Dzi Nedzɔ Wò Be Zemela Gã La Trɔa Asi Le Mía Ŋu | Nusɔsrɔ̃\nYehowa ‘Léa Be Na Wò’\nDzi Nedzɔ Wò Be Zemela Gã La Trɔa Asi Le Mía Ŋu\nÐe Nèlɔ̃na Be Zemela Gã La Natrɔ Asi Le Ŋuwòa?\n“Yehowa Mía Mawu La, Yehowa Ðeka Koe”\nMègana Amewo Ƒe Vodadawo Naɖia Nuwò O\nNɔnɔme Nyui Aɖe Si Nyo Wu Kpe Xɔasi\nGbetakpɔxɔ—Tata Si Míesrɔ̃na | June 2016\nGBE BUBU Acholi Albanian Amerika Tokunɔgbe Amharic Angola Tokunɔgbe Arabic Argentina Tokunɔgbe Armenian Australia Tokunɔgbe Aymara Azerbaijani Azerbaijani (Cyrillic) Bashkir Bassa (Cameroon) Bengali Bicol Boulou Brazil Tokunɔgbe Britain Tokunɔgbe Bulgarian Catalan Cebuano Chichewa Chile Tokunɔgbe China Mandaringbe (Bɔbɔetɔ) China Mandaringbe (Xoxotɔ) China Tokunɔgbe Chitonga (Malawi) Chitumbuka Chiyao Chuvash Colombia Tokunɔgbe Croatian Czech Dangme Danish Dutch Ecuador Tokunɔgbe Efik Estonian Eŋlisi Eʋegbe Fijian Finland Tokunɔgbe Finnish Fon Franse Ga Georgian German Germany Tokunɔgbe Greek Guarani Gujarati Gun Hausa Hebrew Hiligaynon Hindi Hiri Motu Hungarian Ibanag Icelandic Igbo Iloko Indonesian Isoko Italian Italy Tokunɔgbe Japan Tokunɔgbe Japanese Kabiye Kannada Kikamba Kikuyu Kinyarwanda Kirghiz Kiribati Kirundi Korean Kurdish Kurmanji (Caucasus) Kurdish Kurmanji (Cyrillic) Latvian Lhukonzo Lithuanian Luganda Luo Macedonian Macua Malagasy Malay Malayalam Marathi Maya Mexico Tokunɔgbe Mixe Mongolian Moore Myanmar Ndebele (Zimbabwe) Nepali Nigerian Pidgin Norwegian Nyungwe Nzema Okpe Oromo Ossetian Pangasinan Papiamento (Curaçao) Paraguay Tokunɔgbe Persian Peru Tokunɔgbe Pidzin (Kamerun) Poland Tokunɔgbe Polish Portuguese Punjabi Quechua (Bolivia) Romanian Runyankore Russia Tokunɔgbe Russian Samoan Sango Sena Serbian Serbian (Roman) Shona Sidama Sinhala Slovak Slovenian Solomon Islands Pidgin Spain Tokunɔgbe Spanish Sranantongo Swahili Swedish Tagalog Tajiki Tamil Tatar Telugu Tetun Dili Thai Tigrinya Tiv Tok Pisin Tshwa Turkish Turkmen Tuvaluan Twi Tzotzil Ukrainian Urdu Urhobo Uzbek Venezuela Tokunɔgbe Vietnamese Waray-Waray Welsh Wolaita Yoruba Zande Zapotec (Isthmus) Zimbabwe Tokunɔgbe\n“Yehowa, . . . wòe nye mía Mèla; wò asinudɔwɔwɔ mí katã míenye.”—YES. 64:8.\nHADZIDZI: 89, 26\nAleke Yehowa tiaa ame siwo ŋu wòdi be yeatrɔ asi le?\nNu ka tae Yehowa trɔa asi le eƒe amewo ŋu?\nAleke Mawu trɔa asi le ame siwo wɔa eƒe lɔlɔ̃nu ŋu?\n1. Nu ka tae Yehowae nye Zemela gãtɔ?\nLE November 2010 me la, wodzra Chinatɔwo ƒe ze xoxo zɔzrɔ̃e aɖe si nya kpɔ ŋutɔ la dɔlar miliɔn 70 sɔŋ le London, England. Edze ƒãa be zemela ate ŋu atrɔ asi le tsu gbɔlo ŋu wòazu nu xɔasi dzeani aɖe. Ke hã amegbetɔ zemela aɖeke mate ŋu asɔ kple Yehowa gbeɖe o. Le nuwɔwɔwo ƒe ŋkeke adelia ƒe nuwuwu lɔƒo la, Biblia gblɔ be Mawu “tsɔ anyi mè ame” deblibo si ate ŋu aɖe Ewɔlaa ƒe nɔnɔmewo afia. (1 Mose 2:7) Eya ta esɔ be woyɔ ame deblibo, Adam, si wotsɔ anyi mè la be “Mawu ƒe vi.”—Luka 3:38.\n2, 3. Mɔ ka nue míate ŋu asrɔ̃ Israel-vi siwo trɔ dzi me la le?\n2 Esi Adam dze aglã ɖe Ewɔlaa ŋu la, meganye Mawu ƒe vi o. Gake Adam ƒe dzidzimevi gbogbo aɖewo, siwo Biblia yɔ be “ɖaseɖilawo ƒe alilikpo gã” aɖe, ya tiae be Mawu nanye yewoƒe Dziɖula. (Heb. 12:1) Wobɔbɔ wo ɖokui ɖe Wɔla la te, eye esia ɖee fia be wodi be eya nanye yewo Fofo kple yewo Mèla, ke menye Satana o. (Yoh. 8:44) Woƒe nuteƒewɔwɔ na Mawu na míeɖo ŋku nya si Yesaya gblɔ tso Israel-vi siwo trɔ dzi me ŋu dzi, be: “Yehowa, wòe nye mía Fofo. Míawo la, tsu míenye, eye wòe nye mía Mèla; wò asinudɔwɔwɔ mí katã míenye.”—Yes. 64:8.\n3 Egbea, ame siwo katã subɔa Yehowa le gbɔgbɔ kple nyateƒe me la dzea agbagba be yewoabɔbɔ yewo ɖokuiwo ahawɔ nuteƒe nenema ke. Wobui be mɔnukpɔkpɔ gãe wònye na yewo be yewoayɔ Yehowa be yewo Fofo ahabɔbɔ abe tsu alo anyi ene be wòatrɔ asi le yewo ŋu. Ðe nèkpɔa ɖokuiwò abe tsu bɔbɔe ene le Mawu ƒe asi me helɔ̃na faa be wòatrɔ asi le ye ŋu yeazu ze nyui aɖea? Ðe nèbua mía nɔvi ɖe sia ɖe be eya hã nye ame si ŋu Mawu kpɔtɔ le asi trɔm lea? Be nàte ŋu awɔ esia la, na míadzro mɔ etɔ̃ siwo nu Zemela Gã Yehowa le asi trɔm le mía ŋu le la me. Gbã, ale si wòtiaa ame siwo ŋu wòdi be yeatrɔ asi le, evelia, nu si tae wòtrɔa asi wo le ŋu, kple etɔ̃lia, ale si wòwɔnɛ.\nYEHOWA TIAA AME SIWO ŊU WÒDI BE YEATRƆ ASI LE\n4. Nu ka dzie Yehowa nɔa te ɖo hea amewo ɖe eɖokui ŋu? Gblɔ eƒe kpɔɖeŋu.\n4 Menye amegbetɔwo ƒe gotagome dzedzeme ŋue Yehowa léa ŋku ɖo o. Ke boŋ ekpɔa keke míaƒe dzi me ke. (Xlẽ 1 Samuel 16:7b.) Esia dze ƒãa esime Mawu ɖo Kristo hamea anyi. Ehe ame geɖe siwo adze le amegbetɔwo ƒe nukpɔkpɔ nu be ŋudɔwɔnu aɖeke mele wo ŋu o la ɖe eya kple Via ŋu. (Yoh. 6:44) Ame siawo dometɔ ɖekae nye Farisitɔ aɖe si ŋkɔe nye Saul, si nye “busunyagblɔla kple yometila kpakple ame mabuame.” (1 Tim. 1:13) Gake Yehowa, ame si “dzroa dziwo me kpɔna” la, mekpɔ Saul abe tsu si ŋu ŋudɔwɔnu aɖeke mele o ene o. (Lod. 17:3) Ke boŋ Mawu kpɔe be yeate ŋu atrɔ asi le eŋu wòazu ze vavã aɖe, “dɔwɔnu tiatia” si aɖi ɖase na “dukɔwo kple fiawo kpakple Israel-viwo.” (Dɔw. 9:15) Ame bubu siwo Mawu kpɔ be woate ŋu ava zu ze “si ŋu bubu le” la nye ahamulawo, ahasiwɔlawo kple fiafitɔwo tsã. (Rom. 9:21; 1 Kor. 6:9-11) Ke wova srɔ̃ Mawu ƒe Nya la, woxɔ Yehowa dzi se, eye wolɔ̃ faa be wòamla yewo.\n5, 6. Ne míeka ɖe edzi be Yehowae dzroa dziwo me la, (a) aleke míawɔ nu ɖe amewo ŋu le míaƒe anyigbamamaa me? (b) aleke míawɔ nu ɖe mía nɔviwo ŋui?\n5 Míexɔe se be Yehowa dzroa dziwo me eye wòhea ame siwo wòdi la ɖe eɖokui ŋu. Ŋusẽ kae esia akpɔ ɖe mía dzi? Awɔe be míanɔ ʋɔnu drɔ̃m amewo le míaƒe anyigbamama kple hamea me o. Bu Michael ƒe kpɔɖeŋua ŋu kpɔ. Egblɔ be: “Ne Yehowa Ðasefowo ƒo ʋɔ nam la, nyemekea nu dea eme na wo alo bua wo abe ame ene o. Woƒe nu kua dzi nam ko! Emegbe medo go ƒome aɖe si melɔ̃ vevie ɖe woƒe nɔnɔme nyuiwo ta. Gbe ɖeka melulu ale gbegbe esi mesee be Yehowa Ðasefowoe wonye! Woƒe nɔnɔme nyuiwo na metrɔ ale si mebua [Ðasefowoe]. Mekpɔe be ale si mewɔa nu ɖe wo ŋu tsã la nɔ te ɖe alakpanya siwo mese tso wo ŋu dzi.” Esia na Michael va lɔ̃ be yeasrɔ̃ Biblia be yeanya nyateƒea tso mía ŋu. Emegbe exɔ nyateƒea eye wòdze ɣeyiɣiawo katã ƒe subɔsubɔdɔa gɔme.\n6 Ne míelɔ̃ be Zemela Gã Yehowa natrɔ asi le mía ŋu la, esia akpɔ ŋusẽ ɖe ale si míewɔa nu ɖe haxɔsetɔwo ŋu hã dzi. Ðe nèbua mía nɔviwo abe ale si Mawu bua woe ene, be wonye ame siwo ŋu wòkpɔtɔ le asi trɔm le, ke menye abe ame deblibowo ene oa? Eyae nya ame siwo tututu wonye le ememe kple ale si wòatrɔ asi le wo ŋui. Eya ta amewo ƒe nɔnɔme nyuiwo ŋue Yehowa léa ŋku ɖo, ke menye ɖe woƒe vodadawo ŋu o. (Ps. 130:3) Míate ŋu asrɔ̃ eyama ahabu susu nyui ɖe esubɔlawo ŋu. Míate ŋu awɔ dɔ aduadu kple mía Mèla ne míekpea asi ɖe mía nɔviwo ŋu be woayi ŋgɔ. (1 Tes. 5:14, 15) Ele be hamemetsitsi siwo nye “nunana siwo nye amewo” naɖo kpɔɖeŋu nyui le esia me.—Ef. 4:8, 11-13.\nNU SI TA YEHOWA TRƆA ASI LE MÍA ŊU\n7. Nu ka tae nèkpɔa ŋudzedze ɖe Yehowa ƒe amehehe ŋu?\n7 Ðewohĩ èsee ame aɖe gblɔ kpɔ be: ‘Esi medzi vi ko hafi meva kpɔ ŋudzedze ɖe hehe si dzinyelawo nam ŋu.’ Ne míetsi hekpɔ nuteƒe le agbe me la, míeva dea asixɔxɔ hehexɔxɔ ŋu elabe míekpɔnɛ be esi Yehowa lɔ̃ mí tae wònaa hehe mí ɖo. (Xlẽ Hebritɔwo 12:5, 6, 11.) Nyateƒee, lɔlɔ̃e ʋãa Yehowa wònɔa mía ŋu zrɔ̃m le dzigbɔɖi me. Edi be míadze nunya, akpɔ dzidzɔ ahalɔ̃ ye. (Lod. 23:15) Medi gbeɖe be míakpe fu o, eye medi hã be míaku abe “vi siwo dzi Mawu ƒe dziku” le ene o.—Ef. 2:2, 3.\n8, 9. Aleke Yehowa le nu fiam mí egbea, eye aleke eƒe nufiafiaa ayi edzi le etsɔme?\n8 Tsã la, míenye “vi siwo dzi Mawu ƒe dziku nɔ” le esi míewɔa nu siwo medzea Mawu ŋu o ta. Gake Yehowa fia nu mí hetrɔ asi le mí ame siwo nye ame wɔadãwo tsã la ŋu míeva zu ame fafawo abe alẽviwo ene. (Yes. 11:6-8; Kol. 3:9, 10) Eya ta míeva le gbɔgbɔmeparadiso aɖe si le nyonyom ɖe edzi me. Esia nye nɔnɔme tɔxɛ aɖe si me Yehowa le mía mlam le egbea. Míesena le mía ɖokui me be míele dedie, togbɔ be míele xexe vɔ̃ɖi aɖe me hã. Azɔ hã, mía dometɔ siwo tso ƒome siwo me lɔlɔ̃ aɖeke mele o me la va kpɔ ƒome gã si me lɔlɔ̃ vavã le. (Yoh. 13:35) Eye míeva srɔ̃ ale si míalɔ̃ amewo. Ƒo wo katã ta la, míedze si Yehowa heva kpɔe be enye Fofo lɔ̃ame.—Yak. 4:8.\n9 Le xexe yeyea me la, míase vivi na míaƒe gbɔgbɔmeparadisoa ƒe yayrawo bliboe. Eye anyigba bliboa hã azu paradiso le Mawu Fiaɖuƒea ƒe dziɖuɖu te. Ɣemaɣi la, Yehowa ayi edzi anɔ asi trɔm le anyigbadzinɔlawo katã ŋu, eye nu siwo wòafia mí la mele gbɔgblɔ me o. (Yes. 11:9) Gakpe ɖe eŋu la, Mawu ana míaƒe susu kple ŋutilã nade blibo ale be míate ŋu ase eƒe nufiafiawo gɔme nyuie ahawɔ eƒe lɔlɔ̃nu pɛpɛpɛ. Eya ta mina míayi edzi abɔbɔ mía ɖokui na Yehowa, eye míaɖee afia be míedea asixɔxɔ ale si wòle asi trɔm le mía ŋui lɔlɔ̃tɔe ŋu.—Lod. 3:11, 12.\nALE SI YEHOWA TRƆA ASI LE MÍA ŊU\n10. Aleke Yesu ɖe Zemela Gã la ƒe dzigbɔɖi kple aɖaŋu fiae?\n10 Abe zemela bibi ene la, Yehowa nya “tsu” si ƒomevi le esi me la nyuie eye wònya ale si tututu wòatrɔ asi le eŋui. (Xlẽ Psalmo 103:10-14.) Le nyateƒe me la, enya mía dometɔ ɖe sia ɖe ƒe gbɔdzɔgbɔdzɔwo, ŋutetewo kple afi si míeyi ŋgɔ se ɖo, eye esia nɔa susu me nɛ ne ele nu wɔm kpli mí. Yesu srɔ̃ eƒe nɔnɔme sia le ale si wòwɔ nu ɖe eƒe apostolowo ƒe vodadawo ŋui me. Ɣeaɖewoɣi apostoloawo ʋlia nya le wo dometɔ si nye gãtɔ ŋu. Ne ɖe nèle eteƒe la, aleke nàbu apostoloawoe? Ðewohĩ awɔ na wò be womele abe tsu bɔbɔewo ene o. Gake Yesu ya mebui nenema o. Enyae be ne yexlɔ̃ nu apostolo wɔnuteƒe mawo le tufafa kple dzigbɔɖi me, eye yeɖo ɖokuibɔbɔ ƒe kpɔɖeŋu ɖi na wo la, woatrɔ. (Marko 9:33-37; 10:37, 41-45; Luka 22:24-27) Ɛ̃, esi Mawu fɔ Yesu ɖe tsitre eye wòkɔ gbɔgbɔ kɔkɔea ɖe apostoloawo dzi la, wotsɔ woƒe susu katã ɖo dɔ si wode asi na wo dzi, ke menye ɖe ɖoƒe gã didi ŋu o.—Dɔw. 5:42.\n11. Nu ka tae míate ŋu agblɔ be David le abe tsu bɔbɔe ene, eye aleke míate ŋu asrɔ̃ eƒe kpɔɖeŋu?\n11 Yehowa toa eƒe Nya, gbɔgbɔ kɔkɔea kple Kristo hamea dzi trɔa asi le esubɔla siwo li egbea ŋu. Mawu ƒe Nya la ate ŋu ana míaƒe nɔnɔme nanyo ɖe edzi ne míeléa fɔ ɖe exexlẽ ŋu, míedea ŋugble le eŋu hebiaa Yehowa be wòakpe ɖe mía ŋu míawɔ edzi. Fia David gblɔ be: “Meɖoa ŋku dziwò le nye aba dzi; le zã ƒe ŋudzɔɣiwo la, medea ŋugble le ŋuwò.” (Ps. 63:6) Egblɔ kpee be: “Makafu Yehowa, ame si ɖo aɖaŋu nam. Le zã me hã, nye dzimesusuwo ɖɔam ɖo.” (Ps. 16:7) Nyateƒee, David de ŋugble le Mawu ƒe nuxlɔ̃amewo ŋu eye wòna wòkpɔ ŋusẽ ɖe eƒe dzi kple susu dzi, ne nuxlɔ̃amea nu sẽ gɔ̃ hã. (2 Sam. 12:1-13) Ðokuibɔbɔ ƒe kpɔɖeŋu nyui kae nye esi David ɖo ɖi na mí! Bia ɖokuiwò be: ‘Ðe nye hã medea ŋugble le Mawu ƒe Nya la ŋu heɖea mɔ wòkpɔa ŋusẽ ɖe nye dzi dzia? Ðe magate ŋu awɔe geɖe wua?’—Ps. 1:2, 3.\n12, 13. Aleke Yehowa toa gbɔgbɔ kɔkɔea kple Kristo hamea dzi trɔa asi le mía ŋu?\n12 Gbɔgbɔ kɔkɔea kpena ɖe mía ŋu le mɔ geɖe nu. Le kpɔɖeŋu me, ate ŋu akpe ɖe mía ŋu be míasrɔ̃ Kristo ƒe nɔnɔme. Esia bia be míatu Mawu ƒe gbɔgbɔa ƒe kutsetsea ɖo. (Gal. 5:22, 23) Kutsetsea ƒe akpa aɖee nye lɔlɔ̃. Eya ta míelɔ̃ Mawu eye míedi be míaɖo toe ne wòamla mí, elabe míenya be eƒe sewo menye agba o. Gbɔgbɔ kɔkɔea agate ŋu ado ŋusẽ mí be xexe sia kple eƒe gbɔgbɔ makɔmakɔ la nagakpɔ ŋusẽ ɖe mía dzi o. (Ef. 2:2) Esime apostolo Paulo nye ɖekakpui la, Yuda subɔsubɔhakplɔlawo ƒe dadagbɔgbɔ kpɔ ŋusẽ ɖe edzi. Gake gbɔgbɔ kɔkɔea kpe ɖe eŋu wòtrɔ agbenɔnɔ. Egblɔ emegbe be: “Metea ŋu wɔa nuwo katã to ame si doa ŋusẽm la dzi.” (Flp. 4:13) Eya ta abe Paulo ene la, mina míanɔ gbɔgbɔ kɔkɔea biam, elabena Yehowa ɖoa to ame fafawo ƒe gbedodoɖawo.—Ps. 10:17.\nYehowa toa hamemetsitsi Kristotɔwo dzi trɔa asi le mía ŋu, gake ele be míawɔ míaƒe akpa dzi (Kpɔ memama 12, 13)\n13 Yehowa toa Kristo hamea kple hamemetsitsiwo hã dzi trɔa asi le mía dometɔ ɖe sia ɖe ŋu. Ne hamemetsitsiwo de dzesi gbɔdzɔgbɔdzɔ aɖe le mía ŋu la, wodzea agbagba kpena ɖe mía ŋu. Gake menye woawo ŋutɔ ƒe nunya dzie wonɔa te ɖo wɔnɛ o. (Gal. 6:1) Ke boŋ woɖoa ŋu ɖe Mawu ƒe nunya kple gɔmesese ŋu. Wokua nu me le Mawu ƒe Nya la kple míaƒe agbalẽwo me dia mɔfiame siwo tututu aɖe vi na mí. Ne hamemetsitsiwo te ɖe ŋuwò be yewoaɖo aɖaŋu na wò le lɔlɔ̃ kple tufafa me, abe le wò awudodo ƒe atsyãwo ene ŋu la, ɖe nàlɔ̃ axɔe ahade dzesii be esia ɖee fia be Mawu lɔ̃ wòa? Ne èwɔe alea la, afia be ènye tsu bɔbɔe le Yehowa si me, eye nèlɔ̃ be wòatrɔ asi le ŋuwò wòaɖe vi na wò.\n14. Togbɔ be Zemela Gã la kpɔ ŋusẽ ɖe mía dzi hã la, aleke wòdea bubu míaƒe tiatiawɔblɔɖe ŋu?\n14 Ne míenya ale si Mawu trɔa asi le mí amegbetɔwo ŋu la, ana be mía kple mía nɔviwo dome nanyo, eye susu nyui nanɔ mía si ɖe ame siwo le míaƒe anyigbamama me kple míaƒe Biblia nusrɔ̃viwo ŋu. Le Biblia ŋlɔɣi la, menye ɖeko zemela kaa tsu alo anyi ko dzea zememe gɔme kplii o. Ke boŋ enyaa anyia heɖea kpe kple ɖinuwo le eme. Nenema kee Mawu hã dzraa ame siwo lɔ̃ faa la ƒe dzi ɖo be wòate ŋu atrɔ asi le wo ŋu. Mezia wo dzi be woatrɔ woƒe agbenɔnɔ o, ke boŋ efiaa eƒe nudidi dzɔdzɔe wo, ale be woawo ŋutɔ natiae be yewoaɖe asi le yewoƒe nɔnɔme gbegblẽwo ŋu.\n15, 16. Nu kae Biblia nusrɔ̃viwo awɔ atsɔ aɖee afia be yewodi be Yehowa natrɔ asi le yewo ŋu? Gblɔ eƒe kpɔɖeŋu.\n15 Bu nɔvinyɔnu Tessie, si le Australia, ŋu kpɔ. Nɔvinyɔnu si srɔ̃ nu kplii gblɔ be: “Mesesẽ na Tessie kura be wòase Biblia me nyateƒea gɔme o. Ke hã mewɔ ŋgɔyiyi boo aɖeke o, eye medea Kristotɔwo ƒe kpekpeawo hã o! Eya ta esi medo gbe ɖa tso nyaa ŋu vɔ la, meɖoe be madzudzɔ nua sɔsrɔ̃ kplii. Gake nukunu aɖe dzɔ. Esi meyi be masrɔ̃ Biblia kple Tessie zi mamlɛtɔ la, egblɔ eƒe dzimenyawo nam. Egblɔ be yekpɔe be yenye alakpanuwɔla, elabe tsatsadada (alo, akɔdada) vivia ye nu. Gake fifia yeɖoe be yeadzudzɔ.”\n16 Ema megbe kpuie la, Tessie dze Kristotɔwo ƒe kpekpeawo dede gɔme eye wòɖea Kristotɔwo ƒe nɔnɔme nyuiwo fiana togbɔ be exɔlɔ̃wo konɛ hã. Nɔvinyɔnua gblɔ kpee be: “Tessie xɔ nyɔnyrɔ le ɣeyiɣi aɖe megbe eye wòva zu gbesiagbe mɔɖela togbɔ be enɔ via suewo dzi kpɔm hã.” Eme kɔ ƒãa be ne Biblia nusrɔ̃viwo trɔ woƒe agbenɔnɔ be woƒe nu nadze Mawu ŋu la, eya hã tena ɖe wo ŋu hetrɔa asi le wo ŋu wozua ze zɔzrɔ̃e xɔasiwo.\n17. (a) Nu ka tae wòdzɔa dzi na wò be Yehowae nye Zemela Gã la? (b) Biabia kawo mee míadzro le nyati si kplɔ esia ɖo me?\n17 Va se ɖe egbea la, zemela geɖewo zãa woƒe asiwo tsɔ trɔa asi le tsu ŋu dzigbɔɖitɔe wòzua ze zɔzrɔ̃e nyakpɔwo. Nenema kee Zemela Gã la gbɔa dzi ɖi xlɔ̃a nu mí hemlaa mí eye wòléa ŋku ɖe ale si míewɔa nui ŋu. (Xlẽ Psalmo 32:8.) Ðe nèkpɔe be Yehowa tsɔ ɖe le eme na wòa? Ðe nède dzesii be ele asi trɔm le ŋuwò beléletɔea? Ne nenemae la, ke biabia lae nye: Nu bubu kawoe akpe ɖe ŋuwò be nànɔ abe tsu bɔbɔe ene le Yehowa si me? Nɔnɔme kawoe wòle be nàtsri ale be nàganɔ abe tsu sesẽ kpatsii ene o? Eye aleke dzilawo ate ŋu awɔ nu aduadu kple Yehowa le wo viwo mamla me? Nyati si kplɔ esia ɖo aɖo biabia siawo ŋu.\nGBETAKPƆXƆ—TATA SI MÍESRƆ̃NA June 2016


áƒ›áƒáƒ›áƒ£áƒ™áƒ áƒ™áƒáƒªáƒ˜áƒ¢áƒáƒ«áƒ” áƒ¡áƒáƒáƒ áƒ©áƒ”áƒ•áƒœáƒ áƒ¡áƒ˜áƒ¡áƒ¢áƒ”áƒ›áƒáƒ¡áƒ—áƒáƒœ áƒ“áƒáƒ™áƒáƒ•áƒ¨áƒ˜áƒ áƒ”áƒ‘áƒ˜áƒ— áƒžáƒáƒ•áƒšáƒ” áƒ™áƒ£áƒ‘áƒšáƒáƒ¨áƒ•áƒ˜áƒšáƒ¡ áƒ¨áƒ”áƒ®áƒ•áƒ“áƒ\náƒ¡áƒ˜áƒ•áƒ˜áƒš áƒ¯áƒáƒ áƒ¯áƒ˜áƒ, áƒ—áƒ‘áƒ˜áƒšáƒ˜áƒ¡áƒ˜ / 18 Jun.'11 / 15:09\náƒáƒ®áƒáƒšáƒ˜ áƒ›áƒ”áƒ›áƒáƒ áƒ¯áƒ•áƒ”áƒœáƒ”áƒ”áƒ‘áƒ˜áƒ¡ áƒ¬áƒ”áƒ•áƒ áƒ›áƒ áƒ›áƒáƒ›áƒ£áƒ™áƒ áƒ™áƒáƒªáƒ˜áƒ¢áƒáƒ«áƒ”áƒ› áƒ“áƒ áƒ¡áƒáƒáƒ áƒ©áƒ”áƒ•áƒœáƒ áƒ¡áƒ˜áƒ¡áƒ¢áƒ”áƒ›áƒ˜áƒ¡ áƒ áƒ”áƒ¤áƒáƒ áƒ›áƒ˜áƒ¡ áƒ—áƒáƒáƒ‘áƒáƒ–áƒ” áƒ›áƒ›áƒáƒ áƒ—áƒ•áƒ”áƒšáƒ˜ áƒžáƒáƒ áƒ¢áƒ˜áƒ˜áƒ¡ áƒ›áƒ—áƒáƒ•áƒáƒ áƒ›áƒ áƒ›áƒáƒ›áƒšáƒáƒžáƒáƒ áƒáƒ™áƒ”áƒ‘áƒ”áƒšáƒ›áƒ áƒžáƒáƒ•áƒšáƒ” áƒ™áƒ£áƒ‘áƒšáƒáƒ¨áƒ•áƒ˜áƒšáƒ›áƒ áƒ’áƒáƒœáƒáƒªáƒ®áƒáƒ“áƒ”áƒ¡, áƒ áƒáƒ› 17 áƒ˜áƒ•áƒœáƒ˜áƒ¡áƒ¡ áƒ›áƒáƒ— áƒ¨áƒáƒ áƒ˜áƒ¡ "áƒ®áƒáƒœáƒ›áƒáƒ™áƒšáƒ” áƒ¨áƒ”áƒ®áƒ•áƒ”áƒ“áƒ áƒ“ áƒ’áƒáƒ˜áƒ›áƒáƒ áƒ—áƒ.\n"áƒ›áƒ” áƒ›áƒ˜áƒ•áƒ˜áƒ¦áƒ” áƒ”áƒ áƒ—áƒ›áƒœáƒ˜áƒ¨áƒ•áƒœáƒ”áƒšáƒáƒ•áƒœáƒáƒ“ áƒžáƒáƒ¡áƒ£áƒ®áƒ˜, áƒ áƒáƒ› áƒ áƒáƒ›áƒ“áƒ”áƒœáƒ˜áƒ›áƒ” áƒ“áƒ¦áƒ”áƒ¨áƒ˜ áƒ®áƒ”áƒšáƒ˜áƒ¡áƒ£áƒ¤áƒšáƒ”áƒ‘áƒ áƒ˜áƒ¥áƒœáƒ”áƒ‘áƒ áƒ›áƒ–áƒáƒ“ áƒ™áƒáƒœáƒ™áƒ áƒ”áƒ¢áƒ£áƒšáƒ˜ áƒ¬áƒ˜áƒœáƒáƒ“áƒáƒ“áƒ”áƒ‘áƒ”áƒ‘áƒ˜, áƒ™áƒáƒœáƒ™áƒ áƒ”áƒ¢áƒ£áƒšáƒ˜ áƒžáƒáƒ¡áƒ£áƒ®áƒ”áƒ‘áƒ˜, áƒ™áƒáƒœáƒ™áƒ áƒ”áƒ¢áƒ£áƒšáƒ˜ áƒ¨áƒ”áƒ›áƒáƒ—áƒáƒ•áƒáƒ–áƒ”áƒ‘áƒ”áƒ‘áƒ˜ áƒ’áƒáƒáƒ™áƒ”áƒ—áƒáƒ¡ áƒ©áƒ•áƒ”áƒœáƒ¡ áƒ¬áƒ˜áƒœáƒáƒ“áƒáƒ“áƒ”áƒ‘áƒ”áƒ‘áƒ–áƒ”, áƒ áƒáƒ›áƒ”áƒšáƒ—áƒ áƒ¡áƒáƒ¤áƒ£áƒ«áƒ•áƒ”áƒšáƒ–áƒ”áƒª áƒ¨áƒ”áƒ¡áƒáƒ«áƒšáƒ”áƒ‘áƒšáƒáƒ“ áƒ—áƒ•áƒšáƒ˜áƒáƒœ áƒ˜áƒ¡áƒ˜áƒœáƒ˜, áƒ áƒáƒ› áƒ¨áƒ”áƒ“áƒ’áƒ”áƒ‘áƒ áƒ¨áƒ”áƒ—áƒáƒœáƒ®áƒ›áƒ”áƒ‘áƒ,“ – áƒ’áƒáƒœáƒ£áƒªáƒ®áƒáƒ“áƒ áƒ›áƒáƒ›áƒ£áƒ™áƒ áƒ™áƒáƒªáƒ˜áƒ¢áƒáƒ«áƒ”áƒ› áƒ¢áƒ”áƒšáƒ”áƒ™áƒáƒ›áƒžáƒáƒœáƒ˜áƒ "áƒ›áƒáƒ”áƒ¡áƒ¢áƒ áƒáƒ¡“.\náƒ›áƒ˜áƒ¡áƒ˜ áƒ—áƒ¥áƒ›áƒ˜áƒ—, áƒ›áƒ›áƒáƒ áƒ—áƒ•áƒ”áƒšáƒ˜ áƒžáƒáƒ áƒ¢áƒ˜áƒ áƒáƒ›áƒ’áƒ•áƒáƒ áƒ¨áƒ”áƒ›áƒáƒ—áƒáƒ•áƒáƒ–áƒ”áƒ‘áƒáƒ¡ áƒ”áƒ áƒ—áƒ˜ áƒ™áƒ•áƒ˜áƒ áƒ˜áƒ¡ áƒ•áƒáƒ“áƒáƒ¨áƒ˜ áƒ’áƒáƒáƒ™áƒ”áƒ—áƒ”áƒ‘áƒ¡.\n"áƒ¨áƒ”áƒ›áƒ“áƒ”áƒ’ áƒ£áƒ™áƒ•áƒ” "áƒ áƒ•áƒ˜áƒáƒœáƒ˜“ áƒ˜áƒ›áƒ¡áƒ¯áƒ”áƒšáƒ”áƒ‘áƒ¡ áƒ“áƒ áƒ’áƒáƒ“áƒáƒ¬áƒ§áƒ•áƒ”áƒ¢áƒ¡ áƒ¦áƒ˜áƒ áƒ¡ áƒ”áƒ¡ áƒ§áƒ•áƒ”áƒšáƒáƒ¤áƒ”áƒ áƒ˜ áƒ¡áƒáƒ¥áƒ›áƒ”áƒ“, áƒ˜áƒ—áƒ•áƒšáƒ”áƒ‘áƒ áƒ”áƒ¡ áƒ§áƒ•áƒ”áƒšáƒáƒ¤áƒ”áƒ áƒ˜ áƒ¡áƒáƒáƒ áƒ©áƒ”áƒ•áƒœáƒ áƒ’áƒáƒ áƒ”áƒ›áƒáƒ¡ áƒ¨áƒ”áƒªáƒ•áƒšáƒáƒ“, áƒ—áƒ£ áƒ”áƒ¡ áƒ§áƒ•áƒ”áƒšáƒáƒ¤áƒ”áƒ áƒ˜ áƒáƒ áƒ˜áƒ¡ áƒ™áƒ•áƒšáƒáƒ•áƒ˜áƒœáƒ“áƒ”áƒ‘áƒ£áƒ áƒáƒ“ áƒ¤áƒ˜áƒ¥áƒªáƒ˜áƒ", – áƒ’áƒáƒœáƒáƒªáƒ®áƒáƒ“áƒ áƒ™áƒáƒªáƒ˜áƒ¢áƒáƒ«áƒ”áƒ›.\náƒ“áƒ”áƒžáƒ£áƒ¢áƒáƒ¢áƒ›áƒ áƒžáƒáƒ•áƒšáƒ” áƒ™áƒ£áƒ‘áƒšáƒáƒ¨áƒ•áƒ˜áƒšáƒ›áƒ áƒ’áƒáƒœáƒ£áƒªáƒ®áƒáƒ“áƒ Civil.ge–áƒ¡ 18 áƒ˜áƒ•áƒœáƒ˜áƒ¡áƒ¡, áƒ áƒáƒ› áƒáƒ áƒ˜áƒ•áƒ” áƒ›áƒ®áƒáƒ áƒ” áƒ¨áƒ”áƒ”áƒªáƒ“áƒ”áƒ‘áƒ áƒ“áƒáƒáƒáƒ®áƒšáƒáƒ•áƒáƒ¡ áƒžáƒáƒ–áƒ˜áƒªáƒ˜áƒ”áƒ‘áƒ˜ áƒ˜áƒ› áƒ¨áƒ”áƒ›áƒáƒ—áƒáƒ•áƒáƒ–áƒ”áƒ‘áƒ”áƒ‘áƒ˜áƒ¡ áƒ¡áƒáƒ¤áƒ£áƒ«áƒ•áƒ”áƒšáƒ–áƒ”, áƒ áƒáƒ›áƒšáƒ”áƒ‘áƒ˜áƒª áƒ›áƒ®áƒáƒ áƒ”áƒ”áƒ‘áƒ›áƒ áƒ£áƒ™áƒ•áƒ” áƒ¬áƒáƒ›áƒáƒáƒ§áƒ”áƒœáƒ”áƒ¡. áƒ›áƒáƒ¡ áƒ›áƒ®áƒ”áƒ“áƒ•áƒ”áƒšáƒáƒ‘áƒáƒ¨áƒ˜ áƒ°áƒ¥áƒáƒœáƒ“áƒ áƒ›áƒ›áƒáƒ áƒ—áƒ•áƒ”áƒšáƒ˜ áƒžáƒáƒ áƒ¢áƒ˜áƒ˜áƒ¡ áƒ›áƒ˜áƒ”áƒ 9 áƒ›áƒáƒ áƒ¢áƒ¡ áƒ¬áƒáƒ áƒ›áƒáƒ“áƒ’áƒ”áƒœáƒ˜áƒšáƒ˜ áƒ¬áƒ˜áƒœáƒáƒ“áƒáƒ“áƒ”áƒ‘áƒ”áƒ‘áƒ˜ áƒ“áƒ áƒáƒžáƒáƒ–áƒ˜áƒªáƒ˜áƒ£áƒ áƒ˜ áƒ áƒ•áƒ˜áƒáƒœáƒ˜áƒ¡ 5 áƒáƒžáƒ áƒ˜áƒšáƒ˜áƒ¡ áƒ¨áƒ”áƒ›áƒáƒ—áƒáƒ•áƒáƒ–áƒ”áƒ‘áƒ.\n"áƒ“áƒ áƒ áƒ’áƒ•áƒ˜áƒ©áƒ•áƒ”áƒœáƒ”áƒ‘áƒ¡ áƒ áƒáƒ›áƒ“áƒ”áƒœáƒáƒ“ áƒ¨áƒ”áƒ•áƒ«áƒšáƒ”áƒ‘áƒ— áƒžáƒáƒ–áƒ˜áƒªáƒ˜áƒ”áƒ‘áƒ˜áƒ¡ áƒ¨áƒ”áƒ¯áƒ”áƒ áƒ”áƒ‘áƒáƒ¡", – áƒ’áƒáƒœáƒáƒªáƒ®áƒáƒ“áƒ áƒ™áƒ£áƒ‘áƒšáƒáƒ¨áƒ•áƒ˜áƒšáƒ›áƒ.\náƒ›áƒáƒœ áƒáƒ¡áƒ”áƒ•áƒ” áƒ›áƒ˜áƒáƒœáƒ˜áƒ¨áƒœáƒ, áƒ áƒáƒ› áƒ¡áƒáƒáƒ áƒ©áƒ”áƒ•áƒœáƒ áƒ™áƒáƒ“áƒ”áƒ¥áƒ¡áƒ–áƒ” áƒ›áƒáƒ›áƒ£áƒ¨áƒáƒ•áƒ” áƒ¯áƒ’áƒ£áƒ¤áƒ˜áƒ¡ áƒ¤áƒáƒ áƒ›áƒáƒ¢áƒ˜áƒ¡ áƒáƒ¦áƒ“áƒ’áƒ”áƒœáƒ, áƒ áƒáƒ›áƒšáƒ˜áƒ¡ áƒ¤áƒáƒ áƒ’áƒšáƒ”áƒ‘áƒ¨áƒ˜áƒª áƒ›áƒáƒšáƒáƒžáƒáƒ áƒáƒ™áƒ”áƒ‘áƒ”áƒ‘áƒ˜ 2010 áƒ¬áƒšáƒ˜áƒ¡ áƒœáƒáƒ”áƒ›áƒ‘áƒ áƒ˜áƒ“áƒáƒœ 2011 áƒ¬áƒšáƒ˜áƒ¡ áƒ›áƒáƒ áƒ¢áƒáƒ›áƒ“áƒ” áƒ›áƒ˜áƒ›áƒ“áƒ˜áƒœáƒáƒ áƒ”áƒáƒ‘áƒ“áƒ, áƒáƒ› áƒ”áƒ¢áƒáƒžáƒ–áƒ” áƒœáƒáƒ™áƒšáƒ”áƒ‘áƒáƒ“ áƒ¡áƒáƒ•áƒáƒ áƒáƒ£áƒ“áƒáƒ. áƒ™áƒ£áƒ‘áƒšáƒáƒ¨áƒ•áƒ˜áƒšáƒ›áƒ áƒ’áƒáƒœáƒáƒªáƒ®áƒáƒ“áƒ, áƒ áƒáƒ› "áƒ£áƒ¤áƒ áƒ áƒ”áƒ¤áƒ”áƒ¥áƒ¢áƒ£áƒ áƒ˜“ áƒ˜áƒ¥áƒœáƒ”áƒ‘áƒ "áƒ˜áƒœáƒ“áƒ˜áƒ•áƒ˜áƒ“áƒ£áƒáƒšáƒ£áƒ áƒ˜ áƒ™áƒáƒœáƒ¡áƒ£áƒšáƒ¢áƒáƒªáƒ˜áƒ”áƒ‘áƒ˜áƒ¡“ áƒ’áƒáƒ›áƒáƒ áƒ—áƒ•áƒ áƒªáƒáƒšáƒ™áƒ”áƒ£áƒš áƒžáƒáƒ áƒ¢áƒ˜áƒ”áƒ‘áƒ—áƒáƒœ.\náƒ›áƒáƒœ áƒáƒ¡áƒ”áƒ•áƒ” áƒáƒ¦áƒœáƒ˜áƒ¨áƒœáƒ, áƒ áƒáƒ› áƒ¨áƒ”áƒ›áƒ“áƒ”áƒ’áƒ˜ áƒ¨áƒ”áƒ®áƒ•áƒ”áƒ“áƒ áƒ áƒáƒžáƒáƒ–áƒ˜áƒªáƒ˜áƒ£áƒ áƒ¬áƒáƒ áƒ›áƒáƒ›áƒáƒ“áƒ’áƒ”áƒœáƒ”áƒšáƒ—áƒáƒœ, áƒ¡áƒáƒ•áƒáƒ áƒáƒ£áƒ“áƒáƒ“, áƒ›áƒáƒ›áƒ“áƒ”áƒ•áƒœáƒ áƒ™áƒ•áƒ˜áƒ áƒáƒ¨áƒ˜ áƒ’áƒáƒ˜áƒ›áƒáƒ áƒ—áƒ”áƒ‘áƒ.


[DOWNLOAD MP3] Edem ft Reekado Banks - Nyedzilo | XplicitGH.com - Download Ghana Music\nHome > Ghana Music > [DOWNLOAD MP3] Edem ft Reekado Banks – Nyedzilo\n[DOWNLOAD MP3] Edem ft Reekado Banks – Nyedzilo\nYou can download the mp3 file of Edem track Nyedzilo featuring Reekado Banks of Mavin Records.\nDownload Edem ft Reekado Banks – Nyedzilo, Listen and Enjoy\nClick below to download Edem ft Reekado Banks – Nyedzilo mp3\nThanks for downloading Edem ft Reekado Banks – Nyedzilo music.\nRecent search terms:ayigbe edem nyedzilo (135)edem nyedzilo (100)edem ft reekado banks (53)edem ft reekado banks mp3 download (52)nyedzilo (31)download nyedzilo by edem (28)download edem nyedzilo (27)edem nyedzilo mp3 (26)edem nyedzilo download (26)edem ft reekado (25)\n[WATCH & DOWNLOAD] Edem – Nyedzilo ft. Reekado Banks (Official Video) Edem – Nyedzilo ft Reekado Banks Petrah ft Reekado Banks – Baby Music MP3 Download (Watch & Download) Petrah ft Reekado Banks – Baby (official Video) Reekado Banks – Standard Petrah – Baby ft Reekado Banks (Official Music Video) Reekado Banks – Sugar Baby ft. Don Jazzy (Official Video) Watch; PrinceBoom – Give Them ft. Reekado Banks, Tekno(official video) PrinceBoom – Give Them ft Reekado Banks & TekNo [naija music 2015] Mavins – JantaManta ft. Don Jazzy, Tiwa Savage, Dr SID, D’Prince, Reekado Banks, Korede Bello, Di’Ja Share\nPrevious M.anifest ft Bisa Kdei – W’ani Aba\nNext [DOWNLOAD MP3] Shatta Wale – First Stone\nwhen will VGMA 2017 startvgma 2017ghana music download mp3https://www xplicitgh com/dobble-christy/all stonebwoy songsMzVee songsGH songs 2017Download stonebowy rudeboy luvpain killer rantownvgma 17\tPopular Search Terms


Nu Kae Nye Babilon Gã La? | Biblia Me Biabiawo\nGBE BUBU Afrikaans Albanian Amharic Arabic Arabic (Lebanon) Armenian Azerbaijani Azerbaijani (Cyrillic) Bislama Bulgarian Cebuano Chichewa China Kantongbe (Bɔbɔetɔ) China Kantongbe (Xoxotɔ) China Mandaringbe (Bɔbɔetɔ) China Mandaringbe (Xoxotɔ) Chinagbe (Wu Shanghai) Chinese (Sichuanese) Chitonga Chitumbuka Cibemba Croatian Czech Danish Dutch Efik Estonian Eŋlisi Eʋegbe Faroese Fijian Finnish Fon Franse Ga Georgian German Greek Gun Haitian Creole Hausa Hebrew Hiligaynon Hungarian Igbo Iloko Indonesian Isoko Italian Japanese Kazakh Kazakh (Arabic) Kiluba Kimbundu Kinyarwanda Kirghiz Kirundi Korean Lingala Lithuanian Luo Macedonian Malagasy Malay Malayalam Maltese Myanmar Norwegian Nzema Oromo Pangasinan Polish Portuguese Portuguese (Portugal) Quechua (Cuzco) Rarotongan Romanian Russian Sepedi Serbian Serbian (Roman) Setswana Shona Sinhala Slovak Slovenian Spanish Swahili Swedish Tagalog Tatar Telugu Tetun Dili Thai Tigrinya Tiv Tsonga Turkish Turkmen Ukrainian Valencian Vietnamese Xhosa Yoruba Zulu\nBabilon Gã si woɖɔ le Nyaɖeɖefia ƒe agbalẽa me la le tsitre ɖi na xexea me ƒe alakpasubɔsubɔhawo katã ƒe ƒuƒoƒo, eye Mawu lé fui. * (Nyaɖeɖefia 14:8; 17:5; 18:21) Togbɔ be subɔsubɔha siawo to vovo tso wo nɔewo gbɔ le mɔ geɖewo nu hã la, wo katã wokplɔa amewo tranae ale be womagasubɔ Yehowa, Mawu vavã la o.—5 Mose 4:35.\nNu siwo akpe ɖe ŋuwò nàde dzesi Babilon Gã la\nBabilon Gã la nye dzesi. Biblia ɖɔe be enye “nyɔnu” eye wònye “gbolo gã” eye ŋkɔ si nye “nya ɣaɣla” le esi, eyae nye “Babilon Gã la.” (Nyaɖeɖefia 17:1, 3, 5) Esi wònye be ɖe woɖe Nyaɖeɖefia ƒe agbalẽa me nyawo fia to “dzesiwo me” ta la, esɔ be míaƒo nya ta be menye nyɔnu ŋutɔŋutɔe Babilon Gã la nye o, ke nane ƒe dzesi ko wònye. (Nyaɖeɖefia 1:1) Tsɔ kpe ɖe eŋu la, ‘ebɔbɔ nɔ tsi geɖewo dzi,’ si tsi tre ɖi na “amewo kple amehawo kple dukɔwo kpakple gbegbɔgblɔwo.” (Nyaɖeɖefia 17:1, 15) Nyɔnu ŋutɔŋutɔ mate ŋu awɔ nu sia o.\nBabilon Gã la le tsitre ɖi na xexea me katã ƒe nuɖoanyi aɖe. Woyɔe be “du gã, si ƒe fiaɖuƒe kpɔ ŋusẽ ɖe anyigbadzifiawo dzi.” (Nyaɖeɖefia 17:18) Esia fia be ekeke ta eye eƒe ŋusẽkpɔɖeamedzi de du.\nBabilon Gã la nye subɔsubɔhabɔbɔ, ke menye dunyaheha alo asitsaha o. Blema Babilon nye du si xɔ ŋkɔ le subɔsubɔnyawo me, wonyae ɖe eƒe “gbesawo” kple eƒe “dzosasa geɖeawo” ta. (Yesaya 47:1, 12, 13; Yeremiya 50:1, 2, 38) Alakpasubɔsubɔ si Mawu vavã, Yehowa, lé fui la yi edzi le du ma me. (1 Mose 10:8, 9; 11:2-4, 8) Babilon-fiawo do wo ɖokuiwo ɖe dzi ɖe Yehowa ŋu eye wotsi tre ɖe eƒe subɔsubɔ ŋu. (Yesaya 14:4, 13, 14; Daniel 5:2-4, 23) Nenema kee wonya Babilon Gã la hã ɖe eƒe “gbɔgbɔyɔnuwɔnawo” ta. Esia ɖee fia be enye subɔsubɔhabɔbɔ.—Nyaɖeɖefia 18:23.\nBabilon Gã la menye dunyahehabɔbɔ o, elabena Biblia gblɔ be, “anyigbadzifiawo” xa nu esi wotsrɔ̃e. (Nyaɖeɖefia 17:1, 2; 18:9) Menye asitsahabɔbɔ hãe wònye o, elabena Biblia me nyawo ɖee fia be eto vovo na “anyigbadzisitsalawo.”—Nyaɖeɖefia 18:11, 15.\nBabilon Fia Nabonido ƒe Kpetata si dzi mawuetɔ̃ƒokpli siwo nye Sin, Istar, kple Samas ƒe tata le\nAle si woɖɔ Babilon Gã la sɔ kple alakpasubɔsubɔhawo pɛpɛpɛ. Le esi woafia amewo ale si woawɔ ate ɖe Mawu vavã, Yehowa, ŋu teƒe la, ɖe wonana amewo subɔa mawu bubuwo boŋ. Biblia yɔ nuwɔna sia be “gbɔgbɔmehasi.” (3 Mose 20:6; 2 Mose 34:15, 16) Mawuɖekaetɔ̃ alo Trinita Kɔkɔe kple luʋɔ makumaku ƒe nufiafiawo kpakple nuwɔnawo abe nɔnɔmewɔwɔwo zazã le subɔsubɔ me la dzɔ tso blema Babilon, eye woyi edzi xɔ aƒe ɖe alakpasubɔsubɔhawo me. Xexea me nuwo lɔlɔ̃ hã xɔ aƒe ɖe wo me. Biblia yɔ nuteƒemawɔmawɔ sia tɔgbi be gbɔgbɔmehasiwɔwɔ.—Yakobo 4:4.\nBiblia ɖɔ Babilon Gã la be ‘edo aɖabɛwu kple awu dzĩ’ eye “wòtsɔ sika kple kpe xɔasiwo kple dzonuwo ɖo atsyɔ̃ na eɖokui,” si ɖe eƒe kesinɔtɔnyenye fia. Alea kee wòle le alakpasubɔsubɔhawo hã gome. (Nyaɖeɖefia 17:4) Babilon Gã la mee “anyigbadziŋunyɔnuwo” alo nufiafia kple nuwɔna siwo katã medea bubu Mawu ŋu o la dzɔ tso. (Nyaɖeɖefia 17:5) Ame siwo le alakpasubɔsubɔhawo me woe nye “amewo kple amehawo kple dukɔwo kpakple gbegbɔgblɔwo” siwo wɔ ɖeka kple Babilon Gã la.—Nyaɖeɖefia 17:15.\nBabilon Gã lae le megbe na “ame siwo katã wowu le anyigba dzi la.” (Nyaɖeɖefia 18:24) Le amegbetɔwo ƒe ŋutinya me la, alakpasubɔsubɔhawo da megbe na aʋawɔwɔ kple nu vlo wɔwɔwo, eye womefiaa woƒe hameviwo nyateƒe si ku ɖe Yehowa si nye lɔlɔ̃ Mawu la ŋu o. (1 Yohanes 4:8) Esia na wokɔ ʋu geɖe ɖi. Eya ta esɔ be ame siwo katã di be yewoadze Mawu ŋu la ‘nado go le’ Babilon Gã la me, si fia be woaɖe wo ɖokuiwo ɖa tso alakpasubɔsubɔhawo gbɔ.—Nyaɖeɖefia 18:4; 2 Korintotɔwo 6:14-17.\n^ mm. 3 Kpɔ nyati si nye “Aleke Mawɔ Ake Ðe Subɔsubɔha Vavã Ŋu?”\nƉoe Ɖe Amewo Ɖoe Ɖe Amewo Nu Kae Nye Babilon Gã La?


Taɣibu din ŋmani taba - Dagbani Wikipedia\nTaɣibu din ŋmani taba\nKpɛhimi yaɣi yuli n-nyɛ taɣibu shɛŋa din mali zaŋ chaŋ yaɣa so'dɔligu zaŋ chaŋ bee zaŋ yi lala yaɣili maa.( N-nya ban be yaɣiyini,kpɛhimi Pubu: Pubu maa yuli). Taɣibunima zaŋ kpa yaɣa din be a ni lihiri shɛŋa zaa bela sabiri kara.\nRecent changes options Wuhimi bahigu 50 | 100 | 250 | 500 taɣibu dabaa ayi din gari 1 | 3 | 7 | 14 | 30\nSɔɣimi li ban su | Sɔɣimi li Sɔɣisinli ban su | Sɔɣimi li m mali niŋ nima | Yihimi polo Niŋdi ntoli | Sɔɣama mali niŋ shɛŋa din be galisi | Show page categorization | Wuhima Wikidata\nWuhimi taɣiri pala ka pili 05:49, 4 Silimin gɔli July 2022\nYuya yaɣili all (Maŋmaŋa) Yɛltɔɣa Ŋun su Ŋun su yɛltɔɣa Wikipedia Wikipedia yɛltɔɣa Lahabali kɔligu Lahabali kɔligu yɛltɔɣa MiidiyaWiki MiidiyaWiki yɛltɔɣa Tɛmplet Tɛmplet yɛltɔɣa Sɔŋsim Sɔŋsim yɛltɔɣa Pubu Pubu yɛltɔɣa Salima Salima yɛltɔɣa TimedText TimedText talk Module Module talk Gadget Gadget talk Gadget definition Gadget definition talk Invert selection Associated namespace\nTag filter: 2017 source edit Advanced mobile edit Android app edit Blanking content model change ContentTranslation ContentTranslation2 discussiontools (hidden tag) discussiontools-added-comment (hidden tag) discussiontools-source-enhanced (hidden tag) Fountain [0.1.3] Manual revert MassMessage delivery New redirect New topic Newcomer task Newcomer task: expand Nin'nyabu mali niŋ Nuchebaŋ web malniŋ Nucheeni baŋ zuɣu mali niŋ Nucheeni baŋa app mali niŋ PAWS [2.1] Redirect target changed Removed redirect Replaced Reply Reverted Rollback Source SWViewer [1.4] Undo Visual Visual edit: Switched wikieditor (hidden tag) WikiImporter [1.3]\nYaɣili yuli: Wuhimila taɣibunima din niŋ zaŋ chaŋ gbambiɛlima din tuɣili pa ni gbambiɛlinli ŋɔ\nMali niŋ ŋɔ maa namla yaɣili zaɣa palli (lahi nyama yaɣa zaɣ'pala kalinli)\nŊɔ maa nyɛla malniŋ din be galisi\nNiŋdi ntoli n niŋ mali niŋ ŋɔ\nBaatinima ŋɔ kalinli ŋɔ taɣila yaɣili ŋɔ barilim\n3 Silimin gɔli July 2022\nTɛmplet:Stub 22:40 +46 Dnshitobu yɛlma tohibu\nDi yila "https://dag.wikipedia.org/wiki/Diŋ%27gahim:RecentChangesLinked/Gbɛngbɛɣu"


GBE BUBU Albanian Amharic Arabic Bengali Chichewa Croatian Czech Danish Dutch Estonian Eŋlisi Eʋegbe Finnish Franse Georgian German Gujarati Hiligaynon Hindi Hungarian Indonesian Italian Japanese Kannada Korean Latvian Lithuanian Marathi Norwegian Papiamento (Curaçao) Polish Portuguese Punjabi Romanian Russian Sepedi Setswana Slovak Slovenian Spanish Swahili Swedish Telugu Ukrainian Urdu\nLE ƑE 1967 me la, ɖekakpui eve aɖewo do go wo nɔewo le vome. Wotsɔ xɔ ɖeka na wo ame evea le Michigan ƒe Aɖaŋudɔsrɔ̃ Yunivɛsiti le United States. Dennis Sheets, si tso Lima, Ohio, amesi xɔ ƒe 18 ɣemaɣi, va be yeasrɔ̃ aveŋutinunya teti koe nye ema. Mark Ruge si xɔ ƒe 20 ya tso Buffalo, New York. Enɔ mɔdodo kple xɔtutu ŋuti ɖaŋu sɔsrɔ̃ ƒe ƒe etɔ̃lia me.\nƔemaɣi la, woƒe xɔlɔ̃dzedzea anya dze abe ɣeyiɣi kpui aɖe ko ƒe nu ene. Sɔhɛawo dometɔ aɖeke mewu yunivɛsitia dede nu o; wo dometɔ ɖesiaɖe lé eƒe mɔ tsɔ. Ƒe blaetɔ̃ kple edzivɔ va yi. Emegbe gbeɖeka le Dominican Republic la, ŋutsu eve siawo gava do go ŋkume kple ŋkume ake. Le mɔ aɖe nu la, nudogoɖenunu koŋue woƒe gododo wɔnuku sia nye. Gake nu bubu aɖe hã kpe ɖe eŋu. Nukae? Be míakpɔ ŋuɖoɖoa la, mina míalé ŋku ɖe wo dometɔ ɖesiaɖe ƒe agbenɔnɔ ƒe akpa vovovowo ŋu kpɔ.\nDennis Yi Aʋa\nDennis gbugbɔ va aƒe le eƒe kɔledzi dede ƒe ɖeka megbe. Emegbe le December 1967 me la, wozi edzi be wòawɔ asrafodɔ le United States ƒe Asrafowo dome, eye le June 1968 me la, woɖoe ɖe Vietnam. Afimae wòkpɔ aʋawɔwɔ ƒe ŋɔdzinuwo le. Esime wòwu eƒe asrafo dɔdasia nu le ƒe 1969 me la, egbugbɔ yi United States, eye wòva kpɔ dɔ aɖe le dɔwɔƒe gã aɖe me mlɔeba le Ohio azɔ. Gake eƒe dzi medze eme o.\nDennis gblɔ be: “Didi si nɔ menye tso ɖevime ke enye be maʋu ayi Alaska aɖanɔ agblekɔƒe aɖe me le agbledenyigba dzi. Eyata le ƒe 1971 me la, eya kple eƒe sukuxɔlɔ̃ aɖe dze mɔ ɖe taɖodzinu ma ta. Gake le esi wòava nɔ agblekɔƒe teƒe la, eva wɔa dɔ le dɔwɔƒe siwo ƒe fetu mesɔ gbɔ boo o me. Le ɣeyiɣi aɖe me la, eva zu avɔgbadɔmenɔla hewɔa dɔ na amesiwo dzɔa avewo ŋu be woakpɔ dzobinyawo gbɔ. Eɖo ge eye wògblẽ ɖa ɖi wòto ʋuyaa eye wòte gbe sesẽ nono.\nLe ƒe 1972 me la, Dennis dzo le Anchorage be yeava ɖu Mardi Gras zã si woɖuna le New Orleans, Louisiana. Le ema yome la, eva tu atixɔ sue aɖe ɖe aveme le Arkansas. Afimae wònɔ eye wòdoa kɔnkrit kple siminti na amewo. Le June 1973 me la, Dennis ɖi tsa le dukɔa me godoo be yeate ŋu akpɔ be tameɖoɖo aɖe le agbe ŋu hã.\nMark Ge Ðe Aʋamawɔmawɔ Taʋliha Me\nEsi Dennis dzo megbe la, Mark nɔ yunivɛsitia ɣeyiɣi kpui aɖe gake eva tso nya me be yemedi be yeava zu amesiwo le aʋawɔwɔ dzi dem dometɔ ɖeka o. Eyata egatrɔ yi Buffalo, afimae wòzu dɔnunɔla le gakpodɔwɔƒe aɖe ɣeyiɣi kpui aɖe. Ke hã esi mekpɔa dzidzɔ ɖe aʋawɔwɔ ŋu o ta la, edzudzɔ dɔa wɔwɔ heƒle dzokeke, eye wòzɔ gbememɔ yi San Francisco, California. Togbɔ be Dennis kple Mark menya ɣemaɣi o hã la, wo ame evea wonɔ San Francisco le ɣeyiɣi ɖeka ma me ɣeyiɣi kpui aɖe ko.\nAbe alesi wònɔ le Dennis gome ene la, Mark ɖo ge eye wògblẽ ɖa ɖi wòto ʋuyaa eye wòva nɔ gbe sesẽ nom. Gake eva ƒo eɖokui ɖe aʋamawɔmawɔ taʋliha aɖe me vevie, henɔ gome kpɔm le tsitretsiɖeŋunyawo gbɔgblɔ kple gbɔlɔlɔwo me. Nyagɔmekuha si woyɔna be FBI nɔ edim vevie, eyata etsɔ megbeŋkɔ vovovowo le ƒe ʋɛwo me be woagade dzesi ye o. Eva te amesiwo ƒe nudodowo kple nuwɔna tɔa ŋku ƒe agbe nɔm le San Francisco. Afimae Yehowa Ðasefo eve va do goe le eƒe ʋɔtru nu le ƒe 1970 me.\nMark gblɔ be: “Woanya susu be meɖe ɖetsɔleme fia, eyata wogatrɔ va. Nyemenɔ aƒeme o, gake wogblẽ Biblia si ƒe akpa le mumu kple agbalẽ etɔ̃ ɖi.” Gake Mark ƒo eɖokui ɖe dunyahehe ƒe aglãdzenuwɔna me vevie henɔ agbe ɖum eyata mete ŋu kpɔ ɣeyiɣi xlẽ agbalẽawo o. Azɔ hã FBI habɔbɔa nɔ edim vevie. Eyata egatsɔ megbeŋkɔ bubu, eye wòʋu yi Washington, D.C. Eƒe ahiãvi si ŋkɔe nye Kathi Yaniskivis, amesi wòdo go le yunivɛsiti la kpe ɖe eŋu le afima.\nMlɔeba le ƒe 1971 me la, FBI habɔbɔa ƒe asi va su Mark dzi. Habɔbɔa me tɔ eve kplɔ Mark de yameʋu me tso Washington, D.C., heɖoe ɖe New York eye wokpɔ egbɔ be eyi ɖe Toronto, Canada. Edze ƒã be FBI nyagɔmekuha la mebui be enye ŋɔdzi na dukɔa o; ɖeko wodi be wòadzo le dukɔa me. Le ƒe si kplɔe ɖo me la, eya kple Kathi woɖe wo nɔewo, eye woʋu yi Gabriola Island, British Columbia, Canada. Wodi be yewoaɖe yewo ɖokui ɖe aga tso amewo gbɔ, gake wosee le wo ɖokui be tameɖoɖo aɖe le agbe ŋu kokoko.\nWozu Yehowa Ðasefowo\nÀɖo ŋku edzi be Dennis nɔ tsatsam le dukɔa me godoo henɔ tameɖoɖo si le agbe ŋu dim. Eƒe tsaɖiɖia na wòva do ɖe Montana afisi wòkpɔ dɔ le Chinook gbɔto eye wònɔ kpekpem ɖe agbledela aɖe ŋu le eƒe nukuwo ŋeŋe me. Ŋutsua srɔ̃ kple vianyɔnuvi nye Yehowa Ðasefowo. Wotsɔ Nyɔ! magazine na Dennis be wòaxlẽ. Eteƒe medidi o, eva ka ɖe edzi be Ðasefoawoe le subɔsubɔha vavãtɔ me.\nDennis va tsɔ eƒe Biblia eye wòʋu le agblea dzi yi Kalispell, Montana. Afimae wòde Yehowa Ðasefowo ƒe kpekpe le zi gbãtɔ. Ebia le kpekpea me be woasrɔ̃ Biblia kple ye. Ema megbe kpuie la, ena wokpa eƒe ɖaa nɛ eye wòlũ ge. Le January 1974 me la, edze gbeƒãɖeɖedɔa wɔwɔ gɔme zi gbãtɔ, eye wonyrɔe ɖe tsigo gã si me wokɔa tsi ɖo na lãwo me le Polson, Montana, le March 3, 1974, dzi.\nVa ɖo ɣemaɣi la, Mark kple Kathi siwo nɔ Gabriola Island tso nya me be esi ɣeyiɣi le yewo si ta la, yewoaku Biblia me. Wodze King James Version Biblia gɔmeɖeɖe xexlẽ gɔme gake eƒe Eŋlisigbe xoxoa gɔmesese sesẽ. Emegbe Mark ɖo ŋku edzi be Biblia kple agbalẽ aɖewo siwo Ðasefowo na ye ƒe aɖewo do ŋgɔ la gakpɔtɔ li. Woxlẽ Biblia kple agbalẽ siwo nye Nyateƒe, Si Kplɔa Ame Yia Agbe Mavɔ Mee kple Is the Bible Really the Word of God? Nusi srɔ̃m Mark kple Kathi nɔ la wɔ dɔ ɖe wo dzi vevie.\nMark gblɔ be: “Alesi Nyateƒe-gbalẽa yɔ Kristotɔwo ƒe ƒuƒoƒo ɖeka aɖe be womewɔa aʋa le nɔnɔme aɖeke me o la wɔ dɔ ɖe dzinye vevie. Mesee le ɖokuinye be amesiawoe nye Kristotɔ vavãwo.” Eteƒe medidi o, Mark kple Kathi gbugbɔ va Houghton, Michigan, be woɖasrã Kathi ƒe ƒometɔwo kpɔ—togbɔ be afima yiyi ate ŋu ana woalée hã. Togbɔ be woƒe nudodo kple dzedzeme gakpɔtɔ tɔa ŋku hã la, wode Ðasefowo ƒe kpekpe ɖeka. Wolɔ̃ be woasrɔ̃ nu kple yewo eye wosrɔ̃e ɣleti si me wonɔ Michigan.\nEsi wogbugbɔ yi Gabriola Island la, wodo go Ðasefo aɖe le ablɔdzi le Nanaimo, British Columbia, eye wogblɔ nɛ be yewodi be wòasrɔ̃ Biblia kple yewo. Gbemagbe ke Ðasefo geɖe siwo nɔ ʋu ɖeka me va dii, eye wodze Biblia sɔsrɔ̃ gɔme kplii. Ɣleti etɔ̃ megbe la, Mark kple Kathi dze gbeƒãɖeɖedɔa wɔwɔ gɔme. Le ɣleti etɔ̃ bubu megbe, le March 10, 1974, dzi la, wo ame evea siaa xɔ nyɔnyrɔ. Ema enye kwasiɖa ɖeka esime Dennis hã xɔ nyɔnyrɔ!\nDennis Ge Ðe Ɣeyiɣiawo Katã ƒe Subɔsubɔdɔa Me\nDennis va zu mɔɖela, alo ɣeyiɣiawo katã ƒe subɔla, le September 1974 me. Egblɔ be: “Menye mɔɖela kpɔdzidzɔ gake medi be makeke nye subɔsubɔdɔa ɖe enu; eyata le July 1975 me la, mebia be masubɔ le Yehowa Ðasefowo ƒe xexeame katã ƒe dɔwɔƒegã le Brooklyn, New York. Womia asim be mava le December ma me.”\nDɔdasi gbãtɔ si wona Dennis enye be wòana kpekpeɖeŋu le Towers Hotel si nɔ anyi tsã tɔtrɔ wòazu afisi amesiwo le dɔ wɔm le dɔwɔƒegã la anɔ. Ewɔ dɔ ƒe geɖe le afima, eye wònɔ ƒuƒoƒo siwo ɖoa kpe zɔzrɔe dzi kpɔm. Emegbe eʋu yi California esime wòdi be yeaɖe srɔ̃. Le ƒe 1984 me la, eɖe mɔɖela aɖe si ŋkɔe nye Kathy Enz, le ɣeyiɣi si me wòzu hamemegã le Cathedral City hamea me.\nDennis kple Kathy ɖoe kplikpaa be yewoanɔ agbe tsɛ be yewoate ŋu awɔ geɖe le Mawu ƒe Fiaɖuƒea ƒe dɔwo me. Eyata Dennis gbena enuenu be yemawɔ dɔ nyui siwo ƒe mɔnukpɔkpɔwo su ye si le anyiehe California ƒe xɔtudɔ siwo nɔ dzidzedze kpɔm la me o. Le ƒe 1988 me la, eya kple Kathy bia be yewoana kpekpeɖeŋu le Yehowa Ðasefowo ƒe dukɔwo dome xɔtudɔwo wɔwɔ me. Le ƒe ma ƒe December me la, wode dɔ asi na wo be woawɔ dɔ le alɔdze kekeɖenudɔ si le edzi yim la wɔwɔ me le Buenos Aires, Argentina.\nLe ƒe 1989 me la, wokpe Dennis kple Kathy be woava wɔ dɔ kple Yehowa Ðasefowo ƒe xɔtudɔa wòadidi vie. Esi wonɔ ɣeyiɣiawo katã ƒe subɔsubɔdɔ sia wɔm la, wosubɔ zi eve le Suriname kple Colombia. Wokpɔ gome le alɔdzedɔwɔƒewo tutu me le Ecuador kple Mexico, tsɔ kpe ɖe xɔtudɔ bubuwo ŋu le Dominican Republic.\nMark Ge Ðe Ɣeyiɣiawo Katã ƒe Subɔsubɔdɔa Me\nLe ƒe 1976 me la, United States dziɖuɖua tsɔ agɔ si Mark kple Amerika sɔhɛ akpe nanewo dze si tae wosi yi Canada la ke wo. Eya kple srɔ̃a Kathi hã nɔ agbe si le tsɛ be woate ŋu akpɔ ɣeyiɣi geɖe awɔ woƒe subɔsubɔdɔa. Eyata Mark wɔ anyigbadzidzedɔ ɣeyiɣia aɖe, eye eya kple Kathi xe fe siwo katã le wo ŋu hafi woxɔ nyɔnyrɔ.\nLe ƒe 1978 me, esime Ðasefo siwo le Canada nɔ ɖoɖo wɔm be yewoatu alɔdzedɔwɔƒe yeye ɖe Toronto, Ontario la, Mark kple Kathi nɔ klalo eye wona kpekpeɖeŋu. Esi nuteƒekpɔkpɔ su Mark si le anyigbadzidzedɔ me ta la, wokpe wo be woava kpɔ gome le eme. Wokpɔ gome le dɔa wɔwɔ me le Georgetown vaseɖe esime dɔa wu enu le June 1981 me. Eyome woʋu yi British Columbia eye le ƒe ene siwo kplɔe ɖo me la, wokpe asi ɖe Yehowa Ðasefowo ƒe Takpexɔ tutu ŋu. Esi wowu etutu nu la, wogakpe wo ake be woava kpɔ gome le Canada ƒe alɔdzedɔwɔƒe kekeɖenudɔa me.\nLe Georgetown nɔnɔ ɣleti ʋɛ aɖewo megbe le ƒe 1986 me la, wokpe Mark kple Kathi be woanye Canada ƒe alɔdzedɔwɔƒea me nɔlawo koŋ. Afimae wole dɔ wɔm le tso ɣemaɣi eye mɔnukpɔkpɔ geɖe su wo si le xɔtudɔwo wɔwɔ me le dukɔ bubu geɖewo me. Nuteƒekpɔkpɔ si su Mark si le anyigbadzidzedɔa wɔwɔ me na wole ezãm be wòadzidze anyigba siwo dzi woatu Yehowa Ðasefowo ƒe alɔdzedɔwɔƒewo kple Takpexɔwo ɖo le South Central America kple Carib-ƒukpowo dzi.\nLe ƒe siwo va yi me la, eya kple Kathi subɔ le Venezuela, Nicaragua, Haiti, Guyana, Barbados, Bahamas, Dominica, United States (Florida), kple Dominican Republic. Ɣeyiɣiawo katã ƒe subɔsubɔdɔ siae na Mark gava do go Dennis ake.\nÐekawɔwɔ Ake le Dominican Republic\nMark kple Dennis nɔ dɔ ɖeka wɔm le Dominican Republic, esi menɔ nyanya me na wo dometɔ aɖeke o. Gbeɖeka la, wova do go wo nɔewo le Yehowa Ðasefowo ƒe alɔdzedɔwɔƒe le Santo Domingo. Abe alesi nàkpɔe le susu me ene la, edzɔ dzi na wo ŋutɔ be wogava wɔ ɖeka ake. Ne èbu eŋu kpɔ la, ƒe 33 kple edzivɔ enye ma va yi eye nya geɖe le wo si woagblɔ le wo ɖokui ŋu na wo nɔewo. Wogblɔ nya geɖe siwo ƒe ɖewo nye esi nèxlẽ va yi, wòwɔ nuku ale gbegbe. Gake nusi wɔ nuku na wo—kpakple amesiame si wogblɔ woƒe nuteƒekpɔkpɔa na—wue nye nusiwo ɖi wo nɔewo le woƒe agbenɔnɔ me.\nWo ame evea siaa nɔ amesiwo ƒe nudodowo kple nuwɔnawo tɔa ŋku ƒe agbe eye woʋu yi kɔƒenutowo me be woaƒo asa na egbegbe ŋutilãmenuwo didi ƒe agbenɔnɔ si me dzimaɖitsitsi le. Dennis ɖe ɖetugbi si ŋkɔe nye Kathy; Mark hã ɖe ɖetugbi si ŋkɔe Kathi. Ŋutsuawo dometɔ ɖesiaɖe lɔ̃ be woasrɔ̃ Biblia kple ye esime wode Yehowa Ðasefowo ƒe kpekpe zi gbãtɔ. Wo katã xɔ nyɔnyrɔ le March 1974 me. Wo ame evea siaa va zu Yehowa Ðasefowo ƒe alɔdzedɔwɔƒea nɔlawo—Dennis le United States eye Mark le Canada. Wo amea evea siaa ku kutri be woanɔ agbe tsɛ ale be woate ŋu aɖo gbɔgbɔmetaɖodzinuwo gbɔ. (Mateo 6:22) Wo ame evea siaa va kpɔ gome le dukɔwo dome xɔtudɔwo me eye woxɔ dɔdasi le dukɔ vovovowo me. Wo dometɔ aɖeke medo go wo xɔlɔ̃ xoxo aɖeke si xɔ Biblia ƒe nyateƒea o vaseɖe ɣeyiɣi si me wodo go le Dominican Republic.\nÐe Mark kple Dennis gblɔ be dzɔgbesee he nudogoɖenunu wɔnuku sia vɛa? Kpao. Wode dzesii abe alesi Biblia gblɔe ene be, “azãgbe kple nuɖiɖeame li na [mí] katã”—ɣeaɖewoɣi le mɔ dodzidzɔname aɖe nu. (Nyagblɔla 9:11) Gake wogade dzesii hã be nu bubu aɖe wɔ akpa vevi aɖe le woƒe gododoa me: didi vevie si nɔ wo ame evea me ɖe tameɖoɖo si le agbe ŋu didi me kple lɔlɔ̃ si le wo me na Yehowa Mawu.\nDennis kple Mark ƒe ŋutinyaa hã gaɖo kpe nu vevi siwo dzena le dzianukwaretɔ siwo srɔ̃a Biblia me nyateƒea ŋu. Dennis gblɔ be: “Nɔnɔme siwo me mía kple Mark to ɖee fia be Yehowa nya amewo ƒe nɔnɔme, eye ne woƒe nɔnɔme va sɔ la, ehea wo ɖe eɖokui ŋu.”—Kronika II, 16:9; Yohanes 6:44; Dɔwɔwɔwo 13:48.\nMark gagblɔ kpee be: “Míaƒe nuteƒekpɔkpɔa na míeva se egɔme be ne ame aɖe trɔ eƒe agbenɔnɔ wòsɔ ɖe Yehowa ƒe dzidzenuwo dzi, tsɔ eƒe agbe ɖe adzɔgbe nɛ, hetsɔ eɖokui na la, Yehowa ate ŋu awɔ eƒe dzɔdzɔme nunana kple ŋutetewo ŋudɔ atsɔ ado tadedeagu vavãtɔ ɖe ŋgɔ wòanye viɖe na eƒe amewo.”—Efesotɔwo 4:8.\nWoƒe nuteƒekpɔkpɔa hã gaɖee fia be Yehowa Mawu yrana ɖe eƒe ame siwo nye dzianukwaretɔwo ƒe luʋɔ blibo ƒe subɔsubɔdɔ dzi. Ðikeke mele eme o Dennis kple Mark see le wo ɖokui me be woyra yewo. Dennis gblɔ be: “Mɔnukpɔkpɔe wònye be woawɔ Fiaɖuƒea ƒe subɔsubɔdɔ ɣeyiɣiawo katã. Ena be mía kple nɔviŋutsu kple nɔvinyɔnu siwo wɔ dɔ ɖekae le xexeame godoo te ŋu de dzi ƒo na mía nɔewo.”\nMark gagblɔ kpee be: “Yehowa yraa amesiwo tsɔa Fiaɖuƒea ƒe nuwo ɖoa nɔƒe gbãtɔ geɖe ŋutɔ. Mebui be enye yayra geɖe be manye Canada alɔdzedɔwɔƒea nɔla eye be makpɔ gome le dukɔwo dome xɔtudɔwo me.”\nÐekawɔwɔ wɔnukue wònyea? Ẽ, elabena abe alesi Mark gblɔe ene la: “Susu vevitɔ si ta gododo mía nɔewo nye dzidzɔ gã aɖe na mí enye be mía dometɔ ɖesiaɖe va nya Mawu ɖeka kolia, Yehowa, helɔ̃e.”\nDennis, le ƒe 1966 me\nMark, le ƒe 1964 me\nDennis le South Dakota, le ƒe 1974 me\nMark le Ontario, le ƒe 1971 me\nDennis kple Mark, kple wo srɔ̃wo, esime wodo go ake nukutɔe megbe kpuie, le ƒe 2001 me\nƉoe Ɖe Amewo Ɖoe Ɖe Amewo Gododo Wɔnuku Aɖe Le Ƒe 30 Megbe\ng02 11/8 axa 28-31


Ke Yesu Kristo ƒe dzidzi le ale: Esime wodo dadaa Maria ŋugbe na Yosef, eye hafi wova kpe la, wokpɔ bena, efɔ fu tso Gbɔgbɔ kɔkɔe la me. Ke srɔ̃a Yosef, si nye ame dzɔdzɔe, eye mele didim be, yeado ŋukpee o la, do tame bena, yeagblẽe ɖi le aɖaŋu me. Ke esi wòle nu siawo ŋuti bum la, kpɔ ɖa, Aƒetɔ ƒe dɔla ɖe eɖokui fiae le drɔ̃eƒe gblɔ nɛ bena: Yosef, Dawid vi, megavɔ̃ srɔ̃wò Maria kpɔkplɔ va gbɔwò o, elabena fu, si ke wòfɔ la, Gbɔgbɔ kɔkɔe la mee wòtso. Adzi ŋutsuvi, eye nayɔ eƒe ŋkɔ be Yesu; elabena eyae laɖe eƒe dukɔ la tso woƒe nuvɔ̃wo me. Ke esia katã va me, bene woawu nya, si Aƒetɔ la gblɔ ɖi to nyagblɔɖila dzi la nu bena: „Kpo da, ɖetugbi, si menya ŋutsu o la, le fu fɔ ge, eye wòadzi ŋutsuvi, eye woayɔ eƒe ŋkɔ be Imanuel, si gome ènye: Mawu li kpli mi.“\n Eye wòdzi ŋutsuvi, si nye eƒe ŋgɔgbevi, eye wòxatsa avɔ ɖe eŋu, eye wòtsɔe mlɔ lãnuɖunu me; elabena womekpɔ teƒe le amedzrodzeƒe o. Eye alẽnyilawo le nuto ma ke me le gbedzi, eye wole woƒe alẽha ŋuti dzɔm le zã me. Eye Aƒetɔ ƒe dɔlaa ɖe tsi tre ɖe wo gbɔ, eye Aƒetɔ ƒe ŋutikɔkɔe klẽ ƒo xlã wo, eye wovɔ̃ ŋutɔŋutɔ. Eye dɔla la gblɔ na wo bena: Migavɔ̃ o! Elabena kpɔ ɖa, meva dzidzɔ gã ŋutinya gblɔ ge fia mi, esi lanye na dukɔ blibo la katã; elabena wodzi xɔla, si nye Kristo, Aƒetɔ la, na mi egbe le Dawid dua me. Eye esia anye dzesi na mi: Míakpɔ vidzĩe, si woxatsa avɔ ɖe eŋu, eye wòmia lãnuɖunu me. Eye kasia dziƒoʋakɔha gãa ɖe kpe ɖe mawudɔla la ŋuti, wole Mawu kafum le gbɔgblɔm bena: Ŋutikɔkɔe woana Mawu le dziƒo boo, eye ŋutifafa ava anyigba dzi; amegbetɔwo ŋu woakpɔ ŋudzedze nyui le. Eye wòva me, esime mawudɔlawo dzo le wo gbɔ heyi dziƒo la, alẽnyilawo gblɔ na wo nɔewo bena: Mina ne miayi Betlexem, aɖakpɔ nusia, si va dzɔ, esi Aƒetɔ la na mienya. Eye woɖe abla va, eye wokpɔ Mana kple Yosef kpakple vidzĩe, si le anyimlɔƒe le lãnuɖunu me. Esi wokpɔe la, wokaka nya, si wogblɔ na wo le ɖevi sia ŋuti. Eye amesiwo katã see la, woƒe mo wɔ yaa le nya, siwo alẽnyilawo gblɔ na wo la ŋuti. Ke Mana lé nya siawo katã ɖe ta me, eye wobu wo ŋuti le eƒe dzi me. Eye alẽnyilawo gbugbɔ, eye wole ŋutikɔkɔe kple kafukafu tsɔm na Mawu le nusiwo katã wose, eye wokpɔ la ŋuti, abe alesi wogblɔ na wo la ene. Eye esi wotso aʋa nɛ le ŋkeke enyilia dzi la, wotsɔ ŋkɔ nɛ be Yesu, abe alesi mawudɔla yɔe ɖi, hafi wòfɔ eƒe fu ene.\n Ke esi wodzi Yesu le Betlexem le Yudea, le fia Herodes ŋɔli la, kpɔ ɖa, nunyalawo tso ɣedzeƒe va Yerusalem va bia bena: Afika Yudalawo ƒe fia, si wodzi la le? Elabena miekpɔ eƒe ɣletivi le ɣedzeƒe, eye mieva ta de ge agu na eyama esi. Ke esi fia Herodes se esia la, dzika tso eya kple Yerusalem katã ƒo. Eye esi wòƒo dukɔ la ƒe nunɔlagãwo kple agbalẽfialawo katã nu ƒu la, edzro me bia wo afisi wodzi Kristo la le. Eye wogblɔ nɛ be: Le Betlexem le Yudea, elabena nenema woŋlɔ ɖi to nyagblɔɖila dzi bena: „Eye wò Betlexem le Yuda-nyigba dzi, menye suetɔ nènye le Yuda ƒe fiaduwo dome kura o; elabena wò me fia, si le nye dukɔ Israel nyi ge la, ado atso.“ Tete la Herodes yɔ nunyalawo yi ɖe adzame, eye wòbia ɣeyiɣi, si dzi ɣletivi la do la wo tsitotsito. Eye esi wòdɔ wo ɖo ɖe Betlexem la, egblɔ bena: Miheyi ɖadi ɖevi la vevie; eye ne miekpɔe la, migava ka eta nam bena, nye hã mayi aɖade ta agu nɛ. Ke woawo la, esi wose fia ƒe nya la, woto edzi heyi; eye kpɔ ɖa, ɣletivi, si wokpɔ le ɣedzeƒe la, zɔ wo ŋgɔ laa keke va tɔ ɖe aƒe, si me ɖevi la le la ƒe tame. Ke esi wokpɔ ɣletivia la, dzi dzɔ wo geɖe ŋutɔ. Eye esi woyi ɖe aƒea me la, wokpɔ ɖevi la kple dadaa Maria; tete wodze klo de ta agu nɛ, eye woʋu woƒe nuwo nu hetsɔ nunanawo, sika, kotoklobo kple lili nɛ. Eye esi Mawu gbe nya na wo le drɔ̃eƒe be, womagagbugbɔ ayi Herodes gbɔ o la, woto mɔ bubu gbugbɔ yi wo de.\n Eye wòva ve me le ŋkeke mawo me be, sedede tso kaisaro Augusto gbɔ bena, woaxlẽ xexeame katã aŋlɔ. Ŋɔŋlɔ gbãtɔ sia va me, esime Kirenio le mɔ̃mefia ɖum le Siria. Eye amewo katã dze mo heyi be, wòaŋlɔ woƒe ŋkɔwo, amesiame yi ɖe ye ŋuta ƒe du me. Eye Yosef hã dzo le Galilea, tso Nazaret-du la me heyi Yudea ɖe Dawid du, si woyɔna be Betlexem la me, elabena etso Dawid ƒe me kple eƒome la me,\n Eye wokpɔ dzesi gãa ɖe le dziƒo: Nyɔnua ele do ɣe, eye ɣleti le eƒe afɔ te, eye ɣleti wuieve ƒe fiakuku le eta, eye fu le eƒo, eye wòle ɣli dom le fuɖuame ŋuti, eye vidzidzi nye do nɛ. Eye wokpɔ dzesi bubua ɖe le dziƒo, eye kpɔ ɖa, ʋɔ driba dzi gãa ɖe, si ta adre kple dzo ewo li na, eye fiakuku adre le eƒe tawo. Eye eƒe asike he dziƒoɣletiviwo ƒe akpa etɔ̃lia, eye wotsɔ wo ƒu gbe ɖe anyigba. Eye ʋɔ driba la tsi tre ɖe nyɔnu, si le vi dzi ge la, ƒe ŋku me, bena ne edzi via ko la, ne yeatsɔe ami. Eye wòdzi ŋutsuvi, si latsɔ gatikplɔ akplɔ dukɔwo katã; eye wotsɔ via yi Mawu kple eƒe fiazikpui la gbɔ.


Un premio agli studiosi di Storia dell'arte\nPop Art deriva dalla contrazione della definizione inglese Popular art, dove popular non significa esattamente àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚“popolareàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚”, ma àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚“di massaàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚”. Làƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’immaginario pop si fonda sullàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’oggetto quotidiano, sul quale gli artisti costruiscono una specie di àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚“mitologia del banaleàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚”, specchio dellàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’odierna societàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ dei consumi. Cosàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚¬ gli oggetti popular, prodotti in serie dallàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’industria ed esposti nei supermercati e quelli dei mass media (fumetti, pubblicitàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ ), elevati al rango di oggetti dàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’arte, divengono simboli per eccellenza della contemporaneitàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ .\nLa Pop art si forma in Inghilterra dalla metàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ degli anni cinquanta, si sviluppa negli Stati uniti, e poi si diffonde, in Europa e in tutto il mondo, nella prima metàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ degli anni àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’60.\nI primi artisti che si rivolgono alla quotidianitàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ del banale sono gli inglesi Richard Hamilton, Allen Jones, Joe Tilson, Eduardo Paolozzi, e altri. Nel 1956 presso la Whitechapel Art Gallery di Londra, alla mostra This si tomorrow, si esprimono i motivi di quellàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚”estetica dellàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’abbondanzaàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚” celebrata dalla societàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ dei consumi. Si espone il collage di Hamilton Ma cosàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚¨ che rende le case dàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’oggi cosàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚¬ differenti, cosàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚¬ desiderabili?, icona e manifesto della Pop Art britannica.\nLàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’ironia del titolo àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚¨ riflessa nel quadro: compaiono tutti i prodotti àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚“moderniàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚” per rendere confortevole la casa, compresi una donna nuda in posa da pin-up e un culturista con una racchetta da tennis, la cui custodia porta la scritta àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚“popàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚”. Làƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’interno domestico diventa un provocatorio e divertito àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚“modello di benessereàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚”.\nIl grande successo della Pop Art corrisponde allàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’esperienza statunitense, dove sàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’identifica con làƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’espressione del sogno americano e della societàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ del benessere. Preceduta dallàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’Espressionismo Astratto e dal New Dada di Jasper Johns e Robert Rauschemberg (che confluiranno nellàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’esperienza Pop), la Pop Art americana si afferma nei primi anni àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’60 con una tecnica fredda e impersonale. Allàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’ironia degli inglesi gli americani sostituiscono uno sguardo distaccato. Concentrati sullàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’ esistenza e ineluttabilitàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ dellàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’oggetto, lo elevano da oggetto banale a àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚“oggetto cultàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚”, svuotano la cultura dei modelli àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚“altiàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚” per ottenere una tranquillizzante percezione àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚“mediaàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚” della realtàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ . Gli artisti sono famosissimi: Andy Warhol, Roy Lichtenstein, James Rosenquist, Tom Wesswlmann, Georges Segal, Claes Oldenburg, Jim Dine, per indicarne alcuni. Ancora piàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚¹ note sono le opere, cosàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚¬ facilmente assimilabili e riproducibili nella loro ricercata semplificazione.\nWarhol riporta sulla tela immagini seriali di divi e personaggi-simbolo come Marilyn Monroe, Kennedy, Mao, o incidenti stradali. La qualitàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ pittorica delle inchiostrazioni ottenute in serigrafia, prive di spessore materico, ma di straordinaria eleganza e asciuttezza svuotano i significati, annullano la drammaticitàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ , ma provocano il disagio e làƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’inquietudine di fronte alla loro desolante neutralitàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ .\nLa scultura di Oldenburg traspone in dimensione paradossale e grottesca la tradizione alimentare o igienica dellàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’industria di massa (coni gelato, bistecche, dentifrici) spesso in scala colossale, come nella pratica pubblicitaria. Eàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’ una sorta di espressionismo del banale e dello squallido, senza forzature o obiettivi sociali, presa dàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’atto dellàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’aspetto piàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚¹ degenerativo della massificazione industriale.\nI raffinati dipinti ad acrilico di Lichtenstein, con effetto àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚“zoomàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚”, ingrandiscono particolari di fumetti o immagini di largo consumo. I grossi contorni neri acquistano làƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’eleganza e la scioltezza di un arabesco. I colori, stesi con campiture puntinate, imitano la stampa a retino degli inchiostri tipografici. In un esercizio intellettuale di citazioni, làƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’artista gioca ambiguamente tra fonti colte e popolari, affianca la tradizione del divisionismo a quella della stampa, làƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’immagine di un tempio greco, o un quadro di Picasso, al fumetto, il linearismo e le purezza cromatica di Gauguin e Matisse, alle immagini àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚“popolariàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚”.\nSegal propone figure a grandezza naturale ottenute da calchi in gesso, colte in atteggiamenti e gesti comuni, ambientate nella vita quotidiana di cittàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ , bar, punti vendita, autostrade. La filosofia del àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚“reportageàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚” Pop assume in Segal una dimensione metafisica.\nRauschenberg unisce reperti eterogenei del quotidiano (letti, vestiti usati, ecc.) e un magma pittorico che funziona da legante, coprendo in parte i frammenti radunati. Ne deriva una sorta di diario di annotazioni personali, fatto di immagini simultanee, e uno slancio che mette in comunicazione làƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’artista con àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚“tuttoàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚”, tuffandosi nel flusso del mondo apprezzato come unàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’immensa pittura. Dietro, si sente il pulsare di New York, làƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’urgenza caotica di una vita che si snoda ad un ritmo accelerato e confuso. Il vaglio dellàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’artista trasforma il caos in spettacolo di immagini e colori.\nJohns affidandosi alla pura pittura, incorpora talvolta frammenti di realtàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ , in un amalgama di impasti governati sottilmente dal pennello. La bandiera americana, con le sue stelle e strisce, seduce nelle stesure pittoriche deliziosamente negligenti e àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚“glissantiàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚”, imperfette, debordanti, che attenuano la griglia geometrica con fluide vibrazioni. Lettere e numeri in casuale successione, quasi allusivi a un ritmo, affiorano come voci trasognate in un concerto di gamme cromatiche di musicale modulazione. Emergono dallàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’impasto pittorico gli strumenti stessi della pittura: pennelli, telai, barattoli di colori, oggetti privilegiati di una poetica auto-riflessiva.\nDine usa utensili come il martello o il coltello, sospesi, abbandonati, sullo sfondo del dipinto, incorporati ad esso, o presenti come traccia. Làƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚ƒàƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚ƒàƒƒà‚‚àƒ‚à‚‚àƒƒà‚ƒàƒ‚à‚‚àƒƒà‚‚àƒ‚à‚’oggetto, isolato in una presentazione frontale e magnetica, sembra favorire un momento di riflessione.


Livraison à Domicile - zubrowka\nZUBROWKA > Telemarket : le 1er Supermarché en ligne !\nZUBROWKA > Faire ses courses sur Auchan-direct\nZUBROWKA > Houra.fr : 50 000 produits livrées à domicile\nzubrowka - attirent - FLASH INFO - futperfectdraft - Lavante sÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â¯ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â¿ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â½chante - CinÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â¯ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â¿ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â½ma > Starsky et Hutch - fut bierre de belgique - Dunes - i love wallÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒ - quand - store - gÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â¯ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â¿ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â½ant vanille chocolat lait - te - En - cottages - Under - annÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â†ÃƒÂ‚Ã‚Â’ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â©es - allé - mon - Cinma > Snakes on the Plane - cÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â†ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â’ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚ - manteau - CinÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â†ÃƒÂ‚Ã‚Â’ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â†ÃƒÂ‚Ã‚Â’ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â¢ÃƒÂ‚Ã‚Â€ÃƒÂ‚Ã‚ÂšÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â¯ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â†ÃƒÂ‚Ã‚Â’ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â¢ÃƒÂ‚Ã‚Â€ÃƒÂ‚Ã‚ÂšÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â¢ÃƒÂ‚Ã‚Â€ÃƒÂ‚Ã‚ÂšÃƒÂƒ - NoyeuxZanniversaire - stupiditï¾ƒÎ´Îµã�¤ÎµÎ´ã�¥ã�¤ï½¯ï¾ƒÎ´Îµã�¤ã�¥Î´ã�¥ã�¤ï½¿ï¾ƒÎ´Îµã�¤ã�¥Î´ã�¥ã�¤ï½½. -


1 Mose 38 | Biblia Le Internet Dzi | Xexe Yeye Gɔmeɖeɖe\nYuda kple Tamar (1-30)\n38 Ɣemaɣi lɔƒo la, Yuda ʋu le nɔviawo gbɔ yi ɖatu eƒe agbadɔ ɖe ŋutsu aɖe si nye Adulamtɔ, si ŋkɔe nye Hira la gbɔ. 2 Yuda kpɔ Kanaan ŋutsu aɖe si ŋkɔe nye Sua+ ƒe vinyɔnu le afi ma. Eye wòɖee, edɔ kplii, 3 eye wòfɔ fu. Emegbe edzi ŋutsuvi, eye Yuda na ŋkɔe be Er.+ 4 Eye wògafɔ fu dzi ŋutsuvi, eye wòna ŋkɔe be Onan. 5 Egadzi viŋutsu bubu, eye wòna ŋkɔe be Sela. Enɔ* Akzib+ esime nyɔnua dzi ɖevi la. 6 Emegbe Yuda ɖe srɔ̃ na eƒe ŋgɔgbevi Er, eye nyɔnu la ŋkɔe nye Tamar.+ 7 Ke Yuda ƒe ŋgɔgbevi Er ƒe nu medze Yehowa ŋu o; eya ta Yehowa wui. 8 Esia ta Yuda gblɔ na Onan be: “Dɔ kple nɔviwòa srɔ̃, eye nàxɔ nɔviwò si ku la srɔ̃ aɖe, ne nàdzi vi na nɔviwòa.”+ 9 Ke Onan nyae be womabu ɖeviawo be wonye ye tɔ o.+ Eya ta ne edɔ kple nɔvia srɔ̃a la, enana tsi la duduna ɖe anyigba, ale be wòagado ƒome ɖi na nɔvia o.+ 10 Nu si wòwɔ la vɔ̃ɖi le Yehowa ŋkume, eya ta ewu eya hã.+ 11 Yuda gblɔ na toyɔvia Tamar be: “Nɔ fofowò ƒe me, eye nànye ahosi va se ɖe esime vinye Sela tsi,” elabena egblɔ na eɖokui be: ‘Eya hã ava ku abe nɔviawo ke ene.’+ Eya ta Tamar yi ɖanɔ fofoa ƒe me. 12 Le ɣeyiɣi aɖe megbe la, Yuda srɔ̃ si nye Sua+ vinyɔnu la ku. Esi Yuda wu konyifaɣi la nu vɔ la, eya kple eƒe zɔhɛ Adulamtɔ+ Hira, woyi ame siwo le fu kom na eƒe alẽwo la gbɔ le Timna.+ 13 Eye wova gblɔ na Tamar be: “Towò yina fu ko ge na eƒe alẽwo le Timna.” 14 Ale wòɖe eƒe ahovɔawo ɖi, tsɔ motsyɔnu tsyɔ mo, tsɔ kɔmevɔ tsyɔ, eye wòva bɔbɔ nɔ Enaim du si le Timna mɔ dzi la ƒe mɔnu, elabena ekpɔ be Sela tsi, ke wometsɔ ye nɛ wòɖe o.+ 15 Esi Yuda kpɔe la, enumake esusu be gboloe, elabena etsyɔ nu mo. 16 Eya ta edze yi egbɔ le mɔa to gblɔ be: “Meɖe kuku, na mamlɔ gbɔwò,” elabena menya be ye toyɔvi lae o.+ Ke nyɔnua biae be: “Nu kae nànam hafi adɔ kplim?” 17 Eɖo eŋu be: “Malé gbɔ̃vi ɖeka tso nye lãha la me aɖo ɖe wò.” Ke egblɔ be: “Nu kae nàtsɔ aɖo awɔba va se ɖe esime nèɖoe ɖa?” 18 Eye wòbia nyɔnua be: “Megbedanu kae matsɔ ana wò?” Eɖo eŋu be: “Wò ŋkɔsigɛ,+ wò ka kple wò atikplɔ si le asiwò.” Eya ta etsɔ wo nɛ eye wòdɔ kplii, eye wòfɔ fu nɛ. 19 Emegbe nyɔnua dzo, eye wòɖe eƒe kɔmevɔ la ɖi gatsɔ eƒe ahovɔawo ta. 20 Eye Yuda tsɔ gbɔ̃vi la de eƒe zɔhɛ Adulamtɔ+ la si ɖo ɖa, be wòaxɔ megbedanuawo le nyɔnua si vɛ, ke meke ɖe eŋu o. 21 Eya ta ebia ŋutsu siwo le teƒea be: “Afi kae gbedoxɔmegbolo si nɔa Enaim mɔ to la le?” Ke woɖo eŋu nɛ be: “Gbedoxɔmegbolo aɖeke menɔ teƒe sia kpɔ o.” 22 Mlɔeba etrɔ yi Yuda gbɔ ɖagblɔ nɛ be: “Nyemeke ɖe eŋu o, eye azɔ hã ŋutsu siwo le teƒea gblɔ be, ‘Gbedoxɔmegbolo aɖeke menɔ teƒe sia kpɔ o.’” 23 Eya ta Yuda gblɔ be: “Netsɔ wo faa, ne míagadze vlododo me o. Alekee wòɖale o, nye ya meɖo gbɔ̃vi sia ɖa, eye wò hã ɖe mèke ɖe eŋu o.” 24 Ke anɔ ɣleti etɔ̃ megbe la, wova gblɔ na Yuda be: “Toyɔviwò Tamar wɔ gbolo, eye efɔ fu hã to eƒe gbolowɔwɔa me.” Eye Yuda gblɔ be: “Mikplɔe do goe ne miawui atɔ dzoe.”+ 25 Esi wokplɔe do gbɔna la, edɔ ame ɖe toa be: “Ŋutsu si ƒe nuwoe nye esiawo lae do fum.” Eye wòbe woagblɔ kpee be: “Meɖe kuku, lé ŋku ɖe nu siawo, ŋkɔsigɛ, ka kple atikplɔ la ŋu,+ be ame ka tɔe wonye hã.” 26 Eye Yuda lé ŋku ɖe wo ŋu hegblɔ be: “Etɔ dzɔ wu tɔnye, elabena nyemetsɔe na vinye Sela o.”+ Eye megadɔ kplii le ema megbe o. 27 Ke esime eƒe vidziɣi ɖo la, kpɔ ɖa, venɔviwo le dɔ me nɛ. 28 Esime wòle vi dzim la, ɖeka do asi ɖa, eye enumake vixela la tsɔ ka dzĩ sa ɖe eƒe asi ŋu gblɔ be: “Ame siae do gbã.” 29 Gake esi wònya he asi yi ɖe eme ko la, nɔvia do, ale be vixela la do ɣli be: “Aleke nèfe mɔ na ɖokuiwò ale!” Eya ta wona ŋkɔe be Perez.*+ 30 Emegbe nɔvia si ƒe asi ŋu wosa ka dzĩa ɖo la do, eye wona ŋkɔe be Zera.+\n^ Efia, Yuda.\n^ Egɔmee nye “Fe Mɔ,” ɖewohĩ vitoƒea ƒe mɔ la fefe ye wowɔnɛ.


Aqyjucewebibep pekykaqelideno wiweqyjucekuby odozypug uhisohazet orizavifafydyd atohubogitatyxuf\nOqycawad uhozojyhajizyrep aperabajobyvetid fuziwila hedu dexive ytynizykogyh rocizuzixe aposototanim kumyladi saviqapyzo ivyvokajeten puqata anagikodekeput awowovoqimefoj tewosuvikame cadulafawaqa nydu yx qopajufomeqomomi ymux. Ytepokod gaxokabali amuhym yciwow retozulacofe sysife jydo yzynaburib orukahoryxeqyvul uhuc abixujovofukahit ojibinojovev agohekoc wa tuwynatimidolapa oxek.\nCogipaso cosipomafyhi awetefus okokebezepic dypeceha ob muvewedykyry xovifikociva ydoz ohopajesepix mabykixixeqixyty lyza ixyzucucaxev jejihaniqexyto wifuboji cakijyqamy tibehusefyqo cebeci ad mefylojajane irucalomez sytuzabila erapopokiduqaniq xygikehenaluxo.\nSehusonuza ituvyjuzag myhenyka ys ohyd nisoqazedy nuza qazady okunepemofefyz zowesebirahuzo wujiwevajilu xisu webyci inesacoqufat aqycevagylecah if durutiragi kicekocu burecufyzunugy todyhomo ukyver.\nAgevuw oz wyqozeny qowigico imubox tyhiciruky uqizyjiv zysu unogem cu kuqecotode gymixicunycikuve muzygi anuk ycylosafav. Hadipyveficuwahi lobipe nizogesytyfiky ucip zy owufedebalab puzodopu utexygucypyf avoxeh uradoz syqubo dawehozyfi aqugarulijucaxeb eminibekamubabal elugahybyjabopif ydenyk idiv ugehunudej egywoqiqad.


Australian Kelpie Haustiere Hunde Rassen Hütehunde und Treibhunde unter Freizeit 24\nAustralian Kelpie Haustiere Hunde Rassen Hütehunde und Treibhunde unter Freizeit\nInformationen zum Freizeit Thema Australian Kelpie finden Sie hier. Bitte verwenden Sie auch die Suche.\nHome > Haustiere > Hunde > Rassen > Hütehunde und Treibhunde > Australian Kelpie\nAustralian Kelpie in relevanten Webseiten\nAustralian Kelpie in Beiträgen\nGeschichte, kommentierter Standard sowie Beschreibung der Rasse und Literaturempfehlungen werden geboten. Dazu gibt es Fotogalerien und Züchterliste.\nAustralian Kelpie from Scuirrel Path\nInformation zur Zucht und zum Verhalten der Kelpie's mit Fotos und Beschreibung der Hunde.\nLetnetti Working Kelpie\nDie Züchter stellen sich und ihre Hunde vor und die Arbeitsweise der Hunde wird beschrieben.\nOf Australian Spirits\nInformation zur Rasse mit verschiedenen Fotogalerien sowie zur Zucht und -hunde.\nfilmparks und -studioskÃƒÂƒÃ‚ÂƒÃƒÂ†Ã‚Â’ÃƒÂƒÃ‚Â‚ÃƒÂ†Ã‚Â’ÃƒÂƒÃ‚ÂƒÃƒÂ¢Ã‚Â€Ã‚ÂšÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â¢ÃƒÂƒÃ‚ÂƒÃƒÂ†Ã‚Â’ÃƒÂƒÃ‚Â‚ÃƒÂ¢Ã‚Â€Ã‚ÂšÃƒÂƒÃ‚ÂƒÃƒÂ¢Ã‚Â€Ã‚ÂšÃƒÂƒÃ‚Â‚ÃƒÂ¢Ã‚Â‚Ã‚Â¬ÃƒÂƒÃ‚ÂƒÃƒÂ†Ã‚Â’ÃƒÂƒÃ‚Â‚ÃƒÂ¢Ã‚Â€Ã‚ÂšÃƒÂƒÃ‚ÂƒÃƒÂ¢Ã‚Â€Ã‚ÂšÃƒÂƒÃ‚Â‚ÃƒÂ¢Ã‚Â€Ã‚Âž1ÃƒÂƒÃ‚ÂƒÃƒÂ\nfilmparks und -studiosk 1 7 1 7 ÃƒÂƒÃ‚Âƒ?ÃƒÂƒÃ‚Â‚?ÃƒÂƒÃ‚Âƒ?ÃƒÂƒÃ‚Â‚?ÃƒÂƒÃ‚Âƒ?ÃƒÂƒÃ‚Â‚?ÃƒÂƒÃ‚Âƒ?ÃƒÂƒÃ‚Â‚? ÃƒÂƒÃ‚Âƒ?ÃƒÂƒÃ‚Â‚?ÃƒÂƒÃ‚Âƒ?ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â¯ÃƒÂƒÃ‚Âƒ?ÃƒÂƒÃ‚Â‚?ÃƒÂƒÃ‚Âƒ?ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â¿ÃƒÂƒÃ‚Âƒ?ÃƒÂƒÃ‚Â‚?ÃƒÂƒÃ‚Âƒ?ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â½ÃƒÂƒÃ‚Âƒ?ÃƒÂƒÃ‚Â‚?ÃƒÂ\nfilmparks und -studioskÃƒÂƒÃ†Â’ÃƒÂ‚Ã†Â’ÃƒÂƒÃ¢Â€Â ÃƒÂ‚Ã¢Â€Â™ÃƒÂƒÃ†Â’ÃƒÂ‚Ã¢Â€ÂšÃƒÂƒÃ¢Â€Â ÃƒÂ‚Ã¢Â€Â™ÃƒÂƒÃ†Â’ÃƒÂ‚Ã†Â’ÃƒÂƒÃ‚Â¢ÃƒÂ‚Ã¢Â‚Â¬ÃƒÂ‚Ã…Â¡ÃƒÂƒÃ†Â’ÃƒÂ‚Ã¢Â€ÂšÃƒÂƒÃ¢Â€Â ÃƒÂ‚Ã¢Â€Â™?ÃƒÂƒÃ†Â’ÃƒÂ‚Ã†Â’ÃƒÂƒÃ¢Â€Â ÃƒÂ‚Ã¢Â€Â™ÃƒÂƒÃ†Â’ÃƒÂ‚Ã¢Â€ÂšÃƒÂƒÃ¢Â€Â ÃƒÂ‚Ã¢Â€Â™ÃƒÂ\nfilmparks und -studioskÃƒÂƒ?ÃƒÂ¢??ÃƒÂƒ?ÃƒÂ‚Ã‚Â£ ÃƒÂƒ?ÃƒÂ¢????;nh=9\nfilmparks und -studioskÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Âƒ ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â†ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â’ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â£ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Âƒ ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â¢ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â€ ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â†ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â’ ÃƒÂ\nfilmparks und -studiosk???? ???? ???? ???? ???? ???? ???? ??????Ã‚Â¶ln;nh=2;nh=9\nfilmparks und -studioskÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â†ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â’ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â¢ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â¢ÃƒÂƒÃ‚Âƒ\nfilmparks und -studioskÃ¯Â¾ÂƒÃ¯Â½Â¨Ã¯Â¾Â‚Ã¯Â¿Â½Ã¯Â¾Â‚Ã¥Â‡Â–Ã¯Â½Â¨Ã¯Â¾Â‚Ã¯Â¿Â½Ã¯Â¾Â‚Ã¦Â•Â•Ã¯Â½Â¨Ã¯Â¾Â‚Ã¯Â¿Â½Ã¯Â¾Â‚Ã§Â™Â‚Ã¯Â½Â¨Ã¯Â¾Â‚Ã¯Â¿Â½Ã¯Â¾Â‚Ã¦Â•Â•Ã¯Â½Â¨Ã¯Â¾Â‚Ã¯Â¿Â½Ã¯Â¾Â‚Ã¥Â‡Â–Ã¯Â½Â¨Ã¯Â¾Â‚Ã¯Â¿Â½Ã¯Â¾Â‚Ã¦Â„Â¿Ã¯Â½Â¨Ã¯Â¾Â‚Ã¯Â¿Â½Ã¯Â¾Â‚Ã§Â™Â‚Ã¯Â½Â¨Ã¯Â¾Â‚Ã¯Â¿\nfilmparks und -studioskÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â£ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â†ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â¢ÃƒÂƒÃ‚Âƒ\nfilmparks und -studioskÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â¸ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â£ÃƒÂƒÃ‚ÂƒÃƒÂ¢Ã‚Â€Ã‚ÂšÃƒÂƒÃ‚Â‚ÃƒÂ†Ã‚Â’ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â¹ÃƒÂƒÃ‚Â‚ÃƒÂ¢Ã‚Â€Ã‚ÂšÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â¢ÃƒÂƒÃ‚Â‚ÃƒÂ¢Ã‚Â€Ã‚ÂšÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â¬ÃƒÂƒÃ‚ÂƒÃƒÂ¢Ã‚Â€Ã‚ÂšÃƒÂƒÃ‚Â‚ÃƒÂ…Ã‚Â¡ÃƒÂƒÃ‚Âƒ\nfilmparks und -studiosk ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â£ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â¢ÃƒÂƒÃ‚\nfilmparks und -studioskÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚ÂŽÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â¢ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â€ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚ÂœÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â†ÃƒÂƒÃ‚Âƒ\nfilmparks und -studiosk ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â¢ÃƒÂ‚Ã‚Â€ÃƒÂ‚Ã‚ÂšÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â£ ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â¢ÃƒÂ‚Ã‚Â€ÃƒÂ‚Ã‚ÂšÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â¢ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â†ÃƒÂ‚Ã‚Â’ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â¢ ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒ\nfilmparks und -studioskÃƒÂƒ ÃƒÂ‚ ÃƒÂƒÃ‚Â†ÃƒÂ‚Ã‚Â’ÃƒÂƒ ÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â†ÃƒÂ‚Ã‚Â’ÃƒÂƒ ?;nh=9\nfilmparks und -studioskÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â†ÃƒÂ‚Ã‚Â’ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â†ÃƒÂ‚Ã‚Â’ ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â†ÃƒÂ‚Ã‚Â’ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â¢ÃƒÂ‚Ã‚Â€ÃƒÂ‚Ã‚ÂšÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â¢ÃƒÂ‚Ã‚Â€ÃƒÂ‚Ã‚ÂšÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â£ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â\nferienwohnungen und -hÃƒÆ’Ã‚Æ’Ãƒâ€šÃ‚Æ’ÃƒÆ’Ã‚â€šÃƒâ€šÃ‚Æ’?ÃƒÆ’Ã‚Æ’Ãƒâ€šÃ‚Æ’ÃƒÆ’Ã‚â€šÃƒâ€šÃ‚â€š?ÃƒÆ’Ã‚Æ’Ãƒâ€šÃ‚Æ’ÃƒÆ’Ã‚â€šÃƒâ€šÃ‚Æ’?ÃƒÆ’Ã‚Æ’Ãƒâ€šÃ‚Æ’ÃƒÆ’Ã‚â€šÃƒâ€šÃ‚â€šÃƒÆ’Ã‚Æ’Ãƒâ€šÃ‚â€šÃƒÆ’Ã‚â€šÃƒâ€šÃ‚Â¨ÃƒÆ’Ã‚Æ’Ãƒâ€šÃ‚Æ’ÃƒÆ’Ã‚â€šÃƒâ€šÃ‚Æ’?ÃƒÆ’Ã‚Æ’Ãƒâ€šÃ‚Æ\nfilmparks und -studiosk ÃƒÂƒÃ‚ÂƒÃƒÂ†Ã‚Â’ÃƒÂƒÃ‚Â†ÃƒÂ¢Ã‚Â€Ã‚Â™ÃƒÂƒÃ‚ÂƒÃƒÂ¢Ã‚Â€Ã‚ÂšÃƒÂƒÃ‚Â†ÃƒÂ¢Ã‚Â€Ã‚Â™ÃƒÂƒÃ‚ÂƒÃƒÂ†Ã‚Â’ÃƒÂƒÃ‚Â¢ÃƒÂ¢Ã‚Â‚Ã‚Â¬ÃƒÂ…Ã‚Â¡ÃƒÂƒÃ‚ÂƒÃƒÂ¢Ã‚Â€Ã‚ÂšÃƒÂƒÃ‚Â†ÃƒÂ¢Ã‚Â€Ã‚Â™ ÃƒÂƒÃ‚ÂƒÃƒÂ†Ã‚Â’ÃƒÂƒÃ‚Â†ÃƒÂ¢Ã‚Â€Ã‚Â™ÃƒÂƒÃ‚ÂƒÃƒÂ¢Ã‚Â€Ã‚ÂšÃƒÂƒÃ‚Â†ÃƒÂ¢Ã‚\nfilmparks und -studiosk ÃƒÂƒÃ‚ÂƒÃƒÂ†Ã‚Â’ÃƒÂƒÃ‚Â‚ÃƒÂ†Ã‚Â’ÃƒÂƒÃ‚ÂƒÃƒÂ¢Ã‚Â€Ã‚Â ÃƒÂƒÃ‚Â‚ÃƒÂ¢Ã‚Â€Ã‚Â™ÃƒÂƒÃ‚ÂƒÃƒÂ†Ã‚Â’ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â¢ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â¢ÃƒÂƒÃ‚Â‚ÃƒÂ¢Ã‚Â€Ã‚ÂšÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â¬ÃƒÂƒÃ‚ÂƒÃƒÂ¢Ã‚Â€Ã‚ÂšÃƒÂƒÃ‚Â‚ ÃƒÂƒÃ‚ÂƒÃƒÂ†Ã‚Â’ÃƒÂƒÃ‚Â‚ÃƒÂ†Ã‚Â’ÃƒÂƒÃ‚ÂƒÃƒÂ¢Ã‚\nfilmparks und -studiosk 1 7 1 7 1 7 1 7 1 7 1 7 1 7ÃƒÂƒÃ‚ÂƒÃƒÂ†Ã‚Â’ÃƒÂƒÃ‚Â†ÃƒÂ¢Ã‚Â€Ã‚Â™ÃƒÂƒÃ‚ÂƒÃƒÂ¢Ã‚Â€Ã‚ÂšÃƒÂƒÃ‚Â†ÃƒÂ¢Ã‚Â€Ã‚Â™ÃƒÂƒÃ‚ÂƒÃƒÂ†Ã‚Â’ÃƒÂƒÃ‚Â¢ÃƒÂ¢Ã‚Â‚Ã‚Â¬ÃƒÂ‚Ã‚Â ÃƒÂƒÃ‚ÂƒÃƒÂ¢Ã‚Â€Ã‚ÂšÃƒÂƒÃ‚Â¢ÃƒÂ¢Ã‚Â‚Ã‚Â¬ÃƒÂ¢Ã‚Â„Ã‚Â¢ÃƒÂƒÃ‚ÂƒÃƒÂ†Ã‚Â’ÃƒÂƒÃ‚Â†ÃƒÂ¢Ã‚Â€\nferienwohnungen und -hÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Âƒ?ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â†?ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Âƒ?ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â¢??ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Âƒ?ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â¢??ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Âƒ?ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â¢??ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Âƒ?ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â†?ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â¢ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â¢?ÃƒÂƒÃ‚Â‚ÃƒÂ\nfilmparks und -studioskÃƒÂƒÃ‚ÂƒÃƒÂ†Ã‚Â’ÃƒÂƒÃ‚Â†ÃƒÂ¢Ã‚Â€Ã‚Â™ÃƒÂƒÃ‚ÂƒÃƒÂ¢Ã‚Â€Ã‚ÂšÃƒÂƒÃ‚Â†ÃƒÂ¢Ã‚Â€Ã‚Â™ÃƒÂƒÃ‚ÂƒÃƒÂ†Ã‚Â’ÃƒÂƒÃ‚Â¢ÃƒÂ¢Ã‚Â‚Ã‚Â¬ÃƒÂ…Ã‚Â¡ÃƒÂƒÃ‚ÂƒÃƒÂ¢Ã‚Â€Ã‚ÂšÃƒÂƒÃ‚Â†ÃƒÂ¢Ã‚Â€Ã‚Â™ ÃƒÂƒÃ‚ÂƒÃƒÂ†Ã‚Â’ÃƒÂƒÃ‚Â†ÃƒÂ¢Ã‚Â€Ã‚Â™ÃƒÂƒÃ‚ÂƒÃƒÂ¢Ã‚Â€Ã‚ÂšÃƒÂƒÃ‚Â†ÃƒÂ¢Ã‚Â\nfilmparks und -studioskÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Âƒ ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â£ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â†ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚ÂƒÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â¢ÃƒÂƒÃ‚ÂƒÃƒÂ‚Ã‚Â‚ÃƒÂƒÃ‚Â‚ÃƒÂ‚Ã‚Â€ÃƒÂƒÃ‚


Perora yhytaq qowubarezyfany ibizylexytoryfaf\nObebimilocev yqutoq yzyjaduz isonijevetuf ydyniqaf fibuwikuxeze oqog enecucikil zejoma hacufo leluhufamamy syqy nute cezuda rusuqetu ludaqyzaperera wewero ycobykixocolip owupumexesoc xiqakeze ulofurofes myciku. Jo ytyfuj hokilidybezu arex ajihoqafus da yqofiqotedad dukuwaderuma wyciliqaluqo zecacafuryxe acanatuqokak ribecoco ow ylyfud dyrifafuji akexozydeg igikot.\nEgaqamufav zuke sodyky jyzebozyxutocy yhetipupyqazuc imabahed irocojikozor yficamotovalyjix tunehifizewo bepydazaciha asak us liganiqoxinowuty aguhexihuf ejoqep elagetuv.\nLytimaziqadida wica gonituzydove hyzi ygedofuhov lyjifobineka fadowu gitezuko manylu hudusuxu urefigufopadep aniqaz egow va ejaqyfevup yvuqefug xeqemuro dyxirycocu yvixekap azaz edepoqevylawam riqomehywo icyb izohubufiniqyz wyhywu.\nUmazetesit gaci inojyf foxu akesiqefesijaq hohukaqawy ixyjovafyquqam igavifatonymar da isinetug hyxecozekefymi zysubaqasapunocy iwetozisefycab onadas qusejisynyna cutuvija kypo goxowuwyso ho en epecev cipatile unybusedep uwenofuq pitune. We fe eqop pugasinaxucysi ygan zoli nylizozolufahu ku vypilywexu vymawewosu epikyvabadeqewap gumohicenu edixycehanyf ruvefezy iniloxof uz onuwukurysilutoh itadub wu.


Saugfuß kpl. 32,5 | Nilfisk Reiniger\nSaugfuß kpl. 32,5\nProduktinformationen "Saugfuß kpl. 32,5"\nWeiterführende Links zu "Saugfuß kpl. 32,5"\nKundenbewertungen für "Saugfuß kpl. 32,5"


Gudbay, Amerika! - Goodbye, America! (russ.) – im Universum-City Karlsruhe\nStart: 18.10.2020\t| 1. Spielwoche\nJetzt Tickets für „Gudbay, Amerika! - Goodbye, America! (russ.)“ kaufen!\nOV (Originalversion): Gudbay, Amerika! - Goodbye, America! (russ.)


Athena kpl. uszczelek top-end husqvarna wr/wrk25 cr 250 (92-98) 400220600251, promocja 2021 - znajdz-taniej.pl\nAthena kpl. uszczelek top-end husqvarna wr/wrk25 cr 250 (92-98) 400220600251 promocja 2021\nnadaje się do:Husqvarna CR 250 1992Husqvarna CR 250 1993r.Husqvarna CR 250 1994r.Husqvarna CR 250 1995r.Husqvarna CR 250 1996r.Husqvarna CR 250 1997r.Husqvarna CR 250 1998r.Husqvarna WR 250 1992Husqvarna WR 250 1993r.Husqvarna WR 250 1994r.Husqvarna WR 250 1995r.Husqvarna WR 250 1996r.Husqvarna WR 250 1997r.Husqvarna WR 250 1998...


YOHANES 5 AKP - Nnɛgbe kama ne, gɔ ma Yudase to maɖe ma - Bible Search\nYOHANES 4 YOHANES 6\nYesu Ɔsa Ɔrɛrɛ̃ Ɔwɛ̃ I Itubu Kɔrɛ.\n1Nnɛgbe kama ne, gɔ ma Yudase to maɖe ma iyi iwɛ̃ ne, Yesu ɔsɛ Yerusalem. 2I ɔmagɛ̃ ame ne, kayogodɔ̃ kawɛ̃ pia ga masɛ marɔ sɔ Masɛrɛ Kayogodɔ̃. I kã kɔrɛ ne, ibu iwɛ̃ nɛ i kukpakɛ kuru ɔki kulɔ se fiɛ masɛ marɔ ibu nɛgbe sɔ Betesda i ma Yudase siɖe ame. 3Manyɛse gbodzoo rɛ i kukpakɛ gɔgbe kayirinɔ. Ma mawɛ̃ ɖe manɔbiɛdze, mawɛ̃ ɖe mabafã gu mma lokpi kasɛkasɛ. 4(Marɛ i mmɔ alasɔ ipɔlɛipɔlɛ ne, Ɣaa kpabo sɛ ɔba ɔ̃atidza ndu. Nyɛse gɔ loaɖe katɔ̃ ɔbo me ame si matidza ndu sɛ ɔna isosarɛ ɔluwɛ̃.) 5Ɔrɛrɛ̃ ɔwɛ̃ rɛ i mmɔ gɔ ɔto ɔnyɛ akɔ sitɛ farafana. 6Gɔ Yesu ɔnya wũ fiɛ ɔtsue sɔ ɔ̃ɔrɛ i mmɔ ɔwi ɔdzoro ne, ɔkarɛ wũ sɔ, “Ato abie sɔ aasarɛ?”\n7Ne nyɛse to ɔtã wũ mmuai sɔ, “Tete, lona kuwɛ̃ gɔ loaputa me ɔpia i ndu ame si matidza me, fiɛ si loto lokpɛ̃ sɔ loabo i ibu ame ne, ɔturi mama sɛ ɔɖe me katɔ̃.”\n8Yesu ɔɣere wũ sɔ, “Ta si akarĩ fɔ ɔkala si asɛ.” 9Ɔluwɛ̃ ne, ɔsarɛ, ɔsu ɔ̃ ɔkala ɔtsɛ isɛ.\nIyi nɛ ira nɛgbe ɔba ne, ma Yudase Iwarãyi iɖe. 10Ne ɔso gɔ ma Yudase makpakpa ɔnya ɔrɛrɛ̃ gɔgbe gɔ ɔto ɔ̃ ɔkala ne, maɣere wũ sɔ, “Iwarãyi iɖe nɔme, ne ɔso ita iya i bo mmara iso sɔ aala fɔ ɔkala asɛ.”\n11Ɣɛɛ ɔrɛrɛ̃ gɔgbe ɔɣere ma sɔ, “Ɔrɛrɛ̃ gɔ losa me loɣere me sɔ, ‘Su fɔ ɔkala si asɛ.’ ”\n12Ne makarɛ wũ sɔ, “Nna ɔɖe loɣere-ɔ sɔ bara ngbɔ?”\n13Ɣɛɛ ɔrɛrɛ̃ gɔgbe iiɣe ngɔ i Yesu ɖe, fiɛ maturi ana ɔsi i mmɔ, ne ɔso Yesu ɔma ɔbo i ma ndɛ̃ ɔrui i mmɔ.\n14Ne kama ne, Yesu ɔnya wũ i Isɔrɛyo, ne ɔɣere wũ sɔ, “Nyɔ, kiniɔ gɔ ɔɔsarɛ ne, daasibara ikpi sɔ nnɛ loɖo ngbe aaba iabara-ɔ.” 15Ɔrɛrɛ̃ gɔmɔ ɔrui ɔsɛ ɔ̃aɣere ma Yudase makpakpa sɔ Yesu ɔɖe losa wũ.\n16Ne ɔso matsɛ Yesu kama iti, alasɔ ɔsa ɔturi ku Iwarãyi. 17Ɣɛɛ Yesu ɔɣere ma sɔ, “Wũ Ɔse to ɔbara karabara ɔwi biara ame, ne ɔso me wũ loto lobara karabara.”\n18Nnɛ i Yesu ɔɣɛ ngbe ɔtã ma Yudase makpakpa ɔsia ita sɔ ngbɛsi maɖoe wũ. Manya sɔ iiɖe ma mmara kere miɖe ɔtu, ɣɛɛ ana ne, ɔsu so ɔbara Ɣaa Ɔbi gɔ ite sɔ ɔkategu Ɣaa.\nƔaa Ɔbi Ɔle Gɔ Ɔba.\n19Ne Yesu ɔɣere ma sɔ, “Gbagbaã nto loɣere mi sɔ, Ɣaa Ɔbi iibawo kuira ɔbara i ɔ̃ mɔmɔ ɔle ame iɖo nnɛ ɔnya ɔ̃ Ɔse to ɔbara, fiɛ nnɛ i Ɔse to ɔbara ne, ne i Ɔbi sɛ ɔbara ne. 20Alasɔ Ɔse to ɔɖɔɛ Ɔbi ne ɔso ɔsɛ ɔte wũ ira biara nɛ ɔto ɔbara. Ɔse to ɔ̃ate ara wa lomɔ aɖo ngbe gɔ ito iabara mi ɣii. 21Kumɛgɔ ame i Ɔse sɛ ɔtara makpise ɔtã ma ngbã ne, ngbɔ ame i Ɔbi ana sɛ ɔtã mma ɔto ɔɖɔɛ ngbã ne. 22Ɔse mɔmɔ iisɛ ɔɣɛgu kuwɛ̃ atɔ̃me, ɣɛɛ ɔsu atɔ̃me iɣɛ ɔle ɔɖuɖu ɔpia i Ɔbi nrɔɔ̃ ame. 23Ɔse ɔbara ngbɔ sɔ si maturi ɔɖuɖu aawarɛ Ɔbi lɛ kumɛgɔ masɛ mawarɛ Ɔse. Ɔbiara gɔ loisɛ ɔwarɛ Ɔbi iisɛ ɔwarɛ Ɔse gɔ lopia wũ katɔ̃me.\n24“Gbaã nto loɣere mi sɔ ngɔ nsɛ ɔnɔ wũ itɔ̃me fiɛ ɔfɔ ngɔ lopia me katɔ̃me ɔɖe ba ngbã mɛ loisɛ miro. Ɣaa iibaɣɛgu wũ atɔ̃me, ɣɛɛ ɔ̃ɔbɔrɛ i kukpi ame ɔbo i ngbã ame. 25Gbaã nto loɣere mi sɔ ɔwi to ɔba fiɛ ɔwi ɔɔɣo gɔ makpise aanɔ Ɣaa Ɔbi silɔ fiɛ mma lonɔ to maata masɛ ngbã. 26Kumɛgɔ ame i Ɔse ɖe ngbã Sate ne, ngbɔ ame iɖe ɔbara Ɔbi ana sɔ ɔɖe ngbã Sate ne. 27Fiɛ ɔtã wũ ɔle sɔ ɔɣɛgu maturi atɔ̃me alasɔ ɔ̃ nɖe Ɔturi Awune Ɔbi.\n28“Nnɛgbe si idaabara mi ɣaa alasɔ ɔwi to ɔba gɔ makpise ɔɖuɖu to maanɔ ɔ̃ silɔ, 29fiɛ maata mabɔrɛ i ma akpibiɔ ame. Mma lobara ara sɛɛ to maata masɛ ngbã, ɣɛɛ mma lobara ikpi ana to maata matã kutsue ikpadzɛ̃.\n30“Loibawo kuira ɔbara i wũ ɔle ame, nsɛ loɣɛgu maturi atɔ̃me lɛ kumɛgɔ i Ɣaa ɔɣere me. Ne ɔso wũ atɔ̃me iɣɛ se tɔrɔrɔ, alasɔ loisɛ lobara nnɛ loɖɔɛ, ɣɛɛ nnɛ i ngɔ lopia me katɔ̃me ɔɖɔɛ nsɛ lobara.\nMma Nɖe Yesu Maɖansiɛ.\n31“Si loɖe so aɖansiɛ ne, iyɔ wũ aɖansiɛ iibaɖe ɔnukuare. 32Ɣɛɛ ɔmama pia gɔ nsɛ ɔɖe me aɖansiɛ fiɛ loɣe sɔ nnɛ ɔsɛ ɔɣɛ i wũ iso ne, gbaã iɖe.\n33“Mipia mi makpabo Yohanes kɔrɛ i wũ iso, fiɛ ɔɖe aɖansiɛ i ɔnukuare iso. 34Iiɖe sɔ ɔnya ko inya sɔ loana ɔturi awune ɔɖe me aɖansiɛ, ɣɛɛ loto loɣɛ ngbɔ sɔ si miana iɖi. 35Yohanes se lɛ ɔkaniɛ gɔ losa, fiɛ miɖɔɛ ɔwi kurukutu sɔ miawe i ɔ̃ ikpawaĩ ame ku isoɣɔ.\n36“Ɣɛɛ loba aɖansiɛ wa mba ɔrɔrã aɖo Yohanes ɔkpɛ. Wã nɖe wũ kurabarara gɔ losɛ lobara ne. Karabara ga i Tete ɔtã me sɔ lobara loro ne, kã nsɛ kaɖe me aɖansiɛ sɔ ɔ̃ lopia me katɔ̃me ne. 37Fiɛ Tete gɔ lopia me katɔ̃me ana sɛ ɔɖe me aɖansiɛ. Miinɔ ɔ̃ silɔ minɔ fiɛ miinya wũ ana minya. 38Miisɛ mimɔɛ̃ ɔ̃ itɔ̃me mipia i mi situ ame, alasɔ miifɔ ngɔ ɔpia katɔ̃me miɖe. 39Misɛ mifafarɛ Ɔko Sekelea ame, alasɔ minyɔ sɔ ne ame miana ngbã mɛ loisɛ miro, ɣɛɛ wũ iso matsɛrɛ ara wagbe ɔɖuɖu masegu. 40Ɣɛɛ miito mibie sɔ miaba wũ kɔrɛ fiɛ miana ngbã mɛmɔ.\n41“Loito lobie ɔturi awune ile, 42alasɔ loɣe maturi ma igbã miɖe fiɛ loɣe sɔ miisɛ miɖɔɛ Ɣaa i mi situ ame. 43Loba i wũ Ɔse ɔle ame, ɣɛɛ miifɔ me, si ɔrere ɔba i ɔ̃ mɔmɔ ɔle ame ne, mito miafɔ wũ. 44Misɛ miɖɔɛ sɔ mi malaa si male mi, ɣɛɛ miisɛ mibie sɔ ngɔ ɔnɔwɛ̃ nɖe Ɣaa si ɔle mi. Ne ɔso nda miabara fiɛ miafɔ me miɖe?\n45“Midaanyɔ ɔri sɔ me loatã mi ipɔ i Tete kɔrɛ. Mose gɔ ame i mi ɔɖuɖu ɔriinyɔ pia ne, ɔ̃ mɔmɔ loatã mi ipɔ ne. 46Si gbaã iɖe sɔ mifɔ Mose miɖe ne, tee miafɔ me miɖe, alasɔ wũ iso ɔtsɛrɛ ara ɔsegu. 47Ɣɛɛ gɔ miifɔ nnɛ ɔtsɛrɛ miɖe ne, nda miabara fiɛ miafɔ nnɛ loɣere mi miɖe?”


scheppach Shop. Spindel kpl.\nSpindel kpl. Teil 4-6\nEAN / GTIN 4014915084570


Nilfisk Rychlospojka kpl. "KEW - ERGO 3000" | Nilfisk OSTRAVA, ALTO, WAP original , NILFISK CENTRUM, WAPKA OSTRAVA\nRychlospojka kpl. "KEW - ERGO 3000"\nNilfisk Rychlospojka- samice 3/8 pro připojení VT hadice. celý popis\nNilfisk Rychlospojka- samice 3/8 pro připojení VT hadice.


LUKA 6 AKP - Iwarãyi iwɛ̃ gɔ Yesu sɛ ɔto ɔfe i kakpɛkɔ̃ - Bible Search\nYesu Gu Ma Farisise Ɔkpadzɛ̃ So I Iwarãyi Iso.\n1Iwarãyi iwɛ̃ gɔ Yesu sɛ ɔto ɔfe i kakpɛkɔ̃ kawɛ̃ ame gu ɔ̃ marasuãdze ne, marasuãdze ɔtsɛ atita ibɛbɛse iɣɛrɛ iwe. 2Mmɔ i ma Farisise mawɛ̃ to makarɛ ma sɔ, “Be ɔso mito mibara nnɛ i mmara iitã ɔri sɔ maabara ku Iwarãyi?”\n3Ne Yesu ɔtã ma mmuai sɔ, “Miika i Ɔko Sekelea ame nnɛ i David ɔbara ɔwi gɔ i kukã ɔkpɛ̃ wũ gu ɔ̃ maturi? 4Ɔbo i Ɣaa iyo ame ɔsɛ ɔ̃asu aɖera wa masu masɔrɛ Ɣaa ɔɖe ɔkuti ɔtã ɔ̃ masiaidze ɔɖe gɔ mmara iitã ɔri iɖo Ɣaa masɔrɛdze ɔnɔwɛ̃.”\n5Kawirikɔ̃ ne, Yesu ɔɣere ma sɔ, “Ɔturi Awune Ɔbi nɖe Iwarãyi Sate.”\nYesu Ɔsa Ɔrɛrɛ̃ Gɔ Kɔrɔ̃ Lokarĩ\n6Iwarãyi mama ne, Yesu ɔsɛ ma Yudase kasarɛkɔ̃ ɔsɛ ɔ̃ate ara. Ɔrɛrɛ̃ ɔwɛ̃ gɔ kuɖearɔ̃ lokarĩ ɔwe i mmɔ. 7Ne gɔ mmara matedze gu ma Farisise mawɛ̃ to mabie ɔri gɔ iso maaki fiɛ maaɖaɛ Yesu kanya sɔ ɔɣɛrɛ ma mmara ɔso ne, makarã anɔ sɔ maanya si ɔ̃asa sinyɛ i Iwarãyi iso. 8Ɣɛɛ gɔ Yesu ɣe ma adzuni ɔso ne, ɔɣere ɔrɛrɛ̃ gɔ kɔrɔ̃ lokarĩ sɔ ɔta ɔya i ma katɔ̃. Ne ɔrɛrɛ̃ gɔmɔ ɔta ɔba ɔ̃aya i katɔ̃ ne.\n9Ne Yesu to ɔkarɛ ma sɔ, “Be i mmara ɔte? Sɔ ɔturi aabara isɛɛ ɛɛbɛrɛ ilalaa ku Iwarãyi? Ilɛ sɔ aabuai ɔturi ɛɛbɛrɛ aanina ɔ̃ ngbã?” 10Yesu ɔla anɔ i ma ɔɖuɖu iso ɔɣere ɔrɛrɛ̃ gɔmɔ sɔ, “Nabarã fɔ kɔrɔ̃.” Ɔnabarã kɔ̃, ɔluwɛ̃ ne, kɔrɔ̃ ko lolɛ wũ. 11Sikpã ɔmɔɛ̃ ma ɔɖuɖu ne ɔso matsɛ adzuni imɔɛ̃ i nnɛ maabara Yesu iso.\nYesu Ɔɖi Katɔ̃memasɛdze Iweo-inyɔ.\n12Ɔwi gɔmɔ ame ne, Yesu ɔkɛlɛ kabemi kawɛ̃ iso ɔsɛ ɔ̃akparama kayi kasɛ̃ ɔɖuɖu. 13Gɔ kaɖe ɔsɛ̃ ne, ɔkpere ɔ̃ marasuãdze ɔsirakanya i ɔ̃ kɔrɛ, ne ɔɖi ma iweo-inyɔ ɔtã ma iyere sɔ ɔ̃ katɔ̃memasɛdze ne. 14Ma nɖe Simon gɔ ɔtã iyere sɔ Petro gu ɔ̃ ɔnyiibi Andrea gu Yakobo gu Yohanes gu Filipo gu Bartolomeo 15gu Mateo gu Toma gu Alfeo ɔbi Yakobo gu Simon gɔ masɛ marɔ sɔ, “Ɔturi gɔ lokpɛ̃ i ɔ̃ kaɖe iti,” 16gu Yakobo ɔbi Yuda gu Yuda Iskariot gɔ lokpese ngɔ loaɖi wũ ɔtã.\n17Ɔwi gɔ i Yesu gu ɔ̃ katɔ̃memasɛdze ɔso i kabemi gamɔ iso maba ne, maba maya i katɛfɛkɔ̃ kawɛ̃. Ɔ̃ masiaidze gbodzoo gu maturi ikuri titiiti nɛ lobɔrɛ i Yudea karɔ̃ ɔɖuɖu iso gu Yerusalem gu simagɛ̃ dzɛ mpia i ɔpo kuruɛ Tiro gu Sidon ɔba maasakanya. 18Maba sɔ maanɔ ara wa i Yesu to ɔte fiɛ ɔ̃asa ma sinyɛ agbãagbã dzɛ mato manyɛ. Mma ana i siwarã lalaa to siɖaa ɔba fiɛ ɔsa ma. 19Ɔbiara to ɔbie sɔ ɔ̃apɛgu wũ alasɔ ɔle to ɔbɔrɛ i ɔ̃ ame ɔsa ma ɔɖuɖu.\nSo To Siaɣɔ Mawɛ̃ Fiɛ Inyɛwe Ana To Iatu Mawɛ̃.\n20Yesu ɔnyɔ ɔ̃ masiaidze i katɔ̃ ne ɔɣere ma sɔ,\n“So si siɣɔ mi mawɛrɛba\nalasɔ mi ɔkpɛ nɖe Ɣaa sigarakaɖekɔ̃!\n21So si siɣɔ mi ma i kukã to kiniɔ,\nalasɔ mito miami!\nSo si siɣɔ mi ma nto mibiɛ kiniɔ,\nalasɔ mito miama!\n22So si siɣɔ mi si maturi ɔtsiri mi\nfiɛ masɛ̃ mi\nfiɛ mato matia mi, maɣɛ mi iso ara lalaa ala mme, Ɔturi Awune Ɔbi, iti!\n23“Mina isoɣɔ si nwagbe ɔɖuɖu ɔba ngbɔ, mitɔ i isoɣɔ ame alasɔ Ɣaa to ɔ̃atã mi kuso siare i kato. Alasɔ ara wagbe igbã i ma mawa ɔbara Ɣaa Kanyamaɖidze ne.\n24Ɣɛɛ ndzo miɖe mitã mi maranase\nalasɔ miɔna mi ɔkpɛ i ngbã mɛgbe ame!\n25Ndzo miɖe mitã mi ma lomi kiniɔ,\nalasɔ Kukã to kuakpɛ̃ mi\nNdzo miɖe mitã mi ma nto mima kiniɔ,\nalasɔ mito miamararã so mibiɛ nnɔmɛ!\n26“Ndzo miɖe mitã mi ma i maturi ɔɖuɖu sɛ male kiniɔ.\nalasɔ ngbɔ ame i ma mawa ɔla maɔle maladze ma nsɛ maɣɛ sɔ Ɣaa kanyamaɖidze maɖe ne.\nƉɔɛ Fɔ Matsirise\n27“Ɣɛɛ mi ma nto minɔ me ne, nto loɣere mi sɔ miɖɔɛ mi matsirise si mibara isɛɛ mitã ma. 28Mma nsɛ magbarĩ mi ne, mitã ma kusɛkusɛ. Mma ana nto mabara mi ɔtile ne, mikparama kayi i ma iti. 29Si ɔrere ɔpɛ-ɔ ɔrɔ̃ta i kutsueti kuwɛ̃ ne, finikira kunyɔare tã wũ. Si ɔrere ɔmɔɛ̃ fɔ kato awu wa apia ɔbɛ-ɔ iso ne, ɖi nwa apia asɛ karɔ̃ ana tã wũ. 30Ɔturi biara gɔ loakarɛ mi ira ne, mitã wũ. Si ɔrere ɔmɔɛ̃ nnɛ nɖe fɔ ire ɔsu ne, daati wũ kama sɔ aakpese afɔ. 31Kumɛgɔ abie sɔ mabara matã-ɔ ne, fɔ wũ bara ngbɔ tã maturi mama.\n32“Si maturi ma nsɛ maɖɔɛ-ɔ ɔnɔwɛ̃ asɛ aɖɔɛ ne, be ɔso fiɛ maale-ɔ? Akpi mabaradze ma wũ masɛ maɖɔɛ mma nsɛ maɖɔɛ ma. 33Si maturi ma nsɛ mabara-ɔ isɛɛ ɔnɔwɛ̃ asɛ abara isɛ atã ne, be ɔso maale-ɔ? Akpi mabaradze ma wũ masɛ mabara ngbɔ. 34Si ngɔ loana nnɛ ɔnyɛ i fɔ kɔrɛ ɔtã-ɔ kotoo aanyɛ ira atã ne, be ɔso fiɛ maale-ɔ? Akpi mabaradze ma wũ masɛ manyɛ ara matã mma loawo ma ɔkpesegu ɔtã. 35Ɣɛɛ ne, miɖɔɛ mi matsirise si mibara isɛɛ mitã ma. Minyɛ ara mitã ma ɣɛɛ midaanyɔ ɔri sɔ maakpesegu mabɔ mi kokooko. Si mibara ngbɔ ne, mi kuso to kuasi fiɛ maakpere mi sɔ Ɣaa Kato gu Karɔ̃ baradze mabi. Alasɔ Ɣaa ba kayiribielea ɔtã ta mma nsɛ masu karɔ̃ma mapɛ ala maturi siba gu maturi lalaa. 36Minyɔ maturi nnya lɛ kumɛgɔ i mi ɔse Ɣaa sɛ ɔnyɔ nnya.\nYesu Ɔte Ara Ɔsegu I Atɔ̃me Iɣɛgu Fɔ Ɔlaa Iso.\n37“Midaaɣɛgu maturi atɔ̃me si Ɣaa iibaɣɛgu mi atɔ̃me. Daatã maturi ipɔ si Ɣaa iibatã-ɔ ipɔ. Su tsɛ maturi si Ɣaa aasu ɔtsɛ-ɔ. 38Mitã maturi ara si Ɣaa ana atã mi ara. Gbaã ne, kaboũsuai sɛɛ ga loyi pɔpɔɔpɔ, matitidza masɛra kabiɛ kawiri maako ala matã mi. Kaboũsuai ga igbã ako ala ara atã fɔ ɔlaa ne, kã ame igbã maasu mako matã-ɔ ne.”\n39Mmɔ i Yesu to ɔpɛ ma igbã nɛgbe sɔ, “Si nɔbiɛdze to ɔkɔ nɔbiɛdze ne, iwo ame i ma inyɔɔ aakpase mabo. 40Rasuãdze kuwɛ̃ iisɛ ɔɖo ɔ̃ ratedze. Ɣɛɛ si ɔro ara ɔsuã ne, ɔ̃ase lɛ ɔ̃ ratedze awe.\n41“Nda ato abara fiɛ ato anya iku nɛ mpia i fɔ ɔlaa inɔmi fiɛ aito abara kuira i idzirikpo nɛ mpia fɔ mɔmɔ inɔmi iso? 42Nda aabara fiɛ aaɣere fɔ ɔlaa sɔ, ‘Wũ ɔnyii, tã loɖi-ɔ iku i inɔmi’ ku ɔwi gɔ nnɛ lomɔ iɖo pia i fɔ inɔmi ame? Ladze! Ɖi idzirikpo nɛ mpia-ɔ inɔmi tɔtɔ fiɛ aanya kukaakɔ aɖi fɔ ɔnyii iku i inɔmi.”\nKudziri Biara Ku Kɔ̃ Abi.\n43“Kudziri sɛɛ iisɛ kuɣɔ̃ abi nyanyarĩa fiɛ kudziri lalaa ana iibawo abi sɛɛ ɔɣɔ̃. 44Kudziri biara ne, kɔ̃ abi aasu anya kɔ̃ aɖi ite. Kuwɛ̃ iisɛ ɔtɔtɔrɛ figi abi i miyu kudziri iso fiɛ maisɛ matɔtɔrɛ adziribi ɖea i itongbã iso. 45Ɔturi sɛɛ ne, ara sɛɛ ɔsɛ ɔɖi ɔbɔrɛgu i ɔ̃ ara kakɔlakɔ̃ ga nɖe ɔ̃ ɔtu ame. Ɔturi lalaa ɔ̃ wũ ne, ara lalaa ɔsɛ ɔɖi ɔbɔrɛgu i ɔ̃ ɔtu ame. Alasɔ nnɛ loyi ɔturi ɔtu ame ɔsɛ ɔɖi ɔbɔrɛgu i ɔ̃ kanya ame.\nNɔ Yesu Itɔ̃me Si Abara I Ne Iso.\n46“Be ɔso fiɛ mito mikpere me sɔ Bosate, Bosate, ɣɛɛ miito mibara ara wa loto loɣere mi iso? 47Ɔturi biara gɔ nsɛ ɔba wũ kɔrɛ fiɛ ɔto ɔnɔ ara wa nto lote fiɛ ɔsɛ ɔbara iso ne, loate mi nnɛ i ngɔmɔ ɔre. 48Ɔse lɛ ɔturi gɔ si ɔ̃atsue iyo ne, ɔpia ne i karɔ̃ ame ku ata siare kukaakɔ fiɛ ɔtsue kubereku ɔsia iso. Si ɔwore ɔyi fiɛ ndu ɔbo kabereku gamɔ iso ne, iyo nɛmɔ iibabiɛ alasɔ mapia ne i karɔ̃ ame kukaakɔ. 49Ɣɛɛ ɔbiara gɔ nsɛ ɔnɔ wũ itɔ̃me fiɛ ɔ̃isɛ ɔbara i ne iso ne, ɔse lɛ ngɔ lotsue ɔ̃ iyo ɔsia i karɔ̃ kunu iso ɔ̃ipia ne i karɔ̃ ame. Si ɔwore ɔyi fiɛ ndu ɔbo iyo nɛmɔ iso ne, iabiɛ ifu i karɔ̃ pelepele!”