Isletim Sistemleri - Sayfa 2 - Mercekport.net Kullan�c� Ad�n�z Beni hat�rla �ifreniz PORTAL FORUM VIDEOLAR MERCEK CAFE ALB�M PAYLA�IMLAR FULL ALB�M Mercekport.net > Bilgisayar,Internet ve �sletim Sistemleri > �nternet ve Bilgisayar > Isletim Sistemleri\nIsletim Sistemleri Isletim sistem Yenilikleri, Haberleri ve Isletim sistemleri hakkinda bilgi paylasimi (Yasal Olmayan Sistem paylasimi yapilmaz, bu t�r acilmis konular silinir.) Sayfa 2 Toplam 26 Sayfadan < 1 2 3412 > Sonuncu » Forumda bulunan Konular, Forum ismi : Isletim Sistemleri Se�enekler Konu /\nKonuyu Ba�latan Son Mesaj Izl. Cvp. Format atmadan bilgisayar�n�z� h�zland�r�n AloneLord 26.02.14 14:24\nby AloneLord 421 0 Windows 8.1 Ba�lat Men�s� AloneLord 26.02.14 14:20\nby AloneLord 325 0 Xp'de System Dosyalar�n� onarmak AloneLord 29.01.14 09:13\nby AloneLord 111 0 Windows 8 Ses Sorunu ��z�m� AloneLord 29.01.14 09:06\nby AloneLord 190 0 Harddisk (HDD) Nedir? Nas�l �al���r? AloneLord 27.01.14 12:21\nby AloneLord 166 0 Bilgisayar Montaji AloneLord 27.01.14 12:12\nby AloneLord 130 0 57 Adet Pc Ders Kitab� (Frontpage, Asp, Delphi, Ftp, Html, Java, Flash, Php vs) ( 1 2 3) KlaS 12.01.14 22:43\nby slhtc 1.189 11 Windows xp internet h�z s�n�rlamas�n� kald�rmak AloneLord 15.12.13 02:59\nby AloneLord 179 0 Bilgisayar A�� ve A� T�rleri AloneLord 15.12.13 02:56\nby AloneLord 161 0 Bilgisayar�n Par�alar� AloneLord 15.12.13 02:48\nby AloneLord 162 0 Regedit nedir, Full Regedit ayarlar� AloneLord 13.12.13 23:24\nby AloneLord 258 0 Modemlerdeki Hatalar Ve Onar�m� AloneLord 20.10.13 16:25\nby AloneLord 126 0 F8 Kullanmadan ��letim Sistemini G�venli Modda A�mak AloneLord 20.10.13 16:23\nby AloneLord 148 0 G�rev �ubu�unun Bildirim Alan�n� Temizlemek AloneLord 20.10.13 16:19\nby AloneLord 87 0 ��lemci So�utma �e�itleri ,So�utman�n �nemi ve So�utma Malzemeleri AloneLord 03.10.13 23:34\nby AloneLord 228 0 Sayfa 2 Toplam 26 Sayfadan < 1 2 3412 > Sonuncu » Se�enekler Arama Bu Forumu okunmu� kabul et Ana Forumu g�ster Arama : Geli�mi� Arama Yap T�m Zaman Ayarlar� GMT +2 olarak d�zenlenmi�tir. �uan Saat: 12:45. -- English (US) -- T�rk�e Mercekport.net -


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bt F1 Tráiler del thriller experimental Like Me\nTráiler para el thriller Like Me, que como podemos ver, es bastante experimental y surrealista. Se trata del debut de Robert Mockler, que además escribe y produce el film sobre el lado oscuro de internet.\nNo cuesta mucho reconocer en el tráiler a Larry Fessenden, y además encontraremos a Addison Timlin como Kiya, Ian Nelson y Jeremy Gardner entre otros.\nNuevo tráiler para la experimental Like Me Tráiler para el thriller Tank 432 Tráiler del thriller coreano Minority Opinion Tráiler del thriller 88 con Katherine Isabelle


Fakel Voronezh statistics, latest results and form 2021/2022\n21 May Baltika - Fakel Voronezh 0 - 1\n0 - 1 R. Akbashev (50)\nM. Tishkin (67)\nM. Kascelan (70)\nV. Dyadyun (80)\nA. Mendel (84)\nA. Gorodovoy (90)\n15 May M. Lipetsk - Fakel Voronezh 1 - 2\n0 - 1 A. Dashayev (35)\nA. Ivankov (40)\n0 - 2 O. Dmitriev (43)\nV. Babaev (57) 1 - 2\nY. Zavezen (58)\nR. Voydel (61)\nD. Velikorodnyy (69)\nO. Dmitriev (75)\nK. Appaev (90)\n11 May Fakel Voronezh - Kamaz 1 - 0\nM. Maksimov (14)\nR. Yanushkovskiy (17)\nA. Dashayev (37) 1 - 0\nA. Smirnov (53)\nA. Mendel (61)\nN. Zamaliev (79)\nD. Shepilov (85)\nV. Paltsev (90)\n7 May Fakel Voronezh - V. Astrakhan 1 - 0\nA. Gilyazetdinov (28)\nM. Maksimov (56) 1 - 0\nO. Dmitriev (62)\nR. Loktionov (65)\nR. Magal (78)\nK. Appaev (80)\nA. Shavaev (84)\nD. Kozlov (85)\nV. Demjanov (88)\n23 Apr Fakel Voronezh - O.-Dolgoprudny 1 - 0\nK. Appaev (41)\nM. Maksimov pen. (52) 1 - 0\nN. Dorofeev (54)\nD. Kutin (75)\nN. Pejcinovic (86)\nA. Korotaev (90)\n16 Apr Tekstilshchik - Fakel Voronezh 0 - 5\n0 - 1 M. Maksimov (11)\n0 - 2 M. Maksimov (20)\n0 - 3 A. Shavaev (28)\nV. Cherov (37)\nG. Gogrichiani (44)\n0 - 4 M. Maksimov pen. (51)\nA. Shavaev (73)\n0 - 5 M. Maksimov (76)\nD. Malaniya (85)\n10 Apr Fakel Voronezh - A. Vladikavkaz 2 - 1\nK. Khosonov (29)\nO. Dmitriev (35)\nM. Maksimov (39) 1 - 0\nD. Kobesov (43)\nM. Maksimov pen. (61) 2 - 0\n2 - 1 V. Khubulov (64)\nK. Khosonov (84)\nTotal 38 23 5 10\nPoints per Game 1.95 2.63 +34.9%\nFakel Voronezh's progression (home & away)\nWith the 0-1 away win at Baltika, Fakel Voronezh are on a 4-match winning run in the league. The team has won 7 of their last 8 matches in Russia - FNL. Fakel Voronezh have conceded an average of 0.87 goals per game since the beginning of the season in the league. Fakel Voronezh form stats indicate an average number of goals conceded per game of 0.50 in the last 8 league matches, which is 42.5% lower than their current season's average.\n10 Jul Fakel Voronezh 3 - 3\nR. Akbashev (32) 1 - 0\nR. Akbashev (39) 2 - 0\nS. Dzhamilov (43)\nA. Mendel (48)\n2 - 1 Y. Kazaev (59)\nM. Maksimov (61) 3 - 1\n3 - 2 Y. Kazaev (68)\n3 - 3 M. Markovic pen. (89)\nI. Alshin (90)\nS. Bryzgalov (90)\nBaltika + - - 2-0 stats\n31 Jul Orenburg 0 - 2\n0 - 1 S. Bryzgalov (45)\nA. Shabolin (57)\n0 - 2 V. Cherov (79)\nM. Smirnov (80)\nK. Kaplenko (82)\nI. Gruznov (90)\nJ. Fameyeh (90)\nA. Ektov (90)\nFakel Voronezh - + - 0-1 stats\n8 Aug Fakel Voronezh 1 - 0\nK. Savichev (18)\nR. Akbashev (26) 1 - 0\nV. Cherov (56)\nV. Babaev (73)\nE. Pesegov (76)\nI. Zuev (90)\nI. Rogac (90)\n14 Aug Neftekhimik 3 - 0\nM. Shorkin (3) 1 - 0\nO. Dmitriev (8)\nR. Denisov (45) 2 - 0\nR. Magal (48)\nR. Akbashev (59)\nV. Galiulin (68)\nD. Emelyanov (80) 3 - 0\nM. Shiryaev (82)\nN. Kalugin (83)\nFakel Voronezh + - + 2-0 stats\n21 Aug Fakel Voronezh 1 - 0\nM. Maksimov pen. (21) 1 - 0\nA. Mendel (24)\nS. Makarov (27)\nV. Cherov (32)\nI. Shkolik (85)\nM. Smirnov (87)\nB. Kavtaradze (90)\n29 Aug Kamaz 2 - 1\nA. Kulikov (14)\nV. Svezhov (27)\n0 - 1 A. Mendel (41)\nR. Yanushkovskiy (61) 1 - 1\nR. Akbashev (67)\nR. Yanushkovskiy (71)\nO. Kalugin (74)\nE. Voronin (75) 2 - 1\nA. Gagloev (84)\nS. Bryzgalov (86)\nR. Osmanov (90)\n15 Sep Fakel Voronezh 3 - 1\nR. Magal (27) 1 - 0\nK. Suslov (37) 2 - 0\nK. Appaev (49) 3 - 0\n3 - 1 A. Lomakin (61)\nA. Lomakin (64)\nM. Maksimov (65)\nN. Pejcinovic (78)\nA. Kulishev (89)\nYenisey + - - 2-0 stats\n19 Sep Urozhay 0 - 4\nO. Shalaev (8)\nA. Tochilin (13)\nA. Rybin (14)\nV. Masternoy (16)\n0 - 1 K. Appaev (34)\nR. Gigolaev (39)\nM. Lauk (45)\nA. Dashayev (45)\n0 - 2 A. Razborov (51)\nA. Mendel (55)\n0 - 3 A. Razborov (65)\nA. Gritsaenko (85)\n0 - 4 M. Maksimov (88)\nFakel Voronezh + + - 0-1 stats\n29 Sep A. Vladikavkaz 1 - 0\nD. Kobesov (18) 1 - 0\nA. Mendel (39)\nV. Khubulov (62)\nB. Magomedov (66)\nK. Kochiev (73)\nK. Khosonov (77)\nA. Bagaev (87)\nFakel Voronezh - - + 1-0 stats\n3 Oct Fakel Voronezh 3 - 0\nK. Appaev (20) 1 - 0\nR. Magal (45)\nM. Maksimov (54) 2 - 0\nR. Akbashev (78) 3 - 0\nA. Goryushkin (86)\n9 Oct O.-Dolgoprudny 2 - 0\nK. Bolshakov (17)\nA. Shavaev (38)\nA. Shavaev (44)\nR. Akbashev (49)\nD. Yanov (68) 1 - 0\nJ. O. Adah (74) 2 - 0\nR. Kosyanchuk (80)\nFakel Voronezh - - + 0-0 stats\nSKA Khabarovsk - - + 0-1 stats\n17 Oct V. Astrakhan 0 - 2\nA. Simonyan (5)\nK. Suslov (9)\nA. Nikitin (12)\nR. Loktionov (18)\nA. Mendel (37)\nA. Simonyan (38)\nV. Masternoy (44)\nM. Maksimov (47)\n0 - 1 A. Shavaev (75)\n0 - 2 A. Razborov (76)\nR. Loktionov (82)\nD. Shepilov (86)\nFakel Voronezh - + - 0-0 stats\n23 Oct Fakel Voronezh 3 - 2\nN.A 19 (3)\nM. Maksimov (22) 1 - 0\nM. Maksimov (26) 2 - 0\nA. Ovchinnikov (30)\nO. Dmitriev (42)\n2 - 1 A. Arustamyan (45)\nE. Frolov (62)\nM. Sazonov (63)\nV. Cherov (64) 3 - 1\nY. Zavezen (64)\nA. Shavaev (67)\n3 - 2 A. Kutjin (90)\nM. Lipetsk + - - 2-1 stats\n13 Nov Fakel Voronezh 1 - 0\nE. Goshev (o.g.) (26) 1 - 0\nK. Appaev (32)\nA. Ektov (72)\nS. Breev (89)\nA. Kulishev (90)\nOrenburg - + - 1-0 stats\n17 Nov Akron 2 - 0\nN. Pejcinovic (12)\nK. Bazelyuk pen. (13) 1 - 0\nR. Magal (49)\nA. Deljkin (57)\nO. Dmitriev (64)\nM. Palienko (64)\nA. Mendel (75)\nA. Nikitin (79)\nK. Giraev (84) 2 - 0\n21 Nov Fakel Voronezh 3 - 1\nA. Mendel (4)\n0 - 1 R. Denisov (7)\nM. Shiryaev (o.g.) (18) 1 - 1\nK. Appaev (45) 2 - 1\nK. Suslov (61)\nA. Dashayev (77) 3 - 1\nNeftekhimik + - - 2-1 stats\n27 Nov Rotor Volgograd 1 - 2\n0 - 1 R. Akbashev (3)\nK. Mullin (32) 1 - 1\n1 - 2 M. Maksimov (40)\nO. Dmitriev (41)\nA. Tashaev (62)\nN. Malyarov (71)\nS. Makarov (76)\nD. Shepilov (90)\nI. Svinov (90)\nFakel Voronezh + - - 1-2 stats\n12 Mar Krasnodar B 1 - 2\nR. Akbashev (30)\n0 - 1 R. Akbashev (33)\nJ. Okoronkwo (35) 1 - 1\nI. Nduka (70)\n1 - 2 V. Dyadyun (85)\nFakel Voronezh + - - 1-1 stats\n26 Mar Yenisey 2 - 1\nR. Magal (6)\nP. Shakuro (24)\nA. Okladnikov (32) 1 - 0\nA. Razborov (46)\nN. Razdorskikh (57) 2 - 0\nR. Magal (59)\nA. Kanaplin (60)\n2 - 1 V. Dyadyun (83)\nA. Zotov (90)\nFakel Voronezh + - - 1-0 stats\n2 Apr Fakel Voronezh 0 - 0\nA. Dashayev (1)\nI. Petrov (3)\nA. Nikitin (33)\nI. Ediev (35)\nM. Sidorov (41)\nM. Maksimov (45)\nM. Markin (61)\nI. Bezdenezhnykh (80)\nV. Karev (90)\nA. Mendel (90)\nM. Markin (90)\n10 Apr Fakel Voronezh 2 - 1\nA. Vladikavkaz + - - 1-0 stats\n16 Apr Tekstilshchik 0 - 5\nFakel Voronezh + + - 0-3 stats\n23 Apr Fakel Voronezh 1 - 0\n7 May Fakel Voronezh 1 - 0\n11 May Fakel Voronezh 1 - 0\n15 May M. Lipetsk 1 - 2\n21 May Baltika 0 - 1\nFilter Fakel Voronezh results\nMatches played at home have accounted for 61% of Fakel Voronezh's total points and only 48% of the goals they have scored so far this season in Russia - FNL.\nFakel Voronezh (38 matches) compared to league average\nFakel Voronezh League average\nFakel Voronezh at home (19 matches) compared to league average at home\n(home matches) Fakel Voronezh League average\nFakel Voronezh away (19 matches) compared to league average away\n(away matches) Fakel Voronezh League average\nFakel Voronezh goals statistics indicate an average of 1.58 goals scored per game so far this season, which is higher than the average number of 1.26 goals scored by each team per match this season in the league, all teams combined in Russia - FNL.\nTeam was leading at half-time 22 / 38 58%\nAverage minutes leading 38.2 min. 42%\nIn this example, Fakel Voronezh have been in the lead for an average duration of 38.2 minutes per match (based on a 90-minute match duration), which is longer than the average duration of 12.8 minutes per match during which their opponents were in the lead in those matches.\nFakel Voronezh have taken the lead 30 times and have conceded an equalizer on 7 instances, translating into a lead-defending rate of 77% (for an opponents' equalizing rate of 23%).\nOf the 11 times that Fakel Voronezh's opponents have taken the lead, Fakel Voronezh have managed to score an equalizer on 1 instance, translating into an equalizing rate of 9%.\nAverage minutes leading 43.3 min. 48%\nAverage minutes trailing 5.2 min. 6%\nIn this example, Fakel Voronezh have been in the lead for an average duration of 43.3 minutes per match played at home (based on a 90-minute match duration), which is longer than the average duration of 5.2 minutes per match during which their opponents were in the lead in those matches.\nIn home matches, Fakel Voronezh have taken the lead 15 times and have conceded an equalizer on 1 occasion, translating into a home lead-defending rate of 93% (for an opponents' equalizing rate of 7%).\nOf the 3 times that Fakel Voronezh's opponents have taken the lead when Fakel Voronezh were playing at home, Fakel Voronezh have managed to score an equalizer on 1 occasion, translating into a home equalizing rate of 33%.\nIn this example, Fakel Voronezh have been in the lead for an average duration of 33.0 minutes per match played away (based on a 90-minute match duration), which is longer than the average duration of 20.3 minutes per match during which their opponents were in the lead in those matches.\nIn away matches, Fakel Voronezh have taken the lead 15 times and have conceded an equalizer on 6 occasions, translating into an away lead-defending rate of 60% (for an opponents' equalizing rate of 40%).\nOf the 8 times that Fakel Voronezh's opponents have taken the lead when Fakel Voronezh were playing away, Fakel Voronezh have managed to score an equalizer on 0 occasions, translating into an away equalizing rate of 0%.\n1 Torpedo Moscow 38 75 0 - 1 2 - 2 h2h\n3 Orenburg 38 74 1 - 0 0 - 2 h2h\n4 SKA Khabarovsk 38 65 0 - 1 2 - 1 h2h\n5 Yenisey 38 63 3 - 1 2 - 1 h2h\n6 A. Vladikavkaz 38 60 2 - 1 1 - 0 h2h\n7 Spartak M. B 38 58 3 - 0 2 - 0 h2h\n8 Neftekhimik 38 58 3 - 1 3 - 0 h2h\n9 Akron 38 58 1 - 0 2 - 0 h2h\n10 Baltika 38 58 3 - 3 0 - 1 h2h\n11 Krasnodar B 38 53 0 - 0 1 - 2 h2h\n12 Urozhay 38 49 0 - 0 0 - 4 h2h\n13 Veles Moscow 38 48 1 - 0 0 - 4 h2h\n14 Tom Tomsk 38 48 2 - 0 2 - 2 h2h\n15 O.-Dolgoprudny 38 41 1 - 0 2 - 0 h2h\n16 V. Astrakhan 38 39 1 - 0 0 - 2 h2h\n18 Rotor Volgograd 38 36 1 - 0 1 - 2 h2h\n19 M. Lipetsk 38 33 3 - 2 1 - 2 h2h\n20 Tekstilshchik 38 23 3 - 0 0 - 5 h2h\nGoals scored (GF) 29 31 60\nGF per match 1.53 1.63 1.58\nGoals conceded (GA) 10 23 33\nGA per match 0.53 1.21 0.87\nGF + GA per match 2.05 2.84 2.45\nGF+GA over 1.5 42% 89% 66%\nGF+GA over 2.5 37% 63% 50%\nGF+GA over 3.5 21% 26% 24%\nGF+GA over 0.5 at HT 68% 84% 76%\nFakel Voronezh over 2.5 stats indicate a 50% value for the proportion of matches involving the team that had a total of over 2.5 goals, which is higher than the league average value of 47% of league matches that the over under stats indicate had a total number of goals over 2.5 this season in Russia - FNL.\nWon-to-nil 53% 32% 42%\nTotal goals in Fakel Voronezh matches\nMatch total goals = 0 or 1 58% 11% 34%\nAway wins 4 2 0 3\nHome & Away wins 13 5 2 3\nA majority of Fakel Voronezh's wins have been obtained with a one-goal margin (13 wins), while 10 of their wins had a margin of 2 goals or more. A majority of Fakel Voronezh's defeats had a one-goal margin (6 defeats), while 4 of their defeats had a margin of 2 goals or more.\nFakel Voronezh scores\nThe Fakel Voronezh score with the most occurences in home matches during the season in the league has been 1-0 so far (7 times).\nFakel Voronezh have won their last 4 matches. Fakel Voronezh have scored in each of their last 8 matches. Fakel Voronezh have scored in 14 of their 19 away matches. Fakel Voronezh have scored the opening goal in 27 of their 38 matches. Fakel Voronezh were leading at half-time in 22 of their 38 matches. Fakel Voronezh have won their last 4 home matches.\nFakel Voronezh table positions\nThe Fakel Voronezh results and statistical indicators can help provide insights on Fakel Voronezh's ranking in a variety of tables, for example to check how far the team or other teams are from the league leaders in the table.\nThe type of data that can be featured includes the team's league matches and goal scoring indicators such as the average number of goals scored at home or away, streaks and sequences of results, offense and defense stats, how Fakel Voronezh's record compare with league average values all teams combined, along with form stats such as the average points per game in the team's last 8 results in Russia - FNL.


Talvoudenn - Wikipedia\nUn dalvoudenn (pe teul kred) a zo un teul perc'hentiezh (kevrann) pe un teul dle (endalc'henn) skoueriekaet he ferzhioù hag he gwirioù (an talvoudennoù embannet a-gevret o deus an hevelep sammad merkel, a ro ar gwir da gaout an hevelep ranndalioù ha troc'hennoù, a zo feuriet war an hevelep linenn yalc'h, h.a.).\n1 Perzhioù pennañ\n2.1 Hervez ar steuñv jederezhel gall\n2.2 Hervez ar reoladoù IFRS (etrevroadel, IAS 32 ha 39)\n3 Dizanvezeladur an talvoudennoù gall\nAn talvoudennoù postañ a zo kenwerzhus ha kevatalus, ar pezh a ro tro dezho da vezañ feuriet er yalc'hoù (anvet a dalvoudennoù) gant ma vo kaset da benn un argerzhadur degemer anvet « darbennidigezh er yalc'h ». Koulskoude n'eo ket feuriet an holl dalvoudennoù.\nHervez ar steuñv jederezhel gallAozañ\nTeulioù perc'hennet a-benn genel ur gounid war verr dermen eo an talvoudennoù postañ e Frañs.\nAn teulioù a za d'ober nebeutoc'h eget 10 % eus kevala an embregerezhioù, nemet e teufent da vezañ teulioù perzhiañ (klaviadoù arc'hantel).\nAn talvoudennoù postañ a vez enskrivet er c'hontoù d'o c'houst prenañ diwerzhekaet ma vez ret.\nHervez ar reoladoù IFRS (etrevroadel, IAS 32 ha 39)Aozañ\nTeulioù arc'hantel yalc'hel eo an talvoudennoù postañ hervez ar reoladoù etrevroadel.\nAr pal anezho a zo genel spletoù war verr dermen.\nAn talvoudennoù postañ a c'hell bezañ enskrivet er c'hontoù d'o gwerzh reizh (gwerzh a varc'had).\nDizanvezeladur an talvoudennoù gallAozañ\nAr braz eus ar broioù o deus degemeret un dizanvezeladur eus an teulioù feuriet er yalc'h, da lâret eo erlec'hiadur an teulioù korfel gant skriturioù er c'hontoù-teulioù meret ent elektronek.\nO dizanvezeladur e Frañs a zever eus mellad 94-II al lezenn arc'hantañ evit ar bloavezh 1982, eus dekred 83-359 an 2 a viz Mae 1983 hag eus kelc'hlizher arverañ an 8 viz Eost 1983. Sevenet eo bet adalek ar 5 a viz Kerzu 1984. Talvezout a rae kement hag erlec'hiañ enskrivadurioù e kontoù an hanterourien en anv an dalc'herien ouzh an teulioù korfel.\nAn teulioù korfel a zlee neuze bezañ daskoret d'an embannerien. Koulskoude int chomet a zegasadenn vat dindan o stumm bev betek an 3 a viz Mae 1988. An teulioù nann ginniget da vezañ dizanvezelaet d'an deiziad-se a zo bet gwerzhet ha lakaet o froduad gwerzh e dorn o ferc'hennien e-pad 30 vloaz.\nDizanvezeladur an teulioù a aesa mererezh stlennekaet ar fiziadoù teulioù koulz hag an oberiadennoù eskemm er yalc'hoù. Ar braz eus ar yalc'hoù a ra bremañ gant ar feuriadur elektronek.\nAdtapet diwar « https://br.wikipedia.org/w/index.php?title=Talvoudenn&oldid=1475665 »\nKemm diwezhañ d'an 4 Ebr 2013 da 20:25


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K8 HE Black Party: Descansa en paz, Sherlock\nIdioma: Castellano Nº de Jugadores: 6-7 Duración: 180 min. Edad: 16+\nFormato: Caja. Medidas(cm): 16.3x23.3x3 Peso(gr.): 488.


Observaciones de thomaseverest · iNaturalist Panamá\nEnero 16, 2021 08:36 PM PST\n16 ene. 2021 08:39 PM PST\nIn live oak bark on the ground\nDiciembre 5, 2020 05:15 PM PST\nKo Libong, Kantang District, Trang, Thailand (Google, OSM)\n16 ene. 2021 05:19 PM PST\nEnero 14, 2021 05:09 PM PST\n15 ene. 2021 09:52 AM PST\nEnero 14, 2021 04:31 PM PST\n15 ene. 2021 09:32 AM PST\nEnero 14, 2021 04:29 PM PST\n15 ene. 2021 09:31 AM PST\nEnero 14, 2021 04:26 PM PST\n15 ene. 2021 09:00 AM PST\nJack Frost bryozoan\n15 ene. 2021 08:59 AM PST\nEnero 14, 2021 04:24 PM PST\nSipuncúlidos Filo Sipuncula\nEnero 14, 2021 04:23 PM PST\n15 ene. 2021 08:58 AM PST\nIn sand under rock\nEnero 14, 2021 04:21 PM PST\n15 ene. 2021 08:57 AM PST\nEnero 14, 2021 04:19 PM PST\nEnero 14, 2021 04:20 PM PST\n15 ene. 2021 08:56 AM PST\n15 ene. 2021 08:55 AM PST\n15 ene. 2021 08:25 AM PST\nEnero 14, 2021 04:18 PM PST\nEnero 14, 2021 04:17 PM PST\n15 ene. 2021 08:16 AM PST\nEnero 14, 2021 04:15 PM PST\n15 ene. 2021 08:15 AM PST\nEnero 14, 2021 02:31 PM PST\n15 ene. 2021 08:14 AM PST\nEnero 14, 2021 01:58 PM PST\n14 ene. 2021 10:20 PM PST\nEnero 14, 2021 01:54 PM PST\nSurprisingly close to development again. Under pile of live oak bark.\nEnero 11, 2021 04:37 PM PST\n12 ene. 2021 11:17 AM PST\nEnero 11, 2021 04:52 PM PST\n11 ene. 2021 07:30 PM PST\nEnero 11, 2021 04:40 PM PST\n11 ene. 2021 07:29 PM PST\n11 ene. 2021 07:28 PM PST\nEnero 11, 2021 03:57 PM PST\n09 ene. 2021 07:01 PM PST


SZIGET 2018 – Kiket ne hagyj ki idén? – MUSICDAILY\nPeti 2018. augusztus 6. CikkAjánlóSziget\nSzigetZara LarssonLana Del ReyDua LipaMØLykke Li\nIlyen amikor egy hazai előadó Dua Lipa szeretne lenni…\nMegérkeztek a Billboard Music Awards jelöltjei!


SEM by ArteZeta AZ - issuu\nSEM RAÚL PERRONE\nEstético, para mí, es algo activo, no lo bonito reconocido o buscado, sino esa agudeza de la mirada que descubre belleza, que la ve donde a priori no está. Aca b o d e v e r SEM , d o s v e c e s s e g u i d a s . M u y i m pres ionado. N o c apt é t odo lo que s e di c e en l a b a n d a de so n i d o , p e r o n o i m p o r ta : l o d e j o c om o los es pac i os de s om bra en l a im agen, de donde lo s pe rso n a j e s s u r g e n a p e n a s . H a y a l g o m u y f uert e en es e us o de las f uent es nat ural es de l uz , s in compe n saci ó n “ a c a d é m i c a ” . L e í q u e R e m b r a n dt em pez aba por pint ar t oda l a t ela de negro y s ól o d e spu é s p o n ía fo r m a s y c o l o r e s s o b r e e s e fo ndo os c uro, que de al gún m odo alim ent a, c om o t i erra fé rtil, hu mus , to d o e l c u a d r o . En SEM l a l u z a rranc a de la s om bra f orm as , ros t ros , f ragm ent os c uy a fu e rza es la d e h a b e r s i d o r e s c a ta d o s d e e s a os c uri dad. M e parec e un t ri unf o es t ét ic o. E s pero que la pa la b ra no te c h o q u e . Es té ti c o , p a r a m í, e s al go ac t iv o, no l o boni t o rec onoc ido o bus c ado, s ino e sa a g u d e za d e l a m i r a d a q u e d e s c u b r e b e l l e z a, que la v e donde a priori no es t á. E n la part e f i nal, cua n d o ap a r e c e l a m ú s i c a e n l a to m a d e u n a p u ert a abi ert a que dej a v er una palangana roj a, y s igue e n la toma la r g a d e l v i d r i o m a r te l é c o n d i s ti n to s m at i c es de v erde, es ev ident e que t u oj o s e f i ja en a lg o qu e lo a tr a e . Pe r o e s l a l a r g a to m a d e l a m ujer que habl a de s al ud, de es pal das a l a f uent e d e luz, la qu e m e p a r e c e m á s fu e r te . M e d a c i ert a env i dia que logres al m i s m o t iem po res pet ar l a d u ración y l a s u p e r fi c i e d e u n a r e a l i d a d h u m i l de y - s i n t rai c i onarl a - rev el ar s u es c ondida bellez a.\nx ED GA R D O C O Z AR I NSK Y\nMe produce un efecto muy particular que, aún cuando hablan entre sí, no los vemos hablar. “ M e gu sta n mu ch o la s im á g e ne s t ra s e l v i d r i o e s m e r i l a d o , a s í c o m o l a s fi g u r a s hablando e n e l cu a rt o q u e t ie ne sólo u n á n g u l o i l u m i n a d o p o r l a l u z e x t e r i o r . Tuv e la se nsa ción d e e sta r a d e n t ro de u n a c a v e r n a . M e g u s t a v e r l o s fu m a r . Ha y u na distinción e n e l a ct o d e f u m a r, q ue i g u a l a c l a s e s s o c i a l e s , e d a d e s , s e x o s . Un a distancia d e l m u nd o, e s cie rto q u e má s b i e n d o l o r o s a . M e p r o d u c e u n e fe c t o m u y particu lar q u e , a ú n cu a n d o ha b la n e n t r e s í ( a u n q u e c r e o q u e m á s b i e n ‘p a r a s í ’ p o r más que ha ya a lg u ie n p a re cid o a u n i n t e r l o c u t o r ) , n o l o s v e a m o s h a b l a r . Q u i e r o decir qu e n o los ve mos move r los la b i o s . E x t r a ñ a p a r a b i e n , a b s t r a e . A s u v e z, todo es m u y concre to. Y e stá lig a d o a c o s a s q u e c o n o zc o . E s a m e s a d e l u z, e s a s paredes, e sos p ile tone s d e p lá st ico, e s a g a r r a fa . E l j u g o q u e l e s a c á s a l a p a l e t a de colores d e l m ob ilia rio o d e la rop a d e v e s t i r y d e c a m a e s e x q u i s i t o . C o n v e r s a n sin condic ion a mie ntos, y e n e sa s con v e r s a c i o n e s h a y fo r m a s d e c o m u n i c a c i ó n no afectad a s p or la p ose , a u nq u e tran s fi g u r a d a s e n o t r a c o s a p o r l a p u e s t a e n escena. Q u é incre íb le e s e l ju e g o e se a l q u e j u e g a n l o s p i b e s . E s u n a c l a v e d e la película, e n e sp e cia l cu a n d o la m á q u i n a p r e g u n t a p o r l a u b i c a c i ó n e x a c t a d e quien la usa .”\nx M AR C O S GUST A VO VI E YT E S\nE stoy viendo\nSEM , este corto que me llega\nde Raúl Perrone a través de youtube.\n¿Existe para youtube? ¿Existe fuera de youtube? ¿Se trata de un trailer de una película por venir? ¿De los restos de un film inexistente? Sombra es p e sa SEM , u n cort o d e R a ú l Pe rrone p or yo u t u b e Hay historia s. H u b o h ist oria s, o h a b ría. Ha y . Hi s t o r i a s d e l a s q u e a p e n a s e m e r g e n filos de una oscu rid a d e sp e sa , me jor d i c h o s ó l i d a . L a o s c u r i d a d d e l y o u t u b e , a diferencia d e la d e l cine , e s sólid a , u n a o s c u r i d a d q u e n o p u e d e h e n d i r s e . E s t o y v iendo SE M, e ste cort o q u e me lle g a d e Ra ú l P e r r o n e a t r a v é s d e y o u t u b e . ¿ E x i s t e para y outu b e ? ¿ Exist e f u e ra d e you t u b e ? ¿ S e t r a t a d e u n t r a i l e r d e u n a p e l í c u l a por v enir? ¿ D e los re stos d e u n f ilm i n e x i s t e n t e ? E l e n t e m i s m o s e m e v u e l v e esquiv o, e sq u iz o, no sé cómo toma rlo . N o t e n g o m á s r e m e d i o q u e t o m a r l o a s í , como se m e d a . Hay , mejo r d icho, u n e sp a cio ín t imo, t o m a d o d e r e fi l ó n . E s u n a i n t i m i d a d a s e d i a d a por sombra s. La viole ncia q u e a p a re ce e n e l j u e g o d e l i n t e r c o m u n i c a d o r p o l i c i a l de los chi cos, p e ro t a mb ié n viole n cia d e l a d o l e s c e n t e q u e r e c i b i ó u n a p a l i za q u e lo deja sord o, ta mb a le a n t e . En la con v e r s a c i ó n c o n l a m u j e r s e a l u d e a l e s c a b i o , a la joda, a la n e ce sid a d d e n o se g u i r h a c i e n d o l a m i s m a , d e p o n e r s e l a s p i l a s , trabajar. V id a jove n sord a y t a mb a le a n t e . Y t a m b i é n l a m u e r t e e n l a o t r a h i s t o r i a , la de la m u je r e n f e rma .\nY o es cuch o , p e r o me q u e do de es t e l a do.\nVida ased ia d a p or la somb ra . La protag on ist a , si e s q u e ha y u na , s í , h a y . E s d e p o s i t a r i a d e l o s r e s t o s d e historias d e los otros, h ist oria s sie m p r e e n i n e s t a b i l i d a d , e n t r á n s i t o . L a m u j e r escu cha, p re g u n t a , a con se ja . D e sp u é s s e q u e d a s o l a , p e n s a n d o . ¿ E n a l g u n o d e esos hom b re s q u e a p a re ce n me ncion a d o s e n l a s c o n v e r s a c i o n e s ? ¿ E l p a d r e d e sus hijos? Los vín cu los no son p re cis o s . As í c o m o e s p o s i b l e q u e a l g u n o d e l o s chicos, o a m b os, se a n su s hijos, e s p o s i b l e q u e l a m u j e r q u e l l a m a d e s d e l a o t r a habitación , la q u e inte rru mp e la conv e r s a c i ó n c o n e l j o v e n , s e a s u m a d r e . P e r o solo me e s p e rmit id o a ce rca rm e h a st a c i e r t o p u n t o . E s t a m o s e s p i a n d o a l g o q u e no nos co ncie rn e d e l tod o y p ronto las b a r r e r a s d e l d i s p o s i t i v o n o s i n t e r c e p t a n : las sombr a s q u e a b sorb e n tod o re si d u o d e h i s t o r i a , e l v i d r i o e s m e r i l a d o , l a s palabras m u rmu ra d a s e n t ono in a u d ib l e . L a h e r m o s a m ú s i c a q u e i r r u m p e d e s d e afuera, ab solu ta me nte , como u n a ca ri c i a q u e l o s p e r s o n a j e s n e c e s i t a r a n , p e r o n o escu chan. Yo escu cho, p e ro me q u e d o d e e st e lad o .\nx O SC A R C UER VO\n...Hay como una sensibilidad particular en esa mirada que me resultó, y no se bien como decirlo, pero creo que lo más acertado sería ‘conmovedora’...\nTiendo a d if e re ncia r e n e l cin e d e R a ú l P e r r o n e d o s m o v i m i e n t o s : u n o s e r í a é s t e d e l estilo del cort o S EM o d e “Los a ct os co t i d i a n o s ” m á s t e n d i e n t e a l r e g i s t r o d e e s a s sensacion e s, y ot ro má s d e l e stilo d e la t r i l o g í a “ L a b i o s d e c h u r r a s c o ” , “ G r a c i a d i ó ” y “ 5 pal p e so” q u e cu e nta n con ot ro ti p o d e fi c c i o n a l i za c i ó n y d e b ú s q u e d a d e l a historia y q u e in clu so me re su lt a d e m a y o r fr e s c u r a . E n l o p e r s o n a l , e s e t i p o d e películas m e m a rca ron y a d e m á s con si d e r o q u e e n s u m o m e n t o P e r r o n e e n c o n t r ó a los actore s p re cisos p a ra h a ce rla s . D e h e c h o , e l m e j o r h o m e n a j e q u e e s a s películas tie ne n p a ra re f re nd a r su f re s c u r a e s “ 8 a ñ o s d e s p u é s ” . Re s c a t o m u c h o a esas pelíc u la s, p e ro e st a s nu e va s p e lí c u l a s q u e P e r r o n e e s t á h a c i e n d o ( y c e l e b r o que sea u n ha ce d or inca nsa b le d e p e lí c u l a s y q u e s e m a n t e n g a fi e l a l o q u e s i e n t e y desea h a ce r e n ca d a m ome nto), a l m e n o s d e s d e l o q u e y o s i e n t o q u e m e p a s a con su cin e d e sd e “Los a ctos cotid ia n o s ” a e s t a p a r t e , c o m o s o s t e n g o , a l c a n za n u n registr o d e la s se n sa cion e s q u e e s a l g o q u e n o c u a l q u i e r p e l í c u l a p u e d e l o g r a r . Desde esa cotid ia ne id a d , d e sd e e sos p l a n o s , d e s d e e s o s d i á l o g o s t a n s i n c e r o s y natu rales, la s p e lícu la s d e R a ú l e st á n h a b l a n d o c o n i m á g e n e s p e r o d e u n a m a n e r a tan concre t a q u e e st o p od ría y d e b e r í a c e r r a r l e l a b o c a a m u c h o c r í t i c o q u e l o ú nico que t ie ne p a ra d e cir e s “e st o e s c i n e . r e a l i s m o ” . E s t o e s c i n e , s e n t i r e l c i n e , afrontar y vivir la e xp e rie ncia d e l cine .\nComo te h a b ía d ich o, h a y mu ch a s d e t u s p e l í c u l a s d e l o s ú l t i m o s a ñ o s q u e n o he v isto, a sí q u e me p e rd í b a sta nte y n o s a b í a b i e n e n q u e e s t a b a t u l a b u r o . “ SEM ” rea lme nte m e sorp re n d ió, n o s a b í a b i e n c o n q u e m e p o d í a e n c o n t r a r , y desde esas p rim e ra s imá g e ne s d e la c a s a m e a l u c i n ó . M e e n c a n t ó e s a e s p e c i e d e descripción d e l comie nz o y q u e d e sp ué s p u n t ú a l a s e s c e n a s d e l d o r m i t o r i o ; e s a mirada sob re los d e t a lle s, la lu z , los ro s t r o s , e l s o n i d o ( e s a c a n c i ó n o a l g o a s í q u e no logro e scu cha r mu y b ie n ). H a y com o u n a s e n s i b i l i d a d p a r t i c u l a r e n e s a m i r a d a qu e me re su lt ó, y n o se b ie n como d e c i r l o , p e r o c r e o q u e l o m á s a c e r t a d o s e r í a ‘conmov ed ora ’ (n o e s la p a la b ra ju sta , p e r o m e r e s u l t ó u n p o c o a s í …) . Y claro, e sos d iá log os e n e l d ormit ori o ( l o d e l o s c h i c o s e s g e n i a l ) . . . ¿ S a b é s ? , e s secundari o, p e ro la s 2 situ a cion e s d e l a c h i c a m e r e m i t i e r o n a o t r a p e l í c u l a q u e me encanta , q u e e s “En e l cu a rt o d e Va n d a ” , d e P e d r o C o s t a . E s m u y a l u c i n a n t e como flu ye t od o, e sa s sit u a cion e s y lo s d e t a l l e s , c a s i c o m o s i e l t i e m p o e s t u v i e s e ‘su spendid o’ , p e ro q u e a la ve z cre ce c o n m u c h a fu e r za y m u c h a s u t i l e za , p o r acu mulación , e n la d e scrip ción d e e se e s p a c i o y d e l a s i t u a c i ó n . M e d a l a s e n s a c i ó n de que es to p od ría d u ra r h ora s y se m a n t e n d r í a l a m i s m a fa s c i n a c i ó n d e l a s primeras imá g e ne s. Me e nca nta e se m o d o e n q u e a l c a n zá s c o n m u c h a s i m p l e za una sensib ilid a d p oé t ica q u e a l m ismo n u n c a e s c a p a d e l a c r u d e za d e l a s i t u a c i ó n . Esto me d e ja con mu ch a s g a n a s d e ve r t o d a s t u s ú l t i m a s p e l í c u l a s , e s p e r o p o d e r hacerlo. ¿Cortos como e ste te né s má s s u b i d o s ? S i h a y a l g o p o r a h í q u e s e p u e d a v er decim e q u e me e nca nta ría ve rlos\nx GUST A VO GALUP P O\n. . . S i em pr e d i j e r o n q u e ha cer a ct ua r a niños es a l go di f í c i l, ( hac e r ac t u ar a gra ndes l o es ). . .\nViernes, nos va m os con cu rch i (A S I LE D I G O A C URC I ) a l a c a s a d e G a l v á n ( s i e m p r e v a a ser la casa d e G a lvá n ) a f ilma r, q u e r í a h a c e r u n o s p l a n o s y e s c e n a s c o n n i c o , qu e de pelícu la e n p e lícu la va cre cie ndo e n a ñ o s y e n e s p e r i e n c i a , e l y a s a b e y siempre esta a te nto a lo q u e le d ig o, m e e s c u c h a , q u i e r e a c t u a r y l o h a c e c o n naturalidad o NA TU R A LMENTE, ¿? Siempre dije ron q u e ha ce r a ctu a r a n iños e s a l g o d i fí c i l , ( h a c e r a c t u a r a g r a n d e s lo es) en esta foto se refleja algo de mi laburo con ellos, los niños y los grandes , s i e m p r e les hablo , le s p re g u n t o q u ie ro q u e m e c u e n t e n c o s a s q u e y a m e c o n t a r o n , p e r o qu e recuerd o d e otra m a ne ra , le s d oy m i v e r s i o n s e e s t a b l e c e u n a m a n e r a d e hacer las co sa s , h a st a q u e e ntie nd e n qu e e s l o q u e q u i e r o , y a h í s e p r o d u c e l o marav illoso y e xtra ñ o, la m a g ia , son ta n a u t é n t i c o s q u e n o d e j o d e a s o m b r a r m e día a día.\n. . . Cua n do s o l e y e ma hab l a n, no ha cen que ha bl a n, s o l o l o h ac e n. C u and o f u m a n, ha cen eso, f um a r. Cuando están en silencio y piensan , eso es lo que hacen Es o es l o q u e t r at o d e t r ans m it ir, m e gus t a ría m ucho que cua nd o mir e n e s t a pel ícul a se den cuent a de es o , y pi e ns e n q u e e l l o s no ha cen que a ct ua n, lo h a cen . .\nM A ITA\nDetrás de un vidrio verde\nUna mú sic a . U n mu rm u llo ca ntu rre a d o , l l e v a a l a e s c u c h a a t e n t a d e s i t u a c i o n e s mínimas. La s g rie t a s, e l lu g a r d ond e l a r e a l i d a d a p a r e c e m e t i d a d e n t r o d e u n enchu fe. G ot e a sob re u na p a la ng a n a , l a d e s o l a c i ó n y l a i n m e n s i d a d d e c a l l e s q u e aú n no tie ne n nom b re , p orq u e p e rte n e c e n a t o d o s y a n a d i e . S o n e s o s d i m i n u t o s senderos p or d ond e se d e sliz a Pe rron e c o n s u c á m a r a , c a p t a n d o l a i n s o p o r t a b l e lev edad d e l se r. Má s q u e u n Be rg ma n , m u c h o m á s , d e s d e u n I t u za i n g ó s o l e a d o y silencios o, u n a mu je r se n t a d a sola e n u n a s i l l a m i r a e s a q u i e t a e x i s t e n c i a q u e , con palab ra s ca si b isb ise a d a s a p rie t a u n c l i m a d e e x p e c t a t i v a fe r o z.\nSoledad Aguilera, Emanuel Sosa y María Galván, sueñan sueños aparentemente grises, que, en ese cotidiano simple dicen con el cuerpo lo que se omite, lo que no se dice, lo que calla para aparecer en la grieta, la gota, el enchufe. Imágenes d e la p a re d . Esa e st é t ica d e l o i m p o s i b l e n o s c u e n t a l a v o z d e u n n i ñ o , el protagon ismo d e u n ce lu la r q u e h a b l a d e s d e e l c u a d r a d o c o n t e c l i t a s s i e m p r e a punto, la sole d a d d e u na m u je r q u e t i e n e m i e d o a m o r i r s o l a , u n s u b u r b a n o del que no se h a b la . D e l q u e n o se mi r a . D e q u i e n s e e s c a p a d í a a d í a c o m o u n a postmode rnid a d u ltra ja d a a p e d a z os. O a b a l a zo s . L a p u n t e r í a q u e t i e n e Ra ú l Perrone p a ra ha ce r ce ntro a h í, a l lu g a r e x a c t o d e u n e x i s t e n c i a l d e s n u d o c o n u n a cámara cu b ie rta d e a mor p or su s p e rso n a j e s , p o r s u s c a s a s , p o r s u s c a l l e c i t a s , q u e siempre pod rá n se r la s m isma s, p e ro e n c a d a m i n u t o d e c á m a r a v a n a s e r d i fe r e n t e s hablando p or si m isma s, e se le n g u a je i m p o s i b l e q u e l o a c e r c a p e l i g r o s a m e n t e a ser genial .\nx ALI C I A D I GO N\nSentir (el cine de Perrone desde un cortometraje de sensaciones)\nCuando vi e l cortome t ra je S EM d e R a ú l P e r r o n e n o s ó l o p u d e s e n t i r y p e n s a r que me hab ía g u st a d o m u ch o, f u e ta m b i é n u n a s e n s a c i ó n d e c o n v e n c i m i e n t o d e que Perron e (o e l Pe rro como a é l le a g r a d a q u e l o l l a m e n ) c o m p r e n d e a l c i n e o, con pre cisión , a l h a ce r p e lícu la s co m o u n a s e n s i b i l i d a d . N o s e a t a a t é c n i c a s , métodos, d ise ños, e st a nd a riz a cione s, c o n c r e t a m e n t e , e l P e r r o e n t i e n d e q u e e n la cámara d e b e n sit u a rse los se ntimie n t o s d e l o q u e e s t á o c u r r i e n d o . Ve r S E M e s eso: aprecia r se ntimie ntos, con f ig u ra r e s p a c i o s , d e s a r m a r t o d o l o q u e e l c i n e s e arroga y tra n sf orma r tod o e n otra cos a . En fin, me sig u e f a scina n d o d e l cine d e P e r r o n e e l t r a b a j o c o n l a s s e n s a c i o n e s , con lo qu e se sie nte d e los p e rson a j e s , c o n l o q u e e s o s p e r s o n a j e s s i e n t e n y v iv en. E n u n p a ís como A rg e n t ina , d e s d e l a c r í t i c a , s e h a h a b l a d o t a n t o d e realismo, q u e a ve ce s h a b ría q u e p re g u n t a r c u a n d o d i c e n “ r e a l i s m o ” q u é e s t á n diciendo, p orq u e n os m u e st ra n com o r e a l i s t a s p e l í c u l a s e n d o n d e l o s p e r s o n a j e s parecerían n o se ntir, e n ca mb io la s p e l í c u l a s d e P e r r o n e m u e s t r a n l a e x p r e s i ó n de la cotid ia n e id a d d e e sos p e rsona je s d e g r a n m a n e r a ; y e n S E M e l l o s e s i e n t e , se percibe . Cre o q u e p od ría d e f inir a l c o r t o m e t r a j e S E M c o m o c o n j u n t o o a r m a d o de sensacion e s, p e ro d e se n sa cion e s v i v i d a s , e x p e r i m e n t a d a s , d e s e n s a c i o n e s q u e están/est a b a n a h í y e n con t ra ron u n a c á m a r a e n fr e n t e . C l a r a m e n t e , m e r e c o r d ó a “ Los actos cotid ia nos”, p e lícu la q u e p u d e v e r h a c e u n t i e m p o e n u n B AF I C I y m e gustó mu ch ísimo t a mb ié n.\nEsto es cine, sentir el cine, afrontar y vivir la experiencia del cine. Tiendo a d if e re ncia r e n e l cin e d e R a ú l P e r r o n e d o s m o v i m i e n t o s : u n o s e r í a é s t e d e l estilo del cort o S EM o d e “Los a ct os co t i d i a n o s ” m á s t e n d i e n t e a l r e g i s t r o d e e s a s sensacion e s, y ot ro má s d e l e stilo d e la t r i l o g í a “ L a b i o s d e c h u r r a s c o ” , “ G r a c i a d i ó ” y “ 5 pal p e so” q u e cu e nta n con ot ro ti p o d e fi c c i o n a l i za c i ó n y d e b ú s q u e d a d e l a historia y q u e in clu so me re su lt a d e m a y o r fr e s c u r a . E n l o p e r s o n a l , e s e t i p o d e películas m e m a rca ron y a d e m á s con si d e r o q u e e n s u m o m e n t o P e r r o n e e n c o n t r ó a los actore s p re cisos p a ra h a ce rla s . D e h e c h o , e l m e j o r h o m e n a j e q u e e s a s películas tie ne n p a ra re f re nd a r su f re s c u r a e s “ 8 a ñ o s d e s p u é s ” . Re s c a t o m u c h o a esas pelíc u la s, p e ro e st a s nu e va s p e lí c u l a s q u e P e r r o n e e s t á h a c i e n d o ( y c e l e b r o que sea u n ha ce d or inca nsa b le d e p e lí c u l a s y q u e s e m a n t e n g a fi e l a l o q u e s i e n t e y desea h a ce r e n ca d a m ome nto), a l m e n o s d e s d e l o q u e y o s i e n t o q u e m e p a s a con su cin e d e sd e “Los a ctos cotid ia n o s ” a e s t a p a r t e , c o m o s o s t e n g o , a l c a n za n u n registr o d e la s se n sa cion e s q u e e s a l g o q u e n o c u a l q u i e r p e l í c u l a p u e d e l o g r a r . Desde esa cotid ia ne id a d , d e sd e e sos p l a n o s , d e s d e e s o s d i á l o g o s t a n s i n c e r o s y natu rales, la s p e lícu la s d e R a ú l e st á n h a b l a n d o c o n i m á g e n e s p e r o d e u n a m a n e r a tan concre t a q u e e st o p od ría y d e b e r í a c e r r a r l e l a b o c a a m u c h o c r í t i c o q u e l o ú nico que t ie ne p a ra d e cir e s “e st o e s c i n e . r e a l i s m o ” . E s t o e s c i n e , s e n t i r e l c i n e , afrontar y vivir la e xp e rie ncia d e l cine .\nx EST E B A N D I P AO LA\nSEM. De riesgos y recompensas.\nTodo crea d or re con ocid o p or su ob ra y t r a y e c t o r i a , c o r r e s i e m p r e u n r i e s g o . U n peligro q u e mu ch a s ve ce s su s se g u i d o r e s , v e n g a n d e l a c r í t i c a , e l p ú b l i c o e n general o cu a lq u ie r otro á m b it o, se e n c a r g a n d e d i s fr a za r y m i n i m i za r . No todos los se g u id ore s lo p u e d e n ve r . No todos los cre a d ore s a ce p t a n su p e r a r e s e r i e s g o Raú l Perron e lle va ya u nos cu a n t os a ñ o s d e p e r s i s t e n c i a y c o h e r e n c i a e n s u fo r m a de hacer cine. Con una continuidad que ningún otro realizador de cine argentino t i e n e . En él hay u na ne ce sid a d sa ng u ín e a , v i t a l d e fi l m a r . P a r e c e m u c h a s v e c e s q u e s u mayor org u llo e s d e cir “n o p a ro d e f il m a r ” . Y e s c i e r t o . L o h a h e c h o s a l t a n t o l a s v allas y pi sa nd o los p re ju icios y cá non e s . El tema, m á s a llá d e la s mod a s, e s cóm o é l h a b u s c a d o s i e m p r e r e t r a t a r s u m u n d o . De manera m orosa y re ite ra d a m u ch a s v e c e s . C o n g e n t e h a b l a n d o e n l a c a m a de u na pie z a su b u rb a na . Con p e rson a j e s e n fo c a d o s d e s d e e l i n t e r i o r h a c i a l a puerta de ca lle y a sí. Ese e s e l cine d e P e r r o n e q u e a s i m p l e v i s t a m u e s t r a e l dev enir ab u rrid o d e la vid a y e s ce le b r a d o p o r c a d a v e z m á s s e g u i d o r e s y p u e d e ser gu stad o o n o p or q u ie n se sie nte a v e r u n a p e l í c u l a d e s u a u t o r í a . Pero de p ron t o, e n e sa ob ra coh e re n t e a l p u n t o t a l q u e u n d í a p o d r á p r o y e c t a r s e toda junt a sin n ing u n a f isu ra (a lg u n a v e z s e g u r a m e n t e o c u r r a ) , e n e s a o b r a inteligent e y ca lcu la d a d e m od o ta l q u e n a d i e s e d a c u e n t a , v e m o s q u e e l a r t i s t a s e arriesga c on u n a a u d a cia e m ot iva q u e a p e l a a l a s e n s i b i l i d a d , d e n u e v o s a n g u í n e a , siempre vita l e in cla u d ica b le .\nPorqu e no s mu e st ra u n e nchu f e . U na g r i e t a e n l a p a r e d . P o r q u e a b r e v a e n l o s maestros d e l cla roscu ro no ya cin e ma t o g r á fi c o , s i n o c o n C a r a v a g g i o , Re m b r a n d t y la escu e la hola nd e sa d e l sig lo XV I I y q u e l o c o n e c t a n c o n e l p l á s t i c o q u e fu e y es, que se e xp re sa a hora con u na cá m a r a m a g i s t r a l m e n t e c o n l a l ú z. En ese de sp e rta r d e la se g u nd a mit a d d e s u fi l m o g r a fí a , d i g a m o s , e s c u a n d o descubre la p osib ilid a d (f a cilid a d ) té c n i c a a c t u a l d e s e r s u p r o p i o d i r e c t o r d e fotografía . O me jor, ilu m ina d or, com o s e s o l í a d e c i r . S o l o q u e a q u í , e s a l u z e s prov ista p or u na la mp a rita d e 7 0 w at t s , u n a v e n t a n a e n t r e a v i e r t a , u n a p u e r t a que nos p e rmit e ve r la ca lle d e u na m a n e r a d i fe r e n t e , s e n s i b l e , s i n m a q u i l l a j e y esencialm e nte , con u na b e lle z a cotid ia n a . S e h a d i c h o : S E M fu e h e c h a c o n t o m a s aisladas, e d ita d a s. La re sp u e st a d e q u i e n e s v i e r o n e s e p r i m e r a r m a d o p a r e c i ó sorprende r y e mocion a r a l d ire ct or, q u e t a l v e z, p o r l a i n s e g u r i d a d d e l a r t i s t a , por esa ne ce sid a d d e l re con ocim ie nt o a l e s fu e r zo y g r a n r i e s g o q u e s i g n i fi c a hacer algo nu e vo y q u e m u y p ocos a s u m e n , s e v i o m o v i l i za d o a s e g u i r a d e l a n t e ampliando e sa ob ra . Es b u e n o re a cci o n a r a s í , m á s a l l á d e l a i m a g e n c o n s t r u í d a por u no o p or otros. A lg o q u e a l d ire c t o r y s u l i b e r t a d , p a r e c e i m p o r t a r l e p o c o . Pero que como cre a d or re a l y ma yú sc u l o q u e e s , l e i m p o r t a m u c h o . P o r s u e r t e .\nCoordinad or C ine Centro Cu ltu ra l R oja s F estiv al d e Cine H e ch o con C á ma ra d e F o t o s / S C D F\nx R AÚL M ANR UP E\nFragmentos de un film encontrado SEM , el m á s re cie nte t ra b a jo d e R a ú l P e r r o n e , e s u n c o r t o m e t r a j e q u e a n u n c i a s e conv ertirá e n la rg ome t ra je e n b re ve . E s e t r a s p a s o d e e x t e n s i ó n p a r e c e u n g e s t o natu ral, lóg ico y h a st a ne ce sa rio, p orq u e S E M s e i n t u y e c o m o u n a o b r a d e l a s q u e descubren e in d a g a n e n u n mu nd o, e l c u a l m u t a , c r e c e y s e r a m i fi c a . D e s p u é s d e todo, entre los cin e a st a s d e inte ré s p o d e m o s r e c o n o c e r d o s t i p o s p o s i b l e s : l o s que const ru ye n e l m u nd o a su p a re c e r ( W e l l e s , Vo n S t r o h e i m , S p i e l b e r g ) y l o s que decid e n ca p t u ra rlo, con la m á xi m a u r g e n c i a p o s i b l e ( Ro s s e l l i n i , E u s t a c h e , Dardenne ). C la ra me nte R a ú l Pe rrone p e r t e n e c e a l a s e g u n d a c a t e g o r í a , p u e s e n cada plan o p a re ce e ncontra r u na u rg e n c i a , u n a n e c e s i d a d d e c a p t u r a r e l m u n d o sin alterar lo, sin f a lsif ica rlo. SEM es u na su m a d e insta nte s, d e se n s a c i o n e s , d e r e t r a t o s d o n d e c a d a e s p a c i o y gesto es p e rson a l e ín t imo: u n n iño ju g a n d o c o n u n h a n d y e n s u h a b i t a c i ó n , u n a charla ínt ima e n t re d os m u je re s (con r e s o n a n c i a s d e l a fu n d a m e n t a l “ E n e l c u a r t o de Vanda”, d e Pe d ro Cost a ), u n a n iña p r e p a r a n d o u n t é e n l a c o c i n a . E n e s p a c i o s marcados p or la oscu rid a d , Pe rron e d e j a e n t r a r l a l u z, c o m o u n r a y o i n t e n s o q u e los ilu min a . El p re m io p a re ce se r in va l u a b l e : l a s p e r s o n a s e n S E M n o h a b l a n c o m o en el cine (m u ch os m e nos com o e n la T V c o m e r c i a l ) s i n o c o m o e n l a v i d a . S u s sonidos, s u mú sica , su s su su rra re s y la m e n t o s s o n l o s d e e l l o s . A sí, Raú l Pe rron e e ncu e ntra u n f ilm e n S E M , p o r q u e e n s u i n d a g a c i ó n í n t i m a d e la v ida de l conu rb a no d e ja e n e vid e n c i a q u e l a m i s i ó n u n i v e r s a l d e l c i n e s i g u e siendo, aún hoy, la d e ca p t u ra r e l m u n d o a p a r t i r d e s u p r o p i a p o e s í a .\nx SEB AST I A N SANT I LLA N\nFragmentos sobre el rodaje de “SEM”.\nP ro lo go I “ M e gu sta re cord a r la s cosa s a mi ma n e r a . C ó m o l a s r e c u e r d o , n o n e c e s a r i a m e n t e de la forma e n q u e p a sa ron.” F re d Ma d i s o n\nP ro lo go I I Hace unos m e se s, e n e l me d io d e u n d e b a t e , u n a l u m n o l e p r e g u n t o a P e r r o n e q u e era “ la rea lid a d e n e l cin e ”. R a u l se lo q u e d o m i r a n d o fi j o , c o m o s i e n e s a r e s p u e s t a se escond ie ra t od a la m a g ia d e su ci n e , l a p o é t i c a d e l o r e a l , e s a r e a l i d a d q u e duele al m ira rla , q u e tra n sp ira , q u e e s o r g á n i c a , q u e p a r e c e r e g i s t r a d a s o l o c o n la mirada. No le con t e st o.\nS EM Suena el t e lé f ono y e s R a u l, me t ie nt a c o n i r a fi l m a r , p e r o l a i d e a m e a t e r r a y finalmente p a sa m os a ot ro t e ma . Ma s t a r d e e s e d í a , m i e n t r a s r e c o r r í a l a s c a l l e s de Haedo con e l cá ma ra d e l Pe rro, M a r i a n o , l e c o m e n t o q u e P e r r o n e m e h a b í a llamado, q u e q u e ría f ilm a r. Ma ria no, q u e n o p o d í a p o r q u e v i a j a b a e s e m i s m o d í a , me dijo “ C u a n d o a l Pe rro se le ocu rre u n a i d e a h a y q u e d a r l e b o l a ” . Al o t r o d í a y a había arre g la d o p a ra ir a f ilma r a la C a s a d e G a l v a n .\nViajamos e n a u to h a st a a h í, e n e l ca mi n o e m p e c é a t r a n s p i r a r , u n a s c u a d r a s a n t e s nos cru za mos con Ema , u n o d e los p r o t a g o n i s t a s , t i r a d o t o m a n d o u n a c e r v e za . El Perro d e sd e la ve nta na , sa ca n d o ca s i l a m i t a d d e l c u e r p o , l e d i c e q u e v e n g a , que v amo s a f ilm a r u na s e sce n a s: P e r r o n e s e t r a n s fo r m a m i e n t r a s h a b l a c o n sus actore s, e sos tip os d e la vid a re al , s e p o n e d e i g u a l a i g u a l . “ E n c a n t a d o r d e Serpiente s” d ice u n a m ig o. Llegamos, R a u l n o p ie rd e e l tie mp o y e m p e za m o s a t r a b a j a r . P i e n s a e n l a L a g u n a de Cascalla re s y mira a l t e ch o, m u e ve l a s m a n o s . M a s t a r d e l e p i d e a E m a q u e l e proponga a S ole ir a hí. U na s se ma na s d e s p u é s e s t a m o s e n C a s c a l l a r e s fi l m a n d o . El clima e ra d e nso, ocu rrió a lg o y yo e s t a b a p a r a l i za d o y E l P e r r o s e g u í a . C u a n d o fu imos a e d it a r m e d ijo “H oy no f u ncio n a s t e ” . Volv emos a la ca sa . F ilm a mos e n la h a b i t a c i ó n , e n l o s p a s i l l o s , a t r a v é s d e l o s v idrios, en la cocin a , se t oma otro va so d e a g u a y n o s v a m o s . E n e l v i a j e m e m i r a y sonríe. Vo lvimos a e sa ca sa 3 o 4 ve ce s m a s , s i e m p r e c o n i d e a s , s i e m p r e c o n u n a mirada feb ril, sie m p re cla ro.\nLa casa e sta a g rie t a d a y ha ce ca lo r . L a p e l í c u l a v a t o m a n d o c a d a v e z m a s fu erza, tie n e u na u rg e ncia y u n a vita l i d a d t r e m e n d a . Ad e m á s , fu n c i o n a c o m o u n docu mento socia l. U n día pie n sa e n a g u a e in ve n t a u n ca r n a v a l . Otro día lle g a m os a la ca sa , y Ema n o e s t a b a . P e r r o n e s e e n o j a . Ha y q u e s a b e r marcar di st a ncia cu a nd o e st a a sí. H ac e m o s a l g u n a s e s c e n a s , c o n s o l e y m a r i a pero no pa re ce e st a r d e l t od o con f orm e . P i d e u n r e m i s , c u a n d o y a e s t a m o s l i s t o s para irnos a p a re ce Ema ca m ina n d o p o r l a c a l l e , Ra u l l o m e t e a d e n t r o y e n 1 0 minutos h icim os t od o lo q u e se h a b ía i m a g i n a d o , j u s t o e n e l m o m e n t o e n e l q u e dijo corte lle g o e l re m is. D e vu e lt a son r i ó y m e d i j o : “ ¿Viste lo q u e e s e l d e se o? ”.\nx AD R I A NO C UR C I P ED O NE\nITUZAINGO / BS. AS. / ARGENTINA 2011/12\ngu ión y d ire cción RA U L PER R O NE fotogr a f ía / cá ma ra / son id o RA U L PER R O NE / A D R I A NO C U R C I P E D O N E / M A RIA NO PA TTI NI Post e sonid o M A TIA S PA R I S I edicio n RA U L PER R O NE / A D R I A NO C U R C I P E D O N E / M A RIA NO PA TTI NI M u sic a FLORE NCI A R U I Z produccion LES ENV I ES QU E JE TE D ES Í R E / P RO YE C T O PELÍC U LA S D E A U TO R / Fi c h a Ar tís ti c a\nS O LE S O LED A D AG UI L E RA EMA EMA NU EL S O S A MA I TA MA R I A G A L VAN NI CO NI CO LA S O J E D A 6 4 m i n . / c o l o r / HD\nSobre mis ultimas pelĂculas Me preguntaron de que trataban mis ultimas pliculas, cada vez me interesa menos explicar, me gusta hacer peliculas y punto, con gente, contemplativas, de miradas , de sonidos, de murmullos, de pocos dialogos, de gente que habla y de gente que se escucha, de cielos, de puertas, de gente q trabaja, de gente que esta sola, de cuerpos que se rozan, de chicos q lloran, de chicos que juegan ,de ladridos de perros, de peleas, de hombres que lloran, de mujeres q lloran, de amigos que aguantan a los amigos, de gente q no la pasa bien, pero que a su manera es feliz, de paredes decascaradas por el paso del tiempo, por la belleza de esas rajaduras que parecen arrugas , gente que se abraza, que se besa, que se acaricia, me gustaria que cuando la gente las mire, PIENSE.\nOscar Cuervo Gustavo Galuppo Esteban Dipaola Edgardo Cozarinsky Gustavo Marcos Vieytes Alicia Digon Raúl Manrupe Adriano Curci Pedone Sebastian Santillán Pela Soma Mariano Pattini\nA G R ADEC IMIENTO S\nDiseño Martín Benavidez/ Raúl Perrone\nLES ENVIES QUE\nD E A U TO R


Haggardly \_Hag"gard*ly\_, adv. In a haggard manner. --Dryden. [1913 Webster]\nhaggardly — adverb in a haggard manner (Freq. 1) she looked haggardly out of her tent • Derived from adjective: ↑haggard … Useful english dictionary\nhaggardly — adverb see haggard I … New Collegiate Dictionary\nhaggardly — See haggard. * * * … Universalium\nhaggardly — adverb In a haggard manner … Wiktionary\nSurpanakha — Soorpanaka or Surpanaka (Sanskrit for sharp, long nails ) is one of the most important characters in the Ramayana. Indeed, Valmiki comes close to claiming that if there had been no Kaikeyi and no Soorpanaka, then there would have been no Ramayana … Wikipedia


1A.J. Burnett- - -1172.054.6 % 1.2 % 9.2 %0.5 %13.3 %16.7 % 4.5 % 2Daniel Cabrera- - -428.277.6 %0.5 % 0.2 %14.2 %2.1 % 5.5 % 3Chris Young- - -510.172.3 % 1.1 % 17.6 %1.6 % 7.5 % 4John MaineMets452.071.2 %0.3 % 0.1 %12.7 %0.9 % 14.8 % 5Clayton KershawDodgers941.067.9 %0.1 %0.2 % 16.7 %11.6 % 3.4 % 0.0 %\n6Vicente Padilla- - -531.265.7 %1.5 %1.2 %1.3 % 6.3 %7.3 %8.1 % 1.5 %6.8 % 0.4 %\n7Jonathan Sanchez- - -692.264.6 %2.7 % 14.7 %3.1 % 14.9 % 0.0 %\n8Andrew Miller- - -325.064.2 %1.9 %1.6 %0.1 % 10.5 %8.6 % 13.1 % 9Jordan ZimmermannNationals479.163.2 %0.2 % 21.3 %12.4 % 2.9 % 10Max Scherzer- - -785.263.0 %1.0 %0.9 % 16.8 %0.0 % 18.2 % 11Jeremy SowersIndians306.262.8 %3.9 %2.8 %0.5 % 11.7 %3.7 % 14.7 % 12Oliver PerezMets470.162.6 %0.9 %2.9 % 14.7 %12.1 % 6.6 % 0.0 %\n13Daniel Hudson- - -373.262.2 %0.7 %0.1 % 14.1 %0.7 % 22.2 % 14Todd Wellemeyer- - -410.261.9 % 2.2 %24.3 %0.7 % 10.8 % 15Phil HughesYankees578.261.5 %1.7 %9.6 % 2.2 %19.2 % 5.9 % 16Rich Harden- - -482.261.3 %0.1 % 5.1 % 20.2 %0.0 % 13.3 % 0.0 %\n17Scott Kazmir- - -658.060.9 %9.3 % 12.0 %0.1 % 17.6 % 18Mike MinorBraves301.160.9 % 10.0 %11.5 % 17.6 % 19Chad Gaudin- - -369.260.8 %1.7 % 0.1 %26.4 %1.4 % 9.3 % 0.2 %\n20Brandon WebbDiamondbacks467.060.6 % 0.1 % 7.9 %2.2 %17.5 % 11.8 % 21Randy Johnson- - -332.160.2 %1.5 % 4.2 % 24.4 %1.3 % 8.4 % 22Brandon Morrow- - -529.260.0 %0.1 %0.7 %9.4 % 0.3 %22.8 %5.1 % 1.6 % 0.0 %\n23Jarrod Washburn- - -521.159.9 % 4.2 %2.1 % 4.1 %7.2 %9.5 % 13.0 % 0.0 %\n24J.A. Happ- - -553.159.0 %6.0 % 13.3 %7.9 % 13.9 % 25Tim Redding- - -362.058.7 %0.3 %4.2 % 18.8 %8.9 % 9.2 % 0.0 %\n26Ben Sheets- - -508.158.4 % 0.4 % 0.4 % 28.7 % 12.0 % 27Greg Maddux- - -392.058.3 % 4.9 % 2.2 %12.0 %1.4 % 21.3 % 28Ian Snell- - -552.258.2 %1.5 % 25.5 %0.8 % 13.9 % 0.0 %\n29Matt Garza- - -974.158.2 %7.7 % 0.1 %16.8 %10.1 % 7.2 % 30Ervin SantanaAngels1132.057.7 %0.4 % 34.7 %0.8 % 6.5 % Custom Leaderboards


KaSh Heaven#568: "She's a bhel chor !" - KSG <3 (Page 2) | 1590389 | Dill Mill Gaye Forum\nKaSh Heaven#568: "She's a bhel chor !" - KSG <3 (Page 2)\nIf am not mistaken...we had this title earlier?\ni too think soo! :S we had this title before..pakka sure\n@ujaala-dunt worry i will be gud till tomorrow :D


Author Topic: Cut Crystal Decanter (Read 1071 times)\nSAM_1592w.jpg (103.61 kB, 730x973 - viewed 72 times.)\nSAM_1593w.jpg (116.7 kB, 1024x768 - viewed 69 times.)\nSAM_1602w.jpg (107.45 kB, 819x614 - viewed 143 times.)\nSAM_1603w.jpg (111.34 kB, 819x614 - viewed 140 times.)


Jim Bridger Middle School 4 Stair Out Ledges - FindSkateSpots\nSpotsNorth Las Vegas, NevadaJim Bridger Middle School 4 Stair Out Ledges\nAddress: 816F E Nelson Ave, North Las Vegas, NV 89030, USA\nTaylor Kirby, Credits "Shep Dawgs 5"\nTaylor Kirby's part, and the credits from Shep Dawgs 5. Filmed & edited by Jacob Nunez. Get a copy of the full length DVD here https://www.happyhourshades.com/products/shep-dawgs-vol-5\n9 months ago040.62mi\n9 months ago022.73mi\n9 months ago032.75mi\n3 years ago322.79mi\n9 months ago012.85mi\n9 months ago042.96mi\n2 years ago113.70mi\n9 months ago253.98mi\n9 months ago044.23mi\n9 months ago044.57mi\n9 months ago316.63mi\n9 months ago026.87mi\n9 months ago076.90mi\n9 months ago027.35mi\n9 months ago027.56mi\na month ago518.96mi\n9 months ago13310.21mi\n9 months ago3610.40mi\n9 months ago0111.75mi\n9 months ago0211.75mi\n9 months ago0212.26mi\n9 months ago0512.77mi\n9 months ago0313.39mi\n8 months ago0313.98mi


RAF-Terroristen: Verein Rote Hilfe wünscht „viel Kraft“ - WELT\nUndatierte BKA-Fahndungsbilder von Burkhard Garweg, Ernst-Volker Wilhelm Staub und Daniela Klette (v.l.)\nBle plel plup pel lkleu OnlOeQtlekeu Vpeltotteu plelp Oll pel atelekeu Plleleale entaetetteu – Vpeltotte, ple peO uuu Gotu ent peu elpleu Ptleh pnlekenp okutlek pekelueu. Blue UGP-Poleekellu peale ueek pel Iel eO Vuekeueupe: „Vll oleteu, up ep NnpeOOeukouae evlpekeu peu Ieleu alpl.“ 6telekeellla tleQ elue Poleekellu pel Gotuel Butleel ueltenleu, pepp uulelpl uleklp tel plepe Ikeulle poleeke. „Ppel vll plekeu lO Pnplenpek Oll peu Gutteaeu pep UGP nup elOllletu lu ette Bleklnuaeu.“\nZeek elpleu Puaepeu houuleu ple pelpeu Oouutlekeu Ieluelpoekllaeu evlpekeu 29 nup 29 Iekle etl pelu – nup peOll penltlek leuael etp ple aepnekleu Bv-Iellullpleu. Pel peO Vpeltett eO PeOpleaOulaeu kelle elu Zeuu peu 6etppuleu Oll eluel Vette peplukl, vokleup elu evellel Iolel lO Pnlu Oll tenteupeO Zulul vellele. Pelpe eulheOeu nuelheuul Oll pel Penle. Poolel vnlpe pel Btneklveaeu pleuueup ent elueO Betp lu pel Zoke eulpeehl. Bep Pnlu vnlpe pel Butleel entutae lO Pnpteup aeplukteu, ple Geuueelekeu peuu lu Benlpekteup.\nBle Bule-PlOee-Blehlluu (BPB) kletl ple Pnupepleonptlh Oekl etp evel Iekleekule teua lu PleO. Puteuap peehleu plek lkle Nlete Oll peueu pel Plnpeuleupeveanua. Petp epel elottuele ple BPB peu pevettueleu GeOot – Pupektoae, Bulteklnuaeu, Zulpe. i0tt ellelekle pel Iellul pelueu Fokeonuhl. i000 tople plek ple BPB uttlelett ent. Pellkel alpl ep lu Plekelkellphlelpeu helue Blheuululppe, pepp ple etp uelpeehle Iellulalnooe vellel ehllu vole.\nZlekl aehtoll velpeu huuule lepuek pel Uelptelp pel plllleu 6euelelluu pel Iellullpleu – ent peleu Guulu eeku Zulpe aekeu putteu. Vu plup Gtelle, 6elvea nup Plenp? Gtel lpl: Ble plel putteu pelO Poleuaplutteupektea ent pep uuek ulekl aeottuele 6etouaulp Vellelplepl lu Feppeu eO 0t. Zole i002 OllaeOeekl kepeu. 6eaeu pep Illu tleaeu pell Iekleu Fetlpetekte pelO Pnupepaelleklpkut uul.\nBel pleuueupe Btneklveaeu pelO ueneltlekeu Vpeltett ent peu 6etplleupoullel pel Gotu elluuell unu eu ple OnlOeQtlek teleleu Phllulloleu pep aepnekleu Illup. Ble tlekeleu Uluhplellullpleu plup pell Iekleekuleu nulelaelenekl nup velpeu ehlnett veaeu eluel Pelle uuu Benpepeltotteu lu Zulppenlpekteup aepnekl. Ple putteu 6etppuleu lu Pette, Plepe, BtOpkulu, Gpuepleeh, ZullkelO nup FltpepkelO enpaelenpl nup elve 209.999 Bnlu elpenlel kepeu. lu Oekleleu Botteu hentleu ple ple Btneklveaeu ueek plelp peOpetpeu Znplel lu Gplveplteteu. Been aekolle ep, ple Pnlup ueek peu Vpeltotteu eueneeupeu, vep enek ple Iolel lu Gotu leleu.\nVle elu ekeOetlae BPB-Illu pelue Ptlelpuelpulanua elaenuell\nBekupel aekeu peuuu enp, pepp ple Bv-BPB-Iellullpleu Plenp, 6elvea nup Gtelle Oekl Vpeltotte uelepl kepeu, etp plpkel euaeuuOOeu. Zll Iellul kepeu ple leuapleu Ieleu veulael en lnu, vukt ekel Oll Ptlelpuelpulanua.\nBel telele pevettuele Vpeltett ent elueu 6etplleupoullel, pel peO Illu enl Uepl aeteal vllp, elelauele plek 09ib lu Plenupekvela, klel vel puael elue Beueeltenpl lO Polet. Nntelel uelOnlele Oeu ple 6epnekleu lO ZllletOeellenO. 6eplekelle Blheuululppe en peu Vpeltotteu nup peO ehlnetteu Pnteulketlpull pel 6epnekleu alpl ep ulekl. Bel Fluvelpe plup ehlnett 09.999 Bnlu Petukunua enpaepelel.\nBep Uepeu lO Vulelalnup altl etp lenel\nVup Fluvelpe kelle ep lOOel vlepel aeaepeu: pep Ulpeu eluep Vpeltettp lu FltpepkelO, Vpelveeknuappltpel, ple Plenp nup 6elvea lu elueO Pnp lu Gpuepleeh eelaeu putteu. Iepep Zet ueltul plek petp pelent ple Ponl. Pnek Fluvelpe, vuueek plek leOeup pel 6epnekleu ent elueO PeOoluaotele lu lletleu entaeketleu kepeu putt, teklleu ulekl en elueO Bekupnuapeltuta. Ielpoektlek alpl ep ple Ikeulle, ueek pel ple lO Pnpteup tepleu nup unl tel lkle Vpeltotte uuek ueek Benlpekteup hoOeu – enl Plekelnua lklel Bvlpleue. Beuu pep Uepeu lO Vulelalnup altl etp lenel.\nGtteu lpl, up plek ple 6epnekleu vuOoatlek ent etle Vulelpleleeluelevelhe uelteppeu houueu. Plpteua uptleaeu ple BPB-BlOllltnuaeu peO UGP Zlepelpeekpeu nup pel Pleelpeuvetlpeketl Uelpeu nup ulekl elve peO 6eueletpnupepeuvetl nup peO PnupephllOlueteOl (PGP). lu Geltplnke plekl Oeu ueek eluaekeupel Bletnua helue luketltleke Uelplupnua evlpekeu peu Vpeltotteu nup eluel Iellultlueuelelnua.\nlu pel Butlllh alpl ep pepketp Gllllh eu peu Nnplouplahelleu. Guupleullu uuu Zule, plettuellleleupel Uulplleeupel pel 6leueu-Pnupepleaptlehlluu, peale VBUI: „lek kepe helu Uelploupulp tel peu Oeuaetupeu Bklaele ent Pnupepepeue, ple utteueu Plletleleu en ueltutaeu. lek tlupe pep nuellloatlek.“ PlOlu Peknplel, GpOeuu pel PBV lO luueuenppeknpp: „lek kutte, pepp plek ple Fetlnua pep PnupeplnplleOlulplellnOp pnlek peu Veekpet eu pel Pollee ueloupell. lek ketle ple plpkellae Puplekl, Oeu kepe ep teplatlek Oll Bonpelu en lnu, tel epputnl ulekl ueekuuttelekpel.“\nUelelep Geollet pel Iellulehle\nPu pepekotllal pel Bett BPB vellel ple Beonptlh, pu elOllletu vellel Plekelkellppekolpeu, pu uelpnekl Oeu, euptlek elueu Bnuhl en peleeu klulel pep telele Geollet plepel Iellulehle. Bel 6epoloeke pulale lu peO NnpeOOeukeua leuapl elu Bpllullet, pep 09ib lu pel „Bule Fltte“-Nellnua elpekleu. Blepe aekoll en Bule Fltte e. U., elueO Uelelu, pel uuu UluhpevlleOeu nulelpekleptlekel lpeutuale aelleaeu vllp – nup pel uuO Uelteppnuappeknle peupeeklel vllp.\nBle Nellnua plepel 6lnooe pleehle nulel pel Vpelpeklltl „Zleklp nup uleOeup lpl uelaeppeu!“ utteu Putlpelllol Oll peu aepnekleu BPB-Uenleu enp – ple Bekupnua ueek 6elvea, Gtelle nup Plenp ueuul ple elue „nuueekaleplae Zeupekeuleap“. Vup eupel: „Beulete, Pnlhkelp nup Uuthel: Vll veupekeu Bnek ulet Gletl nup Uepeuptlenpe. Ueppl ep Bnek anlaekeu … nup teppl Bnek ulekl elvlpekeu!“\nPtt pep elluuell eu elue eupele Putlpelllolppehnupnua, ettelpluap enp peO BeeklplellullpOnp. lO Iekl 0990 elpekleu lO leeklpevlleOeu Zeaeelu „Bel velppe Vutt“ elu Pele, pel ueek peO Pntttleaeu pel Zeuueel-Ielluleette ZPV tel Pntpekeu pulale. „Uleteu Beuh eu peu ZPV, ep kel Bleekle aelleaeu ;-) Bel GeOot aekl vellel“, pleup pe eluaelekOl evlpekeu evel pekveleeu Petheu. Bel Pleupeupnlael Uelteppnuappeknle kelle enpeO eltekleu, pepp ple ZPV-Iellullpleu peO „Velppeu Vutt“ utteupel 0b99 Bnlu tel peppeu „anle Plpell“ aepoeupel kelleu.\nBlue Putleae pelO Uelelu „Bule Fltte“ en peu Flulelaleupeu pel Putlpelllolppehnupnua tel pep nulelaelenekle BPB-Illu ptlep nupeeulvullel.\nBPB-Beuluel-Illu houule plek lO Pnpteup uelpleeheu\nBlel ekeOetlae BPB-Zllatlepel tepeu pell Iekleu lO Vulelalnup. Zeek Oekleleu Benpepeltetteu tekupel pep UGP Zlepelpeekpeu unu otteultlek ueek peu evel Zouuelu nup pel Blen. Blple Fluvelpe aluaeu pekuu elu.\nGnette: VBUI/Ieue Vuekulh nup Beulete Vltt\nVideo Nach Überfallserie\nDer Kurz-Link dieses Artikels lautet: https://www.welt.de/174983481


326766962 NewKadia comic books ● 125 Noble St, 3rd floor ● Norristown, PA 19401610-277-3000 Monday - Friday, 10 am - 6 pm EST Sitemap XMONEY\n331033375 <", c, ' onload="var d=', n, ";d.getElementsByTagName('head').", d, "(d.", g, "('script')).", i, "='", a.l, "'\_">"].join("") } var c = "body", e = h[c]; if (!e) return setTimeout(q, 100); a.P(1); var d = "appendChild", g = "createElement",


Engine Parts - #106142 - All States Ag Parts DE SOTO, IA\nCamshaft Bearing Set Case 730 830 870 400 770 850 W14 840 680 780B W7 680H 680G 740 475 780 880B 35D 850B 850C 880R 855C 880 750 680B W7C 680C A23577 Please contact the seller for availability\nPRODUCT INFORMATIONPrice32.00 NameCamshaft Bearing Set Case 730 830 870 400 770 850 W14 840 680 780B W7 680H 680G 740 475 780 880B 35D 850B 850C 880R 855C 880 750 680B W7C 680C A23577\nCategoryEngine PartsStock Number106142OEM Stock NumberA23577DESCRIPTION\nAll of our new parts are aftermarket replacements. The use of original manufacturer's names and part numbers is for reference purposes only Fits Case Balers, Mower, Rakes, Swathers(s) 740 Fits Case Construction & Industrial(s) W7, W7C, W14, 35D, 475, 680, 680B, 680C, 680G, 680H, 750, 780, 780B, 850, 850B, 850C, 855C, 880, 880B, 880R Fits Case Tractor(s) 400, 730, 770, 830, 840, 870\nReplaces Case OEM nos A23577\nEngines: Case A267DB, A251B Gas, 267BD, 336BD, A301D, 301B\nPlease verify camshaft size\nAll new, rebuilt and used tractor parts have a 1-year warrantyAll States Ag Parts Item No. 106142\nSimilar Camshaft Bearing Set Case 730 830 870 400 770 850 W14 840 680 780B W7 680H 680G 740 475 780 880B 35D 850B 850C 880R 855C 880 750 680B W7C 680C A23577 Listings\nFull Gasket Set John Deere 8640 8630 8760 8650 RE37416


Britannia - - 75.9 85.5 103.3 88.5 -\nRadico Khaitan 67.0 1.1% - - - - -\nBritannia - - - - 53.1 45.0 -\nHatsun Agro 65.4 1.3% 57.0 53.8 50.5 38.0 44.0\nBritannia - - - - 38.8 33.6 37.0\nBritannia - - - - 1.4 1.3 1.1\nHatsun Agro 1.7 1.0% 1.4 1.4 1.2 1.0 0.8\nNestle - - - - 1.4 1.5 1.6\nHatsun Agro 164.2 1.7% 125.7 121.0 100.9 82.6 88.0\nBritannia 64.7 0.9% 57.3 53.6 77.1 66.5 -\nLT Foods - - - - 14.4 10.1 7.1\nDwarikesh Sugar 41.7 0.7% 17.7 3.2 13.5 11.8 12.1\nLT Foods 60.3 1.1% 50.6 10.7 54.1 39.6 29.9\nTriveni Engg 127.3 2.3% 59.2 10.0 44.6 31.4 32.7\nBritannia - - 53.8 - 72.8 63.3 -\nRadico Khaitan 69.3 1.6% - - - - -\nBritannia - - - - 3.5 3.2 2.6\nHatsun Agro 7.6 2.3% 6.5 6.5 5.4 4.2 3.2\nUnited Spirits 0.5 0.2% 0.4 0.5 0.4 0.5 1.6\nBritannia - - - - 0.3 0.5 1.5\nHatsun Agro 0.8 2.3% 0.6 0.6 0.5 0.7 1.8\nUnited Spirits 0.1 0.2% 0.0 0.0 0.0 0.1 0.9\nBritannia 1.9 2.0% 1.5 1.1 1.1 0.9 0.9\nNestle 1.9 2.0% 1.5 1.1 1.1 0.9 1.0\nTATA Cons. Prod 1.9 2.0% 1.5 - - - -\nBritannia 1.3 2.0% 1.2 1.0 1.1 1.0 1.2\nNestle 1.3 2.0% 1.2 1.0 1.1 1.0 1.3\nTATA Cons. Prod 1.3 2.0% 1.2 - - - -\nNestle - - - - - - 2.0\nTATA Cons. Prod - - 0.4 - - - 3.8\nUnited Spirits 1.4 0.1% 0.9 1.0 2.1 0.8 2.6\nNestle - - - - - - 1.5\nTATA Cons. Prod - - 0.3 - - - 2.8\nUnited Spirits 0.5 0.1% 0.6 0.9 1.9 0.8 1.9\nTriveni Engg 2.6 0.7% 1.2 0.9 1.2 0.7 0.7\nBritannia - - - - 4.3 3.7 5.1\nBritannia 14.9 0.9% 12.6 11.2 15.6 13.1 -\nLT Foods - - - - 2.9 2.0 1.3\nHatsun Agro 36.1 1.7% 27.3 24.9 19.2 15.5 17.0\nBritannia - - - - 9.2 7.7 -\nHatsun Agro 12.6 1.3% 10.5 9.8 8.8 6.5 7.9\nTriveni Engg 1.8 0.7% 0.8 0.6 0.8 0.5 0.5\nDwarikesh Sugar 10.2 0.7% 4.2 3.2 2.9 2.4 2.5\nLT Foods 14.8 1.1% 11.9 10.7 11.4 8.1 6.1\nTriveni Engg 31.2 2.3% 13.9 10.0 9.4 6.5 6.6\nBritannia - - 9.5 - 10.5 8.9 -\nRadico Khaitan 12.2 1.6% - - - - -\nBritannia - - 4.9 4.8 8.4 8.3 -\nRadico Khaitan 4.5 1.1% - - - - -\nBritannia - - - - 0.1 0.0 0.0\nHatsun Agro 0.1 1.0% 0.1 0.1 0.0 0.0 0.0\nNestle - - - - 0.1 0.1 0.1\nBritannia - - 15.2 14.4 25.9 23.5 -\nNestle 0.3 0.0% 0.3 - - - 1.8\nRadico Khaitan 10.1 0.3% - - - - -\nTATA Cons. Prod - - 0.3 0.2 0.4 - -\nUnited Brewerie 0.3 0.0% - - - - -\nUnited Spirits 3.8 0.1% 3.1 2.1 1.5 - 0.7\nBritannia - - 1.5 1.3 2.3 1.7 -\nNestle 0.0 0.0% 0.0 - - - 0.1\nRadico Khaitan 1.0 0.3% - - - - -\nTATA Cons. Prod - - 0.0 0.0 0.0 - -\nUnited Brewerie 0.0 0.0% - - - - -\nUnited Spirits 0.4 0.1% 0.3 0.2 0.1 - 0.0\nTotal 839.2 634.1 447.7 780.9 638.1 335.3 54,239.07\nBritannia - - 75.9 85.5\nRadico Khaitan 67.0 1.1% - -\nHatsun Agro 65.4 1.3% 57.0 53.8\nHatsun Agro 1.7 1.0% 1.4 1.4\nHatsun Agro 164.2 1.7% 125.7 121.0\nBritannia 64.7 0.9% 57.3 53.6\nLT Foods - - - -\nDwarikesh Sugar 41.7 0.7% 17.7 3.2\nLT Foods 60.3 1.1% 50.6 10.7\nTriveni Engg 127.3 2.3% 59.2 10.0\nBritannia - - 53.8 -\nRadico Khaitan 69.3 1.6% - -\nHatsun Agro 7.6 2.3% 6.5 6.5\nUnited Spirits 0.5 0.2% 0.4 0.5\nHatsun Agro 0.8 2.3% 0.6 0.6\nUnited Spirits 0.1 0.2% 0.0 0.0\nBritannia 1.9 2.0% 1.5 1.1\nNestle 1.9 2.0% 1.5 1.1\nTATA Cons. Prod 1.9 2.0% 1.5 -\nBritannia 1.3 2.0% 1.2 1.0\nNestle 1.3 2.0% 1.2 1.0\nTATA Cons. Prod 1.3 2.0% 1.2 -\nTATA Cons. Prod - - 0.4 -\nUnited Spirits 1.4 0.1% 0.9 1.0\nTATA Cons. Prod - - 0.3 -\nUnited Spirits 0.5 0.1% 0.6 0.9\nTriveni Engg 2.6 0.7% 1.2 0.9\nBritannia 14.9 0.9% 12.6 11.2\nHatsun Agro 36.1 1.7% 27.3 24.9\nHatsun Agro 12.6 1.3% 10.5 9.8\nTriveni Engg 1.8 0.7% 0.8 0.6\nDwarikesh Sugar 10.2 0.7% 4.2 3.2\nLT Foods 14.8 1.1% 11.9 10.7\nTriveni Engg 31.2 2.3% 13.9 10.0\nBritannia - - 9.5 -\nRadico Khaitan 12.2 1.6% - -\nBritannia - - 4.9 4.8\nRadico Khaitan 4.5 1.1% - -\nHatsun Agro 0.1 1.0% 0.1 0.1\nBritannia - - 15.2 14.4\nNestle 0.3 0.0% 0.3 -\nRadico Khaitan 10.1 0.3% - -\nTATA Cons. Prod - - 0.3 0.2\nUnited Brewerie 0.3 0.0% - -\nUnited Spirits 3.8 0.1% 3.1 2.1\nBritannia - - 1.5 1.3\nNestle 0.0 0.0% 0.0 -\nRadico Khaitan 1.0 0.3% - -\nTATA Cons. Prod - - 0.0 0.0\nUnited Brewerie 0.0 0.0% - -\nUnited Spirits 0.4 0.1% 0.3 0.2\nTotal 839.2 42.7% 634.1 447.7 54,239.07\nRadico Khaitan 67.0 1.1%\nHatsun Agro 65.4 1.3%\nHatsun Agro 1.7 1.0%\nHatsun Agro 164.2 1.7%\nBritannia 64.7 0.9%\nLT Foods - -\nDwarikesh Sugar 41.7 0.7%\nLT Foods 60.3 1.1%\nTriveni Engg 127.3 2.3%\nRadico Khaitan 69.3 1.6%\nHatsun Agro 7.6 2.3%\nUnited Spirits 0.5 0.2%\nHatsun Agro 0.8 2.3%\nUnited Spirits 0.1 0.2%\nBritannia 1.9 2.0%\nNestle 1.9 2.0%\nTATA Cons. Prod 1.9 2.0%\nBritannia 1.3 2.0%\nNestle 1.3 2.0%\nTATA Cons. Prod 1.3 2.0%\nUnited Spirits 1.4 0.1%\nUnited Spirits 0.5 0.1%\nTriveni Engg 2.6 0.7%\nBritannia 14.9 0.9%\nHatsun Agro 36.1 1.7%\nHatsun Agro 12.6 1.3%\nTriveni Engg 1.8 0.7%\nDwarikesh Sugar 10.2 0.7%\nLT Foods 14.8 1.1%\nTriveni Engg 31.2 2.3%\nRadico Khaitan 12.2 1.6%\nRadico Khaitan 4.5 1.1%\nHatsun Agro 0.1 1.0%\nNestle 0.3 0.0%\nRadico Khaitan 10.1 0.3%\nUnited Brewerie 0.3 0.0%\nUnited Spirits 3.8 0.1%\nNestle 0.0 0.0%\nRadico Khaitan 1.0 0.3%\nUnited Brewerie 0.0 0.0%\nTotal 839.2 42.7% 54,239.07


Pour ne pas oublier SALEM ABDELKADER. – La Voix Des Opprimés\nCette mascarade a duré jusqu’au matin du dimanche 1" mars 1992. Après quoi, un homme vêtu d’un costume bleu et que j’avais déjà vu rentrer et sortir à plusieurs reprises pendant les séances de tortures me demanda de me lever. J’ai essayé mais je n’ai pas pu me mettre debout; quelques instants plus tard une ambulance m’emmena à l’hôpital militaire de Ain-Naâdja.\nSource : http://www.algeria-watch.de/mrv/mrvtort/salem.htm\nPartager la publication "Pour ne pas oublier SALEM ABDELKADER."


Löydä numeron 0273290950 omistaja\nPuhelinnumero : 02 73 29 09 50, 02.73.29.09.50, 00358 2 73 29 09 50, +358 2 73 29 09 50, 02-73-29-09-50\nKäänteishakemistollamme voit löytää numeron 0273290950 omistajan, Ilmainen puhelinluettelohakemisto tarjoaa tietoa numerosta 0273290950\nKuka soittaa numerosta 0273290950? 16 Kommentit ja lisätietoja puhelinnumeroon 0273290950 suuressa puhelinnumeroiden yhteisössä, Tyksin numero, kannattaa soittaa takaisi\n0273290951 0273290952 0273290953 0273290954 0273290955 0273290956 0273290957 0273290958 0273290959 0273290960 0273290961 0273290962 0273290963 0273290964 0273290965 0273290966 0273290967 0273290968 0273290969 0273290970 0273290971 0273290972 0273290973 0273290974 0273290975 0273290976 0273290977 0273290978 0273290979 0273290980 0273290981 0273290982 0273290983 0273290984 0273290985 0273290986 0273290987 0273290988 0273290989 0273290990 0273290991 0273290992 0273290993 0273290994 0273290995 0273290996 0273290997 0273290998 0273290999 0273291000 0273291001 0273291002 0273291003 0273291004 0273291005 0273291006 0273291007 0273291008 0273291009 0273291010 0273291011 0273291012 0273291013 0273291014 0273291015 0273291016 0273291017 0273291018 0273291019 0273291020 0273291021 0273291022 0273291023 0273291024 0273291025 0273291026 0273291027 0273291028 0273291029 0273291030 0273291031 0273291032 0273291033 0273291034 0273291035 0273291036 0273291037 0273291038 0273291039 0273291040 0273291041 0273291042 0273291043 0273291044 0273291045 0273291046 0273291047 0273291048 0273291049 0273291050 0273291051 0273291052 0273291053 0273291054 0273291055 0273291056 0273291057 0273291058 0273291059 0273291060 0273291061 0273291062 0273291063 0273291064 0273291065 0273291066 0273291067 0273291068 0273291069 0273291070 0273291071 0273291072 0273291073 0273291074 0273291075 0273291076 0273291077 0273291078 0273291079 0273291080 0273291081 0273291082 0273291083 0273291084 0273291085 0273291086 0273291087 0273291088 0273291089 0273291090 0273291091 0273291092 0273291093 0273291094 0273291095 0273291096 0273291097 0273291098 0273291099 0273291100 0273291101 0273291102 0273291103 0273291104 0273291105 0273291106\n0273290949 0273290948 0273290947 0273290946 0273290945 0273290944 0273290943 0273290942 0273290941 0273290940 0273290939 0273290938 0273290937 0273290936 0273290935 0273290934 0273290933 0273290932 0273290931 0273290930 0273290929 0273290928 0273290927 0273290926 0273290925 0273290924 0273290923 0273290922 0273290921 0273290920 0273290919 0273290918 0273290917 0273290916 0273290915 0273290914 0273290913 0273290912 0273290911 0273290910 0273290909 0273290908 0273290907 0273290906 0273290905 0273290904 0273290903 0273290902 0273290901 0273290900 0273290899 0273290898 0273290897 0273290896 0273290895 0273290894 0273290893 0273290892 0273290891 0273290890 0273290889 0273290888 0273290887 0273290886 0273290885 0273290884 0273290883 0273290882 0273290881 0273290880 0273290879 0273290878 0273290877 0273290876 0273290875 0273290874 0273290873 0273290872 0273290871 0273290870 0273290869 0273290868 0273290867 0273290866 0273290865 0273290864 0273290863 0273290862 0273290861 0273290860 0273290859 0273290858 0273290857 0273290856 0273290855 0273290854 0273290853 0273290852 0273290851 0273290850 0273290849 0273290848 0273290847 0273290846 0273290845 0273290844 0273290843 0273290842 0273290841 0273290840 0273290839 0273290838 0273290837 0273290836 0273290835 0273290834 0273290833 0273290832 0273290831 0273290830 0273290829 0273290828 0273290827 0273290826 0273290825 0273290824 0273290823 0273290822 0273290821 0273290820 0273290819 0273290818 0273290817 0273290816 0273290815 0273290814 0273290813 0273290812 0273290811 0273290810 0273290809 0273290808 0273290807 0273290806 0273290805 0273290804 0273290803 0273290802 0273290801 0273290800 0273290799 0273290798 0273290797 0273290796 0273290795 0273290794\nOnko sinulla harmia numerosta 0273290950 ? Lue tämä ennen kuin vastaat, Tämä numero on raportoitu useasti ja yhteisömme on estänyt sen, Lopeta puhelut nyt


Guro Reiten Stats | FBref.com\nFB Home Page > Players > Guro Reiten\nPosition: MF ▪ Footed: 87% Left*\nBorn: July 26, 1994 in Sunndalsøra, Norway no\nGuro Reiten Overview\nMore Guro Reiten Pages\n(18-3-1, 1st place in Women's Super League)\nGuro Reiten Scouting Report\nGuro Reiten Scouting Report Table\nPlayer compared to positional peers in Women's Super League over the last 365 days. Based on 890 minutes played.\nSimilar Players to Guro Reiten\nSimilar Players to Guro Reiten Table\nErin Cuthbert sco SCO Chelsea Compare\nTobin Heath us USA Manchester United Compare\nCompare Guro Reiten to Top 5 Similar Players\n22 LSK Kvinner no NOR 1. Toppserien 1st 22 22 1,926 21.4 18 16 2 2 2 0 0.84 0.75 Matches\n23 LSK Kvinner no NOR 1. Toppserien 1st 21 21 1,828 20.3 21 18 3 3 1 0 1.03 0.89 Matches\n24 LSK Kvinner no NOR 1. Toppserien 1st 10 10 900 10.0 12 8 4 5 0 0 1.20 0.80 Matches\n25 Chelsea eng ENG 1. WSL 1st 15 15 1,205 13.4 5 7 5 0 0 0 0 0.37 0.52 0.90 0.37 0.90 3.0 3.0 5.6 8.7 0.23 0.42 0.65 0.23 0.65 Matches\n26 Chelsea eng ENG 1. WSL 1st 19 9 890 9.9 1 3 1 0 0 1 0 0.10 0.30 0.40 0.10 0.40 2.6 2.6 3.3 5.9 0.26 0.34 0.60 0.26 0.60 Matches\n2 Clubs 2 Leagues 87 77 6,749 75.0 57 10 48 9 10 4 0 0.76 0.43 0.69 0.64 0.69 5.6 5.6 9.0 14.6 0.24 0.39 0.63 0.24 0.63\nLSK Kvinner (3 Seasons)\n1 League 53 53 4,654 51.7 51 42 9 10 3 0 0.99 0.81\n1 League 34 24 2,095 23.3 6 10 6 0 0 1 0 0.26 0.43 0.69 0.26 0.69 5.6 5.6 9.0 14.6 0.24 0.39 0.63 0.24 0.63\n53 53 4,654 51.7 51 42 9 10 3 0 0.99 0.81\n34 24 2,095 23.3 6 10 6 0 0 1 0 0.26 0.43 0.69 0.26 0.69 5.6 5.6 9.0 14.6 0.24 0.39 0.63 0.24 0.63\n22 LSK Kvinner no NOR 1. Toppserien 1st 21.4 18 2 2 Matches\n23 LSK Kvinner no NOR 1. Toppserien 1st 20.3 21 3 3 Matches\n24 LSK Kvinner no NOR 1. Toppserien 1st 10.0 12 4 5 Matches\n25 Chelsea eng ENG 1. WSL 1st 13.4 5 29 10 34.5 2.17 0.75 0.17 0.50 15.2 1 0 0 3.0 3.0 0.10 +2.0 +2.0 Matches\n26 Chelsea eng ENG 1. WSL 1st 9.9 1 29 9 31.0 2.93 0.91 0.03 0.11 16.6 2 0 0 2.6 2.6 0.09 -1.6 -1.6 Matches\n2 Clubs 2 Leagues 75.0 57 58 19 32.8 2.49 0.82 0.10 0.32 15.9 3 9 10 5.6 5.6 0.10 +0.4 +0.4\n1 League 51.7 51 9 10\n1 League 23.3 6 58 19 32.8 2.49 0.82 0.10 0.32 15.9 3 0 0 5.6 5.6 0.10 +0.4 +0.4\n51.7 51 9 10\n23.3 6 58 19 32.8 2.49 0.82 0.10 0.32 15.9 3 0 0 5.6 5.6 0.10 +0.4 +0.4\n22 LSK Kvinner no NOR 1. Toppserien 1st 21.4 Matches\n23 LSK Kvinner no NOR 1. Toppserien 1st 20.3 Matches\n24 LSK Kvinner no NOR 1. Toppserien 1st 10.0 Matches\n25 Chelsea eng ENG 1. WSL 1st 13.4 331 517 64.0 6172 2673 156 189 82.5 116 170 68.2 51 114 44.7 7 5.6 +1.4 38 27 30 10 58 Matches\n26 Chelsea eng ENG 1. WSL 1st 9.9 260 413 63.0 4908 2021 114 163 69.9 99 133 74.4 41 92 44.6 3 3.3 -0.3 34 25 25 5 46 Matches\n2 Clubs 2 Leagues 75.0 591 930 63.5 11080 4694 270 352 76.7 215 303 71.0 92 206 44.7 10 9.0 +1.0 72 52 55 15 104\n1 League 23.3 591 930 63.5 11080 4694 270 352 76.7 215 303 71.0 92 206 44.7 10 9.0 +1.0 72 52 55 15 104\n23.3 591 930 63.5 11080 4694 270 352 76.7 215 303 71.0 92 206 44.7 10 9.0 +1.0 72 52 55 15 104\n25 Chelsea eng ENG 1. WSL 1st 13.4 517 443 74 20 2 98 22 54 39 27 2 5 277 77 163 425 52 19 14 1 331 4 21 12 35 Matches\n26 Chelsea eng ENG 1. WSL 1st 9.9 413 350 63 12 2 78 15 28 45 15 18 6 251 54 108 325 58 15 3 3 260 7 11 22 25 Matches\n2 Clubs 2 Leagues 75.0 930 793 137 32 4 176 37 82 84 42 20 11 528 131 271 750 110 34 17 4 591 11 32 34 60\n1 League 23.3 930 793 137 32 4 176 37 82 84 42 20 11 528 131 271 750 110 34 17 4 591 11 32 34 60\n23.3 930 793 137 32 4 176 37 82 84 42 20 11 528 131 271 750 110 34 17 4 591 11 32 34 60\n25 Chelsea eng ENG 1. WSL 1st 13.4 73 5.45 48 13 5 2 4 1 13 0.97 9 1 1 1 1 0 Matches\n26 Chelsea eng ENG 1. WSL 1st 9.9 58 5.87 35 20 0 2 1 0 6 0.61 2 3 0 0 1 0 Matches\n2 Clubs 2 Leagues 75.0 131 5.63 83 33 5 4 5 1 19 0.82 11 4 1 1 2 0\n1 League 23.3 131 5.63 83 33 5 4 5 1 19 0.82 11 4 1 1 2 0\n23.3 131 5.63 83 33 5 4 5 1 19 0.82 11 4 1 1 2 0\n25 Chelsea eng ENG 1. WSL 1st 13.4 23 15 5 11 7 8 30 26.7 22 263 100 38.0 32 115 116 24 0 0 24 7 30 8 0 Matches\n26 Chelsea eng ENG 1. WSL 1st 9.9 20 7 6 10 4 10 24 41.7 14 179 54 30.2 28 79 72 21 0 0 21 12 32 8 1 Matches\n2 Clubs 2 Leagues 75.0 43 22 11 21 11 18 54 33.3 36 442 154 34.8 60 194 188 45 0 0 45 19 62 16 1\n1 League 23.3 43 22 11 21 11 18 54 33.3 36 442 154 34.8 60 194 188 45 0 0 45 19 62 16 1\n23.3 43 22 11 21 11 18 54 33.3 36 442 154 34.8 60 194 188 45 0 0 45 19 62 16 1\n25 Chelsea eng ENG 1. WSL 1st 13.4 679 5 71 250 386 79 606 17 30 56.7 21 2 437 1689 903 58 14 5 27 20 570 426 74.7 143 Matches\n26 Chelsea eng ENG 1. WSL 1st 9.9 558 7 51 188 336 56 494 8 16 50.0 10 3 305 1170 634 34 10 6 28 10 445 325 73.0 90 Matches\n2 Clubs 2 Leagues 75.0 1237 12 122 438 722 135 1100 25 46 54.3 31 5 742 2859 1537 92 24 11 55 30 1015 751 74.0 233\n1 League 23.3 1237 12 122 438 722 135 1100 25 46 54.3 31 5 742 2859 1537 92 24 11 55 30 1015 751 74.0 233\n23.3 1237 12 122 438 722 135 1100 25 46 54.3 31 5 742 2859 1537 92 24 11 55 30 1015 751 74.0 233\n22 LSK Kvinner no NOR 1. Toppserien 1st 22 1,926 88 97.3 21.4 22 88 17 0 0 2.68 64 16 +48 +2.24 -1.09 Matches\n23 LSK Kvinner no NOR 1. Toppserien 1st 21 1,828 87 92.3 20.3 21 87 17 0 0 2.86 69 15 +54 +2.66 +1.47 Matches\n24 LSK Kvinner no NOR 1. Toppserien 1st 10 900 90 45.5 10.0 10 90 10 0 0 2.60 30 8 +22 +2.20 +1.28 Matches\n25 Chelsea eng ENG 1. WSL 1st 15 1,205 80 89.3 13.4 15 80 7 0 0 2.60 40 10 +30 +2.24 -1.48 33.5 7.8 +25.7 +1.92 -0.09 Matches\n26 Chelsea eng ENG 1. WSL 1st 19 890 47 44.9 9.9 9 73 2 10 23 2 2.53 30 4 +26 +2.63 -0.10 25.2 4.9 +20.3 +2.05 +0.04 Matches\n2 Clubs 2 Leagues 87 6,749 78 72.8 75.0 77 85 53 10 23 2 2.67 233 53 +180 +2.40 +0.47 58.7 12.7 +46.0 +1.98 -0.04\n1 League 53 4,654 88 78.4 51.7 53 88 44 0 0 2.74 163 39 +124 +2.40 +1.35\n1 League 34 2,095 62 62.9 23.3 24 78 9 10 23 2 2.56 70 14 +56 +2.41 -0.44 58.7 12.7 +46.0 +1.98 -0.04\n53 4,654 88 78.4 51.7 53 88 44 0 0 2.74 163 39 +124 +2.40 +1.35\n34 2,095 62 62.9 23.3 24 78 9 10 23 2 2.56 70 14 +56 +2.41 -0.44 58.7 12.7 +46.0 +1.98 -0.04\n22 LSK Kvinner no NOR 1. Toppserien 1st 21.4 2 0 0 0 Matches\n23 LSK Kvinner no NOR 1. Toppserien 1st 20.3 1 0 0 0 Matches\n24 LSK Kvinner no NOR 1. Toppserien 1st 10.0 0 0 0 0 Matches\n25 Chelsea eng ENG 1. WSL 1st 13.4 0 0 0 7 19 4 54 7 15 0 0 0 105 8 15 34.8 Matches\n26 Chelsea eng ENG 1. WSL 1st 9.9 1 0 0 8 7 1 28 12 7 0 0 0 88 11 12 47.8 Matches\n2 Clubs 2 Leagues 75.0 4 0 0 15 26 5 82 19 22 0 0 0 193 19 27 41.3\n1 League 51.7 3 0 0 0\n1 League 23.3 1 0 0 15 26 5 82 19 22 0 0 0 193 19 27 41.3\n51.7 3 0 0 0\n23.3 1 0 0 15 26 5 82 19 22 0 0 0 193 19 27 41.3\nYou are here: FB Home Page > Players > Guro Reiten


Ar skrivadenn - Loig Drouglazet\nJeudi 11 juin 2020 à 15:00 -\nUr romant polis plijus ha farsus kenañ evit ar grennarded hag an dud deut skrivet gant Herve Lossec. Embannet e 2009 b'an dastumad Koad Glas. TES Ti-Embann Ar Skolioù.\nLoig Drouglazet - Herve Lossec\nPlijout a ra kalzik da Loig Drouglazet mont da redek war-droad dre an hentoù-treuz pe ar c'hoadoù. Met un devezh, Loig ne zistro ket d'ar gêr. Drouklazhet Loig ? "Nag a reuz hag a freuz a zo e ti an archerien e Plougichen. Ur bellgomzadenn zo o paouez kemenn dezho : Kavet ez eus bet un den marv war vord ur wenojenn e Koad ar Gazell.\nGoulc'han Lufern, Renan ar Berr ha Paol an Hirr © Radio France\nLennadenn Loig Drouglazet\nHag an devezh-se just awalc'h, ul lampon kontet evel trafiker dramm daonet zo bet lazhet ivez damdost ouzh Koad ar Gazell, e-lec'h ma tremen ingal ar reder.\nKoulskoude ne seblant ket an div afer bezañ liammet etrezo.\nSetu, anat deoc'h, freuz ha reuz spontus a zo e ti archerien Plougichen. Ar c'homandant nevez Goulc'han Lugern a laka e spered da ribotat noz-deiz...\nSkrivadenn - Loig Drouglazet\nLeskel a ra e zorn war gouzoug an den hep lavarout netra, na grik na mik. Sioul an dud tro-dro, ar c'hi zoken ne gred ket harzal ken. Ha neuze kommandant ? a gred goulenn Paol goude teir pe beder munutenn. Ya, marv mik eo.\nLoig Drouglazet - Tresadennoù Olier Berson © Radio France\nHerve Lossec zo ur skrivagner brezhonek ha gallek, ganet e 1947 e Lesneven. Brudet eo deuet da vezañ gant berzh al levr _Les Bretonnismes_e Ti Skol Vreizh e 2010. Kalzig a droidigezhioù a neus bet graet ivez diwar levrioù e galleg.\nLevrioù all e brezhoneg : Friko Yannig Penkaled, Emgleo Breiz, 2006. Buhez ha Fent, Emgleo Breiz, 2009. Tu pe Du – Keit Vimp Bev, 2010 (Priz ar Yaouankiz 2011)


Kouez - Wikipedia\nKouez en e baner, da vezañ gwalc'het.\nAr c'houez zo lienaj lous pe propr peogwir emañ o paouez bezañ gwalc'het. Anv zo eus an dilhad hag al lienaj-ti (an dilhad-gwele, ar serviedennoù hag al lienaj-taol),\nGwechall e veze kannet ar c'houez gant ar c'hannerezed er poull-kannañ. Bremañ e vez gwalc'het gant an dud er gêr, alies gant ur gannerez, ur mekanik a zo er gegin pe en ur sal a-ratozh anvet ar gouezierezh. Implijet e vez lijoù hag a-wechoù dousaer. Goude e c'hall ar c'houez bezañ lakaet da sec'hiñ war un neudenn dalc'het gant gwaskoù, pe war ur sec'hadeg, pe lakaet en ur mekanik anvet sec'her-kouez, evit kaout dilhad fresk. Gallout a ra ivez bezañ feret gant ur fer war un daol-feriñ.\nAn dud a c'hall ivez mont d'ur c'hanndi evit gwalc'hiñ o c'houez, ul lec'h ma tleer paeañ ur sammad arc'hant evit implijout kannerezioù emgefreek bras. Stalioù zo ivez a ra war-dro ar c'houez, roet e vez ar c'houez gant tarchoù diaes dezho evit e walc'hiñ hag e feriñ.\nAdtapet diwar « https://br.wikipedia.org/w/index.php?title=Kouez&oldid=1910303 »\nKemmoù diwezhañ degaset d'ar bajenn-mañ d'an 30 Eos 2021, da 07:01.


BMW G31 (OE FOR REAR AIR STRUT) – D2 Racing\nBMW G31 (OE FOR REAR AIR STRUT)\nSKU: AR-BM-57-DELUXE. Availability: In stock Size: N/A Categories: BMW, Deluxe Air Suspension Kit.\nG31 (OE FOR REAR AIR STRUT)\nBe the first to review “BMW G31 (OE FOR REAR AIR STRUT)” Cancel reply


Ensoul Artifacts a Pioneer deck by _Ditlev_ - MTGDECKS\nEnsoul Artifacts deck, by _Ditlev_\nPioneerEnsoul Artifacts MTGO Pioneer League _Ditlev_\nEnsoul Artifacts. Builder: _Ditlev_. —\nBUY: $100—37.62 Tix\n2 Hope of Ghirapur $1.53 $0.1\n4 Ensoul Artifact $0.65 $0.03\n4 Shivan Reef $1.69 $1.39\n2 Lava Coil $0.42 $0.03\n37.45 Tix @cardhoarder $0.99 / Week @cardhoarder $103.11 @tcgplayer $96.61 @cardkingdom\n2 Stonecoil Serpent 2 Pia Nalaar 2 Hope of Ghirapur 4 Ornithopter 4 Gingerbrute 4 Skilled Animator 4 Bomat Courier 1 Island 1 Steam Vents 4 Spirebluff Canal 4 Spire of Industry 1 Redcap Melee 1 Flame Sweep 2 Dive Down 2 Lava Coil 2 The Antiquities War 3 Metallic Rebuke\nLast update: 2019-12-05 17:02:27


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