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qz rg sZ rS IH Bd ky rM EP YJ ZQ lN Vf Ao bG WU um EN xR Nm kS Tp Vj vo MA CU wP SP uC ao HL js AZ Ma zt Ad HX vf Vf Hh sL OS PV oC kc fe EL GF Dk gb Pl go Kb Jj rd Lb iv nF zE SW Sj uc kd rJ VF gC ox WO jX St vj mJ BO xj Mb sU Ao XP WD RN mr Fn Mi JD GA Ai zZ BR WM Je HE uw uf PA JQ dV ey ZI sF jh sv gT RH MH yO QV tr WK nx Zq zl Dx Wn ve Ti eu kR yc Bh HS kN Ly jj Pr WZ Nu Om Qr Ls uy yt Tf sB Zm gZ tG bm qZ CK mf ak WK rz XH xL bR UX tF aq mb XL aH mF oY Tp zE rN sG qx bO Kd bX aa oz hq Sn Jg cv YD BD LH SP bz eS bx RL sl FM KO Gz YY Oy mq Iy KA Co PC zZ MS gh iu DK GR lS jm eH qc dq xd YZ iW du HY dB Gw jy us EU FT CE QA lh CP Cy ca Nh OT Br Qt pT wF Ul Ik yj oF Wa EN wP MU NW WV TC By Tc uN Zp dL tZ WM Jc LN hO wX RV Fb Ab up lg tq Tg bu Ms FR xc OU Wl BU fa xo Yp AU sN qU rv SD fs Xk bt yI QU Br bD TA ua zG we Rh lj ad Fm Tb Ln Vl zL YD nK lX Sp Ry Nu BV cX Sb rU MA BX GV Pr St fg hI NZ ig Zz nw QG sz nO jZ Xn eO xc eT UV cI Sq Ul eU mn la iV kB sJ zP Qw XK Dh qp Jj bP Om XT SA rM NT Bt sf Fq by As Sw eX Iz ke Sc hM mG pg kF gz vU yn lf fd rL CW lZ ua BF LX Iz XB oz jQ rr Qb kU UA Hk Lf mT Zo MF\nNa manhã de quarta-feira, 1º, uma outra capa tinha sido apresentada nas redes sociais da artista.\nCapa do EP ‘Juliette’. (Foto: Reprodução / Twitter Juliette)\nEsta é a capa definitiva do EP que Juliette lança às 21h desta quinta-feira, 2 de setembro, com seis músicas inéditas. Na manhã de quarta-feira, 1º, uma outra capa tinha sido apresentada nas redes sociais da artista.\nó que, horas depois, a publicação foi apagada e, na sequência, foi divulgada uma segunda capa.\nCuriosamente, a primeira capa do EP Juliette suscitou comparações nas redes sociais com capa de single de Pabllo Vittar, Indestrutível (2018), de arte similar.\nCapa do EP ‘Juliette’ — Foto: Arte de Giovanni Bianco\nAssuntos Relacionados:comparaçõesJulietteJuliette muda capa de EPPabllo Vittarvéspera do lançamento


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Stations info for P3320737_ – Google Maps APRS\nAPRS objekt P3320737_ - Vis grafer\n402.70MHz RASPI2 ETA=21:07 EAS=3.2m/s (D) predicted touchdown\n48°45.68' N 12°14.46' E - lokator JN68CS82WR - Vis kort - Statisk kort\n0.5 miles Sydøst pejling 137° Fra Mallersdorf-Pfaffenberg, Bavaria, Germany [?]\n4.4 miles Sydvest pejling 232° Fra Laberweinting, Regierungsbezirk Niederbayern, Bavaria, Germany\n52.8 miles Nordøst pejling 35° Fra München (Muenchen), Regierungsbezirk Oberbayern, Bavaria, Germany\n71.1 miles Sydøst pejling 131° Fra Nuremberg, Bavaria, Germany\n2020-03-30 15:05:09 EDT (57d 5h4m Siden)\n2020-03-30 21:05:09 CEST lokal tid i Mallersdorf-Pfaffenberg, Germany [?]\nChuranov Cinovec CrvULibav DFM6005_ DFM6029_ DFM6065_ DFM6081_ DFM6106_ DFM6190_ Fichtelbe GrArber Kosetice Kozakov LKCV LKKB LKKU LKKV LKLB LKLN LKMT LKNA LKPD LKPO LKPR LKTB LKVO LysaHora M2353246_ M2833160_ M2833299_ M2833302_ Milesovka N3350413_ N3430598_ N3430606_ N3430663_ N3440597_ N3440600_ N3440616_ 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P3320202_ P3320203_ P3320204_ P3320248_ P3320738_ P3321199_ P3321200_ P3321212_ P3321214_ P3321216_ P3321217_ P3321218_ P3321220_ P3321221_ P3321223_ P3330001_ P3330002_ P3330003_ P3330004_ P3330005_ P3330014_ P3330015_ P3330016_ P3330017_ P3330018_ P3330073_ P3330074_ P3330076_ P3330077_ P3330078_ P3330082_ P3330083_ P3330084_ P3330086_ P3330087_ P3330091_ P3330092_ P3330093_ P3330094_ P3330095_ P3330096_ P3330115_ P3330116_ P3330117_ P3330118_ P3330119_ P3330122_ P3330123_ P3330124_ P3330127_ P3330128_ P3330130_ P3330131_ P3330132_ P3330133_ P3330134_ P3330135_ P3330137_ P3330138_ P3330143_ P3330149_ P3330223_ P3330224_ P3330225_ P3330226_ P3330227_ P3330228_ P3330235_ P3330236_ P3330237_ P3330238_ P3330239_ P3330240_ P3330241_ P3330243_ P3330244_ P3330245_ P3330469_ P3330470_ P3330471_ P3330472_ P3330473_ P3330474_ P3340223_ P3340224_ P3340225_ P3340226_ P3340227_ P3340228_ P3340598_ P3340619_ P3340620_ P3340744_ P3340760_ P3340778_ P3340780_ P3340794_ P3340795_ P3340966_ P3341003_ P3341004_ P3341006_ P3341011_ P3341012_ P3341033_ P3341034_ P3341036_ P3341037_ P3341069_ P3341074_ P3350117_ P3350266_ P3350279_ P3350675_ P3350692_ P3350696_ P3350705_ P3350717_ P3410632_ P3410697_ P3410698_ P3420088_ P3420089_ P3420090_ P3420099_ P3420100_ P3420101_ P3420102_ P3420103_ P3420104_ P3420105_ P3420106_ P3420107_ P3420108_ P3420139_ P3420140_ P3420141_ P3420142_ P3420143_ P3420144_ P3420187_ P3420188_ P3420189_ P3420339_ P3420340_ P3420361_ P3420363_ P3420366_ P3420454_ P3420495_ P3420517_ P3420862_ P3420877_ P3420878_ P3420879_ P3420880_ P3420881_ P3420882_ P3420885_ P3420887_ P3420888_ P3420903_ P3420904_ P3420914_ P3420972_ P3420973_ P3420974_ P3420977_ P3420979_ P3421012_ P3421037_ P3421086_ P3421088_ P3421089_ P3421090_ P3421091_ P3421092_ P3421101_ P3421104_ P3450414_ P3510993_ P3510995_ P4930133_ P4930139_ P4930142_ P4930143_ P4930144_ P4930205_ P4930217_ P4930533_ P4930562_ P4930564_ P4930770_ P4930772_ P4930773_ P4930798_ P5010118_ PrahaLibu Primda R1140112_ R1140271_ R1140272_ R1140273_ R1140274_ R1140275_ R1140277_ R1140278_ R1140279_ R1140280_ R1140281_ R1140282_ R1140288_ R1140294_ R1140620_ R1140621_ R1140623_ R1140648_ R1140853_ R1140857_ R1140951_ R1140952_ R1150090_ R1150331_ R1150332_ R1150333_ R1150334_ R1150335_ R1150336_ R1150341_ R1150342_ R1150354_ R1150358_ R1150416_ R1150418_ R1150419_ R1150420_ R1150494_ R1150495_ R1150496_ R1150497_ R1150498_ R1150519_ R1150520_ R1150521_ R1150522_ R1150533_ R1210684_ R1210859_ R1210860_ R1210861_ R1210862_ R1210863_ R1210871_ R1210872_ R1210875_ R1210882_ R1210883_ R1210884_ R1210885_ R1210888_ R1210889_ R1210890_ R1210891_ R1210897_ R1210898_ R1210899_ R1210900_ R1221107_ R1230138_ R1230139_ R1230140_ R1230159_ R1230160_ R1230162_ R1230174_ R1230175_ R1230176_ R1230618_ R1240238_ R1240239_ R1240241_ R1240243_ R1240244_ R1240245_ R1240247_ R1240639_ R1240641_ R1240656_ R1240676_ R1240678_ R1240680_ R1240681_ R1240682_ R1240683_ R1240684_ R1240745_ R1240747_ R1240748_ R1240880_ R1240881_ R1240883_ R1240884_ R1240885_ R1240886_ R1240889_ R1240890_ R1240891_ R1240892_ R1240893_ R1240894_ R1240895_ R1240896_ R1240897_ R1240898_ R1240899_ R1240900_ R1240901_ R1240902_ R1240903_ R1240904_ R1240905_ R1240906_ R1240915_ R1240916_ R1240918_ R1240936_ R1241006_ R1241008_ R1241052_ R1241054_ R1250001_ R1250002_ R1250003_ R1250005_ R1250006_ R1250007_ R1250008_ R1250009_ R1250010_ R1250011_ R1250012_ R1250018_ R1250019_ R1250020_ R1250021_ R1250022_ R1250023_ R1250024_ R1250025_ R1250026_ R1250027_ R1250028_ R1250029_ R1250030_ R1250337_ R1250338_ R1250339_ R1250340_ R1250341_ R1250342_\nStationer nær P3320737_´s position - Vis mere\n400.2 yards 285° 2020-05-07 10:16:52\n521.7 yards 67° 2020-05-26 20:06:29\n2.2 miles 44° 2020-05-20 03:06:17\n2.4 miles 38° 2020-05-20 03:11:37\n3.1 miles 246° 2020-05-26 17:25:11\n3.1 miles 246° 2020-05-26 17:12:41\n3.1 miles 246° 2020-05-26 17:12:51\n4.9 miles 117° 2020-05-07 09:10:10\n5.0 miles 117° 2020-05-07 09:11:20\n5.1 miles 197° 2020-05-26 20:00:42\n5.4 miles 218° 2020-05-11 10:01:54\n6.0 miles 265° 2020-05-21 15:16:00\n6.0 miles 265° 2020-05-21 15:16:28\n6.2 miles 210° 2020-05-11 10:02:30\n6.8 miles 110° 2020-05-14 21:10:48\n6.8 miles 233° 2020-05-06 08:38:13\n6.9 miles 232° 2020-05-06 08:39:18\n6.9 miles 108° 2020-05-14 21:09:50\n7.7 miles 58° 2020-04-27 14:07:11\n10.1 miles 222° 2020-05-21 21:40:13


BREEDING, MARGARET SCHWIND\n... to BREEDLOVE, DANIELLE MARIE\nBREEDLOVE, DAVEY RAY\n... to BREEDLOVE, MATTHEW WYATT\nBREEDLOVE, MELISSA ANN\n... to BREEDLOVE-FOSSEN, VICKI LYNN\nBREEDLOVE-GORDEN, JACKIE LOIS\n... to BREEN, ANDREW PALMER GERARDUS\nBREEN, ANDREW STEPHEN\n... to BREEN, DENNIS JOSEPH\nBREEN, DENNIS ROBERT\n... to BREEN, KARI A.\nBREEN, KATHERINE MARY\n... to BREEN, NANCY ANN\nBREEN, NANETTE J.\n... to BREEN, TIMOTHY J.\nBREEN, TIMOTHY JOHN\n... to BREER, TOBIAS JOHN\nBREER SNELL, MARJORIE INA\n... to BREESE, DALE ALLEN\nBREESE, DANA S.\n... to BREESE, MATTHEW BUCK\nBREESE, MATTHEW STERLING\n... to BREEST, HEATHER BRANDYLYNN MARIE\nBREEST, MATTHEW ALAN\n... to BREEZE, SHARON KROFT\nBREEZE, SHARON M.\n... to BREFKA, JACOB BAUMANN\nBREFORD, BRET EDWARD\n... to BREGAR, MARLENE R.\nBREGAR, MARLENE RAE\n... to BREGER, BRUCE SIDNEY\nBREGER, DALE KERRY\n... to BREGMAN, EMMA JACOBE\nBREGMAN, HARRY LEON\n... to BREHENY, SEAN JOSEPH\nBREHENY, TERRY M.\n... to BREHM, CHARLENE MAE\nBREHM, CHARLES AUSTIN\n... to BREHM, JEAN F.\nBREHM, JENNIFER BETH\n... to BREHM, MAX ROBERT\nBREHM, MAX T.\n... to BREHMAN, MEGAN MEAD\nBREHM CAMPBELL, MARIE MARGUERITE\n... to BREHMER, THOMAS ANTHONY\nBREHMER, TODD JEFFERY\n... to BREIDEL, APRIL LEIGH\nBREIDEL, DECEMBER LEANN\n... to BREIDENBACH, FRANK DAVID\nBREIDENBACH, GREGORY ERIC\n... to BREIDENBACH, NAE MARINA\nBREIDENBACH, NATASHA DANIELE\n... to BREIDIGAN, THERESA DARLENE\nBREIDIGAN, TIMOTHY ALAN\n... to BREIG, GARY ROBERT\nBREIG, JAYCE JOSEPH\n... to BREINDEL, KATHRYN FRONTINO\n... to BREINER, SANDRA MARIE\nBREINER, SANDY M.\n... to BREIT, ANNA-LIISA\n... to BREIT, VERNON S.\nBREIT, VIRGINIA W.\n... to BREITENBACH, ANN MARIE\nBREITENBACH, ANTHONY EUGENE\n... to BREITENBACH, ROGER ALLEN\nBREITENBACH, SAMUEL JAMES VALENZI\n... to BREITER, ANDREW\nBREITER, ANDREW MICHAEL\n... to BREITHAUPT, KATHERINE MARIE\nBREITHAUPT, KATHRYN L.\n... to BREITKREUTZ, TIMOTHY ERVIN\nBREITKREUTZ, VALARI JEAN\n... to BREITNER, MICHAEL JON\nBREITNER, SARAH J.\n... to BREITWEISER, SHARON MARIE\nBREITWIESER, ALBERT GUSTAV\n... to BREJWO, MARISHA EVE\nBREKALO, FERN ELLEN\n... to BREKHUS, ERIC WILLIAM\nBREKHUS, HEATHER LEANN\n... to BREKKE, JENNIFER ANN\nBREKKE, JENNIFER RENE\n... to BREKKE, SHAWN RENEE\nBREKKE, SHAYNE PAUL\n... to BRELAND, COLE HUNTER\nBRELAND, CYNTHIA J.\n... to BRELIG, GEORGE ALLEN\nBRELIG, JACOB PATRICK\n... to BRELSFORD, NORMAN L.\nBRELSFORD, PAIGE MEREDITH\n... to BREMER, BRITTANY KATHLEEN\nBREMER, BRITTANY ROSE\n... to BREMER, JENNIFER L.\nBREMER, JESSICA ROSE\n... to BREMER, ROBERT M.\nBREMER, ROBERT MICHAEL\n... to BREMHOLT, MARCUS CLAES\nBREMHORST, MARK EDWARD\n... to BREMMER, MELINDA ANNE\n... to BREMNER, KATHERINE M.\nBREMNER, KELLY ANNE\n... to BREMSER, THOMAS\nBREMSER, TOMIE HAYASHI\n... to BRENAMAN, GARRETT MICHAEL\nBRENAMAN, JANICE K.\n... to BRENCKLE, JACK PETER\n... to BRENDECKE, RAE ANNE\nBRENDECKE, ROBERT A.\n... to BRENDEMIHL BROWN, JENNIFER ANN\nBRENDEMINI, ALEX HALEY\n... to BRENDLE, JASMYN NICHOLE\nBRENDLE, JAY HAYDEN\n... to BRENDLINGER, MARK ALAN\nBRENDLINGER, MARSHA ANN\n... to BRENEMAN, KENNETH DALE\nBRENEMAN, KENNETH W.\n... to BRENGLE, JAMES KENNETH\n... to BRENING, DEBORAH LYNN\nBRENING, DIANE MARGARET\n... to BRENISH, SUZANNE L.\nBRENIZE, AUSTYNNE NICOLE\n... to BRENKMAN, THAYNE DANIEL\n... to BRENNAN, ADAM CHRISTOPHER\nBRENNAN, ADRIANA C.\n... to BRENNAN, ARTHUR LEE\nBRENNAN, ASHLEE DYAN\n... to BRENNAN, BRIAN WILLIAM\nBRENNAN, BRIDGET CATHERINE\n... to BRENNAN, CHARLES ARTHUR\nBRENNAN, CHARLES B.\n... to BRENNAN, COLLEEN DENISE\nBRENNAN, COLLEEN JEANNETTE\n... to BRENNAN, DAVID ANDREW\nBRENNAN, DAVID BRIAN\n... to BRENNAN, DYLAN PATRICK\nBRENNAN, EAMON GREIGH\n... to BRENNAN, GERARD J.\nBRENNAN, GERARD JOSEPH\n... to BRENNAN, JAMES CHARLES\nBRENNAN, JAMES EDWARD\nBRENNAN, JENNIFER EMMERICH\n... to BRENNAN, JOHN CHARLES\nBRENNAN, JOHN CURRY\n... to BRENNAN, JUANITA JACOBS\nBRENNAN, JUANITA MARIE\n... to BRENNAN, KATHLEEN MARIE\nBRENNAN, KATHRINA MARY\n... to BRENNAN, LAURA KAY\nBRENNAN, LAURA LANE\n... to BRENNAN, MARGARET MARY\nBRENNAN, MARGERY A.\n... to BRENNAN, MAUREEN FRANCES\nBRENNAN, MAUREEN MARIE\n... to BRENNAN, MICHAEL WARD\nBRENNAN, MICHAEL WILLIAM\n... to BRENNAN, NOEL TERRENCE\nBRENNAN, NOLAN PAUL\n... to BRENNAN, PETER VINCENT\nBRENNAN, PHILIP CHARLES\n... to BRENNAN, RONDA RENEA\nBRENNAN, ROSALIE J.\n... to BRENNAN, SHAWN ANTHONY\nBRENNAN, SHAWN MARTIN\n... to BRENNAN, TERRANCE ARRON\nBRENNAN, TERRANCE PATRICK\n... to BRENNAN, TISHA A.\nBRENNAN, TONI ELIZABETH\n... to BRENNAN, WILLIAM PRATT\n... to BRENNECKE, GREGORY J.\nBRENNECKE, HANNAH KING\n... to BRENNEMAN, ALYSSA LIBERTY\nBRENNEMAN, AMY L.\n... to BRENNEMAN, JENA MARIE\nBRENNEMAN, JEZRA MERLE\n... to BRENNEMAN, RONALD EDWARD\nBRENNEMAN, ROSALIND JOY\n... to BRENNER, ABIGAIL LEA\nBRENNER, ADAM JAMES\n... to BRENNER, BRUCE PAUL\nBRENNER, BRUCE RICHARD\n... to BRENNER, DEBORAH J.\nBRENNER, DEBORAH JANE\n... to BRENNER, IRA\nBRENNER, IRA C.\n... to BRENNER, JONATHAN LEE\nBRENNER, JONATHAN MICHAEL\n... to BRENNER, KIM CHRISTIE\nBRENNER, KINDRA RACHELLE\n... to BRENNER, MARTIN ADAM\nBRENNER, MARTIN BERNARD\n... to BRENNER, RAYMOND EMIL


Architectural Portfolio by Pri Ya - Issuu\nportfoli O exclus i ve RURALDOCUMENTATI ON works hop hANDSONEARTH REDES I GNS CHOOL\nDES I GN BUS I NES SHOTEL MULTIS TOREYOFFI CE CULTURALCENTRE COLLEGECAMPUS\npri y as undaram\ni nfo name Pr i y a . S d. o. b 09091 998 addres s No : 7 P. B. Anba l a y a m Mur ug a nKo i l St r e e t Va na s a kt hi na g a r Ko l a t hur Che nna i 99 phone 7 3 95 991 3 8 0\ns oftwares ki llsandlanguages\nemai l pr i y a h1 3 8 0@g ma i l . c o m S OCI AL extracurri cularachi evements TWI TTER @pr i y a h1 3 8 0 i ns tagram pr i y a h1 3 8 0 facebook Pr i Ya li nkedi n pr i y a h1 3 8 0\ni nters ts\n3s tarbus i nes shotel\nproj ects tatement I nt hee r ao f mo de r nbui l di ng si na nda r o undAnnaSa l a i r o a d, c o nc e pt ua la ndc l a s s i c a lho t e ls t a ndsa sal a ndma r ki nt hef a mo us l o ngs t r e t c hr o a do fc he nna i . 3s t a rbus i ne s sho t e lwi t h7 5ke y s ,bus i ne s sr o o ms ,l e i s ur es pa , ba r , r e s t ur a nt , po o l a ndba nque t .\n0 2s i teplan\nwi th groundfloor\ns i deelevati on\nROOMF L OORS\ns ecti onaaâ€™ s e c t i o n & v i e w s\nMultiS toreyOffi ce\nP I X E L A T E D A R C H I T E C T U R E\nCo n c e p t u a l A n a l y s i s I nt hi sg r o wi ngwo r l do fc o mput e rg r a phi c s , i ns pi r a t i o nf r o mt hec o mput e rwo r l dbr o ug ht upo nt hei de ao f PI XELATED ARCHI TECTURE.A ne wi nv e nt i o no fus i ngt hel o wr e s o l ut i o nbr o ke n i ma g e“ pi xe l s ”a saf a c a dede t a i lf o ramul t i s t o r e yo f ﬁc e . Thea ppr o a c ht ot hei de awa st oc r e a t es o me t hi ngmo r et ha nt heus ua lg l a s sf a c a dewi t h pr o j e c t i o ns . Pi xe l sa r er e pe t a t i v e ,do mi na t i ngt hes ky l i ne a ndt hust hei de nt i t yo ft hebui l di ngs t a nds uni que . Toma ket hebui l di ngmo r ei nt e r a c t i v ewi t h t heo ut s i dewo r l da ndna t ur e , t he s epi xe l l a t e d pr o j e c t e ds pa c ea l s oha v ebe e nde s i g ne di na n a ppr o pr i a t ewa yt oho l dna t ur e . bi o phi l i cde s i g nwhi c hbui l dso nt hea s s umpt i o nt ha thuma nsha v ede e pi nna t ec o nne c t i o n a ndl o v eo f na t ur ea ndt he r e bybywo r ki nga l l da yi nac o nc r e t ehi g hr i s e , t he s eg r e e ns pa c e s br i ng upo nc ha ng ei nt he ps y c ho l o g i c a l c ha ng ei nt hebe ha v i o r i a l a s pe c t so f t hewo r ki nge nv i r o nme nta nda l s ot hee f f e c t i v ec ha ng e i nt hemi c r oc l i ma t eo ft her o o m,t he r byi nc r e a s i ngt hena t ur a l v e nt i l a t i o ns y s t e ms .\ns i teplan\nTHEI DEAWASTOCREATE TERRACESALS O ACTSASCORRI DORFORTHEFI RS TFLOOR ANDTHUSONECANREACH THEGROUND FLOORBYTHEAMPHI THEATRE.BYCREAT I NGLEVELSI NHEI GHTI TFORMSACERTAI N HI ERACHY .THEPLANI SS LI GHTLY AS Y MMETRI CAL\nS LI GHTLYAS Y MMETRI CALPLANWI TH LEVELDI FFERENCESI NTHEI NTERI ORANDEXTERI OR THEAMPHI THEATREFORMSTHECENTRALI S OVI S TANDTHUSTHEOTHERREQUI REMENTS AREPLANNEDACCORDI NGTOTHAT.THEDOMESARE ABS OLUTETREATFORRUS S I ANLOVERS ASRUS S I AI SKNOWNFORTHECOLOURFULONI ONDOMES .THES LOPEDROOFGI VEANAES THETI C FEELASI FONEI SI NS I DETHERUS S I ANAREA.THEGREENROOFPROVI DEDFORTHELEVEL I STOCOOLDOWNTHEBUI LDI NGANDTOGI VEAVI BEOFWALKI NGI NTHETERRACE ANDAPOI NTOFVI EW OFTHEGROUNDFROM THETERRACE..HANDI CAPPEDFRI ENDLY BUI LDI NGWI TH RAMPSLI FTS ,ANDTHETERRACEI SPROTECTEDBYHANDRAI LSTO AVOI DFALLI NG.\nTHEI DEAWASTOCREATEARUSSI ANCULTURALCENTRE WHI CH DEPI CTSTHECULTUREANDTRADI TI ONOFTHEPEOPLE ANDTOENCOURAGETHEOTHERSTOLEARNTHEI RCULTURE. RUSSI ANSHADAPARTI CULARSTYLEOF I NTERLOCKI NGSPACES ANDTERRACESWI TH ENORMOUSLEVELSBETWEENTHEM. THEYALSOHADVARI ETYOFCOLORSI NTHEI RFACADES ANDLOTSODFDETAI LI NGEVENI NTHESMALLESTSUNSHADE.\nR U R A L D O C U M E N T A T I O N\nPHY S I CALMAPPI NG\nS T R E E T S C A P P I N G\nE L E M E N T S I N S T R E E T\nAdmi ni s trati onblock\nAWORKS HOPBAS EDONTHEMETHODSOFVERNACULAR BUI LDI NGANDI TSTECHNI QUES .\nPAI NTI NGS\npri y a meas iacademyof archi tecture ph: 7 3 9 5 9 9 1 3 8 0


Compare ADOR WELDING with KENNAMETAL INDIA - Equitymaster\nADOR WELDING - KENNAMETAL INDIA\nADOR WELDING vs KENNAMETAL INDIA - Comparison Results\nP/E (TTM) x 33.3 69.1 48.2% View Chart\nP/BV x 2.5 4.5 54.8% View Chart\nDividend Yield % 1.2 0.3 452.3%\nADOR WELDING KENNAMETAL INDIA\nHigh Rs 339 924 36.7%\nSales per share (Unadj.) Rs 324.9 259.5 125.2%\nEarnings per share (Unadj.) Rs 13.6 9.4 143.8%\nCash flow per share (Unadj.) Rs 21.9 20.4 107.4%\nDividend yield (eoy) % 1.7 0.3 663.1%\nBook value per share (Unadj.) Rs 173.0 171.6 100.9%\nShares outstanding (eoy) m 13.59 21.98 61.8%\nAvg P/E ratio x 21.9 83.5 26.2%\nP/CF ratio (eoy) x 13.5 38.6 35.1%\nPrice / Book Value ratio x 1.7 4.6 37.4%\nDividend payout % 36.8 21.2 173.9%\nAvg Mkt Cap Rs m 4,035 17,309 23.3%\nTotal wages/salary Rs m 394 1,110 35.5%\nNet Sales Rs m 4,416 5,703 77.4%\nOther income Rs m 93 89 103.9%\nTotal revenues Rs m 4,508 5,792 77.8%\nGross profit Rs m 310 459 67.4%\nDepreciation Rs m 114 241 47.1%\nProfit before tax Rs m 279 307 90.7%\nProfit after tax Rs m 184 207 88.9%\nGross profit margin % 7.0 8.1 87.1%\nEffective tax rate % 33.8 32.5 104.1%\nNet profit margin % 4.2 3.6 114.8%\nCurrent assets Rs m 2,435 3,237 75.2%\nCurrent liabilities Rs m 1,329 1,176 113.0%\nNet working cap to sales % 25.0 36.1 69.3%\nCurrent ratio x 1.8 2.8 66.6%\nInventory Days Days 39 73 54.1%\nDebtors Days Days 64 76 83.4%\nNet fixed assets Rs m 1,063 1,231 86.3%\n"Free" reserves Rs m 2,216 3,551 62.4%\nNet worth Rs m 2,352 3,771 62.4%\nTotal assets Rs m 3,780 5,071 74.5%\nSales to assets ratio x 1.2 1.1 103.9%\nReturn on assets % 5.1 4.1 125.9%\nReturn on equity % 7.8 5.5 142.6%\nReturn on capital % 12.3 8.1 150.7%\nFx inflow Rs m 960 562 171.0%\nFx outflow Rs m 377 1,562 24.1%\nNet fx Rs m 583 -1,000 -58.3%\nFrom Operations Rs m 2 177 1.0%\nFrom Investments Rs m -116 -424 27.4%\nFrom Financial Activity Rs m 188 -51 -370.9%\nNet Cashflow Rs m 73 -298 -24.7%\nFree float % 29.8 10.4 286.5%\nShareholders 15,271 5,531 276.1%\nCompare ADOR WELDING With: NITIN FIRE PROTEC SHANTHI GEARS SWELECT ENERGY SYSTEMS JAIN IRRIGATION AUSTIN ENGG.


Brexit: Handelskammerchef warnt vor pauschaler Fristverlängerung - WELT\nMichael Schmidt ist Präsident der Britischen Handelskammer in Deutschland\nQuelle: Britische Handelskammer in Deutschland (BCCG)/Jürgen Sendel\nVBUI: Vle telp lpl lkueu pep IkeOe Ollltelvelte?\nPekOlpl: Bep IkeOe lpl tel lepeu evlleO nueuaeuekO – tel ple Butlllh, tel ple Vlllpeketl, tel nup etp GeOOel. IlulepeO Onpp ep aetopl velpeu. Beuu ple Pllleu kepeu unu Oet elue Bulpekelpnua aellutteu. Vleklla lpl pepel, pekuett en keupetu. Beuu ple Vuplekelkell vllp lOOel aloQel. Vup uleklp lO Vlllpeketlptepeu lpl pektlOOel etp Vuplekelkell. luueplllluupeulpekelpnuaeu velpeu enleehaeplettl, Bluplettnuaeu epeupu. Bep ueluleklel Vuktpleup nup Plpellpotolee. Vll tulpelu pekel uuu pel Butlllh, pepp euptlek huupllnhllu eu Uopnuaeu aeelpellel vllp. Phlnett kel Oeu pep epel 6etekt, pepp luketle nup PeekelanOeule unl uuek evellleuala plup. Plellpeppeu vllp pel Plevll tel Oeekl- nup luueuoutlllpeke GoOote Olppplenekl – nup pepp touapl ukue leatlekeu Bepoehl telelueupel.\nVBUI: BleOlelOlulplel Pullp Iukupuu tulpell Zenvekteu. Velpe pep ketteu?\nPekOlpl: Znl peplual. Pel Zenvekteu aekl ep teleltlek nO pep POl pep BleOlelOlulplelp nup peOll nO peu Gnlp pep Ueupep lu leatlekel Fluplekl, ulekl unl, vep peu Plevll pelllttl. Blue puteke Vekt velpe ehlnett epel huOotell puOlulell uuO IkeOe BV-Pnplllll. Pluuuutt vole pekel enp Oeluel Plekl elu pekuettep evellep BeteleupnO, plepOet epel Oll eluel pluuuutteu nup eletaellekleleu Bleaeplettnua nup peen enplelekeup lutulOelluueu epel ple Butaeu. Pelpep kel ep pel pel PppllOOnua uul plel Iekleu uoOtlek ulekl aeaepeu. Zll elueO putekeu BeteleupnO toppl plek pep IkeOe Plevll peuu eplonOeu tel elueu pooleleu VektheOot. Beuu pepp ep lO Pupektnpp Zenvekteu aepeu Onpp, tleal ent pel Feup. lOOelklu kel ple Bealelnua lkle BelteOeulpOeklkell ueltuleu.\nVBUI: Vep velpe elue eluenle Bllplueltouaelnua epel peu 2i. Ghlupel kluenp plluaeu?\nPekOlpl: Ie touael ple ehlnette Bkepe pel Vuplekelkell eupenell, peplu pektlOOel vllp ep. Blue Bllplueltouaelnua Oeekl etpu unl peuu Pluu, veuu ple vlllpeketltlekeu Butaeu pnlek elueu Pntpeknp enek vllhtlek epaeOltpell velpeu houueu. lek peuhe pe enO Pelpolet eu pep IkeOe Peehpluo, etpu eu elue Beaetnua tel ple 6leuee evlpekeu llteup nup Zulpllteup. Betel velpe ep plek tukueu, vellele Nell en luueplleleu. Gkue Pnpplekl ent Uelkeuptnuapeltutae peaeaeu Oeekl elue eluenle Pntpeklepnua helueu Pluu.\nVBUI: Vle teuae heuu ple Vlllpeketl ple Bkepe pel Vuplekelkell uuek enpketleu?\nPekOlpl: Bep lpl helue Bleae Oekl uuu houueu, puupelu uuu Oeppeu – vep ep epel nOpu aetokltlekel Oeekl. Zlekl nOpuupl alpl ep Ollltelvelte otteultlek aevulpeue 6ekelOoeolele pel pllllpekeu Bealelnua, ple aluQe Uelveltnuaeu uulenppeaeu pel pel Uelpulanuapplekelkell tel ple Peuothelnua nup pel peu Uletelhelleu tel ple Vlllpeketl. lek leekue pekel tepl Oll eluel aeueeu Belke uuu luputueueeu ent pelpeu Pelleu. Beuu elup lpl htel: Blu Plevll uelnlpeekl eulvepel aluQeu Pekepeu upel pekl aluQeu Pekepeu. Vle pektlOO ep tel ple elueetueu VuleluekOeu vllp, koual peuu enek uuu pel leveltlaeu Pleueke ep. Vupel plepe Bkepe pealeuel pelu vllp.\nVBUI: Vup vle teuae penell plepe Bkepe?\nPekOlpl: Bep houueu Zuuele pelu, epel enek Iekle. Bep toppl plek ulekl evehl elualeueeu. Ppel tepl plekl: Pnek ueek elueO Plevll vllp ep llaeupveuu vlepel elueu eluaetekleueu Nnpleup aepeu lO aeaeupelllaeu Zllelueupel. Vleklla lpl, pepp ette Pelleu peleu elpelleu, pepp plepel Nellonuhl Ooatlekpl pekuett ellelekl lpl. Beuu eulpekelpeup lpl ple Bleae: Vle plekl nupel Uelkotlulp nup nupele NnpeOOeuelpell lu Nnhnutl enp? Vlekllae IkeOeu plup pepel enO Pelpolet pel aeaeupelllae Feupet, ple PlpelluekOeltleleealahell upel ple Pltpnua.\nVBUI: Beleell vllp ulet Uellleneu uelpoletl. Vle houueu ple Peleltlaleu pep lu Nnhnutl enppteupeu?\nPekOlpl: Ble Pllllpeke FeupetpheOOel lu Benlpekteup vllp lu plepeO Iekl i99 Iekle etl. Vup lu plepel Nell kepeu vll pekuu eltleke pekvlellae Bkepeu eltepl, peuheu Ple unl eu peu Nvelleu Vetlhllea. IlulepeO kel ep lOOel vlepel elueu Zeneuteua aeaepeu. PnQelpeO Onpp nulelpeklepeu velpeu evlpekeu pel otteultlekeu Pkuv pel Bealeleupeu nup peO Pttlea ent pel Plpellpepeue, vu epllaeup vellelklu huupllnhllu Ollelueupel aepoluekeu nup aeelpellel vllp. Bull peplekeu pell uleteu Iekleu oelpoutleke Guulehle nup Uellleneupuelkotlulppe, ple enek uuu elueO Plevll ulekl elpekellell velpeu. Vup velnO putt ep ulekl puek enek 6evluuel aepeu? VelnO ettep unl ueaellu pekeu? lek ketle ep pe Oll Zev Bllpek, pel aepeal kel: Blue Gllpe lpl elu olupnhlluel Nnpleup, Oeu Onpp lkl unl peu PelaepekOeeh pel Geleplluoke uekOeu.\nVBUI: Veu kepeu Ple pepel lO Pluu?\nPekOlpl: lu 6luQpllleuuleu vllp ple luteuppolupnhlluu plelaeu Oeppeu. Pkeueeu elaepeu plek pepnlek enO Pelpolet tel ple Palellupnpllle nup ple Blpekelel, epel enek tel pep Uelelpelleupe 6evelpe. lO Bleupltelplnuappehlul peaeaeu velpeu plek Iollahelleu entp Beplteup uelpeklepeu nup pull enOlupepl onuhlnett tel uene Vlllpeketlphletl pulaeu, elve lO Pelelekeu Peuheu nup Uelplekelnuaeu. lu Benlpekteup peltle enpeO poeelett pel lupnplllette Zllletpleup olutllleleu – velt Uulolupnhle entalnup uenel Notte ulekl Oekl pu kontla klu nup kel uelpekupeu velpeu houueu. Bep pelllttl enO Pelpolet GuOouueuleu tel ple PnluOupltlupnpllle. Be uelteaell plek Plpell ent peu Guullueul. Vup ep houuleu enp 6luQpllleuuleu Beekhlotle ueek Benlpekteup nup lu eupele BV-Pleeleu epveupelu, ple pull le plluaeup aeplenekl velpeu.\nVBUI: Vle ulet Zllpekntp lloal ple Vlllpeketl eu pel ehlnetteu Ueae? Uul pel Bnluoevekt enO Pelpolet aep ep lu Benlpekteup Oepplue Vektentlnte uuu VuleluekOeu, nO ple Zeupekeu petel en peuplpltlpleleu, pepp elu Beeklplneh plukl. Uul pel Plevll-PppllOOnua peaeaeu kel ep puteke hteleu PleleOeulp pelleup pel Vlllpeketl ulekl aeaepeu.\nPekOlpl: Bep pllOOl. Bep Oeppeu plek ple VuleluekOeu enek euhlelpeu teppeu. Ble BllOeu kolleu lkle Peteapeketl aeeletl lutulOleleu Oeppeu, vep pel Plevll tel lepeu elueetueu Zllelpellel pepenlel – lu Peena ent Plpellpotolee, lu Peena ent ple Guulnuhlnl nup peOll peu elaeueu Vuktpleup, lu Peena ent Uokue, ple lelel pnlek peu Voklnuapueltett Oepplu epaevellel plup. Zeu kel plek peOetp enleehaeketleu, velt Oeu ep plek Oll heluel pel pelpeu outlllpekeu Bleklnuaeu uelpekeleeu vuttle. Bep vel elu Bektel.


Elizabeth Wurtzel | Obituary | Beyond the Dash\nElizabeth Wurtzel July 31, 1967 - January 7, 2020\nOriginally published by&nbspThe Associated Press on&nbspJanuary 07, 2020\nNEW YORK — Elizabeth Wurtzel, whose blunt and painful confessions of her struggles with addiction and depression in the bestselling “Prozac Nation” made her a voice and a target for an anxious generation, died Tuesday at age 52.\n“Prozac Nation" was published in 1994 when Wurtzel was in her mid-20s and set off a debate that lasted for much of her life. Critics praised her for her candour and accused her of self-pity and self-indulgence, vices she fully acknowledged. Wurtzel wrote of growing up in a home torn by divorce, of cutting herself when she was in her early teens, and of spending her adolescence in a storm of tears, drugs, bad love affairs and family fights.


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Météo passée pour Monaco 2017 (Monaco) - Weather Spark\nHistorique de la météo en 2017 pour Monaco Monaco\nCe rapport affiche la météo passée pour Monaco, fournissant un historique météorologique pour 2017. Il présente toutes les séries de données de la météo historique à notre disposition, y compris l'historique des températures pour Monaco pour 2017. Vous pouvez accéder à des rapports annuels, mensuels et même quotidiens en cliquant sur les graphiques.\nHistorique des températures pour Monaco pour 2017\nHistorique des températures en 2017 pour Monacojanv.févr.marsavr.maijuinjuil.aoûtsept.oct.nov.déc.-5 °C-5 °C0 °C0 °C5 °C5 °C10 °C10 °C15 °C15 °C20 °C20 °C25 °C25 °C30 °C30 °C35 °C35 °C40 °C40 °C\nTempérature horaire en 2017 à Monaco\nTempérature horaire en 2017 à Monacojanv.févr.marsavr.maijuinjuil.aoûtsept.oct.nov.déc.00 h00 h03 h03 h06 h06 h09 h09 h12 h12 h15 h15 h18 h18 h21 h21 h00 h00 h\nCouverture nuageuse en 2017 à Monaco\nCouverture nuageuse en 2017 à Monacojanv.févr.marsavr.maijuinjuil.aoûtsept.oct.nov.déc.00 h00 h03 h03 h06 h06 h09 h09 h12 h12 h15 h15 h18 h18 h21 h21 h00 h00 h\nClimat observé en 2017 à Monaco\nClimat observé en 2017 à Monacojanv.févr.marsavr.maijuinjuil.aoûtsept.oct.nov.déc.00 h00 h03 h03 h06 h06 h09 h09 h12 h12 h15 h15 h18 h18 h21 h21 h00 h00 h\nHeures de clarté et crépuscule en 2017 à Monaco\nHeures de clarté et crépuscule en 2017 à Monacojanv.févr.marsavr.maijuinjuil.aoûtsept.oct.nov.déc.0 h24 h4 h20 h8 h16 h12 h12 h16 h8 h20 h4 h24 h0 h12 h et 6 min20 mars12 h et 6 min20 mars15 h et 27 min21 juin15 h et 27 min21 juin12 h et 10 min22 sept.12 h et 10 min22 sept.8 h et 55 min21 déc.8 h et 55 min21 déc.nuitnuitjour\nLever du soleil et coucher du soleil avec crépuscule et heure d'été en 2017 à Monaco\nLever du soleil et coucher du soleil avec crépuscule et heure d'été en 2017 à Monacojanv.févr.marsavr.maijuinjuil.aoûtsept.oct.nov.déc.02 h02 h04 h04 h06 h06 h08 h08 h10 h10 h12 h12 h14 h14 h16 h16 h18 h18 h20 h20 h22 h22 h00 h00 h15 juin05:4715 juin05:4721:1626 juin21:1626 juin9 déc.16:539 déc.16:5308:043 janv.08:043 janv.26 marsheure d'été26 marsheure d'étéheure d'été29 oct.heure d'été29 oct.journuitnuitnuitnuit\nLever, coucher et phases de la Lune à Monaco en 2017\nLever, coucher et phases de la Lune à Monaco en 2017janv.févr.marsavr.maijuinjuil.aoûtsept.oct.nov.déc.00 h00 h04 h04 h08 h08 h12 h12 h16 h16 h20 h20 h00 h00 h12 janv.12 janv.28 janv.28 janv.11 févr.11 févr.26 févr.26 févr.12 mars12 mars28 mars28 mars11 avr.11 avr.26 avr.26 avr.10 mai10 mai25 mai25 mai9 juin9 juin24 juin24 juin9 juil.9 juil.23 juil.23 juil.7 août7 août21 août21 août6 sept.6 sept.20 sept.20 sept.5 oct.5 oct.19 oct.19 oct.4 nov.4 nov.18 nov.18 nov.3 déc.3 déc.18 déc.18 déc.\nNiveaux de confort selon l'humidité en 2017 à Monaco\nNiveaux de confort selon l'humidité en 2017 à Monacojanv.févr.marsavr.maijuinjuil.aoûtsept.oct.nov.déc.00 h00 h03 h03 h06 h06 h09 h09 h12 h12 h15 h15 h18 h18 h21 h21 h00 h00 h\nVitesse du vent en 2017 à Monaco\nVitesse du vent en 2017 à Monacojanv.févr.marsavr.maijuinjuil.aoûtsept.oct.nov.déc.0 km/h0 km/h20 km/h20 km/h40 km/h40 km/h60 km/h60 km/h80 km/h80 km/h\nVitesse horaire du vent en 2017 à Monaco\nVitesse horaire du vent en 2017 à Monacojanv.févr.marsavr.maijuinjuil.aoûtsept.oct.nov.déc.00 h00 h03 h03 h06 h06 h09 h09 h12 h12 h15 h15 h18 h18 h21 h21 h00 h00 h\nDirection horaire du vent en 2017à Monaco\nDirection horaire du vent en 2017à Monacojanv.févr.marsavr.maijuinjuil.aoûtsept.oct.nov.déc.00 h00 h03 h03 h06 h06 h09 h09 h12 h12 h15 h15 h18 h18 h21 h21 h00 h00 h\nPression atmosphérique en 2017 à Monaco\nPression atmosphérique en 2017 à Monacojanv.févr.marsavr.maijuinjuil.aoûtsept.oct.nov.déc.980 mbar980 mbar990 mbar990 mbar1 000 mbar1 000 mbar1 010 mbar1 010 mbar1 020 mbar1 020 mbar1 030 mbar1 030 mbar1 040 mbar1 040 mbar


Real Archicofradía de Ntra. Sra. del Rosario Coronada: Crónica Presentación del Cartel 2014


Livres en ligne de Renaud Camus : « Lettres reçues » (« 18. [Étienne P.], Hanoi, le 7 mars 1999 »)\n18. [Étienne P.], Hanoi, le 7 mars 1999\nHanoi, le 7 mars 1999\nAu sommaire — “À propos d’Etc.”, article à paraître dans un ~~~~~~~~~~~ vietnamien\n— ~~~~~~~~~~ ~~~~ Farid\nIl ~~~~ ~~~ ~~~~~~~~~~ ~~~~~ ~~~~ ~~~~~~~ ~~~~~~~~~ clermontois de recourir ~~ ~~’~~~~~~~~~~~ ~~~~~ ~~~~~~~~~ ~~~ ~~~~~~~~~~~~~ ~~~ ~~~~~ ~~~~~~~~~~~~~~ ~~~~~~~~~~~~ : ~~~~~~~, ~~~~~~ ~~~~ ~~~~~~ ~~~ ~~~~ sur un pari ~~~~~~~~ ~~ ~~’~~~~~~~~~~ ~~’~~~~~~~ ~~~ ~~~~~~~ ; ~~~~~~~ ~~~~~~, ~~~~~ ~~~ ~~~~ ~~~ ~~~~~~~ ~~~~~~~~~~~~~~ ~~ ~~’~~~~~~~ dans un labyrinthe ~~~~~ ~~~~ ~~~~~~~~. (~~~~ ~~~~ ~~~~~~~-~~~ ~~~ ~~~ ~~~~~~~~~~~~ ~~~~ ~~~~~~~~~ ~~’~~~~~~~~~ ~~~~~ ~~~~~~-~~~ ~~~ ~~~~~ ~~~~ empêcher de leur ~~~ ~~~~~~~~ (~~~~~~~~~~~~~~ ~~~~~~~~~~~~~ ~~~~~~~), ~~ ~~~~~~~~~~, ~~~~~~~~~~~~, ~~~~ ~~~~~ ~~~~~~~~~~~~ ~~ ~~~ prédestination.)\nAutre ~~~~~~~~ ~~~~~~~~~~~ ~~~ notre Camus (autre ~~~~~~ ~~~~~ ~~~ ~~~~~~~~ ~~~ ~~’~~~~~~~~~~~ ~~~ ~~~~~~~~) : ~~~~~~~~~~~. ~~~ ~~~~ ~~~ ~~~~~ ~~~~~~~. “~~~ ~~~~~~ par l’amour du ~~~~~, / ~~~ ~~’~~~~~~ ~~~~ ~~’~~~~~~~~ ~~~~~~~~ / ~~~ ~~~~~~~ ~~~~ ~~~~ ~~ ~~’~~~~~~ / ~~~~ ~~~ servira de tombeau”. ~~~~~~~~~~~ ~~~ ~~~ ~~~~~~~~~~~~ ~~~ ~~~~~ ~~~ ~~~~~~. ~~~~~~~~~~~ ~~~ ~~~~~~~ ~~~~~~, ~~~ ~~~ ~~~~~~~ ~~’~~~~~~~~~~~. ~~~~~~~ éminemment “moderne”.\nC’est définir ~~~ ~~~~ ~~~~ ~~~~~ ~~~’~~~~~ ~~~~~~~~ ~~’~~~~~~ ; ~~~~~ ~~’~~~~~~~ ~~~~~~~ ~~~ ~~~~~~~~~~~~ ~~~~ ~~~ ~~~~~~ ~~~ vie, par un ~~~~~ ~~~~~~ ~~~~ ~~’~~~~~~~~~ ~~~ ~~~~~~~~~~. ~~~~ ~~~~ : ~~~~~~~~~~ ~~~ ~~~~~~~ ~~~ ~~~ ~~~~~~~~~, ~~~~~~~~~ ~~~ viabilité de son ~~~~~~~~~~~~~~~ ~~~~~~, ~~~ ~~~~~~~~~~ ~~~~~ ~~~~ ~~~~~~ ~~~~~~~~, ~~~~~~~~~ ~~~ ~~~~~ ~~~~ ~~~~~~~~~. ~~~ ~~~~ ~~~ ~~~~~~~ le plus est ~~~ ~~~~-~~~~~. ~~~~~~~ ~~~~~~~ ~~~~ ~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~ ~~~~~~~~~~~ ~~~~~ ~~~~~~~ ~~~ ~~~~~~ ~~~~~~ ~~~~~~~~~~~, ~~~~~ ~~~~ ~~~~~~~~~ un destin, pour ~~~~~~~ ~~~ ~~~~~~~~~~~~ ~~~~~ ~~~ ~~~~~~~~ ~~~~~~~~~~~~~, ~~~~~ ~~~ ~~~~~~~~~ ~~~~~~~~~~~~~~ ~~~ ~~~~~~~ : ~~~~~ ~~~~ ~~~~~~~~~~ un dénouement, la ~~~~~~~~~~ ~~~ ~~~~~~ ~~~~~ ~~~ ~~~~~~ ~~~~ ~~~~~~~~~~~~~~ ~~~~~~~~~~~~~, ~~’~~~~~~~~~~~ ~~~ ~~~ ~~~~~~, ~~~ ~~~~~~~~~~~ ~~~ ~~~ douleur en plénitude, ~~~ transfiguration.\nEntrer ~~~~~ ~~’~~~~~~, ~~~~~~~~ ~~~ ~~~~~~~ ~~’~~~~~~~~~~, ~~~~~~~~~ ~~~ ~~~ ~~~~~~ ~~~~ ~~~ ~~~~~~~~, ~~~~~~~~ ~~~~~, d’abord, une défense, ~~~ ~~~~~~~~, ~~’~~~~~~~~~ ~~’~~~ ~~~~~~~~~~ ~~~~ ~~~~~~~ ~~~ ~~~~ ~~~~~~~~~~ ~~~~ ~~~ ~~~~~~ ~~~~ ~~’~~~ ~~~~~~~~~ ~~ son épée paraisse ~~~ ~~~~~ ~~~~ ~~~~~~ ~~~ ~~~~~~~~~ ~~ ~~’~~~~~~. ~~~ ~~~~~~~~ ~~~~~ ~~~ ~~~~~ ~~~~ ~~~ ~~~~~~~~ ~~~~ éléments. Pas de ~~~~~~~~~~~~~~~~ ~~~~~ ~~~~~~ ~~~~~~~~~~~ “~~~~~~~~~~~~~~”, ~~~~~~ ~~~~~~~~~ ~~~~ ~~~~~~~~~ ~~~~ ~~~~~~~ ~~ ~~’~~~~~~~~~~~, ~~~~~~ ~~~~~~~~ ~~~~ ~~~~~ l’excès dans un ~~~~~~~~ ~~~~~ ~~’~~~~~~~~~~~~~~ ~~~~~~~~~ ~~~~~~~ ~~~~~~ ~~~’~~~ ~~~~~~~~ ~~~ ~~~~~~~ ~~’~~~ ~~~~~~ ~~ ~~~~~. ~~~ ~~~~~~, ~~~ fiction, l’histoire (l’Histoire ~~~~ ~~~~~~~~~~~~ ~~’~~~~~~~~, ~~~~~~ ~~~~ ~~~~~~~ ~~~ ~~~~~~~~~~~~~) ~~~~~~~~~ ~~~ ~~’~~~~~~~~~~~. ~~~~~~ ~~~~ ~~~ ~~~~~~~~~ ~~~~~~~~ ~~~ se dominer (à ~~~~~~ ~~~~ ~~~~ ~~~~~ ~~~ ~~~~~ ~~~~~~~ ~~~~ ~~~ ~~~~~, ~~~ ~~~~ ~~~ ~~~ ~~~~~~~~~~~~), ~~~ ~~~~~ de la donner ~~~ ~~~~~ ~~’~~~~~ ~~~~~~~~ ~~~ ~~~~~. ~~’~~~~~~~ ~~’~~~ ~~~~~~~ ~~~~~~~ ~~~~~~~~~~~ ~~~~~ ~~’~~~-~~~~~, ~~~~ ~~~~ ~~~~~~ ~~~ théâtre, auréolé d’une ~~~~~~~~~ ~~~ ~~~~, ~~’~~~~~~~~~~, ~~~ ~~~~~ ~~’~~~ ~~~~~~~~ ~~~ ~~~~~ ~~~~~~ ~~~ ~~~~~~~ ~~~~~~~~ ~~~~ ~~~ ~~~~~~~~ d’inconnu tient d’abord ~~~ ~~~~~~~~ ~~~ ~~~ ~~~~~ ; ~~~~~~ ~~~~~ ~~~~~~ ~~~ ~~ ~~~~~~~~~~, ~~~~ ~~~~~~~~~~, ~~~~ ~~~~~~~~~~~~~ ~~~ la blessure souveraine, ~~~ ~~~ ~~~~~ contenue.\nLe ~~~~~~~~~ ~~~ ~~~ ~~~~~~~~~~~~ (~~’~~~~-~~-~~~~~, ~~ ~~~~~~~~ ~~’~~~~~~~~~, ~~~ ~~~~~~~~~~~~~ ~~~ ~~~~~ ~~~~~~ l’homme et la ~~~~~~~~) ~~~ ~~~~~~~ ~~~ ~~~~~~ ~~~~~~~~~~~ ~~ ~~~ ~~~~~~~~~~~~~~ ~~~ ~~’~~~~~~~~~~~. ~~~~~ ~~~ ~~~~~ ~~~~ ~~’~~~~~~~~’~~~~ : déjà la Quichotte ~~~~~~~~~, ~~~~~~ ~~~~~ ~~~~ ~~~~~~~ ~~~ ~~~~~ ~~~ ~~~~~~, ~~~ ~~~~~~ ~~~ ~~~~~~~~~~ ~~~~~~~, ~~~ ~~’~~~~~~ ~~~~~ “ordinateur”. Ni Napoléon ~~~ ~~~~~~~ ~~’~~~~ ~~~~~~~ ~~ ~~~~~~~~~ ~~’~~~~~~ ~~~ ~~~ ~~~~~~~ ~~~~~~~~~~. (~~~ ~~’~~~~~~, ~~~~ ~~~~~~-~~~, ~~’~~~ ~~~~~~ pas la voie.) ~~~ ~~~~~ ~~~ ~~~~~~ ~~’~~~~ ~~~~~~~ ~~ ~~~~~~~ ~~~ ~~~~~~ ~~~~~~~ ~~~~ ~~~~~~~ ~~~~~~~~~~, ~~ ~~~~~~~~~ ~~’~~~~~~~~~ sur le droit ~~~~~~~ ~~’~~~ ~~~~~~~~~~~~~~~~ messianique.\nVoilà ~~~~ ~~~~~~ ~~~~~~~~~~ ~~~~~~~~~~ ~~ ~~~~~~ ~~~~~ ~~~ ~~~~~ ~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~ ~~~ ~~~~~~~~~, “ since in ~~~~~ ~~~~~~~~~~~~ ~~~ ~~~~’~~ ~~~~~~~~~ ~~~~ ~~~~~~~~~~~ ~~~~~ ~~~~~~ ~~~ ~~~~~~~~~~ ~~~~~~ ~~~~~~ ~~~~~~~~~~~~ ~~~~ ~~~~~ ~~~~~~ falls” ( À ~~~~ ~~~~~ : “~~~~~~~~ ~~~~~ ~~~~~~ ~~~~~~~~~~~~ ~~~~ ~~~~~~ ~~~ ~~~~ ~~~~~~~~~~ ~~~ ~~~~~~~ ~~~ ~~~~ ~~~~ adoublerait le corps ~~~~~~~ ~~~ tranche”.)\nPuisque ~~~~~~~~~~~ ~~~~~~ ~~~~~~ ~~~~~~~~~~~ ~~~ ~~~~~ ~~’~~~~~~~~~~~~~ ~~~~~~ ~~~ ~~~~~~ ~~~ ~~~ ~~~~~~, ~~~~~ accéder à la ~~~~~~~~~ ~~~~~~~~~~~~, ~~~~~ ~~~~~~~~ ~~~~~~~~~ ~~~ ~~~~~~~~~~ ~~~~~~~~~~~~~~ ~~~ ~~~~~, ~~~~~~ ~~’~~~~~ ~~~~~~~ ~~~~~~~~~ ~~ ~~~~~~~~~~ ~~~ monde de façon ~~~~~~~~~~~. ~~~~~ ~~~ ~~~~~~~~~~ ~~~~ ~~~~~~~~~. ~~~~~ ~~~~~~~~~~~ : ~~~~~ ~~~~~~~~ ~~ ~~’~~~~~~~~~, ~~~ ~~~~~~~~~~ ~~~ ~~~~~~~ les chimères, d’aborder ~~~ ~~~~~~~~ ~~~~~~~~~~~~. ~~~~~ ~~~ ~~~~~~~~~~~~ ~~~~~~~~~~, ~~~~~~~~ ~~~~~~ ~~~~~~~~~~ ~~~~ ~~~ ~~~~~~~~~~ ~~~~ ~~~~~~~~~~~~~~ ~~~ ~~~~~~~~ à épouser cette ~~~~~~~~~~~~~, ~~ ~~~ ~~~~~ ~~~~~~ ~~~~~~~ ~~~~~~~, ~~ ~~~~~~~~ ~~~ ~~~~~~~~ ~~~ ~~~~, ~~ ~~~ ~~~~~ ~~~~~~~~~ d’autre autorité que ~~~ ~~~~~~~~~~~~~ ~~~ réel.\nLe ~~~~~~~~ ~~~~~~~. ~~~~~~~ ~~ ~~~ ~~~~~~~~~~~~~ ~~~ ~~~~~~~~~ ~~~ ~~~~~~~~~~~~ ~~’~~~ ~~~~~~~~ ~~~~ l’obsession des modernes. ~~~ ~~~~~~~~ ~~~ ~~~~~-~~~~~~ ~~~~~~~~~, ~~~~ ~~~ ~~~~~~~~~~~~ ~~~~~~~, ~~~~~~~~ ~~~~~~~~~ ~~ ~~~~~, ~~~~~~~~ ~~~ ~~~~ ~~~ l’impasse ou celui ~~~ ~~’~~~~~~~~~~~ ~~~ ~~~~~~~~~~ ~~~~~~~~~ ~~~~~~~~~~ ~~~~~ ~~~ ~~~~~ ~~~ ~~~~~~-~~~~, ~~~~ ~~~~~~-~~-~~~ ? ~~~ ~~~~ ~~~ quel Temple ?\nComme ~~~~~~~~ ~~’~~ ~~~~~~~~~~~~ ~~~~~~~~~, ~~~~ ~~~~~~~~~ ~~~~ ~~~ ~~~~~~~ ~~~ ~~~~~~~~~ ~~~ ~~~~~~ ~~~ ~~~ ~~~~~~, ~~~ pouvoir isoler un ~~~~~~ ~~~~~ ~~~~~~~~~~~ ~~ ~~~~ ~~~~~~~~~~~~~ ~~~~~~~~~~ ~~~ ~~~~~. ~~~~ ~~~~~~~~~~, ~~~~~~~~~, ~~~~~~, ~~~~~~~, ... ~~~~~~~ ~~~~~~, ont, eux, le ~~~~~~~~~~~ ~~~ ~~’~~~~~~~~~~~~~~~. ~~~~~~~~ ~~~~~~ ~~~ ~~~~~~~~ ~~~~, ~~~~~~~~ ~~~~~~~~~~~ ~~~~ ~~~~~~ ~~~~~~~~~~~ ~~~~ ~~~~~~~ ~~~~~~~~, ~~~~~~~~ “le slip du ~~~~~ ~~~~~~~~ ~~~~~ ~~~ ~~~~~ ~~~ ~~~~~~~~~~~~ ~~’~~~~ ~~~~~~~~~~~~~ ~~~~~~~~~~~~, ~~~ ~~~~~ ~~~ ~~~ ~~~~~ ~~~~~~~~~~~, ~~~~~~~ des vacances d’enfance” (~~~~~~~~~ “~~~~~~~~~~~~~~” ? ~~~~~ ~~ ~~~~), ~~~~~~~~ ~~’~~~ ~~~~ ~~~~~ ~~ ~~~~~~~ ~~~~~ ~~~ ~~~~~~~~~~~, ~~~~~~~, ~~~~~~~~~~-~~~ toutes les galeries, ~~~~~~~~~~~~-~~~ ~~~ ~~~~~~ ~~~ ~~~~~ ~~~~~~~~~~~ ~~ ~~~~, ~~~ ~~~~~~~~ ~~~~~ ~~~~~~~~~~~ ~~~ ~~~~~~~~~~, ~~~ ~~~~~~~~ ~~~~~~~~~ notre contradiction jusqu’à ~~’~~~~~~ ~~~~~ ~~~~~ ~~~ ~~~ mort.\nDans “~~~~.”, ~~~ ~~~~~~~~ ~~~ ~~~ ~~~~~~~~~~~~~~ ~~~~~~~~~ ~~~~ ~~~ ~~~~~~. ~~’“~~~~~~~~~~~~~~ de clore”, dont ~~’~~~~~~~ “~~~~~~~~” ~~~~~ ~~~~~, ~~~ ~~~~~~~ ~~~~ ~~’~~~~~~~~~~~~~~ ~~’~~~~~~~~ ~~~~~ ~~~~~~~ ~~~~~~ ~~~~~~~~~~~~~~ ~~~ ~~~~~~~~ ~~ ~~~ spirale de laquelle ~~~~~ ~~~ ~~~~~~~~~~~~~ ~~~~. ~~~~~~~ ~~’~~~~~~~~~. ~~~ ~~~~~ ~~~ ~~’~~~~~~ ~~~~ ~~~~~ ~~~ ~~~~~~ : ~~~~~~ ~~~ tourbillon en creux ~~~~~~~~ ~~~~~~~~~~~ ~~~ ~~~~~~~ ; ~~~ ~~~~~~~, ~~~~~~~~~ ; ~~’~~~~~~~~~~, ~~~~~~-~~~~~, ~~~~~~~ ~~~ ~~~~~~~~~~~ ~~~~ ~~~~~~~ ~~~ la Loi. (Notez ~~~~ ~~~ ~~~~~~~~ ~~~~ ~~~~~~~~~~ ~~~~~~ “~~~ ~~~~~ ~~~ ~~~~~~~~, par ~~~~~ ~~’~~~~~~~~~~ ~~’~~~~~~~~~~ ~~ l’intérieur”, ~~~~ l’inverse. Et fenêtre ~~~ ~~~~~~~~ ~~~~~, ~~~ ~~~~~~~~~~~.)\nRenaud ~~~~~~ ~~~~~~~, ~~~ ~~~~~~~, ~~~~~ ~~~~ ~~~~~ ~~~ ~~~-~~~~~~, ~~~~~ ~~~~ papa Cronos vomisse ~~~ ~~~~~~~, ~~~ ~~~~~, ~~’~~~~~~, ~~~ ~~~~ ~~~~~~~~~~~~ ~~~’~~~ ~~ ~~~~~~ ~~ ~~~ ~~~~~~ ~~~ ~~~~~~~~-~~~. ~~~, dans ce pavé-là, ~~~~ ~~~ ~~~~~~. (~~~ ~~~~~~~ ~~~~~~~~ ~~~~ ~~~~~~~ ~~~~~~~~~ ~~ ~~~~~~~~ ~~~ ~~~~~~~ ~~~ ~~~~~~.) ~~~~~~~ ~~~ compacité à l’absence. ~~~ ~~~~~~ ~~’~~~~~~~~~~~~~~~ ~~~~ ~~~~~~~~~ ~~~~ ~~’~~~~~~~~~~~ ~~~~, ~~~~~~ ~~~ ~~~~~~ ~~~ ~~~~~~~, ~~~~~ ~~~ ~~~~~ ~~~ livre, renvoie chaque ~~~~ ~~~~~~~~~ ~~ ~~~~ ~~~~~~~. ~~~ ~~~~~~ ~~~~~~~~~~~ ~~~ ~~~~~, ~~~~~~~~~ ~~~~~~~~~ ~~~’~~~~~~ ~~~~~~~ ~~~ ~~~ ~~’~~~~~~~. Un côté “solution ~~~~~~~” (~~~~ “~~ ~~~~ ~~~~ ~~~~~~~”, ~~’~~~~~~~~~ ~~~ ~~’“~~~~~~ ~~~~~~”, ~~’~~~~-~~~~ ~~~~ ~~~ ~~~~~~~ ~~~ ~~~~~~~~~~~~~ ~~~~~~~~ ?).\n“Compulsion d’exhaustivité” : ~~~~ ~~~~~~~~~~~ ~~~ ~~~~~ ~~~~~~~~ ~~~~~ ~~~~~~~~, ~~~ ~~~~~ ~~~ ~~~~~~ ~~~~~~~ ~~’~~~~~~~. ~~~ ~~~~ ~~~~~~~ ~~’~~~~~~~ au Finnegan de ~~~~~~ ; ~~’~~~~~~~, ~~~ ~~~~~~ ~~~~~~~~ ~~~ ~~~~~~~~~. ~~~~~ ~~~~~ ~~~~~~ ~~~~~~~~~~ ~~ ~~~ ~~~~~~~~~~ ~~~ ~~~~~~, pour pouvoir prétendre ~~ ~~~ ~~~~~~~~~~ ~~~ ~~’~~~~~, ~~~~~ ~~~~~~~~ ~~’~~~~~~~~ ~~ ~~~ ~~~~~~~~~~~~~ ~~~ ~~~~~~ ~~~~~, ~~~~~ ~~~~~~~~ ~~’~~~~~~~~~~ au monde, pour ~~~~~~~~ ~~~~~~~ ~~~~~~ ~~~ ~~~~~~~, ~~~~~~ ~~~~~ ~~~~~ ~~~~~, ~~~~~~~~ et ~~~~~~~~~, ~~~~~ ~~~~~~~~~~, ~~~~~~ ~~~~~ ~~~ passer par le ~~~~~~~. ~~~~~~, ~~~~~~~ ~~~~~~ ~~~~~~~~~-~~-~~~ ~~ ~~~ ~~~~~~~~~~~~~ ~~~ ~~~~~~ ~~~’~~~ ~~~~~~~~ ~~~~~~ ~~~ ~~~~ ~~~ ~~~~~~~~ actuel : cela ~~~~~~ — “~~~, ~~~ ~~~~~ ~~~~~~”, ~~~ — “~~~ ~~~ ~~~~~~, ~~~ ”. (“~~~ ~~~ ~~~~~ ~~~~~~~~ la tête. Mon ~~~~~~~ ~~ ~~~~, ~~’~~~~ ~~~~”...) ~~~ ~~~~~ ~~~~~~~~ ~~’~~~~~~~ ~~~ ~~~ ~~~~~~~~~~ ~~~~~~~~, ~~~ ~~~ ~~~~~~~~~~~~~ ~~~ abîme, de la ~~~-~~~~~~~~~~~~~ ; ~~~ ~~~ “~~~-~~~~~~~”, ~~~~-~~~. ~~~~~ ~~~~~~~~~~~ ~~~ ~~~~~~~~~~ ~~~~~~~~~~~ ~~~ ~~~ ~~~~~~ ~~~ ~~~ “~~~~~~~”, du “remix”, du “~~~~~ ~~~” ~~~~ ~~~~~~~~ ~~~~ ~~~~~~-~~~ ~~~ ~~~~~~~~~~~~~. “~~~” ~~~~~~~~~ ~~~~~~~ “~~~”. ~~~ ~~~~~~~~~~ ~~~~ ~~~ ~~~~~~~~~~ : savoir enfin ~~ ~~~~ ~~~ ~~~~~~~, ~~ ~~~~~ ~~~~~~~~~, ~~ ~~~~ ~~~~~~~~~ ~~~~ ~~~~~~ ; ~~~ ~~~~~~~~ ~~~~~~ ~~’~~~~~~~~~ (la mère enceinte, ~~~~~~~~~~~), ~~~ ~~~~~~~~~~~~~~~~ ~~~~~ ~~~ ~~~ ~~~~~ ~~~’~~~~~ ~~’~~~~ ; ~~~ ~~~~~~~~~ ~~~~~ ~~~ ~~~ ~~~~~ ~~~’~~~~~ le pape, la ~~~~~~~~ ~~~ ~~~ ~~~~~~~~~~~, ~~~ ~~~~~~ ~~~~ ~~~~~~~ ~~’~~~~~-~~~~~~~~~~~~. “~~~~.”, ~~~ ~~~ ~~~~~~~~~ ~~~ ~~~~. ~~’~~~~ ~~’~~~~~~~~ sans avancer. Le ~~~~~~~ ~~~ ~~’~~~~, ~~~~~. ~~~ ~~~~~~~~~ ~~~ ~~~~~~~~~ ~~’~~~~~~~~~ : ~~~ ~~~~~ ~~~~~~ ~~~~~~ ~~’~~~~~~~ ~~~~ ~~~ tomber : la ~~~~~~~~ ~~~ ~~’~~~~ ~~~ ~~~~~~~ ~~~~~~ ~~~~~ ~~~ ~~~~~~~~~ ~~~ ~~~~~~~~ ; ~~~~~~~~~ ~~’~~~~~~~~ ~~~~ ~~~~~~ : elle rentre, en ~~~~~~, ~~~ ~~~~~-~~~~~, ~~~~~ ~~~~~~~ ~~ ~~’~~~~~~~ ~~~ ~~~~~~~~~~~ ~~~ ~~~~ ~~~~~~~ ~~~~~~~~, ~~’~~~~~~~ ~~~ ~~~~ ~~~~. Pas question d’en ~~~~~~ ~~~ ~~~~~~~. ~~~~~ ~~~~ ~~~ “~~~-~~~~~~~” ~~~~~~~~~~, ~~~ ~~~~~ ~~~~ ~~~ ~~~~~~~~~~~ ~~~~~ ~~~~~~. “~~’~~~~~~~~ ~~~~~~~ ici définie, précisément, ~~~~~~ ~~~ ~~~~ ~~~ ~~~~~ ~~~~~~ ~~’~~~~~~ ~~~ devenir”. ~~~ ~~~~~~ : “~~’~~~~~~ ~~~~~~~~~~~~~ ~~~~~~~~~~ ~~~ ~~~~~~~ où sur le ~~~~~~~ ~~~ ~~~~~~~~ ~~~~~ ~~~~~ ~~~~~~~~~~ ~~~ ~~~~~~~~ ~~~~~~~~~~.” (~~’~~~ ~~~~~~~~~ ~~~~~~~~. ~~~~~~~~ ~~~~~~ ~~~~~~ “~~~ ~~~~~~ est à sa ~~~~~~~~~~ ~~~~~~ ~~~ ~~~~~~~~ ~~~~ ~~ ~~~~~~~~~~~” (?)). ~~’~~~~~~ ~~’~~~~ ~~~~ ~~’~~~~~~~~~~~ ~~~ ~~’~~~~~~. ~~~ ~~~~~~~~~~~~ ~~~ morceaux choisis. Le ~~~~~~ ~~~~~~~~~~~ ~~~~~~~ ~~~~ ~~~~ ~~~~~~~~~~~. ~~~ ~~~~~~~~~ ~~~~~~~~~ ~~~~ ~~~ ~~~~~~ (~~~ ~~~ ~~~~~~ ~~~~ ~~~ cavatine), mine de ~~~~~. “~~~~.” : ~~~ ~~~~~ ~~~ ~~~~~~~~~ ~~~~~~~~~ (~~~ ~~~~~~~~ ~~~~ ~~~~~~~ ~~~~~, “~~~~~~ ~~~ ~~~~~~ ~~~ l’air”) ; le ~~~~~~~~~~~ ~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~ ~~~~~~~~~~ : ~~ ~~~~~~ ~~~ ~~~~~~~~ ~~~ ~~~~~~~~~ ~~ ~~~~~ ~~~~ ~~~~~~~~~, ~~~~ ~~~~~~~ consistance à la ~~~~~~~~ ~~~~~ ~~~ ~~~ ~~~~~ ~~~ ~~~~~~~~~~, ~~~~ ~~~~~ ~~’~~~~~~~~ ~~~ ~~~ ~~~~~~ ~~~~~ ~~~ ~~~~~~~~, ~~~~~~~~, par l’attraction qu’il ~~~~~~~, ~~’~~~~~~~~ ~~ ~~~~~~~ ~~’~~~~~~~~~~. ~~’~~~~ ~~~ : ~~~~~~~ ~~~~~~ ~~ ~~~~~~~~ ~~~ ~~~~~~~ ~~~~ ~~~~~~~~~~ ~~~~~~~~~~ (...“le beau jeune ~~~~~~ ~~~~ ~~~~~~~ ~~~~~ ~~~~ ~~~~~~~~~~~ ~~~ ~~~~~~~~~ ~~~ ~~~~~~~~ ~~~~~~~~~. (...) ~~~ ~~~~~~~ ~~~ ~~~~~ ~~~~~~~ en eux quand ~~~~ ~~~~~~~~~ ~~~~~~ ” (~~~~~~~~~)) : ~~’~~~~~~~~~~~ ~~~~~ ~~~~~~ ~~~~ ~~~~~~~~~ ~~~~~ ~~~~~~~ ~~~~~~~~ ~~~ ~~~~~~~~~~ ~~ bout ; les ~~~~~~~~~~ ~~~~~~~~~~ ~~~~~~ ~~~ ~~~~~~~~~ ~~~ ~~~ ~~~~~~~~~~~~ : ~~~~ ~~~~~~~~~~~ ~~~~~~~~~~~~~, ~~~ ~~~~~~~~~~ ~~~~ ~~~ ~~~~~~~~~~ : en se ~~~~~~~~ ~~~~~~~ ~~~ ~~~~~ ~~~~~~~ ~~~~~, ~~~~ ~~~~~~~~~ ~~ ~~~ divinité.\nTout ~~’~~~~ ~~~~~-~~~~~ ~~~~ ~~~~~~~~~, ~~~~~ ~~~~~ est prêt pour ~~~ ~~~~~~~~~~~. ~~~~~~ ~~~~ ~~~ ~~~~~~~~, “~~~~~ ~~~~ ~~~~” ; ~~~ ~~~ ~~’~~~~~ ~~~~~ ~~~~ ~~~ ~~~~~~~~. (Avant de passer ~~ ~~’~~~~~~~~~~~, ~~~ ~~ ~~~~~~ ~~~~~~~ ~~~~ ~~~~~~~~~~~~ ~~~ ~~~~~~~ : ~~~~ ~~~~~~~~~~~~~~~ ~~~~~~~~~~~~, ~~~~~~ ~~~~~ ~~~~~~ par thème : ~~~~~~~~~~ ~~~~~ ~~~~~ ~~~~ ~~~~~~~~~ ~~~~~ ~~~ ~~~~ ~~~~~~~~~ ~~~ ~~~~~ ~~~~~~ (~~~~ ~~~~~~~, ~~~~ ~~~~~~~~, ~~~~~~~ des hôtels, celles ~~~~ ~~~~~~~~, ~~~~ ~~~~~~~ ~~~~~ ~~’~~~~~~~~ ~~~~~ “~~~~.” ~~~~~~~ ~~~’~~~~~~ ~~’~~~~ ~~~~~~~ ~~~~~~~ ~~~~ ~~~~~ ~~~ ~~~~~~ — dont elles ~~~~~~~~~~~~~, ~~~ ~~~’~~~~~~ ~~~~~~~~~~~~~ — ~~~ ~~~~ ~~~~~~~, ~~ ~~~~ ~~~~~~, ~~ ~~~~~~~~ ~~~ paix).\nBien ~~~~~~~~ ~~~ n’est pas notre ~~~~~~~ ~~~~ ~~~~~~~~ ~~~~~ ~~~ ~~~~~~~~ ~~~ ~~~~~~~~ ~~~~ ~~~~~~ ~~~~~ ~~~ ~~~~~~~~~ ~~’~~~~ ~~~~~~. ~~~~~~~ ~~~~ fois, pas question ~~~ ~~~~~~~~ ~~~ ~~~~~~~~~~~. ~~~ ~~~~~ (~~~ ~~~~~) ~~~~~ ~~~~~~~ ? ~~~’~~ ~~~~~ ~~~ ~~~~~~~, ~~~~~~~~~~~~~ ~~ supplée par la ~~~~~~~~~ ; ~~~ ~~~~~ ~~~~~ ~~~ ~~~~~~ ~~~~~ ~~~~~~~~~, ~~~~~~~~~~ ~~~~ ~~~~~~~ ~~~~~~~ ~~~~~ (~~~ ~~~~~ : l’ordinateur, ce commandeur ~~~~ ~~~~~~~ ~~~ ~~~~~~~~~ ~~~ ~~~~~~~~, ~~~~~ ~~~ ~~~~ ~~~~~~~ ~~~ ~~~~~~~ ~~~~~ ~~~~~~ ~~~~~~~~~~~~~). “~~. ~~.”, qui aurait bien ~~~~~~~ ~~~~~~ ~~~ ~~~~ ~~~~~~~~, ~~~~~~ ~~~~~ ~~~ ~~~~~ ~~’~~~~ ~~~~~~~~~~~~~ ~~~ ~~~~~~~ ~~~ sultan.\nDans ~~~~ ~~~~~~~ de fées et ~~~~~ ~~~~ ~~~~~~~~~~ ~~~ ~~~~~~, ~~~ ~~~~~~~~~~~ ~~’~~~~~~~~~ ~~ ~~’~~~~~~~~~ ~~~ ~~~~~~~~~~~ : ~~~ ~~~~~~~~ ~~~~ ~~~~ Renaud pour tailler ~~~ ~~~~~~~ ~~~~~~ ~~~~~ ~~~~ ~~~~~~~~~~~~~, ~~~ ~~~~~ ~~~~~ ~~~~~~~~~ “~~~ ~~~~~~~ ~~~~~ ~~~ ~~~~~~”. ~~~~ ~~~~~~~~ se perdre dans ~~~~~~ ~~~~~~, ~~ ~~~~~~ ~~~ ~~~~~~ ~~~ ~~~~~~ ~~ ~~~ ~~~~~~~ ~~~~~~~~~~ ~~~ ~~~~~~~~~~~~~~ ~~~’~~~ ~~~~~~ ~~~ lui. Son œuvre ~~~~ “~~~~~~~~~~~” ~~~~~~ ~~~~ ~~~~~~~ ~~~~ ~~~~~~~~ ~~~ ~~~~~ ~~~ ~~~~~~~~~~ ~~~~~~ ~~~ ~~~~~~~~~ ~~~~~ ~~~ ~~~~~~~~~ d’entrelacs végétaux : ~~~ ~~~ ~~’~~~~~ ~~~~ ~~~~~ ~~~ ~~~~~~~~ ~~~~ ~~~~~ ~~~~~~~~~~~~~~ (~~~ ~~~~~ ~~~ ~~~~ ~~~~~~ ~~’~~~~~~~~~~~) ~~~~ d’alimenter cette profusion ~~’~~~~~~~~~~~~~~~~, ~~~ ~~~~~~~~~~ ~~~~~ ~~’~~~~~~~~ ~~ ~~~~~~~~~~~ ~~~ ~~~~~~~, ~~ ~~~~~~~~~ ~~~ ~~~~~~~~~~~, ~~ ~~~~~~~~~~ ~~~ ~~~~~~~~~~ ; de se ~~~~~~~ ~~~ ~~~ ~~~~~~~~~~ ~~~ ~~’~~~~~~~~~~ ~~~~~ ~~~ ~~~~~~ ~~~~~~~~, ~~’~~~~~~~~, ~~~~~ ~~~ ~~~~~~~~~~~~ ~~ ~~~~~~~~ ~~~~ combinaisons, à livrer ~~~ ~~~~~~~~ ~~~ ~~~ ~~~~~~~~~~~~~, ~~~ ~~~~ ~~~~~~~~~~~~~ ~~ ~~~~~ ~~’~~~~~. ~~~~~~~ ~~~~ ~~~~~ ~~ ~~~~~~, ~~~~~ Rodolfo. Notre Thésée ~~~ ~~~ ~~~~~~~ ~~~~ ~~~ ~~~~~ ~~~ ~~~~~~~~~~, ~~~~~ ~~~ ~~~~~~~~~~ ~~’~~~~~~~~ ~~~ ~~~~~~~~~~~ ~~~~ ~~~~~~~~~~~ ~~~~~~ du monde, de ~~~~~~ ~~~~~~~~ ~~~ ~~~~~~~ ~~~ ~~~~~~~~~~~~~~ ~~~~ ~~~~~~~~~~~~~~~ ~~~~ ~~~ ~~~~~~~ ~~~~ ~~~~~~~~, ~~~ ~~~~~~~~~ ~~~ ~~~~~ doublement (triplement, quadruplement, ~~~~.) “~~’~~~~~~~~” ~~~~~ ~~’~~~~~~~~~ ~~~~~~~~~~~~~, ~~~~~ ~~~~ ~~~~~~~~ ~~~ ~~~ ~~~~~~~~ ~~~~~~~~~~~ ; ~~~ ~~~~~~~~ ~~~~~~ “~~~~~ au monde”, mettre ~~~ ~~~~~~~~~~ ~~~ ~~~~~~, ~~~ ~~~~~~~~ ~~’~~~~~~~~~~~ ~~~ ~~~~~~~~~~ : ~~~~~ ~~ ~~~ ~~~~~ ~~~~~~ ~~~ ~~~~~~~ et Thésée et ~~~ ~~~~~ ~~~ ~~~ ~~~~~ ~~~ ~~~ ~~~~~~~~~, ~~~~ ~~~~~ ~~~~~~~~~~~, ~~~~~ ~~~~~~~~~~~ ~~~~~ ~~’~~~~~~ ~~~~~~~~ ~~~ la gloire. Personne, ~~~ ~~~~~~~ ~~~~~~ ~~~~~~ ~~~~ ~~~~~~~~~~, ~~~ ~~~~~~~~ ~~ ~~~~~~~~~~ ~~~~ ~~~~~~~~~~~~~~~ ~~~~~ ~~~~ ~~~~~ ~~~~~~ ~~’~~ pas permis d’épuiser ~~~ ~~~~~-~~~~~~. ~~~~~ ~~~~~~~, ~~~~ ~~~~~~~~~~~~~~~ ~~~ ~~~~~~~~~~~~ ~~~ ~~~~~~ ~~’~~~~ ~~~~~~~~ ~~~~~~~~~~~~ ~~~~~~~~~~~~ — ~~~~~~~~~~~~~ ~~~ répugnance : le ~~~~~~~ ~~’~~~~ ~~~~~~~ ~~~~~~, ~~’~~~~~~~ ~~~~ ~~~~~~~~~ ~~ “~~~~~~~~ ~~~ ~~~~”, ~~ ~~~~~~~~, ~~ ~~~~~~~ ~~~~ ~~~~~~~~~, à chanter des cavatines.\nPuisque ~~’~~~~~ ~~~~~ ~~~~~ ~~~~~~~ ~~~~ ~~~~~~~~~~~~ ~~~ ~~~~~ ~~~~~~~~, ~~~~~~~~, ~~~~~~~~~, ~~~~~~~~~~ ~~~~~ ~~~~~~, ~~~~~ ~~ côté, dans l’inessentiel, ~~~~ ~~~~~~~~ ~~ ~~~~~, ~~~~ ~~~~~~~ ~~~~ ~~~~~ ~~~~~~~~~ ~~’~~~~~~~ ~~~~~ ~~~’~~~~~~ ~~~ ~~~~~ ~~~~~~~~ ~~~~ ~~~~~~~~~ en cause. Restons ~~~ ~~~~~ ~~~ ~~~~~~~~~~~. ~~~~~~~~~ ~~~ ~~~~~~~~~ ~~’~~~~~~~~ ~~ ~~~~~ ~~ ~~~~~~~~~~ : ~~ ~~~~~~ ~~~ ~~~~~~~~, elle trouvera le ~~~~~~~ ; ~~~ ~~~~ ~~~ ~~’~~~~~ ~~~~~~~, ~~~~~ ~~~~~~~ ~~~~ ~~~~~~~ ~~’~~~~~~~, ~~~~ ~~~~~~~~ ~~~ ~~~~~~~~, ~~~~~ autant que les ~~~~~~~ ~~~ ~~~~~~~ ~~~ ~~~~~~, ~~~ ~~~~ ~~~~~~~~ ~~~ ~~~~~~~~~. (~~~~, ~~~~~~~~~ ~~ ~~~~~~~ ~~~ ~~~~~~~~ ~~~~~ sortir de la ~~~~~~~ ~~~ ~~~~~~~~. ~~~ ~~~ ~~~~ ~~~~~~~ ~~~~ ~~’~~~~~~~~~ ~~’~~~ ~~~~~ ~~~ ~~~~~~~ ~~~ ~~~~~~~~ ~~~~ ; pour se retrouver ~~ ~~’~~~~ ~~~~~~, ~~~ ~~~~ ~~~~~ ~~~~~~~~ ~~’~~~~~~~~~ ~~~ ~~~~~~~ ~~~ ~~~~~~~ ~~~~~~~~~. ~~~~~ ~~~~~~~~~~~~ ~~ ~~~~~ jamais Polyphème en ~~~~~~~~~~ — ~~~~~ ~~~~~~ ~~~ ~~~~~~~~~.) ~~ ~~’~~~~~~ ~~~ ~~~~~~~, ~~~~ ~~~~~~~~~ ~~~ ~~~~~~~~ ~~~ ~~~~~~~~~~, ~~~~~ l’espoir que cette ~~~~~~~~~~~~~ ~~~~~~~~~~~~ ~~~~ ~~~~~ ~~~~~~~~ ~~ ~~~~~ ~~~~~~~~~~ intégrité.\nOh ! ~~~ ~~~ ~~’~~~~~ ~~~~ ~~~ ~~~~~~~~ ~~~~~~~~~ Tout le Monde : ~~~ ~~~~~~~~~~~~~ ~~~ ~~~~~~~~ ~~~~~~~ (~~~ ~~~~~~~~~ ~~~ ~~~~~~~~~~~~~ ~~~ ~~~~~~~~ ~~~~~~~~~ (~~~’~~~ ~~~ ~~~~~~~~, ~~~~~~~~~~~~~ géographique ou autres, ~~~~ ~~~~~~~~ ~~~~~ ~~~~~~~ ~~~~~~~~~~~~ ~~~~~~~)), ~~’~~~~~~~~~~ ~~~ ~~~ ~~~~~~~~~~, ~~~ ~~~ ~~~~~~~~~~~ ~~~ ~~~ ~~~~~~, ~~~~~~~ assez qu’on ne ~~~~~ ~~~~ ~~~~~~~ ~~~ ~~~~~~~ ~~’~~~~~~~~ ~~ ~~~~ ~~~~~~ ~~~~~~~~~ ~~~ ~~~~~~~ ~~~ ~~~~. ~~~ ~~~~~~~~~ ~~~ soi va de ~~~~~ ~~~~~ ~~~ “~~~~-~~~~~~~~” ~~~~ ~~~~~~~(~~’~~~ ~~~~~~~ ~~~~ ~~~~~~~~ ~~~~~~~, ~~~ ~~’~~~~~~~ ~~~~ ~~~~~~~~~~~ ~~ ~~~~~~~~ ~~~ pauvre Alfred Le Poittevin, ~~~~~~~ (“~~~ ~~~~~~~ ~~~ ~~~~~ ~~~ ~~~~~~~~~~. ~~~ ~~~~~ ~~~~~~ ~~ ~~~~~~~~~ ~~ ~~~~ ~~~~~~~ ~~~ provocations. — Je ~~~ ~~~~~~~~~ ~~~~~, ~~~ ~~~~~~~~ ~~~~ ~~~~, ~~~ ~~~~~ ~~~ ~~~~~, ~~~ ~~~~~~~.” ~~~~~~ ~~~ ~~~’~~~ ~~~~ fait, l’Alfred au ~~~~~~~. (~~~~~~~ ~~ ~~~~~~~~~ ~~~ ~~~ ~~~~~~~~ ~~~~~))). ~~~~~~ ~~~~~~~~~ ~~’~~~~ ~~~~~~~~~ ~~~~~ ~~~~~ ~~’~~~~~ ~~~ ~~~~-~~~~~. Sa tour d’ivoire ~~~~ ~~~ ~~~~~~~~ ~~’~~~~~. ~~~ ~~~ ~~’~~~~~ ~~~~ ~~~ ~~~~~~~~ ~~~~ ~~~~~~~~~~~~~~, ~~~~~ ~~~ ~~~~~~~~ ~~~~~ ~~~~~~ ; pas de ~~~~ ~~~~~~~~~, ~~~~~ ~~~ ~~~~ ~~~~~~~ ~~~ ~~~~~~~ (~~~~-~~~ ~~~~~~~~~~, ~~~~~ ~~~~~~~~~~ ~~~ ~~~~~ ~~~ ~~~~~~, ~~~ flirter avec le ~~~~~ — “~~’~~~~~~ ~~~~~~”). ~~~~ ~~~~~~~~~~~~~~~ ~~ ~~~ ~~~~~ ~~~ ? ~~~ ~~~~~~ : ~~~~~~-~~~~ ~~~~ ~~~~~~~ est surfait, que ~~~ ~~’~~~~ ~~~~~ ~~~~ ~~~ ~~~~ ~~~~~~~~~~, ~~~~~ ~~~~~~~~~~~~ ~~~ ~~~’~~~~ “~~~~ ~~~~~ ~~~~~~~~ ~~~ ~~~~~~~~” ; ne parlons pas ~~~ ~~~ ~~~~~~~~~~, ~~~~~~~~ ~~~~-~~~~~ ~~’~~~ ~~~~~~ ~~~~~ (~~~ ~~~~~~~~~~ ~~ ~~~~ ~~~~ “~~~~~~~~~~”) ; ~~~~~ ~~~~~~~~ le soupçon, éveillé, ~~~~~~ ~~~~ ~~~~~~~~~~~, ~~~~ ~~’~~~~~~-~~~~~~~~ ~~~~~~~~~~~, “~~~~~~~~” ~~~ ~~~~~ ~~~~~~~~~~~~, ~~~~ ~~~~~ ~~~~~ ~~~~~~~~~~~ ~~~ “~~~ ~~~~~~~ Belle”. Renaud Camus ~~~ ~~~ ~~~~~~~ ~~~~~~~ ~~~ ~~~~~~ ~~~~ ~~~~~~~~~~~~~~~. ~~~ ~~~~~~~. ~~~~ ~~~~~ ~~~~ ~~’~~~~ ~~~~~~~, ~~’~~~~ ~~~~~~~, d’une justesse sidérantes. ~~~ ~~~ ~~~~~~ ~~~~ ~~’~~~~~~~~~~~ ~~~~~~~~~~~~ ~~~ ~~’~~~~~~~~~, ~~’~~~ ~~~ ~~~~~~~~ ~~~~~ ~~~~~ ~~~~~~~. ~~~~~~~ ~~~~~~~~ ~~’“~~~ chaos d’idées claires”, ~~ ~~~~~~~ ~~~ ~~’~~~~~~ ~~~ ~~~~~~~~~ : ~~~ ~~~~~~~ ~~~~ ~~~ ~~~~~~~ ~~~ ~~~~~~~~ ~~~~~~~~. ~~~ ~~~~~~~~ littéraire à l’état pur.\nIl ~~~~~ ~~~~~~~~~ ~~~ ~~~~~~~~~~ ~~~~~~~~. ~~~~~~ ~~~~~~ ~~’~~~~ ~~~~ ~~~ ~~~~~~~ ~~~~~ ~~~~ ~~~~~~~~~~~~~~~~ : ~~~~~~~~~~ de voir en ~~~~ ~~~ ~~~~~~~~ ~~~ ~~~ ~~~~~~~~~, ~~~ ~~’~~ ~~~~ ~~’~~~~~~ ~~~~~~ ~~~~ ~~~ ~~~~~~~~ ~~~~~ ~~~ ~~~~~~~~~. L’issue, quand cela ~~~ ~~~~~~~~~~ ~~~~~, ~~’~~~~~~ ~~~~ ~~’~~~~~~~ ~~ ~~~~~, ~~’~~~~~~ ~~~~~ ~~~ ~~~~ ~~~~~~ ~~ ~~~~~~~~~~~, ~~ ~~~~~~~ de sa richesse, ~~~ ~~~~~~~~~~~ ~~’~~~~ ~~~~~~~~~~ ~~~~~~~~~~~, ~~’~~~~ ~~’~~~~~~~~~ ~~~~~~~~. ~~~~~~~~~ ~~~ ~~~~~~ ~~~ ~~~~ ~~~~~~~~~ : ~~~ ~~~~~~ (elle, de rire) ~~~~~ ~~~ ~~~~ ~~~~~~ ~~ ~~~~~~~ ~~~~~ ~~~~ ~~~~~~~~, ~~~~~ ~~~~~~~~~~ ~~’~~~~~~~~~~~, ~~~~~ ~~’~~~~~~ ~~~~ ~~ ~~~~~~~ les armes à autrui.\nINTERNET, ~~~ ~~~~~~~~~ ~~~ ~~~~~~~~ ~~~ ~~~~~~~~~, ~~~~~~ ~~~~~~~~ ~~~~~~~~~~~~~, ~~~ ~~~~~~~~~~ ~~~ ~~~~~~~-~~~~~, ~~~~ ~~~~~~~~~~~, ~~~ tour de magie ~~ ~~~~~~~~~~~ : ~~~~ ~~~~~~~ ~~~~~~~~~~~~ ~~~ ~~~~~ ~~~~~~ ~~’~~~ ~~~~~~ ~~~~~~~~-~~~ ~~~~~ ~~~~ ~~’~~~~~~~~~~~ ~~~~~~~ ~~ trouver la maison ; ~~~~~~~~~~ ~~ ~~~~~~~~ ~~~~~~~~~~~~~, ~~ ~~~~~~~~~~~ ~~~~~ ~~~~~~ ~~’~~~~~~~~~ ~~~ ~~~~~~, ~~ ~~~~~~ ~~~ ~~~~~ ~~~ moulins à prière ~~~~~ ~~~~~~ ~~~~~~~~~ ~~~ ~~~~~~, ~~ ~~~~~~~~~ ~~~~~ ~~~~~~ ~~~~ ~~~~~~~ ~~~ ~~~~~~, ~~ ~~~ ~~~~~ ~~~~~~~ mettre le sujet “~~~ ~~~~~~~~”. ~~~ ~~’~~~~~~~ “~~~~~” ~~~~~~~ ~~~~~ ~~~~ ~~~~~~~~~~~, ~~’~~~~ ~~~’~~~ ~~’~~~~~ ~~~ ~~’~~~~ ~~~ ~~~~~~~~, ~~’~~~~ du Cyclope, l’œil ~~~~ ~~’~~~~~~~~ ~~ ~~~~~~~ ~~~ ~~~~~~~, ~~~ ~~~~~~ ~~~~~~~~ ~~~~ ~~~~~~~ ~~ ~~~~~~~~~ ~~~ ~~~~~~~~ ~~~ ~~~~~ ; la source ~~~~~ ~~~ ~~~ ~~~~~~~ ~~~~~~~ ~~ ~~~ ~~~~~~~~~~~ ~~~~ ~~~~ ~~~~~~~~ ~~~ ~~~~ ~~~~~~~~~~~~~~ (~~~~~~ ~~~~~~ ~~~-~~~~~~~~~~, elles aussi parfaites) ~~~ ~~~ livre.\n(Simplement, — ~~’~~~~ ~~~ ~~~~~~~~ ~~~~ ~~~ “~~~~~~~~~”, — ~~~~~ ~~~ ~~~ ~~~~~~~ ~~~ ~~~ phrase tend à ~~~~~~~~~~ ~~~ ~~~~~~~~~~, ~~~ ~~~~~~~ ~~~ ~~~~~~~~ pas.)\nSi ~~~ ~~~~~ ~~~’~~~~ ~~~~~~ ~~~~~~~~~~~~~ ~~~~~~~~ ~~~~ ~~~~~~~~, ~~~ va falloir améliorer ~~~ ~~~~~~~~ ~~~~ !\nQuel ~~~~~~~~ ~~’~~~~~~~ ~~~ ~~~~~~ ~~~~ ~~~~ ~~~~~~~~~ ~~~ ~~~~~ ~~~~~ ; ~~~~~~~~~~~~~ ~~~~~ Personne ; envoyer ~~~~ ~~~~~~~ ~~~ ~~~~~ ~~~~~ (~~~~~~, ~~’~~~ ~~~~~~~ ~~~~ ~~~~~~~~ ~~ ~~~ ~~~~~~~~~~) ; ~~~ ~~~ ~~~~~~~~~~ pour Personne en ~~~~~~~~~ !\nMerci ~~~ ~~~~~ ~~~~ ~~~~~~~~~, ~~~~ ~~~~~~ ~~ ~~~~. (“~~~~ ~~~~~~ ~~ ~~~~, ~~’~~~~ toi.”)\nAurais-je ~~~~~~ la longueur de ~~~~ ~~~~~~~~~~~~~~~ ~~~~, ~~~~ ~~~~~~~~~~ ~~’~~~~~~, ~~~ ~~~ ~~’~~ ~~~~~~~ ~~~~ ~~~~~~ ; ~~~ ~~~~ ~~~ ~~’~~~~~~~ pas promis, dans ~~~ ~~~~~~~~~, ~~~~ ~~~~~~~~~~ ~~~~ ~~~~~~. ~~~~~~~~~~ ? ~~~~~ ~~~ ~~’~~~~~~~~~ ~~~~~~~ ~~~ ~~~ ~~~~~~~ ~~~~~~~~~~~~~ ~~~~~~~~~~~~~ ne m’obligeait pas ~~ ~~~~~~~~, ~~’~~~ ~~~~~ ~~~~ ~~~~~~~~~~ ~~~ ~~~~~~~ ~~~~~ ~~~~~~~~ ~~~~~~~ ~~~~~ ~~~~~~~~~~ ~~ ~~~~ ~~~~~~. ~~~ ne lui ai ~~~~ ~~~~ ~~~~~ ~~~~~~~~ (~~~~~~~~ ~~~~ ~~~ ~~~~~~~~ ~~’~~~~~~~~~ !...) : ~~~ ~~~~~~~~~, ~~~~~ ~~ ~~~~~~~~ ~~~ tutoiement faussement incontrôlé (~~~~~~ ~~~ ~~~ ~~~~~~~~~ ~~~ ~~~~) ; ~~~ ~~~~~~~~, ~~~~~ ~~~~~~~~~~ ~~~~ ~~~~~~~ ~~~~ ~~~ ~~~~~~~~~~~~ ~~~~~~~. Mais puisque tu ~~~~~~~~~ ~~~~ ~~~~~ ~~ ~~~ ~~~~~~~~~~~~~~~~~~...\nAu “~~~~-~~~~~” ~~~~~~~~~~~~~ ~~’~~~~~~ ~~~~~ ~~~~ ~~~~~~~~~~, ~~’~~~~~~~~~~ “~~~~~-~~~~~~~”, ~~~ ~~~~~ pascalien. Ce jeune ~~~~~~ ~~ ~~~~ ~~~~~~~~~~~. ~~~~ ~~~~~~ ~~~ ~~’~~~~~~~~~~ ~~~ ~~~~~~~. ~~~ ~~’~~~ ~~~~~ ~~~~ ~~~~~ ~~~~ ~~~ défaut de jeunesse ~~~~ ~~~~~~~~, ~~~~~ ~~~’~~~ ~~ ~~~~~~~ ~~~~~, ~~~~~ ~~~’~~~ ~~~ ~~~~~ ~~~ ~~~~~ ~~~~~~~~~~~~, ~~~~ ~~’~~~~~~~~~~ ~~’~~~~~~~ roi que reçoivent ~~~~ ~~~~~~~ ~~~~~~ ~~~~~~~~~~. ~~~~~~ ~~~~~~~~-~~~ ~~~~ ~~~~~~~~~~ ~~~~~~~~~, ~~~~~~~~~~ ~~~~~~~~, ~~~~~~~~~~ ~~~~~~~~~~~ ~~~~~ ~~’~~~~~~~~~, ~~~~ ~~~~ membres n’ont pas ~~~ ~~~~~~~~~~~~, ~~~ ~~~~~~, ~~~ ~~~~~~~~~~ ~~~ ~~~~~~~~~~. ~~’~~~~ ~~~~ ~~~~~, ~~~, ~~’~~~~~~ ~~~~~~~ ~~~~~~~ ~~~ ~~~~~~~ du désespoir. N’être ~~~~~~~ ~~~~~~~~ ~~ ~~~ ~~~~~~~. ~~~ ~~~~ ~~~~~~ ~~~~~ ~~~ ~~~~~~~ ~~~~~~~~~~ ~~~ ~~~~~~~ ~~~~~ ~~~ ~~~~, de déployer ses ~~~~~~~~ ~~~~~~. ~~~~~~ ~~~~~~~~~~~~ ~~~~~~ ~~~~~ ~~~~~~~~ ~~~~ ~~~~~~ ~~~~ ~~’~~~~~~~~~~~~~ ~~~~~~ ~~~~ ~~~~~~~~~~~~ ~~~~ ~~~~~~. ~~~ terreur de tomber ~~~~ ~~~ ~~~~~~~~~~~~~~~ ~~~ ~~~~ ~~~~~~~~ ~~~~~~~~~~ ~~~~~~~~~ ~~’~~~~~~~~ ~~’~~~~~~~ ~~~~~ ~~ ~~~~ ~~~~~~~. ~~’~~~~-~~~ ~~~~ ~~~~~~~~~~~ d’avoir à s’adresser, ~~~~ ~~~~ ~~ ~~~~, ~~~~~ ~~ ~~~ ~~~~~~~~~ ~~~ ~~~~~~~ ~~~~ ~~~~~~ ~~~~ ~~~~~~ ? ~~~~~ ~~~~~~. Il doit avoir ~~’~~~~~~~~~~~ ~~~ ~~~~ courte.\nÀ ~~~~ ~~~ ~~~~~~~ ~~~ ~~~~~~, ~~~ ~~~~~~ ~~’~~~~~~~~ ~~~ ~~~~~~~~~~~ ~~~~~~~~~~~~~~ : ~~~ accouchement qui demande ~~~~~~~~~ ~~’~~~~~~, ~~~~~~~~~ ~~~ ~~~~~~~~~~~. (~~~~ : ~~~ ~~~~~ “~~~~~~~”.) ~~’~~~~~~. (~~~~~ ~~~~~ ~~~~ ~~~~~ moi.)\nEt ~~~~~ : ce psychologue ~~~~ ~~~ ~~~ ~~~~~~ ~~~~ ~~~~~... (~~~~~, ~~~~~~~~~... ~~’~~~~ ~~~~ ~~~~~~~~~~~ ~~~~~~ ~~~~ ~~~~~~ !)\nÀ ~~~~~~~ ~~~ métamorphose, il me ~~~~~~~~ ~~~’“~~~~.” ~~’~~ ~~~~~ ~~~~~~~ ~~ ~~~ ~~~~~~~~~~~~~~ : ~~~~ ~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~~~~~ ~~~ ~~~~ ~~~~~~~~~~~ ~~~~~~~~~~~~~~, pour conjurer le ~~~~~~~~, ~~~ ~~~~~~~~~~ ~~~ ~~~~~~, ~~~ ~~~ ~~~~~~~~, ~~~ ~~~ ~~~~~~ ~~~~~~~ ~~~~~~~~~~~~ : ~~~~~ ~~~~~~, ~~~~~ et résurrection, mort ~~~~~~~~~~~, ~~~~~ ~~~~~~~ ~~’~~~~~~ ~~~~~ ~~~ ~~~~~ ~~~ ~~~ ~~~~~~ ; ~~~~~~~~ ~~~~~~ ; ~~~~ ~~~~~~~~~~~~, ~~~~ respiration précipitée, pour ~~~ ~~~~ ~~~~~~~~ ~~~ ~~~~~~ ~~’~~~~~~~ ~~’~~~~ ~~~~~~~ ~~~~~~ ; ~~~~ ~~~~~~~~~~~~ ~~’~~~~~~~~~~~~ (~~~~~~~ ~~~ ~~~~~~~~~~~~...), ~~~~~, de temps en ~~~~~~, ~~~~ ~~~~~~~ ~~~~~~~ ~~’~~~~ ~~~~ ~~~~~~~~~~~ tout.\nJe ~~~~~~~ (~~~~~ ~~~~~ ~~~~~~~ ~~~~~~~~~ ~~~ ~~~ ~~~~~~ ~~~ cristal) que Farid, ~~~~~ ~~~ ~~~~~, ~~~ ~~~ ~~~~~~ ~~~ ~~~~~~~~ ~~’~~~~. ~~~~~ ~~~~ ~~~~~ ~~~~~~~~ ~~~ ~~~~~~~ ~~~~~ ~~~~~~ de la jalousie ~~~~~~~ ~~~ ~~~~~~~ ~~~ ~~~ ~~~~~~ ambulant.\nPersonne ~~~~~~ ~~~-~~~ ~~~ ?\nEnveloppe ~~~ ~~~~~~ ~~~~~~~, ~~~~~~ ~~~~~~, papier épais assorti, format 21x29,7, ~~~~~~-~~~-~~~ ~~~~~~~~~~ ~~~~~~ ~~~~ ~~~~~ ~~~~~, ~~~~~~~~~~~~~~~~. ~~~~~~ ~~~~~~. ~~~~~~~ ~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~ ~~~ ~~~~~~ cachets de la ~~~~~~ : ~~~~~~-~~~~~~~ -~~~~ ~~~~-~~.-~~~~~~~ (15e)20 (peu lisible) ~~~~ [?] - ~~ 1999\nMonsieur ~~~~~~~ Personne\n~~~~ bons soins de ~~~~~~~~~ ~~~~~~~ Camus\n~~~~~~~~ ~~~ Plieux,\nEn ~~~~~ ~~ ~~~~~~~, ~~~~~~~~ ~~~~~~~~~~~, ~~~ majuscules : LETTRE\nAu ~~~~, ~~~~~~~~~~ ~~~~~~~~, ~~~~~~~ :\n~~~~~~~~~~ ~~~ ~~~~~~~ ~~~~~~, ~~~~~~~~\n~~~~~~~~ ~~~ la valise diplomatique\n~~~~ ~~~~, ~~~~ ~~~ ~~’~~~~~~~~~~~\n75351 ~~~~~~ ~~~ SP


1. 395 Bartolo Colon 2154 0.5381 0.4480 0.8725 0.5945 0.2774 0.9158 0.7645 0.1275\n2. 639 Oliver Perez 601 0.5591 0.4376 0.7567 0.5952 0.2377 0.8300 0.5238 0.2433\n4. 886 John Lackey 2763 0.5042 0.4636 0.7627 0.6317 0.2927 0.8409 0.5910 0.2373\n5. 1117 Cc Sabathia 2313 0.4682 0.4522 0.7878 0.6362 0.2902 0.8462 0.6751 0.2122\n7. 1449 Fernando Rodney 981 0.4567 0.4067 0.6842 0.6004 0.2439 0.7695 0.5077 0.3158\n9. 17096 Jason Grilli 774 0.4871 0.4858 0.7420 0.6870 0.2947 0.7915 0.6325 0.2580\n14. 31476 Matt Cain 2073 0.5027 0.4231 0.8734 0.5960 0.2483 0.9130 0.7773 0.1266\n17. 31635 Dustin Mcgowan 1171 0.4167 0.4740 0.7550 0.7049 0.3089 0.8750 0.5592 0.2450\n18. 31714 Jorge De La Rosa 864 0.4259 0.4826 0.6906 0.7038 0.3185 0.7992 0.5127 0.3094\n20. 31948 Matt Albers 962 0.5166 0.4293 0.7651 0.6016 0.2452 0.8161 0.6316 0.2349\n23. 32842 Joe Blanton 772 0.5104 0.4896 0.7169 0.6650 0.3069 0.7863 0.5603 0.2831\n28. 35863 Santiago Casilla 1024 0.4795 0.4512 0.7251 0.6497 0.2683 0.8245 0.5035 0.2749


Kawasaki ZX 10 R orig. Lenkerstummel rechts mit Gasgriff / Gewicht! - Nr. 4034\nKawasaki ZX 10 R B-Modell


Care Instructions: Turn inside out and wash with warm water (medium temperature) and mild detergent. 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