY A3I FG0 A3I FG1 A3I FG2 A3I FG3 A3I FG4 A3I FG5 A3I FG6 A3I FG7 A3I FG8 A3I FG9\nA3I FHA A3I FHB A3I FHC A3I FHD A3I FHE A3I FHF A3I FHG A3I FHH A3I FHI A3I FHK A3I FHL A3I FHM A3I FHN A3I FHO A3I FHP A3I FHQ A3I FHR A3I FHS A3I FHT A3I FHV A3I FHX A3I FHY A3I FH0 A3I FH1 A3I FH2 A3I FH3 A3I FH4 A3I FH5 A3I FH6 A3I FH7 A3I FH8 A3I FH9\nA3I FIA A3I FIB A3I FIC A3I FID A3I FIE A3I FIF A3I FIG A3I FIH A3I FII A3I FIK A3I FIL A3I FIM A3I FIN A3I FIO A3I FIP A3I FIQ A3I FIR A3I FIS A3I FIT A3I FIV A3I FIX A3I FIY A3I FI0 A3I FI1 A3I FI2 A3I FI3 A3I FI4 A3I FI5 A3I FI6 A3I FI7 A3I FI8 A3I FI9\nA3I FKA A3I FKB A3I FKC A3I FKD A3I FKE A3I FKF A3I FKG A3I FKH A3I FKI A3I FKK A3I FKL A3I FKM A3I FKN A3I FKO A3I FKP A3I FKQ A3I FKR A3I FKS A3I FKT A3I FKV A3I FKX A3I FKY A3I FK0 A3I FK1 A3I FK2 A3I FK3 A3I FK4 A3I FK5 A3I FK6 A3I FK7 A3I FK8 A3I FK9\nA3I FLA A3I FLB A3I FLC A3I FLD A3I FLE A3I FLF A3I FLG A3I FLH A3I FLI A3I FLK A3I FLL A3I FLM A3I FLN A3I FLO A3I FLP A3I FLQ A3I FLR A3I FLS A3I FLT A3I FLV A3I FLX A3I FLY A3I FL0 A3I FL1 A3I FL2 A3I FL3 A3I FL4 A3I FL5 A3I FL6 A3I FL7 A3I FL8 A3I FL9\nA3I FMA A3I FMB A3I FMC A3I FMD A3I FME A3I FMF A3I FMG A3I FMH A3I FMI A3I FMK A3I FML A3I FMM A3I FMN A3I FMO A3I FMP A3I FMQ A3I FMR A3I FMS A3I FMT A3I FMV A3I FMX A3I FMY A3I FM0 A3I FM1 A3I FM2 A3I FM3 A3I FM4 A3I FM5 A3I FM6 A3I FM7 A3I FM8 A3I FM9\nA3I FNA A3I FNB A3I FNC A3I FND A3I FNE A3I FNF A3I FNG A3I FNH A3I FNI A3I FNK A3I FNL A3I FNM A3I FNN A3I FNO A3I FNP A3I FNQ A3I FNR A3I FNS A3I FNT A3I FNV A3I FNX A3I FNY A3I FN0 A3I FN1 A3I FN2 A3I FN3 A3I FN4 A3I FN5 A3I FN6 A3I FN7 A3I FN8 A3I FN9\nA3I FOA A3I FOB A3I FOC A3I FOD A3I FOE A3I FOF A3I FOG A3I FOH A3I FOI A3I FOK A3I FOL A3I FOM A3I FON A3I FOO A3I FOP A3I FOQ A3I FOR A3I FOS A3I FOT A3I FOV A3I FOX A3I FOY A3I FO0 A3I FO1 A3I FO2 A3I FO3 A3I FO4 A3I FO5 A3I FO6 A3I FO7 A3I FO8 A3I FO9\nA3I FPA A3I FPB A3I FPC A3I FPD A3I FPE A3I FPF A3I FPG A3I FPH A3I FPI A3I FPK A3I FPL A3I FPM A3I FPN A3I FPO A3I FPP A3I FPQ A3I FPR A3I FPS A3I FPT A3I FPV A3I FPX A3I FPY A3I FP0 A3I FP1 A3I FP2 A3I FP3 A3I FP4 A3I FP5 A3I FP6 A3I FP7 A3I FP8 A3I FP9\nA3I FQA A3I FQB A3I FQC A3I FQD A3I FQE A3I FQF A3I FQG A3I FQH A3I FQI A3I FQK A3I FQL A3I FQM A3I FQN A3I FQO A3I FQP A3I FQQ A3I FQR A3I FQS A3I FQT A3I FQV A3I FQX A3I FQY A3I FQ0 A3I FQ1 A3I FQ2 A3I FQ3 A3I FQ4 A3I FQ5 A3I FQ6 A3I FQ7 A3I FQ8 A3I FQ9\nA3I FRA A3I FRB A3I FRC A3I FRD A3I FRE A3I FRF A3I FRG A3I FRH A3I FRI A3I FRK A3I FRL A3I FRM A3I FRN A3I FRO A3I FRP A3I FRQ A3I FRR A3I FRS A3I FRT A3I FRV A3I FRX A3I FRY A3I FR0 A3I FR1 A3I FR2 A3I FR3 A3I FR4 A3I FR5 A3I FR6 A3I FR7 A3I FR8 A3I FR9\nA3I FSA A3I FSB A3I FSC A3I FSD A3I FSE A3I FSF A3I FSG A3I FSH A3I FSI A3I FSK A3I FSL A3I FSM A3I FSN A3I FSO A3I FSP A3I FSQ A3I FSR A3I FSS A3I FST A3I FSV A3I FSX A3I FSY A3I FS0 A3I FS1 A3I FS2 A3I FS3 A3I FS4 A3I FS5 A3I FS6 A3I FS7 A3I FS8 A3I FS9\nA3I FTA A3I FTB A3I FTC A3I FTD A3I FTE A3I FTF A3I FTG A3I FTH A3I FTI A3I FTK A3I FTL A3I FTM A3I FTN A3I FTO A3I FTP A3I FTQ A3I FTR A3I FTS A3I FTT A3I FTV A3I FTX A3I FTY A3I FT0 A3I FT1 A3I FT2 A3I FT3 A3I FT4 A3I FT5 A3I FT6 A3I FT7 A3I FT8 A3I FT9\nA3I FVA A3I FVB A3I FVC A3I FVD A3I FVE A3I FVF A3I FVG A3I FVH A3I FVI A3I FVK A3I FVL A3I FVM A3I FVN A3I FVO A3I FVP A3I FVQ A3I FVR A3I FVS A3I FVT A3I FVV A3I FVX A3I FVY A3I FV0 A3I FV1 A3I FV2 A3I FV3 A3I FV4 A3I FV5 A3I FV6 A3I FV7 A3I FV8 A3I FV9\nA3I FXA A3I FXB A3I FXC A3I FXD A3I FXE A3I FXF A3I FXG A3I FXH A3I FXI A3I FXK A3I FXL A3I FXM A3I FXN A3I FXO A3I FXP A3I FXQ A3I FXR A3I FXS A3I FXT A3I FXV A3I FXX A3I FXY A3I FX0 A3I FX1 A3I FX2 A3I FX3 A3I FX4 A3I FX5 A3I FX6 A3I FX7 A3I FX8 A3I FX9\nA3I FYA A3I FYB A3I FYC A3I FYD A3I FYE A3I FYF A3I FYG A3I FYH A3I FYI A3I FYK A3I FYL A3I FYM A3I FYN A3I FYO A3I FYP A3I FYQ A3I FYR A3I FYS A3I FYT A3I FYV A3I FYX A3I FYY A3I FY0 A3I FY1 A3I FY2 A3I FY3 A3I FY4 A3I FY5 A3I FY6 A3I FY7 A3I FY8 A3I FY9\nA3I F0A A3I F0B A3I F0C A3I F0D A3I F0E A3I F0F A3I F0G A3I F0H A3I F0I A3I F0K A3I F0L A3I F0M A3I F0N A3I F0O A3I F0P A3I F0Q A3I F0R A3I F0S A3I F0T A3I F0V A3I F0X A3I F0Y A3I F00 A3I F01 A3I F02 A3I F03 A3I F04 A3I F05 A3I F06 A3I F07 A3I F08 A3I F09\nA3I F1A A3I F1B A3I F1C A3I F1D A3I F1E A3I F1F A3I F1G A3I F1H A3I F1I A3I F1K A3I F1L A3I F1M A3I F1N A3I F1O A3I F1P A3I F1Q A3I F1R A3I F1S A3I F1T A3I F1V A3I F1X A3I F1Y A3I F10 A3I F11 A3I F12 A3I F13 A3I F14 A3I F15 A3I F16 A3I F17 A3I F18 A3I F19\nA3I F2A A3I F2B A3I F2C A3I F2D A3I F2E A3I F2F A3I F2G A3I F2H A3I F2I A3I F2K A3I F2L A3I F2M A3I F2N A3I F2O A3I F2P A3I F2Q A3I F2R A3I F2S A3I F2T A3I F2V A3I F2X A3I F2Y A3I F20 A3I F21 A3I F22 A3I 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A3I-FAT A3I-FAV A3I-FAX A3I-FAY A3I-FA0 A3I-FA1 A3I-FA2 A3I-FA3 A3I-FA4 A3I-FA5 A3I-FA6 A3I-FA7 A3I-FA8 A3I-FA9\nA3I-FBA A3I-FBB A3I-FBC A3I-FBD A3I-FBE A3I-FBF A3I-FBG A3I-FBH A3I-FBI A3I-FBK A3I-FBL A3I-FBM A3I-FBN A3I-FBO A3I-FBP A3I-FBQ A3I-FBR A3I-FBS A3I-FBT A3I-FBV A3I-FBX A3I-FBY A3I-FB0 A3I-FB1 A3I-FB2 A3I-FB3 A3I-FB4 A3I-FB5 A3I-FB6 A3I-FB7 A3I-FB8 A3I-FB9\nA3I-FCA A3I-FCB A3I-FCC A3I-FCD A3I-FCE A3I-FCF A3I-FCG A3I-FCH A3I-FCI A3I-FCK A3I-FCL A3I-FCM A3I-FCN A3I-FCO A3I-FCP A3I-FCQ A3I-FCR A3I-FCS A3I-FCT A3I-FCV A3I-FCX A3I-FCY A3I-FC0 A3I-FC1 A3I-FC2 A3I-FC3 A3I-FC4 A3I-FC5 A3I-FC6 A3I-FC7 A3I-FC8 A3I-FC9\nA3I-FDA A3I-FDB A3I-FDC A3I-FDD A3I-FDE A3I-FDF A3I-FDG A3I-FDH A3I-FDI A3I-FDK A3I-FDL A3I-FDM A3I-FDN A3I-FDO A3I-FDP A3I-FDQ A3I-FDR A3I-FDS A3I-FDT A3I-FDV A3I-FDX A3I-FDY A3I-FD0 A3I-FD1 A3I-FD2 A3I-FD3 A3I-FD4 A3I-FD5 A3I-FD6 A3I-FD7 A3I-FD8 A3I-FD9\nA3I-FEA A3I-FEB A3I-FEC A3I-FED A3I-FEE A3I-FEF A3I-FEG A3I-FEH A3I-FEI A3I-FEK A3I-FEL A3I-FEM A3I-FEN A3I-FEO A3I-FEP A3I-FEQ A3I-FER A3I-FES A3I-FET A3I-FEV A3I-FEX A3I-FEY A3I-FE0 A3I-FE1 A3I-FE2 A3I-FE3 A3I-FE4 A3I-FE5 A3I-FE6 A3I-FE7 A3I-FE8 A3I-FE9\nA3I-FFA A3I-FFB A3I-FFC A3I-FFD A3I-FFE A3I-FFF A3I-FFG A3I-FFH A3I-FFI A3I-FFK A3I-FFL A3I-FFM A3I-FFN A3I-FFO A3I-FFP A3I-FFQ A3I-FFR A3I-FFS A3I-FFT A3I-FFV A3I-FFX A3I-FFY A3I-FF0 A3I-FF1 A3I-FF2 A3I-FF3 A3I-FF4 A3I-FF5 A3I-FF6 A3I-FF7 A3I-FF8 A3I-FF9\nA3I-FGA A3I-FGB A3I-FGC A3I-FGD A3I-FGE A3I-FGF A3I-FGG A3I-FGH A3I-FGI A3I-FGK A3I-FGL A3I-FGM A3I-FGN A3I-FGO A3I-FGP A3I-FGQ A3I-FGR A3I-FGS A3I-FGT A3I-FGV A3I-FGX A3I-FGY A3I-FG0 A3I-FG1 A3I-FG2 A3I-FG3 A3I-FG4 A3I-FG5 A3I-FG6 A3I-FG7 A3I-FG8 A3I-FG9\nA3I-FHA A3I-FHB A3I-FHC A3I-FHD A3I-FHE A3I-FHF A3I-FHG A3I-FHH A3I-FHI A3I-FHK A3I-FHL A3I-FHM A3I-FHN A3I-FHO A3I-FHP A3I-FHQ A3I-FHR A3I-FHS A3I-FHT A3I-FHV A3I-FHX A3I-FHY A3I-FH0 A3I-FH1 A3I-FH2 A3I-FH3 A3I-FH4 A3I-FH5 A3I-FH6 A3I-FH7 A3I-FH8 A3I-FH9\nA3I-FIA A3I-FIB A3I-FIC A3I-FID A3I-FIE A3I-FIF A3I-FIG A3I-FIH A3I-FII A3I-FIK A3I-FIL A3I-FIM A3I-FIN A3I-FIO A3I-FIP A3I-FIQ A3I-FIR A3I-FIS A3I-FIT A3I-FIV A3I-FIX A3I-FIY A3I-FI0 A3I-FI1 A3I-FI2 A3I-FI3 A3I-FI4 A3I-FI5 A3I-FI6 A3I-FI7 A3I-FI8 A3I-FI9\nA3I-FKA A3I-FKB A3I-FKC A3I-FKD A3I-FKE A3I-FKF A3I-FKG A3I-FKH A3I-FKI A3I-FKK A3I-FKL A3I-FKM A3I-FKN A3I-FKO A3I-FKP A3I-FKQ A3I-FKR A3I-FKS A3I-FKT A3I-FKV A3I-FKX A3I-FKY A3I-FK0 A3I-FK1 A3I-FK2 A3I-FK3 A3I-FK4 A3I-FK5 A3I-FK6 A3I-FK7 A3I-FK8 A3I-FK9\nA3I-FLA A3I-FLB A3I-FLC A3I-FLD A3I-FLE A3I-FLF A3I-FLG A3I-FLH A3I-FLI A3I-FLK A3I-FLL A3I-FLM A3I-FLN A3I-FLO A3I-FLP A3I-FLQ A3I-FLR A3I-FLS A3I-FLT A3I-FLV A3I-FLX A3I-FLY A3I-FL0 A3I-FL1 A3I-FL2 A3I-FL3 A3I-FL4 A3I-FL5 A3I-FL6 A3I-FL7 A3I-FL8 A3I-FL9\nA3I-FMA A3I-FMB A3I-FMC A3I-FMD A3I-FME A3I-FMF A3I-FMG A3I-FMH A3I-FMI A3I-FMK A3I-FML A3I-FMM A3I-FMN A3I-FMO A3I-FMP A3I-FMQ A3I-FMR A3I-FMS A3I-FMT A3I-FMV A3I-FMX A3I-FMY A3I-FM0 A3I-FM1 A3I-FM2 A3I-FM3 A3I-FM4 A3I-FM5 A3I-FM6 A3I-FM7 A3I-FM8 A3I-FM9\nA3I-FNA A3I-FNB A3I-FNC A3I-FND A3I-FNE A3I-FNF A3I-FNG A3I-FNH A3I-FNI A3I-FNK A3I-FNL A3I-FNM A3I-FNN A3I-FNO A3I-FNP A3I-FNQ A3I-FNR A3I-FNS A3I-FNT A3I-FNV A3I-FNX A3I-FNY A3I-FN0 A3I-FN1 A3I-FN2 A3I-FN3 A3I-FN4 A3I-FN5 A3I-FN6 A3I-FN7 A3I-FN8 A3I-FN9\nA3I-FOA A3I-FOB A3I-FOC A3I-FOD A3I-FOE A3I-FOF A3I-FOG A3I-FOH A3I-FOI A3I-FOK A3I-FOL A3I-FOM A3I-FON A3I-FOO A3I-FOP A3I-FOQ A3I-FOR A3I-FOS A3I-FOT A3I-FOV A3I-FOX A3I-FOY A3I-FO0 A3I-FO1 A3I-FO2 A3I-FO3 A3I-FO4 A3I-FO5 A3I-FO6 A3I-FO7 A3I-FO8 A3I-FO9\nA3I-FPA A3I-FPB A3I-FPC A3I-FPD A3I-FPE A3I-FPF A3I-FPG A3I-FPH A3I-FPI A3I-FPK A3I-FPL A3I-FPM A3I-FPN A3I-FPO A3I-FPP A3I-FPQ A3I-FPR A3I-FPS A3I-FPT A3I-FPV A3I-FPX A3I-FPY A3I-FP0 A3I-FP1 A3I-FP2 A3I-FP3 A3I-FP4 A3I-FP5 A3I-FP6 A3I-FP7 A3I-FP8 A3I-FP9\nA3I-FQA A3I-FQB A3I-FQC A3I-FQD A3I-FQE A3I-FQF A3I-FQG A3I-FQH A3I-FQI A3I-FQK A3I-FQL A3I-FQM A3I-FQN A3I-FQO A3I-FQP A3I-FQQ A3I-FQR A3I-FQS A3I-FQT A3I-FQV A3I-FQX A3I-FQY A3I-FQ0 A3I-FQ1 A3I-FQ2 A3I-FQ3 A3I-FQ4 A3I-FQ5 A3I-FQ6 A3I-FQ7 A3I-FQ8 A3I-FQ9\nA3I-FRA A3I-FRB A3I-FRC A3I-FRD A3I-FRE A3I-FRF A3I-FRG A3I-FRH A3I-FRI A3I-FRK A3I-FRL A3I-FRM A3I-FRN A3I-FRO A3I-FRP A3I-FRQ A3I-FRR A3I-FRS A3I-FRT A3I-FRV A3I-FRX A3I-FRY A3I-FR0 A3I-FR1 A3I-FR2 A3I-FR3 A3I-FR4 A3I-FR5 A3I-FR6 A3I-FR7 A3I-FR8 A3I-FR9\nA3I-FSA A3I-FSB A3I-FSC A3I-FSD A3I-FSE A3I-FSF A3I-FSG A3I-FSH A3I-FSI A3I-FSK A3I-FSL A3I-FSM A3I-FSN A3I-FSO A3I-FSP A3I-FSQ A3I-FSR A3I-FSS A3I-FST A3I-FSV A3I-FSX A3I-FSY A3I-FS0 A3I-FS1 A3I-FS2 A3I-FS3 A3I-FS4 A3I-FS5 A3I-FS6 A3I-FS7 A3I-FS8 A3I-FS9\nA3I-FTA A3I-FTB A3I-FTC A3I-FTD A3I-FTE A3I-FTF A3I-FTG A3I-FTH A3I-FTI A3I-FTK A3I-FTL A3I-FTM A3I-FTN A3I-FTO A3I-FTP A3I-FTQ A3I-FTR A3I-FTS A3I-FTT A3I-FTV A3I-FTX A3I-FTY A3I-FT0 A3I-FT1 A3I-FT2 A3I-FT3 A3I-FT4 A3I-FT5 A3I-FT6 A3I-FT7 A3I-FT8 A3I-FT9\nA3I-FVA A3I-FVB A3I-FVC A3I-FVD A3I-FVE A3I-FVF A3I-FVG A3I-FVH A3I-FVI A3I-FVK A3I-FVL A3I-FVM A3I-FVN A3I-FVO A3I-FVP A3I-FVQ A3I-FVR A3I-FVS A3I-FVT A3I-FVV A3I-FVX A3I-FVY A3I-FV0 A3I-FV1 A3I-FV2 A3I-FV3 A3I-FV4 A3I-FV5 A3I-FV6 A3I-FV7 A3I-FV8 A3I-FV9\nA3I-FXA A3I-FXB A3I-FXC A3I-FXD A3I-FXE A3I-FXF A3I-FXG A3I-FXH A3I-FXI A3I-FXK A3I-FXL A3I-FXM A3I-FXN A3I-FXO A3I-FXP A3I-FXQ A3I-FXR A3I-FXS A3I-FXT A3I-FXV A3I-FXX A3I-FXY A3I-FX0 A3I-FX1 A3I-FX2 A3I-FX3 A3I-FX4 A3I-FX5 A3I-FX6 A3I-FX7 A3I-FX8 A3I-FX9\nA3I-FYA A3I-FYB A3I-FYC A3I-FYD A3I-FYE A3I-FYF A3I-FYG A3I-FYH A3I-FYI A3I-FYK A3I-FYL A3I-FYM A3I-FYN A3I-FYO A3I-FYP A3I-FYQ A3I-FYR A3I-FYS A3I-FYT A3I-FYV A3I-FYX A3I-FYY A3I-FY0 A3I-FY1 A3I-FY2 A3I-FY3 A3I-FY4 A3I-FY5 A3I-FY6 A3I-FY7 A3I-FY8 A3I-FY9\nA3I-F0A A3I-F0B A3I-F0C A3I-F0D A3I-F0E A3I-F0F A3I-F0G A3I-F0H A3I-F0I A3I-F0K A3I-F0L A3I-F0M A3I-F0N A3I-F0O A3I-F0P A3I-F0Q A3I-F0R A3I-F0S A3I-F0T A3I-F0V A3I-F0X A3I-F0Y A3I-F00 A3I-F01 A3I-F02 A3I-F03 A3I-F04 A3I-F05 A3I-F06 A3I-F07 A3I-F08 A3I-F09\nA3I-F1A A3I-F1B A3I-F1C A3I-F1D A3I-F1E A3I-F1F A3I-F1G A3I-F1H A3I-F1I A3I-F1K A3I-F1L A3I-F1M A3I-F1N A3I-F1O A3I-F1P A3I-F1Q A3I-F1R A3I-F1S A3I-F1T A3I-F1V A3I-F1X A3I-F1Y A3I-F10 A3I-F11 A3I-F12 A3I-F13 A3I-F14 A3I-F15 A3I-F16 A3I-F17 A3I-F18 A3I-F19\nA3I-F2A A3I-F2B A3I-F2C A3I-F2D A3I-F2E A3I-F2F A3I-F2G A3I-F2H A3I-F2I A3I-F2K A3I-F2L A3I-F2M A3I-F2N A3I-F2O A3I-F2P A3I-F2Q A3I-F2R A3I-F2S A3I-F2T A3I-F2V A3I-F2X A3I-F2Y A3I-F20 A3I-F21 A3I-F22 A3I-F23 A3I-F24 A3I-F25 A3I-F26 A3I-F27 A3I-F28 A3I-F29\nA3I-F3A A3I-F3B A3I-F3C A3I-F3D A3I-F3E A3I-F3F A3I-F3G A3I-F3H A3I-F3I A3I-F3K A3I-F3L A3I-F3M A3I-F3N A3I-F3O A3I-F3P A3I-F3Q A3I-F3R A3I-F3S A3I-F3T A3I-F3V A3I-F3X A3I-F3Y A3I-F30 A3I-F31 A3I-F32 A3I-F33 A3I-F34 A3I-F35 A3I-F36 A3I-F37 A3I-F38 A3I-F39\nA3I-F4A A3I-F4B A3I-F4C A3I-F4D A3I-F4E A3I-F4F A3I-F4G A3I-F4H A3I-F4I A3I-F4K A3I-F4L A3I-F4M A3I-F4N A3I-F4O A3I-F4P A3I-F4Q A3I-F4R A3I-F4S A3I-F4T A3I-F4V A3I-F4X A3I-F4Y A3I-F40 A3I-F41 A3I-F42 A3I-F43 A3I-F44 A3I-F45 A3I-F46 A3I-F47 A3I-F48 A3I-F49\nA3I-F5A A3I-F5B A3I-F5C A3I-F5D A3I-F5E A3I-F5F A3I-F5G A3I-F5H A3I-F5I A3I-F5K A3I-F5L A3I-F5M A3I-F5N A3I-F5O A3I-F5P A3I-F5Q A3I-F5R A3I-F5S A3I-F5T A3I-F5V A3I-F5X A3I-F5Y A3I-F50 A3I-F51 A3I-F52 A3I-F53 A3I-F54 A3I-F55 A3I-F56 A3I-F57 A3I-F58 A3I-F59\nA3I-F6A A3I-F6B A3I-F6C A3I-F6D A3I-F6E A3I-F6F A3I-F6G A3I-F6H A3I-F6I A3I-F6K A3I-F6L A3I-F6M A3I-F6N A3I-F6O A3I-F6P A3I-F6Q A3I-F6R A3I-F6S A3I-F6T A3I-F6V A3I-F6X A3I-F6Y A3I-F60 A3I-F61 A3I-F62 A3I-F63 A3I-F64 A3I-F65 A3I-F66 A3I-F67 A3I-F68 A3I-F69\nA3I-F7A A3I-F7B A3I-F7C A3I-F7D A3I-F7E A3I-F7F A3I-F7G A3I-F7H A3I-F7I A3I-F7K A3I-F7L A3I-F7M A3I-F7N A3I-F7O A3I-F7P A3I-F7Q A3I-F7R A3I-F7S A3I-F7T A3I-F7V A3I-F7X A3I-F7Y A3I-F70 A3I-F71 A3I-F72 A3I-F73 A3I-F74 A3I-F75 A3I-F76 A3I-F77 A3I-F78 A3I-F79\nA3I-F8A A3I-F8B A3I-F8C A3I-F8D A3I-F8E A3I-F8F A3I-F8G A3I-F8H A3I-F8I A3I-F8K A3I-F8L A3I-F8M A3I-F8N A3I-F8O A3I-F8P A3I-F8Q A3I-F8R A3I-F8S A3I-F8T A3I-F8V A3I-F8X A3I-F8Y A3I-F80 A3I-F81 A3I-F82 A3I-F83 A3I-F84 A3I-F85 A3I-F86 A3I-F87 A3I-F88 A3I-F89\nA3I-F9A A3I-F9B A3I-F9C A3I-F9D A3I-F9E A3I-F9F A3I-F9G A3I-F9H A3I-F9I A3I-F9K A3I-F9L A3I-F9M A3I-F9N A3I-F9O A3I-F9P A3I-F9Q A3I-F9R A3I-F9S A3I-F9T A3I-F9V A3I-F9X A3I-F9Y A3I-F90 A3I-F91 A3I-F92 A3I-F93 A3I-F94 A3I-F95 A3I-F96 A3I-F97 A3I-F98 A3I-F99


url: =Numéro 95 Mai 2018\nPrénoms authentiques (mis à jour et augmenté)\n1°) Le texte en prose : Uεkif, aḥric 2u , Samuel Beckett, asuɣel sɣur Muḥend At-Iɣil\n2°) L'article : Γef tedlsit “Things fall apart” n Chinua Achebe, Sɣur Ǧamal At-Udiε\n3°) La conférence : Awal ɣef ungal « Tagrest, urɣu », Sɣur Σ.Mezdad,\nAsarag di tesdawit n Tuvireţ, 05/05/2018\n4°) Tazwart : « Am aggur d yiṭij, ţemsakkaden, timlilit ulac », Sɣur Σ.Mezdad,\ntazwart i tedlist n Haǧira Ubacir, « Uzzu n tayri », tiẓrigin Achab, 2018\n6° ) L’évocation : Tahar Djaout, un fils du pays, un symbole, une nouvelle inédite\n7°) Le poème : « Tudert », asefru sɣur Ferḥat At-Sεid (Mhenni)\nAmɛallem, akken yettnuddum – Efk-as ddwa-ines a Megduda, ad igen!\nAbabat – Qelɛeɣ teẓẓuɣ. Megduda – Deg tebḥirt.\nAbabat – Ih bdiɣ deg tebḥirt. Megduda – Amek i k-yeqbel?\nAbabat, yesken-as-d mmi-s – Iɣaḍ-it mmi, wa. Megduda – Umbeɛd, i tmeṭṭut-ik, ur d-tedda ’ra neɣ...?\nAbabat – Xati ufiɣ-tt-id da.\nMegduda – Ma d baba-k yettxemmim akken niḍen.\nMegduda – Nezmer a d-nini.\nAmɛallem – Ugaɣ yuli wass.\nMegduda – Mačči, d ṭlam.\nMegduda – Ur yekkis ara.\nAmɛallem – Ihi kkes-it teldiḍ-t!\nMegduda – Iwac ara t-ldiɣ?\nAmɛallem – Iwac i tt-tbelɛeḍ?\nYESLA I BABA-S ITETTRU.\nAmɛallem – Anwa akka i itettrun?\nAmɛallem – Acu i t-yuɣen akka mi itettru? (yettɛeyyiḍ) Baba!... Baba! (tasusmi)\nMEGDUDA TEƐNA LJIHA ANSA I D-YETTAS SSUT.\nMegduda – Ur ttsellimeɣ fell-ak la deg twenza, la anda niḍen. Twalaḍ acu bɣiɣ a d-iniɣ. Uuuuuh! Anda newweḍ.\nAmɛallem – Ula d afus-im tugiḍ a yi-tt-id-tefkeḍ?\nMegduda – Walu, ur bɣiɣ ara akk a k-id-nnaleɣ.\nAmɛallem – Awi-d ihi aqjun-nni apupi.\nMegduda – Testehzayeḍ fell-i? Amɛallem – Temmugeḍ i wanect-a.\nAmɛallem – Akka ih, akka i tebna dunit, wa ɣef wa. (yekkes-d tamucwart seg ljib, yetturar yess)Taswiɛt a tqeddmeḍ, taswiɛt a twexreḍ. Tikkwal a tettruḍ ur teẓriḍ acuɣer, neɣ a tettruḍ akken ur tettaḍsaḍ ara. Neɣ a tdewwer teswiɛt, a teneqlab fell-ak, a tayseḍ zun fell-ak i tres dunit, zun icc-nni deg uqerruy-ik i yella, azger d kečč. Din-din ad tḥulfaḍ s leḥzen. (ad ibeṭṭen tamucwart, a tt-yerr ɣer ljib). Ula d lxir ur ssineɣ a t-xedmeɣ: ul yebɣa ma d rray ulac. (tasusmi, yerfa). Xemmet ay ijeḥmam, xemmet! Miḥmalet, milḥaset! Rebbebet akkin, nadit fell-i anda niḍen. (ires-d ar laɛqel-is).\nNwala akk, taggara n wayen nesɛedday tban deg tazwara n tudert-nneɣ, maɛna nettɛemmid nettkemmil. Ad ɛerḍeɣ ad selkeɣ iman-iw weḥd-i. (yettxemmim) Ad serḥeɣ iman-iw ɣer lqaɛa, ad zuɣreɣ iman-iw s yifassen- iw alamma d ṭṭaq. Akka meqqar ad ttekleɣ, ad zemreɣ ad iliɣ iman-iw deg uxxam ur ttagadeɣ ara. (iserreḥ i yiman-is ar tɣerɣert). Ilaq ad awḍeɣ ɣer ṭṭaq, ilaq daɣen ad d-sbeddeɣ iman-iw, ad sikkdeɣ ɣer berra, ad ḥusseɣ i ubeḥri yettsuḍu-d ɣef wudem-iw.\nAMƐALLEM DEG UGNES IZUΓUR IMAN-IS. TEKCEM-D MEGDUDA DEG UFUS TEṬṬEF KRA TKACIYIN D LKAS WAMAN. MI T- TWALA, TESRES LKAS D TKACIYIN, TEZUΓER-D ACERYUL, TEṬAFAR DEFFIR-S. TESSIKKID DEG-S, FIḤEL MA IWALA-TT\nAmɛallem – Teḍra yid-i am uṭufan i d-yesnulfayen dunit-is, yesnulfay-d imeddukal yetturar, yettmeslay yid-sen, ɣas yiwen ur ifehhem acu i d-yeqqar, ma d netta d yiman-is yeẓra. Akken i s-yenna Shakespeare: Ili neɣ ur ttili! D wa i d asteqsi. (tasusmi) Akka zemreɣ ad qleɣ amendad ula i baba.\nAmɛallem – Acu tettraǧuḍ?\nAmɛallem – Tesɛiḍ lḥeq. Rfed-iyi-d tura, acu tettraǧuḍ?\nMegduda – Nwiɣ dayen tettsellikeḍ iman-ik. (iruḥ a t-id-yerfed) Ma tbeɛdeḍ fell-i d lmut ara k-yawin.\nAmɛallem – I ...\nMegduda – Acu iiii?\nAmɛallem – Tidak-nni\nAmɛallem – Umbeɛd tettɛassaḍ deg-i ad ruḥeɣ ad-aɣeɣ?\nYETTLAḤAQ-D SSUT N YIWEN ICENNU\nAmɛallem – Tikkwal ttḥulfuɣ s yiman-iw, iteffeɣ-iyi laɛqel. Tikkwal ttḥssuɣ iman d Einstein. (tasusmi) I kem, amek tettḥssuḍ i yiman-im, yella kra i m- iɛejben deg dunit?\nMegduda – Kulci. Amɛallem – Megduda!\nMegduda – Tura i tt-tḍeggreḍ.\nAmɛallem – Acuɣer tettwalaḍ ul-iw yeqqur? Anwa ara isemḥen i wayeḍ, d nekk neɣ d nutni. I nekk, anwa sutreɣ ad yesɛu reḥma ɣur-i, anwa, anwa? Ula yiwen. Nekk, refdeɣ iman-iw s yiman-iw, ur steqsaɣ ɣef ula yiwen. (tasusmi) I nekk iwumi ara d-tiniḍ lehdur-a!\nAmɛallem – Waqil d aqcic.\nMegduda – Acu ixeddem.\nAmɛallem – Iteddu yettaqqal.\nMegduda – Daya?\nAmɛallem – Anda ẓriɣ. Iṭalay timiṭ-is, neɣ lqaɛa.\nMegduda – Iḥun Rebbi mačči d timiṭ-is neɣ d igenni\nAmɛallem – Xati, yesferfud ma yesɛa timiṭ.\nMegduda – D netta i d sidna Adem.\nAmɛallem – Waqila din i testaḥlayeḍ tiɣimit wala yid-i. (tasusmi) Sers-iyi-d. (tesres-it-id) Tzemreḍ a truḥeḍ. (akken tetteddu ad teffeɣ, Amɛallem a s- isiwel) Awi-d aqjun-iw. (Megduda teddem-d aqjun tefka-yas-t) Akka meqqar ur sewḥaceɣ ara. (Megduda tetteddu ad teffeɣ. Isawel-as) Tessneḍ tamacahutt-nni n ukanic?\nAmɛallem – Tura am-tt-id-ḥkuɣ: D yiwen uberkan i d-ikecmen ɣer lqahwa, yeqqen Pit-bull-ines ɣer tewwurt. Yerna-d wis-sin izuɣer akanic, yeqqen-it zdat n Pit-bull. Yekcem yeswa mi d-yeffeɣ ad yawi akanic, yufa Pit-bull yemmut. Yesteqsa zdaxel lqahwa wi’t-ilan Pit-bull, yenna-yas uberkan-nni d agla-w. “Waqil yenɣa-t uqjun-iw”.\nMegduda – Ula d aɛeggun ur iqebbel ara tamacahutt-a: Pit-bull yenɣa-t ukanic.\nMegduda – Aql-i ttxemmimeɣ acu ara d-ternuḍ akken a yi-d-terreḍ ad sleɣ la blague-inek.\nAmɛallem – Belli baba-k, ɣas d ameɣbun, maɛna yettḥibbi win ara yestehzin fell-as. Akka?\nAmɛallem – Ttɛiwideɣ-am-tent-d, akken ad tzelzeḍ lbaden-im, a d-iḥerrek wul- im, a tlemdeḍ Taqbaylit. Maɛna yid-m, am win iheddren i uɛezzug.\nMegduda, yeḍsa – Mi teẓriḍ ur sen-selleɣ ara, acuɣer i ten-id-ttɛiwideḍ? (tasusmi) Zgelli tebɣiḍ a yi-d-tiniḍ kra. D acu-t kra-ya? Acu kan d tamɛayt- nni n tissist, nniɣ-ak dayen.\nAmɛallem – Xati, a tuɣaleḍ d tamattart. Tessneḍ dacu i d amattar?\nAmɛallem – Bɣiɣ a m-iniɣ, ma teṭaxreḍ, a tuɣaleḍ d tamattart, ilaq a tissineḍ lḥikmat n umattar. Tessneḍ-tent?\nMegduda – Acu, ula d amattar yesɛa lḥikmat? Ta d tajdiṭ.\nAmɛallem – Ur yi-ttkupi ara! Nniɣ-am ihi: yiwet deg lḥikmat n umakar akken ad yaker ilaq ad yeɣfel bab n cci.\nMegduda – Welleh ar d tidett. (tasusmi) Maɛna, ini-yi-d tura iwac ara d-issineɣ lḥikmat-a n umakar, n umattar acu daɣen niḍen.\nAmɛallem – Qareɣ-am, ma staxreɣ-kem a tuɣaleḍ d tamattart.\nMegduda, i netta – Ẓriɣ, ur tesusumeḍ ara alamma tenniḍ-tent-id. Tenniḍ-d amattar yesɛa lḥikmat.\nAmɛallem – Wala. Tamezwarut: ur yettsetḥi m’ara yeḍleb; tis-snat: ayen i s-d- yefka yiwen ur t-iḥeqqer; tis-tlata: win ara s-d-yinin “Lleh inub” ur ifeqqeɛ ara. (tasusmi) A testɛerfeḍ.\nAmɛallem – Xati! Mačči mi tent-ssneɣ kan. A testɛerfeḍ mi tent-ssneɣ ɣas akken nekk, werjin kra wass ad uɣaleɣ d amattar.\nAmɛallem – Dacu-tt?\nA D-YEKCEM BABA-S, A D-YEZZI I UBRAḤ, AD YETTNADI ΓEF\nAmɛallem – Tbeɛ kan deffir, teqqareḍ “Minuc, minuc...” (silence) Xati, xati. Anda telḥeq tsaɛett tura?\nMegduda – D tameddit d aya.\nAmɛallem – Ihi, in’-as “Kut kut kut!”\nAmɛallem – Tameddit yettarra iman-is d awtul.\nAmɛallem – Ur ttagad d cɣel-is. Ma isusem, in’-as a m-d-yeḥku tamacahutt.\nMegduda – Ḥku-d tamacahutt-ik. Ḥku-d a Minuc-inu, ḥku-d. Uuuuh, ay awtul.\nAbabat – Yiwen Uqbayli deg tmurt n Cinwa.\nAbabat – Xati, axater d aseggas ajdid n Cinwa, yebɣa ad icebbeḥ iman-is s lebsa n Cinwa. Mi t-id-yuɣa ur s-d-yekfi yara. Yenna-yas ukumirsi-nni: atan da uxeyyaḍ ara t-id-ireqɛen. Yekcem, yeṭṭef-as lqis, yenna-yas: “Uɣal- d deg rebɛa wussan.” Mi zrin rebɛa wussan yuɣal; yenna-yas-d: “Semḥ-iyi kan, welleh ar mazal lebṭan n daxel. Uɣal-d deg rebɛa wussan.” Mi ɛeddan rebɛa wussan, yerna-yas-d taluft niḍen. Akken dɣa i tkemmel tmacahutt, s rebɛa wussan.\nMegduda – Dacu-tt Teqbaylit n tmachutt?\nMegduda – La morale n la blague dacu-tt?\nAmɛallem – Ussan-a tqerseḍ. Salwiɣ-am kan cwiṭ, atan tettɛerrijeḍ.\nMegduda – Xati, ad ruḥeɣ a k-d-aɣeɣ ddwa. (s ustehzi) Ddaw-nniiiiii! Amɛallem – Anta?\nAD TEFFEΓ MEGDUDA. AD YEKCEM UBABAT YETTAZZAL, AD YEFFEΓ. MEGDUDA A D-TEKCEM ΓEF UKURSI AM TUƐKIFT.\nAmɛallem – I kem dacu tettxemmimeḍ?\nMEGDUDA A D-TBEDD, AMƐALLEM AD IWALA UR TT-YEWWIΓ\nAmɛallem – Ini-yi-d acu yettxemmim wul-im.\nMegduda – Ayen yettxemmim wul-iw ur iqebbel wul-ik a s-isel.\nMegduda – Awal yekran ul-iw, izedɣen ul-iw d tadukli, d tagmatt...\nMegduda – Tadukli, d ayen isehlen, ur tuḥwajeḍ ara ad tnadiḍ mebɛid. Da kan zdat-k, rfed aqerruy-ik ad tettwalaḍ.\nMegduda – Maɛna ayen tebɣiḍ tettwalaḍ-t. Zdat-k, ur ttruḥ mebɛid. Wali amek i k-d-tettmuddu iɣallen, tecbeḥ temleḥ. Xemmem fell-as,a twalaḍ amek ara sehlen, amek ara ṣfun lecɣal deg wul-ik. Ad yemyiger wul-ik d wulawen niḍen. (tasusmi) Tikkwal qqareɣ ilaq a k-ǧǧeɣ iman-ik akken a tḥusseḍ s lmizirya ara iɛerjen fell-ak. Ad twalaḍ belli tadukli tesɛa lqima.\nAmɛallem – Ur yi-gezzem ara lhedra. Ula d nekk ugdeɣ. Weh m’ara kem- ttsufriɣ akka tenwiḍ bɣiɣ? Labud ula d nekk ssneɣ iman-iw. Ula d nekk mɣureɣ, ur ḥsiɣ ad beddleɣ...\nAmɛallem – Ur ḥsiɣ ad beddleɣ s shala! Teẓrid anti tiswiɛin ttɛiceɣ? (tasusmi) D tid anda ttqessireɣ yid-m. Sinon, teddreɣ tanumi: Nadam, adekwel, tasebḥit, d yiḍ. Weh m’ara yi-d-twalaḍ ɣliɣ neɣ sejbayeɣ seg ṭṭaq, tenwiḍ bɣiɣ ad nɣeɣ iman-iw? Ttheyyiɣ-d tarwiḥt, amek ara terfed iman-is ma truḥeḍ. (tasusmi) teḍra yid-i am win ikecmen deg lbir lqay, yettraju melmi ara d-ldint wallen-is, ad iwali tafat, ad yeddu, deg wakal ad wesxen iḍarren- is, ad yazzel deg waluḍ, ad ineggez... M’ara ɣliɣ tettruɣ s lferḥ, axater xedmeɣ kra iman-iw. (tasusmi) Weh tenwiḍ ur fhimeɣ ara imawlan-iw, ahat d nekk i d sebba n reggi-nsen. Sliɣ i yemma yiwen wass thedder weḥd- s, tenna: “A Rebbi kkes-iyi iḍarren i nekk, efk-iten i mmi!” (ad yettru. Ad megren iɣallen. A d-yekcem ubabat fiḥel ma walan-t) Tura a m-d-ḥkuɣ targit-iw?\nMegduda – A k-ihenni Rebbi.\nAbabat – A k-tt-id-ḥkuɣ i kečč.\nmɛallem – Ḥku-d.\nAbabat – Pisk, lwaḥi i teddrem deg wacḥal-aya, tettwaqnem wa ɣer wa. Acu tennim lukan a tzewjem?\nAZAWAN N ZZHU. TAGGARA\nΓef tedlsist “Things fall apart” n Chinua Achebe\nLlant tedlisin yeţweccimen tudert n wemdan, snernayent-ţ!\nAd teγreḍ tadlist ay d teldi tawwurt ar wanda nniḍen, a k-tesselmed amezruy, a k-i-d tessakwi γef wayen iḍerrun di ddunit, a-k-twelleh agemmaḍ akkin!\nChinua Achebe d amaru si Nijirya (Nigeria), seg tsuta n iseggwasen n 50 (tasuta n Kateb Yasin, Mulud Mεemri, Dib..), iseggwasen n umennuγ n Tferka (Tafriqt) mgal tamhersa (listiεmar), mačči kan s leslaḥ, maca s tira diγen telha tiyita, tekkat ar wallaγ!\n“Ddunit iraben” neγ “ Things fall apart” s tegnizit, d ungal amezwaru n C. Achebe, yefγed asegwass n 1958, yewwid γef tsirit n wegdud n Ibo (Ibo people), udem n tmurt, tikli n yemdanen, tamagit...yewwid γef truẓi d unquqel n tmurt n Ibo, kra din yedegdeg mi d ewḍen Irupyen, iγisi yekcem tigemmi, tanulya tennul taγrast, amek ar a yqamer wemdan ayen γef ur yebni ara! D wa i d tisri γef i d yewwi wungal, d tisri n Tferka imiren...tura!\nTagnizit n Chinua Achebe tegzem tefra, asiwel n tedyant yedda duga-duga, almi temmed taluft akken tella. D tadlist tinigit n tudert n yiwen wegdud n Tferka, i d izgan d udem i yegduden akk n Tferka!\nTalwit i yiman n Chinua Achebe!\nCwiṭeḥ seg “Things fall apart” s tagi nneγ:\nZrin tlata (qraḍ) wuḍan, d Ukunku ur s d-qmicent, atan tikkelta yerza-d γures yiḍes.\nMi izeggen yiḍ, yuki-d!\nUlamma yemmekta-d tlata wussan-nni yezrin, tikkelta ur yennuγna ara. Yenna kan deg ul-is, “ayγer dγa innuγneγ akk anecta!”. Am win ad d ildin allen-is di tafat n wass, yin-as ayγer deg iḍ targit i yurgaγ, tbaniyi-d d yir neţat!\nImaẓẓed, yekmez aqesbuḍ-is anda t-teqes tiziţ, mi t-tuγ yeṭṭes. Tiziţ nniḍen imir dγa teţezzi nnig umeẓẓuγ-is ayeffus. Yeṣṣelfeε ameẓẓuγ-is, yessarem ad ţineγ.\nAcimi akka tiziţ tezga tεennu imeẓẓuγen!\nMi yella d amecṭuḥ yemma-s temla-yas-d tamacahuţ γef waya.\nMaca am tmucuha kan akk i d ţawint tlawin, d asxerweḍ kan daya!\nTenna-yas zik tiziţ tessuter deg umeẓẓuγ tisulya, ameẓẓuγ yeṭṭerḍeq d taḍsa, yenna-yas “dacu yellan dgem a ta, aqlakem wissen ma ad teddreḍ ar wazekka” tiziţ iqerḥiţ wawal, seg imiren, mi teqqim kan, ad d tezzi γef umeẓẓuγ, a s tinni aqli da, urεad ddreγ!\nUkunku yezzi idis yuγal ar yiḍes.\nṣṣbeḥ yessakwit-id useqqreb γef tewwurt. “anwa akka?” yenna-yas s usxertem.\nYeẓra d Ikwifi kan i izemren ad ţ-texdem. Ger tlata tlawin yuγ, ala neţat ur neţagad ara a s tewwet γef tewwurt.\n“Ezinma teţmeţat!” tenna-yas, s taγect yeqnen. Awal i d-yefγen deg imi-s yenna-d udγu d unezgum yellan deg ul-is.\nUkunku inegzed seg ussu, yewwet γef uzekkrun n tewwurt, yuzzel ar texxamt n Ikwifi.\nYufa Ezinma tama lkanun, tesred γef trakna teţergiggi, teγzi n yiḍ d yemma-s tesmentig-as times ad teḥmu.\nUkunku yenna-yas “d iba!”, yerfed amger yeddunfi γer lexla, ad d-ikkes afriwen d teḥcicin akk d uqecquc useklu, s iskaren asafar i iba.\n(Chapter Nine. Pages 71, 72)\nAwal ɣef ungal « Tagrest, urɣu »\nAd nenti asarag-a s yiwet twinest n Antoine de SAINT-EXUPERY, di tedlist-ines « Pilote de GUERRE » :\nDans ma civilisation, celui qui diffère de moi, loin de me léser, m’enrichit. :\nDi tɣerma-inu, d timerna i iyi-d-irennu, win ur nga am nekk !\nNefka-d yiwen usarag dagi di tesdawit n Tuvireţ ass 05/03/2011. Ihi, mara ɣ-tεerḍem neţas-d ! Asmi i d-ffɣen wungalen « Teţḍilli-d ur d-tkeccem » akked « Yiwen wass di tefsut », di 2014-2015 ur d-nusa ara, ahat imi ur aɣ-teεriḍem ara !\nNous allons d'abord définir ce qu'est un roman :\nD'après le Larousse : Roman = œuvre littéraire, récit en prose généralement assez long, dont l'intérêt est dans la narration d'aventures, l'étude de m?urs ou de caractères, l'analyse de sentiments ou de passions, la représentation, objective ou subjective, du réel.\nD'après le Robert : uvre d'imagination en prose, assez longue, qui présente et fait vivre dans un milieu des personnages donnés comme réels, fait connaître leur psychologie, leur destin, leurs aventures !\nLlan wid i d-yeqqaren, deg ungal, ilaq ad tili l'intrigue, tiyersi. L'intrigue peut-être mince ou dure ! Il existe de grands romans avec des intrigues très minces, Plus l'intrigue est dure, compliquée, plus on se rapproche du roman policier.\nLe roman moderne en tant que tel est d'apparition relativement récente dans la plupart des langues. C'est un genre littéraire européen. Les Turcs et les Arabes, par exemple, l’ont adopté il n'y a pas très longtemps, à peine un peu plus d'un siècle.\nNous autres s Leqbayel, je trouve que nous nous sommes bien débrouillés malgré l'absence de mécènes et d'institutions sur qui s'appuyer, malgré les bâtons dans les roues des régimes politiques indifférents sinon féroces, puisque nous sommes actuellement à presqu’une centaine d’ouvrages publiés sinon plus. Et nous savons tous que quantité de manuscrits ne sont pas encore publiés pour toutes les raisons que vous savez.\nIhi, ungal-a iɣ-yesemlalen assa, « tagrest, urɣu » nous livre un ensemble d'événements qui se sont déroulés dans les montagnes de Kabylie en plein hiver glacial : deg-s tagrest, deg-s urɣu. Le froid, l'effort, la peur mais aussi le courage, l'amitié et la certitude d'un combat juste en rythment toutes les pages.\nL'ouvrage se divise en 16 chapitres : sa microstructure nous permet de le classer comme un roman classique. C’est une écriture plutôt cinématographique. Ce sont des tableaux qui succèdent les uns aux autres ! L'intrigue et les éléments du récit ne se déroulent pas selon un axe linéaire mais selon des cercles concentriques. A mesure que l'on avance dans le texte, les détails des caractères des personnages ou des décors vont apparaître ( adfel, adar, asif, tiẓgi, taddart, igenni i d-yeţarwen times. A la fin, il y a eu même une description d’un cas de mort imminente telle que décrite par le dr Kubel Ross, une spécialiste suisse ?\nSix hommes forment la troupe de combattants qui se chargera de pallier au manque d'armes affectant cruellement les maquis. Les personnages sont des gens ordinaires, des émigrés ouvriers rentrés au pays pour participer à la guerre comme Salem et Rabeḥ, des paysans comme Muḥend-Uεli, des femmes bien de chez nous comme Malḥa. Il y aussi Lwennas, un étudiant qui a quitté le lycée à la veille du bac pour rejoindre le maquis. Rien ne le préparait à mener cette vie d’enfer ; lui, le garçon fragile que ses parents destinaient à des études poussées. Yella daɣen Si-Naser, le médecin qui a amputé Md-Uεli ? Si-Naser, ce n’est pas un personnage de fiction, llan wid id-yeqqaren yedda di les purges-nni yeḍran di lgirra, am neţa am Dr Salah Ait-Muḥend Said. Yelha ma newwi-d akka fell-asen, agdud ma yessen amyezyu-ines, ur yeţales ara i tawaɣyin yezrin fell-as ! Yella daɣen Waεli, neţa yakkw i d amenzu gar-asen i g-ntin amennuɣ, imi yezwar imeddukal-is amsi yeffeɣ s amadaɣ. Waεli daɣen d argaz yellan deg-umezruy ! Neṭa yakkw d imeddukal (Salaḥ At-Mûḥend Said, Σmer Ould-Hamouda, Mbarek At-Mengellet) mačči aṭas aya seg asmi i ten-id-rehabilitin ɣef ayen akkw i d-wwin i lgirra-nni, d wamek i ten-nɣan ! Ihi, Waεli, ur yella wacu i d-rniɣ fell-as : am d lqedd, ama d ssifa, akken i t-id wwiɣ : anagar tadlist-nni i d-nniɣ yura-ţ i d-snulfaɣ ! Yella daɣen dinna yiwen lqevṭan isem d le capitaine Tardy, wagi daɣen d afesyan urumi yellan, yedder, nekk s timmad-iw cfiɣ-as-d, yella d leqvṭan di lεerc Nat-Yiraten, akken yella deg At-Dwala lqevtan Oudinot ! Amennuɣ-nni yellan gar-as d yiwen umjahed mačči d asnulfu, d ayen yedṛa di Larbεa-Nat-Iraten, ma cfiɣ uggaɣ deg ass n ssuq !\nIhi, tuɣḍaṭ n terbaεt-a n Salem akked imeddukal-is, d asiweḍ ara d-siwḍen leslaḥ s wayes ara qablen lgirra si tlisa alamma d idurar n Ǧerǧer. Acu kan, ur neẓra anti tilisa : ma si tid n temnaṭ (zone ?) , neɣ si tid n twilayt tis 3 ? neɣ si tid n Tmurt n Zzayer ?\nAkken nwala, tuɣḍaṭ-a, mačči d tin n menwala. Azal-ines d ageεmir imi tcudd ɣur-s ukemmel umennuɣ n wid yellan deg umadaɣ : ma ur d-sawḍen ara lamana, amek ara teḍru d wid i ten-yeţraǧun ifassen d ilmawen, amek ara kemmlen amennuɣ !\nAcu, akken i d-yenna, d Salem : « Teffeɣ tifeɣt ! » ( la mèche est vendue), imi ɣef akka iwala ţwazenzen ! Lεeṣker ucengu yesla s tuɣḍaṭ, yewweḍ-it wuxbiṛ daymi timsirifag deg igenni « la tezzin am rruḥ ɣer icettiḍen », tuɣḍat ur ilaq ad taweḍ iswi. Agris d udfel reglen akkw iberdan uḍar ansi zemren ad εeddin , asikel-nsen ẓran d iqerray-nsen i ṭawlen !\nIcuqar n Tmurt-nneɣ , adfel, asigna, mačči dayen yesifsusen akilel i Salem, un des personnages principaux du roman, Ddan-asen di nnmara ! Salem d imeddukal-is qeblen ad mmten ma d imsebblen yeddan yid-sen ilaq ad iswi, anida ara sersen leslaḥ, gar ifassen n wid ilaqen !\nAcu, Salem ixuṣ-it kra, imi ur d-yedda ara yid-s Waεli. Imi ulac Waεli am akken d kra ideg yeţwagzem ! Daymi tarbeεt mačči am zik, hcicet, ur nnumen ara teffɣen ma ulac Waεli ! Salem, ɣas akken kan izemm 35 iseggasen, ɣer imeddukal-is n terbaεt amzun akken d amɣar seg akken yeččuren d rrẓana (sagesse) d ukazi (prudence) ! Yeṭhadar, yessen anida yesrusuy iḍarren-is, yessen iberdan akken ilaq, yessen ansi ara yeffeɣ d wansi ara yekcem ! Ţeklen fell-as armi d ulame!\nCwiṭ kan i sen-d-yeggran ad awḍen iswi mi ten-id walan-t rruplanat n lεesker. Dagi daɣen rruplanat-nni s yismawen-nsent, mačči d ayen i d-nesnulfa, d tidak i semrasen Irumyen di lgirra-nni (T34, Broussard, atg). Dinna qersent-d fell-asen. Un véritable déluge de feu et de fer sort du ventre des avions. Malgré les bombes et le Napalm, les armes transportées à dos d’hommes arriveront à destination, grâce au courage de Salem et de ses compagnons. Salem d Lwennas mmuten, ma d Rabeḥ d Muḥend U-Σli menεen, wwḍen iswi ! Γas akken menεen, yiwen deg-sen yesmar akkw idamen-ines mi t-ufan imeddukal-is, ma d wayeḍ d Si-Nasser i s-igezmen aḍar, s tmencart, à vif, imu ussan-nni ulac l’anesthésie. Ayagi daɣen d ayen yellan maččî d asnuflu. Dayen yeḍran !\nIhi ayagi yakkw d aẓeṭa ajegdan (A j g d an), acu sya ɣer da, neggar tira tamuɣlit ɣef umezruy-nneɣ : tallit-nni n Ṭerk, asmi i d-kecmen irumyen , laẓ, lgirra, angeẓwer (la résistance) i temhersa, amek i d-ilul umussu aɣlenaw, la genèse du mouvement national, d wayen iɣef yuzzel Waεli, uqbel lgirra. Newwi-d daɣen ɣef teḥvuvt-nni , Tifis n 1945 (l'épidémie de typhus de 1945), aglam-ines, une description précise de la terrible maladie, akken yella di tedlisin n la pathologie médicale : ur yella wacu i d-neslufa : le délire, les hallucinations d ayen yezga deg aṭan-a n tifis.\nAkken i t-yura A. Hamidouche, di l’Hebdo n Tmurt : « De l'imbrication des différentes trames, une autre grille de lecture de l'œuvre est donc toujours possible. »\nDes monologues intérieurs (iwadmen amad Salem, ama d Rabeḥ, ama d MUΣ, teɣzi n wungal ţmeslayen d yiman-sen), des retours sur le passé (asmekti n wayen sεeddan deg izri neɣ di ddunit-nsen); azeεlelli ţzeεlellayen iman-nsen s imal, tamurt anida ara ddren di tlelli d lehna (l’espoir d’un avenir dans un pays libre) vont illustrer toute la longueur du roman, ayagi akkw yeččur ungal : la générosité (taεerḍit, takwermit), le courage (tebɣes), l'humilité (annuz), nniyya ! Aci, nniyya, d agetnamek, ibubb buhan inumak ! Ihi, nniyya tezmer ad d ili deg-s la naïveté, la simplicité, l’innocence, la loyauté, la droiture, le désintéressement, l’intelligence, la clairvoyance, la finesse, la perspicacité ( tekyes, lefhama, tigzi, tayetti ) Ihi nniyya tezdeɣ iwudam. Ayagi yakkw d ayen yezgan deg ungal.\nMalgré la violence sans pareille subie par les personnages, aucune haine ne transpire dans ce livre : ur lummen, ur kuẓẓen yiwen.\nTaddart daɣen i d-nbedder d tin n menwala, akken llan yakk tudrin di taggara n lqern-agi yezrin uqbel ad tent-yekcem ubiṭun iweccem-tent yakk assa n wussan. Tal taddart n leqbayel tezmer ad tili d taddart-nni yellan deg wungal : tillas, tizerbatin, tajmaɛt, tizeɣwin. Newwi-d daɣen ɣef tinna n Tala-Ufella-Timǧeǧert, anida taddart-nni i d-ţawin di tmucuha : urgan-ţ di temzi-nsen, tura wḍen-ţ ; nsan deg-s !\nLlan wid i i-yeqqaren iwacu, tidlisin-ik ţawint-d kan ɣef tudrin, ɣef temɣarin, ur d-teţawiḍ ara ɣef tudert n iqemqumen. Rriɣ-asen akka : on n’écrit que de ce que l’on aime : la mère, la femme, la nature, la famille, le monde paysan, la terre, l’effort ; c’est cela mes sources.\nPour plus de détails, je pourrai répondre à vos questions.\nDagi d amur amezwar n USKASI :\nIsteqsiyen ɣef :\n1°) isaragen ara xedmeč sya d afella\n2°) aseɣti n wayen ţaruɣ i seɣtayen iselmaden\n3°) ismawen yellan deg ungalen-inu d wid ţakken tita medden i warraw-nsen\n4°) « amennuɣ » sya d afella, anida ara nmil\n6°) amek salayeɣ tira, ma s ugemmen kan neɣ yella din ugacur\nC’est avec cette dernière question que nous\nAu début, je commence par sélectionner des débris, des fragments, des phrases écoutées çà et là, des contes, des anecdotes, des fragments de choses vécues ou qui auraient pu l’être, des considérations historiques des descriptions de maladie ( exemple le muguet, le typhus et ses hallucinations, le délire paranoïaque), des scène de torture, des scènes de combat, ce sont tableaux qui sont loin d’être rares sous nos contrées, mais il y aussi des moments de tendresse, moments fugaces qu’il faut savoir saisir.\nUne fois tous les éléments de ce bricolage stockés, un plan de l’ouvrage à naître est établi. Tous ces éléments seront ensuite agencés pour en faire un ensemble cohérent original, en l’occurrence un roman. Le plan un fois établi est souvent modifié pendant la rédaction de l’ouvrage.\nLa 2e règle est celle-ci : La langue écrite ne sera pas le calque parfait de la langue parlée. « Ceux qui écrivent comme ils parlent, quoiqu'ils parlent très bien, écrivent mal.» a écrit Georges-Louis Leclerc dans son Discours sur le style. Albert Camus –un ami des Algériens musulmans arabo-berbères quoique l’on dise (se référer à ses écrits par exemple sur la misère en Kabylie)- en écrivant l’Etranger a d’abord décidé de l’écrire dans la langue parlée, mais la mouture finale a été faite dans une langue plus stylisée, plus littéraire.\nLa 3e règle est celle-ci : En matière de langue comme ailleurs, si la pureté est dangereuse, il faut se garder de tomber dans le piège du patchwork. Il s’agit de lutter contre la tentation réelle de prendre un peu de chaque parler pour tenter de ressusciter une supposée défunte unicité de la langue berbère. Pratiquement dans toutes les langues, un segment s’est imposé comme la langue de référence (le Castillan pour l’Espagnol, la langue de la tribu du prophète pour l’Arabe, la langue du roi pour le Français etc.) La tentation de créer un espéranto berbère est alléchante, mais il y surtout risque de créer un « des-espéranto »\nLa 4e règle : Pour décrire des situations inhérentes à la vie moderne, il faudra de toutes les façons dépasser la langue traditionnelle, en utilisant des termes nouveaux. Le recours au néologisme doit être maîtrisé et se fera à dose thérapeutique pour ne pas dire homéopathique. Il ne doit être en aucun cas systématique mais considéré comme un mal nécessaire auquel il ne faut recourir qu’après avoir épuisé toutes les possibilités.\ntanẓa/hiatus, tazayert/cercle ,\nLe masculin représente la fonction et le féminin l’outil :\nGzem / agzam / tagezzamt\nsiḍen / asiḍen / tasiḍent\ncfu / ancefu / tacfawit\nkwu / akway / takwayt\nbrez / abraz / tabrazt\nLes emprunts réussis sont également irremplaçables : amikrub, amutur, tamacint, azufri, apiṛi, apansyu, abaltu, acacpu, akayaṣ, etc…\n2°)_me référer aux recueils lexicaux existants : le Dallet est indispensable . Ex: tifeɣt/secret, tagant/grève. Malgré une relative profusion de recueils lexicaux depuis quelques années, aucun, à mon sens, n’a égalé le Dallet. Il faut rendre hommage à son auteur qui a consacré sa vie à l’étude et la sauvegarde de la langue.\n1°)_me référer à un lexique tamaceght considéré comme une banque de racines, par exemple le Cortade-Mammeri.\n2°)_me reférer à Amawal de Mouloud Mammeri et ses Collaborateurs, bien que truffé de quelques inexactitudes.\n3°)_procéder à une dérivation. Exceptionnellement ! Le néologisme éventuellement crée se devra de respecter la musicalité de la langue. Exemple : timanest/solitude asuwu/aération, amaTTaf/ chaîne (média)\nAu niveau de la réflexion, des monologues intérieurs ou des dialogues, je me suis donné comme règle d’essayer de respecter autant que faire se peut le kabyle traditionnel, quand il sort de la bouche de personnages eux-mêmes « traditionnels » Ex : taHemmuts dans Id d Wass et MalHa dans Tagrest urghu, Tawes. Il en est différemment quand il s’agit de personnages confrontés à la guerre ou aux conflits professionnels. Ex : Waâli, MuHend-Amezyan.\nLes champs de référence de MuHend-Amezyan et de sa mère MalHa ne peuvent pas toujours se superposer. C’est cette différence dans les champs de référence qui font que les gens ont du mal à communiquer entre eux : le dialogue parents-enfants, chez-nous, est souvent réduit voire inexistant. Les mots exprimant la tendresse ou l’amour ont toujours du mal à sortir de la bouche. Il est vrai que dans les langues algériennes arabe et berbères, le verbe aimer n’existe pas.\nAu-delà, de la langue, ne pas hésiter à donner une identité au texte, par l’injection parcimonieuse, de formules toutes faites : Rebbi ameâzuz, yuɣal-d s abrid, yeçça iman-is, tasa pour amour/tendresse, ul pour vigueur/courage, ou extraites de la tradition orale (proverbes, contes, poèmes, chants).\nAm aggur d yiṭij, ţemsakkaden, timlilit ulac !\nTayri, takriṭ, lebɣeḍ, taɣribt, ẓzelt, tameţant. Tilufa-ya, akken zedɣent tudrin d tmurt-nneɣ deg iseggasen-nni 1930, akkin d wakkad, i zedɣen tadlist n Haǧira Ubacir, « Σaziz akked Σzuzu ».\nTidyanin-a ţemεebbarent teɣzi isebtaren n tceqquft-a umezgun. Tameskart, d ayen tesla, d ayen tessen, d ayen i s-d-wwin wid/tid i ţ-yugaren di leεmer i d-tesers deg-s.\nDeg umεebber n tedyanin-a, anta deg-sent ara ţ-yawin ? Lebɣeḍ, taɣribt, ẓzelt dayen yellan idum ɣer medden irkwelli : d imezgiyen, ur ţalin, ur ţadren, neṭḍen deg-sen am aṭan ameεlal ur netejji, zgan d axuxxed, neqqen kra kra !\nUr tezmir ara ad ţ-tawi tayri : hcicet nezzeh deg tmeţi, deg idles-nneɣ.\nDi taggara, ara ţ-yawin kan d tameţant ; daymi tadyant yellant di tesdlist-a, tikkelt-a daɣen, ad tfakk s yidim !\nMara sikkideɣ di tmeţi ideg nezzer, tayri ţwaliɣ treṣṣa d tinna yellan kan gar imawlan d tedfirt-nsen, tikkwal daɣen gar imeddukal n tɣuri neɣ umennuɣ ! Ma d tayri gar arrac d tullas, anida temzer ad d-tger tuzuft, tinna tezga ad taf uguren ad εekklen asikel-ines. Sya ɣer da, tayri-ya mara teffeɣ, yiwen iwsi ara taweḍ imi teţawi ɣer tmeɣra : seksu s uẓelmaḍ, isefra i lhenni, tikkwal ṭbel d lbarud ! Ayɣer lbarud-nni ?\nAkken kan ara zrint kra n smanat, neɣ kra n wagguren, ad twaliḍ aεebbuḍ icuf, dɣa ad d-ilal uḍufan, dinna, d tideţ, ad d-tlal daɣen tayri tamaynut. Tinna simal teţimɣur gar imawlan d win/tinna i d-ilulen, simal ad tfessex tayri gar widak i t(ţ)-id-ijebden ɣer ddunit, sebbven i tudert-ines. Tugeţ, imiren i d-beddun-d wuguren, inezgumen n tsumta gar widak ireclen s ṭbel d lɣida, kra n wakud kan uqbel !\nTineggura-ya, iseggasen-a ideg nella, mi tfukk tmeɣra, yezri unebdu, axxam n ccreε yezga yeεmer ! Qqaren : anebdu ɣer buugaṭu, tagrest ɣer bugaṭu !\nGar ilmeẓyen d telmeẓyin, takriṭ tezga nnig iqerra-nsen. Taferka n medden ur ilaq yiwen ad ţ-yerkeḍ ! Ulac taferka ur lan imawlan ! Amzun akken taqcict d taferka ur ilaq ad yennal yiwen ! Sya ɣer da, ad tesleḍ tinnat kksen-ţ si lakul imi i ţ-iwala gma-s neɣ εemmi-s teţmeslay aqcic akked teqqar. Tikkwal, daɣen ad as-d-zzewren i uqcic di targa, deg uεerqub ubelluḍ neɣ win uzemmur, ad t-ṭfen di lexnaq, ad ggeẓen deg-s : « Mer ad k-nwali tuɣaleḍ ɣer tinnat-nneɣ, ad temmezleḍ ! » Winna daɣen yeţwageẓen mara iwali neɣ yesla yiwen iluεa ultma-s, ad iger ɣur-s : « Mer ad sleɣ teţezziḍ-as ad k-id sfunzreɣ ! »\nIhi, tayri gar warrac d tullas, di tmurt-nneɣ tezga tekriṭ tberren-as ! Zgant tillas deg uheggi n yimal-sen ! Agemmaḍ yeţmundul-asen !\nAkka daɣen di tceqquft-a n Haǧira Ubacir, ur bateɣ ara imi tekfa s tazzla idammen. Σaziz akked Σzuzu tezḍa tayri gar-asen. Skud myeḥmalen, di tezɣent n tmeţi di tallit-nni – ahat maḍi daɣen ula di tallit-a ideg nella, wi ẓran ? – llan wid ur nezmir ara ad hennin, skud ur terriẓ tayri i d-yekkan nnig lebɣi-nsen nutni, nnig iqerra-sen nutni. Dɣa yiwen wass ad tfakk am tmilla yefla waldun “ ddaw ubrid, gar wuzzu bu ujeǧǧig awraɣ, deffir teslent yeţhuzzu waḍu ; lfuci yegguni …” Yeɣli Σaziz. Teǧǧel Σzuzu. Teldi tewwurt n ţar ! Ayen yellan nniqal yennegdam ad yuɣal s asikel-ines !\nIsabelle Eberhart, deg yiwet n tedlist, akken cfiɣ, tura : d tmura-ya – di Tferka Ugafa – tayri ur tesuffuɣ s ayen yelhan, tayri teţawi ɣer tekriṭ, tameţant neɣ s « axxam ameqqran ». Γriɣ tadlist-ines asmi meẓiyeɣ maḍi. Tura aql-i rniɣ-d t\nagi n Haǧira Ubacir ! Afeɣ deg-sent lehna d tayri di tmurt-nneɣ am aggur d yiṭij, ţemsakkaden, timlilit ulac, mi d-yekker yiwen ad yefsex wayeḍ !\nMa d kunwi, mačči d asrifeg kan ara ţ-tesrifgem, tadlist-a, tesefk-as tɣuri s tedrut ! Ilaq ad as-ggwten imeɣriyen, tugeţ dɣa imi teshel tira-s !\nΣmer Mezdad, Furar 2018\nTahar Djaout, un fils du pays, un symbole, une nouvelle inédite :\nPour lire « l’Elu », une nouvelle inédite de Tahar Djaout,\ncliquer sur ce lien de notre ami Gérard Lambert :\nLa Dépêche de Kabylie 8 juin 2006\nC’est une personnalité éminemment précieuse, c’est une main féerique dotée d’une magie prodigieuse, mais aussi un esprit d’un génie qui a toujours su défendre ses conceptions. En dépit de la terrible censure qui régnait dans le pays à l’époque, voire les menaces des intégristes, il persistait à répandre ses idées courageuses…il aspirait à une Algérie où ce seraient la justice et la démocratie qui en seraient les magnats…\nCet écrivain de génie a vu le jour le 11 janvier 1954 à Oulkhou (Ighil Ibahriyen), un petit village d’Azeffoun, contrée maritime qui enchante les regards, revigore l’esprit et invite les mordus de beauté naturelle à saisir leurs plumes pour dépeindre ce panorama pittoresque et tenter de donner vie à une véritable fresque reprenant tout ce qui peut réjouir les cœurs …\nC’est dans cette fabuleuse région, qu’il a passé son enfance bercé par l’air frais et dorloté par l’élégance de Dame nature. Après l’Indépendance, sa famille fut obligée de s’installer à Alger ou il fait ses études primaires et secondaires, il obtint son baccalauréat, série mathématiques, en 1974 il obtint sa licence en mathématiques à l’université d’Alger où il s’est lié d’amitié avec le poète Hamid Tibouchi.\nDès son jeune âge, il montra sa passion pour la littérature notamment pour l’écriture et la poésie, à titre d’exemple en 1970, sa nouvelle Les Insoumis reçoit une mention au concours littéraire «Zone de tempêtes».\nPour son talent d’émouvoir par les mots, pour son allégorie dans ses écrits accompagnés du respect du dogme grammatical, Djaout reçoit une bourse pour poursuivre à Paris des études en sciences de l’information, il voulait tant devenir journaliste et c’est cette fonction qu’il allait exercer de retour à Alger. Depuis, ses écrits chatoient et son nom commence à être connu.\nSes premiers articles furent publiés dans le journal El Moudjahid ; il collaborait en 1976 et 1977 au supplément El Moudjahid culturel, libéré en 1979 de ses obligations militaires il a repris ses activités à El Moudjahid. Il fût responsable ensuite de 1980 à 1984 de la rubrique culturelle de l’hebdomadaire Algérie Actualité. Il publia plusieurs articles sur les peintres, notamment sur Baya, Denis Martinez, Hamid Tibouchi et bien d’autres comme il écrivit sur les écrivains algériens d’expression française (Jean Amrouche, Mouloud Mammeri, Mouloud Feraoun, Jean Sénac ….) avec la force de son talent, il a pu imposer ses pensées et défendre le patrimoine culturel. En 1992, avec la collaboration d’autres journalistes, Djaout fonda l’hebdomadaire Ruptures, où furent controversés les problèmes dont souffrait l’Algérie à cette époque, ainsi que ceux de la culture et de l’identité algériennes.\nDjaout publia dès 1975 un recueil de poésies Solstices barbelés et en 1978, à compte d’auteur, l’Arche à vau-l’eau. Menacé par les groupes terroristes à maintes reprises, il refusa de poser son stylo.\nQuant à ses œuvres, Djaout leur a inculqué un vocabulaire très riche, gorgé de métaphores et de tableaux, son premier roman Les Chercheurs d’os parle d’un jeune garçon qui rejoint la foule de son village pour chercher les os de son frère et pouvoir les inhumer dans son village natal (juste après l’Indépendance), ce jeune va se heurter à un univers totalement différent de celui qu’il a connu toute sa vie. Ce chef-d’œuvre fut publié en 1984 à Paris. Ce roman a obtenu le prix de la fondation Del Duca.\nL’Exproprié, diversité d’écriture : poésie, chant, prose … est publié en 1981 L’invention du désert, un livre très allégorique parlant indirectement d’une personnalité historique du Maghreb. Les vigiles qui a reçu le prix Méditerranée ainsi que d’autres livres comme Le dernier été de la raison (roman), Insulaire et Cie (poèmes), L’oiseau minéral (poèmes)…\nSa production fut prolifique, il avait lutté durant toute sa vie pour une Algérie présente et prospère, il avait aspiré à un développement universel, mais hélas, un destin s’apparentant à celui de Mouloud Feraoun et à celui de bien d’autres qui ont donné toutes leurs forces pour une Algérie rêvée, le guettait.\nTahar Djaout fût grièvement blessé lors d’un attentat le 26 mai 1993 près de son domicile, il décéda quelques jours après, inaugurant la longue liste des journalistes et intellectuels algériens assassinés Federico Mayor, directeur de l’UNESCO déclara juste après son assassinat :\n«Lorsqu’un journaliste et un créateur, un homme du verbe et de l’imaginaire est frappé par les balles de l’intolérance et les poignards du sectarisme, il est du devoir de l’Unesco de manifester son indignation d’élever sa voix pour condamner la violence aveugle. Tahar Djaout a promu l’identité culturelle de son pays et affirmé sa foi dans la parole et le dialogue».\nIl a su créer son propre style, de la poésie et du rêve dans sa prose tout en maintenant la clarté et la lucidité qui lui permettait de critiquer le réel d’une manière imaginaire. Lors de son arrestation, son exécuteur interrogé sur les mobiles du crime, devait répondre : «Il a une plume redoutable, ses écrits ont une grande influence sur les musulmans».\nPour lire «l’Elu », la nouvelle inédite de Tahar Djaout,\nSɣur Ferḥat at Sεid (Mehenni)\nD ajraḍ sufella n waman\nLembaber la teddun\nS lεesker d tirga yeɣman\nS idammen d waldun\nTimura Irumyen d-yegman\nD leğnas i yetthuddun\nAyɣer lebni n iɣerman\nMa s tinɣin i tt-beddun\nAssen ur qudren talast, aɣref\nUr qudren kra yeddren\nTutlayt, ddin n usurref\nUr qudren ara azref\nAzref ḥemmlen a d-adren\nD win swayes ara ssnegren\nWin yugin ad yekref\nTudert-nsen s idammen-nneɣ\nD tawant-nsen i d laẓ-nneɣ\nTilelli-nsen d tikkerfi-nneɣ\nAm yizan ɣef teflukin\nDehmen lebḥer s lεum\nQemmren-tt ad zegren akin\nAmmer ad yeεyu unezgum\nTtargun tudert yeffulkin\nN tlelli d weɣrum\nRegglen ɣef laẓ d telkin\nD leḥkem bu lehmum\nD i d-yeğğa Urumi i ten-yessenfan\nUr ẓrin ara acimi\nΓer irumyen i d-ufan\nD tilisa ten-iɣunfan\nMenεen si lmut iwumi\nMi d asen-ugin iɣimi\nBerra n leḥkem n yilfan\nTudert d tudert ma s tiẓeṭ-is\nCci, tazmert d tilelli-s\nDi yal tiɣmert tessaɣ tayri-s\nD yiseɣ s-yettilin\nSi rrwaḥ d tuɣalin\nAyen iεeddan iεedda\nYelha ɣef win iceffun\nΣiwdet leqwanen swadda\nAy imdanen yettḥuffun\nTimura anda nedda\nUlawen ad sgunfun\nImdanen yakk d tarwa n tsedda\nUr sserfayen, ur reffun\nSi zik akka, regglen ɣef ccwal\nLeḥkem timecki yerka\nTargit iεerreq-as wawal\nS lmut mi d-tessawal\nAsirem yezga yettekka\nΓef tirga n yal tafaska\nN lferḥ mi ara d-yettɣawal\nTudert d tudert ma s tizeṭ-is\nCci, tazmert d tugdut-is\nSεut tazmert akken ad tɣeḍlem\nLeḥkem i ken-yeṛẓan!\nUr ttɣimit d izan, ur ttilit d izan\nFerḥat at Sεid (Mehenni), ass n 26-12-2006